Because of this, we disagree with those investors who fear there is a risk the brand overextends.
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Chaffee said that the incident shows that when the government overextends itself like this, ordinary people aren't afraid to speak out.
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At times, Tulathimutte overextends the joke: One character claims not to have an email address, which seems far-fetched for this generation.
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Is it worth the high price for what the Surface Book 2 offers, or is this just another laptop / tablet hybrid that overextends itself with gimmicks?
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While "Extra Ordinary" overextends its ghosts-are-blasé conceit, Higgins and Ward are appealing leads, and the movie has plenty of charming moments, such as Rose watching an episode of her dad for guidance.
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He runs with monastic self-discipline in the hills not far from his hometown in Kenya, but he told me when I met with him in Berlin the week before his record run that he never overextends himself in training.
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Thomas Aquinas also writes of the right to resist tyrannical rule in the Summa Theologica. He considers a law not to be a law at all, but an act of violence, if it contradicts either human or Divine good, overextends the political power of the lawgiver, or hampers different parts of society unequally.T. Aquinas (1952). Summa Theologica, Part I-II, Question 96, Article 4 (Fathers of the English Dominican Province, Trans.).
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Glenn's remedial teacher, Eleanor Flood, a convicted arsonist, burns Archie's old house down. Adrian ends up working in an antiquarian bookshop. Having lived in relative poverty for much of his life, and for some time in London in actual squalor, he overextends himself financially, lured by the banks' promises of easy credit, and buys a converted loft apartment, at Rat Wharf. He is terrorized by swans, buys a talking fridge, and enjoys his newfound freedom as his children are "off his hands".
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Heaven Is for Real received mixed reviews. The film holds a 50% rating on the film aggregator website Rotten Tomatoes, based on 83 reviews, with an average score of 5.5/10. The site's consensus states, "Heaven Is for Real boasts a well- written screenplay and a talented cast, but overextends itself with heavy- handed sequences depicting concepts it could have trusted the audience to take on faith." On another website, Metacritic, it has a 47/100 score (indicating "mixed or average"), based on reviews from 27 critics.
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Gradually, the child realizes that the word has a more specific meaning but does not know the other words that are required to be more precise. In the second stage, the child overextends the word, using it as a form of shorthand when referring to things that are similar to the standard referent. For example, the child uses dog to refer to any animal with similar features, namely four legs. After increasing until a certain point, overextensions diminish over time as the child receives corrective feedback.
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545 The classicist G. S. Kirk criticizes Eliade's insistence that Australian Aborigines and ancient Mesopotamians had concepts of "being", "non-being", "real", and "becoming", although they lacked words for them. Kirk also believes that Eliade overextends his theories: for example, Eliade claims that the modern myth of the "noble savage" results from the religious tendency to idealize the primordial, mythical age.Kirk, Myth..., footnote, p.255 According to Kirk, "such extravagances, together with a marked repetitiousness, have made Eliade unpopular with many anthropologists and sociologists".
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Andy Kellman of All Music Guide dismissed the song as a ripoff of a Basement Jaxx song, while ironically comparing the ripoff to Basement Jaxx's "U Can't Stop Me" ripoff of Timbaland and Missy Elliott's musical collaborations. Nate Patrin of Pitchfork Magazine dismissed Timbaland's vocals as "atonal half-sung bellowing" that "overextends its welcome". Luke Bainbridge of The Observer named "Release" as one of the album's best tracks as well as one of the album's standouts, with "Bounce" and "The Way I Are". Ivan Rott, a writer for About.
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After a series of circular fights (variable rage and delusions, her family's forgiveness, proceeded by her sweetness and fun persona), she finally overextends the limit, stripping off her clothes, painting her body black and bouncing in her childhood tree house. Though her family begs her to come down, she refuses, continuing teasing, tormenting and shaking the fort until it falls from the tree, injuring her mother and killing Sweetie. Lamentably, trees involve themselves with Sweetie even after death, as her private interment is briefly disrupted by tree roots discovered in her grave. The family appears resolved, no longer scattered.
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In a few years, Arthur overextends himself and winds up seriously in debt. In the end, he works himself to death between the money he owes; jealousy over Jeanne, the love of his life (who married a man she didn't love to spite him) and the tragedy of Frieda Winter's son's suicide, for which Hawke feels responsible. A head trauma from his days of coal trucking also comes into play, and (like Thomas Wolfe) he eventually dies of an infection at a young age. In his legacy after death, he achieves the status that he had sought while alive.
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In the Kingdom of Carnava, in an age when magic supports everyday life and civilization itself, peace is maintained by the queen's knights and the Rev Magic Association. Sixteen years before the game's story begins, monsters called Beast Fiends start to appear, destroying everything in their way. Mattias, leader of the Magic Association, uses the evil Demon Blade to try to seal the source of the fiends, but is sealed away himself by the elemental witches. At the time of the game setting, new Beast Fiends have been appearing, and the government overextends its forces trying to protect the entire kingdom.
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Although immensely influential in religious studies, the ideas behind Eliade's hypothesis of the eternal return are less well accepted in anthropology and sociology. According to the classicist G. S. Kirk, this is because Eliade overextends the application of his ideas: for example, Eliade claims that the modern myth of the "noble savage" results from the religious tendency to idealize the primordial, mythical age.Kirk, Myth, footnote, p. 255 Kirk claims that Eliade's relative unpopularity among anthropologists and sociologists also results from Eliade's assumption—essential for belief in the eternal return as Eliade formulates it—that primitive and archaic cultures had concepts such as "being" and "real", although they lacked words for them.
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A peaceful insurrection in the 47th century results in the Earth Empire's leader, the Tzar, personally leading the destruction of a rebellious planet. Stunned by the carnage, the other colonies band together as the League of Free Worlds, with a man known as the Father leading the fight. The Empire's Colonial Navy sends a fleet to attack League forces in the Gallonigher system, but the League executes hit-and-run strikes as they fall back to the main capital planet, Bennay. When the Navy overextends its forces for the assault on Bennay, the League lures them into a trap inside a nearby asteroid belt, where the Navy strike fleet is destroyed.
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Jerry Renault is a freshman attending an all-boys Catholic high school called Trinity, while coping with depressive feelings and existential questions that stem largely from his mother's recent death and his father's enduring grief. Jerry is quickly recruited onto Trinity's football team, where he meets Roland "The Goober" Goubert, a fellow freshman and instant friend. Trinity's vice-principal, Brother Leon, has recently become acting headmaster and overextends his rising ambition by committing Trinity to selling double the previous year's amount of chocolates during an annual fundraising event, quietly enlisting the support of Archie Costello, the genesis and leader behind The Vigils: the school's cruelly manipulative secret society of student pranksters. Archie arrogantly plans to alternate between betraying and supporting Leon in a frenzied series of power plays.
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