And this one, though known only and rather impersonally as T3, was special.
|
|
Impersonally, the men support one another; there are some spectacular lifts, throws and catches.
|
|
It can be performed coldly, impersonally; the work under review can be taken almost as an authorless artifact.
|
|
" The same Times story also describes conditions for these facilities as ranging from "impersonally austere to nearly bucolic.
|
|
As she looked up and met my eyes agreeably and impersonally, I worked to get my bearings in this new world.
|
|
The most immediately pressing one was what the Internet had taught me to call—clinically, impersonally, at a safe distance from my mortification—anorgasmia.
|
|
The museums we're most familiar with — the noble institutions with endowments in the millions — promise an education; they offer, impersonally, to elevate us into their realm of civilization.
|
|
From the perspective of someone receiving and buying cards, McDowell found herself put off by the categories: religious, weird jokes or impersonally stating "with sympathy" next to a depiction of flowers.
|
|
Medicare for all, which under the impersonally bureaucratic guise of "single payer" polled at 34 percent five years ago, has been rebranded as "Medicare for All" and is now neck-and-neck with the status quo.
|
|
Friction: he looked out across the city sky and flicked the lighter's wheel, prepared for the night to go up all around him, but the night, as the night was wont to do, rolled impersonally on.
|
|
Sontag was undergoing treatment for cancer but wrote impersonally, careful to avoid writing "I" and "cancer" in the same sentence; Lorde's first-person book was published into a silence that has since been replaced by a din.
|
|
Dehumanization gets around moral barriers and enables people to impersonally oppress another human being in order to make it so that the person is no longer an equal but a lesser creature, stripped of their positive human qualities.
|
|
Playwright George Bernard Shaw, an opponent of the war, popularized the once-uncommon phrase "cannon fodder," which suggested that soldiers of all nations had been impersonally requisitioned to feed the guns or duped into enlisting by interchangeably imperialist rulers.
|
|
But more than 21,2500 children — some of them separated from their parents, some of them classified at the border as "unaccompanied minors" — remain in these facilities, where the environments range from impersonally austere to nearly bucolic, save for the fact that the children are formidably discouraged from leaving and their parents or guardians are nowhere in sight.
|
|
Before verbs beginning with vowels, the pronouns are often contracted. Transitive verbs used in the third person or impersonally in a passive sense, with pronouns in the objective case prefixed, also look like unconjugated intransitive verbs. Matthews, Washington. Grammar and Dictionary of the Language of the Hidatsa.
|
|
She brings him a drugged cup of tea. Mother tries to retrieve the tea but is too late. Jan tries to express his feelings to her, but Mother replies impersonally. When Jan falls asleep, Martha takes his money and they prepare to throw him in the river.
|
|
When the verb of speaking is passive, it can be used either personally ('he is said to have done it') or impersonally ('it is said that he did it').Gildersleeve & Lodge (1895), p. 332; Allen & Greenough (1903), p. 377. A present tense such as is usually used personally: : (Cicero)Cicero, Fam. 9.18.1.
|
|
An organization that is established as a means for achieving defined objectives has been referred to as a formal organization. Its design specifies how goals are subdivided and reflected in subdivisions of the organization. Divisions, departments, sections, positions, jobs, and tasks make up this work structure. Thus, the formal organization is expected to behave impersonally in regard to relationships with clients or with its members.
|
|
An organization that is established as an instrument or means for achieving defined objectives has been referred to as a formal organization. Its design specifies how goals are subdivided and reflected in subdivisions of the organization. Divisions, departments, sections, positions, jobs, and tasks make up this work structure. Thus, the formal organization is expected to behave impersonally in regard to relationships with clients or with its members.
|
|
Brigitte Frase of the San Francisco Chronicle called the novel well-constructed but seemingly constructed from psychological profiles of dysfunctional families, traumatized war veterans, and cult leaders and followers. A. O. Scott of the New York Review of Books felt that the violence seemed gratuitous because of the "absence of a persuasive context" and that Skaggs's hold over Ingrid was insufficiently explained. Scott called the prose "fluid but impersonally competent".
|
|
The Self, according to Jung, is the most important and difficult archetype to understand. It is realized as the product of individuation, which is defined as the process of integrating one's personality. The self can appear to the individual both impersonally as dreams and images (circle, mandala, crystal, or stone) or personally (royal couple, divine child, or another divine symbol). Symbolic spiritual people, such as Christ and Mohammed, are also seen as symbols of the self, because they represent unity and equilibrium.
|
|
Rutter was tall with an incisive profile, an enthusiastic character and a strong manner of delivery. He was a supportive friend and good company who injected conversations with humour, for which he adopted an "uncular" manner. He was modest and generous, not motivated by personal ambition, but advancing the interests of art and artists over any profit for himself. His approach was not that of an intellectual applying logic impersonally, but through aesthetic intuition and an empathy for the creative process.
|
|
Extracted from a larger narrative, the resulting stylized image became in some cases a "virtual abstraction". By recreating their minimalistic graphic techniques, Lichtenstein reinforced the artificial nature of comic strips and advertisements. Lichtenstein's magnification of his source material made his impersonally drawn motifs seem all the more empty. Busche also says that although a critique of modern industrial America may be read into these images, Lichtenstein "would appear to accept the environment as revealed by his reference material as part of American capitalist industrial culture".
|
|
In Yonge's novel The Daisy Chain, the main character, Ethel, successfully raises money for and helps teach at a school for the children of Cocksmoor. When the school becomes the benefactor of a local charity bazaar, Ethel objects to the market mentality that charity bazaars engender. Theatre actresses frequently helped with charity bazaars, which helped to blur the boundaries between their on- and off-stage personalities. Actresses helped donors have a relationship with their recipients, in contrast to newspaper advertisements, which petitioned for donations impersonally.
|
|
Lambada opened on March 16, 1990 at #8, and earned $2,031,181 to 1117 theaters. It quickly fell from the box office with a scant $4,263,112, after receiving mixed reviews. It currently holds a 47% on Rotten Tomatoes. Kevin Thomas, in his review (of this film and The Forbidden Dance) for the Los Angeles Times, noted that both of them 'revive the spirit of Sam Katzman, who turned out similar quickies in the ‘50s to cash in on rock ‘n’ roll and the Twist'; he singled out Lambada as the 'slicker but more impersonally directed' of the two.
|
|
For speakers of the north, this is usually the only place where is encountered, giving it a formal and archaic tone, even though it is neutral in the southern areas where it is still used. The pronoun (unstressed variant of ) can also be used impersonally, corresponding to the English generic you. The more formal Dutch term corresponding to English generic you or one is . In Dutch the formal personal pronoun is used for older people or for people with a higher or equal status, unless the addressed makes it clear they want to be spoken to with the informal pronoun.
|
|
Kulka's book, Landscapes of the Metropolis of Death. Reflections on Memory and Imagination, was published almost simultaneously in various European languages and worldwide during 2013–14. It is fundamentally different from his scholarly works, as he attests in the introduction: > I assume that readers of my historical publications will have identified me > unequivocally with an attitude of strict and impersonally remote research, > always conducted within well-defined historical categories, as a kind of > self-contained method unto itself. But few are aware of the existence within > me of a dimension of silence, of a choice I made to sever the biographical > from the historical past.
|
|
" On July 3, 1977, Dr. William E. Hull (1930–2013), the pastor of the First Baptist Church of Shreveport from 1975 to 1987, delivered the sermon "Shreveport at the Crossroads", a condemnation of the scandal engulfing D'Artois, who had died the previous month. Hull discussed the long-range prospects for the recovery of quality of life in the city. Stonecipher said that friends told him later that there was > "a remarkable silence in the huge sanctuary as the sermon was preached. Many > of those to whom Dr. Hull would impersonally refer were, in fact, sitting > and listening, saving their reactions for other days and times.
|
|
That is, the movant is usually required to serve advance written notice along with some kind of written legal argument justifying the motion. The legal argument may come in the form of a memorandum of points and authorities supported by affidavits or declarations. Some northeastern U.S. states have a tradition in which the legal argument comes in the form of an affidavit from the attorney, speaking personally as himself on behalf of his client. In contrast, in most U.S. states, the memorandum is written impersonally or as if the client were speaking directly to the court, and the attorney reserves declarations of his own personal knowledge to a separate declaration or affidavit (which are then cited to in the memorandum).
|
|
34: "Poteat complained frequently and colorfully about the philosophical fantasy of the 'deracinate' knower [namely, the knower immortalized in Descartes' conception of the cogito], plucked up out of body and history, and divested of concrete particularity in order to reason impersonally and therefore reliably. Yet his more serious and abiding concern focused on the tendency of philosophical accounts to empty knowing, evaluation, and decision of any vestiges of agency at all." In Poteat's own words, "In fact, as we can now begin to see, the whole of modern culture could be described as an assault upon place, status, and room for personal action by the abstracting intellect." From "Persons and Places," in The Primacy of Persons and the Language of Culture, p. 39.
|
|
Historian Steve Fraser says the mood was sharply hostile toward big business: > Biographies of Mellon, Carnegie and Rockefeller were often laced with moral > censure, warning that "tories of industry" were a threat to democracy and > that parasitism, aristocratic pretension and tyranny have always trailed in > the wake of concentrated wealth, whether accumulated dynastically or more > impersonally by the faceless corporation. This scholarship, and the cultural > persuasion of which it was an expression, drew on a deeply rooted > sensibility–partly religious, partly egalitarian and democratic–that > stretched back to William Jennings Bryan, Andrew Jackson and Tom Paine.Steve > Fraser, "The Misunderstood Robber Baron: On Cornelius Vanderbilt: T.J. > Stiles's The First Tycoon is a gilded portrait of the robber baron Cornelius > Vanderbilt," The Nation Nov. 11, 2009 However, contrary opinions by academic historians began to appear as the Depression ended.
|
|
James F. McGrath of the religious website Patheos found that "A Town Called Mercy" had strong religious themes and moral messages, writing that it "really is about mercy, about forgiveness, about war crimes, about vengeance, and about justice". He interpreted Amy's comment about how the Doctor's behaviour was due to his being alone for too long to mean that "when we loosen our ties to other human beings, we can begin to treat matters of mercy and justice, and the fate of other persons, differently, impersonally". McGrath also noted a "take-home religious message" in the scene near the end where the town gathers in the church while the Gunslinger and the Doctor face off; he felt that it emphasised the importance of valuing human life. Gavin Fuller of The Daily Telegraph wrote that the Western concept was "effectively window-dressing for Toby Whithouse's powerful morality tale, where not everything was quite as it seemed and went on to explore issues of morality, ethics, conscience and justice".
|
|
A so-called dynamic infinitive may be governed by verbs of will or desire to do something ( or "to be willing, wish to", "pray, wish for", "pray against, imprecate curse to", "choose, prefer to", "to be about to, or: delay to", "urge, command to", "order to", "vote to", "allow to", "beg to" etc.), verbs of will or desire not to do anything ( "fear to", "be afraid to", "abstain from doing", "be ashamed to", "forbid to", "hinder, prevent" etc.) and verbs or verbal expressions denoting ability, fitness, necessity, capacity, etc. (, "be able to", , "know how to", "learn to", , "I am able to", "it is fair/right to", "it is necessary to", "it is time to" etc.). It can also be found after adjectives (and sometimes derived adverbs) of kindred meaning ( "skillful", "able", "able", "sufficient, capable" etc.). It stands as the object (direct or indirect) of such verbs or verbal expressions, or it serves as the subject if the verb/the verbal expression is used impersonally; it also defines the meaning of an adjective almost as an accusative of respect.
|
|