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28 Sentences With "oafs"

How to use oafs in a sentence? Find typical usage patterns (collocations)/phrases/context for "oafs" and check conjugation/comparative form for "oafs". Mastering all the usages of "oafs" from sentence examples published by news publications.

Institutions that once turned out flannelled fools and muddied oafs are now obsessed with exam results.
The EPL managerial fraternity was a sea of oafs, men like Sam Allardyce and 'Arry Redknapp.
I drunkenly started drafting a strongly worded letter to Southern Rail, the incompetent oafs in charge of getting me to work every day.
They're confirmed oafs who, like their father, love saying the quiet part out loud, and who make themselves into fools jockeying for his attention.
It has made just two appearances in the puzzle already, once in 2005 (plural, clued as "Jerks"), and once in 1975 (plural again, "Oafs").
But as its most cartoonish creation, this one apparently has one weakness: banana-peel-like obstructions, casually strewn on the floor: Boston Dynamics Robots: graceless oafs, just like us.
"Texoma Shore" is autopilot Shelton: amiable, rapscallionish, but with a few concessions to the current moment, in which oafs have brushed their hair, shaved their scruff and tried to make right.
Starring Macaulay Culkin as Kevin McCallister, each of the films climaxes with an epic showdown pitting Kevin against The Wet Bandits: two bumbling oafs named Harry (Joe Pesci) and Marv (Daniel Stern).
And yet they are more culturally mainstream: a growing cohort of famous (and famously small) boys who stand in opposition to the lumbering, abusive oafs who have been dominating this year's headlines.
Rather than waxing snarky about backward oafs who don't get why harassment is bad, she says she understands the impulse, and launches into a story about seeing a service dog in an airport terminal.
It became clear only in 1957, for example — 46 years after Boule, and after several re-examinations of the Old Man's skeleton — that Boule's particular Neanderthal, which led him to imagine all Neanderthals as stooped-over oafs, actually just had several deforming injuries and severe osteoarthritis.
George Kennedy, who played tough guys, oafs, G.I.'s and a bonanza of cowboys as one of Hollywood's most versatile and durable character actors, and who won an Oscar as the best supporting actor of 1967 for his performance in the Paul Newman film "Cool Hand Luke," died on Sunday in Boise, Idaho.
They used their crude stone tools to fashion rosters built around one-dimensional scorers and complementary oafs, they entrusted a generation of poker-faced retreads as stewards of team culture and leaders of men, and of course they failed, but they were at least failing honestly, because they authentically didn't know how to succeed.
Halvar's sworn enemy is the rascally captain Sven and his crew of incompetent oafs, but most episodes have other antagonists. The series has been aired overseas, as in Flanders by Ketnet since autumn 2013 (dubbed in Dutch). In the UK it is aired on Pop.
Some philologists, using the nautical meaning of the word kylfa, interpret the phrase as "eastern ships".Anglia 137. Others, such as F. Jonsson, interpreted Austkylfur to mean "eastern logs", while Vigfusson believed that the phrase properly meant simply "men of the east". Another interpretation of the term used in Haraldskvæði is the derogatory "eastern oafs".
He usually refers to Santa as 'That Red-suited Sap' or 'Bulbnose', the elves as 'The Oafs' and the reindeer as 'The Hatracks'. Gruzzlebeard and Dudley both seem to be immortal and ageless: both have not aged when Santa travels into the year 2222, where Gruzzlebeard has become a futuristic totalitarian dictator in absence of Santa and his helpers.
Witold Jedlicki (born February 9, 1929, in Warsaw, died on September 8, 1995 in Jerusalem - Polish sociologist and journalist of Jewish descent, activist of the Crooked Circle Club, author of Chamy and Żydy (“Oafs and Jews”), in which he described the divisions in the Polish United Party Workers’ (Polish: PZPR), including so-called groups of Natolins and Pulawianie.
After burlesque in its classic style died, Ragland made his way to Broadway theatre and films. He usually playing good-natured oafs with a knack for fracturing the English language. He became a Metro-Goldwyn-Mayer (MGM) contract player beginning with 1942's Panama Hattie, reprising a role he played on Broadway. Ragland appeared in around two dozen MGM light comedies and musicals.
Why anyone should wish to spend any time there until its development is over and the dust and noise have died down is not clear.. a visitor or a purchaser can wake up any day to find a house or a hotel starting a metre or two away." -John Mercer, Canary Islands: Fuerteventura. 1973 Mercer prophetically said that Corralejo would "long be simply a spreading building site, dominated by concrete mixers, lorries, floating discarded cement bags, falling rubble and staring whistling oafs.
The most prominent representatives of the Puławy faction were Roman Zambrowski, and Leon Kasman. The name comes from the chain of apartment buildings at Puławska 24 and 26 streets in Warsaw, which survived the war. These apartments were settled mainly by a very high communist party officials, in which some of the supporters of the Puławianie group lived. The opposed Polish clique within the communist party called them “the Jews.” Witold Jedlicki described the struggle between Natolins and the Pulawians in the booklet “Oafs and Jews”.
The most well known members included Franciszek Jóźwiak, Wiktor Kłosiewicz, Zenon Nowak, Aleksander Zawadzki, Kazimierz Mijal, Władysław Dworakowski, Hilary Chełchowski. After the 8th Plenum of Central Committee of PZPR in October 1956 the faction suffered a major setback as the First Secretary of the Party, Wladysław Gomulka, chose to back (and in return, be supported by) the Pulawians. Both the Natoline and the Pulawian factions disappeared towards the end of the 1950s. Witold Jedlicki described the struggle between Natolins and the Pulawians in the booklet “Oafs and Jews” (Chamy i Żydy).
He has many insults for his servants when they fail him, including "blithering oafs", "incompetent fools" and "idiotic buffoons". Vaisey became the Sheriff a few years before Robin's return to England, taking over from Marian's father Edward. He has used the position to become the leading figure in the 'Black Knights', a group conspiring to overthrow King Richard in favour of Prince John. As a plot device to explain why Robin does not kill the Sheriff, John insures the latter's life by promising to destroy Nottingham should he be killed.
When Ned scolds Homer for allowing so many immoral activities to go on, Homer retorts that the situation is Ned's fault as he has abused his power and literally played God over the town and as a result it concentrated all the wrongdoings into a small space. Ned apologizes to the town for his interference, and he and Homer proceed to destroy all the cameras. The final scene reveals that Bakerbutcher has been using the footage to put together a British reality television series called The American Oafs, which Queen Elizabeth II enjoys watching because Ralph Wiggum reminds her of her son, Prince Charles, who walks in and comments that his "cat's breath smells like cat food".
" While the tracks "Don't Go Away" and "The Girl in the Dirty Shirt" were described as unabashedly sentimental, Du Noyer went on to observe that "there is compassion and sensitivity in these tracks that is not the work of oafs." Du Noyer conceded that Noel often tied himself up in "cosmic knots", but had "written words that sound simple and true, and are therefore poetic without trying to be." Lester read song titles such as "Stand by Me" and "Don't Go Away" as a series of demands, both to members of his private life and his public audience. Du Noyer praised Liam's vocal contributions and described his "Northern punk whine" as "the most distinctive individual style of our time.
However, there were some hurdles; he originally envisioned the Queen's tower to be a smooth, straight one, but felt that it would be too phallic, which would be meaningless symbolism given the game's content. Anthropy and Harvey held a contest for people to contribute fan art for the game; the five winners won hand-made Mighty Jill Off activity books, which included activities such as creating make-out partners for a group of "repulsive, tongue-waggling oafs", as well as writing a poem for the game's Queen. He scanned one of the books and posted it online, allowing others to contribute and send in their drawings. The book features several BDSM-related themes.
The Colts reached the Memorial Cup championship game, where they were defeated 6-2 by the Oceanic and while Jefferson shook most of the hands of the Oceanic players, he refused to shake Richards' hand after he had been named tournament MVP. Jefferson, Keefe and head coach Stewart also notoriously walked out of the Halifax Metro Centre after the final without conducting any interviews with the media. The behaviour of the Colts, most notably the Brampton Boys, drew the ire of many in hockey circles, citing their behaviour made the team appear to be boorish oafs and sore losers. The Colts recorded $10,000 worth of fines as a result of the team's conduct at the tournament.
Beard's non-fiction works often combine aspects of travel writing and memoir. His first work of non-fiction, Muddied Oafs, The Last Days of Rugger (2003), traces the changes to the game of rugby union in the wake of professionalisation. Beard looks at his own many years of playing the sport, from his school days to amateur British and Swiss clubs and on a professional team in France from 1992 to 1994, where he played in the position of fly-half. He debates how much longer he can continue to play as he accumulates injuries and slows down, yet dreads the thought of giving up the sport that he wants to believe has made him a better man It was longlisted for the William Hill Sports Book of the Year Award.
A masterpiece of comic artistry, telling the story of the Buoyant Queen and its two-man crew, Enoch and Bert, a pair of oafs with a love/hate relationship (mostly hate!), it was perhaps too intelligent for its target audience – its disappearance was a great loss to the comic. Many readers failed to understand, amongst many things in the strip that went clear over their heads, that the two main characters were drawn in the likeness of comedians Stan Laurel and Oliver Hardy, and that the strip's humour was based on the movies of Laurel & Hardy. After only five months – foreshadowing many, many reshuffles to come – Smash! underwent its first major overhaul: from issue 20 the Batman newspaper strip took over the front cover, whilst Grimly Feendish lost the colour back cover to Reid's Queen of the Seas (which shrank from its original two pages each week to only a single page – the loss of the extra page was a drawback, but was compensated for by the strip now having a more prestigious location in the comic, and of course by now being in colour).

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