"Oh, that's right, I forgot," he said, rearing up magisterially.
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That beauty is the big weakness of Sargent's magisterially painted image.
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But many others who had gone to Washington were also remembered, if less magisterially, in death.
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Mr. Hamelin, summoning tremendous power, played it magisterially, without ever losing sight of the fine thread connecting its various episodes.
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And to do that in magisterially scolding terms that it is time to stop supporting economic activity through public debt financings?
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The knock against the company has always been that it was a real estate investment masquerading as a tech company (a case which FT made magisterially last year).
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Atticus-worship is not confined to Alabamians who revere the saint portrayed in "To Kill a Mockingbird" and then enshrined in 1962's movie version by a magisterially virtuous Gregory Peck.
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He had no doubt the guy would send him his stuff, and he had no doubt it would be magisterially self-pitying (and not in the good, Robert Lowell kind of way).
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The bass Ferruccio Furlanetto evoked memories of his magisterially suffering Philip II in Verdi's "Don Carlo," with his tone disintegrating into stark fear as he repeated the word "mors" ("death") in the Dies Irae.
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In these City Ballet performances, the freedom of Robbins's departures from the details of his music felt like the paintings in which Cézanne leaves parts of the canvas magisterially unpainted, or like Matisse cutouts.
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To top it all off, and presumably to reassure his Chinese friends, Germany's foreign minister was magisterially coaching the president of the United States, via a tabloid interview on Sunday, on how to treat the West's core interests on the world stage.
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But at the same time, he and his allies have consistently – if not yet magisterially – expressed their strong preference for the more liberal side of the debate, suggesting that if they imagine a decentralization of doctrinal pastoral practice, they also imagine it being temporary, with any differences ultimately resolved in favor of a reformed approach to divorce, remarriage and the Eucharist.
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Marlene Dietrich in her classic cabaret pose. Her reclining position with one leg elevated was selected after a dozen other attitudes were tested and discarded.Baxter, 1971. p. 19: "... arrived at only after much experiment ..." Marlene Dietrich as Lola: "She straddles a chair...imperiously, magisterially, fully the measurer of men in the audience..."Sarris, 1966. p.
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He was best known as Wotan/Wanderer and Hans Sachs. Recordings are available with him in these roles from the late 1940s to the mid-1950s, including two complete Meistersingers as Sachs, one of them (from 1956) magisterially sung by Frantz and conducted by Rudolf Kempe. "Opera" called his Sachs "one of the most impressive of our day". He also left records as Amfortas, Gurnemanz, Friedrich von Telramund, Iago (in German translation), Don Pizarro and Jokanaan, and as bass soloist in Beethoven's 9th Symphony.
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Desolation, a paradigm of Modernisme sculpture, magisterially represents the formal traits of Symbolism as adopted by the more outstanding Catalan sculptors of the day. These traits include undulating lines and softened contours, features that derive from The Danaide by Auguste Rodin. Even so, a notable difference exists between the resigned, melancholic and chaste attitude of Desolation and the vitality, strength and sensuality of the French sculptor's work. With Desolation, Llimona brought his process of sculptural renewal to a peak while also summing up the Symbolist aesthetic of one of Catalan art's most brilliant periods.
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The anti-Catholic Gothic tradition continued with Charlotte Brontë's semi-autobiographical novel Villette (1853). Bronte explores the culture clash between the heroine's English Protestantism and the Catholicism of the environment at her school in 'Villette' (aka Brussels) before magisterially pronouncing "God is not with Rome." In a chapter of Fyodor Dostoevsky's The Brothers Karamazov called The Grand Inquisitor, the Catholic Church convicts a returned-from-Heaven Jesus Christ of heresy and is portrayed as a servant of Satan. Dan Brown's best-selling novel The Da Vinci Code depicts the Catholic Church as determined to hide the truth about Mary Magdalene.
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" Other reviews are average, mixed or negative: Yahoo! Music UK gave the album six stars out of ten and said of Interpol: "Crucially, it seems their ability to write a magisterially moving song such as "NYC" or "Obstacle No 1", both from their debut, seems to have abandoned them. In fairness, sonically speaking, this is their best effort yet." Blender gave it three stars out of five and also said of Interpol: "In fleshing out the contours of a sound once slavishly indebted to early-'80s titans like JD and the Smiths, they've nuanced the moods Banks moons over.
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Jon Dolan of Blender called In Rainbows a "far more pensive and reflective" album than Hail to the Thief, writing that it "formulates a lush, sensualized ideal out of vague, layered discomfort." Spins Mikael Wood felt that the album "succeeds because all of that cold, clinical lab work hasn't eliminated the warmth from their music", while Pitchforks Mark Pytlik dubbed it a more "human" album that "represents the sound of Radiohead coming back to earth." Robert Christgau, writing for MSN Music, gave In Rainbows a two-star honourable mention and noted that the album, having been developed in concert, was "more jammy, less songy and less Yorkey, which is good". The Wire was more critical, finding "a sense here of a group magisterially marking time, shying away ... from any grand, rhetorical, countercultural purpose".
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