But the shadows do not lope like hunters, they simply melt away.
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Episode 9: "881 Lope de Vega" The hunt for Kiki Camarena is on.
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Despite his own use, Matt strongly urges people to avoid lope at all costs.
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The young man approached from the opposite direction with a long and easy lope.
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At the start, lope offered Chris the exact type of relief he was looking for.
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Louisville out-rebounded Grand Canyon 41-35 and scored 21 points on 19 Lope turnovers.
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After reading up on the Internet, Chris thought lope could be the solution to his problems.
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Suzanne Minter, an experienced rider volunteering her time at LOPE, first met Wooden Phone five years ago.
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The first couple of hours lope along, weighed down by long, exposition-filled windups and character introductions.
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The brakes would work better, the steering would be stronger, the engine would purr instead of lope.
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I'm going to step away from the computer for a minute to read up in Lope Magazine.
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Now Gamboa and the women of El Vacie have embarked on their second collaboration: Lope de Vega's Fuenteovejuna.
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He can climb up to ledges using his powerful arms, and lope himself around gracefully, given his massive size.
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We see tap's ancestors in her spirited rendition of the buzzard lope, a heel-toeing dance with West African roots.
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He grew up going to the theater with his parents: plays by Lope de Vega, Pedro Calderón de la Barca.
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Some were not pleased with the board's decision, including Lope Yap Jr., the vice president of the school's alumni association.
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Lope Yap Jr., vice president of the Washington High School Alumni Association, cast the sole vote to save the frescoes.
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The first movement, especially, went at an easygoing lope, and Mr. Ehnes played cleanly and displayed ample virtuosity of a relaxed sort.
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Even though he uses lope daily, he doesn't see his habit as dangerous because of the way he carefully monitors his dosage.
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When I collected beer glasses, he would lope up behind me and put his chin on my shoulder like an overgrown puppy.
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They will lope through red river washes and beneath natural arbors of birch and Russian Olive, willow and cottonwoods turned autumnal gold.
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The term pishtaco , he speculated, originated in the sixteenth century, when Spanish conquistadors such as Lope de Aguirre began exploring the Amazon.
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A couple of sweet Lopez volleys put the duo 8-4 ahead and Lope crunched a forehand winner to bring up match points.
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LOPE Texas is just one of hundreds of organizations across the country dedicated to rescuing and rehabilitating ex-racehorses for new homes and purposes.
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LOPE founder Lynn Reardon was surprised by Minter's soft spot for the horse -- Wooden Phone was not an adoption candidate after his many injuries.
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We then lope — sorry, I mean run — into BROOKLYN, with 51A's "Step 2: An old baseball team," which is, of course the (BROOKLYN) DODGERS.
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You might have picked up on LSD and XTC, OWS and OOFS or LOPE and GALOP, or more oppositional terms like KALE SALAD vs.
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Like LOPE, an extensive adoption process ensures that each new home is a good fit and requires follow-ups in the months and years ahead.
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Founded by Lope Serrano and his partner Nicolás Méndez, the internationally renowned collective is bound by shared aesthetics and directing techniques, creating work that's simple yet gorgeous.
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Inland, Forest Rise Chalets has free-standing cabins that are nestled into a fairyland-like forest, where kangaroos lope through the trees right in front of your bedroom window.
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"In my entire life, no one has ever, ever accused me of being a 'white supremacist,'" Lope Yap Jr., a filmmaker and the vice president of the alumni association, told me.
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John Lope Jr., 19, says he was just doing what his parents taught him last week when one customer at a Princeton Walmart became upset after coming up short on the bill.
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Well, you could start by giving Adam Driver the starring role, hiring Jon Hamm to lope in and out of otherwise stagnant scenes, and threading shocking flashbacks through the more arid patches.
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He finished his lecture at Princeton with blueprints and conceptual drawings of the bridge of a lifetime, an old-man project outdoing the plays of Lope de Vega or jumping out of airplanes.
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His introspective lyrics lope over a stuttering and woozy beat on single "GOAT Talk," which he performed for us as part of our week celebrating the Greatest UK MCs of All Time in early February.
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But you merely need to watch Trump lope from his comfy chauffeured car to his plush private jet to know that everything below his waist is working magnificently, including his toes, of which there are an even number.
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The following month, John Landy scampered over the line a full second and a half quicker than Bannister; 13 months after Bannister's landmark lope, three runners in a single race (none of them he or Landy) broke four minutes.
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The rooms are arranged by Hogwarts' school subjects, which means visitors wind their way from Potions to Herbology to Charms and on until they reach Care of Magical Creatures, where the shadows of unicorns and centaurs lope past on the wall.
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There's no across-the-board truism for running in the heat, and acclimatization is a hell of a drug: Some folks don't leave the house without enough water for an overnight camping trip, while some camels can happily lope along under the blazing sun for an hour without noticing.
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Late last September, the intimacy coordinator Mitchell McCoy arrived at the New School for Drama Theater in Manhattan to work a scene between two sophomores in the B.F.A. program who were just starting rehearsals on an adaptation of ''Fuenteovejuna,'' a 17th-century Lope de Vega play about Spanish villagers who overthrow a villainous military commander.
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Claustrophobia's always compelling, and lo and behold the band's first broadcast since the slow lope of 2011's The King of Limbs professes to be just that—"a low flying panic attack," built out of choked-out strings, garbled electronics, and frontmiser Thom Yorke's delineation of the perils of social interaction ("Avoid all eye contact/do not react").
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Lope de Vega Fuenteovejuna () is a play by the Spanish playwright Lope de Vega. First published in Madrid in 1619, as part of Docena Parte de las Comedias de Lope de Vega Carpio (Volume 12 of the Collected plays of Lope de Vega Carpio),Edwards, Gwynne, ed. and trans. Lope de Vega, Three Major Plays (with The Knight of Olmedo and Punishment without Revenge).
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The Instituto Lope de Vega (Spanish: Instituto Lope de Vega) is located in Madrid, Spain. It was declared Bien de Interés Cultural in 1999.
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He also published a small work on Lope de Vega (1806) and a 2-volume work (1817) on the lives and writings of Lope de Vega and Guillén de Castro.
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Ticlo may have brought part of Las Encartaciones to Lope, thus uniting them permanently with Biscay. She gave birth to an heir, Diego I, named after her father. The names Diego and Lope would alternate in the heads of the family for generations. Ticlo bore four other children: Sancho, Toda (who married Lope González, who succeeded Lope in Álava), Sancha and Teresa (who married García Sánchez de Zurbano and later went on a pilgrimage to Rome).
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It leaves open the question of how literate Lope may have been.Barton, 63. In 1169 Lope founded a Cistercian convent at Hayuela (Fayola) in the Rioja. In 1170 it was re-founded at nearby Cañas.
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The Lope de Vega Theatre (Teatro Lope de Vega) is a theater in Madrid, Spain. The Lope de Vega Theatre was built between 1946 and 1947. It provided seating at the orchestra level and in two levels of balconies, with ornate decorations. It opened in August 1950, when the first live shows were performed in what became one of Madrid's showplace theatres.
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Lope De Vega (tr. David Johnston). Madness in Valencia (Absolute Classics, 1998).
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Barton, 50. Lope died on 6 May 1170, a date confirmed by the Annales compostellani.Era M.CC.VIII. (obiit) bonae memoriae comes Lupus ("In the Spanish era 1208 died Count Lope of good memory"), quoted in Canal Sánchez-Pagín, 19.
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Sgt. Lope (Demián Bichir) is the ranking military officer aboard the Covenant who is married to Sergeant Hallett. Lope leads the excursion on the planet's surface to the crashed Engineer ship. On the journey back to the lander, Lope notices Hallett's condition deteriorating, which alarms him. Upon reaching the lander, the ship explodes and a Neomorph attacks while another bursts from his husband's throat.
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The play comes from Lope De Vega's series called the Partes de comedias (The Comedy parts). This was his XI Parte of 1618. The way Lope de Vega intended his audience to view his works was by reading them at home.
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In the study done at Lope, gorillas harvest most of their food arboreally, but less than half of their night nests are built in trees.Tutin, Caroline. "Ranging and social structure of lowland gorillas in the Lope Reserv, Gabon." Great Ape Societies.
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Fenisa's Hook () is a play written by the Spanish playwright Lope de Vega. It was first published in 1617 in the eighth part of Lope de Vega's Comedias. Based on the tenth tale of the eighth day of Boccaccio’s Decameron, it has been called a picaresque play, works that exhibit an uncharacteristic moral freedom. Joan Oleza. “Las comedias de pícaro de Lope de Vega: una propuesta de subgénero,” Comedias y comediantes.
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Rodrigo's wife is mistakenly called Ello Martínez Osorio by Salazar y Castro. A century later Lope García de Salazar called his wife Mencía, a daughter of Arias. Luis de Salazar y CastroCalled the "prince of Spanish genealogists", príncipe de los genealogistas españoles, in Canal Sánchez-Pagín, 11. believed that Lope had an earlier wife, name unknown, who bore him several sons, among them Lope López, who married María de Almenar.
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Lope de Vega and Tirso de Molina took these characteristics to their furthest extent.
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A Neomorph attacks Lope when David intervenes and leads the survivors to his base, where Lope discovers Shaw's corpse. He is attacked by a Facehugger, but he is quickly and seemingly saved by Cole, who manages to cut it off him, though his face is severely burned by acid in the process. As Cole is killed by a now mature Alien, Lope escapes with the other survivors to the cargo lander. Aboard Covenant, Lope receives medical treatment, but dies when an Alien erupts from his chest, revealing that despite the short time that the Facehugger was on him, it succeeded in impregnating him.
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He witnessed a royal diploma as "count Don Lope of Biscay" (Comite domno Lope Bizcaie). Lope's importance continued to grow, for in 1091, at his instigation, Alfonso VI donated the monastery of San Andrés de Astigarribia, which lay on the border between Biscay and Guipúzcoa, to San Millán. Lope was a regular participant in Alfonso VI's Reconquista.His record indicates he held non grudge against either Alfonso or García for the loss of Nájera.
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Each horse performs individually. There are usually four patterns from which a judge may choose, all containing a walk, a jog, a jog over a log, a lope, a lope over a log, a jog to lope transition, a large serpentine with four "crossing lead" changes, a shallow serpentine with 3-4 line lead changes, a halt and a rein back. All lead changes are required to be completed within the designated lead change area.
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The original document is in the custody of the Monastery of the Augustinian Province of the Most Holy Name of Jesus of the Philippines in Valladolid, Spain. Cf. Fray Agapito Lope 1911 Manuscript, p. 1. Also cf. Fray Agapito Lope 1911 Manuscript, p. 2.
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There were seven bishops present.Reilly 1998, 233. Lope López may also have been present.Lipskey 1972, 54.
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Lope Garcia de Castro Lope García de Castro (1516 - 8 January 1576) was a Spanish colonial administrator, member of the Council of the Indies and of the Audiencias of Panama and Lima. From September 2, 1564 to November 26, 1569 he was interim viceroy of Peru.
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The plan works, although the ruckus brings the attention of the general, Don Lope of Figueroa. Don Lope decides to stay at Pedro's house, and they develop an instant dislike for each other. Don Lope brashly declares that he would hang anyone who might bring any slight harm to his men. Pedro makes the same vow for anyone who would besmirch his honor, stating that honor is the connection to the soul and thus to God.
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Lope de Vega CarpioCertificate of baptism: «En seis de Diciembre de mil quinientos y sesenta y dos años, el Muy Reverendo Señor Licenciado Muñoz bautizó a Lope, hijo de Feliz de Vega y de Francisca su mujer. Compadre mayor, Antonio Gómez; madrina su mujer». Joaquín de Entrambasaguas, Vida de Lope de Vega, Ed. Labor, 1936, p. 20. was born in Madrid to a family of undistinguished origins, recent arrivals in the capital from Valle de Carriedo in Cantabria.
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Western equitation (sometimes called western horsemanship, stock seat equitation, or, in some classes, reining seat equitation) competitions are judged at the walk, jog, and lope in both directions. Riders must sit to the jog and never post. In a Western equitation class a rider may be asked to perform a test or pattern, used to judge the rider's position and control of the horse. Tests may be as simple as jogging in a circle or backing up, or as complex as a full reining pattern, and may include elements such as transitions from halt to lope or lope to halt, sliding stops, a figure-8 at the lope with simple or flying change of lead, serpentines at the lope with flying changes, the rein back, a 360-degree or greater spin or pivot, and the rollback.
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The influence of Grisel y Mirabella can be seen in Lope de Vega's work La Ley Ejecutada.
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De Lope is a first-generation Mexian, born in 1979 to Spanish immigrant parents. His father managed a plastics plant, directing about sixty employees in Puebla. His mother was a professor at the Universidad de las Americas in Puebla. De Lope began his 'business' career at an early age.
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In 1151, Robert's bishop, Lope de Artajona, sent him as his delegate to a conference to resolve the disputed boundary between the dioceses of Pamplona and Zaragoza. Later, Robert led some of the Pamplonese clergy into rebellion against Lope. Their dispute was for a time patched up, but when Lope came into conflict with King Sancho VI, Robert joined the king's side. It was probably through the king that he obtained the canonry in Tudela after his archdeaconry had become untenable.
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She meets the young artist Horacio Díaz, falls in love, and eventually leaves Toledo to live with him. When she falls ill, she returns to don Lope. The illness results in her losing a leg, which changes her prospects; here, the film substantially varies from the novel. Don Lope inherits money from his sister, Tristana eventually marries him, and, when don Lope is ill, Tristana finishes him off by feigning calling the doctor and opening the window to the winter cold.
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Uba/Gaya Constituency comprises Garaha ward, Gaya ward, Hildi ward, Kwarhi ward, Mayo-lope ward and Uba ward.
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The etymology of Lopes is in Albanian, as it derives from the word Lope (Albanian word for cow).
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In 1168 Lope gave his brother Sancho his property in the monastery of San Cipriano and in Villamezquina.
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Lope K. Santos (born Lope Santos y Canseco, September 25, 1879 – May 1, 1963) was a Filipino Tagalog-language writer and former senator of the Philippines. He is best known for his 1906 socialist novel, Banaag at Sikat and to his contributions for the development of Filipino grammar and Tagalog orthography. Lope K. Santos was born in Pasig, Province of Manila (now a part of Metro Manila), as Lope Santos y Canseco to Ladislao Santos, a native of Pasig and Victorina Canseco, a native of San Mateo on September 25, 1879. His father was imprisoned during Philippine Revolution because Spanish authorities found copies of José Rizal's Noli Me Tangere and Ang Kalayaan in his possession.
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Francisco Gaudencio Lope Belardo MañalacVIDEO: "It's Francisco, that's my great-grandfather, then Gaudencio, that's my lolo, then it's Lope, then it's Belardo Mañalac." / (born March 21, 1976),Celebrity Birthdays. Publisher = PressReader.com by SuperBalita Cebu popularly known as Bamboo Mañalac or simply Bamboo, is a Filipino American musician and singer-songwriter.
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Leptodactylodon blanci is a species of frog in the family Arthroleptidae. It is endemic to Gabon and only known from its type locality, Reserve de Faune de la Lope. The specific name blanci honours Charles Pierre Blanc, a French herpetologist. Common name Lope egg frog has been coined for this species.
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Instituto Español Lope de Vega is a Spanish international school in Nador, Morocco."Situacion." Instituto Español Lope de Vega. Retrieved on May 1, 2016. "Lotissement Onda, Rue 194, 62000-NADOR (Marruecos)" Operated by the Spanish Ministry of Education, it serves infant education through bachillerato (senior high school/sixth form college).
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Don Lope Díez de Aux de Armendáriz, 1st Marquess of Cadreita (sometimes Lope Díaz de Armendáriz) (1575 in Quito, Viceroyalty of Peru – 1640 or after) was a Spanish nobleman and the first Criollo to be viceroy of New Spain. He served as viceroy from September 16, 1635 to August 27, 1640.
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Lope de Luna understood that if the Unionists took Épila he would be blocked and unable to receive support from King Peter. Therefore, Lope de Luna immediately left the siege of Tarazona and force-marched towards Épila to stop the Unionist Army. There followed the final battle on July 21, 1348.
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Lope Yap, Jr. is a San Francisco-based film producer, director, production manager, assistant director and special effects producer.
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Gwynne Edwards, Introduction to Three Major Plays by Lope de Vega, Oxford: Oxford University Press, 2008, , pp. xxv–vi.
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He probably made the acquaintance of Lope de Vega at the festivals (1620–1622) held to commemorate the beatification and canonization of St Isidore, the patron saint of Madrid. On the latter occasion Castro's octavas were awarded the first prize. Lope de Vega dedicated to him a celebrated play entitled Las Almenas de Toro (1619), and when Castro's Comedias were published in 1618-1621 he dedicated the first volume to Lope de Vega's daughter. The drama that has made Castro's reputation is Las Mocedades del Cid (c.
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Jerónimo de Gándara was the architect. The Teatro Lope de Vega was inaugurated on 8 December 1861. The facade, restored in 1920, is in the classical style. It has two levels, each with three arches, and a pediment that holds a medallion with the likeness of Lope de Vega sculpted by Ponciano Ponzano.
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They had the following children; 4\. D. Gil González de Vivero y Davila 5\. D. Lope 6\. D. Francisco 7\.
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Lope Recio Loynaz (August 23, 1860 - July 24, 1927) was a Cuban military man, and the military general of Cuba.
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Lope took possession of the title of Biscay while still a minor after the death of his father. Due to the unnatural way in which his father died and the fact that his father had actively supported the overthrow of Alfonso X of Castile and had sworn allegiance to the King of Navarre, Lope's tutors brought the boy to Estella-Lizarra where he too offered his services to the Navarese King. After long, Lope was reconciled with Alfonso X who reinstated Lope as Lord of Haro, a privilege his father had lost the family. Lope entered the service of Fernando de la Cerda, the eldest son of King Alfonso X. Fernando however ended up dying in 1275, throwing into question his line of succession.
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The identity of his family is unclear. His brothers were Jimeno and Lope López, both majordomos under Queen Urraca.Reilly, 141, calls Pedro himself a "future mayordomo" as of 20 November 1119. He may have been a son of Lope Íñiguez and thus kinsmen of the house of Haro that held the Lordship of Biscay.
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The story is set in the late 1920s to early 1930s. Tristana is a young woman who, following the death of her mother, becomes a ward of nobleman don Lope Garrido. Don Lope falls in love with her and thus treats her as wife as well as daughter from the age of 19. But, by age 21 Tristana starts finding her voice, to demand to study music, art and other subjects with which she wishes to become independent, chafing under Lope, who thinks women are untrustworthy and should be kept at home.
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The House-Museum of Lope de Vega (Spanish: Casa-Museo de Lope de Vega) is a writer's house museum in the former home of the "golden age" writer Lope de Vega, located in Madrid, Spain. The sixteenth-century house was bought by the writer in 1610. Today it is conserved by the Real Academia Española, which is the institution responsible for the regulation of the Spanish language. The Academy restored the house and opened it as a museum in 1935, the same year the building was declared a national monument.
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For instance, a 1637 convoy commanded by Lope de Hoces captured 32 enemy vessels in the Channel on its return voyage.
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Lope de Vega praised Coello in his work Laurel to Apolo. Alonso Sánchez Coello died in Madrid on 8 August 1588.
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She had a relationship with Lope de Vega and is portrayed by him in his work under the name Carmila Lucinda.
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Gothic vaulting from the nave of the monastery Lope founded at Cañas. Lope Díaz I de Haro (c. 1105 – 6 May 1170) was the fourth Lord of Biscay (from at least 1162). He was an important magnate in Castile during the reign of the Emperor Alfonso VII and in the kingdom of his son and grandson.
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The tree's name commemorates the former owner of Dehesa (:'grassland') de la Villa, Lope de Amaniel, ballestero of Henry II of Castile.
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Jesús Manuel de Lope Rebollo (born 8 January 1949 in Burgos, Spain) is a Spanish novelist. He lives and works in Madrid.
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Adjoining the Science Center is the Teatro Lope de Vega, a small baroque-style theatre that was also built for the exhibition.
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Her maternal great- grandfather, Lope K. Santos, was a senator during the Quezon Administration, and governor of Rizal Province and Nueva Vizcaya.
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Lope de Hoces (fl. 1619 – 21 October 1639) was a Spanish admiral who was killed in action at the Battle of the Downs.
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Iware 7\. Imini 8\. Ore lope Some popular streets in Akinmonrin approved by Afijio local government includes: 1\. OKUNLOLA GBADEBO STREET (AKINMOORIN) 2\.
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Funeral of Lope de Vega by Paul Balze Paul Jean Étienne Balze (1815 – 24 March 1884) was a French painter and art copyist.
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69 on May 1, 1980, separating 22 barangays from Catarman. It is named after the Baroque Spanish playwright and poet Lope de Vega.
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After the death of Ferdinand de la Cerda, the infante Sancho, the oldest living son of Alfonso X of Castile and Lope Díaz III de Haro, Lord of Biscay arrived at the Ciudad Real. Lope Díaz III agreed to help Sancho obtain his claim to the throne of Castile and supplant the Cerda infantes in return for protection of his interests. Lope Díaz III gathered his vassals at Ciudad Real to announce his decision to support Sancho's claim to the throne as Alfonso X's legitimate successor. The group also vowed to defend the kingdom against Muslim attackers at Castile's borders.
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De Lope spent his last year of high school in California with the aim of improving his English, returning to Mexico in 1998. He attended the Monterrey Institute of Technology and Higher Studies, graduating with a degree in industrial engineering in 2002. De Lope stated several years ago he wanted to retire at age forty, but he is still creating new businesses.
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Lope de Vega, 2010, Comedias: El Remedio en la Desdicha. El Mejor Alcalde El Rey, pp. 446–447 Although Lope has a great knowledge of the plastic arts, he did not use it during the major part of his career nor in theatre or scenography. The Lope's comedy granted a second role to the visual aspects of the theatrical representation.
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Further tragedies followed in 1635 with the loss of Lope, his son by Micaela and a worthy poet in his own right, in a shipwreck off the coast of Venezuela, and the abduction and subsequent abandonment of his beloved youngest daughter Antonia. Lope de Vega took to his bed and died of scarlet fever, in Madrid, on 27 August of that year.
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Teatro Lope de Vega The Teatro Lope de Vega is located on Avenida de María Luisa avenue (next to Parque de María Luisa). It was built in 1929, being its architect Vicente Traver y Tomás. It was the auditorium of the pavilion of the city in the Ibero-American Exhibition. This pavilion had a large room that became the Casino of the Exhibition.
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The names of these eleven mills are Albolafia, Alegría, Carbonell, Casillas, Emmedio, Lope García, Martos, Pápalo Tierno, San Antonio, San Lorenzo, and San Rafael.
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In 1961, the remaining five annexes in Mayhaligue, O'Donnel, Zurbaran, Santander and Lope de Vega were integrated to become Doña Teodora Alonzo High School.
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Verónica Lope Fontagne (born 1 February 1952) is a Spanish politician from the People's Party who served as an MEP from 2009 to 2019.
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Lope III Ximénez de Urrea y de Bardaixi, Viceroy of Sicily, fought during the Italian Wars and was involved in the Conquest of Naples, Italy.
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He would also eventually publish essays about Lope de Vega as well as Calderón de la Barca and a collection of romances and popular poetry.
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The building is currently protected as a Bien de Interés Cultural. The Academía owns three of Lope de Vega's manuscripts on display at the museum.
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However, De Lope sold his interest in this company after 20 years. In 2001, de Lope began Publicidad Universitaria LOFRAM, with only 600 pesos of capital which he used to make business cards. The idea for the business came while he was bored in class and not listening to the professor. This company produces agendas, calendars and other publications which are handed out to students for free.
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When asked if there were any books that were a source of inspiration for Interference, Burke cited Manuel Lacarta's biography of Lope de Aguirre, Lope de Aguirre: el loco del Amazonas, the Spanish conquistador sent down the Amazon River to locate the mythical El Dorado. She said David Attenborough's documentary series, The Private Life of Plants also influenced many aspects of both Semiosis and Interference.
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Montalbán's father, a publisher at Madrid, issued a pirated edition of Quevedo's Buscón, which roused an angry controversy. The violence of these polemics, the strain of overwork, and the death of Lope de Vega so affected Montalbán that he became insane; he died at Madrid on 25 June 1638. His last work was a eulogistic biography of Lope de Vega in the Fama póstuma (1636).
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Lope de Vega dressed in sotan. (Madrid, 1902). The period of life that characterizes priestly ordination of Lope de Vega was one of profound existential crisis, perhaps impelled by the death of close relatives. To this inspiration respond his Sacred Rhymes and the numerous devout works he began to compose, as well as the meditative and philosophical tone that appears in his last verses.
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Middle school members can compete in Future Intermediate Horsemanship and Reining, Future Novice Horsemanship and reining prep, Future Beginner walk/jog/lope, or Future Beginner walk/jog. Similar to hunt seat, IEA introduced the Intro division for 4th and 5th grade riders for the 2019-2020 season. Intro riders may compete in Intro walk/jog/lope and Intro walk/jog, which do not accumulate team points.
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Statue of Valerius. Sepulcher of Abbot Lope Marco. Monastery of Santa María de Veruela. A chapel dedicated to him can be found at La Seo Cathedral.
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He was the eldest son of Diego López II de Haro and his wife, María Manrique. Lope was also a member of the Order of Santiago.
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Coat of Arms of Ruiz de Esparza Don Lope Ruiz de Esparza (c. 1569 - 14 August 1651) was a Basque nobleman, patriarch and early settler of Aguascalientes.
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Vela's son Juan ruled Álava until 1179, when they were ceded to Navarre by treaty and Sancho gave them to Diego López II, son of Lope Díaz.
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The Lope de Vega Theatre () is a small Baroque Revival theatre that was built for the Ibero-American Exposition of 1929 in Seville, Spain, in the same building as the Exhibition Casino. It stands in the Maria Luisa Park just north of the Pavilion of Peru. The theater is named after the famous 16th- century Spanish playwright Lope de Vega. After the exposition the theatre had a mixed history.
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Lope Díaz fought alongside his father at the Battle of Las Navas de Tolosa where he distinguished himself. That action expelled the Almohads from the region and brought it under Castilian rule. The battle was commanded by three Christian kings; Alfonso VIII of Castile, Peter II of Aragon and Sancho VII of Navarre. Lope Díaz came to power in difficult times after the death of his father on 16 October 1214.
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Count Lope I (died in 948) was the Count of Pallars, ruling jointly with his brother Isarn from 920.Pladevall i Font, Antoni. Catalunya Romànica: Vol.XV El Pallars.
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Arms of the House of Haro. Lope Díaz de Haro (b. ? - d. October, 1322) was a Spanish noble of the House of Haro, the traditional Lords of Biscay.
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Lope Díaz IV de Haro died in October 1322 without leaving behind any descendants. Upon his death, all his titles passed to his brother, Fernando Díaz de Haro.
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Lope de Vega, and in 1969 her husband and she created their own theatre company, where they made performances in several towns in Spain and in other countries.
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The Steel of Madrid (El acero de Madrid) is a 1608 play by the Spanish writer Lope de Vega, considered part of the Spanish Golden Age of literature.
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Arms of the House of Haro. Lope Díaz III de Haro (b. ? – d. June 8, 1288, Alfaro) was a Spanish noble and head of the House of Haro.
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As the firstborn son of Diego López V de Haro, Lope Diaz IV was raised believing that he would inherit the Lordship of Biscay. After a lengthy series of disputes over the succession to Biscay which often turned violent, the title passed to María II Díaz de Haro, daughter of Maria II Diaz de Haro, Lope Diaz' cousin. With the death of Lope Díaz III de Haro who was assassinated by order of King Sancho IV of Castile in 1288, the title over Biscay passed to María II Díaz de Haro being the eldest child. After the ushering in of a new infant king Ferdinand IV of Castile after Sancho IV's death, the kingdom was thrown into chaos and Diego López V, Lope Diaz IV's father, was able to forcibly take control of Biscay away from his niece whose husband, the infante John of Castile was imprisoned at the time for crimes committed against Sancho IV in collusion with Diego Lopez III de Haro.
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Major artists of the period included Lope de Vega, a contemporary of Shakespeare, often, and contemporaneously, seen his parallel for the Spanish stage, and Calderon de la Barca, inventor of the zarzuela and Lope's successor as the preeminent Spanish dramatist. Gil Vicente, Lope de Rueda, and Juan del Encina helped to establish the foundations of Spanish theatre in the mid-sixteenth centuries, while Francisco de Rojas Zorrilla and Tirso de Molina made significant contributions in the latter half of the Golden Age. Important performers included Lope de Rueda (previously mentioned among the playwrights) and later Juan Rana. The sources of influence for the emerging national theatre of Spain were as diverse as the theatre that nation ended up producing.
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He owes his fame to the diatribes from an Aristotelian perspective against, principally, Lope de Vega, but also against Luis Tribaldos de Tolello, Padre Juan Luis de la Cerda and José Antonio González de Salas. He is especially remembered for the Latin satire Spongia (Paris, 1617), written probably in collaboration with Juan Pablo Mártir Rizo. The original work has been lost, due to its destruction by the enemies of Torres, but it was reconstructed by Joaquín de Entrambasaguas in his Una guerra literaria del Siglo de Oro: Lope de Vega y los preceptistas aristotélicos, Madrid, 1932. It contained personal attacks on Lope, as well as attacks on his dramatic theory and practice as defying Aristotelian norms.
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His main arms were described in Spanish as: "De oro, con un lobo de sable, al pie de un roble de sinople" (seen right)."Enciclopedia heráldica y genealógica hispano-americana, Volume 80" by "A. Marzo, 1958" It was presented on 27 of April 1595, when the New Spain patriarch don Lope Ruiz de Esparza appeared before the Mayor of Mexico City, Rafael de Trejo Carbajal, to present his ancestry: stating that he was the son of Lope Ruiz de Esparza and doña Ana Díaz de Eguino, both of Pamplona. The older Lope litigated his nobility in Pamplona stating his Lordship over the Palaces of Esparza and Zariquiegui, having won the lawsuit by judgment dated 23 November 1535.
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On her way, the galley sails into the Turkish ship, the same one from where they stole the map, and boards her; in the battle, Maupertuis and Don Lope are set free and help the Turks gain the upper hand, setting the slaves free and taking Captain Mendoza, the villainous captain of the galley, prisoner. Don Lope and Raïs Kader, captain of the Turkish ship, have an argument and promise each other to arrange for a duel when time is convenient.This duel becomes a recurring gag in the series. The party sails to Malta, where Don Lope meets Hermine, a gipsy girl and Andreo's love interest, with whom he falls in love.
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As they talk of following Raïs Kader's plan to attack Maracaibo and free his daughter Yasmina, a story told by the pirate captain reveals that Yasmina is none other that the Bohemian Hermine, who had been with them from the start. Once Kader and Lope find a way to finally fight their duel bloodlessly, the heroes make plans for their retirement: Don Lope and Hermine are to marry, Armand wishes to write about their adventures, Bombastus plans to return to the Moon through another zany invention, and Andreo and Plaisant become actors. But as Lope and Eusèbe escort Armand back to Venice, they find a damsel in danger and throw themselves in that new adventure.
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He was also the patron of writers such as Miguel de Cervantes, Lope de Vega, Francisco de Quevedo, the Argensola brothers and others. He died in Madrid in 1622.
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The Tagalog version was adapted into sarswela by Pascual H. Poblete and published in El Comercio de Filipinas. Lope Blas Hucapte made arrangements for the theatrical staging in 1915.
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Born in 1358, Maria was the eldest child of Count Lope de Luna and his second wife, Brianda d’Agout. Her family was one of the most influential in Spain, its members occupying some of the loftiest political and religious offices in the realm. She could, for example, count Lope Fernandez de Luna, Archbishop of Zaragoza and Antipope Benedict XIII amongst her relations. Her father promoted the interests of the family still further.
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The monastery of San Millán: patronised by Lope, resting place of his wife, and indicator of his interest and affection for the Rioja. Lope Íñiguez (c. 1050 – 1093) succeeded his father Íñigo López to become the second Lord of Biscay in 1076. Íñigo died shortly after the assassination of his overlord Sancho IV of Navarre and the subsequent takeover of Biscay, Álava, part of Guipúzcoa and La Rioja by Alfonso VI of Castile.
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Ego senior Lope Enneconis dominante Bizcaia et Ipuzcoa et Alaba. The title senior (modern Spanish señor) was more typical of Navarrese titulature, whereas the Castilians preferred the form dominus (modern Spanish don). This concentration of political authority led to the suppression of the Diocese of Álava and the consignment of its province to the Diocese of Calahorra in 1087. In 1089 Lope received the title of count, the highest rank in the kingdom, from Alfonso.
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While all three gaits are required, most of the pattern is performed at a lope. Emphasis is placed on the horse's smoothness, even cadence, and precise, clean flying lead changes.
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The song received an A– from Entertainment Weekly, who said that its "irresistible funk grooves lope at an easy gait, seducing the listener with a velvety tenor and belching synthesizer hook".
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At that time Íñigo Jiménez was also ruling Buradón. After Lope González's death in 1110 and before 1113 Diego succeeded to Álava and re- united all his father's tenencias.Martín Duque, 899.
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Banaag at SikatSantos, Lope K. Banaag at Sikat, Bookmark, Philippines, 1988 or From Early Dawn to Full Light is one of the first literary novels written by Filipino author Lope K. Santos in the Tagalog language in 1906.List of Recommended Titles), pcgny.net, November 11, 2002 As a book that was considered as the "Bible of working class Filipinos", the pages of the novel revolves around the life of Delfin, his love for a daughter of a rich landlord, while Lope K. Santos also discusses the social issues such as socialism, capitalism, and the works of the united associations of laborers.Quindoza-Santiago, Lilia (Dr.) Philippine Culture during the American Period), Publications about Culture and Arts, About Culture and Arts, ncca.gov.
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Master Lope is a Pai Zhua master who possesses the spirit of the Antelope, able to assume a stronger anthropomorphic antelope form. He died in the Great Battle and currently resides in the Spirit World. Upon arrival in the Spirit World, Theo was no match for him in combat. When it came to the first test, Master Lope sends Theo into a dimension to face his fear of performing karaoke in front of everyone which he passes.
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The crowd begins to flee as Gwangi attacks, and Tia Zorina is trampled to death in the chaos. Bromley is crushed by a broken piece of the cage, and Gwangi attacks and defeats a circus elephant before rampaging through the town. Tuck, accompanied by T.J. and Lope, tries to hide the crowd in a cathedral, but Gwangi finds them and breaks in. Tuck urges the crowd out through a back exit, leaving Tuck inside with Gwangi, T.J. and Lope.
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Lope founded two religious houses on his lands. In 1162 he established the Praemonstratensians in San Juan de la Peña, Begoña, Arratia and Guernica. The founding charter was drawn up by a scribe named John, a chaplain of Santa María la Real de Nájera, and the original survives. Lope subscribed the document with his own hand and embellished his signature with a large cross, the rough features of which suggest the count's lack of familiarity with the pen.
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With fuller observation and more careful description, Lope de Vega depicted real character types with language and accouterments appropriate to their position in society. The old comedy was awkward and poor in its versification. Lope introduced order into all the forms of national poetry, from the old romance couplets to the lyrical combinations borrowed from Italy. He wrote that those who should come after him had only to go on along the path which he had opened.
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Oxford University Press, 1999, p. xii. the play is believed to have been written between 1612 and 1614.Morley, S. Griswold and C. Bruerton. Cronologia de las Comedias de Lope de Vega.
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After no single guilty party was found, Ferdinand pardoned the villagers from Fuenteovejuna.Edwards, Gwynne, ed. and trans. Lope de Vega, Three Major Plays (with The Knight of Olmedo and Punishment without Revenge).
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The 1st Goya Awards were presented at the Teatro Lope de Vega, Madrid on 17 March 1987, and was presented by Fernando Rey. Voyage to Nowhere won the award for Best Film.
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Its Spanish-language rendition, Calle de Aragón, was the official designation back then. It starts in Carrer de Tarragona and it becomes Rambla de Guipúscoa at the intersection with Carrer de Lope de Vega.
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Son of Paio Gomes de Soutomaior and Maior Mendoça (niece of Archbishop Lope de Mendoça) was born around the year 1417 being half- brother of the famous "Pedro Madruga", he married Leonor Vasques de Insua.
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Acclaimed as a gifted artist by contemporary writers, Lope de Vega and Francisco de Quevedo have left eloquent evidence of their admiration for Pantoja. In La hermosura de Angelica (1602), an imitation of Ariosto's Orlando Furioso, Lope de Vega couched his praise in the following couplet: "Juan de la Cruz que si criar no pudo / Dio casi vida y alma a un rostro mudo;" and Quevedo extolled Pantoja's work as a miniaturist in the poem "El Pincel", written in 1615, seven years after Pantoja's death.
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His Habibi NYC and Amor Causa Brazilian shoots of individuals picked from the street gave him an independent profile. On 5 October 2012 L'Express.FR and a top Parisian writer Isabelle Aithnard compared Têtu 2013 Calendar by Lope Navo to the longest running Les Dieux du Stade by the veteran French photographer François Rousseau's 2013 Calendar. Aithnard concluded she prefers Têtu Lope Navo 2013 Calendar for casting an exotic variety of exquisite Brazilian men who don't only appeal to gay men but also to straight women.
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De Lope started his first formal business during his year finishing high school in California at age seventeen. One of his teachers collected Hard Rock Café memorabilia and noticed a Hard Rock México pin on de Lope's jacket, which he did not have. This prompted de Lope to set up an Internet page to sell these pins. The page garnered buyers not only from the United States but also from Europe, Japan and other places, selling about 2,500 pins and earning about US$25,000.
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He also executed two bronze lions for the building's access stairway in a more realistic manner. Ponzano made the tympanum of the portal for the church of St. Jerome in neo-medieval style. He was also responsible for decorating the auditorium of the Central University at San Bernardo in Madrid. The Lope de Vega Theater, Valladolid by architect Jerónimo de la Gándara, which was inaugurated on 8 December 1861, has a pediment that holds a medallion with the likeness of Lope de Vega sculpted by Ponciano Ponzano.
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After the death of Alfonso VII, Lope served Sancho as alférez between November 1157 and July 1158, although in December 1157 that post was briefly held by Pedro Fernández. on 29 November 1157 he issued a fuero to the town of Fañuela. In 1162 Sancho's son and successor, Alfonso VIII, granted Lope the Trasmiera, the Rioja, and Biscay to govern as tenencias. In that year he used the high-sounding title Count of Nájera and Biscay (comes naiarensis atque bizchayensis) for the first time.
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It is most likely, then, that she was a daughter of Sancha's brother, Gonzalo Fernández de Traba. She is known to have had close relations with Gonzalo's other children, Gómez and Urraca. She was a daughter of Gonzalo by his first wife, Elvira, a daughter of Rodrigo Vélaz. Besides his heir, Diego II, Lope Díaz had three sons—García, Lope, and Rodrigo—and eight daughters—Aldonza, Elvira, Estefanía, María, Mencía, Sancha, Toda, and Urraca, who married Ferdinand II of León as his final wife.
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The majority of his works were written in haste and to order. Lope confessed that "more than a hundred of my comedies have taken only twenty-four hours to pass from the Muses to the boards of the theatre." His biographer Pérez de Montalbán tells how in Toledo, Lope composed fifteen acts in as many days – five comedies in two weeks. In spite of some discrepancies in the figures, Lope's own records indicate that by 1604 he had composed 230 three-act plays (comedias).
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The chronicles mention that the Girón family, García Fernández de Villamayor, Guillén Pérez de Guzmán, son-in-law of Gonzalo Rodríguez Girón, and Gil Manrique marched to Autillo to support Berengaria. Lope Díaz de Haro entrenched himself in Miranda de Ebro with some 300 knights. When Álvaro discovered this, he sent his brother Gonzalo, who set out with a larger army. The clergy succeeded in preventing a battle, and Gonzalo returned to court while Lope Díaz de Haro met up with Berengaria in Autillo.
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44 Other authors that he studied include Fernando de Herrera, Tirso de Molina, Luis de Góngora, and Lope de Vega. When Muñoz Rivera was twelve years old, his mother fell ill and died.Reynolds et al., p.
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Lope de Vega was lost at sea when his ship parted from Mendaña's fleet in a fog.This claim was inferred by Australian historian Lawrence Hargrave in a paper to the Royal Society of NSW in 1909.
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The speed of the canter varies between depending on the length of the horse's stride. A variation of the canter, seen in western riding, is called a lope, and is generally quite slow, no more than .
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The battle is mentioned in Lope de Vega's epic poem La Dragontea.Dislates y Disparates sobre el Relámpago del Catatumbo: La expedición de Drake, de 1595, Ángel Vicente Muñoz García, Centro de Modelado Científico, Maracaibo, agosto 2016.
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The marriage of De Céspedes and Romero was the first wedding in the New Kingdom of Granada, together with Lope Rioja and Elvira Gutiérrez. Andrés Mejía disertó en Argamasilla de Calatrava sobre la figura del conquistador Juan de Céspedes y su familia, en su libro "La Provincia de Ciudad Real en el Nuevo Mundo (siglos XVI y XVII)" The couple had two sons, Antonio and Lope, and De Céspedes one stepdaughter; María, daughter of Isabel Romero and her first husband who was given the last name of Juan. Genealogy Juan de Céspedes Los caballeros de la conquista Lope (Gutiérrez) de Céspedes served as mayor of Bogotá from 1577 to 1578 and in 1605 and Antonio held the same position from 1591 to 1592 and 1596 to 1597. Juan de Céspedes died in late 1573 or 1576 in the New Kingdom of Granada.
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Sor Marcela de San Félix. David Serrano. (Casa-Museo de Lope de Vega). Marcela de San Félix (1605–1687) was a nun who worked as a prelate, a teacher to novices, and housekeeper among several other jobs.
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In 1633, Lope de Hoces captured the Dutch controlled island of St. Martin but in 1635 he failed to retake Pernambuco. After another indecisive sea battle on 19 February 1636, he returned to Spain, where a new Franco-Spanish war had broken out. De Hoces was stationed in La Coruña and launched two raids against the French and Dutch in the English Channel, in which he captured or sank 12 enemy ships. In 1637, a convoy under Lope de Hoces captured 32 enemy ships in the English Channel when returning from the Spanish Netherlands.
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Several years later, the National Institute of Anthropology and History (INAH) of Mexico began extensive architectural excavations and consolidation under the direction of archaeologist Carlos Peraza Lope. This work continues to the present. It has resulted in the discovery of many important artifacts, murals, stuccoes, and architectural elements. From 2001 to 2009, further investigations were begun at the site by a team under the direction of Dr. Marilyn Masson from the State University New York at Albany, Carlos Peraza Lope of INAH, and Timothy S. Hare of Morehead State University.
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After A.D. 1461 there is little evidence of altars and burial cists being constructed after 1461, suggesting that the site had been abandoned by this point (Lope 2006). Very little evidence has been found to support later usage of Mayapan. Copal from an altar was found in the Templo Redondo compound that may suggest later pilgrimages to the Castillo de Kukulkan. However, these samples date to the industrial era and may not be valid, so any assumptions based on this evidence would also not be valid (Lope 2006:168).
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This instrument may have meant the definitive conversion of this government into an inalienable fief, that would be the territorial basis of the Haro during the whole 13th century. He added Durando in 1212, a gift of the king no long after the battle of Las Navas de Tolosa. He took a decisive step towards the patrimonialization of many of those governments, sharing them with his elder son, Lope Díaz II de Haro. Lope thus received the governments of Old Castile in 1210, Asturias de Santillana in 1211, and Álava en 1213.
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Madness in Valencia ("Los Locos de Valencia") is a farceNederlands Instituut voor Buitenlandse Culturele Betrekkingen (1958) [books.google.com/books?id=y4ZTAAAAIAAJ Delta: a review of arts, life and thought in the Netherlands: Volume 1] p.11 quotation: from the Spanish Golden Age by Félix Lope de Vega y Carpio. The play is one of Lope de Vega's earliest, dating from between 1590 and 1595 and tells the story of two lovers who, one fleeing from the Spanish army and the other from an oppressive father, feign insanity and seek refuge in the asylum of Valencia.
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Félix Lope de Vega Carpio At the end of the 16th century Lope de Vega created the new comedy: to a theme of romantic character is added another theme, historical or legendary, of moriscos, of captives, or religious. It concludes with a happy ending. Constructed on three days, the redondilla or the décima is used in the dialogues, the romance in the narrations, the sonnet in the monologues and the tercet in serious situations. The new art to make comedies, written in 1609, is a humorous defense of his theater.
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It will cross the arena completely making a lead change in the middle between the last cone and the next cone. Passing this cone on its right the horse will do another 180-degree at a lope continuing this large serpentine pattern around the cones for a total of four lead changes all completed around the centerline of the arena. During the large serpentine, the horse will lope over the log while loping around the cone. Once the horse has completed all the lead changes, it will pass its last cone on the left.
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The Lope de Vega Theatre (Teatro Lope de Vega) is a theatre in Valladolid, Spain, situated on María de Molina street. It was inaugurated in 1861, designed by the architect Jerónimo de la Gándara. In the seventeenth century the site of the theatre was a patio equipped with a stage for putting on plays and covered boxes for the audience. The patio was covered in the eighteenth century, and the Plaza de la Comedia lasted until 1856, when it was proposed to replace the now-ruinous building with a new theatre.
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Alfonso IX of León, the father of Ferdinand III was against the coronation of his son and invaded Castile with the support of the House of Lara. During this invasion, Álvaro Núñez de Lara gained power in Nájera and was subsequently defeated and imprisoned by Lope Díaz. For his supporting role in the backing of Ferdinand III as king, Lope Díaz was granted the title of "Alférez del Rey", or lieutenant of the king. He was married to the daughter of King Alfonso IX and step-sister of Ferdinand III, Urraca Alfonso de León.
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He was also given titles over the villages of Haro and Pedroso. Lope participated in various other wars supporting the ascension of Ferdinand III such as the expeditions against the Moors in Andalucía, of which the most important was the capture of Baeza in 1227. For his role in the city's capture, Lope Díaz was given the title of Conquistador de Baeza. In the early 1230s, the bishop of Calahorra wanted to exert his power over all the churches subject to the Monasteries of San Millán de la Cogolla.
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He was son of Diego López III de Haro and Constanza de Bearne. His maternal grandparents were the Vizconde Guillermo II de Bearne and his wife, Garsenda de Provenza. His paternal grandparents were Lope Díaz II de Haro, also Lord of Biscay, and of Urraca Alfonso de León, the illegitimate daughter of King Alfonso IX of León. Lope was the oldest of 5 siblings which included Teresa de Haro, who merged the Haro family with the House of Lara, and Diego López V de Haro who died during the Siege of Algeciras in 1310.
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Disputes arose between two of his sons; Alfonso de la Cerda and Sancho de la Cerda who began jockeying for power and influence to see who would gain power over the succession of the Castilian crown. Lope decided to throw his support behind Sancho which turned out to be a savvy move. On April 4, 1284, Alfonso X of Castile died and Sancho IV of Castile was named King of Castile. Sancho IV was married to María de Molina who was the sister of Don Lope Diaz' wife.
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Writer Francisco López de Aguilar Coutiño, a friend of Lope de Vega, wrote Expostulatio Spongiae (1618) in rebuttal. Torres Rámila served Cristóbal Suárez de Figueroa as the model of the character of the teacher in his El pasajero.
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He executed the portrait of Álvaro de Bazán, first Marquese de Santa Cruz for the emperor Rudolf. Lope de Vega in his poetic epitaph (1602) said to the effect that “Nature killed him because he stole its paintbrushes”.
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Largely created and defined by Lope de Vega,Campbell, Jodi (2006). Monarchy, political culture, and drama in seventeenth-century Madrid: theater of negotiation. Ashgate Publishing. p. 25. the style is defined by a mixture of tragedy and comedy.
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In the following Battle of Guetaria, the Spanish fleet was battered by superior French firepower, and finished off by fireships which burned the entire fleet, except the Santiago. Only 1,000 Spanish survivors reached the shores, including Lope de Hoces.
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In the novel, Tristana resignedly marries don Lope in order for him to receive his inheritance. Also different from the novel is Saturno's increased role—barely mentioned in the novel, he is Tristana's third love interest in the film.
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The Southeastern Loloish languages, also known as Southeastern Ngwi, are a branch of the Loloish languages. In Lama's (2012) classification, it is called Axi-Puoid, which forms the Nisoish branch together with the Nisoid (Nisu–Lope) (Northern Loloish) languages.
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He accepted Alfonso as his lord and his son followed suit, although after Íñigo's death the tenencia of Nájera, the most important in La Rioja, which he had held was given to García Ordóñez, husband of Urraca, sister of the deceased Navarrese king. Nevertheless, it was Lope and Diego Álvarez de Oca whom the king had swear to uphold and guarantee the fuero of Nájera which he had granted (1076). For the loss of Nájera, Lope was compensated with the tenencias of Álava (1081) and Guipúzcoa (1082) and he was thus the first to unite the Basque provinces under one lord. The first record of his simultaneous rule in all three provinces comes from a charter of donation he made to the monastery of San Millán de la Cogolla in 1082, which he signed as "I, lord Lope Íñiguez, governing Biscay, Guipúzcoa and Álava".
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Ferdinand and Isabella pardon the Grand Master and when the villagers enter and tell their story, they are pardoned as well.Edwards, Gwynne, ed. and trans. Lope de Vega, Three Major Plays (with The Knight of Olmedo and Punishment without Revenge).
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The single received favourable reviews from The Daily Telegraph and American blog 'The Wounded Jukebox'. Ryan Dombal of Pitchfork compared the single to "the unmistakable lope of one J Dilla"."The Top 100 Tracks Of 2011", Pitchfork. Retrieved 20 December 2011.
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Day After Tomorrow () is a 1968 Italian Spaghetti Western film directed by Nick Nostro, written by Mariano De Lope, Simon O'Neill, Giovanni Simonelli and starring Richard Harrison, Pamela Tudor and José Bódalo. It is composed by Fred Bongusto and Berto Pisano.
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In the fall of 1594, Isabel de Urbina died of postpartum complications. It was around this time that Lope wrote his pastoral novel La Arcadia, which included many poems and was based on the Duke's household in Alba de Tormes.
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Adela de la Torre de Lope (born 14 July 1962) is a Spanish politician belonging to the People's Party. She served as member of the 8th Cortes of Castilla-La Mancha (2011–2015) as well as Mayor of Brihuega (2007–2015).
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Was the eldest son of Lope Díaz II de Haro and of Urraca Alfonso de León, the illegitimate daughter of King Alfonso IX of León. Diego succeeded his father as the Lord of Biscay between the years 1236 and 1254.
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Arms of the House of Haro. Lope Díaz II de Haro "Cabeza Brava" (b. 1170 – d. 15 November 1236) was a Spanish noble of the House of Haro, the sixth Lord of Biscay, and founder of the municipality of Plentzia.
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Shirley dedicated the play to George Harding, 8th Baron Berkeley, a prominent literary patron of the day.Berkeley was the dedicatee of Burton's The Anatomy of Melancholy (1621), Webster's The Duchess of Malfi (1623), and Massinger's The Renegado (1630), among other works. Shirley's source for the plot of his play was Don Lope de Cardona, by Lope de Vega. Shirley tightens the Aristotelian unities of the plot, and simplifies the story by eliminating some of the more fantastic elements of Lope's story – Vittori doesn't go mad, Cassandra doesn't dress as a man; she also doesn't apparently die and isn't apparently resurrected.
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Among the reasons for the foundation of the village were its protected location between mountains and the existence of a commercial road connecting to Castile and Biscay. The village was incorporated to the lands of the Lord of Biscay when the Lord Lope Díaz II de Haro married the daughter of Alfonso IX, thus obtaining the territories of Balmaseda and Orduña. In 1234, Lope confirmed the municipal charter establishing Balmaseda as a town. However, this first union with Biscay would not last much; in 1255 the town was converted back to Castile because of the disputes caused by Diego López III de Haro.
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Belardo is a bay horse with a white blaze bred in Ireland by the County Kilkenny-based Ballylinch Stud. He is from the first crop of foals sired by the Prix du Jockey Club winner Lope de Vega: other foals from Lope de Vega's first crop included the winners of the Gran Criterium, Sirenia Stakes and Cornwallis Stakes. Belardo's dam Danakaya won only one minor race but was placed in both the Lowther Stakes and the Cheveley Park Stakes. As a descendant of the outstanding racemare Midget, she was distantly related to the 1000 Guineas winner Ma Biche.
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From 1999, he has been an arranger, producer, music director and conductor of some successful musicals released in Gran Vía of Madrid, known as little Spanish Broadway. These include: : Grease (Lope de Vega Theater, 1999) :Leading roles: JG (Danny) and Geraldine Larrosa (Sandy), Carlos Marín (Vince Fontaine), Pablo Puyol (Kenickie), Marta Rivera (Rizzo), Victor Ullate (Sonny), Raquel Grijalba (Marty) and Ignasi Vidal (Doody). : Peter Pan (Lope de Vega & New Apolo Theaters, 1999 – 2000) :Leading roles: Raquel Grijalba (Peter), Carlos Marín (le Captain Hook & Mr. Darling), Virginia Martinez (Wendy Moira Angela Darling), Marta Rivera (Mrs. Darling) and Beatriz Luengo (Slightly).
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This allegedly prompted Caro Quintero and other high-ranking members of the Guadalajara Cartel to seek revenge against the DEA and Camarena. In retribution, Camarena and his pilot Alfredo Zavala Avelar were kidnapped in Guadalajara on February 7, 1985, taken to a residence owned by Quintero located at 881 Lope de Vega in the colonia of Jardines del Bosque, in the western section of the city,"The death house on Lope de Vega", MGR - the Mexico Gulf Reporter, 2013 brutally tortured, and murdered. Caro Quintero then left Mexico on March 9, 1985 with his associates and his girlfriend Sara Cristina Cosío Gaona.
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Newspaperofrecord is a bay filly with a white blaze and white socks on her hind legs bred in Ireland by Times of Wigan. As a yearling she was offered for sale at Tattersalls in October 2017 and was bought by Klaravich Stables for 200,000 guineas. The filly was exported to the United States and was sent into training with Chad Brown. She is from the fifth crop of foals sired by the Prix du Jockey Club winner Lope de Vega: other foals from Lope de Vega's first crop included the winners of the Gran Criterium, Sirenia Stakes and Cornwallis Stakes.
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The central nave was built higher than those on the sides, making it possible to create windows that from 1447 would be covered with stained glass. In 1346 a Mudéjar dome was started to provide light at the altar, with the participation of the masters Juan de Barbastro and Domingo Serrano. The work was finished in 1376, when Don Lope Fernández de Luna was already archbishop, creating a spacious, well-lit Gothic cathedral. In 1360, during the archbishopric of Don Lope Fernández de Luna, the main facade was renovated and the so-called Parroquieta was built, all in the Mudéjar style.
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The King decides, as a precaution, to send Maupertuis and Don Lope seek the "Maître d'Armes", an Earthman of great military expertise, who had previously helped defeat the Prince. Meanwhile, Mendoza's party arrives and makes contact with Prince Jean; Mendoza is hired to raise an army from local tribes of mimes. In their quest for the "Maître d'Armes", Maupertuis and Don Lope meet with the pirates again. They hire them for the journey to the "Maître d'Armes", only to be betrayed when the pirates turn out to have turned privateers in the service of Prince Jean.
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"Lope Díaz, who later received from him [Alfonso VII] the name [i.e. title] of count with [the] honour[s pertaining to it]" (Lupus Didaci, que postea comitis nomen cum honore ab eo accepit), cf. Canal Sánchez- Pagín, 17; Barton, 127. Lope was appointed a count by 1 February 1135. By the next year (1136) he had been given the government of Nájera, which was to be the centre of his power until his death. By 1138 he was holding Álava and by 1140 Haro, the castle from which his father took the family name. In that year, however, he rebelled and was dispossessed.
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These classifications are loose because each author had his own way and could occasionally adhere himself to the formula established by Lope. It may even be that Lope's "manner" was more liberal and structured than Calderón's. Lope de Vega introduced through his Arte nuevo de hacer comedias en este tiempo (1609) the new comedy. He established a new dramatic formula that broke the three Aristotle unities of the Italian school of poetry (action, time and place) and a fourth unity of Aristotle which is about style, mixing of tragic and comic elements showing different types of verses and stanzas upon what is represented.
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Later editions were published in Bogotá in 1882–1892, 1953, 1963 and 1982. One part has been published in English under the title "Expedition of Pedro de Ursua and Lope de Aguirre" (London, 1861) and 2010.The Expedition of Pedro de Ursua and Lope de Aguirre in Search of El Dorado and Omagua in 1560–1 - Translated from Fray Pedro Simon's Sixth Historical Notice of the Conquest of Tierra Firme by William Bollaert After finishing this work, Simón settled in the San Diego convent in Ubaté, Cundinamarca, where he died between October 1626 and May 7, 1628.
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Diego López I de Haro (died 1124×6) was the third Lord of Biscay, and also the ruler of Álava, Buradón, Grañón, Nájera, Haro, and perhaps Guipúzcoa: the most powerful Castilian magnate in the Basque Country and the Rioja during the first quarter of the twelfth century.Barton, 263 n2. He was a loyal supporter of Queen Urraca and he fought the invading armies of her estranged husband Alfonso the Battler on two, or perhaps three, occasions. Diego succeeded his father, Lope Íñiguez, in Biscay (and perhaps Guipúzcoa) on the latter's death in 1093, but Álava went to his brother-in-law Lope González.
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While there he led an army on behalf of Granada against the taifa of Seville. Among the other leaders on this campaign were two Navarrese magnates, Fortún Sánchez and Lope Sánchez, who had formerly been leading men in Navarre and in Castile under Sancho II.This must be distinct from the Fortún Sánchez who died in 1054 at the Battle of Atapuerca. The Historia Roderici says that the other two Castilian leaders were Diego Pérez and Lope Sánchez. With this expedition Alfonso VI may have been intending to produce discord between the taifa kingdoms, furthering his hegemony in the south of the peninsula.
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López in the Spanish provinces López is a surname of Spanish origin. It was originally a patronymic, meaning "Son of Lope", Lope itself being a Spanish given name deriving from Latin lupus, meaning "wolf". The surname is first attested in Old Castile in the heart of Spain, where the name originated in Visigothic times;Lopez Family Crest, Coat of Arms and Name History however, the name is not of Germanic origin. Its Portuguese equivalent is Lopes, its Italian equivalent is Lupo, its French equivalent is Loup (or Leu), its Romanian equivalent is Lupu or Lupescu and its Catalan and Valencian equivalent is Llopis.
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Lope Fernandez de Ain was appointed as the bishop of Morocco but wasn't able to establish himself before the Marinids captured Fez in 1248. Innocent IV had named him bishop of Church of Africa on 19 December 1246., page 103-104 The medieval Moroccan historian Ibn Abi Zar stated that the Almohad caliph Abu al- Ala Idris al-Ma'mun had built a church in Marrakech for the Christians to freely practice their faith at Fernando III's insistence. Innocent IV asked emirs of Tunis, Ceuta and Bugia to permit Lope and Franciscian friars to look after the Christians in those regions.
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Before long, the other nobles of Castile became envious of Lope's enormous power and began to take their issues up with the King. Things came to the breaking point on June 8, 1288 in a town in La Rioja called Alfaro. In a meeting with King Sancho IV, Lope Díaz III de Haro got in an argument with Juan Alfonso López de Haro I, a noble of the same House of Haro who held the title of Señorío de Cameros. The argument allegedly resulted in Lope pulling out a knife and threatening the life of the King where after he was executed.
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St. Amour, Sister Mary Paulina. A Study of the Villancico Up to Lope de Vega. Washington, D.C.: The Catholic University of America Press, 1940. Taylor, Thomas S. “The Spanish High Baroque Motet and Villancico: Style and Performance.” Early Music 12.1 (1984): 64-73.
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Félix Lope María Córdova Dávila (November 20, 1878 - December 3, 1938) was a political leader and judge from Puerto Rico who served as Puerto Rico's fourth Resident Commissioner in Congress and later as an Associate Justice of the Supreme Court of Puerto Rico.
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This novel was awarded the Rómulo Gallegos Prize in 2009. The third book, La serpiente sin ojos, narrates the attempt of Ursúa to repeat Orellana’s trip to discover the country of the Amazons. The book also recounts the crimes of Lope de Aguirre.
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Masson and Peraza Lope 2004, p. 213. Commoners took part in warfare, and could advance socially by proving themselves as outstanding warriors. Commoners paid taxes to the elite in the form of staple goods such as maize flour and game.Foias 2014, p. 161.
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Lope Conchillos y Quintana (? - 1521 in Toledo) was a Spanish politician, and secretary at the court of King Ferdinand "the Catholic". He married María Niño de Ribera, cousin of the Duke of Infantado. He was awarded an absentee encomienda in Puerto Rico.
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She did better as a broodmare, producing several other winners including Secret Gesture (runner-up in the Epsom Oaks) and Isaac Newton (International Stakes). Shastye was a half-sister to Sagamix and closely related to Sagawara, Nasram, Lope de Vega and Tambourine.
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In 1237, Lope Fitero was appointed by Pope Gregory IX as Bishop of Córdoba. On 9 May 1237, he was consecrated bishop by Juan Domínguez de Medina, Bishop of Burgos. He served as Bishop of Córdoba until his death on 10 Jun 1245.
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He stood at stud at Sheikh Mohammed's Kildangan Stud near Kildangan, Ireland. As a stallion, he is the sire of Mukhadram, Dan Excel, Able Friend, Lumiere, Lope de Vega, and Pinatubo. Shamardal was euthanised at Kildangan Stud in April 2020 following health issues.
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As a member of the Real Academia Española, he edited works from Tirso de Molina (12 vols., Madrid, 1839–42), Calderón de la Barca (4 vols., 1849–51), Juan Ruiz de Alarcón (1852), and Lope de Vega (4 vols., 1853), among others.
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Cristóbal de la Cerda y Sotomayor, (México 1585? – † ? ); Spanish oidor, lawyer of the Real Audiencia of Chile. After the death of governor Lope de Ulloa y Lemos he assumed the temporary governance of Chile for eleven months, between December 1620 and November 1621.
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Goltregoda of Cerdanya (920-963) was countess consort of Pallars by marriage to Lope I of Pallars and regent of the County of Pallars in 948-953 during the minority of her sons Borrell I of Pallars and Raymond II of Pallars.
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Shortly after Lope's death in 1093 Ticlo donated the monastery of Albóniga to San Millán for the good of his soul. She died towards 1104 and was buried in San Millán. Lope may also have been the father of Pedro López de Monforte.Barton, 281.
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Sancho married, circa 1240, a Castilian lady, Mécia Lopes de Haro, widow of Alvaro Peres de Castro, and daughter of Lope Díaz II de Haro and Urraca Alfonso de León, an illegitimate daughter of Alfonso IX of León, but they had no legitimate sons.
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He was awarded the Adonais Prize in 1945 for his book Edad del hombre (age of man), the Nadal Prize in 1949 for his book Las últimas horas (the last hours) and the Lope de Vega theatre prize for his drama Condenados (the condemned).
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417Cartwright (2010). p. 422 Returning to Berlin he began to study Spanish so he could read some of his favorite authors in their original language. He liked Pedro Calderón de la Barca, Lope de Vega, Miguel de Cervantes, and especially Baltasar Gracián.Cartwright (2010). p.
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The Ogooué is navigable from Ndjole to the sea. It is used to bring wood to the Port Gentil Harbour. The Ogowe Basin includes several major conservation reserves, including Lope National Park. The catchment area has an average population density of 4 people per km².
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Frederick A. de Armas "The Allure of the Oriental Other: Titian's Rossa Sultana and Lope de Vega's La santa Liga," Brave New Words. Studies in Spanish Golden Age Literature, eds. Edward H. Friedman and Catherine Larson. New Orleans: UP of the South, 1996: 191-208.
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Maria obtained the title of Lord of Biscay as she was next in line after her father, Lope Díaz III de Haro, died in 1288 and her elder brother, Diego López IV de Haro, died after just one year of holding the title in 1289.
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Julio Caro Baroja, "Algunas notas sobre onomástica antigua y medieval", Hispania, 3:13 (1943), 529–30, suspects that there may be geographical or sociological criteria of distinction between such diverse spellings as Ochoiz, Ochoco, and Ochoteco from Ochoa and Ochandariz, Osanariz, and Ochandar, from Ochanda (Castilian: Loba or Lopa), the female equivalent of Ochoa. Ochoa was the most common "animal name" among the medieval Basques, who had many, e.g. Bela (crow, raven), Artza (bear), Usoa (dove), Ollanda (hen). Caro Baroja suggests that Fortún Ochoiz may have been a brother of Ximeno Ogoaiz, lord of Estella in 1024, and also of Lope Ossanariz, who was probably named after their father (Lope = Ochoa).
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The first recorded sighting of Erikub Atoll by Europeans was on 29 June 1566 by the Spanish galleon San Jerónimo then commanded by pilot Lope Martín. However, it is likely that it had already been previously sighted by the Spanish expedition of Ruy López de Villalobos between December 1542 and January 1543. Lope Martín, who had been pilot of the patache San Lucas on its voyage from New Spain to the Philippines the previous year, had on this occasion mutinied with a gang of twenty six sailors and soldiers and murdered the San Jerónimo's captain, Pero Sánchez Pericón. The conspirators, including Martín, were later marooned on the Namonuito Atoll.
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On February 7, 1985, Jalisco police officers on the cartel's payroll kidnapped Camarena as he left the U.S. consulate. His helicopter pilot, Alfredo Zavala Avelar, was kidnapped shortly afterward. They were brought to a residence located at 881 Lope de Vega in the colonia of Jardines del Bosque, in the western section of the city of Guadalajara, owned by Rafael Caro Quintero, where they were tortured and interrogated over a period of 30 hours."The death house on Lope de Vega", MGR - the Mexico Gulf Reporter, 2013 On February 9, Camarena was killed when a hole was made in his head with a tire iron.
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In the 17th-century Venice in an alternative world where humans and some animals live together and even can be coupled, Don Lope de Villalobos y Sangrin, a Spanish wolf, and Armand Raynal de Maupertuis, a French fox, are hired by old and rich Cénile Spilorcio to retrieve a treasure map from a Turkish ship. As they deliver the map, Spilorcio plots to have them arrested and sent to galleys; during the arrest, Maupertuis spots Spilorcio's adoptive daughter, Séléné, and the two fall in love. Spilorcio then sends his son Andreo and his servant Plaisant to find the treasure. On the galley, Maupertuis and Don Lope meet with white rabbit Eusèbe.
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Canal Sánchez-Pagín, 18. In 1146 he was with the imperial court in September and again in November.Barton, 131. There is no record of Lope's participation in the conquest of Almería (1147), but it is not unlikely.Canal Sánchez-Pagín, 18. In 1149 the emperor made Nájera the capital of a subkingdom for his eldest son, Sancho “the Desired”, but by August 1154 Lope had received de facto control of it again, although he had to wait until August 1155 to be formally re-installed as lord of Nájera. At some point Lope entrusted the government of Nájera to a certain vassal of his, Lucas López, whom he had knighted himself.Barton, 89.
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Thursday June 15, 2006. Camarena, who was suspected of being the source of the information, was abducted in broad daylight on February 7, 1985, by corrupt Mexican officials working for the major drug traffickers in Mexico. Camarena was taken to a residence located at 881 Lope de Vega in the colonia of Jardines del Bosque, in the western section of the city of Guadalajara, owned by Rafael Caro Quintero,"The death house on Lope de Vega", MGR - the Mexico Gulf Reporter, 2013 where he was tortured over a 30-hour period and then murdered. His skull was punctured by a metal object, and his ribs were broken.
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It is possible that Peter the Venerable, the abbot of Cluny, visited his new daughter house of San Adrián during his trip through Spain in 1142. By 1145, Fortún's wife had died and Sancho de Larrosa had been succeeded by Lope de Artajona as bishop of Pamplona. In that year, through the "intervention and authority" (interuentus et auctoritas) of Bishop Lope, Fortún repeated his donation of 1141 in the presence of Abbots John of San Juan de la Peña (Aragon), Peter of Leire (Navarre) and Peter of Santa María de Irache (Navarre). This second donation was designed to remove any uncertainty over the validity of that of 1141.
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In 1546, De Belalcázar ordered the execution of Jorge Robledo, who governed a neighbouring province in yet another land- related vendetta. De Belalcázar was tried in absentia, convicted and condemned for killing Robledo and for other offenses pertaining to his involvement in the wars between armies of conquistadors. Pedro de Ursúa was killed by his subordinate Lope de Aguirre who crowned himself king while searching for El Dorado. In 1544, Lope de Aguirre and Melchor Verdugo (a converso Jew) were at the side of Peru's first viceroy Blasco Núñez Vela, who had arrived from Spain with orders to implement the New Laws and suppress the encomiendas.
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Lope Balaguer debuted in 1940 as a singer in the radio. In 1944 in Bonao he did his first presentation in the radio station The Voice of the Yuna, with the San José orchestra, with which in the following year under the direction of the composer and Cuban pianist Julio Gutiérrez debuted in the Coffee Ariete in Santo Domingo. HILL Magazine chose him as the best singer of the country and gave him the nickname of The tenor of the youth. In the same year he travelled to Cuba, where he acted in nocturnal clubs of Havana and the radio, and is where he took the artistic name of Lope Balaguer.
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In early 1300, Diego López V de Haro founded the city of Bilbao. He died in service to King Ferdinand IV at the Siege of Algeciras in 1309 during a campaign against the Kingdom of Granada. When she first came to power over Biscay, Maria was instantly involved in a power struggle with her cousin, Lope Díaz IV de Haro, son of Diego Lopez V the intrusive. Lope Diaz IV counted on the support of King Ferdinand IV whom his father had served faithfully and on the fact that the king's uncle and Maria's husband, John of Castile, continuously became entangled in disputes with the crown.
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La dama boba (given various titles in English including The Lady Simpleton, The Lady Boba: a Woman of Little Sense, 'Lady Nitwit,The Guardian: A Lady of Little Sense – review Ustinov Studio, Bath "Lope de Vega's romantic comedy has something in common with the Taming of the Shrew, and gets a lively performance here, but it leaves a somewhat acrid aftertaste"] The Lady-Fool) is a 1613 comedy by the Spanish playwright Lope de Vega. It is one of the earliest examples of the "comedia palatina" subgenre. De Vega completed it on 28 April 1613, as shown by a surviving manuscript copy in his own hand.
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This led to multiple lawsuits that would end in 1232 with the move of the Diocese of Calahorra y La Calzada-Logroño to Santo Domingo de la Calzada. By 1235, the fallout from this shakeup was so great that Lope was forced to expel the bishop who fled to Rome and the diocese moved back to Calahorra. In 1234, fresh conflict broke out between King Ferdinand III and two of his leading magnates, Álvaro Pérez de Castro el Castellano: head of the House of Castro, and Lope Díaz II de Haro. Lope's grievances with the king were a result of a disagreement between the two at the siege of Úbeda.
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Vélez Sársfield is a barrio or district in the western part of Buenos Aires, Argentina, located in the area defined by the streets Segurola Avenue, Juan Agustín García, Lope de Vega Avenue, Juan B. Justo Ave., Corro Ave., Medina, Juan Bautista Alberdi Ave. and Mariano Acosta.
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Amongst his siblings were Lope Díaz III de Haro, Lord of Biscay, Teresa de Haro, wife of Juan Núñez I de Lara, head of the House of Lara, and of Sancha Díaz de Haro. He was the great grandson of the king, Alfonso IX of León.
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Tebelak directed the Broadway play Elizabeth I in 1972, the off- Broadway play The Glorious One in 1975, and Ka-Boom! in 1980. He also directed Lope de Vega's Fuenteovejuna in Madrid in 1975. He co-wrote the 1973 film version of Godspell with David Greene.
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An interesting display in the museum is a sculpture of the tyrant ruler Lope de Aguirre who had terrorized the islanders during 1561; this event is featured in the film titled Aguirre, the Wrath of God produced by Werner Herzog with Klaus Kinski in the lead role.
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Antonio Beccadelli of Bologna (c.1475-1513) was an Italian aristocrat, whose tragic love affair and secret marriage with Giovanna d'Aragona, Duchess of Amalfi, inspired several works of literature, most notably John Webster's The Duchess of Malfi and Lope de Vega's El mayordomo de la Duquesa Amalfi.
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He co-starred in HBO's Rocket Science, as the protagonist's best friend, Heston. His stage credits include the premiere of Christopher Shinn's Where Do We Live, the anthology production Savage Acts (both 2004), Mac Wellman's Cellophane (2003) and a 2002 revival of Lope de Vega' Fuente Ovejuna.
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Alfonso Vallejo (born 1943, Santander) is a Spanish playwright, poet, painter and neurologist. He has published 34 plays and 25 poetry books. Vallejo was awarded the Lope de Vega prize in 1976 for his play "El desgüace". "Ácido Sulfúrico" was the runner up prize in 1975.
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About 30 Spanish and Portuguese vessels under Admiral don Lope de Hoces arrived off the Dutch Brazil in November 1635. Although the fleet failed to overrun Pernambuco, supplies and 2,500 Spanish, Portuguese, and Neapolitan reinforcements were successfully landed at the Lagunas under General Luis de Rojas.
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The Tasa de Esquilache or Rate of Esquilache was a set of ordinances and taxes established in 1621, by Lope de Ulloa y Lemos, Prince of Esquilache, for the native people of the Captaincy General of Chile similar to the one of the earlier Tasa de Gamboa.
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Overjoyed, Dorotea and Cardenio promise to help Lope and Ordogno in their plan to bring Don Chisciotte home. The act ends with a dance of the Sierra Morena peasants. Act 2 Fernando's guards have found Lucinda. He once again asks her to marry him but she refuses.
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The Kʼicheʼ colonnaded buildings at Qʼumarkaj appear to indicate ties with the distant city of Mayapan in the Yucatan Peninsula.Sharer & Traxler 2006, p.625. The parallels also include skull imagery, effigy figure censers, squatting figures and the generous application of stucco.Milbrath & Peraza Lope 2003, p.24.
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Sweet, strong flavor. ;Lisa: almost smooth ;Local Serena ;Lope Concha ;Madeira: Bulky fruit usually with thick green peel. It has a heart shape, having a skin with some small protuberances. Its pulp is white, sweet, creamy, juicy, having a slightly acid and delicate, with a pronounced fragrance.
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', officially the ' (; ), is a in the province of , . According to the , it has a population of people. It is bordered in the north by Catarman and Mondragon in the east and the province of Samar in the south. Lope de Vega was created under Batas Pambansa Blg.
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Punishment without Vengeance (Castigo sin venganza) is a 1631 tragedy written by the Spanish playwright Lope de Vega at the age of 68, centred on adultery and a near-incestuous relationship between step-mother and step-son. It is regarded as one of Lope’s supreme achievements.
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Mécia Lopes was born in Biscay, the daughter of Lope Díaz II de Haro, lord of Biscay, and of Urraca Alfonso of León. Her mother was an illegitimate daughter of Alfonso IX of León. She was thus niece of the reigning king, Ferdinand III of Castile.
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The Northern Loloish languages, also known as Northern Ngwi, are a branch of the Loloish languages that includes the literary standard of the Yi people. In Lama's (2012) classification, it is called Nisoid (Nisu–Lope), which forms the Nisoish branch together with the Axi-Puoid (Southeastern Loloish) languages.
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Jusepa Vaca (1589-1653) was a Spanish stage actress, known as "la Gallarda". She belonged to the more famous and popular of her era, celebrated by artists such as Lope de Vega and Luis Vélez de Guevara as one of the most famed actresses in Spain of her time.
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Both would leave Salamanca together. In 1597 Castro became a court musician to King Philip III of Spain, and, from June 15, 1599 an usher. He died in Madrid. Back in Madrid from Valladolid, from 1606 he would collaborate closely with Lope de Vega, who would praise his art.
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The natural gaits are walk, trot, canter/lope, and gallop. Other gaits include the pace and ambling gaits such as the rack and single-foot.Belknap Horsewords p. 205 ;gaited horse :A horse that performs intermediate-speed ambling gaits other than the trot, or in addition to the trot.
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Belknap Horsewords p. 304 For a riding horse, the stirrups are often used as makeshift terrets to keep the reins from trailing on the ground. ;lope (US) :A form of the canter seen in western-style riding; a three beat gait, performed at a relatively slow speed.Price, et al.
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September 2008. The entrance through the casino to the theatre, with posters for a Flamenco show. After the exhibition, the theatre had ups and downs, competing with cinemas and football. It was closed for a while, then re-opened as the Municipal Theatre Lope de Vega in 1936.
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In 1961, renewed flooding again caused damage to the pit, and fresh renovations were required. In 1977 the theatre was assigned to the Ministry of Culture, and after a facelift became the National Theatre of Lope de Vega Sevilla. The theatre was used for a trade show in 1985.
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It was around this time that Diego Lopez forged a new alliance with Juan Núñez II de Lara who had gotten into disputes with the infante John. Seeing himself in a losing position, the infante John signed a two-year truce with Diego Lopez as he assumed the new alliance between Diego Lopez and the House of Lara would not hold. Trouble came quickly to this relationship as Lope Díaz IV de Haro, Diego Lopez' son and heir entered into a dispute with Juan Núñez II de Lara and he attempted to get his father to accept the kings deal. The same year, Ferdinand IV gave Lope Diaz IV the charge of Mayordomo Mayor of the king.
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In the confusion, Prince Jean is taken prisoner, the king is restored to power, the mimes gain an equal social status with other Selenites, and Mendoza and Spilorcio are sent into hiding, while the lovers are reunited. As Prince Jean is exiled from the Moon, the heroes discover that Séléné is actually the lost daughter of the King of the Moon. A love triangle appears when Armand's friends discover that Séléné seems to prefer the "Maître d'Armes" to Armand, and to be oblivious to Armand's love for her. The resulting tension breaks the friendship between Lope and Armand, and Armand stays on the Moon while Lope, Eusèbe, Kader, Andreo and Plaisant prepare to sail to Earth.
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Following graduation, Lope had planned to follow in his patron's footsteps and join the priesthood, but those plans were dashed by falling in love and realizing that celibacy was not for him. Thus he failed to attain a bachelor's degree and made what living he could as a secretary to aristocrats or by writing plays. In 1583 Lope enlisted in the Spanish Navy and saw action at the Battle of Ponta Delgada in the Azores, under the command of his future friend Álvaro de Bazán, 1st Marquis of Santa Cruz, to whose son he would later dedicate a play. Following this, he returned to Madrid and began his career as a playwright in earnest.
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Lope encountered a poorly organized dramatic tradition; plays were sometimes composed in four acts, sometimes in three, and though they were written in verse, the structure of the versification was left to the individual writer. Because the Spanish public liked it, he adopted the style of drama which was then in vogue. He enlarged its narrow framework to a great degree, introducing a wide range of material for dramatic situations – the Bible, ancient mythology, the lives of the saints, ancient history, Spanish history, the legends of the Middle Ages, the writings of the Italian novelists, current events, and everyday Spanish life in the 17th century. Prior to Lope, playwrights sketched the conditions of persons and their characters superficially.
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By the spring of 1348 the Unionists had concentrated all their forces in Zaragoza, reluctant to work with the nobles who still supported the king. For his part, Lope de Luna attempted to take the city of Tarazona, a member city of the Union. In early July, Peter IV, with the kingdom of Valencia pacified and the support of the inhabitants of Teruel, Daroca and Calatayud, marched on Zaragoza intending to end the revolt. The Unionists, realizing they could not cope with the united forces of Peter IV and Lope de Luna, tried to cut them off, taking a central location that was in the hands of the royalists, the village of Épila.
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A few days after he came to power, King Alfonso VIII of Castile died, leaving his 10-year-old son, the ill-fated Henry I of Castile, as heir to the throne after mysterious the death of his older brother, Fernando de Castilla y Plantagenet. The House of Lara gained power over Henry and started a rivalry with his sister, Berengaria of Castile, who consequently was Lope Díaz' patron. In 1217, Henry was 'accidentally' killed at the age of 13 by a falling roof tile. He was succeeded by his sister Berengaria, with the support of Lope Díaz, amongst other nobles, who later abdicated in favor of her son Ferdinand III of Castile, crowned in Nájera.
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Also Tirso de Molina would dedicate him appreciative texts. In the Cancionero de la Sablonara, eighteen of his tonos survived. Lope and Góngora were the masters of the tono, romances with profane refrains. On his death, 771 tonos were found, both polyphonic and of popular themes, which have not been preserved.
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Masson and Peraza Lope 2014. Even without a dominant regional capital, the early Spanish explorers reported wealthy coastal cities and thriving marketplaces.Masson 2012, p. 18238. During the Late Postclassic, the Yucatán Peninsula was divided into a number of independent provinces that shared a common culture but varied in internal sociopolitical organization.
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He played the Sexton in Neil Simon's The Good Doctor. He participated in Tanghalang Pilipino's Intermediate Acting Workshop. He played the role of Fernan Gomez de Guzman in their staging of Lope de Vega's Fuente Ovejuna as their recital. He is a Senior Artist-Teacher for Philippine Educational Theater Association (PETA).
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Gila was captured and executed in the Plaza de Plasencia. The character starts in no less than twenty-one versions of romances and is later treated in different theatrical pieces by Luis Vélez de Guevara (1613), Lope de Vega (1617) and a 'a lo divino' version by José de Valdivielso.
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Aguirre is a surname of Basque origin. It shows different variants (Agerre, Agerri, Ager) and composite surnames (Eizagirre, Agirresarobe, Agirrezabal, etc.), meaning 'prominent' or 'exposed prominence/place'. Lope de Aguirre was one of the first Europeans to explore the Americas. Based on "the U.S. Census Bureau's 1990 and 2000 censuses," HowManyofMe.
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The Battle of Getaria or the Battle of Guetaria are the names given to a battle in the Franco-Spanish War (1635–59), which took place on 22 August 1638 at Getaria, northern Spain, when a French fleet under de Sourdis attacked and destroyed a Spanish fleet under Lope de Hoces.
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It is based on a historical and geographical distortion of the Cantabrian Wars, based on a manuscript gloss that Cristóbal de Mieres, secretary of Lope García de Salazar (1399–1476) introduced on a 1491 copy of Las bienandanzas e fortunas. This legend makes the Vascones the protagonists of these wars.
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Mesa, Manila: Institute of Labor & Industrial Relations, Polytechnic University of the Philippines, 1991. pp. 23, 25-26 Lope K. Santos, head of the union at the Katubusan Cigar and Cigarette Factory, was the president of the UTF. Political rivalries led to the dissolution of UTF in 1907.Halili, Christine N. Philippine History.
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They concluded that the fish were being traded into Mayapan, and not collected near the site. If the fish had been prepared at the site, the heads would have been common refuse. Within the ceremonial center, numerous deer heads and teeth were found among the remains.(M.A. Masson, C. Peraza Lope 2008).
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In tropical rainforest in Central Africa, their diet consists of duikers and primates. Some individual leopards have shown a strong preference for pangolins and porcupines. In North Africa, the leopard preys on Barbary macaques. In Gabon's Lope National Park, the most important prey species was found to be red river hog (Potamochoerus porcus).
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More importantly, he competition put him in touch with directors from Ticketmaster and Price Costco, who pledged one million dollars to expand the business. At this time, de Lope was only twenty. Today, the frames are made by disabled workers. The company is in Puebla and as of 2010 employed about 200 people.
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Fray Agapito Lope 1911 Manuscript, p. 2. would refer to as "vecinas y vecinos distinguidos". For the most part, the social privileges of the nobles were freely acknowledged as befitting their greater social responsibilities. The gobernadorcillo during that period received a nominal salary and was not provided government funds for public services.
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And he said to me, "You fool, now learn that > a blind man's servant has to be one step ahead of the devil." And he laughed > out loud at his joke. It also appears in El mejor maestro, el tiempo, by Lope de Vega, where is mentioned along with the bulls of Guisando.
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For Father Pena's letter, see Hylkema 1995:20; also indicated on a map by Kroeber 1925:465. The missionary fathers erected the mission on January 17, 1777 at the native village of So-co-is-u- ka. Lope Inigo, a Tamyen man who lived at Mission Santa Clara de Asís Mission San José.
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Lope Diaz de Haro succeeded to recover the archbishop's body but did not chase the Moors. Later on Castile was relieved by the second son of King Alfonso X, infante Sancho, who came back from France and took the lead, organizing a swift defense of the southern territory.Suárez Fernández, Vol.2, p.
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Tower of Calahorra to one side of the Roman Bridge. Along the banks of the Guadalquivir are the Mills of the Guadalquivir, Moorish-era buildings that used the water flow to grind flour. They include the Albolafia, Alegría, Carbonell, Casillas, , Lope García, Martos, Pápalo, San Antonio, San Lorenzo and San Rafael mills.
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This campaign, while successful in some respects such as the capture of Gibraltar, culminated in the disastrous and demoralizing Siege of Algeciras of 1309. It was here that a majority of Ferdinand IV's army would desert him, including the infante John of Castile. In 1310, Diego Lopez V died in camp of wounds received during the siege leaving his possessions with the exception of Biscay to Lope Diaz IV. In 1311, Lope Diaz IV participated in a rebellion against King Ferdinand IV of Castile together with the infante John of Castile and Juan Núñez II de Lara, head of the House of Lara. Their rebellion favored the overthrow of Ferdinand IV and the installation of his brother, the infante Pedro de Castilla y Molina instead.
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Even though the town's old bridge could have been built simultaneously, there are not any evidences of its existence until some centuries later. The territory in which today is located Balmaseda belonged to the valley of Mena, which was already included in the Kingdom of Castile in the 9th Century. Although it was eventually conquered by the Kingdom of Navarre, the Castilians recovered it in 1175, moment when the king handed over the territory to Lope Sánchez de Mena, Lord of Bortedo and kin of the Lord of Biscay. Lope Sánchez founded then the village, probably on the same location of a previous settlement, in one of the banks of the river Kadagua, granting the village the fuero of Logroño.
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He tried to reconstruct all the historical past of Spain, with a revisionist purpose that on several occasions placed him at the center of major controversies (for example, the one originated by his book La ciencia española (The Spanish Science). For many critics he defined the boundaries of Spanish thought in works like Historia de los heterodoxos españoles (History of the Heterodox Spaniards) and the Historia de la estética española (History of Spanish Aesthetics). With respect to literary history, he wrote works such as Las orígenes de la novela (Origins of the Novel), Antología de los poetas líricas (Anthology of Lyric Poets) (which finishes at the end of the Middle Ages), and the prologue to Obras de Lope de Vega (Works of Lope de Vega), among others.
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Some of Alfonso Vallejo's Works have been translated into English, French, German, Arabic, Italian, Portuguese, Polish, Bulgarian and continue to be translated. He was awarded the runner-up prize of the Lope de Vega Prize in 1975 for his play “Acido Sulfúrico”, the National Lope de Vega Prize in 1976 for his play “El Desgüace”, the International Tirso de Molina Prize in 1978 for “A tumba abierta” and the Fastenrath de la Real Academia Española Prize (Fastenrath Prize of the Royal Spanish Academy, 1981) for "El Cero Transparente", which was the libretto for the opera Kiu (1973) by Luis de Pablo. Alfonso Vallejo's plays have been performed in New York, Miami, Mexico and other South American countries, Portugal, United Kingdom, France, Germany, Italy, Poland, many other countries.
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His plays, published in 1635–1638, are all in the manner of Lope de Vega. They were staged with much success, but, with the exception of Los Amantes de Teruel, are little more than clever improvizations. Montalbán almost rivaled Lope de Vega in dramatic productiveness, but, according to one critic, he followed that writer's conventional manner, flimsiness in construction, and carelessness in execution too closely. The prose tales in Sucesos y prodigios de amor, en ocho novelets ejemplares (1624) and Para todos: Exemplos morales, humanos y divinos (1632) were very popular. George Ticknor characterized “The Disastrous Friendship,” a tale in the former collection, as one of the best in the Spanish language. “Aurora and the Prince,” was translated into English by Thomas Stanley (1647).
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Froom is killed in battle; his son was named the first Lord of Biscay. The Count of Barcelos then lists six additional mythical lords before he comes to Lope, the historical late-11th century lord, Lope Íñiguez.José Ramón Prieto Lasa (2013), "La genealogía de los Haro en el Livro de Linhagens del Conde de Barcelos", Anuario de Estudios Medievales, 43/2: 833-69 A notable story among these accounts, which bears some resemblance to the Melusine legend, is that of the Lady of Biscay (La Dama de Viscaya), a beautiful stranger found in the countryside by Lord Diego López. She joins him only when he agrees to certain conditions, but he later violates these and she flees into the country with their daughter.
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The battle began on the morning of July 21 with an attempt by Union troops, led by Juan Ximénez de Urrea, Jr., to occupy Épila. Blasco de Alagon had taken refuge inside Épila, his mission was to defend the place until the core troops of Peter IV joined with those of Lope de Luna. The frontal attack was very intense but the Unionists lacked sufficient troops to overcome the defenses and did not have time to prepare, knowing that Lope de Luna had left the siege of Tarazona and was marching towards Jalón to force a confrontation. Repulsed at their first assault, the Unionists burned the crops and the suburbs in an attempt to force a showdown in the open.
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Yuriev's biography at the Great Biographical Dictionary Yuriev is best remembered for his acclaimed translations of William Shakespeare, as well as the Spanish drama classics, including some major works by Pedro Calderón de la Barca and Lope de Vega, which were collected in the compilation Spanish Theatre in Its Prime, published in 1877 in Russia.
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Among Castro's most notable scholarly works are The Life of Lope de Vega (1919); Language, Teaching, and Literature (1924); The Thought of Cervantes (1925); Ibero- America, Its Present and Its Past (1941); The Spaniards: an Introduction to their History (1948); The Structure of Spanish History (1954); and Out of the State of Conflict (1961).
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Calderón ;Dreams vs. reality The concept of life as a dream is an ancient one found in Hinduism and Greek philosophy (notably Heraclitus and the famous Platonic Allegory of the Cave), and is directly related to Descartes' dream argument. It has been explored by writers from Lope de Vega to Shakespeare.De La Barca, Pedro Calderón.
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The second page identifies the "vecinos distinguidos" of the Banate during the last years of the Spanish rule. The original document is in the custody of the Monastery of the Augustinian Province of the Most Holy Name of Jesus of the Philippines in Valladolid, Spain. Cf. Fray Agapito Lope 1911 Manuscript, p. 1. Also cf.
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Spanish Golden Age authors like Lope de Vega satirized the eating of the pottery. The large example shown is 27 3/4 in. (70.5 cm) tall, and made of unglazed earthenware that has been burnished and given decorative touches in white paint. Once filled, the porous earthenware acts as an evaporative cooler, cooling the water.
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The Chronica Adefonsi imperatoris relates the episode of Valdevez at §§82–3: > . . . the Emperor [Alfonso VII] commanded the Counts from Castile to prepare > for daily attacks on King García [García Ramírez of Navarre]. These nobles > were Rodrigo Gómez, Lope López, Gutier Fernández, and others. Alfonso VII > mobilized a large force and departed for Portugal.
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Fuente Obejuna is a Spanish town in the province of Córdoba, autonomous community of Andalusia. The municipality has a population of around 5,000 inhabitants. Fuente Obejuna is located 98 km from the provincial capital, Córdoba. It was made famous by Lope de Vega's play Fuenteovejuna about the uprising that took place there in 1476.
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The Widow from Valencia () is a play written by the Spanish playwright Lope de Vega. It was written circa 1600 as a result of Lope's visit to the city with his new patron, the future Count of Lemos. They were there for the marriage of the King Philip III with Margaret of Austria.La viuda valenciana.
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Liberty, vitality and openness of Lope gave a step to Calderón's intellectual reflection and formal precision. In his comedy it reflected his ideological and doctrine intentions in above the passion and the action, the work of Autos sacramentales achieved high ranks.Molina Jiménez, María Belén (2008). El teatro musical de Calderón de la Barca: Análisis textual.
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José Manuel López Balaguer, (22 August 1925, Santiago de los Caballeros - 29 January 2015, Santo Domingo) also known as Lope Balaguer, was a Dominican singer; he was nephew of Dominican president Joaquín Balaguer and cousin of the musicians Johnny Pacheco and Nelo López. He married Flor de Oro Trujillo, daughter of dictator Rafael Trujillo.
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The King is the Best Mayor (Italian:Il miglior sindaco, il re, Spanish:El mejor alcalde, el rey) is a 1974 Italian-Spanish historical drama film directed by Rafael Gil and starring Analía Gadé, Simonetta Stefanelli and Ray Lovelock.Bentley p.205 The film is based on the play The Best Mayor, The King by Lope de Vega.
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He was admitted to practice law in Puerto Rico in 1903. In 1906, Córdova married Mercedes Díaz Collazo, with whom he had several children: Jorge Luis in 1907, who would succeed Córdova Dávila both as an Associate Justice in the Puerto Rico Supreme Court as well as in Congress (1969–1972), Félix Lope (1909), and Enrique (1913).
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Juan's parents were Juan Núñez I de Lara (d. 1294), head of the House of Lara, and Teresa de Haro, daughter of Diego López III de Haro, the seventh Lord of Biscay and of Constanza de Bearne. Teresa was the sister of Lope Díaz III de Haro and of Diego López V de Haro, both Lords of Biscay.
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Toledo also made enemies through his reforms. The previous (interim) viceroy, Lope García de Castro, was one of them. García de Castro was now a member of the Council of the Indies, from which position he opposed most of Toledo's reforms. Some of the Spanish in Peru opposed the viceroy because of the loss of some of their privileges.
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Instituto Lope de Vega, Madrid In 1939 Gambra enrolled at the faculty of letters and philosophy at Universidad Central.Rafael Gambra Ciudad 1920-2004, [in:] filosofia.org Influenced by Manuel García Morente and Salvador Minguijón Adrián,see Rafael Gambra, Aspectos del pensamiento de Salvador Minguijón, [in:] Revista international de sociologia 67 (1959), pp. 85-88 he graduated in 1942.
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She remained in charge until 1666. Her company was one of the most successful in Spain and responsible for the publication of a large number of the literature of the Spanish Golden Age, including authors such as Lope de Vega, Tirso de Molina and Pedro Calderón de la Barca. A street in Madrid is named Quiñones after her.
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Gold () is a 2017 Spanish historical drama film directed by Agustín Díaz Yanes. The film is based on a short story by Arturo Pérez-Reverte and depicts a 16th century Spanish expedition during the Colonization of the Americas aiming at locating El Dorado. It is loosely inspired on expeditions by conquistadors Lope de Aguirre and Nuñez de Balboa.
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He was the Grand Inquisitor of Spain from 1608 until his death in 1618. He was the patron of many famous authors, including Miguel de Cervantes, Francisco de Quevedo, Lope de Vega, Luis de León, and Luis de Góngora. He died suddenly in Madrid on December 7, 1618. He is buried in the Cathedral of Toledo.
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Lourie, "The Confraternity [and] the Ribat", 174. In 1143 a settlement was reached in which Raymond Berengar IV of Barcelona gave the castle at Belchite to the Templars "according as [they could] best come to terms" with its lord, Lope Sanz (Sánchez), who was the princeps and rector of the confraternity in 1136.Forey, The Templars, 67 n. 43.
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Javier de Lope Francés (born 1979) is a Mexican entrepreneur who founded several startups starting in high school. By the end of his college career he had founded 5 businesses, securing one million USD to expand one of them. His career since then has focused on creating new businesses, primarily in real estate and technology in Mexico.
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HB, 349 1991 Monterrey, NL Mexico" Don Lope died in August 1651. He received the Holy sacraments and made his Last will and testament dividing up his property and goods among his heirs. He also requested that a Novena of the Solemn High Mass for the dead be sung for the repose of his soul."LDS FamilySearch.
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1, The Library of Iberian Resources Online (1973), accessed December 7, 2013 It saw the birth of notable works of art: Don Quixote, by Miguel de Cervantes (1605), played with the vague line between reality and perception.Constantakis, p.186 Lope de Vega, in his play Fuente Ovejuna (1619), talks about a village that rebels against authority.
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Lupo IIHis name has many variants in other languages: Basque: Otsoa, French: Loup, Gascony: Lop, Latin: Lupus, Spanish: Lobo or Lope. It is the basis of the patronymic López. It may have been a Latinisation of the Basque word for "wolf", otso. However, it is an acceptable Latin or Frankish name in its own right (see Lupus).
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Pedro, acting as mayor, also arrests Juan upon his return for his assault on an officer. Hearing of Don Alvaro's arrest, Don Lope returns to Zalamea prepared to storm the jail. At this moment, the King arrives. After being told the facts, the King decides that the law has been followed, but that the accused must be tried elsewhere.
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Lope and Antilope is the fourth studio album by the Bristol based jazz rock quartet Get the Blessing, released in 2014. The album was recorded in a pottery in Pembrokeshire, a change sought by the band to escape the conventional recording process. Recording began with no songs written, thus the band mostly improvised over a period of four days.
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Aguirre was the son of Ignacio Aguirre Peña, the first municipal president of San Sebastián, and Mariana Santiago Lope. He graduated from the mining engineering program in Guadalajara. During the Mexican revolution, he fought under General Manuel M. Diéguez, later joining General Alvaro Obregón. He held a number of positions in the Mexican government, at various levels.
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All the pieces are anonymous, but one of them, Sobre moradas violetas, is also found in the Cancionero de la Sablonara, attributed to the Sevillian guitarist and composer Juan de Palomares, on a text by Catalina Zamudio. Several texts were extracted from the romancero or were written by known authors, such as Lope de Vega, Catalina Zamudio, etc.
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Mendoza gets free and makes a deal with Spilorcio. Finding a ship, the party set sails to Atlantis to retrieve the treasure with Andreo and his servant. In the process, they run afoul a pirate ship and are taken prisoners. Maupertuis and Don Lope are fed to a giant sea monster, inside of which they find the Flying Dutchman.
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Lope was the eldest son of Diego López I and María Sánchez. On his father's death in 1124, Alfonso the Battler seized the Basque señoríos and the Rioja, annexing them to the Kingdom of Navarre. By 17 June 1125 the Battler was in the castle of Haro.A document places him in opido Faro on that date, cf.
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An imperial document of November 1140 reads "Count Lope in these [times] rebelling in Haro" (Lupo comite eodem [tempore] sibi in Faro adversante), cf. Canal Sánchez-Pagín, 18 n40. He seems to have been reconciled to the emperor and reinstated by 1143.Certainly by March 1144, when he subscribed an imperial donation to San Salvador de Oña, cf.
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Wuthering Heights etext. Chapter 10, p.59 A Spanish story involving sexual jealousy and selfishness appears in Lope de Vega's play El Perro del Hortelano (The Gardener's Dog, in 1618). In this case, De Vega's title alludes to the parallel European idiom involving a variant story in which a gardener sets his dog to guard his cabbages (or lettuces).
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De Hoces had made no precautions against fireships, because this weapon was normally not used by the French, and de Sourdis had his fireships disguised as normal war vessels. The entire Spanish fleet caught fire, except the Santiago. Only 1,000 Spanish survivors reached the shores alive, including Lope de Hoces. Chevalier Paul distinguished himself during this action.
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Born in Peru, Lope Díez de Armendáriz was to become the first New World-born viceroy of New Spain. His father, president of the Real Audiencia of Quito, had his son educated for a naval career. The son had a distinguished career in command of the convoys escorting merchant ships and treasure ships from the Indies to Spain.
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Gades's most notable works included dance adaptations of Prosper Mérimée's Carmen and Federico García Lorca's Blood Wedding (Bodas de Sangre), as well as a feature-length adaptation of Manuel de Falla's 23-minute ballet El amor brujo. In the 1990s, he toured the world with his show Fuenteovejuna, based on Lope de Vega's play of the same name.
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The idea for the film began when Herzog borrowed a book on historical adventurers from a friend. After reading a half-page devoted to Lope de Aguirre, the filmmaker became inspired and immediately devised the story. He fabricated most of the plot details and characters, although he did use some historical figures in purely fictitious ways.Herzog, Werner.
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Popular artists including Juanita Reina opened in the theatre. In 1966 the theatre was converted to a cinema, renamed Cine Lope de Vega, with 1,557 seats. However, it continued to occasionally put on live theatrical performances and other shows. In 1987, it hosted the 1st Goya Awards, and in 1997 it hosted the Spanish Cinema Writers Circle Awards.
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Count Suñer was a son of the Count Lope I of Pallars and his spouse, Goltregoda of Cerdanya. He was thus a younger brother of the Count Borrell I of Pallars and the Count Raymond II of Pallars. Suñer succeeded his father and his uncle, Isarn, Count of Pallars. Suñer ruled together with his brothers, who died in 995.
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This work was originally published in Italian, and when he moved to Tarragona, he ordered to translate it into Catalan. Previously he published in Rome, in 1568, the Constituzioni Sinodali della Chiesa di Salerno. Lope de Vega dedicated an epitaph to Cervantes in Epitaphios fúnebres a diversos sepulcros. Cardinal Cervantes street in Tarragona is named after him.
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Monte Castro is a western barrio (neighborhood) in Buenos Aires, Argentina, belonging to the 10th comuna (district). Its borders are: Alvarez Jonte Ave., Lope de Vega Ave., Juan Agustín García St., Joaquín V. González St., Baigorria St., and Irigoyen St. It is located in one of the highest zones in the city and is currently a middle-income neighborhood.
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Vicent Garcia was subject to numerous rumors. One of them was that he visited Madrid in 1622 at the request of King Philip IV. Another baseless belief was that he had a friendship with Lope de Vega. Perhaps the most absurd was the story of his alleged poisoning by Zaragoza courtiers. His literary stature, however, was unquestionable.
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This good fortune made Lope a very powerful man, earning the Lord of Biscay the additional titles of Mayordomo Real of the Kingdom, Caniller y Alférez Mayor, and was given title of all the land from Burgos to Cantabria. In 1287, he was the regent of the Kingdom of Castile along with the Bishop of Astorga.
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Don Lope Ruiz de Esparza was born in Pamplona, Spain to a family of Basque nobility. It appears Lope Ruiz de Esparza was the first Esparza to come from Spain to New Spain. Many genealogists agree he may be the only Esparza to settle in New Spain and is the ancestor of all the Esparza families in early Mexico and the early U. S."A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY, WASHINGTON STATE UNIVERSITY Program in American Studies" by "MARGO TAMEZ, 2010" The surname Esparza is said to mean one who came from Esparza (a barren place or a place where feather grass grew) in Spain. The word was derived from the Latin sparsus (spread abroad, scattered), probably referring to land that yields little.
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The bell is most prominent as a nightmare (and later a fantasy), as Tristana dreams that the clapper has metamorphosed into the severed head of her guardian. The first occurrence of the nightmare signals the impending consummation of the sexual relationship between Tristana and Don Lope, and the last, his impending death. The bell, then, is an omen, but also a reminder: Bell tower of the Cathedral of Toledo. > The itinerary of Tristana is that of her own life, which, in a rapid finale > to the movie, passes before us like an oneiric dream turned nightmare in the > identity of the head-bell of Don Lope signifying the unchangeable ringing of > a stagnant society…However, underlying that static world, mummified and > without exit, Buñuel exposes the turbulent movement of the subconscious.
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Holy Roman Emperor Charles V. Fernando's and Lope sister Leonor de Acuña, deceased towards the end of 1501, married and got succession from Pedro Manrique de Lara, 2nd count of Paredes de Nava, the eldest brother of famous poet, no issue, Jorge Manrique, deceased in a feudal battle, April 1479. Both Leonor and eldest brother Lope, a Count and also a Duke, lived and enjoyed the magnificent castle of Segura de la Sierra, province of Jaen, now in the 2100 km2. National Park of Cazorla, Segura y las Villas, as did the 1st and the 2nd Counts of Paredes de Nava, father Rodrigo and brother Pedro respectively of another Knight of the Military Order of Santiago, Spanish Poet Jorge Manrique, killed in a feudal fight on 24 April 1479.
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This play has been interpreted from many points of view. For some, it deals with honor but leads the spectator to become aware of the immorality of the action;Jaime Fernández, “Honor y moralidad en La viuda valenciana de Lope de Vega: ‘Un tan indigno ejemplo,’” Hispania 69 (1986): 821-29. for others the work hides a mythological mystery;Enrique Rull, “Creación y fuentes de La viuda valenciana de Lope de Vega,” Segismundo 7-8 (1968): 25-40. while for others it is a way to provoke a response in character, audience and reader;Esther Fernández, “La viuda valenciana o el arte de provocar ocultando,” Hispania 91.4 (2008): 774-84. A particularly interesting feature of this play is that three different suitors come to Leonarda’s home disguised as merchants.
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In the St James's Palace Stakes at Royal Ascot Dick Turpin finished runner-up in a Group 1 race for the third time in a row when he was beaten a length by Canford Cliffs with Siyouni, Beethoven and Makfi finishing behind. Richard Hughes resumed the ride when the colt was sent to France again for the Group 1 Prix Jean Prat over 1600 metres at Chantilly Racecourse on 4 July and started at 5/1. Lope de Vega started favourite, while the other six runners included Siyouni, Xtension and Hearts of Fire (Gran Criterium). After racing in third place behind the pacemaker Altair Star and Lope de Vega Dick Turpin took the lead 400 metres from the finish and accelerated away from the field to win "easily" by four lengths.
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There were few national and patriotic subjects, from the reign of King Pelayo to the history of his own age, he did not put upon the stage. Nevertheless, Lope's most celebrated plays belong to the class called capa y espada ("cloak and dagger"), where the plots are chiefly love intrigues along with affairs of honor, most commonly involving the petty nobility of medieval Spain. Among the best known works of this class are El perro del hortelano (The Dog in the Manger), El castigo sin venganza (Punishment Without Revenge),Lope de Vega: Three Major Plays, translated by Gwynne Edwards, Oxford University Press, 2008, and El maestro de danzar (The Dance Teacher). In some of these, Lope strives to set forth some moral maxim and to illustrate its abuse with a living example.
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Decades later, in 1730, finished the work on the main front. The Teatro Lope de Vega is a theater built in the classical style in 1861 and now very run-down. There has been recent controversy over whether the city should pay to restore it. The Campo Grande, a large public park located in the heart of the city, dates back to 1787.
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On 31 October, the French ambassador Pio de Carpi arrived at the gates of the Conclave, and showed notable warmth toward his old friend Cardinal de' Medici. The fact was noticed.Bergenroth, no. 606. After the Conclave was over, Lope Hurtado de Mendoza reported to the Emperor Charles that Pio de Carpi had contributed greatly to the election of Medici: Bergenroth, p. 595.
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During his rule at Vilcabamba, the provisional governor-general Lope Garcia de Castro wanted to negotiate with him. The negotiations were about Cusi leaving the Vilcabamba and accepting a Crown pension. After negotiations escalated, around 1568, Titi Cusi was baptized into the Roman Catholic Church, as Diego de Castro. Túpac Amaru became the Inca ruler after Titu Cusi's sudden death in 1571.
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Son of Louis G. Lamothe (D.Litt. in Spanish Language and Literature), the founder of the Lope de Vega Institute, and of Ghislaine Fortuney Lamothe, a painter, Lamothe was born in Port-au-Prince. He grew up in an academic and artistic, but also athletic, environment. His elder brother, Ruben, served as captain of the Haitian Davis Cup tennis team for some time.
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A member of the House of Haro, Diego López was the son of Lope Díaz III de Haro, from whom he inherited the title of Lord of Biscay, and his wife, Juana Alfonso de Molina, daughter of the infante Alfonso of Molina and granddaughter of King Alfonso IX of León. Her maternal grandfather was Gonzalo Núñez de Lara, señor of Belorado.
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The theater followed the Italian tradition, with a horseshoe-shaped hall containing three levels of boxes. In 1857 he designed the Palace of the Marquis de Viluma, which opened in 1859. Jerónimo de la Gándara was the architect of the Lope de Vega Theater, Valladolid, which was inaugurated on 8 December 1861. The facade, restored in 1920, is in the classical style.
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Emmanuel Apraku (1989 – 1 October 2020), also known as Ray Styles, was a Ghanaian pencil artist, keyboardist, and footballer. He created his own brand in the form of pencil art, graphic design, and caricature. He worked with celebrities such as Tolu Lope, Josh Ostrovsky, Michael Blackson, Chris Bosh, DeStorm Power, Mrcocoyam, D Black, Edem, King Bach, and Malin Bjork, among others.
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Western dressage consists of a basic test performed by horse and rider. At lower levels, competitors must perform a walk, trot or jog, and canter or lope. Higher level tests include lateral work and flying lead changes. Competitors are scored on how well they perform each movement within the test, by means of a score from 0 (not performed) to 10 (excellent).
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He was made a grandee of Spain and Commander of the Order of Santiago. He was well acquainted with Madrid's high society of the time. He lived in a mansion at the corner of Huertas and Príncipe streets (named after him) in the place currently known as Santoña Palace. His friend, Lope de Vega, dedicated his sonnet 148 to him.
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The cemetery, at the union of Huertas and San Sebastian streets, has disappeared and is now replaced by a flower shop. In this cemetery Lope de Vega is buried. It also was the site of the ghoulish incident after the burial of actress María Ignacia Ibáñez, when her lover, the writer José Cadalso, lovelorn, attempted to dig up her body.
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In 1231, Juan Domínguez de Medina was appointed by Pope Gregory IX as Bishop of Osma. On 29 May 1240, was he appointed by Pope Gregory IX as Bishop of Burgos where served until his death on 1 Oct 1246. While Bishop, he served as the principal consecrator of Lope Fitero, Bishop of Córdoba (1237), and Rodrigo Díaz, Bishop of Oviedo (1243).
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Lope de Vega, the dramatist (playwright) and writer, married there, while poet Francisco de Quevedo, was baptized there. The death certificate of Tomás Luis de Victoria can also be found in its archives. One of the most curious items on display is a stuffed crocodile, which is said to have been brought over from the Americas during the reign of the Catholic Monarchs.
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Francesc Vicent (1450 in Segorbe – c. 1512) was a Spanish, author who wrote the first treatise about chess using the present-day moves for the queen and the bishop. Libre dels jochs partits dels schacs en nombre de 100 was printed in Valencia on May 15, 1495, by Lope de Roca Alemany and Pere Trincher. No copy of this work has survived.
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The origin of the village can be tracked back to the 12th century, when the lordship of Trasmoz was founded. It alternately belonged to the Kingdom of Navarre and the Kingdom of Aragon until Jaime I, king of Aragón, definitively conquered it in 1232. In 1437 Alfonso V put it under the authority of Don Lope Ximenez de Urrea (I count of Aranda).
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Madrid / Frankfurt: Iberoamericana Vervuert, 2018: 229-46. Boccaccio's tale is about a trickster who is trickedDavid M. Gitlitz, “Introduction” to El anzuelo de Fenisa. San Antonio: Trinity University Press, 1988, p. x Lope uses Boccaccio's story for the main plot of his play, where Fenisa, a courtesan in Palermo attempts to woo the rich merchant Lucindo in order to gain his riches.
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Twelve English transport ships also arrived, contracted to carry the Spanish army under the flag of English neutrality. Lope de Hoces was offered overall command, but he turned it down. As a result, the command passed to Antonio de Oquendo, commander of the Mediterranean fleet. Oquendo was under instructions to assume a half-moon formation, to induce the Dutch into a boarding battle.
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Canal Sánchez-Pagín, 17. Diego was succeeded by the Navarrese magnate Ladrón Íñiguez.Ladrón's rule can be dated from April 1135 at the earliest. Lope was, at the time, probably a youth of about twenty years of age. He is recorded in the Chronica Adefonsi imperatoris (I, §7) among the eleven Castilian noblemen who swore fealty Alfonso VII upon his succession in 1126.
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One of them, Valerio, pretends to be a merchant of engravings of famous paintings, including Titian's Venus and Adonis.Frederick A. de Armas, “De Tiziano a Rafael: pinturas y libros en La viuda valenciana de Lope de Vega,” Actas del XIV Congreso de la Asociación Internacional de Hispanistas, edited by Isaías Lerner, Robert Nival, Alejandro Alonso. Newark: Juan de la Cuesta, 2004. Vol.
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He was from the seventh crop of foals sired by the Prix du Jockey Club winner Lope de Vega whose other foals have included Phoenix of Spain, Newspaperofrecord, Belardo, Vega Magic (Memsie Stakes) The Right Man (Al Quoz Sprint) and Santa Ana Lane (Stradbroke Handicap). Lucky Vega's dam Queen of Carthage was an unraced daughter of the Prix de l'Opéra winner Satwa Queen.
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Amarilis was a pseudonymous poet from Peru in the late 16th-century. Amarilis is known from a single poem, an epístola to Belardo, which she sent to Spanish playwright Lope de Vega, whom she evidently admired, and which he published in 1621 in La Filomena. Her identity remains a mystery, but Amarilis is generally believed to have been a woman.
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Benson p. 228 The Spanish poet Lope de Vega wrote a triumphant poem to celebrate the removal of the scourge of the Church. Sir Francis Drake buried at sea. One of 4 bronze relief plaques on the base of the Drake statue in Tavistock in Devon When news of the defeat arrived in England, Elizabeth demanded this 'humiliation' be avenged.
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They want to bring the Don home and convince Sancho to help them by making Don Chisciotte believe that Dulcinea is pining for him and wants him to return. Dorotea, who had been betrothed to Fernando before he fell in love Lucinda. laments his perfidy. However, Lope tells her that Lucinda had managed to escape from Fernando before the marriage could take place.
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Alfonso VI of León and Castile entrusted the tenencia to Diego López I de Haro after the death of Count García Ordóñez and the first of the lords of Biscay to attach the name of this town to his patronymic was Diego's son, Lope Díaz I de Haro. Plateresque Facade de la Church of Santo Tomás, Felipe Bigarny's work. Ruins of the castle.
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Robert Rich, 2nd Earl of Warwick. His ships found the island, and he invested in the company formed to settle it. The island was first documented on November 25, 1510 by Lope de Olano, a Basque sailing for Castile-Aragon. It remained unsettled and was known to French and Dutch pirates, but apparently was first visited by English ships in 1628.
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In 1926, he had produced The Cradle Song in London, bringing it to New York the next year. He received the Spanish Order of Isabel the Catholic for his work. Fuente Ovejuna or The Sheep Well by Lope de Vega had its first performance in the Experimental Theatre at Vassar College, May 1, 1936. Underhill was responsible for the translation.
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The triumph she achieved through her performance at the Teatre Grec in Barcelona was decisive for her to dedicate herself to acting in a professional manner. During the following years, and as part of the Lope de Vega Company directed by José Tamayo, she consolidated her position as one of the figures on the Catalan and Spanish scenes. In this line, she obtained success in plays like El caballero de Olmedo (1954), by Lope de Vega; La muralla (1955), by Joaquín Calvo Sotelo; Julio César (1955), by William Shakespeare, together with Mary Carrillo; Las brujas de Salem (1957), by Arthur Miller; or; Don Juan Tenorio (1958), by Zorrilla, together with Luis Prendes. In 1959, she created her own theater company and, shortly after, she premiered Gigí at the Recoletos Theater in Madrid and Eugene O'Neill's play, Anna Christie.
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This allegedly prompted Caro Quintero and other high-ranking members of the Guadalajara Cartel to seek revenge against the DEA and Camarena. In retribution, Camarena and his pilot Alfredo Zavala Avelar were kidnapped in Guadalajara on February 7, 1985, taken to a residence owned by Quintero located at 881 Lope de Vega in the colonia of Jardines del Bosque, in the western section of the city,"The death house on Lope de Vega", MGR - the Mexico Gulf Reporter, 2013 brutally tortured, and murdered. Caro Quintero then left Mexico on March 9, 1985 with his associates and his girlfriend Sara Cristina Cosío Gaona. Former Mexican Judicial Police chief Armando Pavón Reyes, after receiving a $300,000 bribe, reportedly allowed Caro Quintero to flee from the airport in Guadalajara, in a private jet, to seek refuge in Costa Rica.
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The Siege of Numantia () is a tragedy by Miguel de Cervantes set at the siege of Numantia, captured and razed by Scipio Aemilianus in 133 BC. The play is divided into four acts, (jornadas, or "days"). The dialogue is sometimes in tercets and sometimes in redondillas, but for the most part in octaves. The work was composed circa 1582 and was apparently very successful in the years before the advent of the playwright Lope de Vega. It remained unpublished until the eighteenth-century. Since then, it has been hailed by many as a “rare specimen of Spanish tragedy” Raymond MacCurdy, “The Numantia Plays of Cervantes and Rojas Zorrilla: The Shift from Collective to Personal Tragedy,” Symposium14 (1960): 100-120 and even as the best Spanish tragedy not only from the period before Lope de Vega, but of all its literature.
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Yet, prior to Alfonso's death, Vela never witnessed a charter of the king of Navarre, implying that he never attended the Navarrese court except when, as a vassal of Castile, it was in attendance there. In 1157, however, Vela witnessed a diploma of Sancho VI. After Sancho III's death in 1158, Vela initially recognised his successor, the child-king Alfonso VIII, but he also continued to visit the Navarrese court, where, from about 1160, he was recognised as count not only in Álava, but also in Biscay and, from about 1162, in Guipúzcoa. Evidence that Lope Díaz, of the Biscayne house of Haro, was lord of Biscay in 1162 suggests that perhaps the lordship was divided, with Vela only controlling the Duranguesado with Lope still holding his ancestral lordship in central Biscay. His rule of Álava, was complete.
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After the end of Reconquista, the Christian Portuguese and Spanish captured many ports in North Africa. In June 1225, Honorius III issued the bull Vineae Domini custodes that permitted two friars of the Dominican Order named Dominic and Martin to establish a mission in Morocco and look after the affairs of Christians there. The bishop of Morocco Lope Fernandez de Ain was made the head of the Church of Africa, the only church officially allowed to preach in the continent, on 19 December 1246 by Pope Innocent IV., page 103-104 Innocent IV asked emirs of Tunis, Ceuta and Bugia to permit Lope and Franciscian friars to look after the Christians in those regions. He thanked the Caliph al-Sa'id for granting protection to the Christians and requested to allow them to create fortresses along the shores, but the Caliph rejected this request.
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Lope De Vega also ignores truth. Walker observes that De Vega used several historical sources in addition to 1 Esdras. Four versions (Esdras, Josephus, Gower and Collier) mention the courtesan Apame who took the crown of Darius in Esdras and Josephus (in Gower Apemen is courtesan of Cyrus). Collier follows Esdras fairly closely and "ends with a pious expression of the poet's submission to divine will:".
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On 21 October the Dutch fleet, grown to over a hundred ships, violated English neutrality and attacked the Spanish fleet, succeeding in destroying or capturing many enemy vessels. Lope de Hoces sailed on the Santa Teresa towards the Dutch fleet, but he was killed by two gunshot wounds. The Santa Teresa was set on fire by a fireship and burned with great loss of life.
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What doth all my glory profit but that I have so much the more torment in my death?" :— Philip III of Spain (31 March 1621) ;"All right then, I'll say it. Dante makes me sick." :— Lope de Vega, Spanish playwright (27 August 1635) ;"I, feeble and of small virtue, have offended against Heaven; the rebels have seized my capital because my ministers deceived me.
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Lope de Vega, who referred to Espinel as his teacher, dedicated him El caballero de Illescas (1602). Espinel also befriended Cervantes, Góngora (whose poetry he helped to publish) and Quevedo. Like his friends, he was a member of congregation Esclavos del Santísimo Sacramento. At the time of his death, he was the chaplain at Madrid, and also the music teacher of the Plasencia bishop.
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Lope Díaz IV de Haro was the son of Diego López V de Haro and his wife, the infanta Violante de Castilla y Aragón. His paternal grandfather was Diego López III de Haro and his wife, Constanza de Bearn. His maternal parents were King Alfonso X of Castile, King of Castile and Leon, and his wife, Violant of Aragon, daughter of King James I of Aragon.
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Coat of Alfonso Carrillo de Acuña at his grave in the Alcalá de Henares Cathedral. His father was Lope Vázquez de Acuña, head of the Honrado Concejo de la Mesta and descendant of a noble Portuguese family. His mother was Teresa Carrillo de Albornoz, a native of Carrascosa del Campo whose ancestors had included clergy. He was educated under his uncle, cardinal Alfonso Carrillo de Albornoz.
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For two years before her end she was in great bodily suffering and her death agony lasted five days; she died in 1653 at Avignon. In a laudatory poem Lope de Vega speaks of her "as the fourth of the Graces and the tenth Muse" and says "that she was an angel who publicly taught all the sciences from the professorial chairs and in schools".
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The platform at Poblenou metro station Poblenou is a Barcelona Metro station in Poblenou, a formerly industrial area of Barcelona's Sant Martí district. The location of the station is in the intersections of Carrer de Pujades with carrer de Bilbao and carrer de Lope de Vega. It's served by L4 (yellow line). It was opened in 1977 along with the lines from Barceloneta to Selva de Mar.
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Even Lope de Vega made Orosius a central character in his play The Cardinal of Bethlehem, which shows how long-lived his fame was.Torres Rodríguez, Casimiro, “Paulo Orosio…”, p. 82. In fact, the book was not just widely quoted, it was one of the main scholastic books used by students of Ancient History throughout the Middle Ages. Nearly two hundred manuscripts of the “Histories” have survived.
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He went to several companies with the idea and with the money they paid him for advertising space, he began producing the articles. By 2010, this company was operating in Puebla, Guadalajara, Guanajuato, Monterrey and Baja California Norte. After 20 years of operation, he closed this business. By 2002, de Lope was directing two enterprises, and had about 200 people working for him, which still studying engineering.
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During his rule at Vilcabamba, the provisional governor-general Lope Garcia de Castro wanted to negotiate with him. The negotiations were about Cusi leaving the Vilcabamba and accepting a Crown pension. After negotiations escalated, around 1568, Titi Cusi was baptized into the Roman Catholic Church, as Diego de Castro. Titu Cusi made Túpac Amaru a priest and custodian of Manco Inca's body in Vilcabamba.
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Sancho was recognised and supported by the majority of the nobility and the cities, but a sizable minority opposed him throughout his reign and worked for Alfonso and Fernando. One of the leaders of the opposition was Don Juan, his uncle, who united to his cause the lord of Vizcaya, Lope Díaz III de Haro. Sancho responded by executing the lord of Vizcaya and incarcerating his uncle.
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T.J. finally accepts Tuck when he saves Lope from a bull and the two kiss. T.J. has an ace she hopes will boost attendance at her show - a tiny horse called El Diablo. Tuck meets a British paleontologist named Horace Bromley, who is working in a nearby Mexican desert. Bromley shows Tuck fossilized horse tracks, and Tuck notes their similarity to El Diablo's feet.
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Retrieved September 16, 2014. Regionally, her most distinguished credits include Les Misérables as Cosette (for which she received a Barrymore Award Nomination for Best Supporting Actress in a Musical)"2008 Barrymore Award Nominees Announced". Broadway World. Archived from the original on August 7, 2008. Retrieved September 16, 2014. as well as Lope de Vega's The Dog in the Manger with the Shakespeare Theatre Company.Marks, Peter.
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After the death of Lope, his two sons fight for the Señorío de Trasmoz, finally the youngest, Pedro Manuel Ximenez de Urrea won. Pedro Manuel had a conflict, very close to a civil war, with Veruela Abbey for the irrigation water. The response from the Abbey was a curse and the excommunication of the whole town. About 1530 the Castle of Trasmoz was abandoned.
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Born in Orihuela del Tremedal, Teruel, on 15 September 1951, he was raised in a humble family. Federico started succeeding in school from early age. He earned a degree in Spanish Studies (section Philology) at the University of Barcelona after spending almost his entire academic formation under scholarship of excellency, becoming a teacher of Spanish Literature at the Instituto Lope de Vega, a high school in Madrid.
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Construction started in 1874 under Ricardo Campubri. It included 7.5 kilometers of the steep Asomante slopes, and was completed in 1881. The width of the road in this stretch was reduced from 6.5 meters to 6.0 meters, to reduce costs associated with building in such steep terrain. The segment between Aibonito and Cayey was designed by Manuel Lope-Bayo, begun in 1879 and completed in 1886.
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Miguel de Cervantes, Lope de Vega, etc.; moreover, following that fashion a high noble such as Francisco Sandoval Rojas called himself Francisco de Sandoval y Rojas. During the eighteenth century, the Spanish nobility fully embraced the French custom of using de as a nobility identifier, however, commoners also bore the de particle, which made the de usages unclear; thus, nobility was emphasised with the surname's lineage.
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Dámaso Alonso and other people advised him to try his luck with a career in theater. During the following years, he got some roles in theater companies such as Lope de Vega or María Guerrero. It was there that he met actress Asunción Balaguer; they married in 1951 and remained together for the rest of Rabal's life. Their daughter, Teresa Rabal, is also an actress.
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The classification of this large mass of dramatic literature is a task of great difficulty. The terms traditionally employed - comedy, tragedy, and the like - are difficult to apply to Lope's oeuvre and another approach to categorization has been suggested. Lope's work essentially belongs to the drama of intrigue, the plot determining everything else. Lope used history, especially Spanish history, as his main source of subject matter.
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Upon hearing this, Sancho sent Lope Diaz III de Haro along with his army to Treviño to confront them. Regardless, no battle took place there between these forces. On 4 April 1284, King Alfonso X of Castile died in the city of Seville. He was succeeded to the throne by his eldest son, Sancho IV of Castile, the enemy of Juan Núñez I and his interests.
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Besides, he needed a port to harbour a fleet of 50 vessels so as to devastate any relief plan to Hondarribia. Thus, the chosen port for this strategic plan was the one from Getaria. The July 24, 1638 the Spanish fleet commanded by Admiral Lope de Hoces was attacked, this attack was launched precisely from Guetaria. Only survived a Spanish galleon to this attack.
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Accessed 11 September 2019. by the Spanish crown on May 1, 1616, under the governorship of Captain Felipe de Beaumont y Navarra, when the King of Spain granted the land (and the Taino living there) to Lope Conchillos. This gave the city its nickname The Village of Captain Correo (La Villa del Capitan Correa). For some time the island was competed for by other European powers.
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IsarnOr Ysarn; his name appears in contemporary Latin sources as Ysarnus and Aznarius, Isarn being a variant of Aznar. (died 948) was the Count of Pallars from 920 until his death, and effectively a sovereign prince. He was the eldest of the four sons of Raymond I, Count of Pallars and Ribagorza. With his younger brother Lope he co-ruled Pallars after his father's death in 920.
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One of the novellas, Los tres maridos burlados, probably derived from Francesco Cieco da Ferrara's Mambriano, and the play entitled El vergonzoso en palacio reveal his wit and ingenuity. The preface to the Cigarrales de Toledo states that Tirso de Molina had already written three hundred plays, and at this period of his career he was second only to Lope de Vega in popularity.
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The Monastery of Uclés, resting place of Count Álvaro Núñez de Lara According to the chronicle of Archbishop Jiménez de Rada, Álvaro Núñez de Lara took ill and died in Castrejón, where he had come in pursuit of Gonzalo Rodríguez Girón and Lope Díaz de Haro. The Crónica general vulgata differs from this account, stating that he was taken to Toro, joined the Order, and died there.
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Later that year, Rodrigo, with Gutierre Fernández de Castro and a certain Lope López, waged war on García Ramírez of Navarre on behalf of Alfonso VII.Barton, 174. García of Navarre was in fact Rodrigo's brother-in-law. By 27 January 1141 Rodrigo was recorded as ruling Castile, a reference to Castella Vetula (Old Castile) in the north of the kingdom, territory which bordered Asturias de Santillana.
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This led to a lifelong fight between the two parties and a struggle to gain favor with the royal court, both sides having been at times considered at war with the crown. In 1307, Diego Lopez V signed an accord which granted title over Biscay to his niece, María II Díaz de Haro only upon his death and that the stolen title would remain his until such a time. The agreement also stipulated that the title of lordship over Orduña-Urduña and of Balmaseda, previously associated with Biscay, would remain in Diego Lopez V's immediate bloodline, being transferred to Lope Diaz IV upon his death. Further, in an effort to compensate and mediate this deal, the King, Ferdinand IV of Castile gave Lope Diaz IV title over Belmonte de Miranda and of Villalba de Losa, both of which had previously belonged to the crown.
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The Nisoish languages, which contains both the Northern Loloish (Northern Ngwi) and Southeastern Loloish (Southeastern Ngwi) branches, are a branch of the Loloish languages proposed by Lama (2012). Northern Loloish and Southeastern Loloish were established by Bradley (1997), while the Nisoish group combining Bradley's two branches was proposed by Ziwo Lama (2012). Lama (2012) refers to Northern Loloish as Nisoid or Nisu–Lope, and Southeastern Loloish as Axi–Puoid.
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Juan Blas de Castro (1561 – August 6, 1631) was a Spanish singer, musician, and composer. Born in Barrachina, in the province of Teruel, Spain, he was the second of four brothers. In 1592, he became part of the court of the Duke of Alba in Alba de Tormes, Salamanca, together with his friend, the poet and playwright Lope de Vega. During his stay, he set to music several of Lope's poems.
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The city of Valencia has been an active participant of Venezuela's history. Valencia was founded by Captain Alonso Díaz Moreno on March 25, 1555 -- as the locals are proud of reminding visitors, eight years before Caracas. It was the first Spanish settlement in central Venezuela and its official name was Nuestra Señora de la Asunción de Nueva Valencia del Rey. The infamous conquistador Lope de Aguirre besieged the city in 1561.
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The siege resulted in the burning of the town outside the fort. Zúñiga y la Cerda ordered the remaining Spanish missions in Apalachee and Timucua Province to be moved closer together for defensive purposes. The English and their Indian allies fled with the arrival of a relief flotilla commanded by Esteban de Berroa and Capt. Lope de Solloso, leading a team of Galician recruits and militia troops from Havana.
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Spanish devotional poetry adapted the lyric for religious purposes. Notable examples were Teresa of Ávila, John of the Cross, Sor Juana Inés de la Cruz, Garcilaso de la Vega, and Lope de Vega. Although better known for his epic Os Lusíadas, Luís de Camões is also considered the greatest Portuguese lyric poet of the period. In Japan, the naga-uta ("long song") was a lyric poem popular in this era.
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On September 8, 1563, Philip II decreed the return of the Audiencia from Guatemala to Panama. The Province of Guatemala was transferred to the Audiencia of Mexico. The work of moving the Audiencia was overseen by Lope García de Castro. The Audiencia began functioning again on May 15, 1565, under interim president Manuel Barrios de San Millán, before the arrival of its permanent president, Alonso Arias de Maldonado.
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Only a small percentage work at the plant, with the rest working at home with company provided materials. He hires the disabled saying that they are good workers, and it has a social benefit. In his fifth semester, de Lope studied abroad in Spain, making contacts to export the frames there. Today, the company exports to fourteen countries in the Americas, Europe and Asia, making about 20,000 frames a week.
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However, Charmayne, had been searching quite some time for a replacement for her last barrel racing horse, Bardo, who had broken his leg, and appealed to her father for help. Her father then mentioned the little horse in his feedlot. He said the horse was "cold backed", so "do not lope him right off." Nonetheless, 12-year-old Charmayne took the horse where no could see him and loped him.
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Esparza is the name of a village near Pamplona in Navarra (Navarre), España (Spain). It is very likely that the Ruiz de Esparza family of Aguascalientes could trace its roots back to that small village. The patriarch of this family in Mexico was Lope Ruiz de Esparza, who is documented by the Catalogo de Pasajeros a Indias (Vol. III - #2.633) as having sailed from Spain to Mexico on Feb.
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This is one of the earliest ekphrasis found in Iberian Renaissance poetry. Frederick A. de Armas, 'Un pintor clásico en la poesía del Siglo de Oro: Timantes en Boscán, Garcilaso, Lope de Vega y Argensola,” Serenisima palabra: Actas del X Congreso de la Asociación Internacional Siglo de Oro (Venecia, 14-18 de Julio 2014), eds. Ana Bognolo et al., Biblioteca de Rassegna Iberistica 5. Venezia: Edizione Ca’Foscari, 2017: 49-67.
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The rider may add a jacket or vest. Women's show clothing may feature vivid colors and even rhinestones or sequins. Western horses are asked to have a brisk, ground-covering walk, but a slow, relaxed jog trot that allows the rider to sit the saddle and not post. The Western version of the canter is called a lope and while collected and balanced, is expected to be slow and relaxed.
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Bermeo's history dates back to the monastery of San Juan of Gaztelugatxe in 1051. In 1082, it is mentioned by Don Lope lñiguez as "Sancti Michaelis Arcangeli in Portu of Vermelio". Ferdinand II of Aragon named the town the capital of Biscay on 31 July 1476, a position it held until 1602. Many documents have been destroyed by fire; notable fires occurred in 1297, 1347, 1360, 1422 and 1504.
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The origin of this surname can be found at the beginnings of the 13th century. It was given to Don Sancho López de Haro, grandson of Don Lope Díaz de Haro, IX Lord of Biscay. Don Sancho was given the title of I Lord of the villa of Cárdenas, in la Rioja, after his role in the battle of Navas de Tolosa in 1212. After him, his descendants inherited the surname.
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The Abakada alphabet was an "indigenized" Latin alphabet adopted for the Tagalog-based Filipino national language in 1940. '' The alphabet, which contains 20 letters, was introduced in the grammar book developed by Lope K. Santos for the newly-designated national language based on Tagalog. The alphabet was officially adopted by the Institute of National Language (). The Abakada alphabet has since been superseded by the modern Filipino alphabet adopted in 1987.
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It focuses on merchants, the circulation of bodies and merchandise, and the seductive power of art. Frederick A. de Armas, “El mercader y la cortesana: arte, cuerpo y comercio en El anzuelo de Fenisa de Lope de Vega,” El poder de la economía: la imagen de los mercaderes y el comercio en el mundo hispánico de los siglos XVI y XVII, ed. Christoph Strosetzki. Biblioteca Áurea Hispánica 123.
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This is a light and comic play that opposes the mercantile values of Fenisa and Lucindo to the aristocratic attitudes of Albano and Dinarda. Fenisa's character is delightfully portrayed. But, she is more than a courtesan; she is a woman who delights in taking revenge on all men for having been betrayed by her first love.Nancy D’Antuono, Boccaccio’s Novelle in the Theater of Lope de Vega Madrid: Porrua, 1983, p.
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This Lope was supposedly the king's relative, being a nephew of King Ramiro Garcés of Viguera. This oft-repeated story has no basis in contemporary documents, and there is no evidence that Navarre extended its territory north of the Pyrenees prior to the late 12th century.Gonzalo Martínez Díez, Sancho III el Mayor (Madrid: Marcial Pons Historia, 2007), pp. 114–15. Around 1125, Bayonne was chartered by Duke William IX of Aquitaine.
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An alternative is Jack-a-lope or Moonshadow to Southern Crossing, although this goes to the base area only rather than the lift to the peak. Okemo's fifth area and its smallest is Glades Peak, between the main mountain and the South Face, serviced by one fixed-grip quad. It provides access to most trails on the mountain, including a couple that is exclusively served by its lift.
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In 1130–31, Fortún's household took in two criatores, children who were raised and educated in the house of a higher nobleman. At some point, Fortún was appointed lord of Ullé, near Jaca, in the heart of old Aragon. By 1133, he had delegated responsibility for his tenancies to two relatives, García Cajal and Lope Cajal. In 1133, this had received formal approval and confirmation from the king.
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Once it has crossed the log and all four feet are on the second side of the log the horse picks up a lope. It lopes around the short end of the arena passing a cone on its left. Now the horse is moving down the second long side of the arena. Once it has passed the cone, it moves left switching its lead to the right lead.
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15) Unfortunately, very little is left from this period. After the Siege of Maastricht (1579) the Spanish troops ransacked the city for three days and took anything made of gold or silver.In El asalto de Mastrique por el principe Parma (1614), the Spanish playwright Lope de Vega has his characters bragging about the looting: "I was in a house full of treasures." "I was in six houses full of silver".
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It is the home of the young knight Cardenio who gone mad after his best friend Fernando stole his beloved Lucinda. Cardenio first attacks Sancio and then Don Chisciotte who he thinks is Fernando. Still pining for his idealized love Dulcinea, Don Chisciotte decides that he too should become mad from love and begins to act out scenes from Orlando Furioso. Don Chisciotte's friend Lope arrives with his companion Ordogno.
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Lope de Vega was a Spanish Golden Age poet and playwright. One of the most prolific writers in history, he was said to have written 2,200 plays (an average of nearly one per week for his entire adult life), though fewer than 400 survive today. In addition, he produced volumes of short and epic poems as well as prose works. For this fecundity, Cervantes nicknamed him the "Monster of Nature".
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The story takes place during the 17th century in the Spanish Empire. Diego Alatriste is a soldier in the service of King Philip IV of Spain during the Eighty Years' War. The story begins in the Spanish Netherlands, where his tercio fights in the Dutch Revolt. His friend Lope Balboa is killed during the fighting, and Alatriste returns to Madrid where he takes Lope's young son Íñigo into his care.
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It is the name of the Venerable Mother Juliana Morell (1595–1653), who was the fourth Grace and tenth Muse in a poem by poet Lope de Vega. "Morel" is the name of black nightshade, a poisonous weed related to one from which the drug belladonna is derived. It occurs in Presburg (now Bratislava), a reputed home of black magic where Morella is said to have received her education.
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They started to displace the native population from the most fertile land, but they also started intermarrying with them. Spanish conquistador Lope de Aguirre entered the city in 1561. In 1677 it was raided by French pirates, who burnt down its City Hall, thus destroying many very important documents about the early settlement of Venezuela. The German scientist Alexander von Humboldt visited the city on his trip through the Americas.
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Scholars have devoted significant attention to the question of Fletcher's sources for his play. Fletcher modeled his play on an earlier work by Thomas Heywood titled The Royal King and the Loyal Subject, first published in 1637 but written two or three decades earlier. He also used a play by Lope de Vega called El gran duque de Moscovia, written c. 1613.Terence P. Logan and Denzell S. Smith, eds.
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After the war he was imprisoned for six years. After being released he wrote Story of a Stairway in 1949. This work presented a graphic picture of Spain after the Civil War and won the Lope de Vega Prize, establishing Vallejo as one of the foremost authors in Spain. While other authors left Spain to escape Franco's censorship, Vallejo stayed in Spain and used symbolism to criticize the government.
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Zelazny has been lauded as a prose poet, a writer who uses poetic elements such as form, image, structure, alliteration, internal rhyme and metaphor.Lindskold 1993, pp 118–119Sturgeon 1967, p 5Cowper March 1977, p 143 James’ transformation into a werewolf for the first time is a good example of this style: > Dreaming. Running at a steady lope, the night alive with sounds and scents. > Down hillside, along stream's dark bank.
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In the 17th century, artists generally took a more pessimistic view of Macías, whose unsophisticated, emotional nature contrasted with the baroque aesthetic. A notable exception to this trend, Lope de Vega, made Macías the hero of his drama, Porfiar hasta morir. Lope’s contemporary Luis de Góngora, however, was merely amused at the unreasonableness of Macías’s tale, and Calderón de la Barca found Macías useful only as an erudite, but dry, reference.
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The church contains a 15th century painting depicting the 'Pietà, originating from the destroyed church of San Biagio. The chapel of the Santissimo Sacramento has the tomb plaque for the Spanish governor don Lope de Herrera (died 1563), carved by Annibale Caccavello.Memorie critico-storiche della Chiesa di Sessa Aurunca, by Giovanni Diamare, Naples (1910), page 146-147. The second chapel on the right has a Sant’Agata (1601) by Vespasiano Friozzo.
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In 1220, Nuño had married Teresa López, daughter of Lope Díaz II de Haro, Lord of Biscay. They had no children, so his lands and titles escheated to the crown on his death, either late 1241 or early 1242. The troubadour Aimeric de Belenoi composed a planh on his death, significant of his reputation for courtliness and chivalry. He was buried in the hospital of Bajoles, near Perpignan, now disappeared.
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Her Obras completas is viewed much more favorably by critics. This work earned her recognition from the Royal Spanish Academy, which she was not part of despite having been presented as a candidate. During these studies, she discovered the baptismal certificate of Lope de Vega, which until then was believed lost in the 1790 fire of the . After making numerous attempts, she discovered it in a private house on .
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Tirso de Molina has neither Lope de Vega's inventive resource, nor his infinite seduction; he has neither Pedro Calderón de la Barca's idealistic visions, nor his golden music; but he exceeds Lope in massive intellectual power and in artistic self-restraint, and he exceeds Calderón in humour, in creative faculty, and in dramatic intuition. That his reputation extended beyond the Pyrenees in his own lifetime may be gathered from the fact that James Shirley's Opportunity is derived from El Castigo del penséque; but he was neglected in Spain itself during the long period of Calderón's supremacy, and his name was almost forgotten till the end of the 18th century, when some of his pieces were timidly recast by Dionisio Solis and later by Juan Carretero. The renaissance of his fame, however, dates from 1839–1842, when an incomplete but serviceable edition of his plays was published by Juan Eugenio Hartzenbusch. He is now accepted as among the greatest dramatists of Spain.
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In support of The Eglantine, Rodenburgh published the Eglentiers Poëtens Borst-Weringh, a discussion of poetics based largely on Sir Philip Sidney's Apologie for Poetrie and Thomas Wilson's Arte of Rhetorique, but also influenced by Lope de Vega's Arte nuevo de hacer comedias en este tiempo (New Art of Writing Plays at This Time). The first part of King Otto III was published in 1616, and the second and third parts in 1617, but whether it was ever performed is unknown. Although his plays were very popular in his lifetime, his literary reputation quickly fell into disrepute and neglect, due in part to his use of techniques which were deemed insufficiently classicist. These were not blunders on Rodenburgh's part, but the results of his conscious emulation of Lope de Vega who embraced variety in emotion, plot, character, location, time, and meter ... a far cry from the rationalism and unities of time, place, and plot demanded by neoclassical writers and theorists.
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Bernabe Villacampo (born June 11, 1943) was a Philippine boxer who took the WBA World Flyweight Championship in a fifteen round Unanimous Decision on October 19, 1969 against Japanese boxer Hiroyuki Ebihara at the Prefectural Gymnasium, in Osaka, Japan. Villacampo's business manager was Lope Sarreal Jr."Bout Urged", Port Angeles Evening News, Port Angeles, Washington, pg. 12, 23 February 1969 A strong puncher, he knocked out opponents in 40% of the matches he won.
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Victor Ludorum is a bay colt with no white markings bred in England by his owners Godolphin. He was sent into training with André Fabre at Chantilly in France. He was from the eleventh crop of foals sired by Shamardal whose wins included the Dewhurst Stakes, Poule d'Essai des Poulains, Prix du Jockey Club and St. James's Palace Stakes. His other offspring have included Able Friend, Mukhadram, Lope de Vega and Blue Point.
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L'étoile de Séville (The Star of Seville) is a grand opera in four acts composed by Michael William Balfe to a libretto by Hippolyte Lucas based on Lope de Vega's 1623 play '.Casaglia also credits Léon Pillet for the libretto, but only Lucas is given authorship in the printed libretto. Lucas does thank Pillet for "benevolent guidance and experienced care" on p. 3. Pillet was the director of the Paris Opera at the time.
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Luis de León was born in Belmonte, in the Province of Cuenca, in 1527 or 1528. His parents were Lope de León and Inés de Varela, and they had five children. His father practiced law, and it was due to his profession that the family moved to Madrid in 1534, and later to Valladolid. Luis obtained a very thorough and extensive education, and was devoted to the interpretation and translation of religious texts and ideas.
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SR 234 begins at an intersection with SR 45 northeast of Morgan in Calhoun County. The route runs east, passing Calhoun County Road 45 (Lizard Lope Road, which leads to Conley Cemetery), Calhoun CR 136 (Wildemeade Road), and Calhoun CR 119, before it reaches an intersection with SR 55, northeast of Leary. Shortly after SR 55, the route crosses into Dougherty County. Farther to the east, SR 234 intersects Tallahassee Road, which leads to Sasser.
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He used this money to set up and open a car inspection center concession when he returned to Puebla in 1998. However, in the following year he had to sell his interest in the business because of college. As a college student, de Lope decided to start a business. Starting with a few power tools, his original idea was to make rustic furniture, but after a month he decided this was not viable.
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Starting in 2000, Puebla began experiencing a rapid expansion in size and population. De Lope went into construction with the development of the Sonata Center, and upscale mall in the south of the city. However, he stated that he found more opportunity in health care. In the 2010s, he began a series of medical center construction projects under the name Torres Médicas (Medical Tower), with Torres Médicas Angelópolics in Puebla and Torres Médicas Veracruz.
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Introduction to "The Wonder-Working Magician" , barca.classicauthors.net. Retrieved 8 November 2013 Key elements from the play may be derived from the Christian legend of Barlaam and Josaphat, which Lope de Vega had brought to the stage. This legend is, itself, a derivation of the story of the early years of Siddharta Gautama, which serves as the basis for the film Little Buddha that illustrates the Hindu-Buddhist concept of reality as illusion. ;Father vs.
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Sergeant Hallett (Nathaniel Dean) is a military officer aboard the Covenant and Sergeant Lope's husband. He embarks on the expedition to the source of Shaw's signal. At the entrance of the crashed Engineer ship, Hallett observes mutated floral pods, which he squeezes, causing the airborne mutagen to be inhaled through his nose. By the time the expedition departs from the crash site, Hallett begins to show symptoms of the parasite, which worries Lope.
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Title page of first edition of Don Quijote de la Mancha (1605). Juan de la Cuesta (?-1627) was a Spanish printer known for printing works by Miguel de Cervantes, including the first edition of Don Quixote de la Mancha (1605) and the Novelas ejemplares (1613), as well as the works of other leading figures of Spain's Golden Age, including several by Lope de Vega. Although he may previously have worked in Segovia, At Google Books.
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Order of Battle of the Spanish Armada, 6 September 1639 (Orden de Batalla en media Luna). Total is 75 ships. Dates are now NS. Name guns (squadron/type/commander etc.) - Fate Santiago 60 (Castile) - Capitana Real or Royal Flagship. Escaped into Dunkirk, 22 October 1639 San Antonio (pinnace) (Masibradi) - Driven ashore 21 October San Agustin (pinnace) (Martin Ladron de Guevara) - Driven ashore 21 October Santa Teresa 60 (Portugal) - Don Lope de Hoces, commander.
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Bedia played for the Philippine national youth team in tournaments by age 11. Bedia played for Barotac Nuevo in the defunct National Football League. He was scouted during the Don Andres Soriano Memorial Cup in 1979 where he was instrumental to his team's title win against San Miguel Corporation which was mentored by Juan Cutillas. He was immediately signed to the Philippine Air Force F.C. under coach Lope Q. Pascual at age 17.
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La Tierra de Jauja (English: The Land of Jauja) is a Spanish paso or entremés, written by Lope de Rueda and first published in 1547. The short dramatic piece tells the story of two hungry thieves who devise a plan to con a simpleton out of his food by telling him about the fictional wonders of the Land of Jauja. While one tells the story the other steals the food until it is all gone.
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Madison Magazine, (1999), "Site Specific".Holmes, Greg. The Lope, (April 15, 2006) "Happy Easter Island", correspondence with Samuel Adams Green. Around the time of the campaign and the following tour to Washington D.C. and Chicago, the moai was received by the Lippincott company of North Haven, Connecticut, which since its inception in 1966 had provided a "place for artists to create large sculptures and receive help in transportation and installation of their work".
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As the ship closes to her destination, Maupertuis and Don Lope escape when chimaeras attack. They find the "Maître d'Armes", who eventually agrees to help because he was friend with Lope's father. As the Maître d'Armes gathers his three companions of the previous campaigns against Prince Jean, Mendoza's army marches upon the capital of the Moon. The heroes' party, grossly outnumbered, is quickly destroyed, and the capital falls in the hands of Prince Jean.
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Sometime before 1162 Lope married a lady named Aldonza (Endolza, Endulcia). Her patronymic is not recorded in primary document and her parentage has been much discussed. The earliest authority to name her father was Pedro de Barcelos in the fourteenth century, who called her Aldonza Ruiz de Castro, a daughter of Rodrigo Fernández de Castro and Elo Álvarez, although she is not mentioned among Rodrigo's children in the De rebus Hispaniae.Cf. Canal Sánchez-Pagín, 11.
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His poetic works reveal a profound knowledge of the formal means, notably "Ifigenia cruel" (1924), "Pausa" (1926), "5 casi sonetos" (1931), "Otra voz" (1936) and "Cantata en la tumba de Federico García Lorca" (1937). Reyes left a left a legacy of work as a translator (Laurence Sterne, G.K. Chesterton, Anton Chekhov) and as an editor (Ruiz de Alarcón, Cantar del mio Cid, Lope de Vega, Baltasar Gracián, Juan Ruiz, Francisco de Quevedo).
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By April 1178 he had attained the rank of count (Latin: comes), the highest in the kingdom, and was charged with the tenencias of the Cabrera (1178–81) and Toroño (1178). Sometime before January 1183 Fernando married Estefanía López, daughter of Lope Díaz I de Haro and Aldonza Rodríguez. She gave him two sons, Fernando and Pedro. By 29 October 1200 the couple had separated, but she was still alive as late as July 1215.
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As it was spoken at the royal courts and in theatres, the genius of literary works by Miguel de Cervantes and Lope de Vega were praised throughout Europe. The Spain of the 18th century concealed “its poverty under the magnificence of the Spanish language and national pride”.Rivarol pp 135 Paradoxically, after having expressed his admiration for Castilian, Rivarol reproached the language for being redundant. He also depicted Spanish pronunciation as pompous.
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Manuel Machado was born in Lisbon and studied at the Claustra college of the Lisbon Cathedral with the renowned composer Duarte Lobo. He moved to Spain and in 1610 he became a musician of the royal chapel in Madrid, where his father, Lope Machado, was already a harpist. In 1639, he became a musician in the palace of Philip IV of Spain, and in 1642, he was rewarded "for his long years of service".
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The horse passes the next cone on its right and starts shifting right switching its lead to the left. The horse will continue on this shallow serpentine through the cones for four loops completing the four line changes. Effectively about half of the pattern is completed. Next, the horse will continue on his left lead down the second short end of the arena turning at another cone for a 180-degree turn at a lope.
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The Castilian were staying in Torre del Campo when Archbishop Sancho received news from Fra' Alfonso Garcia, Commendator of Martos of the Order of Calatrava, that a Moorish force was close full of booty and Christian prisoners. He was advised by his own men to wait to be reached by the forces of Lope Diaz de Haro before attacking but the headstrong young Sancho resolved to attack immediately nonetheless.Abarca, p.290Zurita, p.
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Born and raised in Lugo, he was son of Lope Alfonso Yáñez de Lugo y Ocampo and Teresa García de Baamonde. During his youth he was doncel in the court of John II of Castile. He was granted lands in Medina del Campo and made Lord of Villalba de Adaja and Foncastín in 1450. He later became camarero real of Henry IV of Castile and royal scribe of the Kingdom of Galicia.
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He was born at Madrid. At the age of eighteen, he became a licentiate in theology. He was ordained priest in 1625, and appointed notary to the Inquisition. In 1619 he began writing for the stage under the guidance of Lope de Vega, who is said to have assisted him in composing El Orfeo en lengua castellana (1624), a poem obviously intended to compete with Jáuregui's Orfeo, published earlier in the same year.
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Alone, Don Chisciotte sings of his love for Dulcinea and how he much he is suffering from their separation. Sancio arrives and recounts how with the aid of magic he was able to fly to Dulcinea who told him that she wants only one thing—Don Chisciotte's return. Lope confirms Sancio's story. Dorotea then appears disguised as the "Queen of Micomicona" accompanied by her "squire" (Ordogno in disguise) and her "tutor" (Cardenio in disguise).
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Bronze statue of Beneharo (Candelaria, Tenerife). Beneharo was a Guanche king of Menceyato de Anaga on the island of Tenerife. Beneharo made peace in 1492 with Lope de Salazar, who had been sent by the governor of Gran Canaria Francisco Maldonado. After a slave raid shortly after against the Guanches of Anaga, the mencey withdrew its support to the Europeans although after the landing of Alonso Fernández de Lugo renewed the peace with the Castilians.
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This was followed by two other plays that same year: La selva confusa and Los Macabeos. Over the next two decades, Calderón wrote more than 70 plays, the majority of which were secular dramas written for the commercial theatres. Calderón served with the Spanish army in Italy and Flanders between 1625 and 1635. By the time Lope de Vega died in 1635, Calderón was recognized as the foremost Spanish dramatist of the age.
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In El doncel de don Enrique el Doliente, Mariano José de Larra portrays Villena as an evil figure. Lope de Vega's Porfiar hasta morir illustrates Villena as more of a hero figure who works for justice. There is not one portrayal of Villena's personal character accurate enough to give us a complete understanding of what he was really like. His literary accomplishments have survived time, but the uncertainty surrounding his life still remains a mystery.
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Her parents were Rodrigo González Girón, Lord of Frechilla, and his second wife, Teresa López de Haro. Her maternal grandparents were Lope Díaz II de Haro and Urraca Alfonso, the illegitimate daughter of King Alfonso IX of León. Inés married her mother's second cousin, Infante Philip, in 1263 or 1264, after the death of his first spouse, Christina of Norway, becoming Lady of Valdeporchena, Piedrahita and Valdecorneja. The couple had no children.
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139 The poetry books he published during the 1950s were Prima șarjă (1950), Stelele păcii (1952), Războiul (1954), Pe struna fulgerelor (1955), Odă pământului meu (1957) and Întoarcerea armelor (1959); he also authored the 1962 prose volume Povestiri deocamdată fantastice. Dragomir wrote translations of Edgar Allan Poe, Konstantin Simonov, Alexey Surkov, Alexander Yashin, H. G. Wells, John Steinbeck and Lope de Vega. He died in Giurgiu.Aurel Sasu (ed.), Dicționarul biografic al literaturii române, vol.
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After his marriage to Mencía (born c. 1030), an illegitimate daughter of the king, Fortún Ochoiz held the third rank in the kingdom after the king himself and Fortún Sánchez.Diego Catalán, "Sobre el «Ihante» que quemó la mezquita de Elvira y la crisis de Navarra en el siglo XI", Al-Andalus, 31:1/2 (1966), 211 n9, mistakenly has her married to Fortún's (and possibly her own) son, Lope Fortúnez, the ruler of Nájera and Calahorra.
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Castle Lady is a dark bay mare with a small white star bred in Ireland by her owner Godolphin. She was sent into training with Henri-Alex Pantall at Beaupreau in Maine-et-Loire. She was from the tenth crop of foals sired by Shamardal whose wins included the Dewhurst Stakes, Poule d'Essai des Poulains, Prix du Jockey Club and St. James's Palace Stakes. His other offspring have included Able Friend, Mukhadram, Lope de Vega and Blue Point.
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A radical restoration of the Town Hall was conducted between 1968 and 1973 under the direction of architect Fernando Chueca Goitia. Chueca created (but only from the pillars of the arches upwards) in the upper of third floor, a gallery of arches indiscriminately imitating the nearby Abbey of Santa María de Veruela's upper of the cloister, also wrong because included the shields of the Veruelan abbots Hernando de Aragón and Lope Marco in the decoration of the affected floor.
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Arms of the House of Haro. Fernando Díaz de Haro was a Spanish noble of the House of Haro. He was the second born son of Diego López V de Haro, the Lord of Biscay, and his wife, the infanta Violante de Castilla y Aragón, daughter of Alfonso X of Castile. Fernando became lord of Orduña and Balmaseda in 1322, after the death of his brother, Lope Díaz IV de Haro who died without leaving any descendants.
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He began his career studying to be a priest then a lawyer. In 1847, Juarez became governor of Oaxaca, but still faced stern opposition from conservatives such as Lope San Germán. With the success of the Plan de Ayutla, Juarez became governor again, and worked to remove privileges and properties from the Church and landed classes. The Constitution of 1857, was ratified in Oaxaca city, and Juarez left the governor's position to become President of Mexico.
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The forces of the king laid siege to Aranda de Duero where Juan Nunez was at the time. Juan immediately broke his oath of vassal to the king. After a series of skirmishes, Juan Nunez managed to escape from the siege while pretending to surrender the city. He moved from there to meet with Diego Lopez and his son, Lope Diaz IV where the three promised to wage war against the king in their respective territories.
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Gascón was born in Almenar, Soria. She was accepted into Madrid's Real Academia de Bellas Artes de San Fernando in 1929 and studied there till 1935. She taught in Madrid at the Instituto Lope de Vega and the Escuela de Artes y Oficios. When the Spanish Civil War broke out in 1936, Gascón joined the Junta de Incautación del Tesoro Artístico Nacional, which seized national artistic treasures to keep them safe during the chaotic years of war and destruction.
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Majurugenta displays the band's unique style of Mozambican pop which combines warm melodies, dance rhythms and soulful horns. The rhythms are in largely the local marrabenta style, though the album incorporates rhythms from throughout Mozambique as well as ones from other countries, like soukous and reggae, as is evident on the title track. Elements of soukous are also prominent in the album's horn section. Rogue magazine felt the album's "bewitching slow-lope rhythms" were a particularly Mozambican characteristic.
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Belardo (foaled 2 April 2012) is an Irish-bred, British-trained Thoroughbred racehorse. A son of Lope de Vega he is owned in partnership by Prince A. A. Faisal and Godolphin Racing and trained in Nemarket by Roger Varian. In 2014 he won two of his first four races including the Washington Singer Stakes before recording an upset victory in the Dewhurst Stakes. He was rated the best two-year-old to race in Europe that year.
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He made his formal entry into Mexico City to take up the reins of government on August 15, 1653. He was accompanied by his wife, Juana de Armendáriz, the daughter of Lope Díez de Armendáriz, a previous viceroy of New Spain. Because of the war with England, he feared an invasion of Spanish territories in the New World. Because of this he strengthened the defenses of Veracruz and San Juan de Ulúa on the east coast of New Spain.
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William Shakespeare is the most notable of the early modern playwrighters, but numerous others made important contributions, including Pierre Corneille, Molière, Jean Racine, Pedro Calderón de la Barca, Lope de Vega and Christopher Marlowe. From the 16th to the 18th century commedia dell'arte performers improvised in the streets of Italy and France. Some Commedia dell'arte plays were written down. Both the written plays and the improvisation were influential upon literature of the time, particularly upon the work of Molière.
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Lope De Vega created characters based on people he knew. Belisa was based on his wife, Isabel de Urbina, after he was exiled from Madrid. At some point in the play, Belisa drinks steel water to leave Octavio and meets Lisardio. This happened quite often in Spain because the uses of Steel water as a common remedy was quite common. In Madrid, women would pretend to faint to rid of suitors and ingest the steel water to ‘wake up’.
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Guridi was born in Vitoria-Gasteiz into a family of musicians. His mother, Maria Trinidad Bidaola, was a violinist and his father, Lorenzo Guridi, was a pianist . After completing his early studies with the Piarists and the Jesuits of Zaragoza, he moved to Madrid, where he received lessons from Valentín Arín. Later, in Bilbao, he received violin lessons from Lope Alaña, who introduced him to the society called "El Cuartito", and studied harmony with José Sáinz Besabe .
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Tan Teng Kee debuted in 1922, winning the Malayan Lightweight Championship in his eighth fight. He lost to fellow veteran boxer Young Pelky (Lope Tenorio) in 1923 in front of an audience of 6000 people, earning the respect of ringside observers. He would go on to lose his title to Eddie Grady in 1924, regaining it later in 1925 against Vincent Pereira. On March 20, 1935 he died due to injuries suffered in his fight with Jimmy Nelson.
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Several submarines of the Turkish Navy have been named after Murat Reis (see Oruç Reis class submarine). One of the municipalities that form the City of Algiers, which was once the regional capital of the Ottoman Vilayet of Algeria (1517–1830), is named Bir Mourad Raïs (Murat Reis' well) in his honor. Under the name 'Morato Arráez, he is mentioned in several literary works of the Spanish Golden Age, for example by Miguel de Cervantes and Lope de Vega.
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Catarman lies on the northern part of Samar Island, bounded to the east by Mondragon, to the west by Bobon, to the south by Lope de Vega, and to the north by the Philippine Sea. On the Pacific coast are flat lowlands with the interior characterized by outlying low hills. Mount Puyao in Barangay Liberty is the highest peak in the area. The Catarman River, a major provincial river, divides the eastern and the western parts of the town.
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Its original name honored the sixteenth viceroy of New Spain, don Lope Diaz de Armendariz, marquis of Cadereyta, and General Mariano Jimenez, precursor of the Independence of Nuevo Reino de Leon. Since 1638, the jurisdiction of the village San Juan Bautista de Cadereyta; Gubernator Zavala mark it from the west part until Tampico port. This enormous territory lasted until 1742, when the colony of Nuevo Santander (Tamaulipas) was founded. This colony was largely inhabited by people from Cadereyta.
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1630–1750), the earliest style, and Romantic zarzuela (c. 1850–1950), which can be further divided into the two subgenres of género grande and género chico. Pedro Calderón de la Barca was the first playwright to adopt the term zarzuela for his work entitled El golfo de las sirenas ("The Gulf of the Sirens", 1657). Lope de Vega soon wrote a work titled La selva sin amor, drama con orquesta ("The Loveless Jungle, A Drama with Orchestra").
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On January 22, 1640, López Pacheco was named viceroy, under King Philip IV of Spain. He arrived in Veracruz on June 24 of that year, together with Juan de Palafox y Mendoza, bishop of Puebla. The bishop had been commissioned visitador general to begin proceedings against the two previous viceroys, Rodrigo Pacheco, 3rd Marquess of Cerralvo and Lope Díez de Armendáriz, marqués de Cadereyta. López Pacheco was delayed some months in the port by the festivities celebrating his arrival.
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Suffering financial and other difficulties in the early part of the 21st century, the school's trustees authorized its sale in January 2004 to California-based Significant Education, LLC, making it the first for-profit Christian college in the United States. Significant Education traded on NASDAQ under the ticker symbol "LOPE." After the infusion of capital, Grand Canyon University's size increased. After having fewer than 1,000 students enrolled in 2008, the university had 17,500 students in the spring of 2017.
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Lumiere is a grey mare bred in England by Sheikh Mohammed's Darley Stud. She was from the seventh crop of foals sired by Shamardal whose wins included the Dewhurst Stakes, Poule d'Essai des Poulains, Prix du Jockey Club and St James's Palace Stakes. His other offspring have included Able Friend, Mukhadram, Lope de Vega and Casamento. Lumiere's dam Screen Star won on her only racecourse appearance, a contest for two-year-old at Redcar Racecourse in 2007.
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Lockhart and Schwartz, Early Latin America pp. 84-85. In 1561, Pedro de Ursúa led an expedition of some 370 Spanish (including women and children) into Amazonia to search for El Dorado. Far more famous now is Lope de Aguirre, who led a mutiny against Ursúa, who was murdered. Aguirre subsequently wrote a letter to Philip II bitterly complaining about the treatment of conquerors like himself in the wake of the assertion of crown control over Peru.
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Pinatubo is a bay colt bred in Ireland by Godolphin in whose blue colours he races. The colt was sent into training with Charlie Appleby at Godolphin's European base at Newmarket, Suffolk. He was from the eleventh crop of foals sired by Shamardal whose wins included the Dewhurst Stakes, Poule d'Essai des Poulains, Prix du Jockey Club and St. James's Palace Stakes. His other offspring have included Able Friend, Mukhadram, Lope de Vega and Blue Point.
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He began his career studying to be a priest then a lawyer. In 1847, Juarez became governor of Oaxaca, but still faced stern opposition from conservatives such as Lope San Germán. With the success of the Plan de Ayutla, Juarez became governor again, and worked to remove privileges and properties from the Church and landed classes. The Constitution of 1857, was ratified in Oaxaca city, and Juarez left the governor's position to become President of Mexico.
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In 2008 the company was formed by directors Nicolás Méndez and Lope Serrano. The company settled down at the Carrer dels Almogàvers in Barcelona, where it is still headquartered. The style that characterizes the company is, aesthetically, between a glamorous image and the most authentic European cinema. It is a constant exploration, the search for beauty and truth that results in excellent work ranging from classic advertisements to promos, fashion films and artistic collaborations for museums.
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The Star of Seville, previously attributed to Lope but no longer judged to be by him, is not included in this list. English translations include those by Philip M. Hayden (1916) in , Sir Henry Thomas (1935) , Elizabeth C. Hullihen (1955) , and Steven Strange (1998) . Fanny Kemble's five-act 1837 is based on an earlier précis by Lord Holland. La Dorotea, a genre-bending closet drama or novel in prose dialogue with interspersed poems, is also not included.
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He was appointed supervisor of National Language of the Department of Education (Philippines) until 1942, when World War II broke out in the Philippines. During the Japanese Occupation, Santos was offered membership to the Institute of National language which was headed by Lope K. Santos (the two are unrelated). Not wishing to serve the Japanese conquerors, Santos rejected the offer. There were attempts by the Japanese police to arrest Santos, but he was always successful to elude them.
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In 1919 together with his sister Lyubov, he attended a private school-studio of painting of Aleksandra Ekster. Together with other students of the school he took part in a celebratory avant-garde design of the Kiev streets. The theater attracted him most of all; he began work with participation in the mural decorations of the famous spectacle of Kote Marjanishvili Fuente Ovejuna by the Spanish playwright Lope de Vega. He worked in the Solovtsov Theater.
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According to the 14th- century genealogist Pedro de Barcelos, Rodrigo had a daughter, Aldonza Ruiz de Castro, who married Lope Díaz de Haro. According to the modern genealogist Luis de Salazar y Castro, Aldonza was the daughter of Rodrigo and Elo Martínez Osorio. These genealogies are false. Rodrigo's wife was Elo (also spelled Eilo or Eylo) Álvarez, daughter of Álvar Fáñez, and he had no daughter named Aldonza, according to near-contemporary historian Rodrigo Jiménez de Rada.
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Alfonso's troops set out from Salamanca. His son Ferdinand decided to stage his first invasion of León, sending Lope Díaz de Haro, Álvaro Díaz de Cameros, and García Fernández de Villamayor. However, soon they were forced to retreat and seek refuge in Castrejón de la Peña, which was then surrounded by Alfonso and the Laras. Álvaro, taking part in the siege, became gravely ill and left for Toro, where he decided to join the Order of Santiago.
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Arms of the House of Haro. María Díaz I de Haro "the Good" (1270 - 1342) was a Spanish noblewoman of the House of Haro. She was the daughter of Lope Díaz III de Haro who was assassinated by order of the king at Alfaro, La Rioja. She is best known for being the Lady of Biscay and for her lifelong battle against her uncle, Diego López V de Haro, for the title of the lordship of Biscay.
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She was a descendant of the French broodmare La Futaie, the ancestor of many major winners including Sagamix, Nasram and Lope de Vega. Mrs Pam Fitsall acquired Mon Tresor, and was sent into training with Ron Boss, who operated from the Phoenix Lodge stable in Newmarket, Suffolk. Boss had ridden for Noel Murless in the 1950s, and then worked as head lad for his fellow Welshman for Lewis before taking out a trainer's license in 1972.
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The Nacionalistas have nominated José Turiano Santiago for the vacant seat on July 6. Meanwhile, Lukban contested the seat anew; Gómez, for his part, is contesting a seat at the newly provided Municipal Board of Manila. A clash between their supporters occurred at Calle Azcarraga at the eve of the election on August 11. Lukban's supporters, being led by Lope K. Santos, were first harassed by Gómez supporters, which later led to a full- blown riot.
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It was the center of Spanish colonial Margarita Province, established in 1525. In 1561, the island was seized by Lope de Aguirre, a notoriously violent and rebellious conquistador. Around 1675, the island was captured again, this time by Red Legs Greaves, a pirate known for his humanity and morality. He captured a fleet of Spanish ships off port, before turning the guns on the forts which he stormed and claimed a large booty of pearls and gold.
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The homes of Lope de Vega, Quevedo, Gongora and Cervantes are still preserved, and they are all in the Barrio de las Letras (District of Letters). Other writers born in Madrid in later centuries have been Leandro Fernandez de Moratín, Mariano José de Larra, Jose de Echegaray (Nobel Prize in Literature), Ramón Gómez de la Serna, Dámaso Alonso, Enrique Jardiel Poncela and Pedro Salinas. Portrait of Benito Pérez Galdós, by Joaquín Sorolla, 1894 The "Barrio de las Letras" (Quarter of Letters) owes its name to the intense literary activity developed over the 16th and 17th centuries. Some of the most prominent writers of the Spanish Golden Age settled here, as Lope de Vega, Quevedo or Góngora, and the theatres of Cruz and Príncipe, two of the major comedy theatres of that time. At 87 Calle de Atocha, one of the roads that limit the neighbourhood, was the printing house of Juan Cuesta, where the first edition of the first part of Don Quixote (1604) was published, one of the greatest works of Spanish literature.
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A typical trail course requires horse and rider to open and pass through a small gate while mounted; walk across a fake bridge; cross over a set of rails or logs at a walk, trot or lope; back up, often with a turn while backing; sidepass, often over a rail or log; turn on the forehand or hindquarters within a confined area; and tolerate some type of "spooky" obstacle, such as having the rider put on a vinyl raincoat. The horse is asked to perform all three gaits in the process of completing the course.Strickland Competing in Western Shows p. 48-53 Additional obstacles or tests may include walking over a plastic tarp or through water; having the horse ground-tie (remain standing in one spot while the rider walks away); to walk, trot or lope in very tight quarters, such as traveling through a series of cones or markers in a serpentine pattern; or take a small jump (usually under 18 inches, as riders are in western saddles and cannot easily get off the horse's back into a jumping position).
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All the churches are Mudéjar monuments that comprise a World Heritage Site. Other important sights are the stately houses and palaces in the city, mainly of the 16th century: palaces of the count of Morata or Luna (Audiencia), Deán, Torrero (colegio de Arquitectos), Don Lope or Real Maestranza, count of Sástago, count of Argillo (today the Pablo Gargallo museum), archbishop, etc. On 14 June 2008, the site of Expo 2008 opened its doors to the public. The exhibition ran until 14 September.
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He was ridden in most of his races by William Buick. He was from the eighth crop of foals sired by Shamardal whose wins included the Dewhurst Stakes, Poule d'Essai des Poulains, Prix du Jockey Club and St James's Palace Stakes. His other offspring have included Able Friend, Mukhadram, Lope de Vega and Casamento. Blue Point's dam Scarlett Rose demonstrated little racing ability, failing to win in thirteen starts, but did better as a broodmare, producing the Railway Stakes winner Formosina.
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In 1929, Eternidad del Rey don Filipe Tercero nuestro señor, el piadoso was published. The book is a panegyric in prose written to celebrate Philip III. It is the only surviving work of Castro Egas. It is known about Castro Egas from the numerous poems and prose stories that major poets and writers of her time wrote about her and dedicated to her, such as: Lope de Vega, Quevedo, Valdivieso, Mira de Amescua, Bocangel, López Zárate, Pérez de Montalbán, Pellicer, etc.
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Arjona was an expert on Spanish playwright and poet Lope de Vega and identified several new works by de Vega using a statistical text analysis method that Arjona devised. He authored or coauthored several Spanish translations, textbooks, and other publications. He was also a member of Phi Kappa Phi, the Modern Language Association, the American Association of Teachers of Spanish and Portuguese, and the Connecticut Academy of Arts and Sciences. Arjona stepped down as department chair following a heart attack in 1964.
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His use of such polimetric verse forms was intended to indicate the mood and tone of scene. He also sought to maximise the theatrical effect of his works by playing up sensational themes of violent death and supernatural events. Cueva's plays draw on a mixture of classical, historical and fictional themes, often adapting stories from ballads and medieval chronicles. This step is considered to be a significant advance in Spanish theatre and proved highly influential on later playwrights such as Lope de Vega.
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It has two levels, each with three arches, and a pediment that holds a medallion with the likeness of Lope de Vega sculpted by Ponciano Ponzano. In 1864 he built the pantheon of Manuel Beltran de Lis, Minister of Finance of Isabel II, in the cemetery at the Sacramental de San Isidro. Another major work is the Teatro Calderón de la Barca in Valladolid. One of the largest theaters in Spain, it was designed in an eclectic neo-classical style.
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Pedro de Ursúa (1526 - 1561) was a Spanish conquistador from Baztan in Navarre. In Panama, Ursúa subdued a Cimarron (ex-slave) revolt by tricking Cimarron leader Bayano into coming unprepared to negotiate a truce, but then captured him and sent him back to King Philip II of Spain. Together with Ortún Velázquez de Velasco, Pedro de Ursúa founded the city of Pamplona, Colombia, on November 1, 1549. Official website Pamplona Ursúa later searched the Amazon region for El Dorado with Lope de Aguirre.
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In 2001, he made his 4th choreography for the BNE A tientas under the direction of Elvira de Andrés. In March 2002, the first novel by Antonio Canales Sangre de Albero was published. In April, the Company's 10th anniversary commemorated with the re-release of the show Torero and a selection of numbers from the works A ti Carmen Amaya, The House of Bernarda Alba, Gitano and Bailaor. In 2003, he premiered at the Lope de Vega theater in Seville, Ojos Verdes.
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He was ridden in seven of his ten races by Jamie Spencer. He is from the fifth crop of foals sired by the Prix du Jockey Club winner Lope de Vega. His other foals have included Newspaperofrecord, Belardo, Vega Magic (Memsie Stakes) The Right Man (Al Quoz Sprint) and Santa Ana Lane (Stradbroke Handicap). Phoenix of Spain's dam Lucky Clio showed no racing ability, failing to win in five starts, but did better as a broodmare, producing six other winners.
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Hippolyte Lucas Hippolyte-Julien-Joseph Lucas (20 December 1807, Rennes - 16 November 1878, Paris) was a French writer and critic whose literary output was largely centered on theatre and opera. He was the author of several plays and opera libretti. In addition to his original stage works, Lucas also translated plays and libretti by other authors for performances in French. These included plays by Aristophanes, Euripides, Lope de Vega, and Calderón as well as Donizetti's operas Belisario, Maria Padilla, and Linda di Chamounix.
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Diego López II's memory quickly underwent attacks. As soon as 1216, during the regency of the Lara brothers, when Lope Díaz II was trying to play a political role, the royal chancellery issued a charter judging him a bad lord. Diego López's image constructed around 1240–1241 by the chronicler Rodrigo Jiménez de Rada, Toledo's archbishop, who had known him personally, was already very ambiguous. He criticized his exile strategy that led him to face his king on the battlefield.
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Hall's book immediately caused widespread bewilderment among its readers. Many thought that it was a masterpiece comparable to the works of Lope de Vega, Luis de Góngora and Miguel de Cervantes, and would enrich both Guatemalan letters and world literature. The journalist Federico Hernández de León gave it favorable reviews in the Diario de Centro America on 12 October 1938. But other critics doubted that the book could have been written by a woman, or anyone with no formal educational training.
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First page of El villano en su rincón, an auto sacramental by Lope de Vega first published in 1617.The auto sacramental may be defined as a dramatic representation of the mystery of the Eucharist. At least this is the definition that would apply to the auto of the time of Calderón. It does not so well fit, however, those of the preceding century, many of which were sacramental in character only because they were presented during the feast of Corpus Christi.
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To reward the best Spanish films of each year, the Spanish Academy of Motion Pictures and Arts decided to create the Goya Awards. The inaugural ceremony took place on March 17, 1987 at the Lope de Vega theatre in Madrid. In 2000, the ceremony took place in Barcelona, at the Barcelona Auditorium. In 2003, a large number of film professionals took advantage of the Goya awards ceremony to express their opposition to the Aznar's government support of the U.S. invasion of Iraq.
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The region was first inhabited by the Arhuaco and Chimila Maconganas. Upon the arrival of the Spanish, during the Spanish colonization of the Americas, the first European explorers to arrive were men under the orders of Lope de Orozco and had named it Valle de Taironaca (Valley of Taironaca). The village was founded by Captain Antonio Florez in c. 1590 with the name Dulce Nombre de Jesus but due to constant attacks from the Chimilas the town was moved nearer to Valledupar.
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After being trained as a gold beater, Lope de Rueda led a theater troupe using the style and influence of an Italian movement called Commedia dell'arte. He wrote several full length plays using this style, but he is more famous for the short works which he called, pasos. These pasos are characterized as having stock characters, containing every day situations, and broad humor. The pasos were generally performed during the intermission of full length plays, and served as entertainment for all social classes.
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After the fire in 1976, vandals caused additional damage that resulted in the windows being bricked up and a steel door installed. Restoration and preservation of the light is done through the volunteer "Faulkner's Light Brigade", which formed in 1991. In 1997, Walter Sedovic was selected by a Lighthouse Restoration Committee to perform the restoration of the lighthouse. Completed in 1999, the restorations included painting the interior and exterior, replacing the door and a new entry deck made of Pau Lope wood.
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One example is the world's first flexible image sensor on plastic, which was jointly developed by ISORG and Plastic Logic and showcased at LOPE-C in June 2013. In January 2013, the company won the FlexTech Alliance's "FLEXI 2013 R&D; Award" for innovation in flexible display manufacturing. This was in recognition for the development of a scalable manufacturing process for integrating a colour filter array on a flexible plastic display. Other companies recognised by the FlexTech Alliance included Corning, Inc.
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Tirso de Molina, Lope de Vega, and Calderón were the most important play writers in Golden Era Spain. Their works, known for their subtle intelligence and profound comprehension of a person's humanity, could be considered a bridge between Lope's primitive comedy and the more elaborate comedy of Calderón. Tirso de Molina is best known for two works, The Convicted Suspicions and The Trickster of Seville, one of the first versions of the Don Juan myth.Wilson, Edward M.; Moir, Duncan (1992).
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The play premiered at the 54th Mérida International Festival of Classical Theatre, becoming the most attended play in the history of the festival. In 2010, she wrote and starred in Help Me Succeed (Ayúdame a triunfar), directed by Marisa Lull. In 2012, she performed as Mina in Dracula, alongside Emilio Gutiérrez-Caba. The play opened in the Lope de Vega theatre (Seville) and toured Spain before coming to the Marquina Theatre (Madrid), where it had a run of several months.
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He also visited the frontline to perform for soldiers and was awarded the Medal "For Valiant Labour in the Great Patriotic War 1941–1945" after the war. From 1945 to his death Zeldin performed in the Russian Army Theatre. His most famous role was Aldemaro in The Dancing Master play by Lope de Vega. Other popular roles include Tranio in The Taming of the Shrew, Aleksandr Vladimirovich Serebryakov in Uncle Vanya, Albert Gregor in The Makropulos Affair, Frank Gardner in Mrs.
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The first one was in 1552 nearby Buría River, but moved in 1556 due to frequent floods suffered by inhabitants. The second one was in the valley of the Turbio River where the city stayed until Lope de Aguirre burned it down in 1561. Its rebuilding was made , but in 1562 they asked for permission to move to another site due to strong winds blowing in the place. Finally, Barquisimeto was located on the north plateau of the Turbio River in 1563.
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In 2000 she premiered 5 mujeres 5 at the Teatro Lope de Vega in Seville, during the XI Bienal de Flamenco. It was his first work "with an argument" that she choreographed and also the first in which she hired a stage director, Hansel Cereza, of La Fura dels Baus. In 2002 she participated in the second edition of the Flamenco Festival, held in New York. In October that year, she premiered La voz del silencio at the XII Bienal de Flamenco.
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Aguirre, the Wrath of God (; ), known in the UK as Aguirre, Wrath of God, is a 1972 epic historical drama film produced, written and directed by Werner Herzog. Klaus Kinski stars in the title role. The soundtrack was composed and performed by West German kosmische band Popol Vuh. The story follows the travels of Spanish soldier Lope de Aguirre, who leads a group of conquistadores down the Amazon River in South America in search of the legendary city of gold, El Dorado.
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In Buenos Aires, he performed two plays, El Balcon de los Lester and Amada y tú , written in Spanish, in collaboration with Agustín Caballero. Amada and you consists of three acts that take place in an old house where three men fall in love with the ghost of a teenager. In Geneva, he directed plays by Lope de Vega, The Best Mayor, the King, by Antonio Buero Vallejo, Las letters face down or Leandro Fernández de Moratín, The yes of the girls.
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His territorial lordships, however, were generally scattered, although they were all in the province of León and relatively near to the city itself, whose government he continued to hold throughout the period. The lordship of Cea was shared with Ermengol VI of Urgell, according to a private charter of 23 June 1152. Another charter of 27 March 1150 shows Ermengol sharing it with Lope López, suggesting that Ponce was Lope's replacement.Barton, "The Count, the Bishop and the Abbot", 92 n2.
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He also began a love affair with Elena Osorio (the "Filis" of his poems), who was separated from her husband, actor Cristóbal Calderón, and was the daughter of a leading theater director. When, after some five years of this torrid affair, Elena spurned Lope in favor of another suitor, his vitriolic attacks on her and her family landed him in jail for libel and, ultimately, earned him the punishment of eight years' banishment from the court and two years' internal exile from Castile.
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Swedish composer Svea Nordblad Welander used some of Vega's work as the text for her 1956 composition "Berceuse" for women's chorus. In Harry Turtledove's alternate history novel Ruled Britannia, in which the Spanish Armada was successful, Vega is depicted as a Spanish soldier- playwright on occupation duty in defeated England, who interacts with William Shakespeare. The novel's viewpoint narration alternates between the two playwrights. A 2010 Spanish-language film about de Vega, entitled Lope, is available with English subtitles as The Outlaw.
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The first to use the toponymic surname Mendoza, Íñigo, was the son of Lope Íñiguez — son of another Íñigo López — and his wife Teresa Jiménez, daughter of Jimeno Íñiguez, Lord of Cameros. His brother Gonzalo López de Mendoza was the first Lord of Mendoza. Íñigo confirmed several donations and transactions by members of the House of Haro. He probably participated in several military campaigns of King Alfonso VIII of Castile in 11991200, and also confirmed several royal charters in 12021203.
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William Shakespeare is the most notable of the early modern playwrights, but numerous others made important contributions, including Molière, Pierre Corneille, Jean Racine, Pedro Calderón de la Barca, Lope de Vega, Christopher Marlowe, and Ben Jonson. From the 16th to the 18th century Commedia dell'arte performers improvised in the streets of Italy and France. Some Commedia dell'arte plays were written down. Both the written plays and the improvisation were influential upon literature of the time, particularly upon the work of Molière.
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Earthlight is a chestnut colt with a broad white blaze and white socks on his hind legs bred in Ireland by Godolphin in whose blue colours he races. The colt was sent into training with André Fabre in France. He was from the eleventh crop of foals sired by Shamardal whose wins included the Dewhurst Stakes, Poule d'Essai des Poulains, Prix du Jockey Club and St. James's Palace Stakes. His other offspring have included Able Friend, Mukhadram, Lope de Vega and Blue Point.
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She produced several well-known Russian translations of Edmond Rostand and Maurice Maeterlinck plays. Shchepkina also translated the works of Lope De Vega, William Shakespeare, John Fletcher, Molière, Carlo Goldoni, Richard Brinsley Sheridan and Lewis Carroll's Alice's Adventures in Wonderland into Russian. In total she translated about 60 plays into Russian, mostly during the period after the Russian Revolution. She composed poetic plays of her own, mostly in one act (Revenge of Amur, Eternity in a Moment, Lady with Violets, Happy Women, etc.).
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Namonuito was first visited by Spanish explores on the galleon San Jerónimo on 5 July 1566. At Pisaras Island, the rebel pilot Lope Martín and his gang of mutineers (thirteen soldiers and thirteen sailors) murdered Captain Pero Sánchez Pericón and other expedition members, and were subsequently marooned.Coello, Francisco La Conferencia de Berlín y la cuestión de las Carolinas: Discursos pronunciados en la Sociedad Geográfica de Madrid, Madrid, Imprenta de Fortanet, 1885, p.96Krämer, Augustin Ergebnisse der Südsee Expedition, Friederichsen, De Gruyter, 1908,p.
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Calderón initiated what has been called the second cycle of Spanish Golden Age theatre. Whereas his predecessor, Lope de Vega, pioneered the dramatic forms and genres of Spanish Golden Age theatre, Calderón polished and perfected them. Whereas Lope's strength lay in the spontaneity and naturalness of his work, Calderón's strength lay in his capacity for poetic beauty, dramatic structure and philosophical depth. Calderón was a perfectionist who often revisited and reworked his plays, even long after they were first performed.
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It was thus that Pedro Ruiz de Villegas II was named a Knight of the Order of the Band along with his younger brother Lope Ruiz de Villegas.Lope Ruiz de Villegas había fallecido antes de realizar el libro Becerro de Castilla, por lo cual, figura como señor de behetría su hijo Alfonso López de Villegas. In 1348 he married Teresa González de la Vega (n. c. 1328), daughter of Garci Lasso de la Vega I who was a noble from Cantabria.
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This led to his widespread reputation as a necromancer. Like Roger Bacon and other figures, he was reputed to have constructed a brazen head able to answer his questions.. Upon Villena's death in 1434, the king ordered Bishop Lope de Barrientos to investigate his library. Barrientos had many of Villena's books burned, strengthening the public's assumption that he was involved in witchcraft. A few of the remaining books went to the poet Santillana, while the rest of them went to the king.
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Playwrights and dramatists such as Lope de Vega, Juan Pérez de Montalbán, Tirso de Molina, and Pedro Calderón de la Barca created works which were performed in corrales de comedias. The first permanent theater of this type, Corral de la Cruz, was constructed in Madrid in 1579. The number of theaters increased rapidly after 1600, responding to the public's enthusiasm for this new form of entertainment. The oldest surviving corral, albeit significantly altered, is the Corral de comedias de Alcalá de Henares.
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Honor is a major theme in Spanish Golden Age drama. Theatre was used as a metaphor for life, and honor was therefore represented in a number of ways on stage, for example, reputation, and juxtaposed against disillusionment and hypocrisy. Right versus wrong is a common theme in plays from this period and Lope de Vega himself believed that everyone reacts to honor. Honorable (Christian) conduct is enforced by the public and to lose your honor is to live in shame and despair.
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In 2011, Rivera became the first Mexican actor to star in a Disney production outside of Mexico. Over the next two years, more than a million people saw Rivera in the role of Simba. He sold out approximately 700 shows at the Lope de Vega Theater on the famous Gran Via de Madrid, and won Best New Actor at the 2012 Broadway World Spain Awards. In 2013, Rivera focused on his last Lion King production and the release of his third studio album, El hubiera no existe.
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Félix Córdova Dávila was born in Vega Baja, Puerto Rico. His parents, Lope Córdova y Thibault and María Concepción Dávila y Dávila, died while he was very young, and he was placed in the care of his cousin, Dr. Gonzalo María Córdova y Dávila in Jayuya. He began studies on his own based in the extensive library of his cousins Gonzalo and Ulpiano. During his adolescence, he attended the public schools in Manati while working at a drugstore owned by another cousin, Clemente Ramírez de Arellano Córdova.
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Joachim Küpper (born 1952) is a professor of romance studies and comparative literature at the Freie Universität Berlin. Küpper has published on authors from various periods, including Homer, Dante, Petrarch, Shakespeare, Francisco de Quevedo, Pedro Calderón de la Barca, Lope de Vega, Alessandro Manzoni, Balzac, Flaubert, Theodor Fontane, and Alain Robbe-Grillet. In addition, he works on problems of literary theory and intellectual history. He is the author of eight monographs and approximately 100 articles, as well as the editor of numerous volumes and scholarly journals.
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Arms of the House of Haro. Teresa Díaz II de Haro (born before 1254) was a Spanish noble woman and a lady of Biscay, and one of five children of Diego López III de Haro, the Lord of Biscay, and Constanza de Bearne. Her maternal grandparents were the viscount Guillermo II de Bearne and his wife, Garsenda de Provenza. Her paternal grandparents were Lope Díaz II de Haro, also Lord of Biscay, and of Urraca Alfonso de León, the illegitimate daughter of King Alfonso IX of León.
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Torres Médicas Angelópolis is a private medical center which opened in 2018 on the southwest edge of the Puebla metropolitan area. It is located next to MAC Hospital which opened a short time earlier. As of 2018, it was the largest medical construction project in the state of Puebla. According to director Javier de Lope Francés, the complex has 528 doctors’ offices, hospital facilities which total over 9000 m2 as well as a commercial area with fast food, banks, restaurants, a pharmacy, gymnasium and more.
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Diego López was the son of Diego López III de Haro and his wife, Constanza de Bearne. He eventually inherited the title of Lord of Biscay from his father after his sister and the usurper to the title, John of Castile. His paternal grandparents were Lope Díaz II de Haro, Lord of Biscay, and his wife, Urraca Alfonso de León, the illegitimate daughter of Alfonso IX of León. His maternal grandparents were Guillermo II de Bearne, the Viscount of Bearne, and his wife, Garsenda of Provence.
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The music video for "Physical" was directed by Lope Serrano and Nicolás Méndez of the Catalan production company Canada. Lipa contacted Canada through their London office to direct the video, and it was filmed at Fira de Barcelona in Plaça d'Espanya, Barcelona. The video was shot over the time span of three 16-hour working days in December 2019. A budget of €500,000 was used for the production, which involved the hiring of about 80 staff and over 150 dancers, the majority of whom were Catalan professionals.
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Facade of the Palacio de Xifré Palacio de Xifré Palacio de Xifré Palacio de Xifré The Palacio de Xifré is a Madrilenian palace now disappeared that was in the Paseo del Prado, at the corner Calle de Lope de Vega, opposite of the Prado Museum. It was one of the best examples of Neo-Mudéjar architecture in Madrid and one of the palaces that the Spanish financial elite of the second half of the 19th century had built along the paseos del Prado, Recoletos and la Castellana.
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He was detained in Barquisimeto, and was shot by his one of his men. Lope de Aguirre was then judged post mortem and found guilty of lèse-majesté. In 1562 he returned to Spain to ask compensation for the services given to the crown and the king Philip II named him as governor of Popayán. When the ship arrived at the coast of Venezuela Paredes landed with five soldiers to ask about his friend Luis de Narváez, who he didn't know had been killed some time before.
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At these events, topics have ranged from problems with credit for startups, the need to manage money effectively, never giving up and advice for new businesses after the COVID-19 pandemic. When asked how he could create businesses outside of his professional expertise, De Lope responded that Mexico has capable professionals he can hire for the technical issues, allowing him to focus on the service and market. He is optimistic about Mexico's entrepreneurial potential, but feels that Mexico's legal and banking system holds the country back.
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By age 24, de Lope had earned sixteen awards and other recognitions in Mexico and abroad. He was named entrepreneur of the year with the North America Collegiate Entrepreneur Award. He is the first Spanish speaking person to win the Student Entrepreneur 2000 award from the Jefferson Smurfit Center for Entrepreneurial Studies of the Saint Louis University. In 2002, he published his autobiography “Para Los Negocios No Hay Edad” (In business there is no age), published by Monterrey Tech with a preface by Mexican president Vicente Fox.
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To regain communications, Tennessee brings Covenant dangerously close to the storm, which allows Daniels to privately reveal to him that Maggie is dead. Tennessee pilots a cargo lander down to the surface of the planet and extracts Daniels, Lope and David impersonating Walter, assisting with killing an Alien in the process. Aboard Covenant, the crew is alerted to an Alien stowaway, prompting Tennessee to work with Daniels to dispose of it. They lure it to the terraforming bay, where it is ejected into space.
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Ledward (Benjamin Rigby) is a member of the security unit aboard the Covenant. He is a member of the expedition tracking the signal leading to the crashed Engineer ship on the surface of the Engineer homeworld. Shortly after disembarking from the lander, Ledward is assigned by Lope to escort Karine Oram as she takes samples from the local ecosystem. Ledward excuses himself from his duties momentarily to smoke and urinate, during which time, he disturbs a mutated floral pod, causing airborne mutagen to enter his ear canal.
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Some of these include Vasata (1960), Portrait of Ep (1961), El Balcon II (1964), Pausa Clara (1966), and Las Soledades de Lope de Vega (1968). Images of Nation shows the works of the national artists for visual arts of the Philippines while, New Frontiers features the work of contemporary artists. Launched in 2010. In the past years, Images of Nation has featured a collection of works by Vicente Manansala (May–July 2010), Jose Joya (September 2011-January 2012), and Victorio Edades (March- July 2012).
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Casey eventually made up with R.J. that he will always be his master. When Dai Shi beat up the Rangers profusely in a big showdown and sequestered R.J., the Rangers were left Master-less. R.J. told them they knew what to do, which was to go back to basics, which led them back to the Pai Zhua Academy room where Dai Shi was kept. The Rangers noticed the masters' animal spirits etched in the wall and wondered where Master Rilla, Master Guin, and Master Lope are located.
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Tres Cantos Central Park Tres Cantos is a Spanish municipality in the province and Community of Madrid, situated 22 km to the north of the capital. Tres Cantos' location is highly desirable because of its location, near Monte del Pardo, in the south, and in Viñuelas. As a "satellite city" of Madrid conceived by urban planners in the 1970s, it is the youngest incorporated municipality in the Community of Madrid, with a population of 46,046 inhabitants. Biblioteca Municipal Public Library "Lope de Vega" de Tres Cantos (Madrid).
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Peter IV of Aragon (1336–87) protected his ships with screens of hides against missile fire, as the Roman navy had done earlier. A ship with iron plating on the ribs was commissioned in 1505 by Juan Lope de Lazcano, a Basque admiral of the Spanish Fleet. The Santa Anna, a lead-sheathed carrack of the Knights Hospitaller, is viewed by some authors as an early form of armoured ship. From 1522 to 1540, the warship successfully operated in the Mediterranean Sea against the Turks.
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In 2004, the AVT (an association against terrorism in Spain) demonstrated against terrorism and ETA, a paramilitary organization of Basque separatists, in front of the Lope de Vega theatre. In 2005, José Luis Rodríguez Zapatero was the first prime minister in the history of Spain to attend the event. In 2013, the minister of culture and education José Ignacio Wert did not attend, saying he had “other things to do”. Some actors said that this decision reflected the government's lack of respect for their profession and industry.
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His paintings included a Birth of Mary for the church of San Giorgio a Castelnuovo in Prato. In 1626 he left Florence for Spain, at the request of the Count Duke of Olivares, to join the court of Philip IV as an engineer. As well as redesigning royal gardens in the Italianate style, particularly involving spectacular fountains, he impressed the King with his cleverly engineered theatrical special effects. This included an extravagant staging of a musical piece in the Italian style with poetry by Lope de Vega.
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The royal court attracted many of Spain's leading artists and writers to Madrid, including Cervantes, Lope de Vega, and Velázquez during the so-called cultural Siglo de Oro. Manuel de la Cruz (c. 1770–80) By the end of the Ancient Regime, Madrid hosted a slave population, tentatively estimated to range from 6,000 to 15,000 out of total population larger than 150,000. Unlike the case of other Spanish cities, during the 18th century the slave population in Madrid was unbalanced in favour of males over females.
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Despite his actions, Bonifacio was executed and his role in the Revolution was sidelined until the start of the Philippine-American War. After Emilio Aguinaldo surrendered to the United States, Carreón along with Macario Sakay and Lope K. Santos, among others, formed the Nacionalista Party (unrelated to the current Nacionalista Party since it was outlawed). Sakay then took to the hills and established the Tagalog Republic, with Carreón serving as both Sakay's vice president and executive secretary. The group would continue the resistance against the Americans.
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Fortún's nephew, Lope Cajal, died at the Battle of Fraga in 1134, willing his lands to the Templars. In 1141, Fortún and Toda drew up a second and final will. In it, he "divided his honour between his nephews", Fortún Íñiguez and Sancho Íñiguez, respective lords of Grañón and Belorado. Fortún Íñiguez had governed Grañón under the authority of his uncle from 1120 to 1131, while Belorado too had belonged to Cajal between 1120 and 1133, when he was represented there by Esteban Gassion.
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True cinnamon (Cinnamomum Verum) is not native to South America. Other related cinnamon- containing plants (of the family Lauraceae) are fairly common in that part of the Amazon and Pizarro probably saw some of these. The expedition reached the mouth of the Amazon on 24 August 1542, demonstrating the practical navigability of the Great River. Ticuna Indians, engravings for Bates's 1863 The Naturalist on the River Amazons In 1560 another Spanish conquistador, Lope de Aguirre, may have made the second descent of the Amazon.
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In 1992, Chicuelo participated in the Seville Expo and the Bienal de Flamenco de Sevilla, at the Lope de Vega Theatre. He participated in the Festival de Jóvenes Flamencos held in Paris with overwhelming success. He worked with flamenco artists Antonio Canales, Joaquín Cortés, and Israel Galván, who commissioned the musical direction of the show presented at the Bienal de Flamenco de Sevilla in 2000. He participated in the Poveda show of Historias de viva voz which opened the Bienal de Flamenco de Sevilla in 2010.
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476–477; Gautier 1859, pp.42–43; Chauveau 1999, pp. 371–376. Above the entablature of the entrance was an unusual semicircular Corinthian balcony enclosed at the front by a thin balustrade surmounted with four lampposts. At the top of the two double-width flat pilasters bracketing the balcony were masks of Tragedy and Comedy, below which were engraved the names of six playwrights: on the left, Corneille, Racine, and Molière; and on the right, Shakspere (in 19th-century spelling), Schiller, and Lope de Vega.
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It can be accessed through the door called "del Mollete". Currently, the humidity and exposure to inclement weather found in the interior of the cathedral cloister have led to the painting deteriorating. Lope de Vega's play El niño inocente de La Guardia (The Innocent Child of La Guardia) was possibly inspired by the legend recounted by Fray Rodrigo de Yepes. This work from the Golden Age of Spanish Literature is renowned for its cruelty in the last act, portraying the crucifixion of the child.
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At the time, Spanish plays were revered for their love triangles and spectacular action scenes. “Her first play, The geheymen lover, had an operation on an existing verse to prose translation of the Spanish comedy las mujeres vieran No. of Lope de Vega (history.com-Malou Nozeman).” She dedicated her first play to Queen Christina because she was well educated and knew Dutch, though she was not from Amsterdam. Her second play was, “cashmere” or muffled to high, was modeled this play after Spanish prose as well.
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In Renaissance Italy, Canto 33 of Ariosto's Orlando Furioso describes a picture gallery created by Merlin. In Spain, Lope de Vega often used allusions and descriptions of Italian art in his plays, and included the painter Titian as one of his characters. Calderón de la Barca also incorporated works of art in dramas such as The Painter of his Dishonor. Miguel de Cervantes, who spent his youth in Italy, utilized many Renaissance frescoes and paintings in Don Quixote and many of his other works.
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On the night of December 19, 1611, the writer was the victim of an assassination attempt from which he could barely escape.El suceso consta en José del Corral, Sucedió en Madrid (Ediciones La Librería, 2000) y ABC (26 de febrero de 2016): «El intento de asesinato a Lope de Vega que nunca se resolvió.» Juana de Guardo suffered frequent illnesses and in 1612 Carlos Félix died of fevers. On August 13 of the following year, Juana de Guardo died while giving birth to Feliciana.
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In 1287, his eldest son, Álvaro Núñez de Lara died. Álvaro Núñez was Juan Núñez I's firstborn son although some of the chronicles of Alfonso X and Sancho IV refer to him as Juan's brother.de Salazar, Luis (1697). p. 136. In 1288, Sancho IV of Castile assassinated his former vassal, Lope Díaz III de Haro, the Lord of Biscay and ordered the imprisonment of his brother, John of Castile whose had only been spared by intervention of their mother, the Queen Violant of Aragon.
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Statue of Sancho IV of Castile, King of Castile and León. Tarifa, Cádiz. Soon after this incident, Juan Núñez I allied himself with Juan Alfonso de Meneses, Lord of Alburquerque against Sancho IV and the two of them persuaded the king to release his brother, the infante John of Castile who had been in prison since 1288 when he and Lope Díaz III de Haro were uncovered in a plot. Haro was assassinated by order of the king for his role in this plot.
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He lived in Valle de Bravo, Estado de México, where he went to secondary school. Although his family's economic problems kept him from attending high school, he joined seminaries in Temascalcingo, Estado de México and Mexico City to continue his education. During his time there, a visiting priest from the United States organized a group to perform plays, in which he participated. He learned to read oral poetry and books of classical plays, including those by Lope de Vega and Calderón de la Barca.
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The report reflects many gaps in laws in South Asia and is very women specific and specific gender based thereby creating complete dissension amongst gender. This report has come under heavy criticism for being lope sided. Batra just wants to be in news by speaking on contentious and critically controversial issues. In 2007, he had made a sweeping allegation against residents of big cities stating that they had load of unaccounted cash monies which they were investing in far off agriculture lands located in remote states.
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She was from the sixth crop of foals sired by Shamardal whose wins included the Dewhurst Stakes, Poule d'Essai des Poulains, Prix du Jockey Club and St James's Palace Stakes. His other offspring have included Able Friend, Mukhadram, Lope de Vega and Casamento. Her dam Dash To The Front won the Warwickshire Oaks and came from a female-line family which had been based at Meon Valley for several generations, being a granddaughter of Milligram who was in turn a daughter of One In A Million.
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Subsequently, Álvaro's troops marched on Autillo and Cisneros and laid siege to Berengaria and her supporters. Lope Díaz de Haro and Gonzalo Rodríguez Girón headed to the court of León to ask that Infante Ferdinand come in aid of his mother. Meanwhile, King Henry lifted the siege of Autillo as Álvaro made his way to Frechilla, laying waste to Girón's lands. Berengaria found herself forced to sue for peace, surrendering the places which were then in the power of King Henry and Count Álvaro.
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Diego Jiménez de Enciso (1585 - 1634) was a playwright of the Spanish Golden Age. He was much admired and praised by Miguel de Cervantes, Lope de Vega and Juan Pérez de Montalbán; the last considered him a "model for those who wish to write great comedies". In his 1860 catalogue of the Spanish theatre, gives a list of eleven plays by Enciso. Three have reached several editions, namely, "El Príncipe Don Cárlos", "La Mayor Hazaña del Emperador Cárlos Quinto", and "Los Médicis de Florencia".
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From that point on, Zayas studies were on their way. In 1991, Daniel L. Heiple wrote a creative essay in which he proposed the idea that both Lope de Vega and Zayas were reacting against Huarte de San Juan's misogynistic treatise Examen de ingenios (1575). During the 1990s, a variety of scholars, including Margaret Greer and Marina S. Brownlee (both in 2000), published influential monographs on the work of the Madrid writer. Translations (Patsy Boyer), conference papers, and essay collections (Judith Whitenack, Amy Williamsen, Gwyn Campbell) abounded.
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He became master of the mint and treasurer of the royal library. He died at Madrid, after a short illness, on May 19, 1754. Luzán was not the pioneer of Franco-Italian theories in Spain, but he was their most powerful exponent, and his Poetica is an admirable example of destructive criticism. The defects of Lope de Vega and Calderón are indicated with vigilant severity, but on the constructive side Luzán is notably weak, for he merely proposes to substitute one exhausted convention for another.
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He has performed in several Spanish theatre plays such as Las Mocedades del Cid, 'El caballero del milagro by Lope de Vega, Don Juan Tenorio and Le Dîner de cons. He has received several awards: Best Actor in the Festival de Toulouse for Asuntos Internos; Premio Antoñita Colome of the Asociación de Escritores Cinematográficos de Andalucía; Best Actor for El tiempo de la Felicidad; prize of the Unión de Actores al Mejor Actor de Televisión for Periodistas; and premio Ercilla for Le Dîner de cons.
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Plaza de España in Sevilla. The War of the Bands (, ) was a civil war, really an extended series of blood feuds, in the western Basque Country, Gascony, and Navarre in the Late Middle Ages. The main primary source for the War is Las Bienandanças e fortunas by Lope García de Salazar, written c.1471. The war is named after the aristocratic networks of familial alliances and their armed followings, known as bandos (bands), that carried out constant wars for power and honour across three kingdoms.
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With other companies he produced Sueño de una noche de verano (Dream of a summer's night), from Lindsay Kemp as well as debuting other plays in a national theater - the Theatre Lliure and the Els Joglars. After a stint in the public theater, Tamayo returned to the private, back to the Lope de Vega company and the Fine Arts Theatre, where he directed with his brother until 2003, when his brother died. Ramón Tamayo died five years later in Madrid at the age of 87 years.
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Lope was the playwright who established in Spanish drama the three-act comedia as the definitive form, ignoring the precepts of the prevailing school of his contemporaries. In Arte nuevo de hacer comedias en este tiempo (1609), which was his artistic manifesto and the justification of his style which broke the neoclassical three unities of place, time and action, he showed that he knew the established rules of poetry but refused to follow them on the grounds that the "vulgar" Spaniard cared nothing about them: "Let us then speak to him in the language of fools, since it is he who pays us" are famous lines from his manifesto. Lope boasted that he was a Spaniard pur sang (pure-blooded), maintaining that a writer's business is to write so as to make himself understood, and took the position of a defender of the language of ordinary life. Lope's literary influence was chiefly Latin-Italian and, while he defended the tradition of the nation and the simplicity of the old Castilian, he emphasized his university education and the difference between those educated in the classics and the layman.
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Otxoa ("wolf") was a Basque version of the Romance name Lope, or the other way round, with an early medieval prevalence all around the Pyrenees and west into the Cantabrian Mountains. It is now a surname, like its akin "Otxotorena" ('little wolf's house', or possibly 'little wolf's wife'), so similar in meaning to Spanish "Lopez" (regional variants "Lopes", "Lupiz", etc.). "Velasco" was a name, later to become a surname, derived from Basque "belasko", 'small raven'. "Aznar" is a medieval Basque, Gascon and Spanish surname arguably based on old Basque "azenari", 'fox' (modern Basque "azeri", cf.
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He married for the first time in 1212 with Aurembiaix, future Countess of Urgel and the daughter of Count Ermengol VIII of Urgell, but the marriage was annulled in 1228. He married a second time with Mencía López de Haro, future queen of Portugal, daughter of Lope Díaz II de Haro, Lord of Vizcaya, and his wife Urraca Alfonso de León, daughter of Alfonso IX of León. He died without leaving any offspring of his two marriages and was buried in the Monastery of Santa María de Valbuena, in which his father had been buried.
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These five children were: Aznar, who inherited Cantabria; Íñigo, who inherited Arnedo; Sancho, who inherited Huarte; Lope, who inherited Calahorra; and Ximeno, who inherited Cameros and Viguera. Only Aznar is given the patronymic Fortúnez in Mencía's donation. It is possible that only he was a child of Mencía, the others being her stepchildren from an earlier marriage of Fortún's. There are other Fortúnez from Viguera mentioned in contemporary documents (besides those listed beside Mencía), and it is possible that they too are progeny of an earlier marriage or marriages of Fortún Ochoiz.
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Maria de Luna (c. 1358 – 1406) was queen consort of Aragon, as the spouse of King Martin I of Aragon, from his ascension in 1396 to her death in 1406. In the early years of Martin's reign, she served as regent of Aragon while her husband tended to affairs in Sicily, a kingdom to which he also had a claim. She was the daughter and heiress of the Aragonese noble Lope, Lord and 1st Count of Luna and Lord of Segorbe and his second wife Brianda d’Agout, an aristocratic woman from Provence.
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A landing party found a chisel made of a nail and pieces of rope which were presumably gifts left there on 3 July 1566 by the galleon San Jerónimo, then commanded by the rebel pilot Lope Martín.Sharp, Andrew The discovery of the Pacific Islands Oxford, 1960, p.40,47. The Empire of Germany claimed Namu Atoll along with the rest of the Marshall Islands in 1884, and the Germans established a trading post. After World War I, the island came under the South Pacific Mandate of the Empire of Japan.
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Cieza de León was born to a family of Jewish conversos around 1520 in Llerena, a town in southeastern Extremadura, less than 100 km (60 mi) from Portugal. Although recently converted from Judaism to Catholicism, the family enjoyed good social standing in the region because of their networks and business dealings. His father, Lope de León, was a shopkeeper in the town, and his mother, Leonor de Cazalla, was a native of Llerena. There is scant documentary evidence of the young Cieza de León’s childhood,Cook, Noble David.
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Leonard Digges matriculated at University College, Oxford in 1603, the year of his mother's remarriage, and graduated BA in 1606. This was followed by a period of study abroad. He may have traveled to Spain with fellow Hispanist James Mabbe, whom he knew from Oxford, for he wrote a note on the flyleaf of a book which Mabbe sent from Madrid to Will Baker, also a friend from Oxford days. The book was a copy of Rimas by Lope de Vega (published in 1613); it still survives, in the library of Balliol College.
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Crisp and Rey (2003:175) For the 2010 election, the Ley Orgánica de Procesos Electorales (LOPE) (Basic law of electoral process) among other changes reduced the party list proportion to 30%.Venezuelanalysis.com, 2 August 2009, Venezuela Passes New Electoral Law In addition, the law completely separated the district vote and the party list votes, creating a mixed member majoritarian system. Previously, parties winning nominal district seats had had these subtracted from the total won under the proportional party list, which had encouraged parties to game the system by creating separate parties for the party list.Venezuelanalysis.
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The library holds many world-class collections. Its holdings in German was started by Max Müller who bought many publications from Germany, among them many of Luther's Flugschriften, including the first edition of his Sendbrief vom Dolmetschen, and go up to contemporary German literature. Italian works run from Dante and Tasso through one of the largest collections of Giovanni Battista Guarini's seminal Il Pastor fido to Foscolo and Futurist manifestos. The Spanish and Portuguese collections contain early editions of Lope de Vega, Camoens, Cervantes, Góngora, Quevedo and Calderón.
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Because it was so different, there was major controversy as to who created the five course guitar. A literary source, Lope de Vega's Dorotea, gives the credit to the poet and musician Vicente Espinel. This claim was also repeated by Nicolas Doizi de Velasco in 1640, however this claim has been refuted by others who state that Espinel's birth year (1550) make it impossible for him to be responsible for the tradition. He believed that the tuning was the reason the instrument became known as the Spanish guitar in Italy.
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The poem also makes use of the letters 'K' and 'W', whereas during Rizal's childhood, Tagalog spelling was based on Spanish orthography where neither letters were used. The letters 'C' and 'U' were used instead (i.e., the poem would have been spelled "Sa Aquing Mañga Cabata"). The shift in Tagalog and later Filipino orthography from 'C' to 'K' and 'U' to 'W' were proposed by Rizal himself as an adult, and was later made official in the early 20th century by the Philippine government as per grammarian Lope K. Santos's proposal.
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In 1959 he was commissioned by Eric Bentley for the Tulane Drama Review to do a verse translation of La fianza satisfecha, an obscure, powerful play by the Golden Age Spanish playwright Lope de Vega; his translation, The Outrageous Saint, was later adapted by John Osborne for his A Bond Honoured (1966). In 1964 the BBC Third Programme Radio commissioned him to translate for broadcast Pablo Neruda's only play, the surreal verse drama Fulgor y muerte de Joaquin Murieta (Radiance and Death of Joaquin Murieta), which was also published in Modern International Drama, 1976.
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The earliest of his printed plays is La defensa de la Fè y Principe prodigioso (1651), and twelve more pieces were published in 1658. His popularity continued long after his death on January 4, 1689. Nevertheless, Matos Fragoso's dramas do not stand the test of reading. His emphatic preciosity and sophistical insistence on the point of honor are tedious and unconvincing; in La venganza en el despeño, in Á lo que obliga un agravio, and in other plays, he merely recasts, albeit very adroitly, works by Lope de Vega.
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William Shakespeare's Much Ado About Nothing takes one of its plots (Hero/Claudio/Don John) from Orlando Furioso (probably via Spenser or Bandello). In 1592, Robert Greene published a play called The Historie of Orlando Furioso. According to Barbara Reynolds, the English poet closest in spirit to Ariosto is Lord Byron."The Orlando Furioso and English Literature" in Reynolds, Vol. 1, pp. 74–88 In Spain, Lope de Vega wrote a continuation of the epic (La hermosura de Angélica, 1602) as did Luis Barahona de Soto (Las lágrimas de Angélica, 1586).
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Ganassa is mentioned numerous times by Lope de Vega, who may have based his comic servant gracioso on Commedia dell'arte types. The gracioso later became a stock character of Spanish comedia. During this period, it was common for theatre companies to set up their stages right before a performance and take down everything immediately after. Ganassa recognized what a burden this would be and donated to the city of Madrid to create a theatre known as Corral de la Pacheca, which is the first ever permanent theatre in Madrid.
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Dutch propaganda prints by Jan Luyken, Romeyn de Hooghe, and others, picturing the Spanish atrocities in detail, were produced well into the 17th century. Philip II had a heroic depiction of the Siege of Maastricht painted in the Royal Palace of Aranjuez. The Spanish playwright Lope de Vega wrote the play El asalto de Mastrique, por el príncipe de Parma in 1614. The silver gilded reliquary bust of Saint Servatius in the Treasury of the Basilica of Saint Servatius was a gift from the Duke of Parma to the city of Maastricht after the sack.
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In the middle of the 15th century, Lope García de Salázar, in his Crónica de Vizcaya, finally imagined the nickname "the Bad" to explain the contradictions in his biography. His memory suffered later other deformations, according to the interests of the 16th-century genealogists working for the nobility, and, from the 17th century on, of Basque historians. This time, it was the myth of the "independent seigneury" of Biscaya that was at stake between Basque fuerists and later nationalists, and their contradictors, until the first half of the 20th century.
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The son of King James I of Aragon, also named Sancho, the Archbishop of Toledo, went to join the fight in Jaén, but not wanting to wait for Lope Díaz de Haro, Lord of Biscay, died in combat shortly thereafter. His body was beheaded and his right hand cut off. The next day, the Lord of Biscay, together with a young Alonso Pérez de Guzmán, defeated a coalition of African-Andalusian forces and obliged them to withdraw. Under these circumstances, the Muslim forces were not able to advance further into Castilian territory.
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Quinziano, p. 552 In the 19th century, Italian Romanticism took great interest in the Spanish romancero, with translations by Giovanni Berchet in 1837 and Pietro Monti in 1855. Edmondo de Amicis traveled throughout Spain and wrote a book of his impressions. Antonio Restori (1859–1928), a professor at the Universities of Messina and of Genoa, published some works of Lope de Vega and dedicated his Saggi di bibliografia teatrale spagnuola (1927) to the bibliography of the Spanish theater; he also wrote Il Cid, studio storico-critico (1881) and Le gesta del Cid (1890).
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Title page of a comedy by Spanish playwright Lope de Vega Catholic Spain was the most powerful European nation by the 16th century.Cowans, Jon (ed). Early Modern Spain: A Documentary History, University of Pennsylvania Press (2003), p. 15 The Spanish Armada was defeated by England in 1588, however, while Spain was trying to defend the northern coast of Africa from the expansion of the Turkish Ottoman Empire, and the gold and silver that Spain took from its possessions in the New World were not adequate to sustain its subsequent decades of heavy military expenses.
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The first film he made in Spain after his exile, Viridiana, was shot in Toledo. Buñuel would continue relying on Toledo in many of his later films not just as a backdrop, but as a persistent presence, a character in its own right. Tristana (1970) is an interesting study in Buñuel's simultaneous memorialization of the city of Toledo and the Order of Toledo. The plot follows the progression of Tristana from a young orphan subjected to sexual abuse by her guardian, Don Lope, to a hardened woman capable of incredible emotional cruelty.
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Werner Herzog's 1972 film Aguirre, the Wrath of God has an appearance of Gaspar de Carvajal (as played by actor Del Negro) as chaplain and chronicler of the mad descent of the Amazon by Lope de Aguirre. This expedition, which took place in 1561 (almost twenty years after that of Orellana), was the source of inspiration for the movie. Additionally, Carvajal is depicted as being killed by natives. However, the film included many situations and persons from the chronicle of Carvajal, which is to say, from the expedition of Orellana.
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He also did illustrations for The Conspiracy of Catiline by Sallust (Ibarra, 1772). For the Portraits of Illustrious Spaniards he provided the portraits of Lope de Vega (after a drawing by Rafael Ximeno y Planes), Miguel de Cervantes and Diego de Saavedra Fajardo. He also worked on the History of the Conquest of Mexico by Antonio de Solís, in the deluxe two volume edition published by (1783-1784); providing the portrait of Hernán Cortés, from a drawing attributed to Titian. After 1786, he contributed to the Maritime Atlas of Spain.
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In 1562, the Spanish villages of Espiritu Santo migrated to this hamlet to escape the marauding pirates and the tyrant Lope de Aguirre Spanish invaders. However, the pirates did not spare them as later in 1566 the French pirates headed by Jean Bontemps completely razed the village which was further compounded by the English privateer John Hopkins. However, as it got re-established as a town, it was given the Coat of Arms and called a city. This was followed by the building of the Santa Rosa fort.
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He began his classes on 1 January 1583. This institution had as students the playwright Felix Lope de Vega and the writer Miguel de Cervantes. Lavanha was appointed on 4 November 1586 by the King to the newly created post of Master Engineer of the Kingdom of Portugal, holding teaching duties at the Academy of Mathematics and Architecture in Madrid. Faced with the illness of Tomás de Orta, he began to serve as the Royal Chief Cosmographer of the Kingdom from 13 February 1591, a position for which he was officially appointed in 1596.
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72–73 The official policy was permissive though short of direct endorsement: government and local officials did not attend Carloctavista meetings, however, few Carloctavista supporters landed high admin jobs themselves.e.g. Lorenzo de Cura Lope in 1943–1957 served as president of Diputación de Alava, Iker Cantabrana Morras, Lo viejo y lo nuevo: Díputación-FET de las JONS. La convulsa dinámica política de la "leal" Alava (Segunda parte: 1938–1943), [in:] Sancho el Sabio 22 (2005), p. 167 The mainstream press were permitted to mention him on the societé rather than political columns.
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The Dog in the Manger or The Gardener's Dog ( ) is a 1618 play by the Spanish playwright Lope de Vega. Its title refers to the proverb of the dog in the manger – it is an adaptation of a Spanish version of the story which deals with the emotional complications of class conflict. The haughty countess Diana rejects her many aristocratic suitors and falls in love instead with her handsome young secretary, Teodoro, who is the lover of her maid. Unwilling to let the couple marry, she is also unwilling to marry him herself.
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In Mexico at the turn of the 20th century, a cowgirl named T.J. Breckenridge hosts a struggling rodeo. Her former lover, Tuck Kirby, a heroic former stuntman working for Buffalo Bill's Wild West Show, wants to buy her out. Along the way, he is followed by a Mexican boy named Lope, who intends to join the rodeo on a quest for fame and fortune. T.J. is not interested in Tuck because of this, but Tuck is still attracted to T.J., especially when T.J. jumps off a diving board on her horse.
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Tuck notices that the horse is missing, and sets off after Bromley. When T.J. and her crew discover Carlos, Carlos claims that Tuck has stolen El Diablo for himself. Carlos, T.J., and the others decide to follow Tuck and Bromley into the valley. Making their way into the Forbidden Valley, Tuck, T.J., and the rest of the group meet up and soon discover why the valley is said to be cursed when a Pteranodon swoops down and snatches Lope but due to the weight it falls back to the ground.
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Though Gwangi tries to eat them, he is distracted when the cathedral's organ is accidentally sounded off as Tuck falls backwards into the keyboard. Tuck then manages to wound the dinosaur with a flag and throws a torch onto the floor near Gwangi, setting the building on fire. Tuck and the others manage to escape, leaving Gwangi trapped in the burning, collapsing building. Shrieking in agony, Gwangi is finally crushed to death by the falling debris, as Tuck, T.J., Lope (with tears in his eyes), and the townspeople look on.
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The Best Mayor, The King (El mejor alcalde, el rey) is a play by the Spanish playwright Lope de Vega, written between 1620 and 1623 according to the dating proposed by Morley and Bruerton. It was published in 1635 in the twenty-first part of de Vega's comedies. The action occurs in early 12th century Galicia during the reign of Alfonso VII. Sancho de Roelas, a nobleman who has fallen on hard times, announces to his lord Tello de Neira his intention to marry Elvira de Olite, also of impoverished noble lineage.
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Muley Xeque arrived to Spain at the age of 12. After a stay in Portugal, he lived in Carmona from 1589 to 1593. According to Lope de Vega, who was his personal friend and whose comedy El bautismo del príncipe de Marruecos is part of what we know about the character, Muley Xeque decided to leave Islam after attending in Andújar to the procession of the Virgen de la Cabeza. On November 3, 1593 he was baptized in the Monastery of San Lorenzo de El Escorial, sponsored by Philip II, after whom he was named.
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He had at least two sons, born of relationships with different servants. One son was recorded as being born in 1570; he might have died at a very young age. With another servant, Garcilaso had a second son, Diego de Vargas, born in 1590, who helped his father copy the Royal Commentaries and survived him until at least 1651. It is possible that his eldest son was the 'Admiral' Lope de Vega, who commanded a ship in the fleet of Álvaro de Mendaña, on his 1595 expedition to the Solomon Islands.
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The Goya Awards are the main film awards in Spain. They were established in 1987, a year after the founding of the Academia de las Artes y las Ciencias Cinematográficas de España, and recognize excellence in many aspects of Spanish motion picture making such as acting, directing and screenwriting. The first ceremony took place on March 16, 1987 at the Teatro Lope de Vega, Madrid. The ceremony continues to take place annually around the end of January, and awards are given to films produced during the previous year.
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He published scholarly works of literary history and was a corresponding member of the Mexican and Spanish Academies. In addition to his works on Cervantes and Lope de Vega, Icaza translated into Spanish various works by Nietzsche, Hebbel, Liliencron and Dehmel. A visit to his homeland was marred by the nationalist polemic that surrounded his critical Diccionario autobiográfico de conquistadores y pobladores de la Nueva España (Madrid, 1923). In Spain, Icaza married the young Beatriz de León y Loynaz (1878–1971), born in La Habana and niece of a Spanish aristocrat.
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In 1983 he drew Ibáñez from the script of Robin Wood, and the next year the highly successful El Sueñero and El Cazador del Tiempo from his own scripts. He also drew several comic book adaptions of famous novels such as Till Eulenspiegel, Treasure Island and Moby Dick. In 1987 he published the graphic novel Lope de Aguirre and in 1995 De Mar a Mar. In 2000 he began his collaboration with American comic book publishers, working on an issue of X-Force for Marvel, and Legion Worlds and Batman: Gotham Knights for DC Comics.
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From 1945 to 1975, Zeynalov played on the stage of the Azerbaijan State Drama Theater named after M. Azizbekov. The best roles played by him on the stage of this theater are Seyran ("Namus" by Alexander Shirvanzade), Florizel, Antony ("Winter Tale", "Anthony and Cleopatra" by William Shakespeare), Gilbert ("Maria Tudor" Victor Hugo), Sancho ("Star Sevilla "Lope de Vega), Ahmed Rza (" Strange man "Nazim Hikmet), Hasanzade (" You are always with me "Ilyas Efendiyev), Protasov (" The Living Corpse "of Leo Tolstoy) [1]. Ali Zeynalov was also recognized as a master of oratory.
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There is a well-known legend that attributes the name "Mundaca" to the Latin phrase "munda aqua" ('clean water'). This legend appears in the Chronicle of Biscay written by Lope García de Salazar in the 15th century. According to this story, a ship from Scotland carrying a princess who had been banished from her homeland arrived on the coast of Mundaka. The Scots called the place "in their Latin language" (sic) "Munda aqua" since there they had found a source of very clean water that contrasted with the murky waters of the estuary of Urdaibai.
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Most of these roles featured Parsons playing lowly characters. During the last years of his life, Parsons refused to quit acting, appearing in Poor Old Drury as Cobb and in Fugitives as Old Manly, the latter in August 1792. His last roles at the Haymarket Theatre occurred in June 1792 where he played Toby Thatch in London Hermit and as Lope Tocho in Mountaineers (which also was Parson's last original part). After Parsons appeared in the Confederacy as Moneytrap, he played his last role: Sir Fretful Plagiary in The Critic.
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The distribution of the black colobus has decreased dramatically - the species is now rare or absent in some areas of its range due to its habitat being destroyed for logging. Black colobuses are known to live at low densities, but there is currently no total population estimate for the species. One of the largest remaining populations of the species, consisting of 50,000-55,900 individuals, is found in Lope Reserve, Gabon. Other remaining large populations are found in the Foret des Abeilles in central Gabon and Douala-Edea Reserve in Cameroon.
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He is most known on stage, for his role in Tamar's Revenge (by Tirso de Molina 2004) performed by the Royal Shakespeare Company, where he played the lead role of Absalom. In that season he also appeared in Pedro, the Great Pretender (by Miguel de Cervantes), Dog in a Manger (by Lope De Vega), and House of Desires (by Sor Juana Ines de la Cruz). In 2006 he guest starred in The Bill as Environmental Protection Officer Alistair Maddison. In 2008 he guest starred in the Casualty as the scam artist Steve Denver.
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The entry (in 1635) of France into the Thirty Years War had blocked off the overland "Spanish Road" to Flanders. To support the Spanish army of Flanders of Cardinal-Infante Ferdinand, the Spanish navy had to ferry supplies by sea via Dunkirk, the last Spanish-controlled port on the North Sea coast. A Spanish fleet, under admiral Lope de Hoces y Córdova, had managed to make the trip to Dunkirk in 1636 and again in 1637, without being spotted by Dutch squadrons. In 1638, the French invaded Spain, and laid siege to Fuentarrabia.
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While still a teenager, he began writing in Tagalog for the newspaper Watawat (Flag). He would later write a column for the Tagalog publication Pagkakaisa (Unity) and become editor of Mabuhay (Long Live). His writings gained the attention of Tagalog literati and some of his stories and poems were included in anthologies, such as Clodualdo del Mundo's Parolang Ginto and Alejandro Abadilla's Talaang Bughaw. In 1922, at the age of 19, Hernandez became a member of the literary society Aklatang Bayan which included noted Tagalog writers Lope K. Santos and Jose Corazon de Jesus.
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The heroes have survived, however, only Don Lope sustaining a musket wound, and the Maître d'Armes being taken prisoner. He escapes with Eusèbe's help, and flees into the wilderness, where he befriends the mime tribesmen. Meanwhile, Maupertuis and Don Lope's party plot to set the King free from his brother; to regain their honor lost serving the Prince, the pirates join them. As Prince Jean gives a party to celebrate his rise and put his brother to death, both parties execute their plans, while Mendoza's henchmen trigger their own attempt at a coup d'État.
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The town came out of this period attested as Bayonne (and like variants). Status of French customs in 1732 roughly clinging to linguistic boundaries; Labourd including Bayonne shows an autonomous fiscal system Up to this point the area of the river Adour was referred to as the County of Vasconia after the early 9th century. According to many authorities, Duke Sancho VI of Gascony ceded Labourd and its ports, Bayonne and Biarritz, to King Sancho III of Navarre around 1023, and Sancho in turn bestowed it on his majordomo, Lope Sánchez, as viscount.
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He was in charge of the uprising Alfonso Suárez de Deza, a personage of the Deza-Churruchaos family and butler of the son of Sancho IV de León and Castile, the infant Felipe. These clashes were collected in the document "Acts of Don Berenguel de Landoria" in which it is narrated how on the day of the purification the citizens of Compostela attacked and burned the castle, having to be raised again by the archbishop. It also underwent substantive modifications mandated by the southern archbishop Lope de Mendoza.
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Valentina Pinelo was a Spanish poet and writer at the beginning of the 17th century, during the Spanish Golden Age of politics and culture. Born into a wealthy Genovese family, at age 4 years she was sent to a convent at San Leandro in Seville to become a nun. She was in contact with certain intellectuals of the era, including the celebrated playwright Lope de Vega, who dedicated several laudatory poems to her. She wrote Libro de las alabanzas y excelencias de la gloriosa Santa Ana published by Clemente Hidalgo in 1601.
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He developed works around, and/or, the French author Molière, no doubt by his contacts with Agustín de Montiano y Luyando, first director of the Spanish Academy of History and also a member of the Royal Spanish Academy. He was the author of his Apology read before the King Charles III of Spain in 1765 when Montiano died in November 1764. He managed also to readapt with success some works of such great early 17th century writers as Felix Lope de Vega y Carpio and Miguel de Cervantes. Trigueros died at Madrid in 1798.
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Casamento was a chestnut horse standing 16.1 hands high with a narrow white stripe bred in Ireland by D & J Cantillon and C & K Canning. He was from the second crop of foals sired by Shamardal whose wins included the Dewhurst Stakes, Poule d'Essai des Poulains, Prix du Jockey Club and St James's Palace Stakes. His other progeny have included Able Friend, Mukhadram and Lope de Vega. Casamento's dam Wedding Gift was a successful racemare who won the Listed Prix Saraca and finished third in both the Prix du Calvados and the Prix Vanteaux.
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Despite his accommodation to Lope de Vega's new comedy, his "marked secularism", his discretion and restraint, and a keen capacity for "psychological penetration" as distinctive features of Alarcón against his Spanish contemporaries have been noted. Noteworthy among his works La verdad sospechosa, a comedy of characters that reflected his constant moralizing purpose. The dramatic production of Sor Juana Inés de la Cruz places her as the second figure of the Spanish-American Baroque theatre. It is worth mentioning among her works the auto sacramental El divino Narciso and the comedy Los empeños de una casa.
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On 4 October Dick Turpin was sent to France and moved up to Group 1 class for the Prix Jean-Luc Lagardère over 1400 metres at Longchamp Racecourse. He started the second choice in the betting in a seven-runner field but after racing towards the rear he was unable to catch the leaders and came home fifth behind Siyouni, Pounced, Buzzword and Lope de Vega. Thirteen days later the colt contested the Dewhurst Stakes over seven furlongs at Newmarket Racecourse and finished sixth of the fifteen runners behind Beethoven.
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The most celebrated of his pieces is El Desdén con el Desdén, imitated by Molière in La Princesse d'Elide, by Carlo Gozzi in La principessa filosofa, and by Schreyvogel in Donna Diana. It is characteristic that four episodes in El Desdén con el Desdén are taken from four separate plays of Lope de Vega's (La vengadora de las mujeres, Los milagros del desprecio, De corsario a corsario, and La Hermosa fea). Moreto borrowed from Castro, Tirso de Molina and others to a considerable extent, but his adaptation shows great dexterity and charm.
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Lupo III Centule (Basque: Otsoa Wasco, French: Loup Centulle, Gascon: Lop Centullo, Latin: Lupus Centullus, Spanish: Lope or Lobo Centulo, Catalan: Llop Centoll) (died ca. 820) was the Duke of Gascony briefly from 818 until his deposition by Pepin I of Aquitaine in 819. He was either a son of García I or of Centule, a brother of Sancho I. Lupo was a Gascon rebel against the authority of Pepin in Aquitaine. In 818, the death of García left a power vacuum in Gascony which Lupo attempted to fill.
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Villa Devoto is a neighborhood or district located in the northwestern area of the city of Buenos Aires, Argentina. Its administrative limits are defined by Lope de Vega, General Paz, San Martín, and Francisco Beiró Avenues; and Joaquín V. González, Baigorría, and Campana streets. Villa Devoto, a primarily middle class to upscale neighborhood, is characterized by quiet tree-lined streets and is often considered as The Garden of Buenos Aires. A lower- density, wealthy residential subsection known as Devoto R is located around Arenales Square, in the ward's north-central section.
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2, p.174 The country was leaderless and the Moors had the upper hand in the south. In September the adelantado mayor de Andalucia, Nuño González de Lara, tried to stop them but was defeated and killed in the battle of Écija.Suárez Fernández, Vol.2, p.174 The young Archbishop of Toledo, infante Sancho of Aragon, put himself at the head of a force of knights from Toledo, Madrid, Guadalajara and Talavera and marched south to intercept the invaders.Zurita, p.376 Another relief force was marching towards Jaén under Lope Díaz de Haro.
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The Basque chronicler Lope García de Salazar (1399-1476) mentions the Jaun Zuria on his Bienandanzas e Fortunas, book that he begins to write in 1471. He speaks of the daughter of a Scottish king, who arrives by ship at Mundaka and gives birth to a son in the village. Afterward, both mother and son move to Busturia, where the boy spends most of his childhood. When the son is 22 years old, the Biscayans choose him to be captain of their troops to stop the progress of the army of an Asturian king's son.
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He ultimately resigned as head of the UODF shortly after, and the UODF was dissolved. A certificate of membership (Katibayan ng Kaanib) to the UIF (circa 1918) With the UODF defunct, a new labor federation known as the Union del Trabajo de Filipinas (UTF) was founded in October 1903. Lope K. Santos became its first president. The UTF was formed with the assistance of Edward Rosenberg, a special commissioner sent by the American Federation of Labor in an effort by the colonial government to steer organized labor along less controversial paths.
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The balcony was covered with a semidome above a semicircular frieze. Both the cupola and the frieze were painted in fresco by Joseph Guichard. The central group of figures in the cupola represented Poetry, leading Comedy by the hand, and Tragedy, each carrying their respective attributes, the comic mask and the poniard. Below these to the right were Aeschylus, Sophocles, Euripides, Seneca, Shakespeare, Corneille, Racine, Voltaire, Schiller, Talma, Nourrit, Gluck, and Méhul, and to the left, Aristophanes, Menander, Plautus, Terence, Molière, Goethe, Lope de Vega, Cervantes, Regnard, Marivaux, Mlle Mars, Mozart, and Grétry.
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They were conversos: Alonso Franco, Franco Lope, García Franco, Juan Franco, Juan de Ocaña, and García Benito, residents of La Guardia; and Jews: Yucef Franco of Tembleque, and Moses Abenamías of Zamora. The indictment contained charges of heresy, apostasy, as well as crimes against the Catholic faith. Curiously the indictment does not mention Ça Franco. The inquisitors in charge of preparing the trial were Pedro de Villado (the same man who had previously interrogated Benito García in June 1490), Juan López de Cigales, Inquisitor of Valencia since 1487, and Friar Fenando de Santo Domingo.
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Two Songs for Voice, Viola and Piano, Op. 91, were composed by Johannes Brahms for his friends Joseph Joachim and his wife Amalie. The full title is Zwei Gesänge für eine Altstimme mit Bratsche und Klavier (Two songs for an alto voice with viola and piano). The text of the first song, "Gestillte Sehnsucht" (Longing at rest), is a poem by Friedrich Rückert, composed in 1884. The text of the second, "Geistliches Wiegenlied" (Sacred lullaby) was written by Emanuel Geibel after Lope de Vega, and set to music in 1863.
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Edgardo Vega Yunqué was born in Ponce, to Alberto Vega, a Baptist minister, and Abigail Yunqué, and lived in Cidra, Puerto Rico, until his family moved to the South Bronx in 1949. Even as a child he loved to read, and became familiar with many of the great European works. His seminal influences included Miguel de Cervantes, Azorín, Borges, Unamuno, Lope de Vega, Victor Hugo, and members of the Generation of '27 literary movement. Upon graduating from high school in 1954, he joined the United States Air Force.
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Already in possession, the English and Dutch troops dedicated themselves to sacking the city. Churches and people's houses were the object of pillaging, although the troops did respect the integrity of the people themselves: "They treated very well the people and in particular the women, not offending them in any way."(Lope de Valenzuela) Before it was possible for the English forces to capture the Spanish fleet taking refuge in Puerto Real, Medina-Sidonia ordered its destruction. 32 ships, including the armada's galleys and the vessels from the treasure fleet, were burned.
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In Puerto Rico he enjoyed of the success of The Escambrón, and in 1946 the magazine Living room Fígaro chose him as best singer of the year alongside Manuel Hernández in Santo Domingo. In 1947 it was conceded to him an agreement with the radio station The Voice of the Yuna (from 1949, The Dominican Voice). He had done tours to Puerto Rico, Venezuela, Colombia, Guatemala, El Salvador, Panama, Haiti, Guadeloupe, Martinique and United States. In 1946, Lope Balaguer recorded his first disks with Luis Benjamín in Puerto Rico.
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Lope Félix de Vega Carpio ( ; ; 25 November 156227 August 1635) was a Spanish playwright, poet, novelist and marine. He was one of the key figures in the Spanish Golden Age of Baroque literature. His reputation in the world of Spanish literature is second only to that of Miguel de Cervantes, while the sheer volume of his literary output is unequalled, making him one of the most prolific authors in the history of literature. He was nicknamed "The Phoenix of Wits" and "Monster of Nature" (in ) by Cervantes because of his prolific nature.
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Lope de Vega renewed the Spanish theatre at a time when it was starting to become a mass cultural phenomenon. He defined its key characteristics, and along with Pedro Calderón de la Barca and Tirso de Molina, took Spanish Baroque theatre to its greatest heights. Because of the insight, depth and ease of his plays, he is regarded as one of the greatest dramatists in Western literature, his plays still being produced worldwide. He was also considered one of the best lyric poets in the Spanish language, and wrote several novels.
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Santos was sent to Escuela Normal Superior de Maestros (Higher Normal School for Teachers) for education and later finished schooling at Colegio Filipino. During Philippine Revolution of 1896, Santos joined revolutionaries. By the time of the death of his mother, she requested Lope to marry Simeona Salazar. Marriage happened on February 10, 1900 and they were blessed with three children namely Lakambini, Luwalhati and Makaaraw. He pursued law at the Academia de la Jurisprudencia then at Escuela Derecho de Manila (now Manila Law College Foundation) where he received Bachelor of Arts degree in 1912.
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After resigning from the UOD, de los Reyes tried to patch up internal rivalries within the organization but ultimately failed. The UOD was dissolved and in its place was the Union del Trabajo de Filipinas, headed by writer Lope K. Santos. After this, de los Reyes focused on his Redencion del Obrero while contributing to papers like El Comercio, Grito del Pueblo, and others. He took up causes such as labor rights, universal suffrage, the exclusion of Chinese immigrant labor, and parity of Filipinos and Americans in the civil service.
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Pepe Romero was born in Spain, the second son of celebrated guitarist and composer Celedonio Romero, who was his only guitar teacher. His first professional appearance was in a shared concert with his father at the Teatro Lope de Vega, Seville, when Pepe was only seven years old, playing a gavotte by Bach and Sevilla by Albéniz. In 1957 Celedonio Romero left Franco's Spain for the United States with his singer actress wife, Angelita, and his three sons, Celin, Pepe and Angel, settling in the San Diego area.
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The first literary mention is located in the book Libro del paso honroso, by Suero de Quiñones, possibly written in 1440. Shortly after, new references are found in theatrical authors about this character, where he becomes a prototype of a ruffian in several entremeses (interludes). Thus, Pedro de Urdemales takes part in works of Juan del Encina, Lucas Fernández, Lope de Rueda and Juan de Timoneda. Miguel de Cervantes, author of Don Quixote, wrote a full-length comedy in verse based on the character, and entitled Pedro de Urdemalas.
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2004 For Spaniards of the 17th century, the issue of the nude in art was tied up with concepts of morality, power, and aesthetics. This attitude is reflected in the literature of the Spanish Golden Age, in works such as Lope de Vega's play La quinta de Florencia, which features an aristocrat who commits rape after viewing a scantily clad figure in a mythological painting by Michelangelo. El Greco's 1609 portrait of Fray Hortensio Félix Paravicino, who argued for the destruction of all nude paintingsJavier Portús, p. 63, in: Carr, Dawson W. Velázquez.
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Berengaria learned of her brother's death almost immediately, probably thanks to her spies in the Leonese court. She took charge of recovering her brother's body and bringing it to the family vault in the Abbey of Las Huelgas in Burgos, where he was buried. Meanwhile, Berengaria asked her son, the future King Ferdinand III, who was with his father King Alfonso IX in Toro, to come join her. She entrusted this mission to three of her most loyal supporters, Gonzalo Rodríguez Girón, Alfonso Téllez de Meneses, and Lope Díaz II de Haro.
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Raúl Hernández Garrido (born 1964) is a Spanish playwright. He won the Calderon de la Barca Prize in 1994 for his play Los Malditos ('The Damned Ones'); the Lope de Vega Prize in 1997 for his play Los engranajes ('The Gears') and the Born Theatre Prize in 2000 for his play Si un dia me olvidaras ('When you'll forget me'). He is also TV Producer and Cinema Director. He wrote and directed the films 'Escuadra hacia la muerte' (TVE 2006) and 'Antes de morir piensa en mi' (2008).
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In 1076, after the assassination of Sancho IV of Navarre, Alfonso VI of León and Castile and Sancho Ramírez of Aragón fought a war over control of the Kingdom of Navarre. Count Íñigo López, lord of Biscay surrendering the fortress of Bilibio to the Leonese, which aided in their conquest of La Rioja. In exchange, the Leonese monarchs promised to support Íñigo's personal interests in Durangaldea, Gipuzkoa and Álava. Íñigo died in 1077, and his son, Lope Íñiguez became Lord of Biscay, now as vassal of the Kingdom of Castile.
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Luis De la Cruz y Goyeneche (Concepción, Reino de Chile, 25 August 1768 –† Santiago de Chile, 1828) was a Chilean politician and military, son of Pablo De la Cruz and Antonia de Goyeneche y Lope de Lara. His father was born in Tabernas (Spain) in 1714 and was a military who came to Chile in 1740. He married Josefa Prieto and their son (of five) José María de la Cruz Prieto would also have an important military career. In 1806 he found and explored the shortest way from Concepción, Chile to Buenos Aires.
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The Battle of Épila was fought on July 21, 1348 near Zaragoza, in what is now Spain, between the supporters of the Union of Aragon and King Peter IV, led by Don Lope de Luna. This battle was the culmination of a long confrontation between a large segment of the nobility and the people of Aragon against the king, ending with the decisive defeat of the Union.Merriman, Roger Bigelow, The rise of the Spanish Empire in the Old World and in the New, Vol.1, (MacMillan Company, 1918), 445.
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This series of defeats resulted in a few years of apparent peace between the Spanish and Mapuche. With the death of the viceroy López de Zúñiga y Velasco in 1564 the political situation deteriorated for Villagra. In 1565, at the orders of the new viceroy Lope García de Castro, he was replaced by Rodrigo de Quiroga, arrested, and sent to Peru, where he managed to clear his name. After his absolution he petitioned the king for the reparations he believed himself due, but he never received a response.
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Captain Antonio de Berrio, a pearl seeker in Guayana, goes down the rivers to the Orinoco where he founds San Jose de Oruña (1592) and Santo Tomás de Guayana (1593, later Angostura). A further mention deserves the new adventure of El Dorado (1561) with Lope de Aguirre and Pedro de Ursúa as protagonists and Barquisimeto as the end point of it. Already in the c. XVII, ranch owners, such as Francisco de Arrieta, Pedro Hernández de Galarza and Antonio Arraez de Mendoza in the Bobures Valley, Juan Félix de Arrúa in the Chama valley, etc.
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Manuel Andrés González (17 March 1930 – 1 September 2013) was a Spanish writer and actor known for his role as Julián Pastor in the TV series La que se avecina. In 1954 he played Rosas de otoño, by Jacinto Benavente, with Irene López Heredia in Madrid. His biggest important role at stage were La viuda valenciana (1960), and El anzuelo de Fenisa (1961), both by Lope de Vega; De pronto, una noche... (1964), by Alfonso Paso; and La fiaca (1994), by Ricardo Talesnik. In 2009 he was awarded by the Premio Especial Tirant (2009).
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Sarmiento de Gamboa developed an interest in Inca stories of gold and riches being collected from lands further to the west. Sarmiento's proposal for an expedition to find land in the Pacific was put to Governor Lope García de Castro, finding favour as it matched common Spanish belief in the existence of a great South Land. Historian Miriam Estensen argues that Governor Castro also agreed as a way of maintaining peace and order. “Restless and disruptive” elements in the Spanish Americas were encouraged to join such journeys of exploration to remove them from colonial society.
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However, these maritime routes, both across the Pacific and the Atlantic, were successful in the defensive and logistical role they played in the history of the Spanish Empire. For over three centuries the Spanish Navy escorted the galleon convoys that sailed around the world. Don Lope Díez de Armendáriz, born in Quito, Ecuador, was the first Viceroy of New Spain who was born in the 'New World'. He formed the 'Navy of Barlovento' (Armada de Barlovento), based in Veracruz, to patrol coastal regions and protect the harbors, port towns, and trade ships from pirates and privateers.
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While waiting, Las Casas produced a report that he presented to the Bishop of Burgos, Juan Rodríguez de Fonseca, and secretary Lope Conchillos, who were functionaries in complete charge of the royal policies regarding the Indies; both were encomenderos. They were not impressed by his account, and Las Casas had to find a different avenue of change. He put his faith in his coming audience with the king, but it never came, for King Ferdinand died on January 25, 1516. The regency of Castile passed on to Ximenez Cisneros and Adrian of Utrecht who were guardians for the under-age Prince Charles.
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It has been speculated, on the basis of onomastics and geography, that Fortún was a relative of the Banu Qasi, a muwallad clan that was once the third power in Spain, and that his position in the Rioja may have derived from this connexion. The Banu Qasi leader Musa ibn Musa, the "third king of Spain" (tercer rey de España), had two sons who were both rulers in the Rioja in the late ninth century: Lubb ibn Musa in Viguer and Arnedo and Fortún ibn Musa in Tudela.Peterson, 21. Lubb is just the Arabic version of Lope (and thus Ochoa).
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In the latter year he also composed a funeral discourse for Lope de Vega, which was dedicated to the Duke de Sessa, and a treatise on the uses of cold water, printed in 1637, and dedicated to King Philip IV of Spain. Fernando (his Marrano name) left Spain, probably to escape from the Inquisition, and went with his brother Miguel, who had also studied medicine, to Venice, where both openly embraced Judaism, Fernando changing his name to "Isaac." After a short stay in Venice he settled in Verona, where he remained until his death, highly honored by Jews and Christians.
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In 1639, another large convoy of 75 ships and 24,000 soldiers and sailors was prepared to resupply the Spanish Netherlands. The convoys command was offered to Lope de Hoces, but he turned it down, as a result the command passed to Antonio de Oquendo, commander of the Mediterranean fleet. On 15 September the fleet was intercepted near the Strait of Dover by the squadron of Dutch Lieutenant-Admiral Maarten Tromp, who was reinforced two days later by a flotilla of Vice-Admiral Witte de With. De Oquendo took refuge in The Downs, in neutral English waters at the coast of Kent.
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The manuscript contains 75 songs or tonos, as they were called at that time. All works are polyphonic: 32 for four voices, 31 for three voices and 12 for two voices. The works come from the Royal Chapel of Madrid and were composed by some of the most famous Spanish composers of that time: Juan Blas de Castro, Joan Pau Pujol, Mateo Romero, Álvaro de los Ríos, Gabriel Díaz Bessón, Miguel de Arizo etc. The texts of these songs were drawn from the works of great writers of the Spanish Golden Age, such as Lope de Vega.
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In the spring of 1092 he probably joined with García Ordóñez in defending the Rioja from the depredations of the exile and freebooter Rodrigo Díaz de Vivar. Lope married Ticlo (Tecla) Díaz, daughter of a certain Diego Álvarez, possibly Diego Álvarez de Ayala, who ruled Asturias de Santillana,This was the suggestion of Juan Antonio Llorente, based on the numerous donations the couple made in the Valle de Mena, where many of Diego's interests lay. but more probably Diego Álvarez de Oca. Their marriage took place before 1079, when the couple made a donation to San Millán.
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Linguet was born in Reims, where his father, the assistant principal in the Collège de Beauvais of Paris, had recently been exiled by lettre de cachet for engaging in the Jansenist controversy. He attended the College de Beauvais and won the three highest prizes there in 1751. He accompanied the count palatine of Zweibrücken to Poland, and on his return to Paris he devoted himself to writing. He published partial French translations of Pedro Calderón de la Barca and Lope de Vega, and wrote parodies for the Opéra-Comique and pamphlets in favor of the Jesuits.
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On the outset of Martial Law in the country, Sister Christine became an outspoken political activist who fought for the restoration of democratic rights. Tan and the rest of the AMSRP members asserted liberation and respect for human rights along with “a weekly compilation of news suppressed by the martial law government”. She was one of the co-heads of the organization alongside Fr. Benigno Mayo SJ and Fr. Lope Castillo MSC. Her political views and statements were in fact not approved by the Catholic Church and she was summoned to Rome to keep out of politics.
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In 1555 to 1557 he made several expeditions from Margarita to conquer the Caracas tribe around the valleys of present-day Caracas, even before the city was formally founded by conqueror Diego de Losada. As a mestizo (person of mixed race) he was able to blend in with the indigenous tribes of the coast physically and culturally. After murdering a local cacique he had to flee back to Margarita in 1558. He returned to the mainland in 1560, becoming lieutenant-general of Valencia, Venezuela, before going back to Margarita to defend it against Lope de Aguirre.
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They were living in a modest and worthily way and they devoted themselves to agriculture and mining. Many settlers achieved a loose economic position, keeping, nevertheless, the austerity of the customs that was one of the highlight points of Chachapoyas' social life. With time the settlers were spreading to other zones of the region, such as Luya, city that was established in 1569 by the governor Lope García de Castro, ratified later in its administrative organization by the viceroy Francisco de Toledo. There it bloomed an agriculture of varied production and the upbringing of dairy, sheep and equine cattle.
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In 1274 it was given back to Biscay to be once more handed back to Castile in 1288 after the murder of Lope Díaz III in Alfaro following the orders of Sancho IV. Diego López IV would once more reinstate Balmaseda into Biscay. In 1312, after the disputes between Biscay and Castile, Balmaseda was once more reintegrated into the kingdom. The town would be incorporated again in Biscay in 1388, as it was requested by the village itself. On 5 November 1808 the city was the theatre of the Battle of Valmaseda, part of the Peninsular War, between French and Spanish armies.
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A study done by M.A. Masson and C. Peraza Lope in 2008 looked at faunal remains from two different middens, one located in the monumental center by some houses, and the other is located in the domestic area outside the monumental compound. The largest samples of recognized remains within the monumental center were from: white- tailed deer (23%), dog (4.4%), turkey (12.9%), and iguana (10.2%). The combined contributions of fish make up around 1.2% of the samples. These percentages as well as the ones that will follow for the settlement zone are based on recognized remains.
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A mass grave in the main plaza, and bodies in a burial shaft covered in ash were dated to around the collapse and showed signs of violence, some of the bodies still had large flint knives in their chests or pelvises, suggesting ritualized sacrifice. Smashed vessels litter the floors of the Y-45a complex that date to around A.D. 1270–1400, prior to the documented collapse of Mayapan. A vessel bearing the glyph K’atun 8 Ahua was found on the floor of this complex. From this they have posited that the complex was abandoned finally when the city fell (Lope 2006; Milbrath 2003).
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Some of Spain's greatest music is regarded as having been written in the period. Such composers as Tomás Luis de Victoria, Luis de Milán and Alonso Lobo helped to shape Renaissance music and the styles of counterpoint and polychoral music, and their influence lasted far into the Baroque period. Spanish literature blossomed as well, most famously demonstrated in the work of Miguel de Cervantes, the author of Don Quixote de la Mancha. Spain's most prolific playwright, Lope de Vega, wrote possibly as many as one thousand plays over his lifetime, over four hundred of which survive to the present day.
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His uncle was married to an aunt of Alexander Blok, who was one of the first to appreciate Lozinsky's highly polished verse. During the Silver Age of Russian Poetry he was close to the Acmeist circle of Nikolay Gumilyov; he was briefly arrested and interrogated following the latter's execution. Despite his impeccable craftsmanship, Lozinsky's poetry failed to attract public attention owing to its lack of substance and originality. Lozinsky therefore began applying his literary skills to the translation of works by notable non-Russian literary figures such as Benvenuto Cellini, Lope de Vega, Richard Brinsley Sheridan, and others.
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Nieto Cumplido discovered that Baena's wife was called Elvira Fernández de Cárdenas, who was the daughter of Lope Ruiz de Cárdenas and María López de Luna. Baena and his wife had at least two children, one also named Juan Alfonso de Baena and the second named Diego de Carmona. Additionally, Baena's nephew (the son of Baena's brother Fernando Alonso de Baena), Antón de Montoro, was a fellow poet. Montoro was a used- clothes dealer called a ropero who also enjoyed wealthy patrons and used his talent at self-deprecating rhymes that highlighted his unfortunate appearance and Jewish blood.
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Nonetheless, on 13 December 1286, after several months of siege, King Denis signed a peace treaty with his brother Alfonso, by which Alfonso was forced to hand over the castle of Arronches to the king in exchange for the castle of Armamar. Due to the growing influence in Castile of Lope Díaz III de Haro, Álvaro Núñez de Lara was persuaded to return and, using his own power and influence, thwart the abuses and outrages perpetrated by him. Álvaro Núñez de Lara died at the beginning of 1287, shortly after his return to Castile, without having married and without leaving any children.
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In the 19th century it was in Madrid the called "Barrio de los Banqueros" situated in the zone of the paseos del Prado and Recoletos, Plaza de Cibeles and adjacent streets. It was in this part of the city where took up residence the wealthier families. It was here that was built the Palace of Xifré Downing (son of Josep Xifré i Casas), which was located in the Paseo del Prado on the corner with Calle Lope de Vega. The Palace, a small imitation of the Alhambra in Granada, was built by Catalan businessman Jose Xifré Downing between 1862 and 1865.
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In June 2010, Kroell appeared on the cover of Playgirl magazine along with a provocative layout shot by photographer Lope Navo.ChicagoPride: Interview with Ronnie Kroell Kroell co starred in the fourth installment of Q. Allan Brocka's popular Eating Out series, "Eating Out 4: Drama Camp".Ronnie Kroell, King Of Heart – Bio After the 2016 United States Presidential election Kroell formed an exploratory committee to decide whether to enter the 2020 United States Presidential Election. He entered the race on February 16, 2019 and exited on August 23, 2019, deciding instead to pursue a run for the 2022 U.S. Senate election in California.
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Gil Vicente (c.1465 – 1536/1537): wrote in Portuguese and Spanish; considered joint-father of Spanish Drama with Juan de la Encina; wrote very early autos Juan de la Encina (1468 – 1529): considered joint-father of Spanish Drama with Gil Vicente; in 1496 published book called Cancionero of eight églogas, the precursor for the auto sacramental. ' (c.1520 – 1583): wrote six autos, including La Oveja Perdida; author of the only autos written in Catalan. Lope de Vega (1562 –1635): wrote around 400 autos; 42 surviving text including “The Harvest” and “The Wolf Turned Shepherd”Morley, Griswold; Bruerton, C. (1968).
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Theo Martin (portrayed by Aljin Abella) is a smart and well versed fighter in Pai Zhua who controls the Jaguar Spirit when he is given the powers of the Jungle Fury Blue Ranger. He learns to become a team player, eventually gaining control of the Bat Spirit and Jungle Fans after training from Master Swoop and then the Antelope Spirit after training from Master Lope in the Spirit World. He also has an identical twin brother named Lewin. Theo has a crush on Lily, and he asks her for a date later in the last episode.
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Despite this victory and England's reclaimed freedom, there is considerable loss of life on both sides. Shakespeare is rewarded by the reinstated Queen Elizabeth with a knighthood and an annulment of his unhappy marriage to Anne Hathaway, which frees him to marry his longtime mistress. The queen also grants his daring request that his King Philip play, which he considers to contain some of his best work, be staged. At the end of the story, Shakespeare uses his new status to facilitate the release of Lope de Vega from English captivity, provided that he immediately return to the Continent.
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The bell tower was reconstructed by Father Damaso Bolanos and finished by Father Francisco de Santa Olalia, and again rebuilt by Father Lope Toledo. The present rectory or convent (casa parroquial) is made of stone, constructed under the direction of Father Benito del Quintanar in the 1840s. Fray Benito also started the Archicofradía del Nuestro Señor Padre San Francisco which was next in rank to the Venerable Orden Tercera (VOT) of the Franciscan Order. The religious festival of Flores de Mayo, for which Pila is now well known, was introduced in 1888 by Fray Benito de los Infantes.
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Although most of their libretti were original stories, several of them were based on works by Spanish playwrights such as Lope de Vega, Manuel Machado, and Jacinto Benavente. They also produced Spanish versions of stage plays by Goethe, Schiller, and Rostand. Romero's partnership with Fernández-Shaw ended in the late 1940s following a personal feud, after which Romero wrote libretti on his own, while Fernández-Shaw began a new partnership with his brother Rafael. Romero was one of the founders of the Sociedad General de Autores y Editores (SGAE) and served as a counselor to the organization.
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It was at the urging of Pedro Salinas that Cernuda began to read classical Spanish poets such as Garcilaso, Luis de León, Góngora, Lope de Vega, Quevedo and Calderón de la Barca. He also urged him to learn French and to read modern French literature, in particular André Gide and the poetry of Baudelaire, Mallarmé and Rimbaud. Cernuda also became acquainted with the poetry of Pierre Reverdy and counts him as a major influence over the poems in his first collection, Perfil del aire, for his qualities of spareness, purity and reticence. No contemporary critic recognised this influence.
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The findings of the archaeological site of Kurtzio testify of human presence in the municipal territory at the period of the prehistoric Asturian culture. The organization as a parish church can trace its origins to the political structure of the Flat Earth of the Middle Ages. Sancho Vela founded its solar Barrika house in the year 496, being this the origin of the later church. In addition to the agricultural and livestock activities, its inhabitants worked from old in whaling, as attested by the Carta Puebla granted by Lope Díaz de Haro, Lord of Biscay, in the 13th century.
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His works include: forty Sonetos (Sonnets), five Canciones (Songs), eight Coplas (Couplets), three Églogas (Eclogues), two Elegías (Elegies), and the Epístola a Boscán (Letter to Boscán). Allusions to classical myths and Greco-Latin figures, great musicality, alliteration, rhythm and an absence of religion characterize his poetry. It can be said that Spanish poetry was never the same after Garcilaso de la Vega. His works have influenced the majority of subsequent Spanish poets, including other major authors of the period like Jorge de Montemor, Luis de León, John of the Cross, Miguel de Cervantes, Lope de Vega, Luis de Góngora and Francisco Quevedo.
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He also applies the dark tone of his experiences as a war reporter. The period settings allow him to insert references to authors (such as Lope de Vega and Miguel de Cervantes) and artists (including Diego Velázquez) who were widely read and appreciated at the time, one of the most important periods in Spanish history. He reflects on Spain and the Spaniards as a united people who, in spite of being at war with all the major European powers, are capable of showing bravery and honour. In 2014, Telecinco produced the TV series Alatriste, directed by Enrique Urbizu and starring Aitor Luna.
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The Calle de las Cruces has two wooden crosses on a painted red wall; the Calle de Santa Teresa is the site of the Casa de Murillo and of a 17th-century Carmelite convent founded by Saint Teresa of Ávila; the Calle de Lope de Rueda is known for its mansions; the Calle Mateos Gago gives one of the best views of the Giralda. Other streets are less famous, but no less beautiful: the Calle de la Gloria, Calle Mezquita, Calle Vida, Calle Pimienta, Calle Justino de Neve, Calle Jamerdana and Calle Susona (formerly Calle de la Muerte).
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Ferndando was one of six siblings, a son of an originally Portuguese family, whose grandfather, Lope Vázquez de Acuña I had settled in Spain for political trouble reasons. His father was Pedro de Acuña y Carrillo de Albornoz, Sieur of Buendía and Azañól since 1397, the Sieur of Dueñas since 9 December 1439, promoted to Count of Buendía in 1475. Fernando de Acuña y de Herrera Spanish grandmother Teresa, came from a significant Burgos family, named "Carrillo" and a still more powerful family from Cuenca named "de Albornoz". She was the Lady of Paredes, Portilla and Valtablado.
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Bandello's fourth part was translated into French the same year it was first published (1573). See T. Gwynfor Griffith, Bandello's Fiction, Oxford, 1955, p. 121 Even though Calderón uses elements from Lope de Vega's play La viuda valenciana, his main model is an interpolated story in El soldado Píndaro by Gonzalo de Céspedes y Meneses (1626).Frederick A. de Armas, The Invisible Mistress: Aspects of Feminsim and Fantasy in the Golden Age, Charlottesville, Biblioteca Siglo de Oro, 1976 As is common in cloak and sword plays, it is the woman, in this case Doña Ángela, who propels the action.
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Among the authors he read copiously were such figures like Lope de Vega and Calderón de la Barca. When he was twelve years of age, Milanés was reading in both English and French languages, and he started taking classes of the Latin language with Professor Guerra Betancourt. Milanés mastered the Latin language in such a way, that whenever Betancourt needed to travel outside Matanzas, he would appoint his apprentice José Jacinto Milanés to be in charge of the entire class. Milanés started working since a young age, first as a clerk while living in Matanzas, and later as a blacksmith's helper in Havana.
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In 1079, Rodrigo was sent by Alfonso VI to Seville to the court of al-Mutamid to collect the parias owed by that taifa to León–Castile. While he was there Granada, assisted by other Castilian knights, attacked Seville, and Rodrigo and his forces repulsed the Christian and Grenadine attackers at the Battle of Cabra, in the (probably mistaken) belief that he was defending the king's tributary. Count García Ordóñez and the other Castilian leadersThe Historia Roderici says that the other two Castilian leaders were Diego Pérez and Lope Sánchez. were taken captive and held for three days before being released.
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He is chosen because of his royal blood, as it had been a requirement of the Asturian prince, in order to engage in a formal battle. The Asturian prince and his army are defeated in Arrigorriaga on the Battle of Padura or Arrigorriaga. Thus, the Biscayans choose him to be the first Lord of Biscay and Lord of Durangaldea,Libro XX de las BIENANDANZAS E FORTUNAS DE LOPE GARCÍA DE SALAZAR Edición realizada por Ana María Marín Sánchez. and give him the Basque name of Jaun Zuria, that is the White Lord, because of the whiteness of his skin and hair.
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The monastery and church, forming one edifice, were founded in 1146 by Pedro de Atarés, to whom the Blessed Virgin appeared, and whom she directed in the discovery of a hidden statue of herself. The statue was placed in the monastery chapel, where it is still venerated. Pedro de Atarés did not live to see the completion of the buildings, whose construction took more than twenty years, but before his death he was enrolled among the Cistercians, who were dwelling in the partly finished abbey. The most famous abbots of Veruela were Hernando de Aragón (1498–1577) and Lope Marco (died 1560).
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He was succeeded by Lope Marco who, as his epitaph tells us, raised the monastery "ex terreo marmoreum, ex augusto amplum". The chapter house at the southern side of the cloister (an exact representation of the Westminster Abbey cloister) is Byzantine. The great buildings, including church, monastery, house, and cloister, constructed at different times and in different styles, are surrounded by a wall that dates back to feudal times. Antonio José Rodríguez, styled by Menéndez y Pelayo "one of the most remarkable cultivators of medical moral studies" (Ciencia espanola, III, 440), lived at Veruela and died within its walls in 1777.
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On 16 November 1491, in the Brasero de la Dehesa (lit: "brazier in the meadow") in Ávila, all of the accused were handed over to the secular authorities and burned at the stake. Nine people were executed - three Jews: Yusef Franco, Ça Franco, and Moses Abenamías; and six conversos: Alonso, Lope, García and Juan Franco, Juan de Ocaña and Benito García. As was customary, the sentences were read out at the auto-da-fé, and those of Yucef Franco and Benito García have been preserved.Rafael Sabatini, Torquemada and the Spanish Inquisition (House of Stratus, 2008) Chapter 23.
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The second song, composed first, is a cradle song or lullaby, setting a poem "Die ihr schwebet" ("Ye who float") which Emanuel Geibel paraphrased after a song by Lope de Vega from his Cantarcillo de la Virgen. Geibel's poem appeared first, without a title, in his Spanisches Liederbuch (Spanish song book), in the first section Geistliche Lieder (Sacred songs) as number 4. The poem begins with a woman addressing the holy angels ("heil'gen Engel") hovering around palms in night and wind, to silence the trees because her child is sleeping. It becomes evident that the speaker is Mary, the mother of Jesus.
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Canal Sánchez-Pagín, 9 n18. María Sánchez has been called a sister of García Ordóñez, an impossibility in light of her patronymic; a daughter of Sancho Núñez, son of count Munio Sánchez, ruler of the Duranguesado; and a sister of Lope García Sánchez of the Llodio branch of the Ayala clan. More likely than any of these hypotheses is that she was a daughter of Sancho Sánchez de Erro, ruler of Tafalla in Navarre, and his wife, Elvira García, daughter of García Ordóñez. Diego's claim to García's lordships in 1108 may have stemmed partially from his wife's ancestry.
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It was so broad that there was no mistaking its ludicrousness. Hokum also encompassed dances like the cakewalk and the buzzard lope in skits that unfolded through spoken narrative and song. W. C. Handy, himself a veteran of a minstrel troupe, remarked that, "Our hokum hooked 'em," meaning that the low comedy snared an audience that stuck around to hear the music. In the days before ragtime, jazz and even hillbilly music and the blues were clearly identified as specific genres, hokum was a component of all-around performing, entertainment that seamlessly mixed monologues, dialogues, dances, music, and humor.
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In 1076, after the assassination of Sancho Garcés IV and the division of Navarre by the armies of his cousins, Sancho I of Aragon and Alfonso VI of León and Castile, Íñigo accepted the overlordship of the Leonese-Castilian monarch. In the surviving text of the fuero given to Nájera that year Íñigo's eldest son, Lope, appears swearing fealty to Alfonso, but he is not recorded in documents as count in Biscay until 1079. These dates being the termini ad et post quem of his death.Martín Duque, 899, who elsewhere, 895, places his death in 1079.
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It premiered on August 3 in the Malenki Theater during a festival. After returning from her first trip to Europe, she fulfilled her previous commitment to act in Fuenteovejuna by Lope de Vega and directed by Alvaro Custodio, even though it would be her last performance. Two years later, Del Río Reyes directed Fraude a la tierra in the Instituto Regional de Cuernavaca, with one of her theater students playing the role of the female protagonist. She became a collaborator in 1958 for the cultural supplement section of the newspaper Excélsior in Mexico City where she published daily interviews.
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However, Lope de Vega would later affirm that his father arrived in Madrid through a love affair from which his future mother was to rescue him. Thus the writer became the fruit of this reconciliation and owed his existence to the same jealousies he would later analyze so much in his dramatic works. The first indications of young Lope's genius became apparent in his earliest years. His friend and biographer Pérez de Montalbán stated that at the age of five he was already reading Spanish and Latin, and by his tenth birthday, he was translating Latin verse.
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The building lies on the Avenida Maria Luisa, noted for the Queen's sewing box (Costurero de la Reina), a unique building that takes the form of a small hexagonal castle with turrets at the corners, and the oldest building in Seville in the neomudéjar style. It is between the Seville Public Library, inaugurated in 1999 by the Infanta Elena, Duchess of Lugo, and the Teatro Lope de Vega Sevilla, a small baroque-style theatre that was also built for the exhibition. On one side of the building is the Guadalquivir river and on the other, Parque Maria Luisa and Plaza de España (Seville).
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Around this time, the Cortes were summoned a few times at the urging of some of the nobles. Berengaria did not attend them, either because she was not advised of them or by her own decision. Lope Díaz de Haro, Gonzalo Rodríguez Girón, Álvaro Díaz de los Cameros, Alfonso Téllez de Meneses, and Archbishop de Rada went to Berengaria, who was in the Abbey of Las Huelgas in Burgos, to ask that she intervene and respond to the abuses being committed by Álvaro. Shortly afterward, Álvaro moved to Medina del Campo with King Henry, and then to Ávila where he was knighted.
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Lopo Fernandes Pacheco (died 22 December 1349), was the first of his lineage to accede to the highest ranks of the nobility, that of a rico-homem, in the Kingdom of Portugal. He lived during the reign of King Afonso IV of Portugal of whom he was his favorite and loyal vassal. His parents were João Fernandes Pacheco and his wife Estevaínha Lopes de Paiva, daughter of Lope Rodrigues de Paiva and Teresa Martins Xira. His family owned properties in different parts of the kingdom although its area of influence was mainly Beira in the northern part of the country.
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A 2017 assessment found that 43,768 km², or 23%, of the ecoregion is in protected areas.Eric Dinerstein, David Olson, et al. (2017). An Ecoregion-Based Approach to Protecting Half the Terrestrial Realm, BioScience, Volume 67, Issue 6, June 2017, Pages 534–545; Supplemental material 2 table S1b. Protected areas include Douala Edéa Wildlife Reserve and Campo Ma'an National Park in Cameroon, Monte Alen National Park and Monte Temelón Nature Reserve in Equatorial Guinea, Crystal Mountains National Park, Loango National Park, Lope National Park, Moukalaba-Doudau National Park, and Waka National Park, and Wonga Wongue National Park in Gabon.
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Luís Valero de Bernabé y Martín de Eugenio, Análisis de las caracteristicas generales de la Heráldica Gentilicia. Española y de las singularidades heráldicas existentes entre los diversos territorios históricos hispanos [PhD thesis Universidad Complutense 2007] p. 13 and passim Studies on history of literature also tend to deal with personalities rather than with broad phenomena.Quintana como crítico, como poeta y como historiador (1908), Escritores de la Casa de Sástago, Lope de Vega (1908), El Duque poeta [on Rivas] (1930) Numerous minor works published in popular periodicals and formatted as reviews form part of ongoing critique and are not acknowledged here.
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The Spanish poets Boscán, Alonso de Ercilla y Zúñiga and Lope de Vega all experimented with ottava rima at one time or another. It is also the meter of several medieval Yiddish epic poems, such as the Bovo-Bukh (1507–1508), which were adaptations of Italian epics. In Russia, Pavel Katenin instigated a high-profile dispute on the proper way of translating Italian epics, which resulted in Alexander Pushkin's ottava rima poem "The Little House in Kolomna" (1830), which took its cue from Lord Byron's Beppo. Pushkin's poem opens with a lengthy tongue- in-cheek discussion of the merits of ottava rima.
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Lope Diaz IV was ultimately unsuccessful in his efforts to deprive Maria of her seat due in large part to intervention at the Castilian court by the Queen mother Maria de Molina who did not want to see another power struggle over Biscay. As a result, Maria Diaz I remained in her capacity as Lady of Biscay and head of the House of Haro. In 1312, King Ferdinand IV died leaving the infante John, Maria's husband, tutor of the infante Pedro de Castilla and governor of Castile. John attempted to take the city of Granada but failed in his efforts.
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Following the Cortes decision, Infante James died in Barcelona, possibly poisoned by order of Peter IV. At the end of 1287, fighting occurred in the two kingdoms of Aragon and Valencia: First, the Union of Valencia defeated the royalists at Largo and Bétera,Merriman, 445. but in Aragon, King Peter IV attracted major Aragonese nobles like Lope de Luna and the village communities of Daroca and Teruel to his aid. In early 1348, Peter IV managed to reach an agreement with the Valencian Union so that any military activity was concentrated thereafter in the Kingdom of Aragon.
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At age 19 Lozano moved to Madrid to study fashion and design. However; she later abandoned this field to become an actress. She quickly became Miguel Narros' preferred actress and starred in multiple plays that were considered risky at the time, such as Fedra, by Miguel de Unamuno (1957); Three Sisters, by Anton Chekhov (1960); Fröken Julie, by August Strindberg (1961); La camisa, by Lauro Olmo (1962); El caballero de Olmedo, by Lope de Vega and La dama duende, by Pedro Calderón de la Barca. Lozano played secondary film roles for which she won the National Syndicate of the Show for best actress.
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Aguilera inaugurated the Hospital de Maudes during his post as mayor of Madrid As mayor of the capital of Spain he was involved in numerous important events and left an impression. Soon after becoming mayor, he organised the inauguration of the throne of Alfonso XIII of Spain, carried out on June 5, 1902. Monuments dedicated to historical people were erected including Héroe de Cascorro, Juan Bravo Murillo and Lope de Vega. Later in 1902, Aguilera opened the Hospital de San Pedro de los Naturales and worked with architects such as Jose Lopez Sallaberry and Francisco Andres Octavio to develop the city.
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His doctoral thesis was supervised by Professor Julio Valdeón Baruque 2010, ANUARIO DE ESTUDIOS MEDIEVALES, , pp. , obituary of MI Del Val Valdivieso " In Memoriam. Prof. Julio Valdeón Baruque" (as indicated by either Angel Martinez, on page 12 of your book), and later edited by San Esteban Editorial as Lope de Barrientos.Un intellectual en la corte de Juan II. Since 1976 he has taught History of Philosophy in Greek and medieval in Higher Institute of Philosophy of Valladolid (since 1970, is integrated into the Pontifical University of Salamanca (UPSA) as Spanish Center for Advanced Studies and Ecclesiastical of Dominican), which is the current director.
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La Vanguardia (24 January 1928) She married Fernando Díaz de Mendoza, the Marquess of San Mamés, in 1896, and the following year, the couple relocated to Buenos Aires, Argentina. A commercial success at the local Teatro Odeón, her productions of zarzuelas and adaptations of classics in Spanish literature (particularly Lope de Vega's) took her company to theatres nationwide. Retaining contractual obligations in Spain, the couple purchased Madrid's Teatro de la Princesa in 1908. The couple also set aside a share of their fortune in 1918 for the construction of a new, grand theatre house in Buenos Aires.
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2, pp. 22–23) Ferdinand II dispatched his own emissary, Lope de Herrera, to Lisbon to request the Portuguese to immediately suspend any expeditions to the west Indies until the determination of the location of those islands was settled (and if polite words failed, to threaten). Even before Herrera arrived John II had sent his own emissary, Ruy de Sande, to the Spanish court, reminding the Spanish monarchs that their sailors were not allowed to sail below Canaries latitude, and suggesting all expeditions to the west be suspended. Columbus, of course, was in the middle of preparing for his second journey.
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These companies were licensed by the Royal Council and highly paid to perform Autos Sacramentales both in court and at public theatres. Actors generally worked for managers under a 1 to 2-year contract and a typical schedule had actors study their role from 2am to 9am, rehearse until noon, take a break to eat, then perform until 7pm. While women were licensed to perform starting in 1587, this practice remained controversial until 1599, when a royal decree stipulated that only women married to company members could perform. Important performers included Lope de Rueda and later Juan Rana.
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In February 2009, her single "Bendita locura" was released, the single that gives title to the same titled studio album. The album, produced by Pablo Pinilla, consisted of thirteen new tracks, including a duet with Manuel Carrasco and compositions by David DeMaría, Martínez Ares, Esmeralda Grao, Vanesa Martín, David Santiesteban, José Abraham and Alejandro Sanz. It peaked at number eight in the official Spanish album chart. In September 2010 she released a CD+DVD recorded live at the Teatro Lope de Vega in Seville that celebrated her 15 years of career as a recording artist, 15 años.
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Among the governors and members of the Caracas chapter, Basque's surnames such as Alquiza, Hernani, Oñate, Aguirre, Hoz de Berrio, Ybarra, Bolívar, Lezama, Arguinzoniz, Zabala, Arechederra, Mendoza, Arteaga, Múxica and Butrón, Villela, Echeverria, Landaeta, Guevara, Zuazo, Arraez, Ochoa, Bera settled on the city. In Barinas, the Ochagavía, in Barquisimeto the Ansola, in Mérida the Uzcategui, etc. In the fight against the Dutch pirates of the first third of the century, Navarre Lope Díaz de Armendáriz (Marquis of Cadreita), Admiral Manuel de Redín and his brother, Captain Tiburcio Redín, who in 1637 entered Capuchin and died in 1651 in La Guaira.
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Illustration from Don Quijote by Gustave Doré, with the windmill scene Cervantes claims to have written over 20 plays, of which only two survive, El trato de Argel, based on his experiences in captivity, and El cerco de Numancia. Such works were extremely short-lived, and even Lope de Vega, the best-known playwright of the day, could not live on their proceeds. In 1585, he published La Galatea, a conventional Pastoral romance that received little contemporary notice; despite promising to write a sequel, he never did so. Aside from these, and some poems, by 1605, Cervantes had not been published for 20 years.
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Feeding and social displays occur from dusk, and this may be one reason why displays are mostly vocal rather than including flight and/or demonstrations like other waders. The exception is the water thick-knee, which can be more active during the day.Solis JC and de Lope F (1995) Nest and egg crypsis in the ground-nesting Stone Curlew Burhinus oedicnemus. J Avian Biol 26:135-138 Burhinus can be sociable with non-breeding flocks of dozens to hundreds using traditional sites In Europe, 300 or more Eurasian stone-curlews have been seen together at times, whilst in Tunisia, 150 have been recorded together.
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Other works include: Gerolamo Savonarola in jail (1856); L'Innominato (1860); and Atala (1862). The latter is the half-Christian and half-Seminole maiden at the center of a Romantic style novel by the French author Chateaubriand, and which culminates in her chaste suicide. A number of other painters including Girodet, Luis Monroy, and Rodolfo Amoedo also depicted this subject. Gastaldi made two versions of the painting Sogno di Parisina (including the 1852 version at the Pennsylvania Academy of the Fine Arts in Philadelphia, and a second 1867 version in Turin). The tragic story of Parisina was popularized by writers including Matteo Bandello, Lope de Vega, and in 1816, Lord Byron.
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Sculpture The building became the property of the House of Alba after the marriage of the 5th Marchioness of Villanueva del Río with the 4th Duke of Alba. For a time, it was the residence of Lord Holland, an ardent admirer of Spanish literature, and the author (1805) of a memoir on Lope de Vega and Guillen de Castro. Machado lived in the palace during his early childhood, his father serving as the Duke of Alba's caretaker. The palace name derives from the monastery of Santa María de las Dueñas, which in 1248 was known to house nuns and servants of Saint Ferdinand and Alfonso X the Wise.
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He is from the second crop of foals sired by the Prix du Jockey Club winner Lope de Vega. His other foals have included Newspaperofrecord, Belardo, Phoenix of Spain, Vega Magic (Memsie Stakes) The Right Man (Al Quoz Sprint) and Santa Ana Lane (Stradbroke Handicap). Zabeel Prince's dam Princess Serena showed no racing ability, failing to win or place in five races, but did better as a broodmare as she produced Puissance de Lune who won the P B Lawrence Stakes Queen Elizabeth Stakes (VRC) and Blamey Stakes in Australia. Her dam Serena's Sister was, as her name suggests, a full-sister to Serena's Song.
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Similarly sympathetic was his Prime Minister, the Count-Duke of Olivares (who had a measure of converso ancestry himself through Lope Conchillos). During the tenure of Manuel Rodrigues de Lamego, ships were allowed to register at Lisbon and not just Seville. This earned him the ire of the less well off Old Christian families in Seville, who struggled to compete and lobbied the Spanish Inqusition in the contest: Manuel's brother António was subject to an auto-da-fé for "Judaising". While Manuel Rodrigues de Lamego held the asiento, fifty-nine ships were licensed for Africa, where around eight-thousand African slaves were purchased from West African merchants, mostly from Luanda.
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The group is described as a theatrical opera ensemble, which specializes in the vocalizations, music and literature of the Medieval, Renaissance and Baroque periods, from Italy, New Spain, Elizabethan England and the Spanish Siglo de Oro. However, they also perform works from the 19th century as well as some modern compositions. It includes music by Juan del Encina, Antonio de Cabezón, Francis Pilkington, Thomas Morley, Thomas Ford, Tomás Luis de Victoria, Jacobus Clemens and Clemen Janequin. It also includes the reading of texts by authors such as Miguel de Cervantes, Francisco de Quevedo and Lope de Vega along with popular poetry from the 16th and 17th centuries.
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The Marx Brothers in 1931 (from top, Chico, Harpo, Groucho, and Zeppo) Marx made 26 movies, 13 of them with his brothers Chico and Harpo. Marx developed a routine as a wisecracking hustler with a distinctive chicken-walking lope, an exaggerated greasepaint mustache and eyebrows, and an ever-present cigar, improvising insults to stuffy dowagers (usually played by Margaret Dumont) and anyone else who stood in his way. As the Marx Brothers, he and his brothers starred in a series of popular stage shows and movies. Their first movie was a silent film made in 1921 that was never released, and is believed to have been destroyed at the time.
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Two of his plays, Rhinoceros by Eugène Ionesco and Life of Galileo by Bertolt Brecht (1983), premiered during the 1973-1985 civic-military dictatorship. From these premieres, and given their topics, theater critics recognized Vidal's ability to choose the most appropriate works and themes for the socio-political context of his country. Another important work in his career as a theater director was Breaking the Code by Hugh Whitemore, about the life of Alan Turing, with more than 300 performances. Other plays included ' by Pedro Muñoz Seca, Inodoro Pereyra (The Renegade) by Roberto Fontanarrosa, No Man's Land by Harold Pinter, A Respectable Wedding by Bertolt Brecht, and ' by Lope de Vega.
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Calderón evidently exerted no direct influence on English playwrights before 1660, although one play by John Fletcher and one by Philip Massinger are probably based to some extent on Spanish originals, and James Shirley's The Young Admiral and The Opportunity are adaptations of plays by Calderón's contemporaries Lope de Vega and Tirso de Molina respectively.Riera 2009, p 44. The wild success of Sir Samuel Tuke's The Adventures of Five Hours,Based on Los Empenos de seis horas, at the time often wrongly ascribed to Calderón. a 1663 adaptation of a play by Spanish playwright Antonio Coello, began a fashion for Spanish adaptations on the English Restoration stage.
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Her debut at the national playhouse was as Ophelia in a production of Hamlet. For Shakespeare's Helena in A Midsummer Night's Dream, and Lope de Vega's Florelle in the comedy The Dancing Master, she received the Janko Borodáč Award in 1967. On film, the actress appeared in A Jester's Tale, which brought Karel Zeman two awards at the San Francisco IFF '64 (for Best Film and Best Direction), and the first prize at Addis Ababa IFF '64 in Ethiopia. Other full-length films included St. Elizabeth Square (1965), Master Executioner (1966), Trailer People (1966), The Dragon's Return (1967) and There's No Other Way (1968).
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A sandwich panel is a composite of three or more materials bonded together to form a structural panel. It takes advantage of the shear strength of a low density core material and the high compressive and tensile strengths of the GFRC facing to obtain high strength-to-weight ratios. Public Library Lope de Vega in Tres Cantos, Madrid The theory of sandwich panels and functions of the individual components may be described by making an analogy to an I-beam. The core in a sandwich panel is comparable to the web of an I-beam, which supports the flanges and allows them to act as a unit.
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The A-335 crosses through the town from north to south. To the east is the NO-26 which also binds to the N-432 as it passes through Puerto Lope and is the shortest way to get to Granada. From the A92, exit Huétor-Tájar, then up the road connecting the two towns, bordering the creek Milanos, which is the best option. One can also reach Montefrío from neighboring villages and Algarinejo íllora through local roads. The major elevations are the Sierra de Parapanda with 1,604 m at the boundary between Montefrío and íllora, and saw the peak Chanzas Pepper of 1,213 m between Montefrío and Algarinejo.
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Almost all Languages of the Philippines (including Tagalog, Ilokano, the Bicol languages, Cebuano and other Visayan languages, Kapampangan, and the Spanish- based creole Chavacano) use the Modern Filipino Alphabet. When Spain colonised the Philippines in the late 16th century, the numerous languages of the Philippines were written in various scripts, such as Baybayin. These were initially promoted by the colonists but later replaced by Spanish transcriptions, which are still evident in place names and surnames. Letters such as C, Ll, and Ñ were considered Hispanic additions and removed in the Abakada, an attempt at a more indigenous alphabet devised by Lope K. Santos in 1940.
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Josep Xifré Downing was heir to a large fortune thanks to his Catalan father, Josep Xifré i Casas, who owned multiple businesses in Cuba, the US and Europe. The son met the architect José Contreras who was then the restorer of the Alhambra. Contreras, was a pioneer of Neo-al-Andalusian architecture and before starting the construction of the Palace, he received a six-month scholarship from Xifré to study the incorporation of the decorations of the Alhambra in his future Palace. In 1857, the financier bought nine sites located between Calle Lope de Vega and Trajineros (current Paseo del Prado) to the Duke of Medinaceli.
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He was one of the few who survived, and went to New Granada after the expedition to conquer those territories. Bust of Francisco de Orellana in Trujillo, CáceresAfter that, he moved to Venezuela and participates in the founding of Barquisimeto and Trujillo. Some time later Juan Rodríguez Suarez went to Trujillo while running away from Juan de Maldonado after escaping of the prison of Santa Fe. They refused to turn him over, and that action became the first example of political asylum in the Americas. In 1561 Lope de Aguirre started committing atrocities in the coast of Venezuela, and Paredes was sent to fight him.
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Tarnawa is a chestnut mare with a small white star bred in Ireland by her owner Aga Khan IV. She was sent into training with Dermot Weld at the Curragh in County Kildare. She was from the tenth crop of foals sired by Shamardal whose wins included the Dewhurst Stakes, Poule d'Essai des Poulains, Prix du Jockey Club and St. James's Palace Stakes. His other offspring have included Able Friend, Mukhadram, Lope de Vega and Blue Point. Tarnawa was the first foal of her dam Tarana who won three of her ten races including the Listed Oyster Stakes, and was a daughter of the Galtres Stakes winner Tarakala.
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In 1825, he began his religious profession as deacon and priest, receiving the orders from the bishop of the city, Garcia Jerez. In 1825, due to the civil war unleashed in Nicaragua, the Recoletos was expelled and saw themselves forced to go to Guatemala. There, Reyes, studied the Greek and Latin classics, to the Spanish dramatists Lope de Vega and Calderón de la Barca and read some theatrical pieces from México, especialmente from Oaxaca and Chiapas, in addition also finished his humanist and religious education. In 1828, with permission from his superiors Reyes returned to Honduras to spend some time close to his family.
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Philadelphia native and future CEO Alex Garfield started working for the team in 2004. Evil Geniuses expanded into World of Warcraft (WoW) Arena by acquiring HukHukHukHukHuk in 2007. The roster consisted of many notable players including Abdul "Bokas" Suleiman, Garett "Garett" Llorent, Jesse "Koorban" Ryan, John "Nuvas" Liao, Einar "Spinister" Galilea, Brian "Tyz" Gustafson, Cyrus "Morifen" Foroughi, Anthony "Neia" Krug, and Paul "Zsu" Coats. In 2008, Evil Geniuses later acquired Issac "Azeal" Cummings-Bentley, Conrad "Zyz" Lope, Dan "spoh" Street, Emerson "Woundman" Condon, Charles "Cdew" Dewland, and Tim "Kollektiv" Yen, forming a new 3v3 arena team, as most of the previous team retired from competitive play.
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The play by the Maribor Slovene National Theatre in 1952 The Mayor of Zalamea () is a play written by Pedro Calderón de la Barca (1600–1681) during the Golden Age of Spanish drama. It was probably written in 1636. It pays homage to a play by the same name by Lope de Vega, which it surpassed in fame through its superior character development, becoming one of the most well-known plays of its time. This play has three acts that explore the power of the self-made man against the political authorities of 17th century Spanish society, and the continuous struggle between corporate and individual honor.
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The general idea of his Angela (1852) was derived from Schillers Kabale und Liebe, but the atmosphere is Spanish, the situations are original, and the phrasing is Tamayos own. His first great success was Virginia (1853), a dramatic essay in Alfieri's manner, remarkable for its ingenuity and noble diction. In 1854 Tamayo was expelled from his post by the new Liberal government, but was restored before long by Cándido Nocedal, a minister who had been struck by the young mans talent. He collaborated with Aureliano Fernández-Guerra y Orbe in writing La Ricahembra (1854), a historical drama which recalls the vigour of Lope de Vega.
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Sagawara is a grey mare with a white star bred in England by her owner, Aga Khan IV. She was sent into training with Alain de Royer-Dupré in France. She was from the third crop of foals sired by Shamardal whose wins included the Dewhurst Stakes, Poule d'Essai des Poulains, Prix du Jockey Club and St James's Palace Stakes. His other offspring have included Able Friend, Mukhadram, Lope de Vega and Casamento. Sagawara's dam Sagalina, from whom she inherited her grey coat, showed no racing talent but was a daughter of the Prix de Royallieu winner Saganeca, making her a full-sister to Sagamix.
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As the track progresses "flanged guitar notes and moody chord progressions" can be heard with "cheesy flecks of synthesizer". The song lope is "amusing Simple Minds-like" and its chorus is similar to "Heartbeat" (1986) by Don Johnson. A bass guitar, drums and additional beats are also part of its instrumentation. The subject addressed in the recording lyrics has led Spins critic, Chris Martins, to become "slightly disappointed" when he realized that "the song was not, in fact, an ode to bootleg liquor", but a "longing for the high water mark of a relationship that now seems impossible to reach", despite the fact that "Mars’ lyrics intoxicate in their own way".
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Laurencia is a ballet made by Vakhtang Chabukiani to music by Alexander Krein, based on Lope de Vega's Fuenteovejuna. Created at a time when "choreodrama" was considered in the Soviet Union the only acceptable form of contemporary ballet, it harks back to a genuine drama, wherein movement was a vehicle for meaning, and dance could serve as divertissement as well as dramatic purpose. At the same time, the story of a peasant revolution was obviously the ideal subject for a Soviet ballet. Vakhtang Chabukiani was one of the first to create a new choreographic language by means of his own particular blend of folk dance and classical dance.
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He shows scorn about the rigid interpretation that the theorists of the Renaissance—mostly Italian—had done of the Aristotelian ideas on the theatre, and he proposes as values, naturalness as opposed to artifice, variety as opposed to unity, and considering popular taste. Among his prolific dramatic production, some works can be singled out: Peribáñez and the Commander of Ocaña (1604–12) is a tragicomedy set in 1406 in Toledo: Peribáñez understands that the Commander of Ocaña has overwhelmed him with honors to harass his woman. After killing him he wins the royal pardon. Around 1614 Lope composed one of his better tragicomedies: Fuenteovejuna.
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These masterpieces follow foreign models, and Rotrou's genius is shown in the skill with which he simplifies the plot and strengthens the situations. Saint Genest followed Lope de Vega's Lo fingido verdadero; Venceslas followed the No ay ser padre siendo rey of Francisco de Rojas Zorrilla. In this play Ladislas and his brother both love the princess Cassandra; Ladislas makes his way into her house and in the darkness kills a man whom he thinks to be the duke of Courland, but who is really his brother Alexandre, the favoured lover. In the early morning he meets the king and is confronted by the duke of Courland.
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He provides examples of such possible borrowings from Rodrigo Caro, Baudelaire, Luis de León and Quevedo. He also suggests that Lope de Vega and George Herbert were the sources for another 2 poems, "Divertimento" and "La poesía". Eliot's influence is also suggested in an essay by Octavio Paz - "La palabra edificante".Cernuda's Debts in Studies in Modern Spanish Literature and Art presented to Helen Grant p 252One significant borrowing from Eliot is the title of his last collection of poetry, Desolación de la Quimera, which alludes to a line from "Burnt Norton" > The loud lament of the disconsolate chimera in itself an allusion to a sermon by John Donne.
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In the Crónicas de Arecibo written by Puerto Rican historian Cayetano Coll y Toste, Toste states that his research and investigations led him to uncover the following facts. In the year 1515, all of the area of Arecibo including the rivers of "Rio Grande" and "Tanama" were given as a gift to a Lope Conchillos (who resided in Spain) by the Spanish Crown. Conchillos sent a helper by the name of "Pedro Moreno" to the island to administer his lands; Moreno found Aracibo and his tribe of about 200 Taínos living in the land; he then enslaved them and Aracibo and his people died shortly after.
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Coat of arms of the Baluni de Lavoie dynasty Baluni flag alt= Raymond de Lavoies The house Baluni (Բալունի) & de Lavoies (դե Լավուա) Lords of the Principality of Taron and Kings of mount Cilicia was a region and family of the old Armenia c. From 400 ad to the present. Baluni or Paluni were a family of Armenians from the Ministerial lands in Balahovit (Bolbitine) and Tsopk Sofine : branch also had lands in Vaspurakan. The princes of Paluni were a remnant of the territorial dominion of the people of Lope or Puli of the Hittite annals, situated between Astyan and Taron ; another remnant was the Prince of balabitena.
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VII, p.624. known as the Principalía, whose right to rule was recognised by Philip II on 11 June 1594. The use of the honorific addresses "Don" and "Doña" was strictly limited to what many documents during the colonial periodAn example of a document pertaining to the Spanish colonial government mentioning the "vecinos distinguidos" is the 1911 Report written by R. P. Fray Agapito Lope, O.S.A. (parish priest of Banate, Iloilo in 1893) on the state of the Parish of St. John the Baptist in this town in the Philippines. The second page identifies the "vecinos distinguidos" of the Banate during the last years of the Spanish rule.
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Following the establishment of the Philippine Commonwealth in 1935, the government selected Tagalog as basis for a "national language" (i.e. Filipino). Following this, the development of a dictionary and grammar book for this "national language" started. In 1939, Lope K. Santos developed the Ang Balarila ng Wikang Pambansa (The Grammar of the National Language) which, apart from containing grammar rules, contained the 20-letter alphabet designated as Abakada. The Abakada was replaced in 1976 with an expanded alphabet containing an additional 11 letters (C, CH, F, J, LL, Ñ, Q, RR, V, X, and Z) which was in turn replaced with the current 20-letter modern alphabet.
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The designs of Pura Lopez models were used in such movies as La Dama Boba of Manolo Iborra Martinez based on the play by Lope de Vega, Insomnia by Chuz Guttieres, Kika by Pedro Almodóvar Caballero, as well as in the French production of Asterix and Obelix. But in all their glory the shoes appeared in the movie Manolete with Adrien Brody. Lopez was invited to create the design of the shoes worn by Penélope Cruz. The styles chosen for the movie reflect all the femininity and glamour of the 1940s women — the time when platforms, round pumps and high heels were especially relevant.
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Lope de Hoces was hurriedly dispatched to rescue the city, but his fleet was destroyed by the French navy under Henri de Sourdis while it lay at anchor near Getaria. As the remainder of the Spanish navy was engaged on missions in the Mediterranean and Brazil, there were not enough ships left to attempt the Dunkirk passage that year. In the spring of 1639, the Count-Duke of Olivares ordered the construction and assembly of a new fleet at A Coruña for a new relief jaunt to Dunkirk. 29 warships were assembled in four squadrons, soon joined by an additional 22 warships (also in four squadrons) from the Spanish Mediterranean fleet.
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This thesis is based in part on the assumption that Lope Díaz was not the type to sire children outside of marriage. Most recently José María Canal Sánchez-Pagín has dissented from the view that Aldonza was a Castilian like her husband. She was widowed while her offspring were still young, and they rose to positions of importance in the León and Galicia, where they would have been considered foreigners if their mother was not a Leonese or Galician. Considering Aldonza's longevity (she outlived her husband by about forty years, and was probably at least thirty years his junior), she must have been born around 1135.
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A denarius minted by Alfonso in Toledo while he ruled Castile His earliest years were passed in the monastery of Siresa, learning to read and write and to practice the military arts under the tutelage of Lope Garcés the Pilgrim, who was repaid for his services by his former charge with the county of Pedrola when Alfonso came to the throne. During his brother's reign, he participated in the taking of Huesca (the Battle of Alcoraz, 1096), which became the largest city in the kingdom and the new capital. He also joined El Cid's expeditions in Valencia. His father gave him the lordships of Biel, Luna, Ardenes, and Bailo.
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Although the marriage was annulled in 1112, Alfonso had a base of support in the Castilian kingdom and substantial influence in the contested border region that had once belonged to Navarre. Fortún managed to hold onto Nájera until after Alfonso's death in 1134, when he accepted the overlordship of King Alfonso VII of Castile, who had succeeded his mother in 1126. The last record of Fortún's tenancy comes from 1135, and sometime before 1139 he had been replaced by his predecessor's son, Count Lope Díaz de Haro. Fortún campaigned extensively alongside the king in the Reconquista ("reconquest") of the Muslim states of the Ebro valley.
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Acosta probably resided at Juli during much of his stay in Peru. It was here, in all likelihood, that he observed the famous comet of 1577, from November 1 to December 8, which extended like a fiery plume from the horizon nearly to the zenith. Here, too, he devoted much of his time to the preparation of several learned works, which he later took back to Spain in manuscript, including the first two books of the Natural History of the Indies. At Juli, Father Acosta received information respecting the Amazon river from a brother who had formerly been in the famous piratical cruise of Lope de Aguirre.op. cit.
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Hekking & Dik 2007: 436 Friars wrote several grammars, the earliest documented of which was the Arte de la lengua othomí of Pedro de Cárceres in 1580 (but not published until 1907).Lope Blanch 2004:57Lastra 2006: 37–41 In 1605, Alonso de Urbano wrote a trilingual Spanish-Nahuatl-Otomi dictionary, which also included a small set of grammatical notes about Otomi. The grammarian of Nahuatl, Horacio Carochi, is known to have written a grammar of Otomi, but unfortunately no copies have survived. In the latter half of the eighteenth century, an anonymous Jesuit cleric wrote the grammar Luces del Otomi, and Neve y Molina wrote a dictionary and a grammar.
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He then traveled to Rome, perhaps as a continued part of his education, although there is no evidence that he participated in formal study there. During this trip and a later one to Florence, Mena appears to have been seeking ecclesiastical benefices; however, both attempts were fruitless and each was followed by a marriage, first to a supposed sister of García y Lope de Vaca and, secondly, to Marina Méndez, more than 20 years his minor. Neither marriage resulted in descendants for the poet. Some scholars have pointed to a possible converso origin for Mena’s family, but others have found these claims to be highly speculative.
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William Shakespeare's attitude towards astrology is unclear, with contradictory references in plays including King Lear, Antony and Cleopatra, and Richard II. Shakespeare was familiar with astrology and made use of his knowledge of astrology in nearly every play he wrote, assuming a basic familiarity with the subject in his commercial audience. Outside theatre, the physician and mystic Robert Fludd practised astrology, as did the quack doctor Simon Forman. In Elizabethan England, "The usual feeling about astrology ... [was] that it is the most useful of the sciences." In seventeenth century Spain, Lope de Vega, with a detailed knowledge of astronomy, wrote plays that ridicule astrology.
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The use of Arabic cognomens by the Mozarab communities of Al-Andalus is emblematic of the adoption by the Christians of the outward manifestations of Arab-language Islamic culture. The Mozarabs employed Arabic- style names such as Zaheid ibn Zafar, Pesencano ibn Azafar, Ibn Gafif, Ibn Gharsiya (Garcia), Ibn Mardanish (Martinez), Ibn Faranda (Fernandez), in purely Christian contexts. This demonstrates that they had acculturated thoroughly and that their Arabic names were not mere aliases adopted to facilitate their movement within Muslim society. Conversely, some Christian names such as Lope and Fortun entered the local Arabic lexicon (Lubb and Fortun), and others were adopted in translated form (such as Sa'ad for Felix).
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After a decade at the Comedia Nacional, Zorrilla went on to found the Teatro de la Ciudad de Montevideo with actor Enrique Guarnero and actor-writer Antonio Larreta. The company toured Buenos Aires, Paris, and Madrid, where they won the Spanish Critics Award for their stagings of Federico García Lorca's La zapatera prodigiosa and Lope de Vega in the summer of 1961. Between 1964 and 1966, Zorrilla took a sabbatical year and lived in New York, where she worked as a French teacher and Broadway secretary. In New York, she staged Canciones para mirar, a children's musical based on texts by Argentine poet Maria Elena Walsh.
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Mukhadram is a bay horse with a faint white star and a white sock on his left hind leg bred by the Wiltshire-based Wardall Bloodstock. He was from the third crop of foals sired by Shamardal whose wins included the Dewhurst Stakes, Poule d'Essai des Poulains, Prix du Jockey Club and St James's Palace Stakes. Before Mukhadram, his most notable performer was Lope de Vega who won the Poule d'Essai des Poulains and Prix du Jockey Club in 2010. His dam, Magic Tree, bred by Sheikh Mohammed's Darley Stud, finished unplaced on her only racecourse appearance, but was a half-sister to the St Leger Stakes winner Mastery.
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Hernán The story of Doña Marina, also known as Malinche, was the subject of a Mexican TV miniseries in 2018. Malinche A major production in Mexico was the 1998 film, The Other Conquest, which focuses on a Nahua in the post-conquest era and the evangelization of central Mexico. The Other Conquest The epic journey of Álvar Núñez Cabeza de Vaca has been portrayed in a 1991 feature-length Mexican film, Cabeza de Vaca. Cabeza de Vaca The similarly epic and dark journey of Lope de Aguirre was made into a film by Werner Herzog, Aguirre, the Wrath of God (1972), starring Klaus Kinsky.
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1044: "Perhaps sensing that his operatic sun had set, Wolf-Ferrari took up writing orchestral and chamber music again, including a violin concerto, a cello concerto and a short symphony. His final operas were La Dama boba (The Silly Lady, after Lope de Vega), produced at La Scala in 1939, and Gli Dei a Tebe (The Gods at Thebes), at Hannover in 1943." After the performances in Hanover the opera was again performed in Stettin in September 1943, in Fribourg in February 1948, in Trier in May 1948. More recently there are reports of performances in Munich in 1964 and Berlin in 1965 and 1966.
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A revival of the Dutch production ran for 1139 performances at the same Circustheater from October 30, 2016 to July 21, 2019.Disney’s The Lion King komt terug naar Nederland The show's French production debuted in Paris on September 22, 2007, in Stage Entertainment's Théâtre Mogador. This production won several Moliére Awards and closed on July 25, 2010, after being watched by over a million people."Le Roi Lion" à Paris : fermeture annoncée pour le 25 juillet 2010, "Mamma Mia" attendu dans la foulée On October 20, 2011, the first Spanish production opened at Teatro Lope de Vega in Madrid, where it is still running after more than 3,000 performances.
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Originally, the stone pedestal reportedly displayed four dolphins cast in bronze at the corners of its lower part, and, placed within a bronze palm leaf wreath at its front side an inscription in bronze reading: . However, over the years, the pedestal would lose these secondary bronze items. The backside of the pedestal displays an inscription with a quote from some verses dedicated to Álvaro de Bazán by Lope de Vega: Drawing by depicting the inauguration of the monument in 1891. It was officially unveiled on 19 December 1891, at its location in the Plaza de la Villa, during a ceremony presided by queen regent Maria Christina of Habsburg-Lorraine.
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The Spanish Scholar Marcelino Menendez y Pelayo looked down on Claramonte, but nowadays he has been reconsidered by the critics, particularly Alfredo Rodriguez Lopez-Vazquez, Charles V. Ganelin, Frederick A. de Armas and Fernando Cantalapiedra Erostarbe. See the biography and critical bibliography of Claramonte prepared by Christopher Weimer in Spanish Dramatists of the Golden Age: A Bio-Bibliographical Source-Book, edited by Mary Parker (1998).Some of these support the idea that he wrote some of the most important plays of the Spanish Golden. Although attributed to Lope de Vega The Star of Seville was first considered to be the work of Claramonte by Sturgis E. Leavitt, in his 1931 book.
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The western division offers classes in both western horsemanship and reining, both are judged on the riders overall equation and how well they execute the pattern. Riders that enter reining classes must also compete in at least two horsemanship classes in the corresponding division. High school members can compete in Varsity Open Horsemanship and Varsity Open Reining, Varsity Intermediate Horsemanship and Varsity Intermediate Reining, Junior Varsity Novice Horsemanship, and Junior Varsity Novice Reining prep (an optional class that does not count for points). There are two divisions that only offer horsemanship classes; Junior Varsity Beginner walk/jog/lope, and Junior Varsity Beginner walk/jog.
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A notable case was that of Gonzalo Rodríguez Girón, removed in 1216 from his post as high steward which he had held for eighteen years. Other nobles, like Lope Díaz II de Haro, Lord of Biscay, Álvaro Díaz de los Cameros, Alfonso Téllez de Meneses, and the Archbishop of Toledo himself were also marginalized. In the spring of 1216, the count tried to convince King Alfonso IX to have his former wife, Queen Berengaria, hand over her castles. It may be for this reason that Berengaria decided to send her son Ferdinand to join his father in order to ensure his succession in León.
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King Ferdinand tried to arrive at an agreement with his father wherein he would renounce the Castilian throne. Alfonso IX proposed that he secure a papal dispensation in order to remarry Berengaria, recognizing her rights to the throne of Castile, and that the two kingdoms unite upon their deaths, and that they be succeeded by their son Ferdinand as the sole king. The Castilians rejected this proposal and Alfonso IX set out for Burgos to take the city. Berengaria and her supporters sent Lope Díaz II de Haro and the brothers Rodrigo and Álvaro Díaz de los Cameros to protect Dueñas, fearing an attack from Alfonso.
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It also displays collection on parasites of domestic and wild animals in the country. Likewise, it holds parasitological literature donated by National Scientist Carmen C. Velasquez and former dean Dr. Lope M. Yutuc, among others. Biomedical Illustration and Microphotography Facility This facility is located at the CVM Administration building and is available for microphotography and scientific drawing needs of the research faculty and undergraduate and graduate students. Veterinary Teaching Hospital The Veterinary Teaching Hospital (VTH) is composed of three sections located in two stations: Companion Animal Clinic (CAC) at Diliman Station, UP Diliman, and Small Animal Section (SAS) and Farm Animal Section (FAS) at Los Baños Station, UP Los Baños.
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The Pilgrim is a late Jacobean era stage play, a comedy by John Fletcher that was originally published in the first Beaumont and Fletcher folio of 1647. The play was acted by the King's Men; they performed it at Court in 1621 Christmas season. Since Fletcher's source for his plot, El Peregrino en su Patria (1604), a prose romance by Lope de Vega, was first translated into English in 1621 (from the French translation, not the Spanish original), the play was likely composed and premiered on the stage in that year.Baldwin Maxwell, Studies in Beaumont, Fletcher, and Massinger. Chapel Hill, NC, University of North Carolina Press, 1939; pp. 210-19.
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Diego López is subsequently captured by Moors, and their son Enheguez Guerra seeks out his mother for help. She gives him a horse, Pardalo, with whom he frees his father and is subsequently successful in all his battles. The later lords are said to have made sacrifices at Busturia in thanks for these events, their failure to do so resulting in attacks on the lords and townsmen by a mysterious knight.José Ramón Prieto Lasa (1991), "Las Leyendas de los Señores de Vizcaya y la Tradicion Melusiniana", doctoral dissertation, Complutense University of Madrid A better known but equally mythical story appears in the Bienandanzas e Fortunas of Lope García de Salazar (1454).
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Maria was the daughter of Lope Díaz III de Haro and, Juana Alfonso de Molina. She inherited the title of Lord of Biscay from her brother Diego López de Haro IV upon his death in 1288, which passed briefly to her husband, John of Castile and which was later taken from her by her uncle, Diego López V de Haro during the unrest following the death of Sancho IV of Castile and the rise to power of his young son, Ferdinand IV of Castile. Her paternal grandparents were Diego López III de Haro and Constanza de Bearne. Maria's brother was Diego López IV de Haro.
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Frontispiece and titlepage of a 1708 English edition of The Devil upon Two Sticks, aka Le Diable boiteux. Lesage began by translating plays chiefly from Francisco de Rojas Zorrilla and Lope de Vega. Le Traître puni and Le Point d'honneur from the former and Don Félix de Mendoce from the latter were acted or published in the first two or three years of the 18th century. In 1704, he translated the continuation of Don Quixote by Alonso Fernández de Avellaneda, and soon afterwards adapted a play from Pedro Calderón de la Barca, Don César Ursin, which was successful at court and damned in the city.
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King Peter IV convened the Cortes in Zaragoza and awarded the title of "Count" to Lope de Luna, the first nobleman in Aragon to get this title without belonging to the royal family. On October 4, 1348, the Parliament of Aragon revoked all privileges and rights of the Unionists and Peter IV destroyed the documents of the collected privileges. However, the king extended the powers of the Justice of Aragon to mediate conflicts between the Aragonese and the monarch, so that much of the rights that the nobles, which had been attributed to the Union, were safeguarded in the figure of Justice and extended to all the Aragonese.
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Retrieved January 13, 2017. He wrote that the album's perky aspect was its charm, in that "the way snippets of voices and smatterings of sound effects add unpredictable humor." His only main criticism was that it was "more entertaining than resonant," though he also wrote that there were parts on the record that "suggest what Ferraro has begun on Sushi could deliver deeper rewards." These parts include a "chiming lope" on the track "Jet Skis & Sushi," which Masters analyzed the song really being about humanity and technology coming together, and the "wavy" and "ponging" sounds on "Bootycall" that give the track a nostalgic vibe.
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Unlike the rest of Europe, Spain had unique theatre traditions. Religious plays continued to be produced and popular into the 1700s, religious and secular theatre thrived side by side, and actors were accepted in church and as worthwhile members of society. As well, Spain pioneered a three-act model for plays instead of the classic five acts, allowed women on stage, and had an organized and efficient system of actor contracts, travel stipends, licenses, and booking. Most importantly, Spanish Golden Age theatre produced wonderful politically and philosophically allegorical plays such as Calderon's Life is a Dream, and Lope de Vega's Fuente Ovejuna, that spoke specifically to the audience of the time.
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Founder of the Society of Jesus. 49\. Pedro Almodóvar, (1949-) film director, screenwriter and producer (Mujeres al borde de un ataque de nervios, Hable Con Ella, Todo Sobre Mi Madre, Volver). 50\. Juan Sebastián Elcano, (1476 – 1526) explorer. Completed the first circumnavigation of Earth after Ferdinand Magellan's death. 51\. Julio Iglesias, (1943-) pop singer. 52\. Miguel Hernández, (1910 – 1942) poet ("Nanas de cebolla"). 53\. Joan Manuel Serrat, (1943-) singer ("Mediterráneo"). 54\. Felix Lope de Vega, (1562 – 1635) novelist, poet and playwright 55\. El Greco, (1541 – 1614) painter. 56\. Agustina de Aragón, (1786 – 1857) military, led Spanish resistance against Napoleon Bonaparte's army. 57\. Joaquín Sabina, (1949-) singer and poet. 58\.
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The original church, completed in 1760, was twice destroyed by earthquakes. A modern church now stands on the ruins including a parish school which stands on what was the Catholic cemetery of the district. Pandacan was home to prominent Filipino artists of the 19th century, including Francisco Baltazar (also known as Balagtas) who authored Florante at Laura; musician Ladislao Bonus; Tagalog language theorist Lope K. Santos; and playwrights Miguel Masilungan and Pantaleon Lopez. By the turn of the 19th century, the American colonial government decreed Pandacan as the center for industrial activity and had oil companies build their storage and distribution facilities in the district.
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He developed and intense cultural work, deploying theater plays -he shown the steps of Lope de Rueda and translations of Molière- and writing his own plays. He also gave conferences spreading the work of authors as Paul Claudel, García Lorca, André Gide, Jean-Paul Sartre, Gabriel Miró, Juan Ramón Jiménez, Samuel Beckett, among others. He received awards as the "Cruz de Caballero de Isabel la Católica" (Knight's Cross of Elizabeth the Catholic), conferred by the Spanish government, and the "Palmes Academiques" from the French government. In 1994, the Paraguayan government awarded him with the "Cruz de Comendador del Mérito Nacional" and the same year received the title of Honoris Causa Doctor from the National University of Asunción.
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At the same ceremony, the singer earned a Latin Grammy for Record of the Year for his song "Universos Paralelos", performed with Chilean artist Ana Tijoux. For his work writing Spanish-language versions of singles by Colombian singer-songwriter Shakira, he has received five ASCAP Latin Awards. Drexler received his only Goya Award in 2010 with the song "Que El Soneto Nos Tome Por Sorpresa", written for the Spanish film Lope; the same year he was named Commander of the Order of Isabella the Catholic for his musical contributions. For his acting debut in the film La Suerte en Tus Manos (2012), Drexler was nominated for a Premio Sur in Argentina for Breakthrough Male Performance.
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The success of "Jump Jim Crow" is indicative: It was an old English tune with fairly standard lyrics, which leaves only Rice's dance—wild upper-body movements with little movement below the waist—to explain its popularity.. Dances like the Turkey Trot, the Buzzard Lope, and the Juba dance all had their origins in the plantations of the South, and some were popularized by black performers such as William Henry Lane, Signor Cornmeali ("Old Corn Meal"), and John "Picayune" Butler. One performance by Lane in 1842 was described as consisting of "sliding steps, like a shuffle, and not the high steps of an Irish jig."Blesh, Rudi, and Janis, Harriet. Unpublished notes.
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She also returned to the stage, playing the lead role Diana in the Washington Shakespeare Theatre Company's February 10 – March 29, 2009 production of Lope de Vega's Dog in the Manger. In 2010, Hurd began a starring role on the A&E; Network drama The Glades, playing Colleen Manus. In March 2018, it was announced that Hurd would have a leading role in the CBS reboot of Cagney & Lacey, playing the character Mary Beth Lacey (originated by Tyne Daly in the original series), starring alongside Sarah Drew. In 2016, Hurd had a recurring role in the second season of Daredevil as Samantha Reyes, a corrupt district attorney overseeing the prosecution of Frank Castle.
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Boase, 9. The poets which Equicola studied for this work, and the different names by which he knew them depending on their language, are indicated by the section he entitled "Como Latini et Greci Poeti, Ioculari Provenzali, Rimanti Francesi, Dicitori Thoscani, & trovatori Spagnoli habiano loro Amante lodato & le passioni di loro stessi descritto". This Aristotelian work received severe criticism for its unscholarly approach and lack of structure, coherence, and purpose, but it was still widely disseminated and widely used, though rarely acknowledged. His views on love were credited as an influence by such figures as Agostino Nifo (De pulchro et amore), Giuseppe Betussi (Dialogo amoroso), and Lope de Vega (El maestro de danzar), however.
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In 1521, the first European to see Rota was the lookout on Ferdinand Magellan's ship Victoria, Lope Navarro. However, Magellan's armada of three ships did not stop until they reached Guam, so the first European to arrive in Rota (in 1524), was the Spanish navigator Juan Sebastián Elcano, who annexed it together with the rest of the Mariana Islands on behalf of the Spanish Empire. As with the other islands of the northern Marianas, Rota was sold to the German Empire under the German–Spanish Treaty of 1899. In World War I, the islands were occupied by the Japanese Empire. In 1919, the League of Nations formally recognized Japanese control under the South Seas Mandate.
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They were not, however, the only eminent "owners" of the valley: other characters wielded power in the area, such as Martin Sancho de Santa Marina. In the early 13th century, Hurtado Sanz de Salcedo, (6th Lord of Ayala), had a daughter who had two bastard children with Martin Sanchez of Santa Marina: Lope Sanchez, who received Gordexola as inheritance and Sancho Ortiz Marroquin, who kept Zalla and Güeñes. A generation later, Marroquin divided among three of his four children all their possessions in Salcedo, thus giving rise to three lineages; Montermoso Marroquin, La Jara and Salcedo Salcedo Aranguren. In the valley of Salcedo direct clashes began at a relatively late date, during the mid 14th century.
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Chalcography for an edition of Francisco de Quevedo's El Parnaso Español (1648) Madrid has been one of the great centres of Spanish literature. Some of the best writers of the Spanish Golden Century were born in Madrid, including: Lope de Vega (Fuenteovejuna, The Dog in the Manger, The Knight of Olmedo), who reformed the Spanish theatre, a work continued by Calderon de la Barca (Life is a Dream), Francisco de Quevedo, Spanish nobleman and writer known for his satires, which criticised the Spanish society of his time, and author of El Buscón. And finally, Tirso de Molina, who created the character Don Juan. Cervantes and Góngora also lived in the city, although they were not born there.
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After failing to take the Castillo de Reina due to its large fortress, they passed on to Guadalcanal, besieging the town until Axataf, the town's governor surrendered. It was in this year, 1241 which marked a high point in the power, organization, and land control of the Reconquista war. Amongst the members of the Order of Santiago that participated in the campaign of don Rodrigo Íñiguez were the following; Rodrigo de Valverde; military commander of Estremera, Juan Muñiz de Gogoy; Lope Sánchez de Porras; Hernán Meléndez, commander of Almoguer, Rodrigo Yáñez; and the commander of Mora, Albar Martínez de Aibar or Ibarra. Rodrigo voluntarily renounced his Grand Mastership over the order in 1242 for reasons unknown.
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There is also a subplot of the exploits of the skirt-chasing Spanish playwright and soldier Lope de Vega, who is tasked by his superiors in the Spanish military hierarchy to keep an eye on Shakespeare and while he does so flits from woman to woman. De Vega even acts in Shakespeare's King Philip. Despite danger at every turn from both the Spanish Inquisition and a home- grown English Inquisition, the secret play comes to fruition, and despite qualms from Shakespeare and his fellow players it is performed. As the conspirators had hoped, the audience is roused into an anti-Spanish fury and rampages through London, killing any Spaniard they see and freeing Elizabeth from the Tower of London.
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Close-up sequences of the pterosaurs in Gwangi were provided by life-size models. For the scene when Lope is snatched from his horse by the Pteranodon, the boy was raised by wires painted out in the studio and Harryhausen animated the eight-inch-high model pterosaur to correspond with his movements. However, once the creature gets up to a certain altitude the real boy was replaced with a model which was used until he crawls away from the creature which is being killed by Carlos on the ground. Bromley the paleontologist correctly identifies it as a pterodactyl (the classification of pterosaurs that Pteranodon is a part of) while he is inspecting it on the ground.
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The Goya Awards () are Spain's main national annual film awards. The awards were established in 1987, a year after the founding of the Academy of Cinematographic Arts and Sciences, and the first awards ceremony took place on March 16, 1987 at the Teatro Lope de Vega, Madrid. The ceremony continues to take place annually at Centro de Congresos Príncipe Felipe, around the end of January/start of February, and awards are given to films produced during the previous year. The award itself is a small bronze bust of Francisco Goya created by the sculptor José Luis Fernández, although the original sculpture for the first edition of the Goyas was by Miguel Ortiz Berrocal.
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He enlisted in the army in 1532 during the reign of Charles V, and served as a soldier first in Italy and later in Tunisia, Provence, Germany and Flanders. Cristóbal de Mondragón was released first in the Battle of Mühlberg against the Protestants of the Schmalkaldic League in the heroic step of the ford of the Elbe, which the playwright Lope de Vega recalled in his verses. The troops of the League were camped on the banks of the Elbe, near the present town now belongs to the German state of Brandenburg and Saxony at that time. The Saxons had destroyed the bridges over the Elbe, which implied a natural barrier impassable.
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This article incorporates text from a publication now in the public domain: The poetic influence of Lope de Vega and Pedro Calderón de la Barca is also evident. The Dream, a Life, Grillparzer's technical masterpiece, is in form perhaps even influenced by Spanish drama; it is also more of what Goethe called a confession. The aspirations of Rustan, an ambitious young peasant, are reflected in the hero's dream, which takes up nearly three acts of the play. Ultimately Rustan awakens from his nightmare to realize the truth of Grillparzer's own pessimistic belief that all earthly ambitions and aspirations are vanity; the only true happiness is contentment with one's lot and inner peace.
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Rotrou's own first piece, L'Hypocondriaque (first published in 1631, probably staged in 1628; critical edition by JC Vuillemin [Droz, 1999]), dedicated to the Comte de Soissons, seigneur of Dreux, appeared when he was only eighteen. In the same year he published a collection of Œuvres poetiques, including elegies, epistles and religious verse. His second piece, La Bague de l'oubli (1635), an adaptation in part from the Sortija del Olvido of Félix Lope de Vega, was much more characteristic. It is the first of several plays in which Rotrou endeavoured to naturalize in France the romantic comedy which had flourished in Spain and England instead of the classical tragedy of Seneca and the classical comedy of Terence.
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The origins of Plentzia goes back to the beginning of the 13th century, when the Lord of Vizcaya Lope Díaz II of Haro define the maritime term of the district of Gorliz, focused on whale hunting. However, the villa was not founded until the year 1299 by Diego López V of Haro. It stood in the area coastal Gaminiz, belonging to the community of Gorliz, which would separate the whole which would constitute the town of Plentzia. The original name of the new town was Placencia of Butron or Plasencia of Butron, but with the passage of years the use will short it giving rise to the current "Plencia". The “plencianos” were governed by the jurisdiction of Logroño.
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When the Philippines gained its Independence on July 4, 1946, a presidential election preceded it where President Manuel Roxas was elected as the first president of the Third Republic. The president appointed Mr. Jose L. Acuña as mayor of Cabuyao. Mayor Acuña restored the organizational set up of the Municipal Government of Cabuyao. He assisted the war veterans of Cabuyao in receiving their back pay, those whose properties were destroyed during the war in receiving war damage, and freed from jail people mistaken as Makapili or collaborators. In 1947 local election, Mr. Lope B. Diamante was elected as mayor. Mayor Mauro H. Alimagno served for three terms: 1952–55, 1956–59 and 1960–63.
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Reining is a western riding competition for horses where the riders guide the horses through a precise pattern of circles, spins, and stops. Reining is also considered to be a lot like figure skating. All work is done at the lope (a slow, relaxed version of the horse gait more commonly known worldwide as the canter), or the gallop (the fastest of the horse gaits). Originating from working cattle, reining is often described as a Western form of dressage riding, as it requires the horse to be responsive and in tune with its rider, whose aids should not be easily seen, and judges the horse on its ability to perform a set pattern of movements.
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Rafael Riqueni gave his first concerts at age twelve, at the Educación y Descanso Festivals. At age thirteen, he stood out during a solo concert at a flamenco festival in Teatro Lope de Vega. One year later, in 1977, Riqueni won the Ramón Montoya concert guitar prize at VIII Concurso de Arte Flamenco de Córdoba, causing a big impression with his performance, y del VI Certamen Nacional de Guitarra de Jerez de la Frontera, considerados los dos principales premios nacionales de guitarra. La consecución de los mismos fue el comienzo de su carrera profesional, una de sus principales cualidades era la búsqueda de un estilo personal y alejado de las escuelas dominantes en la guitarra flamenca.
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"Pierre Menard, Author of the Quixote" is a form of literary criticism, but through the medium of fantasy, irony, and humor. His narrator/reviewer considers Menard's fragmentary Quixote (which is line-for-line identical to the original) to be much richer in allusion than Miguel de Cervantes' "original" work because Menard's must be considered in light of world events since 1602. Cervantes, the reviewer claims, "indulges in a rather coarse opposition between tales of knighthood and the meager, provincial reality of his country". While Menard writes of the distant past ("the land of Carmen during the century of Lepanto and Lope"), in Cervantes "there are neither bands of Gypsies, conquistadors... nor autos de fé".
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Too big (the biggest ship in the Spanish/Portuguese fleet) and slow to manoeuvre, and with no time to react, the Santa Teresa was finally grappled and set on fire by one fire ship. With Admiral Lope de Hoces already dead from his wounds, she fiercely burned with great loss of life. The Portuguese ships were intercepted by the squadron of the Zeelandic Vice-Admiral Johan Evertsen who launched his fireships against them: most Portuguese ships were taken or destroyed, leaving according to some reports 15,200 dead and 1,800 prisoner. The number of dead is today considered as greatly exaggerated; for example, it does not take into account that a third of the troops had already reached Flanders.
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References include Luis de León, Miguel de Cervantes, Lope de Vega, Luis de Góngora, Garcilaso de la Vega, and Francisco Quevedo, while cameo appearances are made by poets, painters, philosophers, and composers, such as: César Vallejo, Rimbaud, Goethe, Nietzsche, Shakespeare, Breughal, Beethoven, Van Gogh, and Picasso. She liberally quotes from classical poets, transformed by her use of the "sampling technique of rap music" and hip hop. Braschi writes from a literary tradition and an erudite standpoint, but "she imbues her text with jollity and a brilliant energy". The text unfolds through a series of violent and surreal theatrical scenes performed by clowns, buffoons, shepherds, lead soldiers, magicians, madmen, witches, and fortune tellers.
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Osmanli directed the staging of about ninety theater plays from a number of periods and genres, including Ana Frank in 1957, as well as the first plays by Plaut, Lope de Vega, Marivaux, the Croat classic Miroslav Krleza etc., on the national theater stage. In the mid- Seventies, he performed the tragic farce entitled Both, Pain and Wrath, his own dramatization of the war theme novel by the Macedonian writer S. Janevski. Osmanli staged a number of comedic plays which have had runs of at least 50 performances, often over 100 showings; The Wedding Ceremony was presented more than 250 times, and the French vaudeville Flea in the Ear was performed regularly for 18 years.
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The phenomenon has been known for centuries as the "Lighthouse of Maracaibo", since it is visible for miles around Lake Maracaibo. Some authors have misinterpreted a reference to a glow in the night sky in Lope de Vega's description in his epic La Dragontea of the attack against San Juan de Puerto Rico by Sir Francis Drake as an early literary allusion to the lightning (since in another verse the poet does mention Maracaibo), but it was actually a reference to the glow produced by burning ships during the battle.Dislates y Disparates sobre el Relámpago del Catatumbo: La expedición de Drake, de 1595, Ángel Vicente Muñoz García, Centro de Modelado Científico, Maracaibo, agosto 2016.
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One number from the score, his arrangement of a Russian folk chastushka song Yablochko ("little apple") consists of an introduction, a basso statement of the theme, and a series of increasingly frenetic variations ending with a powerful orchestral climax. It is identified in the ballet score by its almost equally well-known name, the Russian Sailor's Dance. It is probably his best-known single piece, and is still heard at symphony concerts around the world, frequently as an encore. The ballet-pantomime Chrizis was revised just after The Red Poppy, in the late 1920s, followed by the popular ballet Comedians after Lope de Vega (1931, later re-written and renamed The Daughter from Castile).
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Retrieved 13 January 2018. During her long stage career, she has appeared in productions in works by such varied international playwrights and authors as: Eduardo De Filippo, Ray Lawler, Anton Chekhov, Lope de Vega, William Shakespeare, Fyodor Dostoyevsky, Molière, Lion Feuchtwanger, George Bernard Shaw, Truman Capote, Oscar Wilde, Tennessee Williams, Frank Marcus, Isaac Babel, Leo Tolstoy, Alexander Ostrovsky, Friedrich von Schiller, Mark Twain, J. B. Priestley, Eino Leino, and Isaac Bashevis Singer. She also appeared in many productions in works by Estonian playwrights and authors, most memorably in productions of works by: Anton Hansen Tammsaare, Oskar Luts, Hella Wuolijoki, Juhan Smuul, August Gailit, Jaan Kruusvall, Aino Kallas, Jaan Oksa and Ingomar Vihmari.Eesti Entsüklopeedia "Anne Margiste".
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Able Friend is a chestnut gelding, with a white sock on his right hind leg bred in Australia by Stuart Ramsey's Ramsey Pastoral Co Pty Ltd. He was sired by the Godolphin stallion Shamardal who won six of his seven races in Europe including four Group One events. On his retirement from racing he became a "shuttle" stallion standing in Ireland for part of the year before moving to Australia for the southern hemisphere breeding season: his progeny have included Mukhadram, Lope de Vega, Dan Excel (Singapore Airlines International Cup) and Casamento (Racing Post Trophy). Able Friend's dam Ponte Piccolo was a successful racemare who won the Keith F Nolan Classic in 2005.
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Pinatubo began his career in an evening novice race at Wolverhampton on 10 May 2019, beating another Godolphin horse, Platinum Star by 3 1/4 lengths. This was followed by a win in the formerly Listed Woodcote Stakes on Oaks day at Epsom. On 22 Jun 2019, Pinatubo was the 3/1 second favourite for the Chesham Stakes at Royal Ascot but in the event, beat the favourite, the Aidan O'Brien trained Lope y Fernandez (Round Tower Stakes) by 3 1/4 lengths, breaking the course record in the process. The horse then took a step up to win his first Group race, the Group 2 Vintage Stakes at the Glorious Goodwood meeting by 5 lengths on 30 July.
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Following the attack, the governor of the province of Venezuela sent Juan Rodríguez Suárez to pacify the area, which apparently he did after defeating Guaicaipuro in several engagements. Believing he had achieved his task, the Spanish commander and his soldiers left the area leaving behind miners and three of his sons. Once the Spanish soldiers had left, Guiacaipuro assaulted the mines killing all the workers as well as the sons of Rodríguez Suárez. Immediately thereafter, Rodríguez Suárez who was on his way to the city of Valencia, with a small contingent of only six soldiers, with the purpose of meeting Lope de Aguirre, another Spanish conquistador, was ambushed by Guaicaipuro and killed.
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He also co-founded other newspapers like La Libertad, El Renaciemento, La Democracia, La Patria and Malaysia. He also made valuable publications namely; Algo de Prosa (1909), Literatura Tagala (1911), El Teatro Tagala (1911) Nuestra Literatura (1913), El Proceso del Dr. José Rizal (1914), Folklore Musical de Filipinas (1920). He also authored Filipinos y filipinistas (Filipinos and Filipinists), Filipinas para los Filipinos, Cuentos y paisajes Filipinos (Philippine Stories and Scenes) and Criminality in the Philippines (1903–1908). He was a member of "Samahan ng mga Mananagalog" which was initiated by Felipe Calderon in 1904, and it includes active members with the likes of Lope K. Santos, Rosa Sevilla, Hermenigildo Cruz, Jaime C. de Veyra and Patricio Mariano.
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Enrique de Colmenares found Nicuesa near the town of Nombre de Dios, badly wounded and with few men remaining, on account of a skirmish with local natives. After his rescue, Governor Nicuesa heard about Balboa's exploits, the chieftain Cémaco's bounty, and Santa María's prosperity. He vowed that he would punish Balboa as soon as he gained control of the city, since he regarded his actions as a challenge to his authority in Veragua. A certain Lope de Olano, who was jailed together with other malcontents, persuaded Santa María's representatives that they would make a serious error in handing control over to Nicuesa, whom he described as cruel, greedy, and able to singlehandedly destroy the city's prosperity.
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He went into exile undaunted, taking with him the 16-year-old Isabel de Alderete y Urbina, known in his poems by the anagram "Belisa," the daughter of Philip II's court painter, Diego de Urbina. The two married under pressure from her family on 10 May 1588. Just a few weeks later, on the 29th of May, Lope signed up for another tour of duty with the Spanish Navy: this was the summer of 1588, and the Armada was about to sail against England. It is likely that his military enlistment was the condition required by Isabel's family, eager to be rid of such an ill presentable son-in-law, to forgive him for carrying her away.
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Guillermo Carrascón, "Modelos de comedia: Lope y Cervantes", Artifara 2 (2002) 'Monographica', nota 7. Lope's luck again served him well, however, and his ship, the San Juan, was one of the vessels to make it home to Spanish harbors in the aftermath of that failed expedition. Back in Spain by December 1588, he settled in the city of Valencia. There he lived with Isabel de Urbina and continued perfecting his dramatic formula participating regularly in the tertulia known as the Academia de los nocturnos, in the company of such accomplished dramatists as the canon Francisco Agustín Tárrega, the secretary to the Duke of Gandía Gaspar de Aguilar, Guillén de Castro, Carlos Boyl, and Ricardo de Turia.
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However, Sor Marcela was also a poet, an actress as well as a dramatist.The Lives of Women: A New History of Inquisitional Spain - Page 223 For many women of the Middle Ages, the Renaissance, and Baroque periods to live a life completely retired from the world implied that they could live a life not only fully committed to God, but it also meant that they were able to devote time to their own writing, to their community and perhaps they could even have a place in the administration of their own convents. This is exactly what happened to Marcela del Carpio. She was the illegitimate daughter of Lope de Vega and the actress Micaela de Luján.
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After racing in mid-division as Raffle Prize set the pace, Earthlight moved up to challenge the favourite, gained the advantage in the last 200 metres and won by a neck. After the race André Fabre said that the colt would stay further and would probably be aimed at the 2000 Guineas. On 28 September, Earthlight was sent to England to contest the Miiddle Park Stakes over six furlongs at Newmarket Racecourse and started the 11/4 favourite. His eight opponents included Mums Tipple (an eleven-length winner of his last race), Siskin (Phoenix Stakes), Threat (Champagne Stakes), Monarch of Egypt (runner-up in the Phoenix Stakes), Lope Y Fernandez (Round Tower Stakes) and Golden Horde.
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His first play, El semejante de sí mismo was unsuccessful, yet it attracted attention to him. By some, he was ridiculed and criticized; from others he obtained support. For ten years, he pursued this double life, until he finally secured first an interim and then a permanent appointment to the Royal Council of the Indies (1626) — rather like an appeals court for Spanish colonies in America. Apparently, when political success came, he all but stopped his literary efforts—although he did have two volumes of his plays published (in 1628 and 1634), perhaps because some of them had been pirated and previously published with false attributions to his theatrical rival Félix Lope de Vega.
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Embittered by his deformity, Alarcón was constantly engaged in personal quarrels with his rivals; but his attitude in these polemics is always dignified, and his crushing retort to Lope de Vega in Los pechos privilegiados is an unsurpassed example of cold, scornful invective. More than any other Spanish dramatist, Alarcón was preoccupied with ethical aims, and his gift of dramatic presentation is as brilliant as his dialogue is natural and vivacious. It has been alleged that his non-Spanish origin is noticeable in his plays, and there is some foundation for the observation; but his workmanship is exceptionally conscientious, and in El Tejedor de Segovia he produced a masterpiece of national art, national sentiment and national expression.
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In a letter to Philip II of Spain, the painter claims to have sent him a copy of this "Queen of Persia" in 1552. The Ringling Museum in Sarasota, Florida, purchased the original or a copy around 1930Harold Edwin Wethey The Paintings of Titian: The Portraits, Phaidon, 1971, p. 275. In early modern Spain, she appears or is alluded to in works by Quevedo and other writers as well as in a number of plays by Lope de Vega. In a play entitled The Holy League, Titian appears on stage at the Venetian Senate, and stating that he has just come from visiting the Sultan, displays his painting of Sultana Rossa or Roxelana.
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Cable Girls is the first Spanish original produced by Netflix, made in collaboration with Bambu Producciones. The idea for the series began with Ramon Campos and Gema R. Neira who worked together on the screen writing along with José Rustarazo, Jaime Vaca, Carlos Portela, Almudena Ocaña, Paula Fernández and Flora González Villanueva. The series is filmed in Spain's capital, Madrid, in various locations across the city that had been given a makeover to transport viewers back to the 1920s.The most prominent locations in the series include La Plaza del Alamillo, where the protagonists live, with the Pension Dolores serving as their home, and the street Lope De Vega serving as their route to work.
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In 1287, Maria married John of Castile. On June 8, 1288, her father was assassinated in Alfaro by order of King Sancho IV of Castile over a deep seated disagreement between the two parties. Maria's husband, John, who was also the brother of Sancho IV and one of the infantes of the Kingdom of Castile, was also present during the episode and was thrown in prison for his role in the affair. The title over Biscay passed down to Diego López IV de Haro, the firstborn son of Lope Diaz III, who was involved in his own disputes with supporters of the new King, Ferdinand IV of Castile, and with John of Castile.
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The small fleet arrived at Curaçao on July 6, but through adverse currents and winds could not enter the bay. On July 29, after being joined by a fifth ship and approaching from the north west, the fleet could enter the bay and captured the island from Spain with little resistance and without loss of life on either side. Van Walbeeck wrote in his diary, as transcribed by Johannes de Laet before it was lost, that the 32 Spanish and under 500 remaining (or reintroduced) local Arawaks inhabitants just withdrew to the West end of the island after poisoning their wells and burning their villages. On August 21 the Spanish commander, Lope Lopez de Morla, signed the surrender.
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The project caught the attention of both local high society and the King of Spain, Alfonso XIII, who collaborated with its construction by commissioning artisanal material for the theatre, named in honor of Spain's legendary novelist and dramatist, Miguel de Cervantes.Teatro Cervantes: historia The Cervantes Theatre was inaugurated in 1921 with a production of Lope de Vega's La dama boba (The Foolish Lady). The proliferation of theatres in Buenos Aires and the advent of the radio in Argentina soon eroded the Cervantes' audience base, however, and in 1926, the couple was forced to auction the institution, which was purchased by the Argentine government. They then returned to Madrid, where Guerrero died in 1928, at the age of 60.
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Ramón Tamayo worked as a producer for nearly three decades in the Lope de Vega company, founded by his brother Joseph Tamayo in 1946, with which he toured the Spanish territory making known the new generation of foreign authors in Francoist Spain. He directed the National Drama Centre between 1979 and 1981 along with actors Nuria Espert and José Luis Gómez. While the latter two were responsible for art direction, Tamayo took care of the inner workings, management and production. During his tenure, the center hosted around twenty shows such as Los baños de Argel (The Algiers baths), directed by Francisco Nieva; La velada en Benicarl, (Vigil in Benicarl) directed by ( Manuel Azaña).
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To the southeast is the Asmundo Palace of Gisira. Holders of many fiefs and noble titles, the Asmundos have had a profound effect on the political and cultural history of Sicily. In 1434, Adamo Asmundo, along with Battista Platamone, founded the University of Catania, one of the oldest universities in Italy and in the world. Among the first lecturers in theology appointed by Viceroy Lope Ximénez de Urrea y de Bardaixi in 1445 was the Carmelite Nicola Asmundo, a graduate of the University of Bologna.Remigio Sabbadini, Storia documentata della regia Università di Catania, 1898 Bartolomeo Asmundo, a senator of Catania from 1492 to 1532, was a reformer of studies at the city's university from 1495 to 1497.
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This later became the subject of a comedy written by the great Spanish playwright Félix Lope de Vega y Carpio; the title of the play, "Más mal hay en La Aldegüela de lo que sueña" means approximately, "There are worse things in Aldehuela than you have dreamt of". Fernando Toledo was a prior of the Sovereign Military Order of Malta in Castile and León. He was Captain General of the cavalry of Flanders and Portugal, member of the Council of State, and (from 1571 to 1580) Viceroy of Catalonia, succeeding Diego Hurtado de Mendoza y de la Cerda (also known as Diego de Mendoza y de la Cerda, 2nd Count of Mélito, 1st Duke of Francavilla), who had been viceroy from 1564 to 1571.
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Fortún helped fix the border between southwestern Navarre and the Kingdom of Castile, and he married into the royal family and fought alongside his father-in-law, García Sánchez III in the Reconquista. His ancestors may have belonged to the Banu Qasi, themselves descended from Visigothic nobility, and his descendants continued to rule their patrimony until the twelfth century. "Ochoiz" is a patronymic derived from the Basque name Ochoa or Oggoa, which meant "wolf" (modern Basque otso) and was probably used interchangeably with the Castilian name Lope (also "wolf", modern Spanish lobo), the patronymic of which is López.In the eleventh century, when spellings of proper names and vernacular (non-Latin) words, were unstandardised, the number of variants of Ochoiz is still extraordinary.
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The earliest known record of their family was an account written by Pero's own father, which claims they descended from Pyrenees Christian royalty and linked them to the Lords of Biscay. Later, Catholic bishop Lope de Barrientos, trying to dampen anti-semitic persecution, would claim that most of the nobility of Castile themselves had Jewish origins and that the Mendozas and Ayalas descended from a certain Rabbi Solomon and his son Isaque de Valladolid. As Alférez mayor del Pendón de la Banda (second lieutenant), he fought with Henry at the Battle of Nájera (1367) and was made a prisoner of the Black Prince but was later released. In 1378, he traveled to France in order to negotiate an alliance against the English and Portuguese.
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There she played leading roles in plays by John Osborne and the classical Spanish playwright Lope de Vega. In 1969 she gained a local profile for her work in the Theater am Goetheplatz in Bremen, where she first met director Rainer Werner Fassbinder. She then worked under his direction in a comedy by the 18th-century Venetian Carlo Goldoni The Coffee Shop (which was recorded for television in 1970), bringing her national attention in West Germany. She subsequently played the role of serial murderess Geesche Gottfried in the premiere of Fassbinder’s own play Bremen Freedom (also televised, in 1972), and then in the title role of his Henrik Ibsen adaptation Nora Helmer (televised in 1974) derived from A Doll's House.
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Thanks to his impressive masculine stature, handsome face with expressive eyes, along with charming manners heightened by a pleasant and resonant voice he, at first, impersonated various lover characters. As he aged, he began to adapt to more various roles, thus starting his career as a classical actor, appearing subsequently in plays of the Czech national literature and the world literature as well (Tyl, Jirasek, Vrchlicky, Langer, Sramek, Capek, Hasek, Sophocles, Lope de Vega, Molière, Flaubert, Strindberg, Rostand, Schiller, Goldoni, Gorkij, Balzac, Lermontov, Pushkin, Tolstoi, Shakespeare, at al). In July 1937 he married a stage dancer Gertrude Nettel, with whom he lived till her death 57 years later and with whom he had two sons. He had two hobbies which he gave all his free time to.
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In 1184, after a series of failed attempts, the Almohad caliph Abu Yaqub Yusuf invaded Portugal with an army recruited in Northern Africa and, in May, besieged Afonso I in Santarém; the Portuguese were helped by the arrival of the armies sent by the archbishop of Santiago de Compostela, in June, and by Ferdinand II in July. In 1185 Ferdinand married for the third time to Urraca López de Haro (daughter of Lope Díaz, lord of Biscay, Nájera and Haro), who was his mistress since 1180. Urraca tried in vain to have Alfonso IX, first son of Ferdinand II, declared illegitimate, to favour her son Sancho. Ferdinand II died in 1188 at Benavente, while returning from a pilgrimage to Santiago de Compostela.
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Reflecting the realities of the open range and ranch houses where the music originated, the early cowboy bands were string bands supplemented occasionally with the harmonica. The harmonica, invented in the early 19th century in central Europe, arrived in North America shortly before the American Civil War, as the United States was just beginning to expand westward; its small size and portability made it a favorite among the American public and the westward pioneers. Otto Gray, an early cowboy band leader, stated authentic Western music had only three rhythms, all coming from the gaits of the cow pony: walk, trot, and lope. Gray also noted the uniqueness of this spontaneous American song product, and the freedom of expression of the singers.
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Negotiations with Diego Lopez quickly broke down and he again decided to continue to appeal to the pope. At the beginning of 1307, while the king, Maria de Molina and the infante John were in Valladolid, they heard news that Pope Clement V renounced the validity of the renunciation over Biscay of 1300. The king drafted a new agreement whereby Diego Lopez V would keep Biscay during the course of his life, but it would revert to Maria II of Haro upon his death and would not go to his son, Lope Diaz IV who would instead inherit Orduña-Urduña and Balmaseda, and get Miranda de Ebro and Villalba de Losa from the king. The group convened on the court of Vallalodid to reach a final agreement.
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Thereafter, he was part of the group of nobles which advised King Sancho to wage battle against the Muslims, a course opposed by infante John "el de Tarifa" and Lope Díaz III de Haro, Lord of Biscay, who threatened to abandon the king if he insisted on fighting the Muslims, and explained that he should content himself with having achieved the raising of the siege of Jerez de la Frontera. In 1285 Álvaro Núñez de Lara confirmed various privileges granted by King Sancho. On 6 December infante Ferdinand, the son of King Sancho and Queen María de Molina and heir to the throne of Castile and León, was born. The next year Álvaro joined the King on pilgrimage to Santiago de Compostela.
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In 1286, due to his hostility toward Lope Díaz III de Haro, the king's favorite, he left Castile and headed for Portugal. From there, aided by his friendship with infante Alfonso of Portugal, he began to attack Castilian territory, using as bases the border fortresses controlled by the infante, who was at the time at odds with his brother, King Denis. Denis, who enjoyed good relations with King Sancho, thereupon ordered the councils of the border towns to attack his brother and Álvaro Núñez de Lara, who lost many of their men in several skirmishes with the Portuguese troops. Shortly thereafter, the castle of Arronches, which was in the hands of infante Alfonso, was besieged by the forces of the kings of Portugal and Castile.
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The tombs of Diego López and of his wife Toda Pérez, in the cloister of knights of the abbey of Santa María de Nájera, were both realized during the second half of the 13th century. They bear testimony of the specific interest of the Haros for this founder ancestor. During 1270–1280, when Lope Díaz III was brought against King Alfonso X of Castile-León, in nobiliary rebellions ever more open, intellectuals from the court denigrated the reputation of Diego López "said the Good", to whom the responsibility of the defeat of Alarcos was for the first time attributed. Writers supporting the Haros invented in this period an equivalent myth to justify Diego López II's attitude and to charge the monarchy.
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In Romania, the initiator of Hispanism was Ștefan Vârgolici, who translated a great part of the early 17-th century Miguel de Cervantes novel Don Quixote into Romanian and published—under the title Studies on Spanish Literature (Jasi, 1868–1870)—works on Calderón, Cervantes, and Lope de Vega, which had appeared in the journal Convorbiri literare (Literary Conversations). Alexandru Popescu-Telega (1889–1970) wrote a book on Unamuno (1924), a comparison between Romanian and Spanish folklore (1927), a biography of Cervantes (1944), a translation from the romancero (1947), a book on Hispanic Studies in Romania (1964), and an anthology in Romanian. Ileana Georgescu, George Călinescu (Iscusitul hidalgo Don Quijote de la Mancha), and Tudor Vianu (Cervantes) have published books on Cervantes.
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The douga was recorded by Mory and Madina Kouyaté, Guinean griots, in 1960, and that recording was reworked in the 1960s by the Ensemble National de Guinée "as a praise song to the Guinean army". That version, "Armée Guinnéenne", was in turn adapted by the Guinean jazz ensemble Bembeya Jazz National, in what is said to be an updated version of the douga, "an ancient Malinké [or Mandinka] warrior song". The song is linked to the ring shouts of the Gullah people of the US Atlantic coast, and specifically the buck dance the "Buzzard lope" (a well-known element of African-American dancing of the 19th century, and later incorporated into the minstrel show) is said to be "resonant" with the douga.
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A group of soldiers under Don Lope of Figueroa stops in the town of Zalamea, where the captain of the troop, Don Alvaro, is housed by the wealthy farmer Pedro Crespo. Hearing about the military's plans, Pedro Crespo decides to hide his daughter and niece in the attic, knowing that when the military comes around, honors are often ruined. However, Don Alvaro arrives with the intention of seeing Isabel, for he has heard the rumors of her beauty. Housed by Pedro Crespo, Don Alvaro devises a plan to fake a fight with Rebolledo and have him run away into the attic in order to catch a glimpse at Isabel and ascertain for himself whether the rumors about her beauty are true.
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The companions of his own age included Juan Pacheco, who became his closest confidant. The struggles, reconciliations and intrigues for power among the aristocracy, Álvaro de Luna, and the Infantes of Aragon would be constant. On 10 October 1444, he became the first and only prince of Jaén.In the cultural magazine of Don Lope de Sosa (1913-1930), creator of the official chronicle of the province of Jaén, D. Alfredo Cazabán Laguna (1870-1929) mentions the creation of the principality of Jaén in an article for King John II (10 October 1444) with the intention of restabilising the following a revolt of the aristocracy of Baeza, which affected the whole province and was led by Bishop Gonzalo de Zúñiga and his city.
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The magazine was named Liwayway, meaning dawn. It made significant contribution to the field of literature when it introduced the popular masterpieces of great Filipino poets and writers like Jose Corazon de Jesus, Florentino Collantes, Julian Cruz Balmaceda, Cecilio Apostol Borromeo, Lope K. Santos, Inigo Ed Regalado, Romualdo Ramos, Francisco Lacsamana, Fausto Galauran and Pedrito Reyes, the son of Severino Reyes who later succeeded him as the editor of Liwayway. Liwayway became even more popular in the following years and Don Ramon Roces decided to launch sister magazines. This gave birth to other vernacular magazines like Bisaya in 1932, Hiligaynon, a Hiligaynon language-magazine for the Ilonggos and people of Western Visayas in 1934, Bikolano in 1935, and the Ilocano Bannawag in 1940.
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The organizational unit was in charge of the Ministry of Education of Spain and the National Ministry of Education until 1951, and the Ministry of Information and Tourism from then on. After ten consecutive years, the management of the theatre was in the hands of Cayetano Luca de Tena, until in 1954 the authorities handed over the administration to José Tamayo and his company "Lope de Vega," in which actors Carlos Lemos, Núria Espert, Adolfo Marsillach and Berta Riaza performed. During the years of dictatorship, literary milestones such as Historia de una escalera and the introduction of contemporary foreign authors such as J.B. Priestley and Jean Anouilh premiered at Teatro Español. On 19 October 1975, the theater was damaged by another fire.
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The defenders took advantage of the confusion created by the storm to attack during the night, causing extensive damage. Floods in the camp and in the encircling lines required the headquarters and the larger part of the troops to move to the mouth of the river Palmones, where they spent the remainder of October 1342. Soon after the main Christian camp had moved, the Algecireños gathered all their forces in the Villa Vieja to make a desperate attack against their besiegers. The Muslim knights were able to reach the newly established Christian camp and kill many Christian knights including Gutier Díaz de Sandoval and Lope Fernández de Villagrand, vassals of Joan Núñez and Ruy Sánchez de Rojas, vassal of the Master of Santiago.
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A work by Agustín Querol, it was unveiled at its original location in the on 5 June 1902 (the ceremony had been delayed several times by bad weather) as part of a series of inaugurations of outdoor sculptures in Madrid on the occasion of the celebrations for the coming of age of King Alfonso XIII, featuring several notable figures such as—aside from Quevedo—Agustín Argüelles, Lope de Vega, Juan Bravo Murillo, and Goya. The standing Carrara marble statue representing Quevedo is featured on the top of the monument. He is wearing his staple Pince-nez (called quevedos in Spanish after him) and the cross of Saint James on his chest. Four allegorical sculptures representing Satyre, Poetry, Prose and History embrace the limestone plinth.
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It was also criticised by the speaker of the PP in the Committee of Culture of the Congress of Deputies, Beatriz Rodríguez Salmones. Regàs counter-argued that (Ménendez Pelayo) "will never have a company as good as the one in the garden", accompanied by the likes of Cervantes, Lope de Vega, San Isidoro, or Nebrija. Following months of heated controversy, Regàs rectified and announced the dismissal of the plans to move the statue to the exterior garden in October 2006, on the basis of the reported fragility of the stone from Novelda. Years later, Regás still wondered about the ruckus the "extreme right media" had created around the move, claiming her intention was always to place the statue in a privileged location.
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Pound was awarded a Harrison fellowship soon after graduation to continue his studies and complete a doctoral degree. Intending to write about jesters in the works of Lope de Vega, the outspoken Pound – who often challenged his professors' assertions, insisting that George Bernard Shaw was a better writer than Shakespeare – was eventually told that he was wasting his own time and that of the institution and left the university, his doctorate incomplete. In 1908 he left on a self-imposed exile to Europe, passing through Gibraltar and Venice before settling in London. There, whilst working on his poetry, he gave a series of lectures at the Regent Street Polytechnic; these lectures eventually became the basis of The Spirit of Romance.
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1899 theatre poster for the farce by Charles H. Hoyt Popular artistic allusions to the fable, or the idiom arising from it, were especially common during the 19th century. Where Lope de Vega had adapted the theme to a problem play in the 17th century, the Belgian composer Albert Grisar used it as the basis for his one-act comic opera of 1855, Le chien du jardinier.The score is archived online The idiom was also taken up in the US by the successful writer of farces, Charles H. Hoyt, where a horse rather than the more common ox figured on the 1899 poster (see left). The title has also been used in various media since then, but without reference to the fable in publicity or on covers.
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The first performance, "The King of Betajnova" by Ivan Cankar and directed by Bojan Stupica, was performed on 3 April 1948. This date is celebrated as the Yugoslav Drama Theatre Day, and on that date the annual awards are given. The first two seasons were marked by presentations of world and domestic classic dramas: Chekhov, Goldoni, Sheridan, Ostrovsky, Lope de Vega, Gorky, Shaw, Shakespeare, Plaut, Raisin, Molière, Ibsen, Lorca, and the Domestic classics Cankar, Držić, Sterija Popović, Јаkšić and Nušić. The early directors who contributed to the reputation of the Yugoslav Drama Theatre (Bojan Stupica, Мata Мilošević and Тоmislav Таnhofer) were influenced by European modernism as explored between the two world wars, which was evident in their selection of plays.
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It is not certain when Cervantes began writing Part Two of Don Quixote, but he had probably not proceeded much further than Chapter LIX by late July 1614. About September, however, a spurious Part Two, entitled Second Volume of the Ingenious Gentleman Don Quixote of La Mancha: by the Licenciado (doctorate) Alonso Fernández de Avellaneda, of Tordesillas, was published in Tarragona by an unidentified Aragonese who was an admirer of Lope de Vega, rival of Cervantes. It was translated into English by William Augustus Yardley, Esquire in two volumes in 1784. Some modern scholars suggest that Don Quixote's fictional encounter with Avellaneda in Chapter 59 of Part II should not be taken as the date that Cervantes encountered it, which may have been much earlier.
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Although a work that discusses politics in the Philippines, Rivas, Virgilio. Literary Approaches, Reflections of Kafka, veraqivas.wordpress.com, July 27, 2006 Banaag at Sikat is the only novel included by the Filipino critic Teodoro Agoncillo to a list of important books about Tagalog literature in 1949, because according to Agoncillo the book has a weakness but it started the system of writing a Tagalog novel. Thus, this book of Lope K. Santos paved the way on how to write other Tagalog- language novelsMallari, Luisa J. The Canon in Southeast Asian Literatures: Literatures of Burma, Cambodia, Indonesia, Laos, Malaysia, the Philippines, Thailand, and Vietnam, David Smyth (editor), Curzon/Routledge, 2000 which has a combined themes about love, livelihood, and the truthful and moving status of society.
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He executed a portrait of Philip IV and worked during the 1620s in a series of portraits of the principal intellectuals and writers of his time, including: Lope de Vega, Francisco de Quevedo, Luis de Góngora, Jose de Valdivieso, Juan Pérez de Montalbán, Juan Ruiz de Alarcón and Francisco de Rioja. On van der Hamen's death, twenty of these portraits were inventoried as a single item among his belongings. The portrait of his older brother, Lorenzo van der Hamen, probably belonged to this series. The series itself was a focal point for philosophic speculation on the art of portraiture by some of the most distinguished minds of the time, who frequently praised Juan van der Hamen in verse and prose.
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Zorrilla was born in Valladolid to a magistrate in whom Ferdinand VII placed special confidence. He was educated by the Jesuits at the Real Seminario de Nobles in Madrid, wrote verses when he was twelve, became an enthusiastic admirer of Walter Scott and Chateaubriand, and took part in the school performances of plays by Lope de Vega and Calderón de la Barca. In 1833 he was sent to study law at the University of Toledo, but after a year of idleness, he fled to Madrid, where he horrified the friends of his absolutist father by making violent speeches and by founding a newspaper which was promptly suppressed by the government. He narrowly escaped transportation to the Philippines, and passed the next few years in poverty.
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Pizarro chooses Don Pedro de Ursúa (Ruy Guerra) as the commander of the expedition, Don Lope de Aguirre (Klaus Kinski) as his second- in-command, fat nobleman Don Fernando de Guzmán (Peter Berling) representing The Royal House of Spain, and Brother Gaspar de Carvajal (Del Negro) to bring the word of God. Also accompanying the expedition, against Pizarro's better judgment, are Ursúa's mistress, Doña Inés (Helena Rojo) and Aguirre's teenage daughter, Flores (Cecilia Rivera, in her only film role). Traveling through rapids, one of the four rafts gets caught in an eddy, and the others are unable to help free it. That night, gunfire erupts on the trapped raft; in the morning the men on board are found dead, with two missing.
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Malmberg 1965: 99–126 and Malmberg 1971: 421–438. The Mexican linguist Juan M. Lope Blanch, however, finds similar weakening of vowels in regions of several other Spanish-speaking countries; he also finds no similarity between the vowel behavior of Nahuatl and that of Central Mexican Spanish; and thirdly, he finds Nahuatl syllable structure no more complex than that of Spanish. Furthermore, Nahuatl is not alone as a possible influence, as there are currently more than 90 native languages spoken in Mexico, and they all contribute to the diversity of accents found throughout the country. For example, the intonation of some varieties of Mexican Spanish is said to be influenced by that of indigenous languages, including some which are tone languages (e.g. Zapotec).
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He wrote his first play when he was 12, allegedly El verdadero amante, as he would later affirm in his dedication of the work to his son Lope, although these statements are most probably exaggerations. His great talent bore him to the school of poet and musician Vicente Espinel in the Philippines, to whom he later always referred with veneration. In his fourteenth year he continued his studies in the Colegio Imperial, a Jesuit school in Madrid, from which he absconded to take part in a military expedition in Portugal. Following that escapade, he had the good fortune of being taken into the protection of the Bishop of Ávila, who recognized the lad's talent and saw him enrolled in the University of Alcalá.
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So many misfortunes affected Lope emotionally, and on May 24, 1614, he finally decided to be ordained a priest. The literary expression of this crisis and its repentances are the Sacred Rhymes, published in 1614; there it says: "If the body wants to be earth on earth / the soul wants to be heaven in heaven", unredeemed dualism that constitutes all its essence. The Sacred Rhymes constitute a book at the same time introspective in the sonnets (he uses the technique of the spiritual exercises that he learned in his studies with the Jesuits) as devotee for the poems dedicated to diverse saints or inspired in the sacred iconography, then in full deployment thanks to the recommendations emanated from the Council of Trent.
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Besides Villaurrutia, he studied under other masters such as Salvador Novo, Clementina Otero, Celestino Gorostiza, André Moreau, Seki Sano, Fernando Wagner and Fernando Torre Lapham. López Tarso's professional stage debut was in 1951 for the play Born Yesterday by Garson Kanin. He would also perform in several William Shakespeare plays such as A Midsummer Night's Dream, Macbeth, Othello and King Lear. Other productions included: The Crucible by Arthur Miller, Oedipus Rex and Oedipus at Colonus by Sophocles, Hippolytus by Euripides, La Celestina by Fernando de Rojas, Cyrano de Bergerac by Edmond Rostand, The Miser by Molière, El villano en su rincón by Lope de Vega, The Mayor of Zalamea by Calderón de la Barca, and Exit the king by Eugène Ionesco.
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José de Cañizares was the most prolific dramatist of early 18th century Spain, credited with writing 80-100 comedias and zarzuelas, plus numerous minor works such as loas, entremeses, mojigangas, bailes, and fines de fiesta, the little pieces that rounded out a theatrical evening. Many of his plays enjoyed immense popularity in his lifetime and formed an integral part of the repertoire of the Madrid companies for over 60 years after his death. He is said to have written his earliest play in 1696 at the age of 13: Las cuentas del Gran Capitán, a reworking of a play by Lope de Vega. When finally produced in his adult years, Cañizares' version enjoyed such success that it eventually replaced Lope's play in the 18th century theatrical repertoire.
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He was the eldest son of Íñigo Vélaz (died 1129) and Aurea Jiménez. His relationship to the Vela family is supposed on the basis of onomastics, his father being presumed to be the younger brother of Ladrón Vélaz, thus providing a route for the name "Ladrón" into the name-pool of Íñigo's descendants. Ladrón's age can only be estimated by the witness of his sons Vela and Lope in a charter of 1135, by which point they must have been teenagers. According to the Crónica de San Juan de la Peña the initiative in placing García on the throne following the death of Alfonso the Battler, was taken by the bishop of Pamplona, Sancho de Larrosa, and several magnates of the kingdom, Ladrón first among them.
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Don Pedro Calderón de la Barca y Barreda González de Henao Ruiz de Blasco y Riaño (17 January 160025 May 1681), usually referred as Pedro Calderón de la Barca (, ; ), was a dramatist, poet, writer and a knight of the Order of Santiago, known primarily for being one of the most distinguished Baroque writers of the Spanish Golden Age, especially for its theater. During certain periods of his life he served as soldier and a Roman Catholic priest. Born when the Spanish Golden Age theatre was being defined by Lope de Vega, he developed it further, his work being regarded as the culmination of the Spanish Baroque theatre. As such, he is regarded as one of Spain's foremost dramatists and one of the finest playwrights of world literature.
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A conspicuous fact in the struggle for existence was the performance of Hnat Yura at "The Marriage of Figaro" premiere in Vinnytsia, which was attended by the representatives of the Government of the UPR. He stated that not a single theater could exist under the conditions created for Franko Theater, and only craving for work and incredible dedication to the scene saved the theater. At that time, in spite of everyone, Gnat Yura was working on "Lorenzacchio" by de Musset, the premiere of "Sheep's Well" by Lope de Vega took place, they kept on rehearsing Lesya Ukrainka's "Forest Song", and they were still touring... This time the theater went to Donbass. One of the theater's founders, artist Matthew Drak helped a lot as never before.
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It was not until 1739 that the first play by a Cuban appeared in Sevilla under the title El príncipe jardinero y fingido Cloridano ("The Garden Prince and the Hypocritical Cloridano") by Santiago Pita. It is a comedy portraying the artificial expressions of the time, with occasional reminiscences of Lope de Vega, Calderón de la Barca and Augustín Moreto. True Cuban poetic tradition began with Manuel de Zequeira y Arango and Manuel Justo de Rubalcava toward the end of the 18th century, despite the fact that Espejo de paciencia had been published a century and a half earlier. This can be affirmed not only by the quality of their respective works, but also by their typical Cuban style, which had already grown apart from that of Spain.
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Beginning at approximately apart, they encourage a slow canter or lope and spaced at intervals of , depending on the size and stride of the individual horse, they help regulate a horse's proper pace as it approaches or departs from a jumping obstacle. A modern molded plastic standard for cavaletti or small jumps with multiple preset heights In modern use, cavaletti are used not only for training, but also in some types of horse show competition such as trail horse classes for western riders, and very basic beginning jumper classes.2010 Appaloosa Horse Club Rule book, p. 93 They are not only used as jumps or ground rails, but can also be used to define corridors for training exercises or in trail horse or driving classes.
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He was widely imitated in Italy, France (where he was the idol of members of the précieux school, such as Georges Scudéry, and the so-called libertins such as Tristan l'Hermite), Spain (where his greatest admirer was Lope de Vega) and other Catholic countries, including Portugal and Poland, as well as Germany, where his closest follower was Christian Hoffmann von Hoffmannswaldau and Holland where Constantijn Huygens was a great admirer. In England he was admired by John Milton and translated by Richard Crashaw. He remained the reference point for Baroque poetry as long as it was in vogue. In the 18th and 19th centuries, while being remembered for historical reasons, he was regarded as the source and exemplar of Baroque "bad taste".
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Mécia was married on 29 September 1234 to Álvaro Pérez de Castro, a magnate involved in the expansion of the Castilian kingdom into the region of Cordoba, whose first marriage to Aurembiaix, Countess of Urgell had been annulled in 1228,LA FIGANIÈRE, Frederico Francisco de, Memorias das rainhas de Portugal, p. 85 a 98, Typographia universal, 1859 while Mécia's sister Teresa married Nuño, Count of Rousillon, a kinsman of the powerful House of Lara. These consanguineous marriages were the cause of a dispute between Ferdinand III and Mecia's father Lope Diaz II Haro and husband, the monarch confiscating some of the groom's lands. It was peacefully resolved through the mediation of Queens Berengaria of Castile and Elisabeth of Hohenstaufen, Ferdinand's mother and wife, respectively.
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BOE 155 (1968), available here; later the institute was renamed to Instituto Naciónal de Bachillerato Lope de Vega, BOE 284 (1977), available here As education official he was anxious to prevent "erosión de la espiritualidad", and in the early 1960s he opposed technocratic changes, proposed and eventually introduced in education.Gambra claimed that "erosión de valores", and "erosión de la espiritualidad" might impair development and adversely affect equality of opportunities. Proponents of technocratic changes, J. A. Pérez Rioja and A. Abad, gained the upper hand, giving rise to the reform period dubbed "segunda sisactía", Emilio Castillejo Cambra, Mito, legitimación y violencia simbólica en los manuales escolares de historia del franquismo (1936-1975), Madrid 2014, pp. 170, 671 He co-operated also with Universidad Complutense, particularly with the associated San Pablo CEU college, run by ACdP.
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" R.P. Fray Agapito Lope, O.S.A., Report on the Statistical information and State of the Parish of Banate, Cornago (La Rioja, Spain): 4 August 1911, pp. 1-2. (The document can be found in the Archives of the Monastery of the Augustinian Province of the Most Holy Name of Jesus of the Philippines in Valladolid, Spain. made of (bamboo) cane. The Municipal Hall, Church, School, and the Cemetery were made under the supervision of R.P. Fray Eustaquio Torés, O.S.A., while the Parochial House was made by R.P. Fray Manuel Santos, O.S.A."Edificios públicos: iglesia de madera con zócalo de piedra; convento de madera; cemeterio con cerco de caña; escuelas de caña; municipio de madera, todo obra del P. Eustaquio Torés, menos el convento que lo hizo el P. Manuel Santos.
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Villegas wrote a lyrical book that was very original for its time, "Las Eróticas" (Nájera, 1618, later widely reprinted, especially by Sancha in Madrid, 1774 and 1797), the cover of which bore under a rising sun the motto "Me surgente, quid istae?". This book earned him more than a few enemies because of his excessive pride, and he tried to suppress the emblem of the copies that he could; Lope de la Vega referred to this in his Laurels for Apollo, but did not mention Villegas by name. The book is divided into two parts; the first is written in heptasyllables, imitation of Anacreontic style and matter; the second is in endecasyllables, being historical in content. It contained very delicate poems in short meters, which he managed with special skill.
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The deal did not work materialize, it is not clear whether Valiente rejected it or whether Lizarza abandoned his own proposal, Mercedes Vázquez de Prada, El final de una ilusión. Auge y declive del tradicionalismo carlista (1957-1967), Madrid 2016, , p. 133 eventually only many local leaders - though not Lizarza himself - in 1962 decided to join the Javieristas and were accepted by Valiente.the adhesion menifesto, dated March 10, 1962, was signed by José Bru Jardí and Ramón Gassió Bosch for Catalonia, Lorenzo del Cura Lope for Alava, F. Suarez de Kelly for Asturias, Rafael Luis Gómez Carrasco for New Castile, Diego Hernández Illán for Murcia, Luis Olavarría Alayo for Biscay, Carmelo Paulo y Bondía for Valencia and Fermán Echeverría for the central Madrid Secretariat, Vázquez de Prada 2016, pp. 133-134.
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Born at Morges in Switzerland, Cecilia Francisca Josefa Böhl und Lütkens y Ruiz de Larrea was the daughter of Johann Nikolaus Böhl von Faber, a Hamburg merchant, who lived long in Spain, married a native of Cádiz, and is creditably known to students of Spanish literature as the editor of the Floresta de rimas antiguas castellanas (1821–1825), and the Teatro español anterior a Lope de Vega (1832). She was educated principally at Hamburg, visited Spain in 1815, and in 1816 married Antonio Planells y Bardaxi, an infantry captain of bad character. In the following year Planells was killed in action, and in 1822 the young widow married Francisco Ruiz del Arco, Marqués de Arco Hermoso, an officer in one of the Spanish household regiments. Cecilia Böhl de Faber, Fernán Caballero, by Valeriano Bécquer, 1858.
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In 2011, press announced that Rafael Riqueni is working on a new album, his first since 1996. And Paco Bech is shooting a documentary movie about Riqueni with the participation of Tomatito, Enrique de Melchor, Estrella Morente, Juan Manuel Cañizares and Serranito among other artists. This new album will be called Parque de María Luisa and is a conceptual work about the author memories of youth in this monument park in Sevilla. Riqueni announced his comeback for the XVIII Bienal de Flamenco, in 2014, where he performed at Lope de Vega Theater with Y Sevilla…, a show together with Antonio Canales, Segundo Falcón, Manolo Franco y Paco Jarana. Rafael Riqueni was one of the most celebrated performers of this Bienal de Flamenco edition and achieved the “Giraldillo a la Maestria” Bienal's award.
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In broad daylight on 7 February 1985, several DFS police officers kidnapped Camarena as he left the U.S. Consulate in Guadalajara. A few hours after the incident, his pilot Alfredo Zavala Avelar, who had conducted operations for the DEA alongside Camarena, was abducted. Camarena was taken to a home at 801 Lope de Vega in Guadalajara, where he was tortured to gain information regarding his knowledge of law enforcement operations directed against the Guadalajara Cartel; as well as any information that the DEA may have on Mexican politicians involved in drug trafficking. Over the course of the 30 plus hour torture session, Camarena's skull, jaw, nose, cheekbones, windpipe, and ribs were broken; the kidnappers brought in a doctor to administer drugs to the agent to keep him conscious throughout the whole session.
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Gaining control of the monster, they manage to reach an island of the archipelago where the treasure is supposedly hidden, where they meet with eccentric scientist Bombastus Johannes Theophrastus Almagestus Wernher von Ulm. Exploring the island, Maupertuis and Don Lope discover that it is inhabited by castaway Selenites, people from the Moon. They are led by Prince Jean sans Lune, exiled brother of the King of the Moon, who plots to seize power; the treasure map was a trick of his to lure Earthmen into bringing him a moonstone, necessary to return to the Moon. Séléné's necklace, which Maupertuis wears as a token, turns out to be such a moonstone, and it is used to propel the Prince's galley into space as the full moon, casting its rays, attracts all moon matter.
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Afonso V preferred to secure its line of cities and strongholds along the Duero River, but on 4 December 1475, a part of the Zamora's garrisona key Juanista cityrebelled and besieged the inner fortress, where the Portuguese took refuge. Ferdinand II of Aragon entered the city next day. At the end of January 1476, Afonso V received the reinforcement troops led by his own son, the Perfect Prince,Title awarded to him by Lope de Vega in his piece The Perfect Prince, part I. and in the middle of February 1476, the combined Portuguese forces besieged Ferdinand's Army (locked inside the city of Zamora), putting him in the curious situation of besieger being besieged. After two cold and rainy weeks, the besiegers decided to leave and rest in the city of Toro.
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Opera was slow to develop within Spain in comparison to France, Italy, and to a lesser extent Germany which have had continuous traditions of opera since the early part of the 17th century. One of the reasons for this slow development was the existence of a strong tradition of spoken drama in Spain which made some critics believe that opera was a less worthy art form. However, there was a tradition of songs given within largely spoken plays which began in the early 16th century by such distinguished composers as Juan del Encina.Temperley: "Opera", Grove Music Online The earliest Spanish operas appeared in the mid 17th century with libretti by such famous writers as Calderón de la Barca and Lope de Vega to music by such composers as Juan Hidalgo de Polanco.
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In 2008, directors Nicolás Méndez and Lope Serrano, who worked from the same artistic perspective, decided to join forces to improve and develop their own initiative focused on the audiovisual sector after working for many years for different companies. Together with the directors, executive producer Oscar Romagosa and producer Alba Barneda form the key part of the Canada collective. The first two years were hard for the company to work due to the 2008 worldwide economic crisis but specially for the Spanish financial crisis that lasted for almost six years starting in 2008. Things for the company started to become better when they produced the music video for El Guincho's track "Bombay" in 2010, which went viral on Vimeo and was named the best music video of the year by Rockdelux.
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These include El prodigio de Etiopía and El negro del mejor amo by Lope de Vega and El valiente negro en Flandes by Andrés de Claramonte. Christopher John Farley, referring to the magical Negro as "Magical African American Friends" (MAAFs), says they are rooted in screenwriters’ ignorance of African Americans: > MAAFs exist because most Hollywood screenwriters don't know much about black > people other than what they hear on records by white hip-hop star Eminem. So > instead of getting life histories or love interests, black characters get > magical powers. The Magical Negro stereotype serves as a plot device to help the white protagonist get out of trouble, typically through helping the white character recognize his own faults and overcome them and teaching them to be a better person.
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He also two daughters by his first wife: Urraca, who married Fruela Ramírez, and Aldonza, who married Lope Díaz I de Haro.Barton, 257, mentions only Urraca. Canal Sánchez-Pagín, 12–16, argues that Aldonza was as well. Gonzalo held the title of count, pertaining to the highest rank in the kingdom, by 4 February 1155, when he signed a royal charter at Valladolid as comes Gundisaluus. Since his father is never mentioned in royal documents after 8 November 1154, it is probable that he had died and his son had been named a count as his successor.Barton, 31 and n15. This scheme is complicated two charters of donation dated 1 July 1155 by Fernando and his brother Vermudo to the monastery they had founded at Sobrado dos Monxes.
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Stalin-era buildings flanking Kursk's Red Square Pre-1917 view of Kursk The first written record of Kursk is dated 1032. It was mentioned as one of Severian towns by Prince Igor in The Tale of Igor's Campaign: "Saddle, brother, your swift steeds. As to mine, they are ready, saddled ahead, near Kursk; as to my Kurskers, they are famous knights—swaddled under war-horns, nursed under helmets, fed from the point of the lance; to them the trails are familiar, to them the ravines are known, the bows they have are strung tight, the quivers, unclosed, the sabers, sharpened; themselves, like gray wolves, they lope in the field, seeking for themselves honor, and for their prince, glory."The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg.
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In the 1970s, in spite of the marginalization that he suffered, like other intellectuals, due to his homosexuality, he did not stop writing. After directing an adaptation of Lope de Vega's La discreta enamorada, he wrote La dolorosa historia del amor secreto de Don José Jacinto Milanés, a literary work that required him to do complex research into Spanish colonial Cuba. At this point his output constituted an intimate journey through the intricacies of the human being as part, for good and for bad, of that social structure that is the family, the core on which Estorino focuses to look at the reality of society as a whole. This explains why many of his plays were successfully performed in theaters in Europe (Norway, Sweden, Spain) and the Americas (United States, Chile, Venezuela).
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As a composer, Enrique Truan has an extensive musical work of over 248 works to his credit, covering different genres: choruses, cantatas, works for piano, violin and piano and guitar as well as 122 works for voice and piano on poems by Lope de Vega, Gil Vicente, Rubén Darío, Miguel de Unamuno, Rafael Alberti, Federico García Lorca, Juan Ramón Jiménez, Antonio Machado, Leopoldo Panero, Ángel González, Miguel Ángel Bonhome, F. Roces, Carmina Suáres, V. Rivas, and others. He has works published in the J. & W. Ed Chester of London (his Three castizo preludes, 1950). In Madrid, his Four songs of Garcia Lorca in Mus Ed. Modern Announces (1965), and other works in Caracas and Gijon. His work has appeared on recordings of the Philips discography label, Columbia Phonograph Company and Asturiana.
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Trasgu's pranks are told with variations in numerous towns of the Iberian peninsula, and his adventures are evoked in classical works of Spanish literature, like the anonymous 1554 novella Lazarillo de Tormes, the short farces of Miguel de Cervantes and the comedies of Lope de Vega.Mitos y leyendas de Asturias In instances of fantasy literature, and many times in sword and sorcery literature, the term "trasgo" may be confused with "orc", when it more generally is used to translate the English term "goblin" (and vice versa from Spanish to English). For example, the Spanish translation of the novel The Hobbit by J. R. R. Tolkien uses the term "trasgo" to signify the "goblins". However, in the Spanish translation of The Lord of the Rings, the orcs are referred to by the term "orcos".
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Juan de Céspedes formed part of the main expedition from the Caribbean coastal city of Santa Marta into the heart of the Colombian Andes, shown not entirely correctly in '''''' De Céspedes constructed the chapel of the Santa Bárbara church in Bogotá, on the site where he was almost killed by a lightning strike, honouring the patroness of thunder Juan de Céspedes was born in 1501 or 1505 in Argamasilla de Calatrava, Castile-La Mancha in a family of hidalgos from Toledo. His parents were Lope de Céspedes and María (de) Ruiz and he had one brother; Diego. Juan Francisco de Céspedes - Geni In 1521, he left Spain for Santo Domingo, Hispaniola, the first stronghold of the Spanish in the Americas. De Céspedes accompanied Rodrigo de Bastidas in the conquest of the Tairona and foundation of Santa Marta in 1525.
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This work also contains arrangements of vocal pieces by Josquin, Morales, Francisco Guerrero, and Philippe Verdelot, musicians from both Spain and the Low Countries. Fuenllana preferred the voice accompanied by vihuela to the vihuela solo. The vocal parts are written in red tint at the points where the music is to be performed most seriously. The merits of Fuenllana's work were known to his contemporaries; in the Declaración de instrumentos of Fray Juan Bermudo, he writes: Fuenllana was adept at finding apt harmonies and counterpoint to popular melodies: some of these traditional pieces are De los alamos vengo, madre, used by Lope de Vega; Morenica, dame, Con que la lavare, De Antequera sale el moro, and the romance of the loss of Antequera; thus, he presaged the coming of the accompanied melody of the Italians at the beginning of the seventeenth century.
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Iranzo had a well known career on stage, which particularly excelled in his interpretations of classics from the Golden Age. Some of the works featuring him were Adolfo Marsillach and Molière's Tartuffe (1969), Felix Lope de Vega's The Star of Seville (1958), Max Frisch's Andorra (1971), Adolfo Marsillach's Flower of Holiness (1973), Arnold Wesker and Irene Gutiérrez Caba's Chicken Soup with Oats (1978), Martín Recuerda's The Arrecogías the Beguinage of St. Mary of Egypt (1977), José María Rodríguez Méndez's Weddings that were famous in the Rag and Fandanga (1978), Miguel de Cervantes's The Baths of Algiers (1979) and The Roll Lavapies (1979), Woody Allen's Aspirin for Two (1980), Santiago Moncada's Ears of the Wolf (1980), Martin Recuerda's The Deceiting (1981), Miguel Mihura's Peach in Syrup (1982), Ibsen's Mallard (1982), Euripides's Fedra (1984), Shakespeare's Julius Caesar (1988), Alejandro Casona's The Third Word (1992).
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Aside from his Academy Award for Best Original Song, Drexler has been nominated five times at the Grammy Awards, for the albums Eco (2004), 12 Segundos de Oscuridad (2006), Cara B (2008), Bailar en la Cueva (2014), and Salvavidas de Hielo (2017); and received five Latin Grammy Awards, twice for Best Singer-Songwriter Album and Record of the Year and one for Song of the Year. For his work writing Spanish-language versions of singles by Colombian singer-songwriter Shakira, he has received five ASCAP Latin Awards. Drexler also received a Goya Award in 2010 with the song "Que El Soneto Nos Tome Por Sorpresa", written for the Spanish film Lope; the same year he was named Commander of the Order of Isabella the Catholic for his musical contributions. Overall, Drexler has received 13 awards from 46 nominations.
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Immediately, Berengaria charged Lope Díaz de Haro, Gonzalo Rodríguez Girón, and Alfonso Téllez de Meneses with the task of discreetly fetching her son Ferdinand, who at the time was in Toro with his father King Alfonso, using as pretext the possibility of an attack on Autillo and without revealing the news of her brother's death. Despite the hesitation of the infantas Sancha and Dulce, the nobles were able to convince the King that King Henry was alive and well, thereupon leaving Toro with Ferdinand. Berengaria, the legitimate heiress to the throne of Castile, renounced it in favor of her son Ferdinand, who shortly thereafter was proclaimed king in Autillo de Campos on 14 June 1217. On 20 September of that year, Alfonso Téllez de Meneses took Álvaro Núñez de Lara prisoner, and Álvaro was obliged to hand over some fortresses.
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Because of his gigantic imprint in Philippine academia, many institutions grant him academic awards and honors. It includes Chevalier dans l’Ordre des Palmes Academiques (the academic highest award given by the French government), Gawad ng Pagkilala from the Pambansang Samahan sa Sikolohiyang Pilipino, Gawad ng Pagkilala from the Linangan ng mga Wika sa Pilipinas, Gawad Lope K. Santos from the UP Sentro ng Wikang Filipino, Bayani ng Wika from Wika ng Kultura at Agham Ink., Gawad Pambansang Alagad ni Balagtas from the Unyon ng mga Manunulat ng Pilipinas, Most Outstanding Bikolano Artist for Literary Arts from the Bicol Regional Council for Culture and the Arts, Tiwi Gawad CORON 2010 from the Local Government of Albay, Most Distinguished Bedan from the San Beda College, Gawad Kalatas by the Polytechnic University of the Philippines, Gawad BAKAS by the Bagong Kasaysayan Inc., among many others.
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From its obscure origins in the theatres of Athens 2,500 years ago, from which there survives only a fraction of the work of Aeschylus, Sophocles and Euripides, through its singular articulations in the works of Shakespeare, Lope de Vega, Racine, and Schiller, to the more recent naturalistic tragedy of Strindberg, Beckett's modernist meditations on death, loss and suffering, and Müller's postmodernist reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. In the wake of Aristotle's Poetics (335 BCE), tragedy has been used to make genre distinctions, whether at the scale of poetry in general (where the tragic divides against epic and lyric) or at the scale of the drama (where tragedy is opposed to comedy). In the modern era, tragedy has also been defined against drama, melodrama, the tragicomic, and epic theatre.
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Kaalep was a member of the Congress of Estonia. Ain Kaalep and his wife Astrid in 2010. He published mainly poetry collections. In addition, he translated into Estonian poetry and prose works from German (Johannes Robert Becher, Bertolt Brecht, Heimito von Doderer, Günter Eich, Max Frisch, Albert Paris Gütersloh, Hermann Hesse, Hugo von Hofmannsthal, Ödön von Horváth, Hans Henry Jahnn, Gotthold Ephraim Lessing, Heinrich Mann, Georg Maurer, Hans Erich Nossack, Benno Pludra, Friedrich Schiller), Spanish (Vicente Aleixandre, Federico García Lorca, Lope Félix de Vega Carpio, Octavio Paz, José Soler Puig, César Vallejo), French (Charles Baudelaire, Jacques Prévert, To Hoai), Portuguese (Agostinho Neto, Fernando Pessoa), Catalan (Salvador Espriu), Ukrainian (Taras Shevchenko), Polish (Juliusz Słowacki), English, Galician, Provençal, Turkish (Nâzım Hikmet Ran), Tajik, Uzbek, Georgian, Finnish (Arvo Turtiainen), Latin (Ovid), and Ancient Greek (Sophocles, together with Ülo Torpats).
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Among the actors she has trained, coached, and occasionally fenced onscreen are Billy Campbell, Tessie Santiago, Peter Wingfield, Andrew Helm, Valentine Pelka, Anthony Lemke, Patricia Arquette, Lucy Liu, Elizabeth Gracen, Bob Golec, Patrick Fabian, Noah Wyle, Goran Visnjic, Mary Reinhardt, and Alex Kingston. Though never having trained him, she fenced with actor/swordmaster Anthony De Longis onscreen. She has taught swordplay and theatrical combat in among other locations Howard Fine Acting Studio and The Lee Strasburg Institute (both Hollywood); Juan Angel Theatre and Teatro Libre (both Bogotá, Colombia); Graz Kendo Club (Austria); Teatro Lope de Vega (Spain); Webber Douglas Academy of Dramatic Art (London); Inosanto Academy, College of the Canyons, University of Southern California, and West Los Angeles College (all California). She is a recognized expert in many forms of martial arts, including short swords and whip work.
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The original Nacionalista Party that was founded on August 21, 1901 in Calle Gunao, Quiapo, Manila, was forgotten. In that Quiapo Assembly, the following officers of the true Nacionalista were elected, namely Santiago Álvarez and Pascual Poblete as presidents; Andres Villanueva, vice president; Macario Sakay, secretary general; Francisco Carreón, Alejandro Santiago, Domingo Moriones, Águedo del Rosario, Cenón Nicdao, Nicolás Rivera, Salustiano Santiago, Aurelio Tolentino, Pantaleón Torres, Valentín Diza, Briccio Pantas, Lope K. Santos, Pío H. Santos, Salustiano Cruz, Valentín Solís and José Palma. The party began as the country's vehicle for independence, through the building of a modern nation-state and the advocacy of efficient self-rule, dominating the Philippine Assembly (1907–1916), the Philippine Legislature (1916–1935) and the pre-war years of the Commonwealth of the Philippines (1935–1941). During the Japanese occupation, political parties were replaced by the KALIBAPI.
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The Samar Island Natural Park occupies the low rugged central mountain range of the island of Samar shared by all three provinces in the island. It extends from the Northern Samar municipalities of Catubig, Las Navas, Lope de Vega, Mondragon and Silvino Lobos in the north to the Eastern Samar municipalities of Arteche, Balangiga, Balangkayan, Borongan, Can-avid, Dolores, General MacArthur, Giporlos, Hernani, Jipapad, Lawaan, Llorente, Maslog, Maydolong, Oras, Quinapondan, San Julian, Sulat and Taft; and the Samar Province municipalities of Basey, Calbayog, Calbiga, Catbalogan, Gandara, Hinabangan, Jiabong, Marabut, Matuguinao, Motiong, Paranas, Pinabacdao, San Jorge and San Jose de Buan in the island's central and southern regions. The headwaters of 25 watersheds begin from the slopes located in the natural park. The largest is the Suribao watershed with an area of , followed by Can-avid (), Dolores (), Catubig (), Gandara (), and Taft ().
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The Hispanic Baroque theatre aimed for a public content with an ideal reality that manifested fundamental three sentiments: Catholic religion, monarchist and national pride and honour originating from the chivalric, knightly world. Two periods are known in the Baroque Spanish theatre, with the division occurring in 1630. The first period is represented chiefly by Lope de Vega, but also by Tirso de Molina, Gaspar Aguilar, Guillén de Castro, Antonio Mira de Amescua, Luis Vélez de Guevara, Juan Ruiz de Alarcón, Diego Jiménez de Enciso, Luis Belmonte Bermúdez, Felipe Godínez, Luis Quiñones de Benavente or Juan Pérez de Montalbán. The second period is represented by Pedro Calderón de la Barca and fellow dramatists Antonio Hurtado de Mendoza, Álvaro Cubillo de Aragón, Jerónimo de Cáncer, Francisco de Rojas Zorrilla, Juan de Matos Fragoso, Antonio Coello y Ochoa, Agustín Moreto, and Francisco Bances Candamo.
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In 1560, Basque conquistadors Pedro de Ursúa and Lope de Aguirre journeyed down the Marañón and Amazon Rivers, in search of El Dorado, with 300 Spaniards and hundreds of natives; the actual goal of Ursúa was to send idle veterans from the Spanish conquest of the Inca Empire away, to keep them from trouble- making, using the El Dorado myth as a lure. A year later, Aguirre participated in the overthrow and killing of Ursúa and his successor, Fernando de Guzmán, whom he ultimately succeeded. He and his men reached the Atlantic (probably by the Orinoco River), destroying native villages of Margarita island and actual Venezuela. In 1561 Aguirre's expedition ended with his death in Barquisimeto, and in the years since then he has been treated by historians as a symbol of cruelty and treachery in the early history of colonial Spanish America.
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Contemporary Western astrology is often associated with systems of horoscopes that purport to explain aspects of a person's personality and predict significant events in their lives based on the positions of celestial objects; the majority of professional astrologers rely on such systems. Throughout most of its history, astrology was considered a scholarly tradition and was common in academic circles, often in close relation with astronomy, alchemy, meteorology, and medicine. It was present in political circles and is mentioned in various works of literature, from Dante Alighieri and Geoffrey Chaucer to William Shakespeare, Lope de Vega, and Calderón de la Barca. Following the end of the 19th century and the wide-scale adoption of the scientific method, researchers have successfully challenged astrology on both theoretical and experimental grounds, and have shown it to have no scientific validity or explanatory power.
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After racing in mid-division he was hampered 600 metres out before being switched to the outside in the straight and staying on well to finish fourth behind Lope de Vega, Planteur and Pain Perdu. On 14 July, with Gérald Mossé deputising for the injured Lemaire, Behkabad was stepped up in distance for the Grand Prix de Paris over 2400 metres on very soft ground at Longchamp. In a nine-runner field he was made the 5/1 fourth choice in the betting behind Planteur, Jan Vermeer (Critérium International) and Goldwaki (Prix du Lys). After settling in third place Behkabad took the lead 500 metres from the finish and kept on strongly in the closing stages to win by three quarters of a length from Planteur with a gap of five lengths back to Jan Vermeer in third.
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Jaun Zuria (Basque for "the White Lord") is the mythical first Lord, and founder, of the Lordship of Biscay, who defeated the Leonese and Asturian troops in the also-mythical Battle of Padura, in which he chased off the invaders to the Malato Tree, establishing there the borders of Biscay. There are three accounts of its legend, one by the Portuguese count Pedro Barcelos and two by the chronicler Lope García de Salazar.Jaun Zuria entry at the Auñamendi Entziklopedia (Spanish) According to the legend, Jaun Zuria had been born from a Scottish or English princess who had been visited by the Basque deity Sugaar in the village of Mundaka. It has been suggested that Jaun Zuria might have the same origin or be the same mythical figure as Olaf the White, an Irish Viking sea-king from the 9th century.
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Farnese deployed a 5,000-man vanguard, both infantry and cavalry, in the plain which separated his camp at Ranst from Borgerhout. Three small battalions, not surpassing 12 companies each, but made up of chosen men, went in advance; the right was taken by the Spanish tercio of Lope de Figueroa, the center by a Lower German regiment under Francisco de Valdés, and the right by a Walloon regiment under Claude de Berlaymont, known as Haultpenne. Each formation was supported by a sleeve of 100 musketeers, a group of men armed with axes to cut the palisades and a wheeled bridge to cross the moat. A corps of light cavalry led by Antonio de Olivera followed the infantry at some distance with instructions to cover its withdrawal if the attack went bad, or to follow up the victory, if it took place.
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Moreover, with the coming of the Age of Enlightenment in the 18th century, increasing numbers of licenses to possess and read prohibited texts were granted. Despite the repeated publication of the Indexes and a large bureaucracy of censors, the activities of the Inquisition did not impede the development of Spanish literature's "Siglo de Oro", although almost all of its major authors crossed paths with the Holy Office at one point or another. Among the Spanish authors included in the Index are Bartolomé Torres Naharro, Juan del Enzina, Jorge de Montemayor, Juan de Valdés and Lope de Vega, as well as the anonymous Lazarillo de Tormes and the Cancionero General by Hernando del Castillo. La Celestina, which was not included in the Indexes of the 16th century, was expurgated in 1632 and prohibited in its entirety in 1790.
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John Ramm is an English comedian and actor. He plays Raymond Box in the National Theatre of Brent,Interview with Patrick Barlow The Telegraph, 8 September 2011 and has also appeared on film and television in Robin Hood ("Will You Tolerate This?"), The Palace, Foyle's War ("All Clear") and as Makepeace's neighbour in Shakespeare in Love. On stage, he has appeared with the Royal Shakespeare Company in their 2004 Lope de Vega season, at the Chichester Festival Theatre, in a 2008 production of Ring Round the Moon at the Playhouse Theatre London, as Dogberry in Much Ado About Nothing in 2011, in the 2013 play The Low Road,John Ramm Bio Chichester Festival Theatre and as Thomas More and Henry Norris in Mike Poulton's 2014-2015 stage adaptions of Wolf Hall and Bring Up The Bodies respectively.
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Alfonso X the Wise, King of Castile and León. In early 1272, a group of nobles, including Nuño González "the Good" de Lara, Esteban Fernández de Castro, Simón Ruiz de los Cameros, Lord of Los Cameros, and Lope Díaz III de Haro, Lord of Biscay, met in the town of Lerma with the purpose of committing to fight against King Alfonso X if he did not yield to their demands. They agreed that Infante Philip, present at the meeting and spokesman for the conspirators, should meet with the King of Navarre in order to convince him to grant them asylum if they found themselves obliged to leave the Kingdom of Castile and León. Infante Philip, widowed of his first two wives, was then married to Leonor Rodríguez de Castro, the daughter of Nuño González de Lara's sister.
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Juan de Austria with Spanish breeches and codpiece, 1572 Spanish breeches (gregüescos in Spanish) are a type of breeches or trousers for men, short, baggy (harem pants) and ungathered, usually accompanied by a codpiece. Possibly of military origin, they were in fashion in Spain during the 16th century to the 17th. After that period, they adopted different forms and lengths in Western Europe and the Spanish overseas courts, as an evolution of botargas and other types of hose or pantaloons evolving then to follados or afuellados. They were described - in their varied typology - or ridiculed, by some of the best writers of the Spanish Golden Age, such as Lope de Vega, Tirso de Molina or Francisco de Quevedo; and painted by Diego Velázquez, Murillo or Alonso Sánchez Coello, among other artists from the major European courts, as Titian.
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As soon as he received news of the invasion, Alba organized an improvised army to secure Maastricht and prevent the junction of the Dutch rebels with his French fellows. He ordered the maestre de campo don Sancho de Londoño to move his tercio from the village of Lier up to Maastricht and its neighborhood. To blockade the route linking northern France with the valley of the Meuse, the Duke mobilized most of the cavalry under his illegitimate son, Fernando de Toledo, Grand Prior of Castile, who sent his men from Tournai up to the neutral Bishopric of Liège under the command of his lieutenant, don Lope de Acuña. Alba ordered the captain of his guard, don Sancho Dávila y Daza, to go after the rebel army with his own company of Spanish lances and those of Albanese lances under captain Nicolò Basta, and of horse arquebusiers under Pedro Montañés.
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On 11 November a generous truce was signed, allowing members of the House of Lara to recover their liberty and privileges. As soon as he was released from prison, however, Álvaro once again defied his enemies Alfonso Téllez de Meneses, Gonzalo Rodríguez Girón, and Lope Díaz de Haro, but he died while laying siege to them in the fortress of Castrejón de Trabancos, where they had taken refuge after an initial defeat. His brother Fernando Núñez de Lara made his way to Morocco, where he placed himself in the service of Caliph Yusuf II. The Pact of Toro of 26 August 1218 ratified the truce and put an end to the conflict. Alfonso Téllez de Meneses died in 1230 while accompanying King Ferdinand on his way to his coronation as King of León, the occasion of the union of the two crowns upon the death of Alfonso IX of León.
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In the Crónicas de Arecibo written by Puerto Rican historian Cayetano Coll y Toste, Toste states that his research and investigations led him to uncover the following facts. In the year 1515, all of the area of Arecibo including the rivers of "Rio Grande" and "Tanama" were given as a gift to a Lope Conchillos (who resided in Spain) by the Spanish Crown. Conchillos sent a helper by the name of "Pedro Moreno" to the island to administer his lands; Moreno found Aracibo and his tribe of about 200 Taínos living in the land; he then enslaved them and Aracibo and his people died shortly after.Moon Puerto Rico (Moon Handbooks); Suzanne Van Atten (Author); Publisher: Avalon Travel Publishing; Second Edition; ; He was an enemy of Bartolomé de Las Casas, and father in law to Pedro de Guzmán by his daughter Francisca de Ribera Niño.
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The first attestation of the tale is possibly Ancilotto, King of Provino, an Italian literary fairy tale written by Giovanni Francesco Straparola in The Facetious Nights of Straparola (1550-1555). A fellow Italian scholar, bishop Pompeo Sarnelli (anagrammatised into nom de plume Marsillo Reppone), wrote down his own version of the story, in (1684), preserving the Neapolitan accent in the books' pages: , or ("The deceiver deceived"). Spanish scholars suggest that the tale can be found in Iberia's literary tradition of the late 15th and early 16th centuries: Lope de Vega's contains similarities with the structure of the tale, suggesting that the Spanish playwright may have been inspired by the story, since the tale is present in Spanish oral tradition. In the same vein, Menéndez Y Pelayo writes in his literary treatise that an early version exists in , published in Lisbon in 1575, but this version lacks the fantastical motifs.
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The first work carried out was the tower, designed by Master Domingo Fernández; almost parallel to it, the Main and Rosary chapels were built, with this work being finished by Pedro García. Later, and after a long dispute with the town, the Saint Inés chapel was built by Don Lope Matías Menéndez de Luarca y Tiena, and in the mid-18th century the work on the central nave was finished, with arches, doors, and windows. The main altarpiece, in Baroque style and probably the work of José Bernardo de Mena, is dedicated to Our Lady of Humility, with images by the Asturian sculptor Antonio Baroja. On the right is the altarpiece of the Rosary, where the Tree of the Life of Jesus is represented; and on the left is the altarpiece of Saint Agnes, where the Tree of the Birth of Jesus is represented.
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La Conquista (also known as Montezuma) is an opera in two acts by Lorenzo Ferrero set to a trilingual libretto by the composer and Frances Karttunen, based on a concept by Alessandro Baricco. It depicts the major episodes of the Spanish conquest of the Aztec Empire in 1521 and the subsequent destruction of the Aztec civilization. The libretto (English-Spanish-Nahuatl) is a blend of historical and literary sources drawn from transcriptions of indigenous and European literature, both kept, with some exceptions, in their original languages. The texts are taken from The Truthful History of the Conquest of New Spain by Bernal Díaz del Castillo, the Book XII of the Florentine Codex, the works of Juan Boscán Almogáver, Bernardino de Sahagún, Lope de Vega, Heinrich Heine, and from Aztec prayers, songs and poems as collected in Cantares Mexicanos and Romances de los señores de Nueva España.
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It is essentially the production of a conscious artist, deliberative and selective in his methods. Don Juan Manuel naturalizes the Eastern apologue in Spain, and by the laconic picturesqueness of his expression imports a new quality into Spanish prose which attains its full development in the hands of Juan de Valdés and Cervantes. Some of his themes are utilized for dramatic purposes by Lope de Vega in La Pobreza estimada, by Juan Ruiz de Alarcón in La Prueba de las promesas, by Calderón in La Vida es sueño, and by José de Cañizares in Don Juan de Espina en Milán; there is an evident, though remote, relation between the tale of the mancebo que casó con una mujer muy fuerte y muy brava and The Taming of the Shrew; and a more direct connexion exists between some of Don Juan Manuel's enxemplos and some of Hans Christian Andersen's fairy tales.
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The Avenida Theatre was inaugurated on Buenos Aires' central Avenida de Mayo in 1908 with a production of Spanish dramatist Lope de Vega's Justice Without Revenge. The production was directed by María Guerrero, a Spanish Argentine theatre director who popularized classical drama in Argentina during the late 19th century and would establish the important Cervantes Theatre in 1921. The theatre became the chief venue for Spanish theatre in Buenos Aires after the conversion of the Cervantes into the National Comedy Theatre in 1933 and Federico García Lorca's play Bodas de Sangre was staged there that year. It soon earned renown for its varied operettas and zarzuelas (many led by renowned Spanish theatre director Federico Moreno Torroba), as well as for special events, such as a 1939 production of Aida for the benefit of Spanish charities dealing with the aftermath of that country's Civil War.
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Set design for Andromedé by Pierre Corneille, (1650) Design for a theater set created by Giacomo Torelli for the ballet Les Noces de Thétis, from Décorations et machines aprestées aux nopces de Tétis, Ballet Royal The Baroque period was a golden age for theatre in France and Spain; playwrights included Corneille, Racine and Moliere in France; and Lope de Vega and Pedro Calderón de la Barca Spain. During the Baroque period, the art and style of the theatre evolved rapidly, alongside the development of opera and of ballet. The design of newer and larger theatres, the invention the use of more elaborate machinery, the wider use of the proscenium arch, which framed the stage and hid the machinery from the audience, encouraged more scenic effects and spectacle. The Baroque had a Catholic and conservative character in Spain, following an Italian literary model during the Renaissance.
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Back in her hometown, Zorrilla made her theater debut in Paul Claudel's The Tidings Brought to Mary in 1948. Immediately after, she joined the ensemble of the National Comedy of Uruguay working for 10 years at the Solís Theatre, where Spanish actress Margarita Xirgu directed her in García Lorca's Blood Wedding, Fernando de Rojas' La Celestina, Shakespeare's A Midsummer Night's Dream, Romeo and Juliet, and other classics During the 1950s and 1960s, Zorrilla appeared in Bertolt Brecht' Mother Courage and Her Children, "Filomena Marturano", Romeo and Juliet, Macbeth, A Midsummer Night's Dream, Tartuffe. The Seagull, Wilder's Our Town, Neil Simon's Plaza Suite, Giraudoux's The Madwoman of Chaillot, and plays by Pirandello, Peter Ustinov, Tirso de Molina, Lope de Vega, Henrik Ibsen, August Strindberg, J.B. Priestley, and Ferenc Molnár. She received critical acclaim for her performances in Thornton Wilder's The Matchmaker and in Hay Fever as Judith Bliss.
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During his stay in Granada and throughout the actual revolt, he participated together with his father in peace negotiations between the Crown of Castile and the Kingdom of Granada and the nobles in rebellion. Painting depicting King Alfonso X of Castile. At the beginning of 1273, Juan Núñez I de Lara, who had up until now acted as a mediating force together with the bishop of Cuenca between his father and the King, abandoned the Castilian crown and embraced his role as a rebellious noble. In winter of 1273, at the city of Tudela, the infante Philip of Castile, Lope Díaz III de Haro, Álvar Díaz de Asturias, Nuño González de Lara "el Bueno" and his sons, Juan Núñez I de Lara, and Nuño González de Lara y León amongst other magnates, gathered to pay homage and swear allegiance to Henry I of Navarre.
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After much negotiation, Alfonso X, advised by his brother Frederick of Castile and Simón Ruiz de los Cameros, the Castilian monarch accepted most of the demands of the exiled nobles, presenting the final agreement to Nuño González de Lara "el Bueno", who in 1273, met with the queen, Violant of Aragon in the city of Córdoba. At the end of that same year, the exiled nobles returned to the Kingdom of Castile. At the same time, Muhammed II al-Faqih, the Sultan of Granada, declared himself and his kingdom, a vassal of Alfonso X, even though the chronicles of King Alfonso X erroneously state that this announcement did not come until 1274. In July 1273, Fernando Rodríguez de Castro, Simón Ruiz de los Cameros, and Diego López V de Haro, the younger brother of Lope Díaz III de Haro were all confirmed as being entered back into the royal diplomas.
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Moscow version, said to be 1542–46 The Spanish dramatist Lope de Vega (1562–1635) was "fascinated" by the painting, and mentions it in several plays, with a print of it featuring as a stage prop in one of them.De Armas, Frederick A., "The Comedia and the Classics", 43–50, 44 quoted, in Hilaire Kallendorf (ed), A Companion to Early Modern Hispanic Theater, 2014, BRILL, , 9789004263017, google books Venus and Adonis is a narrative poem by William Shakespeare that was published in 1593 and is probably Shakespeare's first publication. As noted by Erwin Panofsky, the poem certainly has similarities with Titian's painting, general ones in that Venus has difficulty attracting the very young Adonis, and in specific details. On his last morning she tries to physically restrain him from going hunting, but he pulls himself away, as in the Titian.Magri, 79, 81, 83; See also John Doebler, "The Reluctant Adonis: Titian and Shakespeare", Shakespearean Quarterly, Vol.
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Later, the director made pictures of various genres, but from the beginning of the 1970s he specialized in the genre of musical film, making the film Farewell to St. Petersburg about the stay of Johann Strauss II in Russia. Yan Frid received all-union recognition after Dog in the Manger hit the television screens, which was based on the play of Lope de Vega, with Mikhail Boyarsky Margarita Terekhova in the lead roles. Great success awaited Yan Frid with films Die Fledermaus (based on the operetta of Johann Strauss II) with Yuri and Vitaly Solomin, Lyudmila Maksakova; "Silva" (based on Emmerich Kálmán's operetta) with Ivar Kalninsh; "Pious Marta" (Tirso de Molina) with Margarita Terekhova and Emmanuel Vitorgan; "Don Cesar de Bazan" with Anna Samokhina, Mikhail Boyarsky and Yuri Bogatyrev. In addition to the above, the director has directed the films "The Road of Truth", "Another's Trouble", The Green Carriage, "Free Wind", "Tartuffe".
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The flat racing season in Ireland was disrupted by the COVID-19 Pandemic and the Irish 2000 Guineas was run three weeks later than usual on 12 June at the Curragh with no spectators allowed. Siskin, making his first appearance for more than ten months, started the 2/1 favourite in a race which saw a six- horse entry from O'Brien's Ballydoyle stable (described by Ger Lyons as a "football team") comprising Armory (Futurity Stakes, Lope Y Fernandez (Round Tower Stakes), Royal Lytham (July Stakes), Monarch of Egypt, Vatican City and Fort Myers (Star Appeal Stakes). The other four runners were Sinawann (runner- up in the Juvenile Stakes), Fiscal Rules, Free Solo and Rebel Tale. Siskin settled in seventh place as Fort Myers and Royal Lytham set the pace, and was switched to the left in the last quarter mile, bumping Armory as he did so, after struggling to obtain a clear run.
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The original families of Cawayan were: Hermogenes Verano, Domingo Bajar, Pedro Cabug, Dionisio Celebre, Basilio Floresta, Pedro Cornal, Pio Cebu, Timoteo Valladores, Regacio Verano, Alberto Cabug and Florencio Fernandez Sr., the father of the governor of Masbate, Jolly T. Fernandez. ;Cawayan Interior: The barangay is called Cawayan Interior because the place were bounded from coastal to upland west was situated in between Bolo, Batuhan, and Cawayan exterior. Since Cawayan upland is a sitio of Cawayan coastal (Cawayan Exterior), there happened to be an agreement of splitting into two Cawayans. This was them the idea of a certain leader Mr. Florencio Fernandez Sr. soon the official separation was made in October 1966 initiative of them Mayor Juan P. Sanchez Sr. according to sources the barangay was organized sometimes in 1971:kind hearted individuals donated the lot to be the barangay site it was Mr. Leopoldo Brioso who solicited from the late Lope Buncaras Sr. and Antonio Luzanta Sr. to donate.
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La cubierta de zinc. Hasta el año mil ochocientos noventa y nueve existió junto a la playa una casa parroquial de materiales fuertes hasta el piso superior y maderas con cubierto de nipa - de esta casa se sacaron los harigues ó pilares para levantar la nueva casa parroquial." R.P. Fray Agapito Lope, O.S.A., Report on the Statistical information and State of the Parish of Banate, Cornago (La Rioja, Spain): 4 August 1911, p. 1. (The document can be found in the Archives of the Monastery of the Augustinian Province of the Most Holy Name of Jesus of the Philippines in Valladolid, Spain.) Cemetery about five hundred meters distant from the Poblacion settlement; and located on the road that leads to the mountain near the hill called "Cambang-bato", which was enclosed by a short wall"Fue habia un cementerio cercado de pequeña tapia a unos quinientos metros distante del caseo de población en el camino vecinal que conduce al monte cerca de la loma llamada Cambang-bato.
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The project caught the attention of both local high society and the King of Spain, Alfonso XIII, who collaborated with its construction by commissioning artisanal fixtures, material and elements of stagecraft for the theatre, built accordingly in Spanish baroque style and named in honor of Spain's legendary novelist and dramatist, Miguel de Cervantes. The Cervantes Theatre was inaugurated on September 5, 1921, with a production of Lope de Vega's La dama boba (The Foolish Lady). The proliferation of theatres in Buenos Aires and the advent of the radio in Argentina soon eroded the Cervantes' audience base, however, and in 1926, the couple was forced to auction the institution. Lamenting this turn of events, National Music Conservatory Assistant Director Enrique García Velloso persuaded President Marcelo Torcuato de Alvear, whose wife, Regina Pacini, had been an opera chanteuse and was an avid patroness of the arts, to create the National Stage Theatre at the ailing Cervantes.
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The community of Tunisian Christians existed in the town of Tozeur up to the 18th century. Another group of Christians who came to North Africa after being deported from Islamic Spain were called the Mozarabic. They were recognised as forming the Moroccan Church by Pope Innocent IV. Ethiopian Orthodox Church In June 1225, Honorius III issued the bull Vineae Domini custodes that permitted two friars of the Dominican Order named Dominic and Martin to establish a mission in Morocco and look after the affairs of Christians there. The bishop of Morocco Lope Fernandez de Ain was made the head of the Church of Africa, the only church officially allowed to preach in the continent, on 19 December 1246 by Innocent IV., page 103-104 The medieval Moroccan historian Ibn Abi Zar stated that the Almohad caliph Abu al-Ala Idris al-Ma'mun had built a church in Marrakech for the Christians to freely practice their faith at Fernando III's insistence.
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On 20 June 1937, the day after the fall of Bilbao to Nationalist troops, Jon Bilbao managed to escape at night in the motor launch "Sagrada Familia" from Zierbena (Bizkaia) to Bayonne. Two months later, he embarked in Bordeaux for Guadeloupe, later making his way to Puerto Rico. He made contact with exiled professors such as María Zambrano at the University of Puerto Rico, but in 1938 opted to enroll at Harvard University for further study. He spent many hours in Boston Public Library, sifting through dictionaries, encyclopedias and biographies to fill the filecards that were eventually to form the basis of his monumental Bibliografia Eusko, a standard work of reference in Basque studies. Moving from Boston to New York, he enrolled at Columbia University where he resumed the studies he had begun in Madrid, obtaining his degree in May 1939 with a dissertation on the work of Lope García Salazar, a 15th-century Basque historian, working under Professor Federico de Onís.
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The Fuero de Villasila y Villamelendro granted by Alfonso VIII in 1180 attests to the existence of both towns since at least the 12th century, with the priests of both parishes coming to Carrión to request this privilege. The design of this church is built on top of a previous, more simple one. In fact, two different axes of symmetry can be seen. The part of the presbytery presents a slightly different alignment from the rest of the nave, so it can be deduced, being closer to the village, that this is the oldest part over which the rest of the building was enlarged. On 21 February 1527, during the general chapter of the Order of Santiago, which took place in Valladolid, and which was presided over by Carlos I of Spain, the examination of the books of the visitation carried out in Old Castile by Lope Sánchez Becerra and Juan Alonso, a priest of Montemolín, was begun.
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The miḥrāb of a Mardanīshī mosque, later the oratorio of the Alcázar Mayor of Murcia and now the Museo de la Iglesia de San Juan de Dios Abū ʿAbd Allāh Muḥammad ibn Saʿd ibn Muḥammad ibn Aḥmad ibn Mardanīsh, called al-Judhāmī or al-Tujībī (born AD 1124×25 [AH 518], died AD 1172 [AH 568]) was the king of Murcia from AD 1147 (AH 542) until his death. He established his rule over the cities of Murcia, Valencia and Dénia as the power of the Almoravid emirate declined, and he opposed the spread of the Almohad caliphate. Christian sources refer to him as the "Wolf King" (Latin rex Lupus, Spanish rey Lobo or rey Lope). Ibn Mardanīsh's full name was Abu ʿAbd Allāh Muḥammad ibn Saʿd ibn Muḥammad ibn Aḥmad ibn Mardanīsh al-Juḍāmī (or at-Tuȳībī), indicate he was the son of Saʿd, son of Muḥammad, son of Aḥmad, son of Mardanīsh.
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The same year he made five drawings for a procession in honour of the poet Francesc Vicent Garcia i Torres in Vallfogona de Riucorb, where this celebrated 17th-century writer and friend of Lope de Vega was the parish priest. Gaudí's project was centred on the poet and on several aspects of agricultural work, such as reaping and harvesting grapes and olives; however, as a result of organisational problems Gaudí's ideas were not carried out. Between 1879 and 1881 he drew up a proposal for the decoration of the church of Sant Pacià, belonging to the Colegio de Jesús- María in Sant Andreu del Palomar: he created the altar in a Gothic style, the monstrance with Byzantine influence, the mosaics and the lighting, as well as the school's furniture. The church caught fire during the Tragic Week of 1909, and now only the mosaics remain, of "opus tesselatum", probably the work of the Italian mosaicist Luigi Pellerin.
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On 17 April Dick Turpin made his three-year-old debut in the Greenham Stakes (a trial race for the 2000 Guineas) over seven furlongs at Newbury Racecourse and started the 8/1 third choice behind his stablemate Canford Cliffs and Arcano in a five-runner field. Ridden for the first time by Ryan Moore he tracked the front-running Canford Cliffs before taking the lead inside the final furlong and winning by half a length. In the 2000 Guineas over the Rowley Mile on 1 May Dick Turpin, a 16/1 outsider, took the lead three furlongs out but was overtaken inside the final furlong and beaten intoecond place by Makfi with Canford Cliffs in third, Xtension fourth and the favourite St Nicholas Abbey in sixth. Fifteen days later the colt was sent to France for the Poule d'Essai des Poulains at Longchamp finished second of the fifteen runners, beaten half a length by Lope de Vega with Buzzword, Siyouni and Poet's Voice unplaced.
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The appointment of these members of the Legislature did not require the consent of the upper house; the appointive legislators were also not necessarily required to be residents of the areas they represented. For example, Assemblyman Pedro Aunario, a resident of Manila, and Senator Lope K. Santos, a resident of Rizal, were among the representatives of the Mountain Province. Despite several of the Mountain Province's municipalities and municipal districts being annexed to the neighboring provinces of Ilocos Sur (in 1920), La Union (in 1920) and Cagayan (in 1922 and 1928), voters in these areas were still represented by the three assembly members of the Mountain Province, and two senators of the twelfth senatorial district. Only starting in 1935 were these voters extended the right to participate in electing representatives of their respective new provinces, when Act No. 4203 assigned them to specific districts for the purposes of electing members of the unicameral National Assembly of the Philippines.
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In early September 1275, Nuño González de Lara "el Bueno", Juan Núñez I's father died at the Battle of Écija where Castilian forces were defeated by forces of the Marinid Dynasty who had invaded Andalucía. His father's head was sent by the Marinid King of Granada to Córdoba in a move he apparently considered to be a gesture of goodwill as Nuño González had previously been in the service of the Kingdom of Granada. Nuño González was buried along with the rest of his body at the Convento de San Pablo de Palencia After the death of his father, Juan Núñez I inherited the title of the Head of the House of Lara and became the preeminent defender of the rights to the throne of the infantes de la Cerda as he had promised Philip of Castile. His principal rival, Lope Díaz III de Haro, Lord of Biscay, became the principal defender of the claims of Sancho of Castile.
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The actual date of consecration as a church remains unknown, but it is recorded that the consecration was commemorated by a Greek inscription and seven crosses. The former still existed in 1540 but it has since been lost, while the crosses were embellished in 1620 and they survive today. In the 14th and 15th centuries the church was visited by various notable people, including the Kings of Sicily Frederick III in 1373, Martin I in 1408 and Alfonso in 1432, and Viceroys of Sicily Lope Ximénez de Urrea y de Bardaixi in 1468 and Fernando de Acuña y de Herrera in 1490. The church was recognised as one of Malta's original ten parish churches, being mentioned in a 1436 document by Bishop Senatore de Mello. In 1470, a pilgrimage to the church took place after Malta had suffered from three years of drought. In the 16th century, the village of Mellieħa was depopulated due to raids by Barbary pirates, especially after a major attack in 1551.
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He therefore usually reduced the number of scenes in his plays as compared to those of Lope de Vega, so as to avoid any superfluity and present only those scenes essential to the play, also reducing the number of different metres in his plays for the sake of gaining a greater stylistic uniformity. Although his poetry and plays leaned towards culteranismo, he usually reduced the level and obscurity of that style by avoiding metaphors and references away from those that uneducated viewers could understand. However, he had a liking for symbolism, for example making a fall from a horse a metaphor of a fall into disgrace, the fall representing dishonour; the use of horoscopes or prophecies at the start of the play as a way of making false predictions about the following to occur, symbolizing the utter uncertainty of future. In addition, probably influenced by Cervantes, Calderón realized that any play was but fiction, and that the structure of the baroque play was entirely artificial.
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In this story, a man named Çuria is born from the union of the god Sugaar and a Scottish (or in other versions, Irish, Danish or Frankish) princess in the village of Mundaka. Çuria was the elected chief of the Biscayans before the victorious battle of Arrigorriaga against the invading forces of the Kingdom of Asturias. Tradition holds that before the battle he saw two wolves carrying lambs in their mouths, presaging the victory; this scene is reflected in the arms of the lords of Biscay of the House of Haro. García de Salazar proceeds to give Çuria two sons by different mothers, Munso López (perhaps representing the historical Munio Velaz of the early 10th century) and Ínigo Esquira (an apparent temporally-displaced doppelgänger of the later lord of that name), who are followed by further apocryphal lords, Lope Díaz and Sancho López, before García de Salazar names a second Ínigo Esquira, this time representing the first authentic Lord of Biscay, the 11th-century Íñigo López Ezkerra.
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The lordship would be later inherited by his son, Diego López I de Haro, who served as Lord of Biscay until 1134 when he was defeated and probably killed by Alfonso the Battler, King of Aragón and Navarre. The Lordship was then reintegrated into Navarre and Ladrón Íñiguez, one of the most powerful men of the Navarrese court, was named Lord of Biscay. After his death, in 1155, his son Vela Ladrón, who at the time was also Lord of Álava and Guipúzcoa, became Lord of Biscay and ruled through the reigns of Alfonso the Battler, García Ramírez and Sancho VI. During that time, Lope Díaz I de Haro claimed the title of Lord of Biscay, though he never set foot on the land during his lifetime. In 1173 Alfonso VIII of Castile attacked the Kingdom of Navarre and, a year later with the death of Vela Ladrón, occupied Biscay and restored the House of Haro: Diego López II de Haro was named Lord of Biscay.
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Margarita de las Flores Lozano Jiménez (born 14 February 1931 in Tetuan) is a Spanish-born actress known for her career in Italian films. She has worked for Luis Buñuel in Viridiana, Sergio Leone in A Fistful of Dollars, Pier Paolo Pasolini in Pigsty, the Taviani brothers in The Night of the Shooting Stars, Kaos and Good Morning Babylon; Nanni Moretti in La messa è finita; and in Claude Berri's diptych Jean de Florette and Manon des Sources. She worked with the theater director Miguel Narros in Fedra, by Miguel de Unamuno (1957); Three Sisters, by Anton Chekhov (1960); Fröken Julie, by August Strindberg (1961); La camisa, by Lauro Olmo (1962); El caballero de Olmedo, by Lope de Vega and La dama duende, by Pedro Calderón de la Barca. She returned in 1988 with Miguel Narros in the plays Long Day's Journey into Night, by Eugene O'Neill, and La vita che ti diedi, by Luigi Pirandello.
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On his first two races as a three-year-old, Poet's Voice ran without success in France: he finished eighth behind Lope de Vega in the Poule d'Essai des Poulains on 16 May and ninth to Joanna in the Prix de la Porte Maillot on 3 July. At Salisbury Racecourse on 12 August he started a 16/1 outsider for the Sovereign Stakes but belied his odds as he finished strongly and failed by only a nose to overhaul the pace-setting Sea Lord. He was partnered by Ted Durcan at Salisbury, but Dettori resumed the ride when the colt contested the Celebration Mile at Goodwood Racecourse and started the 2/1 second choice in the betting behind the five-year-old Main Aim, a two-time winner of the John of Gaunt Stakes. After being restrained at the rear of the four-runner field he took the lead a furlong out and drew away to win "comfortably" by four lengths.
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James Archer (1860) Many later versions of the Arthurian legend (including the best- known, Le Morte d'Arthur by Thomas Malory) have Morgan and some other magical queens or enchantresses arrive after the battle to take the mortally wounded Arthur from the battlefield of Camlann (or Salisbury Plain in the romances) to Avalon in a black boat. Besides Morgan (who by this time became Arthur's sister in popular narrative), they sometimes come with the Lady of the Lake among them; other times they may include the Queens of Eastland, the Northgales, the Outer Isles, and the Wasteland. In the Vulgate Cycle, Morgan also first tells Arthur of her intention to relocate to the isle of Avalon, the place where "the ladies live who know all the magic in the world" (ou les dames sont qui seiuent tous les enchantemens del monde), shortly before his final battle. In Lope Garcia de Salazar's Spanish version of the Post-Vulgate Roman du Graal, Avalon (which he also calls the Island of Brasil, locating it west of Ireland) afterwards becomes hidden in mist by her enchantment.
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In 1968, Tedre began an engagement as an actress at the Endla Theatre in Pärnu that would last forty-two years, before departing to become a freelance actress in 2010. Tedre has, however, returned to the stage of the Endla Theatre frequently since departing as a guest actress. Notable performances throughout her career with the Endla Theatre have included roles in works by such varied international authors and playwrights as: Astrid Lindgren, Agnieszka Osiecka, Alexander Ostrovsky, Brecht and Weill, Shakespeare, Thornton Wilder, Lope de Vega, Daphne du Maurier, Leo Tolstoy, György Spiró, Joseph Stein, Carl Erik Soya, Michel Tremblay, Jerome Kern, Selma Lagerlöf, Charles De Coster, Ernest Thompson, Wendy Kesselman, Molière, Inga Ābele, Shelagh Stephenson, John Millington Synge, Kenneth Lonergan, Jon Fosse, Eric-Emmanuel Schmitt, Kaite O'Reilly, Ronald Harwood, Patrick Hamilton, Sławomir Mrożek, and Israel Horovitz. Among his more memorable performances in roles by Estonian playwrights and authors include those of: August Kitzberg, Ott Kool, Oskar Luts, Hella Wuolijoki, Rein Saluri, Olaf Kopvillem, Olav Ehala, August Gailit, Martin Algus, and Heidi Sarapuu.
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It was the true aristocracy and the true nobility of the Spanish Philippines, which could be roughly comparable to the patrician class of ancient Rome. The principales (members of the principalía) traced their origin from the precolonial ruling Datu class of the established kingdoms, rajahnates, confederacies, and principalities, as well as the lordships of the smaller ancient social units called barangays in Visayas, Luzon, and Mindanao. The members of this class enjoyed exclusive privileges: only the members of the principalía were allowed to vote, be elected to public office, and be addressed by the title: Don or Doña. The use of the honorific addresses "Don" and "Doña" was strictly limited to what many documents during the colonial periodAn example of a document pertaining to the Spanish colonial government mentioning the "vecinos distinguidos" is the 1911 Report written by R. P. Fray Agapito Lope, O.S.A. (parish priest of Banate, Iloilo in 1893) on the state of the Parish of St. John the Baptist in this town in the Philippines.
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Lope de Barrientos (1382–1469), sometimes called Obispo Barrientos ("Bishop Barrientos"), was a powerful clergyman and statesman of the Crown of Castile during the 15th century, although his prominence and the influence he wielded during his lifetime is not a subject of common study in Spanish history. From relatively humble beginnings in Medina del Campo, where he studied grammar, he took advantage of a secular custom of Castilian monarchs to selectively promote lower class court nobility to the service of Ferdinand I of Aragon—a privilege normally reserved for those of high birth. Barrientos exploited every opening to climb in social rank against the backdrop of a complex political atmosphere: he became a Dominican friar; served as a professor of theology at the University of Salamanca (possibly the first); as the bishop of three successive cities—Segovia, Ávila, and chiefly of Cuenca —as royal confessor of John II of Castile; an Inquisitor; an advisor to Henry IV of Castile; and as Chancellor of Castile. In addition, he published a series of theological treatises and tracts concerning religious problems encountered in 15th-century Spain.
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Other sculptures in the city are devoted to medical Andrés Laguna made by the segovian Florentino Trapero and marina located in Plaza de los Huertos, the bust of Lope de la Calle Martín, president of the Provincial council that made Emiliano Barral and can be seen in the square of San Facundo or the monument "El Favorito", by Toribio García de Andrés in the early 20th century. In addition to this series of monuments and sculptures are hidden in the corners of the city some other religious images that are worth mentioning. The most significant of these is the Virgin of the Aqueduct, located in the central niche of the monument has since the Plaza del Azoguejo and it was already in the 16th century, as remember Colmenares in his history of Segovia. The cast of virgins are also members of the Fuencisla in Velarde street, the los Remedios in front of San Juan Gate, the Socorro at the San Andrés Gate or del Carmen on the street of its own name, among others.
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In the Spanish Golden Age, dramatists like Lope de Vega and Tirso de Molina already included songs and dances of Latin American influence.BLAS VEGA, José: Magna Antología del Cante, Introduction booklet, Hispavox, CD Edition 1992 (First Edition 1982) There is also evidence of their popularity in the 19th century: many examples still remain of printed songbooks and sheets, often mixing Andalusian and Latin American songs, which were sold in the streets, and Baron Charles Davillier, in his trip in Spain in 1862 described a fiesta (party) in these terms: > […] and a young Gypsy […] danced the American tango with an extraordinary > grace. Another widely known music in Andalusia is the Punto de la Habana, > whose name indicates its origin, and it is used to accompany the décimas > sung between dances in parties.Quoted in BLAS VEGA, José: Magna Antología > del Cante, Introduction booklet, Hispavox, CD Edition 1992 (First Edition > 1982) The exchange of musical influences was particularly important at the end of the Spanish–American War in 1898, when the United States gained control over Cuba, the last Spanish territory in Latin America.
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Andrew "Andrucha" Waddington (born 20 January 1970) is a Brazilian film director, producer, and screenwriter. His several film credits include “Me You Them” (2000), Mention spéciale of Un Certain Regard in Cannes, an Official Selection of Toronto and Sundance Film Festivals, Brazil’s official entry to the Oscars - Best Foreign Language Film - and winner, Best Film, at Karlovy Vary, Havana and Cartagena Film festivals; “The House of Sand” (2005) Berlin, Toronto and Sundance film festivals official selection, winner of the Sundance/NHK International Filmmakers Script and Alfred Sloan awards; and the Brazil/Spain co-production “Lope” (2010), a Venice and Toronto official selection and winner of two Goya Awards. Moreover, he directed and produced the TV Globo/ Conspiração drama series “Under Pressure” (2017-2018-2019), which got rave reviews and skyrocket ratings. He also directed and produced the Brazilian blockbuster “Party Crashers” (2012), the biopic “Chacrinha – O Velho Guerreiro“ (2018), the thriller “The Loss” (2019) and theatrical film documentaries as “Gilberto Gil – Viva São João” (2002), “Maria Bethania- Pedrinha de Aruanda” (2007) and "André Midani - from vinyl to download" ( 2015).
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Miguel de Cervantes Prize, most prestigious literary award in the Spanish language Spanish-language literature and folklore is very rich and is influenced by a variety of countries. There are thousands of writers from many places, and dating from the Middle Ages to the present. Some of the most recognized writers are Miguel de Cervantes Saavedra (Spain), Lope de Vega (Spain), Calderón de la Barca (Spain), Jose Rizal (Philippines), Carlos Fuentes (Mexico), Octavio Paz (Mexico), Miguel Ángel Asturias (Guatemala), George Santayana (US), José Martí (Cuba), Sabine Ulibarri (US), Federico García Lorca (Spain), Miguel de Unamuno (Spain), Gabriel García Márquez (Colombia), Rafael Pombo (Colombia), Horacio Quiroga (Uruguay), Rómulo Gallegos (Venezuela), Luis Rodriguez Varela (Philippines), Rubén Darío (Nicaragua), Mario Vargas Llosa (Peru), Giannina Braschi (Puerto Rico), Cristina Peri Rossi (Uruguay), Luisa Valenzuela (Argentina), Roberto Quesada (Honduras), Julio Cortázar (Argentina), Pablo Neruda (Chile), Gabriela Mistral (Chile), Jorge Luis Borges (Argentina), Pedro Henríquez Ureña (Dominican Republic), Ernesto Sabato (Argentina), Juan Tomás Ávila Laurel (Equatorial Guinea), Ciro Alegría (Peru), Joaquin Garcia Monge (Costa Rica), and Jesus Balmori (Philippines).
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The earliest secure reference to García as count is from 18 April 1081, also the first reference to his first wife, Urraca. Historian Ramón Menéndez Pidal argued that García was appointed count of Nájera in 1076, a contention not generally accepted today. At the same time as his return to court, García thus received a vast fief comprising the erstwhile southern provinces of Navarre, promotion to the highest aristocratic title (that of count) in the realm, and the hand in marriage of a Navarrese princess, presumably through Alfonso's actions, since the Navarrese royal family had fallen under his protection after the assassination of Sancho IV of Navarre in 1076. Also at this time, García's chief rival, the Cid, was forced into exile, and, by July 1081, García's brother, Rodrigo, had been appointed alférez to the king. It may be that the Lope Íñiguez who by 1081 had been granted all three of the Basque señoríos of Álava, Biscay, and Guipúzcoa was the same person as the Lop Jiménez who co-led the 1079 expedition against Seville.
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Upon return to Guatemala, Spínola studied Medicine in the National University, although he finally chose Literature, journalism and -above all- public speaking. In 1893 he was a representative in the National Assembly, a philosophy professor in the National Institute and was one of the main public speakers for the general José María Reina Barrios government. Among his most famous speeches were the one that he gave in the name of the National Assembly during the seventy second anniversary of the Independence of Central America on 15 September 1893, the one about general Miguel García Granados when the remains of the former president were moved to the newly built Guatemala City General Cemetery on 30 June 1894, and the one we pronounced in Nicaragua celebrating the expulsion of William Walker on 15 September 1895. Spínola married Florencia Strecker Frías, a resident of Mexico, who was a descendant of Lope Ruiz de Esparza, Basque nobleman from Pamplona and patriarch of the prominent Ruiz de Esparza family from Aguascalientes, Zacatecas y Altos de Jalisco.
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Some twelve years later he removed to Amsterdam, avowed his conversion to Judaism, and was burned in effigy at Seville on April 14, 1660. He is supposed to have returned to France, and to have died there in the following year. Three of his plays, El Gran Cardenal de España, don Gil de Albornoz, and the two parts of Fernán Mendez Pinto (based on the life of the Portuguese explorer Fernão Mendes Pinto) were received with great applause at Madrid about 1629; in 1635 he contributed a sonnet to Montalbán's collection of posthumous panegyrics on Lope de Vega, to whose dramatic school Enríquez Gómez belonged. The Academias morales de las Musas, consisting of four plays (including A lo que obliga el honor, which recalls Calderón's Médico de su honra) was published at Bordeaux in 1642; La torre de Babilonia, containing the two parts of Fernán Mendez Pinto, appeared at Rouen in 1647; and in the preface to his poem, Sansón Nazareno (Rouen, 1656), Enríquez Gómez gives the titles of sixteen other plays issued, as he alleges, at Seville.
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Teatro da Cornucópia is a theatre company in Portugal founded in 1973 by Jorge Silva Melo and Luís Miguel Cintra with the staging of the play The Misanthrope by Molière. The theatre is located at the Teatro do Bairro Alto, Rua Tenente Raul Cascais, Lisbon. It has presented works by: Sophocles, Plauto, Seneca, Lope de Vega, Calderón de la Barca, Shakespeare, Corneille, Marivaux, Beaumarchais, Hölderlin, Schiller, Strindberg, Ibsen, Chekhov, Gorki, Ostróvski, Pirandello, Brecht, Catherine Dasté, Franz Xaver Kroetz, Michel Deutsch, Odon von Horváth, Georg Büchner, Karl Valentin, Dario Fo, Jean Paul Wenzel, Claudine Fiévet, Heiner Müller, Botho Strauss, William Wycherley, Edward Bond, Lorca, Igor Stravinsky, William Walton, Hans Werner Henze, Samuel Beckett, Joe Orton, Georg Buchner, Peter Handke, Georges Courteline, Genet, Jean-Claude Biette, Gertrude Stein, Lars Norén, Ferenc Molnár, Stig Dagerman, Heinrich von Kleist, Pasolini, R.W. Fassbinder, Christian Dietrich Grabbe, Jakob Lenz, Gil Vicente, Luís de Camões, Francisco de Holanda, António José da Silva, Almeida Garrett, Raul Brandão, Fiama H.P. Brandão, Eduarda Dionísio, Sophia M.B. Andresen, Manuel de Figueiredo, José Meireles and Ruy Belo. The theatre closed on December 17, 2016.
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In 1216 construction began on the Romanesque Monastery of Palazuelos. It was completed in the middle of the 13th century and became the headquarters of the Cistercians of Castile. In February 1216, during the uprising of Álvaro Núñez de Lara, he took part in an extraordinary parliament along with other Castilian nobles including Lope Díaz de Haro, Gonzalo Rodríguez Girón, Álvaro Díaz de Cameros, and others, where they agreed, with the support of Berengaria (sister of the young king Henry I), to form a common front against Álvaro Núñez. By the end of May the situation in Castile had become dangerous for Berengaria, so she decided to take refuge in the castle of Autillo de Campos, a property of Gonzalo Rodríguez Girón, and sent her son Fernando to the court of León and his father, King Alfonso IX. On 15 August 1216 a meeting was held among all the nobility of the Kingdom of Castile to try to reach an accord and avoid civil war, but their disagreements led the families of Girón, Téllez de Meneses, and Haro distance themselves definitively from Álvaro Núñez de Lara.
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175 engaged in governmental attempt to re-shape the secondary education structures.Gambra was highly critical of hitherto organization of the secondary education, writing: "lo peor de estos centros es su constitución misma, esto es, la forma como están concebidos y organizados. La estructura decimonónica, individualista y meramente oficial (...) el orden existente en un instituto es meramente reglamentario o externo; fundamentalmente, la mera sujeción a un horario de asistencia a clase (...) Los institutos se hallan montados sobre la sagrada independencia de cátedra (...) El claustro como entidad de gobierno, casi inexistente en la actualidad, no entiende tampoco de asuntos internos pedagógicos o educativo", quoted after Angel Lorente Lorente, Cincuenta años de regulación de las formas de coordinación docente en los institutos de educación secundaria, [in:] Guillermo Vicente y Guerrero, (ed.), Estudios sobre la historia de la Enseñanza Secundaria en Aragón, Zaragoza 2011, , pp. 402-403 He assumed teaching in newly created "centros modelos de segunda ensañanza", first in Instituto Miguel de Cervantes and in the mid-1960s moving to Instituto Nacional de Enseñanza Media Lope de Vega,BOE 186 (1964), available here becoming its vicedirector later on.
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Before the agreement over Biscay was finally reached, Juan Nunez II de Lara left the courts feeling betrayed by the king and his mother. For this reason, the king granted Diego Lopez V the title of Mayordomo Mayor of the king, a move which in turn upset the infante John enough to leave the courts, warning the king that he would no longer be of service to him until the wardens of Diego Lopez' castles paid tribute to his wife (upon Diego Lopez' death according to the agreement). Regardless, the group met again in Lerma where it was agreed that the castles that would go to María II Díaz de Haro would begin to pay her tribute, whilst the castles going to Lope Díaz IV de Haro would do the same for him. With the reconciliation of Diego Lopez V and of the infante John, the king demanded that Juan Núñez II de Lara leave the Kingdom of Castile and for him to return the castles of Cuenca and Cañete located in the Province of Cuenca that the king had earlier given to him.
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The Spanish and Portuguese Lives constitute the third volume of the Lives of the Most Eminent Literary and Scientific Men of Italy, Spain and Portugal. Except for the biography of Ercilla, whose author is unknown, Mary Shelley wrote all of the entries in this volume: Boscán, Garcilaso de la Vega, Diego Hurtado de Mendoza, Luis de León, Herrera, Sá de Miranda, Jorge de Montemayor, Castillejo, Miguel de Cervantes, Lope de Vega, Vicente Espinel, Esteban de Villegas, Góngora, Quevedo, Calderón, Ribeiro, Gil Vicente, Ferreira, and Camoens. During the two or three years that Mary Shelley spent writing the Spanish and Portuguese Lives from 1834 or 1835 to 1837, she also wrote a novel, Falkner (1837), experienced the death of her father, William Godwin, started a biography of him, and moved to London after her son, Percy Florence Shelley, entered Trinity College, Cambridge. She had more difficulty with these Lives than with the other volumes' biographies, writing to her friend Maria Gisborne: "I am now about to write a Volume of Spanish & Portugeeze Lives – This is an arduous task, from my own ignorance, & the difficulty of getting books & information".Qtd.
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All her brothers/sisters became quite powerful also, for instance, her brother Archbishop Alonso Carrillo de Albornoz, a.k.a. Alonso Carrillo de Acuña, (1410–1482), Bishop of Siguenza, Member of the Royal Council under king Juan II of Castile, Enrique IV of Castile and the Royal Couple Isabel I of Castile and Ferdinand II of Aragon, Archbishop of Toledo and one of the more troublesome and intrigant political animals of 15th-century Spanish politics. Fernando's mother was Inés de Herrera y de Ayala, a daughter of Pedro García de Herrera, a Marshal of Castile, Sieur of Ampudia, related to Conquerors of the Canary Islands. Although he married María Dávila, founding both the Monastery of "Las Gordillas" in Avila, there was no issue through this marriage. Fernando's eldest brother, II Count of Buendía, was named however Lope Vázquez de Acuña II, 1st duke of Huete since 24 December 1474, a Knight of the Military Order of Santiago, who died on 1 January 1489, married Inés Enriquez de Quiñones, some of their descendants being crushed through their military interventions in 1521 against king Charles I of Spain, a.k.a.
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The stability of such a system is difficult to analyse because there are many possible failure sequences. The internationally systemic crises that followed included the equity crash of October 1987, The 1987 Stock Market Crash, Lope 2004 the Japanese asset price collapse of the 1990sAkihiro and David Woo The Japanese Banking Crisis of the 1990s: Sources and Lessons, IMF Working Paper WP/00/7 2000 the Asian financial crisis of 1997Timothy Lane: "The Asian Financial Crisis; What Have We Learned" Finance and development September 1999 IMF the Russian government default of 1998• Taimur Baig and Ilan Goldfajn: The Russian Default and Contagion to Brazil IMF Working Paper WP/00/160 200(which brought down the Long-Term Capital Management hedge fund) and the 2007-8 sub-prime mortgages crisis.•"Global Risks 2008" World Economic Forum January 2008 • Containing Systemic Risks and Restoring Financial Soundness Global Financial Stability Report International Monetary Fund April 2008 The symptoms have generally included collapses in asset prices, increases in risk premiums, and general reductions in liquidity. Measures designed to reduce the vulnerability of the international financial system have been put forward by several international institutions.
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Tragedy (from the , tragōidia) is a form of drama based on human suffering that invokes an accompanying catharsis or pleasure in audiences. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fraction of the work of Aeschylus, Sophocles and Euripides, as well as many fragments from other poets; through its singular articulations in the works of Shakespeare, Lope de Vega, Jean Racine, and Friedrich Schiller to the more recent naturalistic tragedy of Henrik Ibsen and August Strindberg; Samuel Beckett's modernist meditations on death, loss and suffering; Müller's postmodernist reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change.
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The depository boasts an old theatre, concert and circus posters archive which includes posters of Giorgi Eristavi's play Divorce (January 2, 1850), Polevoy's Parasha Sibiryachka (January 27, 1856), Motherland (1897), three-act tragedy The Georgian Night at the Circus Colossus, Misfortune (cast: Nato Gabunia, Mako Saparova, Elisabed Cherkezishvili etc., 1889), Nikolai Rimsky-Korsakov's opera Mozart, Salieri featuring Feodor Chaliapin (March 22, 1900), Anton Chekhov's The Cherry Orchard and The Seagull staged by Russian director and head of the theatre New Drama, Vsevolod Mayrhold (1904–1905), and also Lope De Vega's Fuenteovejuna, staged by Kote Marjanishvili at the Rustaveli Theatre. The vast majority of the posters cover almost all theatres in Georgia from 1921 onwards and depict the theatrical life of Georgian theater troupes as well as that of ethnic minorities and Georgian diaspora. Additionally, the depository keeps the posters of premieres of plays produced by outstanding Georgian directors such as Kote Marjanishvili and Sandro Akhmeteli, and posters of the stage life of well-known Georgian actors: Veriko Anjaparidze, Ushangi Chkheidze, Sergo Zakariadze, Sesilia Takaishvili, Akaki Khorava, Akaki Vasadze, Ramaz Chkhikvadze, and Erosi Manjgaladze, amongst others.
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Ujelang's first European visitor was Álvaro de Saavedra on 21 September 1529 shortly before his death, in his second attempt to return from Tidore to New Spain.Brand, Donald D. The Pacific Basin: A History of its Geographical Explorations, The American Geographical Society, New York, 1967, p.122Sharp, Andrew The discovery of the Pacific Islands, Clarendon Press, Oxford, 1960, p.20,23 Sighting of Ujelang was again recorded by the Spanish expeditions of Ruy López de Villalobos on 6 January 1543; of Miguel López de Legazpi on 15 January 1565; and by the mutineers of the San Jeronimo led by the pilot Lope Martín in 1566.Sharp, Andrew The discovery of the Pacific Islands, Clarendon Press, Oxford, 1960, p.28,38,41 In 1811, the British merchant vessel Providence rediscovered the Atoll, and named Ujelang Island Providence Island.Levesque & Leresque (2001), p.85. Providence had transported convicts from Britain to New South Wales and was on her way to China to pick up a cargo to take back to Britain. The Empire of Germany claimed Ujelang Atoll along with the rest of the Marshall Islands in 1884. It was the private property of German trading companies from 1880, who maintained copra plantations on the largest island, also called Ujelang.
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Tomb of the knight Sueiro Gómez de Soutomaior The modern period of the kingdom of Galicia began with the defeat of some of the most powerful Galician lords, such as Pedro Álvarez de Sotomayor, called Pedro Madruga, and Rodrigo Henriquez Osorio, at the hands of the Castilian armies sent to Galicia between the years 1480 and 1486. Isabella I of Castile, considered a usurper by many Galician nobles, defeated all armed resistance and definitively established the royal power of the Castilian monarchy. Fearing a general revolt, the monarchs ordered the banishing of the rest of the great lords like Pedro de Bolaño, Diego de Andrade or Lope Sánchez de Moscoso, among others. Map of the Kingdom of Galicia, 1603 The establishment of the Santa Hermandad in 1480, and of the Real Audiencia del Reino de Galicia in 1500—a tribunal and executive body directed by the Governor-Captain General as a direct representative of the King—implied initially the submission of the Kingdom to the Crown, after a century of unrest and fiscal insubordination. As a result, from 1480 to 1520 the Kingdom of Galicia contributed more than 10% of the total earnings of the Crown of Castille, including the Americas, well over its economic relevance.
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The following year he transferred to Hamilton College in Clinton, New York, possibly because of his grades. Signed up for the Latin–Scientific course, he appears to have avoided some classes; his transcript is short of credits.Moody (2007), 20 He studied the Provençal dialect and read Dante and Anglo-Saxon poetry, including Beowulf and The Seafarer.Moody (2007), 21, 23–24 After graduating with a PhB in 1905, he was awarded an MA in Romance languages in 1906 at the University of Pennsylvania and registered to write a PhD thesis on the jesters in Lope de Vega's plays. A two-year Harrison fellowshipTytell (1987), 30 covered his tuition fees and gave him a travel grant of $500, which he used to return to Europe.Moody (2007), 19, 27–28 He spent three weeks in Madrid in various libraries, including in the royal palace; he was outside the palace on 31 May 1906 during the wedding and attempted assassination of King Alfonso, and he left the city for fear of being identified with the anarchists.Moody (2007), 28 After Spain he spent time in Paris and London, returning to the United States in July 1906, where in September his first essay, "Raphaelite Latin", was published in Book News Monthly.
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2, which includes horns features from Balkan Brass Band, Brass Menazeri, vocals from hip hop vocalist LYNX & a remix of Colony Collapse's "Filistine." Later that year, David Satori teamed up with Evan Fraser, a fellow student at the California Institute of Arts, and formed the side project, Dirtwire and released a self-titled album through Beats Antique Records on October 1, 2013. In October 2013, Beats Antique released A Thousand Faces: Act I, followed by A Thousand Faces: Act II in April 2014. Featuring artists include Alam Khan, LYNX, SORNE, Micha & Leighton, and the Antibalas horns. Les Claypool was also featured on the A Thousand Faces: Act I single, “Beelzebub.” In fall of 2014, Beats Antique toured with Shpongle (Simon Posford DJ Sets), Emancipator, and Lafa Taylor as part of their “Creature Carnival” tour. Featuring carnival-themed performers specific to each city, audience participation, and crafting events surrounding four “Creatures” (Light Saber the tiger, Al Eyes the owl, Jackie Lope the Antelope, and Squidzilla the squid), attendees of the shows were encouraged to dress wildly and come prepared with customized Creature masks. Selections from two of these performances, in Denver, Colorado and Asheville, North Carolina, were compiled into their latest release, titled Creature Carnival Live.
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