He had replaced Juliet's covert inquietude with Julieta's all-consuming suffering.
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Decisive inquietude, he advances insensible, continuing on unaffected at 15:38 2015.
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The US is building a drone base on the outskirts of Agadez, adding a new layer of inquietude as locals fear that freedom of movement will be further restricted as they prepare for life with armed robots flying overhead.
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Oliveira then made Anxiety (Inquietude) in 1998. The episodic film contains three short films based on literary works by Helder Prista Monteiro (Os Immortais), António Patrício (Suzy) and Agustina Bessa-Luís (Mãe de Um Rio). In Os Immortais a 90-year-old man (José Pinto) concludes that old age is horrible and attempts to convince his middle aged son (Luís Miguel Cintra) to commit suicide.
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There, he met with numerous nobles and received many messages. His impression was that the upper nobility were tranquil, but there was an inquietude among the lower nobility. Advised of the arrival of this royal emissary and to avoid the scandal of imprisonment, Medina Sidonia left swiftly for Madrid, where he visited the Count-Duke and confessed his conspiracy, apparently taken in by the attitude of Olivares, who made him believe he would use all his influence to defend his life, his home, and his credit.
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However, other motets allude to the inner strife in the convent and its decline from 1620 onward. In 1622, an anonymous letter was sent to the Cardinal Archbishop Ludovico Ludovisi in Rome reporting many scandals and issues in the convent, especially the issue of conflict within the convent. These allegations were followed by a long investigation of the convent that caused much inner strife amongst the nuns. It was revealed that much of the inquietude and rivalries amongst the nuns resulted from the musical life of the convent.
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In January 1940, in his sixtieth year, he summed up his accomplishments in his journal: "My marriage: Delacroix admired and understood; Ingres abandoned; break with the extremists. I have become official while at the same time cultivating the secret inquietude of an art which expresses my vision and my thought, while at the same time forcing me to better realize the lessons of the masters."Journal, January 1, 1940. Cited in Bouillon, page 101 Denis died in Paris of injuries resulting from an automobile accident in November 1943.
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Kaulbach's style was eclectic; in the Age of Homer the types and the treatment are derived from Greek marbles and vases; then in the Tower of Babel the severity of the antique gives place to the suavity of the Italian renaissance; while in the Crusades the composition is let loose into modern romanticism, and so the manner descends into the midst of the 20th century. And yet this scholastically compounded art is so nicely adjusted and smoothly blended that it casts off all incongruity and becomes homogeneous as the issue of one mind. But the public craved change; and so in later years Kaulbach's popularity declined, and he had to witness, not without inquietude, the rise of an opposing party of naturalism and realism. He is perhaps best known for his unusual representation of death, destruction and madness.
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In his Rime, he chose love as his a main theme, along with sadness, disillusionment, and regret. His gravity and solemn style He wrote two sonnets of particular beauty, in which he looks at the vanity of life and to disappearing into nothingness after death. After the death of the poet in 1558, his Rime would have a great success in literary circles of the time. His use of enjambement, a technique by which the eleven syllable line continues through to the next line, gave his verse a new musicality and power. Two sonnets of particular intensity are O dolce selva solitaria, amica and Questa vita mortal, che ‘n o ‘n due. “All of Della Casa’s poems express a fundamental anxiety and an inquietude about love or ambition, often coupled with a long for release, peace, and even death. The combination of this troubled content and the sublime style made Della Casa’s fewer than eighty lyrics the best of the sixteenth century.” (Wayne Rebhorn).
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The projection of light in the painting in which every presence, every act seems to be caught in an equivocal transition between day and night or vice versa; in other words, in the inquietude and expectation of an unpredictable change.” “In Sherman’s work there is a consistent involvement with a visualization of distorted values in the continuum of social generalization. During 1962 she completed a series of large composition paintings that focused on the death of the matrix of post World War II sex symbols. The capacity of Sherman to use the ambivalence inherent in metaphorical values, as a springboard in the employ of tonal color, immersed in diffused light has also made it possible to retain a sensitivity towards a younger generation’s milieu. Her work in the 1970s reflected a shift in the pictorialization of generalized meanings; a constantly precarious situation for all painters of Sherman’s generations.” Overarching themes in Sherman's work focused on concerns with humankind's inhumanity to one another, where form and content are one.
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