Approaching the door to his beloved laboratory, it asks him for the password – "Omelette du fromage," he says, cockily.
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"Thought we were in trouble for a second," Han says, cockily, in the cockpit of the Falcon at the end of the trailer.
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Yet a crack Chomskyan teaching syntax in the department I was trained in cockily remarked to students that he had thought the whole subfield would have been abandoned years ago.
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And, as always, Silicon Valley's dominant theme remains the arrogance of innovators, who get distracted by petty point-scoring battles, and who cockily presume their talents in one area must be universally applicable.
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Bricknall's roommate Iggy is portrayed with a vertical crimson mane (above), dressed in a shredded black singlet and 'No Future' pants, cockily examining his own likeness in the mirror like a punk Narcissus.
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But hearing a British police officer on Undercover cockily say: "hold it, it's not safe to go in there," as the activist desperately pleads for help serves as a reminder that America's problems can also be our own.
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The actor Ato Blankson-Wood, who plays a character the audience first meets as an enslaved man, Gary, hopped up on a prop wagon and stood cockily on its lip, arms akimbo, pelvis pointed square to the front of the room.
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Having lost its reason for being when traffic was shifted to one of two cockily stylish twin replacement spans, its steel and concrete sections are being picked apart by crews of ironworkers and shipped off for use in other bridges and highways like kidneys and livers destined for organ transplants.
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Ali Asgar (Sanjay Dutt), a former goon and mechanic, also an acquaintance of Patwardhans, decides to help them. Soon, Ali succeeds in procuring a gun for Vidyadhar. Vidyadhar decides to confront Harshwardhan in his own office. Harshwardhan cockily lets him enter in and starts taunting him.
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The next morning, Plummer informs Lou that Maples, convinced of Lou's guilt, has committed suicide. Lou cockily refuses to Hendricks and Plummer. They find a letter Amy intended to give Lou in which she begs him to come clean. Lou is arrested and sent to an insane asylum, where he suffers hallucinations of Amy and Helene.
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Fuming, Luke finds out where they live and trashes their house, buy drops Nancy's credit card in their home. After seeing Luke at the police station with Nancy, Mark confronts him at the Osborne house. Mark continues to behave as cockily as he did 17 years ago and shows no remorse for what happened. Mark goes to meet Jenna but finds Luke has followed him.
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Father and son stood head to head, while Dennis bragged about Sharon leaving with him. Cockily, he shoved his father aside. Furious, Den spat out that some twisted pervert must have got to Dennis in the past, and caused him to think that a relationship with his own sister was acceptable. He described the abuse Dennis must have suffered in care and waved goodbye to the son he never wanted.
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Similar to the previous song, the eleventh track of the album has racy lyrics; on it Timberlake "cockily" sings the line, "I could think of a couple positions for you". "Let's Take a Ride" is the twelfth song on the album, on which, according to Uncut magazine, Timberlake "offers to deliver you from your humdrum existence". The record concludes with "Never Again", a ballad, on which Timberlake becomes "downright maudlin and snippy".
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Benton sees a patient with a ruptured aneurysm and severe internal bleeding, requiring immediate surgery. With no surgical teams available, Benton—despite only being a resident—decides to perform the surgery himself; Lewis calls for chief of surgery Dr. Morgenstern. Benton cockily begins his first solo procedure; he finds the bleed and holds it closed until Morgenstern can take over. Morgenstern criticizes Benton’s incision, declaring that a veterinarian could have done better, but congratulates him for making the right call.
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Sentient and English-speaking, the towering Haxil is about to remove Wesley and begin delivering its spawn when Angel cockily appears, rolling a huge white tank, his gift for "the baby shower," down the ramp in front of him. Hefting the tank, Angel whirls and launches it at the Haxil, who reflexively catches it. Before the Haxil can react to the liquid nitrogen label now visible, Wesley shoots a hole in the tank. The tank falls and sprays the escaping vapor over the demon, freezing it solid.
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She sings of the "Gifts of Love" she's received from men in her past: her passionate affair with a married man named Paul, and her gentler feelings for Aimable. Closing the door on her past, she resolves to be a good wife to the baker. While picking up the Marquis' pastry order, his driver, Dominique, eyes Geneviève, mistaking her for the baker's daughter, just as the Marquis himself did earlier. Geneviève corrects the handsome chauffeur, but he cockily insists on addressing her as Mademoiselle.
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Good raises his fist, which grows and grows until it hovers over him and flattens him, possibly representing punishment for thinking evil thoughts. Good grows into a huge monster, ten times the size of the other two, but each time he does, the fist bears down on him again. In response, Beauty turns back into the figure, this time with a bow and arrow, and shoots the fist, to Good's alarm. A drop of blood falls on Good, which sends him into a rage as Beauty cockily plays his tune on his bow.
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Lawrence Jameson is a refined, elegant con artist living in the French Riviera town of Beaumont-sur-Mer, where he masquerades as the deposed prince of a small European country, seducing wealthy women into donating money and jewellery to his revolutionary "cause". Meanwhile, Corporal Freddy Benson is a small-time operator in the US Army stationed in Germany, conning his way into the hearts (and wallets) of young women with sob stories about his sick grandmother. His attempt at seducing the daughter of a local burgomaster backfires when her father arrives home early, but Freddy is able to blackmail his colonel into giving him an early discharge. On a train to Beaumont-Sur-Mer, Freddy cockily displays his skill as a conman to Lawrence, whom he believes to be a henpecked husband.
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In all other respects, professionally and personally, Jack's life is a series of empty one-night stands. Now and again, he plays the challenging music he really cares about at a local jazz club. Concerned over the way they keep losing gigs, the Baker Boys hold auditions for a female singer to join the outfit, ending up with the beautiful but eccentric Susie Diamond, a former escort with unusual charisma, a sultry singing voice, and emotional baggage she keeps well hidden most of the time. She arrives late for the audition, cockily irreverent of their professional reputation, and ticks Frank off by saying she has an intuition he will hire her anyway—but overcomes his reservations with her impassioned performance of "More Than You Know", with Jack accompanying her, clearly more impressed with Susie's singing (and Susie herself) than he wants to admit.
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