151 Sentences With "inexpressible" | Random Sentence Generator

Happiness is unique, inexpressible, a state that exists outside of narrative.

The onlooker must attest to something that is by its nature inexpressible.

And doesn't everybody have that inexpressible need – that impossible want – for something?

Certainly my sorrow at the loss of loved ones will be inexpressible.

In expressing the inexpressible, poetry remains close to the origins of language.

It scabs over the incisions from which might bleed a living, inexpressible pain.

But we can never really put into words the brunt, inexpressible force of our love.

The Barbers are funny and wry and caring and full of deep, inexpressible love and contempt.

Not yet knowing what will happen, and how much will happen, fills me with an inexpressible relief.

They've grappled with the inexpressible, the untranslatable, the arbitrariness of word shapes as they are deployed across blankness.

The Guardian said that Zink "succeeds in putting into words the most inexpressible experiences," which is not very specific.

During Borman's reading, the novelist William Styron later recalled, there was a "depthless and inexpressible" look on Bernstein's face.

So, if you are lying, within first seven seconds, the muscles will move in certain kind of inexpressible ways.

Somehow capturing the zeitgeist through an inexpressible number of small physical tics that seem for whatever reason to be relevant?

My rent was being paid by the state based on this fact — at the inexpressible expense of other women's dignity.

Through therapy I have learned to contextualize with language the feelings that seemed to me so inexpressible as a teenager.

"All of us who had the honor of working with Paul feel inexpressible loss today." said Vulcan CEO Bill Hilf.

Hold on to that for a minute and tell me about the fathomless, inexpressible, heartbreaking loneliness of life on this planet.

But to certain fashion aficionados, it is the inexpressible ultimate, sold out just about everywhere, cooed over online and in person.

Rowbottom identifies the enemy as patriarchy and, more specifically, the silence patriarchy enforces on women, leaving their bodies to express the inexpressible.

Till's torture more than 60 years ago, and his image, have become a nexus of inexpressible pain and anger for generations of Americans.

Likewise, the horrifying cancellation of the person for whom one is responsible and loves the most in the whole world is an inexpressible event.

While its partners, male and female, experience inexpressible and addictive bliss in its company, some of them also suffer grievous and even fatal injuries.

During Indian Market, she sells "fancy evening bags" to pay the bills, but the rest of her work is inexpressible to the formal art market.

Shams, gruff and guileless, badgered Rumi into risking a more vulnerable approach to the concealed and inexpressible—that is, the essence of God and of love.

It is a language made up of symbols and metaphors that allows people to express to each other (and to themselves) what is, almost by definition, inexpressible.

While "nobody was making jokes during the Cuban missile crisis," Dr. Weart said, writers and artists in the years after used morbid satire to express their inexpressible panic.

I get frustrated and give up, forget it ever happened, then something like this reminds me, in an inexpressible way, of that one delicacy from I-don't-even-remember-when.

I want to know why it is still legal to kill animals in ways that cause inexpressible pain and fear and destruction, to both the targeted animals and an immense range of others.

If an excess piton could symbolize a misplaced word in a poem, the silences between the lines represent his proudest work, gaps that reflect an inexpressible mystery he and Ament sensed within the world.

If we approach Martin's paintings as sublime images, then the act of viewing and feeling, prior to and distinct from the act of knowing, should instill an inexpressible sensibility that triggers joy and delight.

To Bernard's "inexpressible joy", he found that "on the same statistical basis, there was a ninety percent chance that Lawrence also wrote the 'Just William' books and much of the previous day's Brighton and Hove Argus".

His Anglican suspicion of the Roman church had been soothed, when he was really quite young, by singing an especially wonderful melody in Verdi's "Te Deum", and later by the beauty, which he thought inexpressible, of Gregorian chant.

Tate said to me that "I often find myself gut-knotted after sessions with Salem, because of the things they don't say" — because of the feelings Salem kept locked away, even from her, for fear that their experience was inexpressible, incomprehensible.

She's telling how one artist inspired another to get out there night after night and express the inexpressible: that tremendous, sometimes heartbreaking, but ultimately fulfilling desire to display body and soul, all in an effort to call them one's own. ♦

But here's the thing, for every grand spectacle of violent death, there are many more men—sexually frustrated, emotionally stunted, bitter, brooding, isolated, invisible—who carry around an inexpressible anger in their hearts, unknown to all except their own dark digital cabal.

If "Birkenau" is meant to assert that we will never truly understand the Holocaust, at the Breuer everything adds up too easily: The abstract paintings express the inexpressible, the copies indicate that even the worst can happen again, and the mirrors force us to face our place in history.

Yet, Syrian-born Hello Psychaleppo, Canada's Poirier, and the German-Turkish DJ Ipek provide stark examples of how electronic producers are finding new ways to express the inexpressible, capturing visceral responses to this humanitarian disaster in ways that are perhaps more abstract—but just as moving—as their pop contemporaries.

One of my sharpest memories from an early job, in a male-dominated office, where I once found myself weeping with inexpressible rage, was my being grabbed by the scruff of my neck by an older woman — a chilly manager of whom I'd always been slightly terrified — who dragged me into a stairwell.

Reeves may have risen to fame as a Gen X movie star ("the most soulful while being the most stoner-bro," as the New York Times recently put it), but it was millennials who carved out a permanent place for Keanu in the internet boyfriend hall of fame, as an embodiment of inexpressible melancholy and a figure too pure for this world.

Such passages obviously lack the intimacy of the sections of this book devoted to Danticat's mother, but the reader gradually comes to understand why the author is circling around and around an almost unbearable loss: As a grieving daughter, she wants to understand how others have grappled with this essential fact of human existence; and as a writer — a "sentence-maker," in the words of a DeLillo character — she wants to learn how to use language to try to express the inexpressible, to use her art to mourn.

The look of joy upon their sun-browned faces was inexpressible.

Inexpressible Island is a small, rocky island in Terra Nova Bay, Victoria Land, Antarctica.

A remastered, super-deluxe edition of Tales of the Inexpressible was released on 26 February 2018.

He owed his "inexpressible gratitude" to the racing fans and horseplayers in his retirement speech following his final race call.

In March 1912 the party excavated a small ice cave in a snow drift they nicknamed "Inexpressible Island" where they spent the winter in miserable conditions, supplementing their rations by killing scarce seal and penguins for meat. Seaweed on Inexpressible Island. The Northern Party had previously built a supply depot at Hells Gate Moraine (74° 52'S, 163° 50'E) on Inexpressible Island as a form of security should the Terra Nova be unable to collect them. The depot primarily consisted of a sledge loaded with supplies and equipment.

He has so much, grandeur, his appearance is imposing and in general His Divine countenance overflows with heavenly grace and an inexpressible ultramundane beauty.

Stankar rejoices (O gioia inesprimibile, che questo core inondi! – "Oh, the inexpressible joy that floods this heart of mine!"), as he sees revenge being within reach. He leaves.

In an Expression of the Inexpressible is the fourth studio album by American alternative rock band Blonde Redhead. The album was released on September 8, 1998 through Touch and Go Records.

SD19 – Cobden-Sanderson They afterwards became prominent in various spheres, and inherited their father's political interest. His only son died, to Cobden's inexpressible grief, at the age of fifteen, in 1856.

Author and academic Luke Bretherton has suggested that tactical frivolity allows protestors to represent the otherwise inexpressible sacred power of imagination, which is achieved partly through the "use of huge puppets, dance and street theatre".

Full of inexpressible delight, she returned to her province, exclaiming: "This day is the most beautiful of my life!" A correspondence ensued with the famed writer answering "in the most generous way." Some of those letters have been preserved.

As he wrote to his sister shortly after moving in, "It is such inexpressible happiness to have at last a permanent home."Brenda Wineapple. White Heat: The Friendship of Emily Dickinson and Thomas Wentworth Higginson. New York: Knopf, 2008: 226–227. .

A popular notion is that people might not share extremely intense emotional events because they are simply inexpressible. Along with this idea, psychologists initially hypothesizedFinkenauer, C. & Rimé, B. (1998a). Socially shared emotional experiences vs. emotional experiences kept secret: Differential characteristics and consequences.

The Rubenists broke with the Platonic tradition and defended illusion, makeup, and seduction. They shifted, Lichtenstein maintained, the focus to those feminine aspects of representation, that is the suspected and cursed elements. They made these the essence of painting. From that point onward, painting was linked with the linguistically inexpressible.

It's this kind of naive notion of how we should be in an unrealistic and altogether unhealthily over-wholesome way." Leigh's characters often struggle, "to express inexpressible feelings. Words are important, but rarely enough. The art of evasion and failure in communication certainly comes from Pinter, whom Leigh acknowledges as an important influence.

"Getting high" as a goal of theater and ritual throughout the ages, the idea of inexpressible, were motifs of this six scenes of movement-play performance. Musical part of the performance involved early computer-based composition (using 3 connected synthesiser) composed by Yossi Marchaim and wordless vocalization of Adina and Robert Flantz.

The site of the ice cave where Victor Campbell's Northern Party wintered has been designated a Historic Site or Monument (HSM 14), following a proposal by New Zealand to the Antarctic Treaty Consultative Meeting. A wooden sign, a plaque and seal bones remain at the site. A lone emperor penguin on Inexpressible Island.

Vegetation Island () is a narrow island lying 2 nautical miles (3.7 km) north of Inexpressible Island and just west of the Northern Foothills, along the coast of Victoria Land. It was discovered by the Northern Party of the British Antarctic Expedition, 1910–13, who named it because the rocks were densely covered with lichens.

This knowledge is inexpressible in words, relating to real objects and ultimate reality. Errors of perception arise through misinterpretations by conceptual thought. Each item of sense perception is unique. Dignāga does not specify what the nature of the object of perception is, but implies that although it is not atomic or otherwise, it is existent.

David Samuel D'Arcy Young (born 17 July 1946 Oakville, Ontario) is a Canadian playwright, novelist, and screenwriter. Born in Oakville, Ontario, Young studied at the University of Western Ontario. He is the author of seven plays, two novels and several screenplays and teleplays. Two of his plays, Inexpressible Island and Glenn, have been nominated for multiple Canadian drama awards.

21, pages 108-109 Life is spirit, full of joy. Meaning is Atman, full of perennial peace. "Truly, this is that", once deeply felt and understood by man, is inexpressible highest joy. It is he who realizes this who shines, his splendour shines everything with and by (Anu), the whole world shines by such joy unleashed, such splendour manifested.

The other, transcendent aspect, is the Eternal, the Beyond, the Inexpressible, the Fathomless, Nirguna Brahman, assigned the name Akal, the Timeless One or the One-beyond-Time. Akal is not a fast substance, but the dynamic spiritual principle of the entire cosmic existence. The phenomenal world emanates from the Spirit, and the Spirit permeates the world.

Washington's sister, Betty Lewis, died, and Washington was survived only by his younger brother Charles, the last of their generation of the Washington family. The death of Betty caused Washington "inexpressible concern." Washington sent much of his vast collection of paper archives on the Revolutionary War and his presidency to Mount Vernon. He had a letterpress delivered to make copies of his papers.

The individual parts follow rather non-linear passage of time. Unlike his previous poems, in Romance pro křídlovku Hrubín tells the story of an individuality (the boy) in conflict with the world. Terina, the central character of the story, is depicted as an indefinable and inexpressible entity without firm contours. Her death sharply contrasts with the death of the boy's grandfather.

Evans Cove () is a cove in Terra Nova Bay, Victoria Land, entered between Inexpressible Island and Cape Russell. It was first charted by the British Antarctic Expedition, 1907–09, and was probably named by Ernest Shackleton for Captain Frederick Pryce Evans, master of the ship Koonya, which towed the Nimrod south in 1907, and later master of the Nimrod during the last year of the expedition.

Its dark and evil aspect embraces horror, terror, and the omnipresent Unknown. ‘Only my music expresses the inexpressible,’ Scriabin boasted, and called the Sixth’s sweet and harsh harmonies, “nightmarish… fuliginous… murky… dark and hidden… unclean… mischievous.’ When he played excerpts for friends, he would stare off in the distance away from the piano, as if watching effluvium rise from the floor and walls around him.

On their fourth album, In an Expression of the Inexpressible, Guy Picciotto of Fugazi was hired as producer. Picciotto also contributed in the construction to the song "Futurism vs. Passéism Part 2" as well as lending it his vocals to the 1998 release. In 2000 Picciotto also co-produced Melody of Certain Damaged Lemons with Ryan Hadlock, an album about the relationship between Makino and Amedeo Pace.

There seemed to be no danger, and his wife was reading aloud to him as he lay in bed, when his mind began to wander. He probably never regained his senses before he died. At one period of his life Jenkin was a freethinker, holding all dogmas as 'mere blind struggles to express the inexpressible.' Nevertheless, as time went on he returned to Christianity.

Uncertainty regarding her theological viewpoints is unusual for a woman writer of her time period, considering that much of early modern women's writing was oriented around religion. However, Cavendish acknowledged the existence of God but she "holds that natural reason cannot perceive or have an idea of an immaterial being". She argued that "when we name God, we name an Inexpressible, and Incomprehensible Being".

At the end of the phase a priest intones the "Proficiscere" and bids Gerontius to go forth to the inexpressible joys that await him. Second Phase Gerontius's disembodied soul awakens, "refreshed". Now awake as just a soul he feels free of time and has a new sense of freedom. Gerontius cannot tell if he’s alive or dead but assumes he is not dead because he feels nothing out of place.

Shelley wrote the poem after the deaths of his friend John Keats and his son William who were buried in a cemetery in Rome. The untimely death of Keats reopened the floodgates of emotion for Shelley, inevitably leading him to reexperience the sadness and pain he felt for the death of his infant son. In the second line, “Grief too sad for song,” Shelley argued that the grief was ineffable, inexpressible in words.

The later compositions he painted were more thoughtful and assured. Forms and colors adjust themselves in these works, emerging, overlapping, disappearing. Dizi's journey as an artist began with the inexpressible thrill of discovering the magical intrigue of line as pen and ink brought it indelibly alive. As he turned seventy, the artist in him reverted to the cartoonist in a moment of nostalgia creating the Sentimental Portraits of his friends and fellow artists.

2002, p. 353 As a hymnologist, Imastaser wrote several important sharakans (hymns): Tagh Harutean (Ode to the Resurrection), Paitsaratsan Aisor (Brightened on This Day), Anskizbn Bann Astvatz (God, The Infinite Word), Anchareli Bann Astavatz (God, The Inexpressible Word). The latter two are acrostic compositions, each encompassing within their ten stanzas thirty six letters of the Armenian Alphabet. In them, Imastaser glorifies heroes and martyrs who sacrificed their lives defending Armenian homeland and their Christian faith.

Major wrote in his Commentary on the Sentences of Peter Lombard "Our native soil attracts us with a secret and inexpressible sweetness and does not permit us to forget it". He returned to Scotland in 1518. Given his success and experience in Paris, it is no surprise that he became the Principal of the University of Glasgow. In 1523 left for the University of St Andrews where he was assessor to the Dean of Arts.

The party built an ice cave on Inexpressible Island where they spent the winter in miserable conditions, supplementing their rations by killing scarce seal and penguins. On 30 September 1912, they set off for Cape Evans, finally arriving on 7 November, after crossing more than of sea ice. After learning of the death of Scott and the entire Polar party, as the senior remaining naval officer, Campbell assumed command of the expedition for its final weeks.

While exploring media and formats from staged tableaux to multi-image, multimedia installations, Cowin's work retains a strategic and thematic consistency, combining objects, gestures, expressions, words and visual referents whose charged associations probe romantic, familial and social relationships, and themes involving public and private, truth and fiction, and the gulf between representation, the inexpressible and interpretation.Spaid, Sue. "The Impossibility of Expression," Still (and all) Eileen Cowin 1971-1998, Pasadena, CA: Armory Center for the Arts, 2000.

"...in that one instant, all the inner darkness which had so completely engulfed me was gone, and in its place was a radiant and inexpressible glory of hope and promise so that no night remained and, with the night, vanished all my forebodings of a dark, hopeless, helpless future..." Atkinson joined The Mother Church in 1915. He began to learn forms of reading for the blind, including Braille, and later taught other blind people to read.

Schneider, Janet (April 8, 2014) "Taking it to the streets at Central Library art film and discussion" Indianapolis Star Vázquez has also curated a number of art exhibitions, including 25 Above Water, (2005-2006, Marsh Gallery-Herron School of Art and Design, Indiana University, Indianapolis, Indiana), in support of the Hurricane Katrina and Hurricane Rita relief efforts, and In An Expression of the Inexpressible, (2009, Dean Johnson Gallery, Indianapolis, Indiana) an exhibition that explored the interaction between music and art. The exhibition's title was adapted from the song of the same title, In An Expression of the Inexpressible, (1998) with permission from the alternative rock band Blonde Redhead. The album cover for Black Devil Disco Club - Eight Oh Eight created by Non-Format in collaboration with Belgium artist Géraldine Georges was used as the exhibition's marketing image. Notable artists that have participated in Vázquez-curated exhibitions include Stefan Sagmeister, Non-Format, Karlssonwilker, Mike Mills, Hannah Waldron, Si Scott, Géraldine Georges, Mike Joyce/Stereotype Design NYC, Sara Haraigue, Yokoland, Jean Jullien, and Rick Valincenti/3st.

Alfred North Whitehead expressed his central concept thus: "In the philosophy of organism this ultimate is termed 'creativity' and God is its primordial, non- temporal accident.".Alfred North Whitehead, Process and Reality, 1929, P. 11 The Taoist, says that this ultimate is creativity, that creativity is Tao. Since Tao is inexpressible, explaining it in terms of the process of creativity is merely resorting to a verbal convenience, or, more precisely, a verbal inconvenience. Lao Tsu, of course, faced the same difficulty.

It is clearly distinguished from the concept of anirvacaniya (inexpressible) of Advaita Vedanta. There is a clear difference between the two concepts as the two ideas arise for different reasons. Advaita concept is related to the ontological status of the world, whereas both Svayam bhagavan and his shaktis (in Lord himself and his powers) are empirically real, and they are different from each other, but at the same time they are the same. But that does not negate the reality of both.

Esther Hunt wrote about her husband and her concerns: > He was one endowed with the savor of Truth, a good neighbor, a tender > father, able to instruct his children, temporally and spiritually; except > the Lord help we shall perish. My loss is inexpressible, having my dear > companion taken from me by death, and I left in this strange land with six > children, the youngest about four months old. I can but mourn under a sense > thereof, though not as one without hope.

Tales of the Inexpressible is Shpongle's second album, released in 2001. Simon Posford and Raja Ram hone and expand the style introduced on their debut album, Are You Shpongled?. Raja Ram plays Spanish and East Asian instruments along with the flute, and Simon Posford plays classical guitar as well as synthesizing and sampling. The song "Room 23" appears on the back cover of the album with the name "Room 2ॐ", the character "ॐ" being the Om, the sacred eternal sound in Hinduism.

An FT-based, domain-specific language (FT-DSL) is a domain-specific language whose semantics (expressed in program code) have been engineered into frames. A typical FT-DSL editor translates between DSL expressions and a frame that will adapt the framed semantics to express program-code equivalents of the DSL expressions. An SPC sitting atop this subassembly can then specify in program code any customizations inexpressible in the domain-specific language. Thus when users regenerate program code from altered DSL expressions, prior customizations are not lost.

A figure that is nearly equivalent to Samantabhadri in the 'New Translation' or Sarma schools is Vajradhatu-ishvari; she is dark blue and her consort is Vajradhara. Samantabhadri is the expression of a concept essentially inexpressible in word or symbol, the ultimate voidness nature of mind. This aspect of the dakini is beyond gender, form or expression. According to Simmer Brown the power of the dakini in all her forms is based on the fact that all meditation practices ultimately point to the Samantabhadri dakini.

Burgess was indifferent to music until he heard on his home-built radio "a quite incredible flute solo", which he characterised as "sinuous, exotic, erotic", and became spellbound. Eight minutes later the announcer told him he had been listening to Prélude à l'après-midi d'un faune by Claude Debussy. He referred to this as a "psychedelic moment ... a recognition of verbally inexpressible spiritual realities". When Burgess announced to his family that he wanted to be a composer, they objected as "there was no money in it".

She had not fair play; but Almighty God > has saved her from the most foul snare of the most perfidious enemy. – Had > you, Sir, fought me fairly, I should, if I know my own heart, receive your > sword with a tear of sympathy. From you, Sir, I receive it with > inexpressible contempt. And now, Sir, you will please observe, that lest > this sword shold ever defile the hand of any honest French or English > officer, I here, in the most formal and public manner, break it.

Wahneinfall is alternate term for autochthonous delusions or delusional intuition. This is one of the types of primary delusions in which a firm belief comes into the individual's mind 'out of the blue' or as an intuition, hence called delusional intuition. Other types of primary delusions include delusional mood (or atmosphere), delusional (apophanous) perception and delusional memories. Care must be taken not to impugn an otherwise-rational individual's instinctive aversion or inexpressible sense of or belief about a thing by dismissing it as Wahneinfall.

Despite the fact that this depot had been built, the winter spent in the ice cave and a partially constructed rock shelter on Inexpressible Island was miserable. The men suffered frostbite, hunger, dysentery, and the abominable winds on the island. As ship doctor George Murray Levick said: The men started home for Hut Point on September 30, 1912, some two hundred miles down the coast, which would include the crossing of the Drygalski Ice Tongue. Browning was very ill and Dickason almost crippled by dysentery.

Reification is the process by which an abstract idea about a computer program is turned into an explicit data model or other object created in a programming language. A computable/addressable object—a resource—is created in a system as a proxy for a non computable/addressable object. By means of reification, something that was previously implicit, unexpressed, and possibly inexpressible is explicitly formulated and made available to conceptual (logical or computational) manipulation. Informally, reification is often referred to as "making something a first-class citizen" within the scope of a particular system.

Vignoli develops in his painting a very personal interpretation of human dramas, dealing with stylistic references of Romanticism, Expressionism and metaphysical painting, movements that, like Surrealism, dedicated themselves to interrogating inexpressible human dimensions. In his work it is possible to see paintings by Picasso, Munch, Miró, Magritte and Dalí adorning abandoned walls and chairs. The poetic content of the scenes is pronounced following the mysterious language of the dream, providing metaphors and multiple interpretations. Fernando Vignoli died on a Tuesday afternoon (December 13, 2016) in his hometown Belo Horizonte.

Waldinger collaborated with Cordell Green, Robert Yates, Jeff Rulifson, and Jan Derksen on QA4, a PLANNER-like artificial intelligence language geared towards automatic planning and theorem proving. QA4 introduced the notion of context and also of associative-commutative unification, which made the associative and commutative axioms for operators not only unnecessary but also inexpressible. They applied the language to planning for the SRI robot, Shakey. With Bernie Elspas and Karl Levitt, Waldinger used QA4 for program verification (proving that a program does what it's supposed to), obtaining automatic verifications for the unification algorithm and Hoare's FIND program.

One of Moore's distinctive contributions to the area of contemporary metaphysics is a bold defence of the idea that it is possible to think about the world 'from no point of view'. This defence is presented in his book, Points of View, which is at the same time a study of ineffability and nonsense. Drawing on Kant and Wittgenstein, he considers transcendental idealism which, he argues, is nonsense resulting from the attempt to express certain inexpressible insights. He applies this idea to a wide range of fundamental philosophical issues, including the nature of persons, value, and God.

Literary critic Harold Bloom wrote that Heart of Darkness had been analysed more than any other work of literature that is studied in universities and colleges, which he attributed to Conrad's "unique propensity for ambiguity" but it was not a big success during Conrad's life. When it was published as a single volume in 1902 with two novellas, "Youth" and "The End of the Tether", it received the least commentary from critics. F. R. Leavis referred to Heart of Darkness as a "minor work" and criticised its "adjectival insistence upon inexpressible and incomprehensible mystery". Conrad did not consider it to be particularly notable.

147 This is ultimate reality, a state of truth beyond ordinary mundane consciousness and beyond the power of words to describe. It is designated by Zurchhung Sheyrab Dragpa in the text as 'a supreme and inexpressible state', the 'fundamental nature beyond ordinary consciousness'.Dudjom Lingpa, Buddhahood without Meditation, Padma Publishing, 2002, p. 179 The practitioner of this spiritual path is urged to strive for obtaining of an ultimate all-knowingness which transcends time: 'Hold this to be the most excellent key point - to practice with intense and unflagging exertion until you attain supreme timeless awareness [jnana], which is total omniscience.

The single most impactful piece of legislation for the aesthetic appearance of the capital was the Building Act of 1777, which set building requirements for new housing and sought to eliminate rampant jerry-building and shoddy construction work. Housing was divided into four "rates" based on ground rents, with each of the rates accorded their own strict building codes. The Building Act accounts for the remarkable uniformity of Georgian terraced housing and squares in London built in subsequent decades, which critics like John Summerson criticized for their "inexpressible monotony". In 1708 Christopher Wren's masterpiece, St. Paul's Cathedral was completed on his birthday.

Accompanied by his eight-year-old son, he sailed to New South Wales on , transferring to Scarborough during the voyage. From the start of his time in New South Wales Ross was in conflict with the governor Arthur Phillip and other officers. David Collins claimed an "inexpressible hatred" for him, and Ralph Clark described him at the time as "without exception the most disagreeable commanding officer I ever knew". He refused to allow the marines to supervise the convicts at work, or to allow marine officers to sit as members of the criminal court, attitudes which some of his own officers disagreed with.

The Brahma Sutras of Badarayana represents the first comprehensive treatment in a systematic manner of the vast corpus of Vedic Thought. The Vedic tradition viewed truth as ‘subsisting eternally as subtle sound’ heard and then conveyed to others via speech. However, Madhva, the founder of Tattvavada (Realism), interprets the word asabadam to refer to Brahman who is inexpressible because he is an object of knowledge. Madhva contends that an object presented in illusory perception is an absolute unreality and no illusion can be explained without the acceptance of two necessary reals – adhisthana ('substratum') and pradhana ('prototype') of the superimposed object (aropya).

He attains union with the Absolute by denying the body, name, form, intellect, senses and all limiting adjuncts and discovers what remains, the true "I" alone. L.C.Beckett in his book, Neti Neti, explains that this expression is an expression of something inexpressible, it expresses the ‘suchness’ (the essence) of that which it refers to when ‘no other definition applies to it’. Neti neti negates all descriptions about the Ultimate Reality but not the Reality itself. Intuitive interpretation of uncertainty principle can be expressed by "Neti neti" that annihilates ego and the world as non-self (Anatman), it annihilates our sense of self altogether.

Surrealism is often confused with magical realism as they both explore illogical or non-realist aspects of humanity and existence. There is a strong historical connection between Franz Roh's concept of magic realism and surrealism, as well as the resulting influence on Carpentier's marvelous reality; however, important differences remain. Surrealism "is most distanced from magical realism [in that] the aspects that it explores are associated not with material reality but with the imagination and the mind, and in particular it attempts to express the 'inner life' and psychology of humans through art". It seeks to express the sub-conscious, unconscious, the repressed and inexpressible.

The latter portion of the essay is dedicated to Eliot's criticism of Hamlet based on his concept of the objective correlative. He begins by arguing that the greatest contributor to the play's failure is Shakespeare's inability to express Hamlet's emotion in his surroundings and the audience's resultant inability to localize that emotion. The madness of Shakespeare's character, according to Eliot, is a result of the inexpressible things that Hamlet feels and the playwright cannot convey. Eliot concludes that because Shakespeare cannot find a sufficient objective correlative for his hero, the audience is left without a means to understand an experience that Shakespeare himself does not seem to understand.

The work of a sorcerer is to reintegrate divergent expressions or feelings of patients into "patterns present in the group's culture. The assimilation of such patterns is the only means of objectivizing subjective states, of formulating inexpressible feelings, and of integrating inarticulated experiences into a system."Claude Lévi-Strauss, Structural Anthropology, Basic Books, 1974, 166 The three examples that Lévi-Strauss mentions relate to magic, a practice reached as a social consensus, by a group of people including sorcerer and patient. It seems that people make sense of certain activities through beliefs, created by social consensus, and not by the effectiveness of magical practices.

Unspeak was published in 2006 by Little, Brown in the UK, and by Grove Press in the US. The second UK edition (2007) has the subtitle "Words Are Weapons". It is a book about language in contemporary politics, structured around buzzphrases such as "community", climate change/global warming, and "war on terror". The book was shortlisted for Index on Censorship's T.R. Fyvel Award in 2006.French Journalist Wins T.R. Fyvel Book Award According to the author, "unspeak" is related to framing: it is a rhetorical way of naming an issue so as to avoid having to argue one's position, and to render the opposing position inexpressible.

Rudolf Otto (1869–1937) was a German Protestant theologian and scholar of comparative religion. Otto's most famous work, The Idea of the Holy (published first in 1917 as Das Heilige), defines the concept of the holy as that which is numinous. Otto explained the numinous as a "non-rational, non-sensory experience or feeling whose primary and immediate object is outside the self." It is a mystery (Latin: mysterium tremendum) that is both fascinating (fascinans) and terrifying at the same time; A mystery that causes trembling and fascination, attempting to explain that inexpressible and perhaps supernatural emotional reaction of wonder drawing us to seemingly ordinary and/or religious experiences of grace.

In 1994, between April and July, the massacre of Tutsis and moderate Hutus left one million dead. Instigated by Fest’Africa, a dozen African authors met four years after the events as writers in residence at Kigali, to try to break the silence of African intellectuals on this genocide. In May 2000, on the occasion of the publication of series of works based on this experience, writers and artists from Africa and elsewhere gathered in Rwanda. Facing up to the scars left by the genocide, Samba Felix N’Diaye manages to find just the right sense of distance to film the inexpressible while nevertheless communicating a message of hope.

According to Elleray, he had the basic ideas for the Bentley Speed 8 even before launching the design work in August 2001 with Gene Varnier, the assistant chief designer on the project. By 2003, the vehicle had evolved to accommodate a change from Dunlop tires to Michelin tires and also to adapt the front diffuser to the doored-coupe design. The Los Angeles Times praised Elleray's design as exhibiting a "kind of inexpressible British flair and beauty." The car received the Autosport Racing Car of the Year Award for 2003, the first non-F1 car for 14 years to win the award, breaking Ferrari's streak.

Page references are to the 1864 edition of Cousin. Translations are from G. R. Marrow and J. Dillon, Proclus' Commentary on Plato's Parmenides (Princeton: University Press, 1992). Proclus himself see the dialogue's characters as symbols of metaphysical principles: Parmenides is a representation of the divine, Zeno of the Intellect, and Socrates of the particular Intellect (628). Proclus argues generally that: > Writings of a genuinely profound and theoretical character ought not to be > communicated except with the greatest caution and considered judgement, lest > we inadvertently expose to the slovenly hearing and neglect of the public > the inexpressible thoughts of god-like souls (718, cf. 1024).

The group, with meagre rations which they had to supplement by fish and seal meat, were forced to spend the winter months of 1912 in a snow cave which they excavated on Inexpressible Island. Here they suffered severe privations—frostbite, hunger, and dysentery, with extreme winds and low temperatures, and the discomfort of a blubber stove in confined quarters. On 17 April 1912 a party under Edward Atkinson, in command at Cape Evans during the absence of the polar party, went to relieve Campbell's party, but were beaten back by the weather. The Northern Party survived the winter in their icy chamber, and set out for the base camp on 1912.

The rational exposition and explanation of Christian doctrine is the humbler task of the theologian, while the experience of contemplatives is often of a more lofty level, beyond the power of human words to express,Merton, 2003, p. 13 so that "they have had to resort to metaphors, similes, and symbols to convey the inexpressible."James Harpur, Love Burning in the Soul (Shambhala 2005 ), p. 5 Theology indeed can only focus on what God is not, for instance considering God a spirit by removing from our conception anything pertaining to the body, while mysticism, instead of trying to comprehend what God is, is able to intuit it.

These inexpressible ideas are not > expressed but remain of the order of a dazzling display of color. The work was premiered during the Concerts de la Pléiade at the Ancien Conservatoire on April 21, 1945, by Ginette Martenot (ondes Martenot), Yvonne Loriod (piano), the Yvonne Gouverné Chorale, and the Orchestra of the Société des Concerts du Conservatoire, under the direction of Roger Désormière. The audience present at the premiere included such respected persons as Arthur Honegger, Georges Auric, Francis Poulenc, Henri Sauguet, Roland-Manuel, André Jolivet, Claude Delvincourt, Lazare Lévy, Daniel-Lesur, Irène Joachim, Maurice Gendron, Jean Wiener, Georges Braque, Paul Eluard, Pierre Reverdy, Pierre Boulez, Serge Nigg, and Pierre Henry.

The third stage samīpya — is intimacy with the Divine — corresponding to the unconscious dreamless state of consciousness – God-realization occurs when the nature of the saguṇa īśvara is cognized and one surrenders to Him/Her. When this stage is achieved then the person gets the freedom from all self-effort to achieve liberation, freedom from religion and its bondage and the relinquishing of all self-imposed burdens – achieving a state of equanimity, tranquility, abiding joy and peace. STAGE 4. The final stage sāyujya — communion with, or unification with the Absolute Godhead — corresponding to the Turiya or inconceivable and inexpressible fourth state of consciousness – a merging with the Godhead bordering on complete identity.

See how all- > wise necessity taught a means of escape from death! Greek Anthology, Book > VI, 219 > Chaste Atys, the gelded servant of Cybele, in frenzy giving his wild hair to > the wind, wished to reach Sardis from Phrygian Pessinus; but when the dark > of evening fell upon him in his course, the fierce fervour of his bitter > ecstasy was cooled and he took shelter in a descending cavern, turning aside > a little from the road. But a lion came swiftly on his track, a terror to > brave men and to him an inexpressible woe. He stood speechless from fear and > by some divine inspiration put his hand to his sounding tambour.

Adélie penguins on the ice foot at Cape Adare by Levick Penguins jumping onto the ice foot by Levick He was given leave of absence to accompany Robert Falcon Scott as surgeon and zoologist on his Terra Nova expedition. Levick photographed extensively throughout the expedition. Prevented by pack ice from embarking on the in February 1912, Levick and the other five members of the party (Victor L. A. Campbell, Raymond Priestley, George Abbott, Harry Dickason, and Frank Browning) were forced to overwinter on Inexpressible Island in a cramped ice cave. Part of the Northern Party, Levick spent the austral summer of 1911–1912 at Cape Adare in the midst of an Adélie penguin rookery.

For, the wall that divided the western and the eastern church has been removed, peace and harmony have returned, since the corner-stone, Christ, who made both one, has joined both sides with a very strong bond of love and peace, uniting and holding them together in a covenant of everlasting unity. After a long haze of grief and a dark and unlovely gloom of long-enduring strife, the radiance of hoped-for union has illuminated all. Let Mother Church also rejoice. For she now beholds her sons hitherto in disagreement returned to unity and peace, and she who hitherto wept at their separation now gives thanks to God with inexpressible joy at their truly marvellous harmony.

Kim Yi-deum’s poetry collections include: Byeol moyangui eoluk (별 모양의 얼룩 A Stain in the Shape of a Star); Cheer up, Femme Fatale (명랑하라 팜 파탈); Malhal su eopneun aein (말할 수 없는 애인 Inexpressible Love); Bereulin, dalemui norae (베를린, 달렘의 노래 Song of Berlin, Dahlem); and Histeria (히스테리아 Hysteria). She also has a novel, Bleodeu sisteojeu (블러드 시스터즈 Blood Sisters). She currently teaches at Gyeongsang University. Kim’s poetry in translation has appeared in the British journal Modern Poetry in Translation (MPT)’s winter 2016 issue, “The Blue Vein: Focus on Korean Poetry.” In 2016, her first poetry collection in English translation Cheer up, Femme Fatale was published by Action Books.

Wagner began dictating Mein Leben to his wife Cosima on 17 July 1865 in Munich. This was at the request of King Ludwig II of Bavaria, who had written to Wagner on 28 May 1865: > You would cause me inexpressible happiness if you were to give me an account > of your intellectual and spiritual development and of the external events of > your life as well.Wagner (1992), 741 Wagner was indebted to the King, who had rescued him from a life of exile and financial harassment in the previous year. At around the same time in 1864, Wagner had been given the news of the death of his hate-figure, the composer Giacomo Meyerbeer.

Henry V met soldiers returning from Agincourt at this location in 1415. Charles II's journey along the road on his way to reclaim the throne in May 1660 was described by contemporary writer and diarist John Evelyn as "a triumph of about 20,000 horse and foote, brandishing their swords and shouting with inexpressible joy". St Thomas-a-Watering became a place of execution for criminals whose bodies were left hanging from the gibbets on the principal route from the southeast to London. On 8 July 1539, Griffith Clerke, Vicar of Wandsworth was hanged and quartered here along with his chaplain and two others, for not acknowledging the royal supremacy of Henry VIII.

The essence of the Church is > inexpressible; like all living organisms, she cannot be encompassed by any > formula, is not subject to any formal definitions. The Church is, first of > all, a living organism, a unity of love, ineffable freedom, the truth of the > faith not subject to rationalization. From the outside the Church is not > knowable or definable; she is known only by those who are within her, by > those who are her living members. The sin of scholastic theology was that it > attempted to formulate rationalistically the essence of the Church; that is, > it attempted to transform the Church from a mystery known only to believers > into something subject to the knowledge of objective reason.

In 1713 Browne became known for his vigorous pamphleteering attack on the fashion of drinking healths, especially "to the glorious and immortal memory." His two most important works are the Procedure, Extent, and Limits of the Human Understanding (1728), an able though sometimes captious critique of Locke's essay, and Things Divine and Supernatural conceived by Analogy with Things Natural and Human, more briefly referred to as the Divine Analogy (1733). The doctrine of analogy was intended as a reply to the deistical conclusions that had been drawn from Locke's theory of knowledge. Browne holds that not only God's essence, but his attributes are inexpressible by our ideas, and can only be conceived analogically.

The rebirth doctrine has been a subject of scholarly studies within Buddhism since ancient times, particularly in reconciling the rebirth doctrine with its Anatman (no self, no soul) doctrine. The Buddhist traditions have disagreed on what it is in a person that is reborn, as well as how quickly the rebirth occurs after each death. Some Buddhist traditions assert that "no self" doctrine means that there is no perduring self, but there is avacya (inexpressible) self which migrates from one life to another. The majority of Buddhist traditions, in contrast, assert that Vijnana (a person's consciousness) though evolving, exists as a continuum and is the mechanistic basis of what undergoes rebirth, rebecoming and redeath.

These are essentials used by Goethe and Schiller: # Gehalt: the inexpressible "felt-thought", or "import", which is alive in the artist and the percipient that he or she finds means to express within the aesthetic form, hence Gehalt is implicit with form. A work's Gehalt is not reducible to its Inhalt. # Gestalt: the aesthetic form, in which the import of the work is stratified, that emerges from the regulation of forms (these being rhetorical, grammatical, intellectual, and so on) abstracted from the world or created by the artist, with sense relationships prevailing within the employed medium. # Stoff: Schiller and Goethe reserve this (almost solely) for the forms taken from the world or that are created.

"Violently Happy" received generally positive reviews from music critics. In particular, Simon Reynolds of The New York Times praised the song generally "The title of “Violently Happy” captures the Björk effect perfectly: a gush and rush of euphoria, a tidal wave of oceanic feeling. Over the song’s brisk house beats, Björk stammers as she struggles to express feelings of excitement so intense she seems on the brink of leaping out of her skin: “I’m driving my car too fast with ecstatic music on/I’m daring people to jump off roofs with me.” In the end, she and Mr. Hooper resort to studio wizardry to gesture at inexpressible feelings, sampling one syllable and turning it into a stuttering vocal tic".

Emotives describe the process by which emotions are managed and shaped, not only by society and its expectations but also by individuals themselves as they seek to express the inexpressible, namely how they "feel" (Rosenwein 2002). One important difference between emotive and descriptive use of language is the difference in intention. The discourse of a man using language emotively, using it to express or to arouse feelings, differs in intention from the discourse of a man using language descriptively to convey descriptive meanings (Castell 1949). Emotion claims are attempts to translate into words (1) nonverbal events that are occurring in this halo or (2) enduring states of this halo and this background.

Dor defines the symbolic landscape as a semantic web formed out of past language events, modelling in its inner dynamics the world of private experience, only in a more simplified, normative way. Every lexical item in the symbolic landscape is a discrete instructor of the imagination, and is semantically connected to other lexical items in the landscape. Private experience, Dor argues, is never fully aligned with the symbolic landscape, but instead the two are constantly affecting one another. Although private experience is to some extent primed towards linguistic expression, some aspects of it inevitably remain inexpressible. This inherent discrepancy between the two means that the work of mutual identification for language is never finished, and partially explains humans’ compulsive need to share their experiences.

After studying at Aberdeen University and Hanau in Germany, he established himself at Riga as a merchant, and subsequently in the West Indies, where he acquired property. Ill-health obliged him to return to Europe, and about 1814 he settled at Bordeaux. After "thirty-five years' inexpressible suffering", and experimenting with every imaginable course of medical treatment, he accomplished "his own extraordinary cure" about 1822 by the simple expedient of swallowing a few vegetable pills of his own compounding at bed-time and a glass of lemonade in the morning. His success led him to set up in 1825 as the vendor of what he called "vegetable universal medicines", commonly known as "Morison's Pills", of which the principal ingredient was said to be gamboge.

Universally Recommended Instructions for Zazen (普勧坐禅儀, fukan zazengi) While it was customary for Buddhist works to be written in Chinese, Dōgen often wrote in Japanese, conveying the essence of his thought in a style that was at once concise, compelling, and inspiring. A master stylist, Dōgen is noted not only for his prose, but also for his poetry (in Japanese waka style and various Chinese styles). Dōgen's use of language is unconventional by any measure. According to Dōgen scholar Steven Heine: "Dogen's poetic and philosophical works are characterized by a continual effort to express the inexpressible by perfecting imperfectable speech through the creative use of wordplay, neologism, and lyricism, as well as the recasting of traditional expressions".

The > protagonists in the conflict, humanity and nature, operate in a world of > opposites: smooth and rough, gloss and matte, geometrical and irregular, > concave and convex, straight and curved, round and square, polished and > rough, full and empty, imprint and excrescence, horizontal and vertical, > mass and surface. For Moscovici this conjunction of opposites is > characteristic of our species' relationship with nature. Though we are > ourselves part of nature, we exert our will over matter and impose our own > vision, eventually transforming nature to reflect our innermost being. > > Like Rimbaud seeking to write the silences, seize the inexpressible, and > freeze whirlwinds, Moscovici seeks to translate into images the fundamental > rhythms of existence and the mysteries of nature.... > > Moscovici displays a profound humanism whose expression is anything but > extravagant.

The inscription on the pedestal reads: > :Sacred to pure affection :This simple urn :Stands a witness of unceasing > grief for him who :Excelling in whatever is so admirable :and adding to the > exercise of the sublimest virtues :The sweet charm of refined sentiment and > polished wit :By gay social commerce :Rendered beyond comparison happy :The > course of domestic life :and bestowed a felicity inexpressible on her :Whose > faithful love was blessed in a pure return :That raised her above every > other joy but the parental one :and that still shared with him :His generous > country with public monuments has eternised his fame :This humble tribute is > but to soothe the sorrowing breast of private woepedestal, Chatham Vase, > Chevening, 17 June 2006.

In these, he attempts to organize the entire field of human knowledge so as to bring it, in outline, within the grasp of every child. Comenius also attempted to design a language in which false statements were inexpressible. Portrait of an Old Man by Rembrandt, possibly a depiction of Comenius In 1641, he responded to a request by the English parliament and joined a commission there charged with the reform of the system of public education. The English Civil War interfered with the latter project. According to Cotton Mather, Comenius was asked by Winthrop to be the President of Harvard University (this being more plausibly John Winthrop the Younger than his father as junior Winthrop was in England) but in 1642, Comenius moved to Sweden instead.

The feast is a counterpart to the Feast of the Holy Name of Jesus (January 3).Foley O.F.M., Leonard. Saint of the Day, Lives, Lessons, and Feast, (revised by Pat McCloskey O.F.M.), Franciscan Media Its object is to commemorate all the privileges bestowed upon Mary by God and all the graces received through her intercession and mediation. The entry in the Roman Martyrology about the feast speaks of it in the following terms: :The Holy Name of the Blessed Virgin Mary, a day on which the inexpressible love of the Mother of God for her Holy Child is recalled, and the eyes of the faithful are directed to the figure of the Mother of the Redeemer, for them to invoke with devotion.

Relational completeness clearly does not imply that any interesting database query can be expressed in relationally complete languages. Well-known examples of inexpressible queries include simple aggregations (counting tuples, or summing up values occurring in tuples, which are operations expressible in SQL but not in relational algebra) and computing the transitive closure of a graph given by its binary edge relation (see also expressive power). Codd's theorem also doesn't consider SQL nulls and the three-valued logic they entail; the logical treatment of nulls remains mired in controversy.For recent work extending Codd's theorem in this direction see Additionally, SQL allows duplicate rows (has multiset semantics.) Nevertheless, relational completeness constitutes an important yardstick by which the expressive power of query languages can be compared.

"I must do it, but I can't do it" is a typical description of the double-bind experience. For a double bind to be effective, the subject must be unable to confront or resolve the conflict between the demand placed by the primary injunction and that of the secondary injunction. In this sense, the double bind differentiates itself from a simple contradiction to a more inexpressible internal conflict, where the subject really wants to meet the demands of the primary injunction, but fails each time through an inability to address the situation's incompatibility with the demands of the secondary injunction. Thus, subjects may express feelings of extreme anxiety in such a situation, as he or she attempts to fulfill the demands of the primary injunction albeit with obvious contradictions in his or her actions.

Mine is inexpressible.' Admiral John Jervis wrote of him that he was ‘the best officer, & most excellent, kind hearted man in the Profession’, and claimed that he had ‘lost the best Partizan, if not the best officer under every line of description in the Service’. Edward Osler wrote in 1835 that 'St Vincent and Pownoll who were brought up under Boscawen, and received their Lieutenant's commission from him, contributed materially to form a Nelson or an Exmouth; each the founder of a school of officers, whose model is the character of their chief, and their example his successes.' As well as Pellew, John Borlase Warren served under Pownoll and went on to become a leading frigate captain, while Jervis remembered Pownoll's contribution to the navy in 1804, when he promoted Pownoll's grandson, John Bastard.

The idea is that once one chooses where to send the elements of X, the laws for Boolean algebra homomorphisms determine where to send everything else in the free algebra FX. If FX contained elements inexpressible as combinations of elements of X, then f′ wouldn't be unique, and if the elements of X weren't sufficiently independent, then f′ wouldn't be well defined! It is easily shown that FX is unique (up to isomorphism), so this definition makes sense. It is also easily shown that a free Boolean algebra with generating set X, as defined originally, is isomorphic to FX, so the two definitions agree. One shortcoming of the above definition is that the diagram doesn't capture that f′ is a homomorphism; since it is a diagram in Set each arrow denotes a mere function.

The recruitment of established proteins after the gene duplication leads to play some new biomolecular functions. Among different models that exist, one model suggests that after the gene duplication, among the two copies of genes, one will be subjected to continuous evolution under ancestral dictated functional constraints whereas the duplicate meanwhile will not be restricted by a functional role and feels free to find protein “structure space”. In the end, it may come with encoded new behaviors that which are required for a new physiological function and thereby discourse the selective advantage. In any case, we may consider it as an ambiguous model since most duplicates have to become pseudogenes, which are considered as an inexpressible genetic information (referred to as “junk DNA”) in just a few million years.

In another, a sighted man enters the parable and describes the entire elephant from various perspectives, the blind men then learn that they were all partially correct and partially wrong. While one's subjective experience is true, it may not be the totality of truth. The parable has been used to illustrate a range of truths and fallacies; broadly, the parable implies that one's subjective experience can be true, but that such experience is inherently limited by its failure to account for other truths or a totality of truth. At various times the parable has provided insight into the relativism, opaqueness or inexpressible nature of truth, the behavior of experts in fields of contradicting theories, the need for deeper understanding, and respect for different perspectives on the same object of observation.

The Kathavatthu also mentions that the Pudgalavādins relied on the following statements by the Buddha: "there is a person who exerts for his own good" and "there appears a person who is reborn for the good and happiness of many, for showing compassion to the world of beings".Dutt, Nalinaksha, Buddhist Sects in India, p. 185. The Pudgalavādins held that this person was "inexpressible" and indeterminate in its relation to the five aggregates and could not be said to be neither the same as the aggregates nor different. However, the person could not be denied entirely, for if this were so, nothing would get reborn and nothing would be the object of loving-kindness meditation.Williams, Paul, Buddhism: The early Buddhist schools and doctrinal history ; Theravāda doctrine, Volume 2, Taylor & Francis, 2005, p. 91.

According to Johann Lodewyk Marais, the importance of French symbolism became especially prominent in Slauerhoff's with the publication of Fleurs de Marécage, a collection which leans on that symbolism and particularly on Charles Baudelaire's Les Fleurs du mal. Marais cites a study by Van der Paardt, who argues that Slauerhoff has a profound distaste of visible, rationally comprehensible reality and attempts to seek the more absolute, ideal reality behind the visible one: Slauerhoff attempts to escape earthly limitations of time and space, and to develop a symbolic poetic which expresses the inexpressible. A recurring theme in Slauerhoff's work is Macau; it is the setting of his 1931 novel Het verboden rijk, in which Luís de Camões was one of the two protagonists. Oost-Aziës Macao section is dedicated to Constâncio José da Silva, an important Macanese newspaper editor.

James R. Akerman (Chicago: University of Chicago Press, 2009), 62. Yet he “wrote excessively in praise of the compass” and used universally accepted scales and measures in his atlases.Valerie A. Kivelson, “Exalted and Glorified to the Ends of the Earth: Imperial Maps and Christian Spaces in Seventeenth and Early Eighteenth Century Russian Siberia”, in The Imperial Map: Cartography and the Mastery of Empire, ed. James R. Akerman (Chicago: University of Chicago Press, 2009), 62. Remezov's cartography also shows the spread of Christianity across Siberia. In his maps, newly founded cities are represented by elaborate churches, and, as Remezov boasts in his writing: the Russians brought the “light of inexpressible joy” to Siberia.Valerie A. Kivelson, “Exalted and Glorified to the Ends of the Earth: Imperial Maps and Christian Spaces in Seventeenth and Early Eighteenth Century Russian Siberia”, in The Imperial Map: Cartography and the Mastery of Empire, ed.

First UK edition (publ. Chatto & Windus) Music at Night is a 1931 collection of essays by Aldous Huxley. The essays in this book cover different subjects, such as morality in arts ('To the Puritan All Things are Impure', a defence of his friend D. H. Lawrence), music ("After silence that which comes nearest to expressing the inexpressible is music", he writes in 'The Rest is Silence'), similarities in the behaviour of men and cats ('Sermons in Cats'). Part of these essays may be regarded as a description of changes in society at the first half of the 20th century: 'Forehead Villanious Low' deals with the fruits of universal education, while 'Art and the Great Truth' defines modernist literature as "A terror for the obvious in his [the writer's] artistic medium - (...) which leads him to make laborious efforts to destroy the gradually perfected instrument of language".

Preston Lane (artistic director and co-founder) is in his 17th season at Triad Stage where he has directed over 50 productions, including Triad Stage's Grand Opening production Suddenly Last Summer, the acclaimed Tobacco Road, and over 20 adaptations and original World Premiere productions, including his collaborations with Laurelyn Dossett: Brother Wolf, Beautiful Star, Bloody Blackbeard, Providence Gap, Snow Queen, and Radiunt Abundunt. Preston is the recipient of the 2008 Betty Cone Medal of the Arts. He was formerly the Artistic Partner for Theatre for An Appalachian Summer Festival and the Artistic Associate at the Dallas Theater Center, where his productions included the US premiere of Inexpressible Island (Dallas Observer Best of Dallas Awards: Best Director, Best Production) and The Night of the Iguana (Dallas Morning News:2002 Top Ten Theatre List). Other productions include work Off Broadway, Regional and the National Black Theatre Festival.

After her trial, Élisabeth joined the prisoners condemned with her in the Hall of the Condemned, awaiting their execution. She asked for Marie Antoinette, upon which one of the female prisoners said to her, "Madame, your sister has suffered the same fate that we ourselves are about to undergo." She reportedly successfully comforted and strengthened the morale of her fellow prisoners before their impending execution with religious arguments, and by her own example of calmness: "She spoke to them with inexpressible gentleness and calm, dominating their mental suffering by the serenity of her look, the tranquility of her appearance, and the influence of her words. [...] She encouraged them to hope in Him who rewards trials borne with courage, sacrifices accomplished," and said: "We are not asked to sacrifice our faith like the early martyrs, but only our miserable lives; let us offer this little sacrifice to God with resignation".

XVI Revelations of Divine Love (title page, 1670 edition) Julian of Norwich was, according to the historian Henrietta Leyser, "beloved in the twentieth century by theologians and poets alike". Her writings are unique, as no other works by an English anchoress have survived, although it is possible that some anonymous works may have been written by women. In 14th century England, when women were generally barred from high status positions, their knowledge of Latin would have been limited, and it is more likely that they read and wrote in English. The historian Janina Ramirez has suggested that by choosing to write in her vernacular language, a precedent set by other medieval writers, Julian was "attempting to express the inexpressible" in the best way possible. Nothing written by Julian was ever mentioned in any bequests, nor written for a specific readership, or influenced other medieval authors, and almost no references were made of her writings from the time they were written until the beginning of the 20th century.

Personal conversation, 2007 Its most important text is the Yoga Vani. The siddhayoga guru prepares the kundalini shakti which automatically gets infused in the disciple at the muladhara chakra, awakening and raising spiritual energy up the SushumnaYoga Vani, 2 Various ancient texts discuss this effect of nearness to the guru. The Kularnava Tantraquoted in Yoga Vani, 28 has; "An intelligent person should regard this teacher as their preceptor by whose contact inexpressible bliss is produced in the disciple." and the Yoga Vasistha quoted in Yoga Vani 27 confirms; "A real preceptor is one who can produce blissful sensation in the body of the disciple by their sight, touch, or instructions." Siddhayoga is said to be an internal transformation, allowing a person to grow more into their nature regardless of their outer path, rites and rituals; what they do and how they do it in the outer world is unique to their own individual path (dharma).

In 1854 she defended her use of dialect to express otherwise inexpressible concepts in a letter to Walter Savage Landor: She also used the dialect word "nesh" (soft), which goes back to Old English, in Mary Barton: and later in "The Manchester Marriage" [1858]: ::Now, I'm not above being neshed for other folks myself. I can stand a good blow, and never change colour; but, set me in the operating-room in the Infirmary, and I turn as sick as a girl. ::At Mrs Wilson's death Norah came back to them, as a nurse to the newly-born little Edwin; into which post she was not installed without a pretty strong oration on the part of the proud and happy father; who declared that if he found out that Norah ever tried to screen the boy by falsehood, or to make him nesh either in body or mind, she should go that very day..

In January 1912, the six man party was taken 200 miles farther south by the Terra Nova to Terra Nova Bay, midway between Cape Evans and Cape Adare, for summer fieldwork. They had provisions for eight weeks but their tents were badly damaged by a gale and the Terra Nova was unable to penetrate the ice pack and pick up the party as arranged. Realising that they would have to winter where they were, they excavated a small 12 foot by 9 foot ice cave in a snow drift and remained there in the shelter they nicknamed "Inexpressible Island" for almost 7 months until the end of the Austral winter, supplementing their meagre rations with seal and penguin. With two of the party weak from enteritis, they left their temporary home on 30 September 1912 and walked for five weeks, fortuitously finding a cache of food and fuel along the way which had been left by the expedition's western party the previous year.

The approach was introduced by G. Japaridze inG.Japaridze, “Introduction to cirquent calculus and abstract resource semantics”. Journal of Logic and Computation 16 (2006), pp. 489–532. as an alternative proof theory capable of “taming” various nontrivial fragments of his computability logic, which had otherwise resisted all axiomatization attempts within the traditional proof-theoretic frameworks.G.Japaridze, “The taming of recurrences in computability logic through cirquent calculus, Part I”. Archive for Mathematical Logic 52 (2013), pages 173-212. G.Japaridze, “The taming of recurrences in computability logic through cirquent calculus, Part II” Archive for Mathematical Logic 52 (2013), pages 213–259. The origin of the term “cirquent” is CIRcuit+seQUENT, as the simplest form of cirquents, while resembling circuits rather than formulas, can be thought of as collections of one-sided sequents (for instance, sequents of a given level of a Gentzen-style proof tree) where some sequents may have shared elements. Cirquent for the "two out of three" combination of resources, inexpressible in linear logic The basic version of cirquent calculus inG.

Until 1955, the Exsultet ended with a long prayer for the (Holy Roman) Emperor: :Respice etiam ad devotissimum imperatorem nostrum [Nomen] cujus tu, Deus, desiderii vota praenoscens, ineffabili pietatis et misericordiae tuae munere, tranquillum perpetuae pacis accommoda, et coelestem victoriam cum omni populo suo. :Look also upon our most devout Emperor [Name], the desires of whose longing you, O God, know beforehand, and by the inexpressible grace of your kindness and mercy grant him the tranquillity of lasting peace and heavenly victory with all his people. Only the head of the Holy Roman Empire could be prayed for with this formula, and with the resignation in 1806 of the last emperor, Francis II of Austria, the prayer was in practice not used. The prayer now ended with the immediately preceding petition, for the members of the Church: :Precamur ergo te, Domine: ut nos famulos tuos, omnemque clerum, et devotissimum populum: una cum beatissimo Papa nostro N. et Antistite nostro N. quiete temporum assidua protectione regere, gubernare, et conservare digneris.

Michael Dummett, among others, has argued that deflationism cannot account for the fact that truth should be a normative goal of assertion. The idea is that truth plays a central role in the activity of stating facts. The deflationist response is that the assertion that truth is a norm of assertion can be stated only in the form of the following infinite conjunction: > One should assert the proposition that grass is green only if grass is green > and one should assert the proposition that lemons are yellow only if lemons > are yellow and one should assert the proposition that a square circle is > impossible only if a squared circle is impossible and... This, in turn, can be reformulated as: :For all propositions P, speakers should assert the propositions that P only if the proposition that P is true. It may be the case that we use the truth-predicate to express this norm, not because it has anything to do with the nature of truth in some inflationary sense, but because it is a convenient way of expressing this otherwise inexpressible generalization.

Military Governor of the castle and turbulent city of Limerick 1715 1727 is back in Ireland at Limerick 7 February 1727 This Day we received an account from Dublin, that the Court of King's Bench has allowed an information to be filed against our Governor, for assuming the Power and Office of Mayor of this City; which news has caused inexpressible Joy among his Majesty's faithful Subjects here. Dublin 14 February 1727 Yesterday our Artillery were all carefully viewed by the Gunners; and such as were any way defective were taken Care of; but only one cannon was found unfit for Service. Last Saturday the Court of King's Bench ordered Informations to be filed against James Robinson, Robert Twigg, John Vincent, and John Higgins, of Limerick, Aldermen, for exercising the Offices of Justices of the Peace in that City, not being duly elected. These four Aldermen took upon them the Offices of Justices since the Time Major General Pearce, Governor of the Garrison, first assumed the Civil Magistracy of that City.

The development of the 18th century English park was the product of those educated in the Classics during the Augustan age, men whose imagination had been taught to interpret a landscape through the eyes of the Latin and Greek poets, and also in part by the Classical landscapes of Claude Lorrain and Nicolas Poussin. Peter De Bolla, The Education of the Eye: Painting, Landscape, and Architecture in Eighteenth- century Britain, Stanford University Press, 2003, especially Chapter 3: "The Leasowes and Hagley Park, a school for taste" Although examples from neither of those painters were to be found in Hagley Hall, in the parlour there hung Arcadian landscapes by their later Baroque counterpart, Francesco Zuccarelli,Heely, 1777, p.12 and visitors to Hagley certainly compared aspects of the grounds to paintings by Poussin. Jacob's Well reminded Horace Walpole of "the Samaritan Woman's in a picture of Nicolo Poussin,"Quoted in Hagley Historical Society Newsletter 3 while James Heely found in the prospect uphill to the Prince's Column "a landscape that would do honour to the pencil of Poussin – an inexpressible glow of the sublime and beautiful, in all the fullness of their powers".