"Mandaya Medical International will serve the rising demands of the local middle-class community for quality healthcare by building a network of hospitals focused on cardio-vascular, neuroscience and cancer specialties," MMI Director Benedictus Widaja said in the statement.
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The research is being carried out with David Brown, a professor from Nottingham Trent University's School of Science and Technology, and Bronek Boszczyk, Head of Spinal Surgery at Benedictus Krankenhaus Tutzing in Germany and a visiting professor at Nottingham Trent University.
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Portrait of the composer and priest Benedictus Buns Benedictus Buns, Benedictus à sancto Josepho (born Buns; also Buns Gelriensis in Latin; 1642 - 6 December 1716), was a priest and composer.
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Gudule in Brussels, a post he held until the end of 1558. No records survive of his life from after that year, and he may have died shortly thereafter. Appenzeller has sometimes been confused with two other musicians named "Benedictus", since many of his works are attributed in their sources simply to "Benedictus". Benedictus Ducis was a German composer and Protestant cleric (1492–1544), and Benedictus de Opitiis was an organist from the same region as Appenzeller.
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Benedictus van Haeften Benedictus van Haeften (1588 – 31 July 1648) was the Provost of Affligem Abbey and a writer of religious works. Haeften commissioned Rubens and De Crayer to decorate the church and the monastery in Affligem.
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"The Benedictus (Canticle of Zachary)." The Catholic Encyclopedia. Vol. 2. New York: Robert Appleton Company, 1907. 11 Jan. 2014 The canticle received its name from its first words in Latin (Benedictus Dominus Deus Israel, “Blessed be the Lord God of Israel”).
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On 10 June 2015 it was confirmed that Benedictus had signed for Raith Rovers.
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Benedictus de Spinoza: Ethica part 2. Ethices Pars secunda, De Naturâ & Origine mentis, 1677. "On the nature and origin of the Mind". Ethics, Demonstrated in Geometrical Order (), usually known as the Ethics, is a philosophical treatise written in Latin by Benedictus de Spinoza.
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Benedictus qui venit in nomine > Domini. Hosanna in excelsis. Hagios, hagios, hagios Kyrie o Theos.
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The word benedictus is held, which stands in opposition with the (B) phrase, which is first seen at m. 10, also on the word benedictus but with a quick and chopped-up rhythm. The phrase develops and rebounds at m. 15 with a broken cadence.
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Guest conceded that it was "very well written, but a little bit too 'high-faluting'". Saltzman advised Guest to write a new script. However, unbeknownst to Guest, Saltzman never informed Benedictus. Only during production did Benedictus learn that a new script had been commissioned.
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Acta Capituli Generalis, ed. by Benedictus Maria Reichert, Vol. VI, Rome, 1902, p. 353, cited in .
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All of the works simply attributed "Benedictus" are now considered to be the work of Appenzeller.
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The root B-R-K meaning "blessing" is also present in other Semitic languages. The most common Arabic form is the passive form Mubarak, but the form Barak (Barack) is also used. Benedictus is a Latin name with similar meaning; cf. Baruch Spinoza or Benedictus de Spinoza.
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In Shakespeare's comedy Much Ado About Nothing, "Carduus Benedictus", in tincture form, is recommended for a cold.
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Benedictus Gotthelf Teubner. 1911 reproduction of an 1811 portrait. Grave sign of the family of B. G. Teubner Benedictus Gotthelf Teubner (born 16 June 1784 in Grosskrausnik in Luckau in Lower Lusatia; died 21 January 1856 in Leipzig) was a German bookseller and the founder of a publishing company.
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Ole Henrik Benedictus Olrik (24 May 1830 – 2 January 1890) was a Danish painter, sculptor and applied artist.
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23 ff., Benedictus, Nunc Dimittis. The manuscript is held at Zurich, Zentralbibliothek, Siglum RP 1 or C 84.
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Dom Benedictus Neefs, (French: Benoit Neefs) OCist. born in 1741 was the 46th abbot of the former Hemiksem Abbey Ferdinand Rapédius de Berg, conseiller au conseil privé de Sa ..., Volume 2 Corneel Neefs was born in Kontich and entered in 1762 in Hemiksem abbey, where he took the name of Benedictus.
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Nothing of all this is in the Bobbio. Possibly, judging from the collect Post Benedictionem, which is the collect which follows the Benedictus es (Dan., iii) on Ember Saturdays in the Roman missal, either the Benedicite or this Benedictus came between the Epistle and Gospel, as in the Gallican of St. Germain's description.
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Joannes Benedictus van Heutsz was born on 3 February 1851 in Coevorden in the Netherlands. He was the second son of Joannes Franciscus van Heutsz and Maria Lucilla Kocken. Both his father and grandfather were artillery officers. F. G. P. Jaquet, Heutsz, Joannes Benedictus van (1851-1924), Biografisch Woordenboek van Nederland, 2013.
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In 1995, it was a finalist in the Benedictus Awards, described by the jury as "a remarkable anti-structure ... a symbolic use of technology ... a piece of sculpture. It was meant as an object but it is an object to transmit light.""Inverted Pyramid, The Louvre", The Dupont Benedictus Award, AIA/ACSA Council on Architectural Research, 1996. .
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Henri Benedictus van Raalte (11 February 1881 – 4 November 1929), known as H. van Raalte, was an English-born Australian artist and printmaker.
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But the way in which Benedictus Levita uses these decretals shows that the Pseudo-Isidorian collection had not yet reached its completed form.
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Cees Benedictus-Lieftinck (16 June 1920 - 25 February 2008) was a Dutch equestrian. She competed in two events at the 1972 Summer Olympics.
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Dundee- born Benedictus made his début for Dundee on 1 November 2008 against Airdrie United at Dens Park, playing the full match. He later signed a contract extension after breaking into the first team. On 28 January 2011 he joined Montrose on loan for a month. On 1 September 2014, Benedictus signed for Scottish Championship club Alloa Athletic on a season-long loan deal.
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The species was first described in 1922 as Loranthus benthamii by William Blakely, but was reassigned to the genus, Amyema, by Benedictus Hubertus Danser in 1929.
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Dan Benedictus is the assistant producer of the show. He also hosts a show on one of Absolute Radio's sister station, Absolute Radio 90s, on Sunday evenings.
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Paulus Henrique Benedictus Cox (16 April 194018 June 2016) as Paul Cox, was a Dutch-Australian filmmaker, who has been recognized as "Australia's most prolific film auteur".
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At the , Clonbinane had a population of 381. The name Clonbinane suggests a marriage of two surnames, Clon and Binane. The Binane part may have found its origins in Welsh, Irish or Scottish clans surnames, deriving from the Latin "Benedictus". It is suggested that the Binane part of the name came from the galectisation of Benedictus and that the Clon part may have its origins in early Scottish history.
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He published an autobiography, Dropping Names, in 2005. According to an interview Benedictus gave to the Israeli newspaper Yediot Aharonot in 2009, he said that a cousin had done research into his surname and found out that it was actually "Baruch" (ברוך - having the same meaning as "Benedictus" in Hebrew), as well as research into how his ancestors emigrated to Britain, which revealed that they have Ashkenazi Jewish heritage.
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Earlier scholars applied this terminus post quem to the entire complex of Pseudo-Isidorian forgeries, though modern authors are more inclined to see at least some of the forgeries introduced by the preface as an earlier phenomenon, extending back to at least the later 830s. The relationship between Benedictus Levita and the other Pseudo-Isidorian forgeries has also long been a matter of discussion. By and large, the forged decretals of Pseudo-Isidore appear to postdate Benedictus Levita, and even seem to use some of the forged capitula as a source. This relationship is reversed, however, in the final section of Benedictus Levita, where the capitula appear to use Pseudo-Isidore's false decretals as a source.
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In the Tridentine Mass the priest joins his hands while saying the word "Sanctus" and then, bowing, continues to recite the whole of the Sanctus in a lower voice, while a small bell is rung; then, on reaching the words "Benedictus qui venit in nomine Domini", he stands erect again and makes the Sign of the Cross.Ritus servandus in celebratione Missae, VII, 8 He then continues immediately with the Canon of the Mass, while the choir, if there is one, sings the Sanctus. In the pre-1962 form, the choir pauses for the Consecration and continues with the Benedictus part afterwards. As a result of this division, the Sanctus has sometimes been spoken of as "Sanctus and Benedictus".
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Sinclair was the dedicatee of Elgar's Te Deum and Benedictus (1897) and A Christmas Greeting (1907). A biographical tablet was erected to his memory in Hereford Cathedral in 1920.
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The sequence is repeated in different harmonic development and with the soloists taking over the "Benedictus" section. The movement culminates in a strong eight-part affirmation of "in excelsis".
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Ensemble, with its new members, performed in many occasions . Such as programs for Universities Music Festival , for Mahak Charity's benefit , and for Pajoohesh Week in Tehran University and published two other albums in 2003. “Benedictus” and “Creation” were the first albums published by SOL publishing company. SOL Music Ensemble donated part of the Benedictus sales to the earthquake victims of Bam in December 2003 . The 7th album (“Miniature”) consisted of several pieces of Azerbaijan Music .
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The album was produced by Tom Wilson and engineered by Roy Halee between March 10-31, 1964. “Benedictus” was arranged and adapted from Orlando di Lasso's Missa Octavi toni, a Renaissance setting of the ordinary of the mass. The text, in Latin, is benedictus qui venit in nomine Domini (KJV: Blessed be he that cometh in the name of the Lord ). The song is arranged for two voices with cello and sparse guitar accompaniment.
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Pope John XIII, born Giovanni Crescentius, of the powerful Roman Crescentii family, died on 6 September 972. Benedictus was the proposed candidate of the Imperial party, while the Nationalist party, led by the Crescentii, supported Franco. Benedictus was consecrated as Pope Benedict VI on January 19, 973, even though he lacked the support of much of the Roman aristocracy. On May 7, 973, Otto the Great died, and the youthful Otto II took over.
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Coulombe, Charles (2003). Vicars of Christ: A History of the Popes. Citadel Press. p. 293. . Despite holding for many years a view widely held to be heretical, John XXII is not considered a heretic because the doctrine he had contradicted had not been formally defined by the Church until his successor, Benedict XII, addressed it by the encyclical Benedictus Deus,Benedictus Deus (English translation) which formally defined this doctrine as contrary to Church teaching.
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The Benedictus, the longest movement, is a dialogue of soprano soloist and organ, described as "expressive, elegant, and ornate melodic lines". It is followed by a repeat of the Osanna.
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Thomas Hearne (Benedictus Abbas, i. p. 52) says that he went round like a quack doctor to country fairs, and therefore rashly supposed him to have been the original Merry Andrew.
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The Benedictus, a quartet, adopts the key of the submediant, B major (which can also be considered the relative of the subdominant of the key of D minor). The Sanctus's ending on a D major cadence necessitates a mediant jump to this new key. The Benedictus is constructed on three types of phrases: the (A) theme, which is first presented by the orchestra and reprised from 4 by the alto and from m. 6 by the soprano.
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Lodewijk Benedictus Johannes "Louis" Stuyt (16 June 1914 – 30 October 2000) was a Dutch politician of the defunct Catholic People's Party (KVP) now merged into the Christian Democratic Appeal (CDA) and physician.
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Benedictus Son Hee-Song (; born 28 January 1957) is a South Korean prelate of the Catholic Church. Since August 2015, he has served as an auxiliary bishop of the Archdiocese of Seoul.
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Formal Halls take place on some Tuesdays and Fridays about six times a term. No gowns are worn and the grace is Benedictus benedicat. The college song is 'Omnes laetae nunc sodales'.
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Benedictus Marwood Kelly (3 February 1785 – 26 September 1867) was an officer of the Royal Navy. He rose to the rank of admiral after service in the French Revolutionary and Napoleonic Wars.
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In addition to the rotating schema, the order of service has ordinary texts that are fixed. These include the Invitatory, normally psalm 94(95), and the canticles Benedictus Dominus, Magnificat, and Nunc dimittis.
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That same year, the General Chapter of Paris appointed him Regent of Studies at the newly established Studium Generale of Messina,Acta Capituli Generalis, ed. by Benedictus Maria Reichert, Vol. VI, Rome, 1902, p.
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He is the son of David Benedictus, although they did not meet until Maugham was seventeen. He was brought up in New Zealand by his mother, Lynne Joyce Maugham, and his adoptive father, Alan Barker.
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Justus Falckner was married to Gerritje Hardick in 1717. Three children were born to the couple: Anna Catharina (1718), Sara Justa (1720), and Benedictus (1723). Justus Falckner died during 1723 in Orange County, New York.
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Benedetto was the son of Mario Monaldi and Zenobia Ubaldi. His brother was Orazio Monaldi, Bishop of Gubbio (1639–1643) and then of Perugia. His tombstone in Perugia calls him Benedictus Monaldi.Ciaconius, IV, p. 596.
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The other compositions performed at the service are thought to be the Missa solemnis in C minor, K. 139 ("Waisenhaus"), and a lost offertory (previously thought to be the extant Benedictus sit deus, K. 117).
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Zechariah writing down the name of his son (Domenico Ghirlandaio, 15th century, Tornabuoni Chapel, Italy). St. John in the Mountains - the birthplace of St. John The Benedictus (also Song of Zechariah or Canticle of Zachary), given in Gospel of , is one of the three canticles in the first two chapters of this Gospel, the other two being the "Magnificat" and the "Nunc dimittis". The Benedictus was the song of thanksgiving uttered by Zechariah on the occasion of the circumcision of his son, John the Baptist.Ward, Bernard.
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Benedictus dedicated the book to "the only girl I've ever loved—wherever they may be"; in a preface, the author describes the novel as an examination of "the deadliest form of self-destruction, which is love".
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The Pulpit Commentary refers to a belief that the Benedictus was "first introduced into the public worship of the Church about the middle of the sixth century by St. Caesarius of Arles".Pulpit Commentary on Luke 1, accessed 18 May 2018 In the Roman Catholic Church, the Benedictus is part of Lauds, probably because of the song of thanksgiving for the coming of the Redeemer in the first part of the canticle. It is believed to have been first introduced by Benedict of Nursia.Baumer, Histoire du Bréviaire, I, 253.
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Benedictus qui venit in nomine Domini. > Hosanna in excelsis. In the Roman Rite, the Sanctus also forms part of the solemn hymn of praise Te Deum laudamus, but with the addition of a reference to the "majesty" of the Lord's glory in the Pleni sunt verse (the phrase pleni sunt caeli et terra gloria tua becomes pleni sunt caeli et terra maiestatis gloriae tuae). The Benedictus is not included in the Te Deum, and the Sanctus is therefore included as part of that hymn as follows: > Sanctus, Sanctus, Sanctus, Dominus Deus Sabaoth.
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You're a Big Boy Now is a 1963 satirical novel by the British author David Benedictus. It was adapted into a 1966 film directed by Francis Ford Coppola, with the setting changed from London to New York City.
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The track "Sanctus" shares its theme with the Adiemus piece "Immrama" which was introduced on the album set More Journey: Adiemus New Best & Live. "Benedictus" borrows its theme from "The Eternal Knot" from Adiemus IV: The Eternal Knot.
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Premsela was born and raised in Amsterdam. He was the son of Benedictus Premsela, general practitioner and sexologist, en Rosalie de Boers.E. Broeksma-van Capelle, Premsela, Benno (1920-1997)', in Biografisch Woordenboek van Nederland. Last updated 12-11-2013.
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Printed on the reverse of each was a Latin text written by a member of his intellectual circle in Nuremberg, the Benedictine Abbot Benedictus Chelidonius."Albrecht Durer (Nuremberg, 1471–1528): The Engraved Passion". Spaightwood Galleries. Retrieved on 18 October 2007.
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This is an abbreviated form of Psalm 144:1, Benedictus Dominus Deus meus, qui docet manus meas ad prælium, et digitos meos ad bellum (Blessed be the Lord my strength, which teacheth my hands to fight, and my fingers to war).
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Luke's Nativity text has given rise to four well-known canticles: the Benedictus and the Magnificat in the first chapter, and the Gloria in Excelsis and the Nunc dimittis in the second chapter.An Introduction to the Bible by Robert Kugler, Patrick Hartin p. 394 These "Gospel canticles" are now an integral part of the Christian liturgical tradition.Mercer dictionary of the Bible by Watson E. Mills, Roger Aubrey Bullard 1998 p. 396 The parallel structure in Luke regarding the births of John the Baptist and Jesus, extends to the three canticles Benedictus (Song of Zechariah), the Nunc dimittis and the Magnificat.
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In 1856 it was bought by Admiral Benedictus Marwood Kelly who died there on 26 September 1867. In 2016 the local member of parliament, Jacob Rees-Mogg unveiled a blue plaque at the house commemorating the time when the admiral was resident.
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David Henry Benedictus (born 16 September 1938) is an English writer and theatre director, best known for his novels. His work includes the Winnie-the- Pooh novel Return to the Hundred Acre Wood (2009). It was the first such book in 81 years.
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38 with the broken cadence once more. This carries the movement to a new Mozartian cadence in mm. 47 to 49 and concludes on phrase (C), which reintroduces the Hosanna fugue from the Sanctus movement, in the new key of the Benedictus.
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Joannes Benedictus van Heutsz (3 February 1851 – 11 July 1924) was a Dutch military officer who was appointed governor general of the Dutch East Indies in 1904. He had become famous years before by bringing to an end to the long Aceh War.
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In the necrology of the Carmelite monastery in Boxmeer is recorded: "6. December obiit P. Benedictus à Sancto Josepho alias Buns, Gelriensis, quondam subprior, organista ac Musiciae componista famosissimus." In France, Buns was granted with a title of honour ”le grand Carme”.Wennekes p.
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239 with an eight-part chorus for the "Hosanna". The Benedictus, for soprano solo and the soprano and alto sections, is soaring and melodious. There is a contrapuntal theme for cor anglais, and a trumpet joins the solo at the "Hosanna".Tovey (1968), p.
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The Maxi-CD release of Rain also features those original mixes, although "Benedictus (Exitiale Mix)", while not labeled as an edit, was edited slightly shorter.Benedictus at Discogs.comRain compilation at Discogs.com Bertapelle has also added his symphonic trance touch to other artists' works through various remixes.
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Girton College has a traditional two-word grace and a more recent full grace, both in Latin. On regular formal occasions, such as Formal Halls, the two-word graces are spoken, Benedictus benedicat (May the blessed one give blessing) at the start of the meal, and Benedictus benedicatur (May praise be given to the blessed one) at the end of the meal. There is evidence that the two-word grace was used in 1926, and it is thought the two-word grace was used from the foundation of the college onwards. The words and the music of the full grace were composed in 1950 by Alison Duke and Jill Vlasto respectively.
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Divine Worship: The Missal (p. 180), used in the Personal Ordinariates uses O Virgo virginum for the Alleluia verse of the morning mass on December 24th. The Personal Ordinariates also use O Virgo Virginum as the Antiphon on the Benedictus at Morning Prayer on the 24th.
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59, Art Papers, January/February 1988. In the following year the visual description of music was still on Thompson's mind. A solo exhibition titled Concatenation at Agnes Scott College contained the wooden sculpture Mass, whose six parts were named "Kyrie", "Gloria", "Credo", "Sanctus", "Benedictus", and "Gloria Dei".
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Following is an exultant contraction of all of the material preceding the Benedictus into just five measures.Peloquin, 132. The Agnus Dei, marked "Slow and Solemn", is in D minor. In 5/4 time, an organ pedal ostinato of rising thirds outlines the interval of a minor ninth.
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In The Times, Ann Thwaite wrote, "With the new book, Burgess seems indispensable."Thwaite, Ann Return to the Hundred Acre Wood by David Benedictus, illustrated by Mark Burgess Jana Siciliano of Kidsreads.com, wrote:Siciliano, Jana Review: Return to the Hundred Acre Wood. Kidsreads.com. Access date: 6 September 2010.
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He published Logica, in two volumes, at Lyon in 1622. In it he sided with Benedictus Pereyra against Giuseppe Biancani. The issue was mathematical proof in physics, where Pereyra denied mathematics an essential status.Paolo Mancosu, Philosophy of Mathematics and Mathematical Practice in the Seventeenth Century (1996), p.
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In precision and fullness of detail the Ymagines are inferior to the chronicles of Roger of Hoveden.Roger's two Gesta were formerly attributed to Benedictus Abbas. Though an annalist, Ralph is careless in his chronology. The documents which he incorporates, while often important, are selected on no principle.
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Toufik Benedictus "Benny" Hinn (born 3 December 1952) is an Israeli televangelist, best known for his regular "Miracle Crusades"—revival meeting or faith healing summits that are usually held in stadiums in major cities, which are later broadcast worldwide on his television program, This Is Your Day.
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Benoît () is a French male given name. It is less frequently spelled Benoist. The name comes from the Latin word "benedictus", which means "the one who says the good", equivalent in meaning to Bénédicte or the English name Benedict. The female form of the name is Benoîte.
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London: W. Knott & Son. p. 120. restored the Benedictus to this form, yielding: > Holy, holy, holy, Lord God of hosts, heaven and earth are full of thy glory. > Glory be to thee, O Lord most high. Blessed is he that cometh in the name of > the Lord.
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In a live controversy of the time, Smiglecius sided with Benedictus Pereyra against Giuseppe Biancani. The issue was the status of mathematical proof in physics, where Pereyra denied mathematics an essential status.Paolo Mancosu, Philosophy of Mathematics and Mathematical Practice in the Seventeenth Century (1996), p. 13 and p. 19.
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Benedictus van Haeften, S. Benedictvs illvstratvs sive Disqvisitionvm monasticarvm libri XII. Antwerpen, P. Bellerus, 1644. Van Haeften was a Benedictine writer, provost of the Abbey of Affligem. He was born in Utrecht, 1588, and died 31 July 1648, at Spa, Belgium, where he had gone to recover his health.
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Ignatius married Amanda Kristina Bergman (1841-1921) in 1863. The couple had five daughters and five sons, the most famous of them being the President of the Court of Appeals Kaarlo Yrjö Benedictus Ignatius (1869-1942), Lieutenant General Hannes Ignatius (1871-1941) and Provincial Governor Gustaf Ignatius (1873-1949).
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The Gloria and Credo have also been independently preserved as standalone pieces in other sources. Unlike other mass cycles of the period, the Barcelona Mass contains neither a motetus over Ite, missa est nor a setting of the Benedictus, and its movements are not based on plain chant.
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Haslmayr was a close friend of Karl Widemann, with whom he had shared a house, and Benedictus Figulus, both also closely related to the early Rosicrucian furore. Figulus had brought Haslmayr into contact with Widemann, who in turn introduced him to prince August of Anhalt.Carlos Gilly (1994). Adam Haslmayr.
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Willie tells Rosie he loves her, and they kiss. At the beach, Willie's mother reveals that she had a son to another man, who turns out to be Father Benedictus. Wolfgang is their son. Tadpole is spotted by Willie's mother, and she tells Willie that he is Tadpole's son.
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After the Venite or its equivalent is completed, the rest of the psalms follow, but in some churches an office hymn is sung first. After each of the lessons from the Bible, a canticle or hymn is sung. At Morning Prayer, these are usually the hymn Te Deum laudamus, which was sung at the end of Matins on feast days before the Reformation, and the canticle Benedictus from the Gospel of Luke, which was sung every day at Lauds. As alternatives, the Benedicite from the Greek version of the Book of Daniel is provided instead of Te Deum, and Psalm 100 (under the title of its Latin incipit Jubilate Deo) instead of Benedictus.
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Pope Pius IV promulgates the bull "Benedictus Deus" Benedictus Deus is a papal bull written by Pius IV in 1564 which ratified all decrees and definitions of the Council of Trent. It maintains that the decrees of the Council of Trent can be interpreted solely by the Papal office itself; and enjoins strict obedience upon all Catholics, forbidding, under pain of excommunication, all unauthorized interpretation. This was seen by Church contemporaries of Pius IV as an attempt to strengthen the influence of the Papacy against the rise of Conciliarism exemplified by the Council of Trent itself. There is a more minor bull of the same title written by Benedict XII in 1336.
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His name Eudoxus means "honored" or "of good repute" (, from eu "good" and doxa "opinion, belief, fame"). It is analogous to the Latin name Benedictus. Eudoxus's father Aeschines of Cnidus loved to watch stars at night. Eudoxus first travelled to Tarentum to study with Archytas, from whom he learned mathematics.
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Rain features lyrics by Italian singer Nadia Casari, who also appears in the music video.Rain Remixes at Discogs.com Several remixes by various artists have been released on Brainbug's singles, and not all of Bertapelle's originals are obviously titled. "Nightmare (Sinister Strings Mix)" and "Benedictus (Exitiale Mix)" are examples of this.
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He was a Roman, son of Benedictus de Suburra, probably of the family of Demetri, and became a secular clerk.According to older historiography (incl. Klewitz, p. 128 and 220) he was abbot of the Augustinian monastery of St.-Ruf at Avignon, but this view has been recently abandoned (see I.S.Robinson, p.
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Reed, p. 149 Elgar's principal large- scale early works were for chorus and orchestra for the Three Choirs and other festivals. These were The Black Knight, King Olaf, The Light of Life, The Banner of St George and Caractacus. He also wrote a Te Deum and Benedictus for the Hereford Festival.
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Kyle Benedictus (born 7 December 1991) is a Scottish footballer who plays as a centre half for Scottish Championship club Raith Rovers. He started his career with Lincraig Boys Club before moving to Dundee, and had loan spells at Montrose in 2011 and Alloa Athletic in the 2014–15 season.
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The central movement is the Sanctus (with Benedictus), a lively, and exclamatory movement which is brightly orchestrated with bells, flute, and oboe and occasional timpani recalling the passage in Old Testament scripture in Isaiah chapter 6, and the worship of the six-winged seraphim in the heavenly throne- room of God.
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Benedictus Appenzeller (between 1480 and 1488 – after 1558) was a Franco- Flemish singer and composer of the Renaissance, active in Bruges and Brussels. He served Dowager Queen Mary of Hungary for much of his career, and was a prolific composer of vocal music, both sacred and secular, throughout his long career.
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Anders Bendssøn Dall (Latinized as Andreas Benedictus Dallinus) was a Danish Lutheran prelate of the Church of Norway who served as Bishop of Oslo from 1601 to 1607. He played an important role in proposing a new church ordinance for the Norwegian Church to have more autonomy from the Church of Denmark.
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The Missa Papae Marcelli consists, like most Renaissance masses, of a Kyrie, Gloria, Credo, Sanctus/Benedictus, and Agnus Dei, though the third part of the Agnus Dei is a separate movement (designated "Agnus II").Taruskin, Richard. Music from the Earliest Notations to the Sixteenth Century. The Oxford History of Western Music, Volume 1.
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The volume has on the title-page "By the Author of the Synagogue". The emblems were adapted from Benedictus van Haeften's Schola Cordis. This work was a free adaptation, with the engravings made freshly and reversed. It was later reissued as The School of the Heart, and wrongly attributed to Francis Quarles.
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Goss studied musicology at the Université libre de Bruxelles with François Lesure and Robert Wangermée. She continued her studies at the University of North Carolina, where she completed a Ph.D. in musicology with a dissertation on the Renaissance composer Benedictus Appenzeller, the leading court musician for the Habsburg regent, Queen Mary of Hungary.
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He was born in Strinda as a son of attorney Sverre Olafssøn Klingenberg (1844–1913) and Hilda Johannesdatter Klingenberg (1843–1912). He was a brother of Odd, Sverre and Kaare Sverressøn Klingenberg and a grandson and grandnephew of engineer Johannes Benedictus Klingenberg. In 1913 he married Hjørdis Bergland, daughter of a vicar.
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The work is divided into four parts: # Kyrie - Adagio, D minor # Sanctus - Adagio, B-flat major # Benedictus - Andante, F major # Agnus Dei - Adagio, F major Total duration: about 5 minutes. This Missa brevis, also called [], exhibits relationships to Palestrina's style.J. Garrat, p. 183 The mass survives only in a fragmentary state, without Credo.
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Examples are documents dated 8 August 2013; 17 January 2014 ; 2 April 2014 Popes who have an ordinal numeral in their name traditionally place the abbreviation "PP." before the ordinal numeral, as in "Benedictus PP. XVI" (Pope Benedict XVI), except in bulls of canonization and decrees of ecumenical councils, which a pope signs with the formula, "Ego N. Episcopus Ecclesiae catholicae", without the numeral, as in "Ego Benedictus Episcopus Ecclesiae catholicae" (I, Benedict, Bishop of the Catholic Church). The pope's signature is followed, in bulls of canonization, by those of all the cardinals resident in Rome, and in decrees of ecumenical councils, by the signatures of the other bishops participating in the council, each signing as Bishop of a particular see. Papal bulls are headed N. Episcopus Servus Servorum Dei ("Name, Bishop, Servant of the Servants of God"). In general, they are not signed by the pope, but John Paul II introduced in the mid-1980s the custom by which the pope signs not only bulls of canonization but also, using his normal signature, such as "Benedictus PP. XVI", bulls of nomination of bishops.
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Mineralogical analysis and provenancing of ancient ceramics using automated SEM-EDS analysis (QEMSCAN): A pilot study on LB I pottery from Akrotiri, Thera. Journal of Archaeological Science, in press agribusiness; built environment and planetary geology.Schrader, C.M., Rickman, D., Stoeser, D., Wentworth, S.J., Botha, P.W.S.K., Butcher, A.R., McKay, D., Horsch, H., Benedictus, A., Gottlieb, P. 2008.
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Ben Watermeyer, from a posthumous sketch in 1877. Egidius Benedictus Watermeyer (21 August 1824 - 21 September 1867), informally known simply as "Ben", was a Judge and a founding Member of the Cape Legislative Assembly.Watermeyer: Selections from the writings of the late E.B. Watermeyer, with a brief sketch of his life. Cape Town : Juta. 1877.
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Album cover of Benedictus, with Bryn Terfel Meirion has released three successful solo CD recordings with SAIN Records, and one on the Australian label, Stanza AV. His duet album with close friend Bryn Terfel, with Catrin Finch on the harp and Annette Bryn Parry on the piano, is one of SAIN's best selling recordings.
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He was born in Trondhjem as a son of attorney Sverre Olafssøn Klingenberg (1844–1913) and Hilda Johannesdatter Klingenberg (1843–1912). He was a brother of Odd, Olav and Kaare Sverressøn Klingenberg and a grandson and grandnephew of engineer Johannes Benedictus Klingenberg. In 1906 he married Ingeborg Halvorsdatter Kulseth, daughter of a tailor in Selbu.
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Kennedy, p.38 Elgar's relationship with Jaeger is documented in Percy M. Young's book showing eleven years of correspondence, Letters to Nimrod. Jaeger met Edward Elgar in late 1897, when he was publishing office manager at Novellos, Kennedy, p.39 and their first correspondence was regarding the publication of Elgar's Te Deum and Benedictus.
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Antwerp Polyglot Bible (1569-73), edited by Arias Benedictus Montanus (1527-73) The Francis Trigge Chained Library is a chained library in Grantham, Lincolnshire, England which was founded in 1598. Located in the parvise, over the south porch of St Wulfram's Church, it has been claimed to be "the first public library" in Britain.
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These are followed by a short reading, a responsory, the Canticle of Zechariah (Benedictus) and the intercessions (preces). Daytime Prayer consists of Psalms 70 [69], 85 [84], and 86 [85]. These are followed by a short reading and a versicle which vary depending on which of the little hours are being used for Daytime Prayer.
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Tomb of Joannes Benedictus van Heutsz at the Nieuwe Ooster Begraafplaats in Amsterdam Van Heutsz moved to Amsterdam in 1909. After his wife died in 1919, he moved to Bussum. He lived in Montreux in Switzerland and Merano in Italy from 1922. He died in Montreux on 11 July 1924, at the age of 73.
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Abū al-ʿAlāʾ al-Maʿarrī (, full name , also known under his Latin name Abulola Moarrensis;Or more often simply Abulola; see Catalogue of Arabic Books in the British Museum, vol. 1, 1894 (p. 115); Christianus Benedictus Michaelis, Dissertatio philologica de historia linguae Arabicae, 1706 (p. 25); in an English context: Charles Hole, A Brief Biographical Dictionary ( p. 3).
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Roseberry, 14. The "Pleni sunt caeli" section features free imitative polyphony in the voices with the original twelve-tone melody transferred to the organ pedals. The Benedictus is a bitonal duet for two soloists, the first in G major, and the second in C major. This results in parallel fourths and false relations between F-sharp and F natural.
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Although beginning a new set of text, Benedictus is a continuation of Sanctus. This semi-movement proceeds to use the same structural format laid out in Sanctus. Much of it involves the countertenor soloist performing a chant-like recitative followed by a choral response on the text "osanna in excelsis". The dynamics could be described as explosively contrasting.
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Stamp of Indonesia, 2008 10,000-rupiah banknote. Teuku Umar and Dhien kept resisting the Dutch with their new equipment until the Dutch sent the Maréchaussée. The Acehnese found these troops extremely difficult to resist and many people were killed. The Dutch general Johannes Benedictus van Heutsz took advantage of the condition and sent a spy to Aceh.
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Benito Arias Montano (or Benedictus Arias Montanus; 1527–1598) was a Spanish orientalist and editor of the Antwerp Polyglot. He was born at Fregenal de la Sierra, in Extremadura, and died at Seville. He is the subject of an Elogio histórico by Tomás Gonzalez Caral in the Memorias de la Real Academia de la Historia (Madrid), vol. vii.
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You're a Big Boy Now is a 1966 American comedy film written and directed by Francis Ford Coppola. Based on David Benedictus' 1963 novel of the same name, it stars Elizabeth Hartman, Peter Kastner, Geraldine Page, Rip Torn, Karen Black, and Julie Harris. Geraldine Page was nominated for an Oscar and Golden Globe Award for her performance.
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Honoré Jozef Coppieters was born at Overmere in East Flanders, the eldest son of Benedictus Coppieters and Maria Sidonia Verstraeten. His father was a farmer. He studied successively at St. Vincent's Catholic college in Eeklo, St. Joseph Minor Seminary in Sint-Niklaas and at the Episcopal Seminary in Ghent. He was ordained into the priesthood on 19 December 1896.
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Adolf Engler described Loranthus undulatus var. sagittifolius in 1895. Thomas Archibald Sprague regarded this plant sufficiently different from Loranthus undulatus (now renamed Plicosepalus undulatus) to raise its rank to species, and so created Loranthus sagittifolius. Benedictus Hubertus Danser, who revised the subfamily Loranthoideae in 1933, reassigned the species to the genus Plicosepalus, making the new combination P. sagittifolius.
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The college grace is said in Latin by the Principal (or a designated fellow) at formal dinners in Hall. Before commencement of the meal the words "Benedictus benedicat" ('May the Blessed One give a blessing') are said, all standing. After the completion of the meal the words "Benedicto benedicatur" ('May the Blessed One be blessed') are said, all standing.
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Anthony Vincent Benedictus Collins was born in Hastings, East Sussex in 1893. At the age of seventeen he began to perform as violinist in the Hastings Municipal Orchestra. He then served four years in the army. Beginning in 1920 he studied violin with Achille Rivarde and composition with Gustav Holst at the Royal College of Music.
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Commemorative plaque for Benedict of Poland in Wrocław Benedict of Poland (Latin: Benedictus Polonus, Polish Benedykt Polak) (c. 1200 – c. 1280) was a Polish Franciscan friar, traveler, explorer, and interpreter. He accompanied Giovanni da Pian del Carpine in his journey as delegate of Pope Innocent IV to the Great Khan Güyük of the Mongol Empire in 1245-1247.
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An authorised sequel Return to the Hundred Acre Wood was published on 5 October 2009. The author, David Benedictus, has developed, but not changed, Milne's characterisations. The illustrations, by Mark Burgess, are in the style of Shepard. Another authorised sequel, Winnie-the-Pooh: The Best Bear in All the World, was published by Egmont in 2016.
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Papadopoulos Benedictus . In: WHO WAS A CHRISTIAN IN THE HOLY LAND? (Christusrex.org). Retrieved: 28 September 2017. The rules gave the Arab laity a role in the financial affairs of the Patriarchate, and required that the candidates for the offices of the patriarchate be citizens of Jordan, but the changes were discontinued after negotiation between the Patriarchate and the Jordanians.
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Appenzeller wrote six masses which have survived, as well as numerous motets and Magnificat settings. He also left over 40 chansons, many of which were published in Antwerp in a 1542 collection, Des chansons a quattre parties. The twenty-four chansons in this collection have been published as Benedictus Appenzeller: Chansons, edited by Glenda Goss Thompson.Benedictus Appenzeller: Chansons.
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Jan Frans Vonck was born in Baardegem, the son of a well-to-do farming couple, Jan Vonck and Elisabeth van Nuffel. He had a brother who later became priest, Benedictus Hieronymus, and three sisters: Maria Anna Josepha, Anna Margaretha and Maria Theresia. Vonck studied humanities at the Jesuit college in Brussels. Afterwards, he attended the gymnasium in Geel.
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After 827 new capitularies were naturally promulgated, and before 858 there appeared a second collection in three books, by an author calling himself Benedictus Levita. His aim was, he said, to complete the work of Ansegisus and bring it up to date by continuing it from 827 to his own day. But the author not only borrowed prescriptions from the capitularies, he introduced other documents into his collection: fragments of Roman laws, canons of the councils and especially spurious provisions very similar in character to those of the same date found in the False Decretals. His contemporaries did not notice these spurious documents but accepted the whole collection as authentic, and incorporated the four books of Ansegisus and the three of Benedictus Levita into a single collection in seven books.
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141 (dating 559) was the first to declare that Sodom's sin had been specifically same-sex activities. Regarding the death penalty, Justinian's legal novels heralded a change in the Roman legal paradigm by introducing the concept of not divine punishment for homosexual behavior. Individuals might escape mundane laws, however divine laws were inescapable. Justinian's interpretation of the story of Sodom would be forgotten today (as it had been along with his law novelizations regarding homosexual behavior immediately after his death) had it not been made use of in fake Charlemagnian capitularies, fabricated by a Frankish monk using the pseudonym Benedictus Levita ("Benedict the Levite") around 850 CE, as part of the Pseudo-Isidore where Benedictus utilized Justinian's interpretation as a justification for ecclesiastical supremacy over mundane institutions, thereby demanding burning at the stake for carnal sins in the name of Charlemagne himself (burning had been part of the standard penalty for homosexual behavior particularly common in Germanic antiquity, note that Benedictus most probably was Frankish), especially homosexuality, for the first time in ecclesiastical history in order to protect all Christianity from divine punishments such as natural disasters for carnal sins committed by individuals, but also for heresy, superstition and heathenry.
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7 The Dutch musicologist Frits Noske has done a remarkable job to make accessible the total oeuvre by Buns.Kreisarchiv Kleve S7Jos van Veldhoven p.7 In 1967, a first Benedictus Buns Memorial was held in Boxmeer initiated by conductor Theo Lamée and Carmelite monk Paulus Schmitt.See the Programme at classical- composers database/buns and in the newspapers de Gelderlander and Volkskrant.
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Franz Magnis Suseno, , or Maria Franz Anton Valerian Benedictus Ferdinand von Magnis und Strassnitz (born May 26, 1936) is a Jesuit priest of Indonesia. He was born in Bożków, Lower Silesia, and was originally called Count von Magnis before becoming a Jesuit in 1967. Salazar, Marlies. (2015). «Dialog, Kritik, Mission Franz Magnis-Suseno, Ein indonesischer Jesuit aus Deutschland». Archipel. 89.
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Henry Richards Luard, Rolls Series, seven volumes). The sources brought together in the Flores include Bede, Geoffrey of Monmouth, Sigebert of Gembloux, Florence of Worcester, Simeon of Durham, William of Malmesbury, Henry of Huntingdon, Robert de Monte, William of Tyre, Ralph de Diceto, Benedictus Abbas, Roger of Hoveden and Ralph of Coggeshall (to 1194).Frederic Madden (1866), Historia Anglorum, vol 3, xxiiiF.
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Whose Life Is It Anyway? was adapted from Clark's own television play of the same title directed by Richard Everitt starring Ian McShane. A film adapted by Reginald Rose and directed by John Badham was released in 1981, starring Richard Dreyfuss, John Cassavetes, and Christine Lahti. Author David Benedictus adapted the play into a novel, which was also released in 1981.
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When Bill, an impoverished Cambridge student, is even unable to pay for his mother's funeral, his thoughts turn to crime. However, a friend warns him that "To have no money is to join the aristocracy, Bill. When the day comes for you to have it, you will have left the aristocracy, never to return."David Benedictus, Floating Down to Camelot (1985), p.
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166) by Cardinal Moran, who refers to it as that "golden fragment of our ancient Irish Liturgy". There are six canticles given: # Audite, coeli # Cantemus Domino # Benedicite # Te Deum # Benedictus # Gloria in excelsis The Bangor Antiphonary gives sets of collects to be used at each hour. One set is in verse (cf. the Mass in hexameters in the Reichenau Gallican fragment).
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Lewis Benedictus Smedes (August 20, 1921 – December 19, 2002) was a renowned Christian author, ethicist, and theologian in the Reformed tradition. He was a professor of theology and ethics for twenty-five years at Fuller Theological Seminary in Pasadena, California. His 15 books, including the popular Forgive and Forget: Healing the Hurts We Don't Deserve, covered some important issues including sexuality and forgiveness.
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Leo de Benedicto Christiano, or just Benedictus Christianus, was a Jew of Trastevere in the late eleventh century. He converted to Christianity and was baptised by Pope Leo IX, whence he took his Christian name. He related himself to the ancient patrician families of Rome by marrying of his daughters to powerful suitors. He himself was extremely rich (probably from usury).
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Parkinson was born in 1923 in Tientsin, China, to British parents. He was educated at Bradford Grammar School and Wadham College, Oxford, where he obtained a First Class Honours degree in Literae Humaniores in 1949, and the degree of Doctor of Philosophy in 1952. His doctoral thesis concerned Baruch (Benedictus de) Spinoza. Later work focussed on Gottfried W. (von) Leibniz.
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Iberia (i.e. Spain) possessed the Capitula Martini, compiled about 572 by Martin, Bishop of Braga (in Portugal), and the immense and influential Collectio Hispana dating from about 633, attributed in the 9th century to St. Isidore of Seville. In the 9th century arose several apocryphal collections, viz. those of Benedictus Levita, of Pseudo-Isidore (also Isidorus Mercator, Peccator, Mercatus), and the Capitula Angilramni.
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In 1987, the choir gave the first performance of the final revised version of Howard Blake Benedictus, conducted by Sir David Willcocks. In 2019 the choir gave the first performance of Walking in the Air by Howard Blake in a new arrangement with choral backing. The soloist was Peter Auty, the treble soloist in the film version, now a tenor.
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Bennet is an English language surname and, less commonly, a given name. Alternative spellings include Bennett, Benett and Benet. Bennet is an Anglo- Norman English surname with Norman roots, from the medieval personal name Benedict (from the Latin Benedictus, 'blessed'). In the 12th century, it became a common given name throughout Europe due to the popularity of St Benedict (c.
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In 2002, Boosey & Hawkes published a chorale suite with excerpts from the work for choir and orchestra (or organ), containing Kyrie, Sanctus, Benedictus, Agnus Dei and "Hymn before Action". Jenkins wrote an Agnus Dei setting for choir a cappella based on the material from the Agnus Dei from the mass, basically assigning the chords of the accompaniment to divided male voices.
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His album with Bryn Terfel, 'Benedictus', was nominated for a Classical Brit Award in 2006. He has sung the part of Rodolfo with Oper Frankfurt, West Australian Opera and at Opera Australia, and the title role in Gounod's Faust at the Hong Kong Opera Society.VirtualWOMEX website. He joined English National Opera in 1999 and later became Company Principal from 2001 to 2004.
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Similar sets of prayers are said in the Liturgy of the Hours after the canticles of the Benedictus and the Magnificat at Lauds and Vespers (Morning and Evening Prayer). Referred to as the Intercessions, they are similarly introduced by an introductory phrase, but end with the recitation of the Lord's Prayer before the person presiding over the celebration recites the concluding prayer.
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Queen Mary of Hungary was a great patron of music. She supported both sacred and secular music at her court in the Netherlands, where her maître de chapelle was Benedictus Appenzeller. Several elaborate music manuscripts that she commissioned during her governance are preserved in Spain in the monastery of Montserrat.Goss, 132-173 (Music in the Court Records of Mary of Hungary).
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Pietro was born to the powerful Roman family of the Pierleoni, the son of the consul Pier Leoni. One of his great-great grandparents, Benedictus, maybe Baruch in Hebrew, was a Jew who converted into Christianity. As a second son with ambitions, Pietro was destined for an ecclesiastical career. He studied in Paris and entered the Benedictine Abbey of Cluny.
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His father was an infantry officer. He began his studies at the municipal art school and was apprenticed to Willem Benedictus Stoof (1816-1900), a local genre artist. Later, he worked with his brother Louis (1825-1860), who had already established himself as a portrait painter. For two years, beginning in 1856, he took lessons from Willem Roelofs in Brussels.
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Under his orchestral leadership are noted musicians Andres Dancel, a violinist, and Antonio Garcia, an organist. The performance was the tour de force of his career and of his subjects. Under Adonay, the Capilla de San Agustin's major performances includes Antonio Reparaz's "Missa a 3 voces" on August 23, 1891, and Hilarion Eslava's "Misa Grande" and Adonay's "Benedictus" in March 1893.
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In 1407 Vince Földesi (Vincetius de Felwdessy) a royal man. He was the first member of the family whose family name was already evolved. In 1417 Benedek Földesi Nagy (Benedictus magnus de Feldes) was appointed to a palatine man. According to searches of József Csoma (historian, heraldist), in 1449 János Hunyadi donated bodily coat of arms for several members of the family.
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Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. Generally, for a composition to be a full mass, it must contain the following invariable five sections, which together constitute the Ordinary of the Mass. # Kyrie ("Lord have mercy") # Gloria ("Glory be to God on high") # Credo ("I believe in one God"), the Nicene Creed # Sanctus ("Holy, Holy, Holy"), the second part of which, beginning with the word "Benedictus" ("Blessed is he"), was often sung separately after the consecration, if the setting was long. (See Benedictus for other chants beginning with that word.) # Agnus Dei ("Lamb of God") This setting of the Ordinary of the Mass spawned a tradition of Mass composition to which many famous composers of the standard concert repertory made contributions, including Bach, Haydn, Mozart and Beethoven.
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The > text of the Sanctus passed from Jewish use to Christian use at a very early > time, since it cited in the Apocalypse of John and in the letter of Clement > to the Corinthians. As can be read in the same source, in the Alexandrian tradition on the other hand, > the Sanctus consisted of only the first part, the citation of Isaiah 6:3, > and lacked the Benedictus; this was the earliest form taken by the Sanctus > in the Eucharist. This early state can be seen in the testimonies of > Eusebius of Caesarea, the Mystagogical Catecheses of Cyril of Jerusalem, > and, above all, the Ritual used in the Church of Theodore of Mopsuestia. In > the latter, too, that is, in the archaic stage of the Syrian liturgy, the > Benedictus was unknown, and the Sanctus consisted solely of the acclamation > from Isaiah 6:3.
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Kelly was born in Holsworthy, Devon on 3 February 1785 and baptised on 1 September 1790. He was the son of Benedictus Marwood Kelly (1752–1836) lawyer and private banker, and Mary Coham. He entered the Royal Navy on 19 October 1798 as an able seaman aboard , serving under Captain Philip Wodehouse. He moved with Wodehouse to the 28-gun and then to the 80-gun in November 1799, under the command of his uncle, Captain William Hancock Kelly. Benedictus spent the next six years aboard her, and in her assisted at the capture of Admiral Jean-Baptiste Perrée's squadron of three frigates and two brigs on 19 June 1799. He attended the expedition of 1800 and 1801 to Ferrol and Egypt, and was wounded in a boat attack on the French defences at Portoferraio on the island of Elba.
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It contains a number of compositions by Torres, including his 4-part Salve Regina, printed in score, a solo cantata Flavescite, serenate and a solo aria.Admirable It also contains settings of the Benedictus by Alonso Lobo and Philippe Rogier. A large number of compositions by Torres are preserved in the archive of Guatemala Cathedral, although some of these are in poor condition with some missing parts.
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Thirty-three years later, Bernstein followed Shaw's suggestion and completed Missa Brevis in honor of Shaw's retirement as music director of the Atlanta Symphony Orchestra in 1988.Jack Gottlieb. Shaw later premiered and recorded the work with the Atlanta Symphony Chorus. Structurally, Missa Brevis incorporates four of the traditional five sections of the Ordinary, plus two extra sections added, "Benedictus" and "Dona Nobis Pacem".
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The first printed edition of the Bibliotheca was published in Rome in 1555, edited by Benedetto Egio (Benedictus Aegius) of Spoleto, who divided the text in three books,He based his division on attributions in the scholia minora on Homer to Apollodorus, in three books. (Diller 1935:298 and 308f). but made many unwarranted emendations in the very corrupt text. published an improved text at Heidelberg, 1559.
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The Old English Martyrology is a collection of over 230 hagiographies, probably compiled in Mercia, or by someone who wrote in the Mercian dialect of Old English, in the second half of the 9th century. Six Mercian hymns are included in the Anglo-Saxon glosses to the Vespasian Psalter; they include the Benedictus and the Magnificat.Sweet, H. (1946) Anglo-Saxon Reader; 10th ed. Clarendon Pr.; pp.
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The Madonna of the Magnificat, , is a painting of circular or tondo form by the Italian Renaissance painter Sandro Botticelli. It is now in the galleries of the Uffizi, in Florence. The work portrays the Virgin Mary crowned by two angels. She is writing the opening of the Magnificat on the right-hand page of a book; on the left page is part of the Benedictus.
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Founded by Ross McLennan in Melbourne, Australia in 1991. Snout made their first recorded appearance the following year on a Half a Cow Records compilation,Saul, Australian Broadcasting Corporation, 29 August 2001. Slice TwoSlice Two track listing at Half A Cow Records website They went on to be a fixture of the Australian independent music scene until their demise in 2002.Benedictus, The Age, 13 June 2004.
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The drainage basin of Brang Biji covers an area of 225 km². The main river has a length of 33.20 km, with an upstream inclination of 17,14%, and the middle part inclination of 5,15%. It flows from south to north, passing Batu Lanteh at upriver and the city of Sumbawa Besar at downriver, into Flores Sea. Fredy Benedictus Da Costa Rao, Saifoe El Unas, Pudyono.
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The Fourth of June is the first novel by David Benedictus. The novel was considered controversial when published in 1962 as it describes scenes of violent bullying at Eton College, unrestrained class warfare and suggestions of schoolboy sexuality. It has some parallels with Tom Brown's School Days.Books of the Times It was adapted into a drama, produced in London in 1964 at the St Martin's Theatre.
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He was interred in Glasnevin Cemetery, where a Benedictus was chanted by the clergy present. A vote of sympathy was issued by the Irish National League of the Blind to Hardebeck's widow and relatives, in which the hope was expressed "that the nation as a whole would not be unmindful of the important contribution which the late Dr Hardebeck had made to Irish culture, music and art".
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Benedict spent most of his time working on questions of theology. He rejected many of the ideas developed by John XXII. In this regard, he promulgated an apostolic constitution, Benedictus Deus, in 1336. This dogma defined the Church's belief that the souls of the departed go to their eternal reward immediately after death, as opposed to remaining in a state of unconscious existence until the Last Judgment.
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It is as follows: Benedictus benedicat - "May the Blessed One give a blessing" Benedicto benedicatur - "Let praise be given to the Blessed One" or "Let a blessing be given by the Blessed One" In contrast to some other colleges, gowns are not worn to formal hall, though they are still required at special occasions such as the Scholars' dinner and the Founders' and Benefactors' dinner.
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The eyes of all wait upon thee; and thou givest them their meat in due season. :16. Thou openst thine hand, and satisfiest the desire of every living thing. In contrast, Merton's post-prandial grace is brief: Benedictus benedicat ("Let him who has been blessed, give blessing"). The latter grace is spoken by the senior Fellow present at the end of dinner on High Table.
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Benedictus Hubertus Danser (May 24, 1891, Schiedam – October 18, 1943, Groningen), often abbreviated B. H. Danser, was a Dutch taxonomist and botanist. Danser specialised in the plant families Loranthaceae, Nepenthaceae, and Polygonaceae. In 1928, Danser published an exhaustive revision of the genus Nepenthes, recognising 65 species in "The Nepenthaceae of the Netherlands Indies". While nowadays more than 140 species of Nepenthes are known,McPherson, S.R. 2011.
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For some time, Monteux's marriage had been under strain, exacerbated by his wife's frequent absences on concert tours. The couple were divorced in 1909; Monteux married one of her former pupils, Germaine Benedictus, the following year.Canarina, p. 26 Monteux continued to play in the Concerts Colonne through the first decade of the century. In 1910 Colonne died and was succeeded as principal conductor by Gabriel Pierné.
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The ordinary of the canonical hours consists chiefly of the psalter, an arrangement of the Psalms distributed over a week or a month. To the psalter are added canticles, hymns, and other prayers. Traditionally the canonical hours were chanted by the participating clergy. Some texts of the canonical hours have been set to polyphonic music, in particular, the Benedictus, the Magnificat, and the Nunc dimittis.
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The theme from "Salm O 'Dewi Sant'" is derived from "Psalm 27" of Jenkins's Dewi Sant. The theme from "The Dagda" was borrowed from "Lacus Pereverantiae" from Jenkins's earlier work Imagined Oceans. The theme for "Isle of the Mystic Lake" is that of "Palus Nebularum" also from Imagined Oceans. "The Eternal Knot" went on to become the theme for "Benedictus" from Jenkins's mass The Armed Man.
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" In the 1974 "Benedictus" exhibition at the Yodfat Gallery in Tel Aviv, another work that made use of family photographs was exhibited. Under three photographs of his father and Red Army insignia, Gershuni attached a text printed on paper which said "My father was born in Poland and studied agriculture in France. He made aliyah to the Land of Israel in 1929. Planted trees.
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The work is incomplete, missing the Credo movements following the aria Et incarnatus est (the orchestration of the only two surviving Credo movements being incomplete) and all of the Agnus Dei. The Sanctus is partially lost and requires editorial reconstruction. The Benedictus only survives in the above-mentioned score copy. There is a good deal of speculation concerning why the work was left unfinished.
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The first reports of using resins or rosins in medicine are from antiquity. Resins have been used for nearly every kind of human disorder and disease. First medical publication of the use of coniferous resin in medical practice in Finland is from 1578. Swedish physician Benedictus Olai wrote about natural resin in treatment of old leg wounds in the first medical textbook of the Swedish kingdom.
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17 The Benedictus, in , is spoken by Zechariah, while the Nunc dimittis, in , is spoken by Simeon.Favourite Hymns by Marjorie Reeves 2006 pp. 3–5 The traditional Gloria in Excelsis is longer than the opening line presented in , and is often called the "Song of the Angels" given that it was uttered by the angels in the Annunciation to the Shepherds.All the music of the Bible by Herbert Lockyer 2004 p.
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Many European sword blades of the high medieval period have blade inscriptions. Inscribed blades were particularly popular during the 12th century. Many of these inscriptions are garbled strings of letters, often apparently inspired by religious formulae, especially the phrase in nomine domini and the word benedictus or benedicat. The 12th-century fashion for blade inscriptions is based on the earlier, 9th to 11th century, tradition of the so-called Ulfberht swords.
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Commenting on his influences, Ruff said, "My teacher Bernd Becher, showed us photographs by Stephen Shore, Joel Meyerowitz and the new American colour photographers."Leo Benedictus (11 June 2009), Thomas Ruff's best shot The Guardian. He is often compared with other members of a prominent generation of European photographers that includes Thomas Struth, Andreas Gursky and Rineke Dijkstra.Roberta Smith (July 5, 2012), What’s Hiding in Plain Sight The New York Times.
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The Seri of Sonora, Mexico use the entire plant both fresh and dried. An infusion is made to relieve kidney pain, to help expel a torn placenta, and in general to help cleanse the body post- natally. When the Spanish arrived in Sonora they added this plant to their pharmacopia and called it cardosanto, which should not be mistranslated to blessed thistle (Cnicus benedictus). The seeds are taken as a laxative.
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Wakeman's departure to join prog-rockers Yes prompted many predictions of Strawbs demise. Cousins was into the I Ching at the time and he asked the book what he should do. The answer was used in the lyrics for the first track on the album, "Benedictus". Blue Weaver, late of Amen Corner, was recruited and considered by most fans to be a more than adequate replacement for Wakeman.
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Cnicus benedictus (St. Benedict's thistle, blessed thistle, holy thistle or spotted thistle), is a thistle-like plant in the family Asteraceae, native to the Mediterranean region, from Portugal north to southern France and east to Iran. It is known in other parts of the world, including parts of North America, as an introduced species and often a noxious weed. It is the sole species in the monotypic genus Cnicus.
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Bruckner set the prayer in F major and scored it for seven unaccompanied voices SAATTBB. It takes about 4 minutes to perform. The first section of the 51-bar long Ave Maria is based on the Annunciation, the greeting of Gabriel the Archangel to Mary () and on the Visitation, when Elisabeth paraphrased the greeting (). The upper voices begin, while (bar 10) the lower voices respond with "et benedictus ...".
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The Tenebrae responsories have been set by, among others, Lassus, Gesualdo, Victoria, Marc-Antoine Charpentier and Jan Dismas Zelenka. Gregorio Allegri's setting of the Miserere psalm, to be sung at the Tenebrae Lauds, is one of the best known compositions for the service. Also Gesualdo includes a setting of that psalm in his Responsoria et alia ad Officium Hebdomadae Sanctae spectantia, along with a setting of the Benedictus.
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James Bond film producer Harry Saltzman entered into a three-picture deal with Don Kirshner. Kirshner had been the initial producer of the musical output from the Monkees. However, according to director Val Guest, Kirshner and Saltzman grew to loathe each other during the increasingly troubled production. Saltzman hired novelist David Benedictus to write the first draft, but after 30 pages neither Saltzman nor Guest felt it was working.
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They are both members of the Selenite religious order that believes their race is not descended from humans but originated on the Moon, and are referred to as the Master (the leader of the breakaway order) and the Disciple. Finding no evidence of human activity, they assume the Earth must be uninhabited (in line with their belief system), but after coming across a high-speed rail line (which links Egypt to Europe) then a sphinx, they become frightened and shelter overnight in a rock crevice. They are found the next day by a passing Arab trader, who cages them and brings them to Cairo, where he sells them to Mr. Benedictus, a wealthy elderly man who is following a singer, Aza, on her world tour. Benedictus dresses the two Selenites in children's clothing and puts them on a leash, and takes them to Aza's luxury hotel room to present them to her as a novelty gift.
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As soon as Zechariah had written on a writing table: "His name is John", he regained the power of speech, and blessed "the Lord God of Israel" with a prophecy known as the Benedictus or "Song of Zechariah" (). The child grew up and "waxed strong in spirit", but remained in the deserts of Judæa until he assumed the ministry that was to earn him the name "John the Baptist" (; ; Matthew 3:1).
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The Pope gives the Emperor the Kiss of Peace and the procession sets out for the Basilica of St. Peter, the choir singing, "Blessed be the Lord God of Israel".Benedictus Dominus Deus Israel (Luke 1:68). At the Silver Door of the Basilica the Cardinal Bishop of Albano says the prayer, "God in whose hands are the hearts of kings."Deus in cujus manu sunt corda regum (Cf. Prov. 21:1).
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By 1860 James Lilywhite (the elder brother) was cricketing coach at Cheltenham College, Gloucestershire, where he also ran an outfitters. John Lillywhite, who had also joined the 1859 tour, was then running a cricketing warehouse near Euston Square, London. This was the forerunner of the present Lillywhites, established in Haymarket in 1863, that, following its acquisition in 1922 by I H Benedictus, moved to the Criterion site in Piccadilly Circus in 1925.
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There follows a kilio (elegy) without percussion accompaniment, sung by the solo voice. The Sanctus and the Benedictus were inspired by a Bantu farewell song. The Hosannah is a rhythmic dance of Kasai, and the Agnus Dei is a typical Bena Luluwa song, such as might be heard around Kananga.Marc Ashley Foster, "Missa Luba: A New Edition and Conductor’s Analysis", Doctor of Music Arts Thesis, University of North Carolina at Greensboro, 2005, ch. 3.
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Liber primus missarum (1573), Sacrarum cantionum for 5 voices (1576), Sacrarum cantionum for 4 voices (1586), Liber secundus missarum for 5 voices (1587), Responsoria hebdomadae sanctae, Benedictus and improperia ... and Miserere for 4 and 6 voices (1588), Lamentationes Hieremiae for 4 voices (1588), Liber sacrarum cantionum for 16 voices and instruments (1596, Sacrae cantiones ... liber primus for 6 voices (1591), Liber secundus hymnorum for 4 voices (1606), also a few other works published in collections.
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In the Ambrosian Office, and also in the Mozarabic, Lauds retained a few of the principal elements of the Roman Lauds: the Benedictus, canticles from the Old Testament, and the laudate psalms, arranged, however, in a different order (cf. Germain Morin, op. cit. in bibliography). In the Benedictine Liturgy, the Office of Lauds resembles the Roman Lauds very closely, not only in its use of the canticles but also in its general construction.
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The ''''', Hob. XXII:7, Novello 8, is a mass in B-flat major by Joseph Haydn.p. 265 (1974) Hugues The (short mass) was written around 1774 for the order of the (Brothers Hospitallers) in Eisenstadt, whose patron saint was John of God. Scored modestly for soprano, four-part mixed choir, two violins, organ and bass, it is known as the Kleine Orgelmesse ('Little Organ Mass) due to an extended organ solo in the Benedictus movement.
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Technically, Schlick's settings exhibit a contrapuntal technique similar to that of Salve Regina.Keyl 1989, 326. Schlick's Benedictus and Christe are three-voice settings of mass movements. The former has been called "the first organ ricercar"This description was given by Gotthold Frotscher in his Geschichte des Orgelspiels und der Orgelkomposition (Berlin: Max Hesse, 1935), Vol. 1, p. 100 because of its use of imitation in a truly fugal manner,Apel 1972, 88.
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Such short masses (Missa brevis) were frequently performed in Austrian country churches, especially during Advent and Lent. The short Sanctus presents the most extensive horn parts in the work. The Benedictus, in E major, is more melodic and uses a much less syllabic text setting than the rest of the work. The final notes of the Agnus Dei recall the closing of the Credo – a small, but effective touch of musical integration.
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The Proper of the Mass included the appointed Introit, Collect, Gradual, Alleluia or Tract, Offertory, and Communion. The Epistle and Gospel readings for Sunday were to be taken from the Revised Roman Missal. There were optional rubrics before each rite. The Ordinary of the Mass was very much the same as in the Roman Rite and the 1979 Book of Common Prayer, with the Kyrie eleison, Gloria in excelsis, Credo, Sanctus - Benedictus, and Agnus Dei.
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The is a collection of six Mass settings by Giovanni Battista Bassani, first published in Augsburg in 1709. Between 1736 and 1740 Bach had these six Masses copied, without the Benedictus and Agnus Dei, writing himself the Credo lyrics in the score. BWV 1081 is a Credo intonation in F major for SATB choir which Bach composed in 1747–48 as an insertion in the fifth of these masses.Bach Digital Work ; D-B Mus. ms.
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Adonay was already composing music for the use in the liturgy at the age of 21. Samples of his early works such as "Benedictus" and "Libera me, Domine" which were meant for performance at San Agustin were reportedly sent to Spain for expert evaluation. In 1870, Adonay set up Capilla de San Agustin, a 25-piece orchestra meant for masses and for special celebrations. This earned him the title of Maestro di Capella.
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Mozart had moved to Vienna in 1781, but was paying a visit to his home town in the company of Constanze, who had not yet met his father or his sister (Nannerl). The performance consisted of just the Kyrie, Gloria, Sanctus and Benedictus, as surviving parts and a score copy from ca. 1800 show. It took place in the Church of St. Peter's Abbey in the context of a Roman Catholic mass.
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The Israeli government rejected this demand. Following The Murder of Isaac Lerner’s writing became more radical. Israeli theatres rejected many of his new plays, and staged only those not dealing with controversial political issues, such as Hard Love, (Haifa Municipal Theatre, 2003), and Passing the Love of Women, (Habima National Theatre, 2004). His more controversial plays have been staged successfully in Europe and the US, including Coming Home, Pangs of the Messiah, The Murder of Isaac, and Benedictus.
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Benedictus Antonius Maria "Dick" Coster (born June 19, 1946 in Leiden) is a sailor from the Netherlands. Since the Netherlands did boycott the Moscow Olympic Games Coster represented his National Olympic Committee at the 1980 Summer Olympics in Tallinn, USSR under the Dutch NOC flag. With Geert Bakker as helmsman and fellow crew member Steven Bakker, Coster took the 5th place in the Soling. During the 1976 Olympics Coster was substitute for the Dutch Soling team.
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Born on 28 June 1860 in Copenhagen, Dagmar Olrik was the daughter of the painter Henrik Benedictus Olrik and Hermina Valentiner. She was raised with seven siblings in a household interested in culture and learning. After spending a year at the Tegne- og Kunstindustriskolen for Kvinder (Women's Art College) in 1879, she was taught by her father and later by the painter Viggo Pedersen. She first exhibited at Charlottenborg in 1893, frequently exhibiting there over the years.
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Born in 1938 to chartered accountantMerchant Taylors' School Register 1851-1920, Merchant Taylors' Company, 1923, p. 422 Henry Jules Benedictus and Kathleen Constance (née Ricardo), he was educated at Eton College, Balliol College, Oxford, and the University of Iowa. His first novel The Fourth of June was a best-seller and he adapted it for the London stage. His second novel, You're a Big Boy Now, was made into a 1966 feature film directed by Francis Ford Coppola.
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In July 2017, Laurence Cummings, Musical Director of the London Handel Festival conducted the choir in a performance of Handel's Messiah. In July 2013 Sir Richard Armstrong conducted the choir in a performance of Britten War Requiem. In November 2011 and again in April 2019 the choir performed John Rutter's Requiem, conducted on both occasions by the composer. In 1987, Sir David Willcocks conducted the choir in the world premier of the final revised version of Howard Blake Benedictus.
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Benedetto was born at the village of Vicchio, in the province of Mugello. he was a brother — probably younger — of the celebrated Fra Angelico, and with him entered the convent of San Domenico at Fiesole, in 1407, taking the name of 'Frater Benedictus,' by which he is usually known. For three years previous to his death, which occurred in 1448, he held the post of superior of that convent. Fra Benedetto was a miniaturist of talent.
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It is read as follows: > Benedictus benedicat - "May the Blessed One give a blessing" Benedicto > benedicatur - "Let praise be given to the Blessed One" The grace is said in keeping with tradition. However, unlike at most Oxford colleges, St Antony's does not require its students to stand and acknowledge the saying of grace. The second half of the grace or post cibum can also be translated as "Let a blessing be given by the Blessed One".
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The critic David Benedictus wrote of Richardson's performance, "...he is choleric and gouty certainly, the script demands that he shall be, but his most engaging quality, his love for his son in spite of himself, shines through every line."Morley, p. 330 In 1967 he again played Shylock; this was the last time he acted in a Shakespeare play on stage. His performance won critical praise, but the rest of the cast were less well received.
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The Latin canticle is based on the biblical narration of the Presentation of Jesus at the Temple according to the Gospel of Luke. It is one of only three canticles in the New Testament, along with the Magnificat and the Benedictus. It is part of the daily evening service compline and has often been set to music. In the English choral tradition, it is typically combined with a setting of the Magnificat for Vespers, colloquially called "Mag and Nunc".
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The Jesuit Order had a long-established practice of not writing about medical topics. For this reason, the Jesuit censors who reviewed the book - François Duneau, François le Roy and Celidonio Arvizio - originally refused to authorise it for publication. Eventually, after the opinions of a number of medical authorities had been sought, Superior General Goschwin Nickel permitted its printing. The published work included testimonials from the distinguished medical scholars Ioannes Benedictus Sinibaldus, Paulus Zachias and Hieronymous Bardi.
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Carus was a follower of Benedictus de Spinoza; he was of the opinion that Western thought had fallen into error early in its development in accepting the distinctions between body and mind and the material and the spiritual. (Kant's phenomenal and noumenal realms of knowledge; Christianity's views of the soul and the body, and the natural and the supernatural). Carus rejected such dualisms, and wanted science to reestablish the unity of knowledge. The philosophical result he labeled Monism.
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The Kyrie, Gloria, Credo, Sanctus, Benedictus and Agnus Dei use the same text in every service of the Mass. Because they follow the regular invariable "order" of the Mass, these chants are called "Ordinary". The Kyrie consists of a threefold repetition of "Kyrie eleison" ("Lord, have mercy"), a threefold repetition of "Christe eleison" ("Christ have mercy"), followed by another threefold repetition of "Kyrie eleison." In older chants, "Kyrie eleison imas" ("Lord, have mercy on us") can be found.
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Bennett is an English language surname and, less commonly, a given name. Alternative spellings include Bennet, Benett and Benet. It is related to the medieval name Benedict, both ultimately from Latin Benedictus "blessed". Bennett is the English spelling of the Anglo-Norman name Ben[n]et (Modern French first name Benoît, surname BénetAlbert Dauzat, Dictionnaire étymologique des noms de famille et prénoms de France, Librairie Larousse 1980, édition revue et augmentée par Marie-Thérèse Morlet, p. 36b.).
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Nadler often mentions Serrarius in his biography of Benedictus de Spinoza.Serrarius was very important to Spinoza because Serrarius brought him into contact with the Amsterdam chiliasts and Quakers as well as with Henry Oldenburg. Serrarius may have known Spinoza from the group of Amsterdam Collegiants and may have introduced him to the Quaker William Ames.Oldenburg may have heard from Serrarius about Spinoza and he visited Spinoza in Rijnsburg in mid-July 1662, which led to a strong friendship.
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At the police station, Slippery reveals that his real name is Wolfgang Benedictus. The police then put them in a jail cell for a night. They are released next morning, and drive on to Broome, where they go to the bar where Rosie is performing. Willie tries to win her back, but ends up in a fight with Lester, only to be disrupted by a church temperance march, which invites everyone to the beach to testify.
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The acclamation "Sanctus" (Holy) appears three times, sung by the choir, each time more intense than before. "Pleni sunt coeli et terra" (Full are heaven and earth) begins as a canon of the choir voices, beginning forte and ending softly. "Hosanna in excelsis" (Hosanna in the Highest) is sung by pairs of soloists in unison. For "Benedictus qui venit in nomine Domine" (Blessed who comes in the name of the Lord), the choir presents a soft melody in triplets.
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New York, 2004. Parishes of the Anglican Church of Canada that do celebrate Tenebrae follow a variety of practices. The Church of St. Mary Magdalene (Toronto) is notable for the excellence of its music, of which the musical Tenebrae services are exemplary. Christ Church Cathedral (Fredericton) uses Tenebrae in a sung traditional language form on the Wednesday evening of Holy Week which includes lessons from Jeremiah with responding psalms, the fourth being from John 17, and Benedictus.
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The Mass, Benedictus Qui Venit, for large choir, soloists and orchestra, was performed in the presence of Pope Benedict XVI and an audience of 350,000 with singing led by soprano Amelia Farrugia and tenor Andrew Goodwin. "Receive the Power" a song written by Guy Sebastian and Gary Pinto was chosen as official anthem for the XXIII World Youth Day (WYD08) held in Sydney in 2008.Australian Idol Wrote World Youth Day Anthem .famvin.org. 17 May 2007.
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Mann, Stephanie A., "What Is a Papal Bull?", Our Sunday Visitor, September 1, 2016 For example, when Pope Benedict XVI issued a decree in bull form, he began the document with "Benedictus, Episcopus, Servus Servorum Dei". While papal bulls always used to bear a metal seal, they now do so only on the most solemn occasions. A papal bull is today the most formal type of public decree or letters patent issued by the Vatican Chancery in the name of the pope.
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He, Cate Blanchett, Russell Crowe, and Nicole Kidman each appear twice in the series. Rush's image is taken from Shine. He also appeared in the musical film Bran Nue Dae as Father Benedictus alongside Rocky McKenzie, Ernie Dingo, Jessica Mauboy, Missy Higgins, Deborah Mailman, Dan Sultan, and Magda Szubanski. Rush at the 2011 Cannes Film Festival In 2009, Rush made his Broadway debut in a re-staging of Exit the King under Malthouse Theatre's touring moniker Malthouse Melbourne and Company B Belvoir.
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De Bruyn Kops was the son of Cornelis Johan de Bruyn Kops (1791-1858) and Maria Constance Françoise de Bosset (1794-1879). From 1840 to 1847, he studied law at Leiden University, completing his PhD there. During this time he befriended Johannes Brand the future president of the Orange Free State and the future Cape judge Egidius Benedictus Watermeyer. After graduating he worked as an advocate, and from 1851 to 1864, as an official at the Netherlands Ministry of Finance.
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It is also used in the Benedictus to refer to Jesus ("and has raised up a horn of salvation for us in the house of his servant David").Skehan, Patrick (1987) The Wisdom of Ben Sira: a new translation with notes (Series: The Anchor Bible volume 39) Doubleday, New York, p. 524, Another verse (47:22) that Christians interpret messianically begins by again referencing 2 Sam 7. This verse speaks of Solomon and goes on to say that David's line will continue forever.
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Engraving by Benedictus Mealius Lusitanus, in Jornada dos Vassalos da Coroa de Portugal, Lisbon, 1625. When news of the loss of Salvador arrived to Spain in August 1624, Philip IV ordered to assemble a joint Spanish-Portuguese fleet under Admiral Fadrique Álvarez de Toledo y Mendoza with the mission to retake the city. On November 22, the Portuguese fleet under Manuel de Menezes, with Francisco de Almeida as second in command, left Lisbon. It was composed by 22 ships and about 4,000 men.
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Robat Arwyn (born November 1959) is a musical composer from Ruthin, North Wales, best known for his many Welsh-language songs. His notable compositions include the songs "Anfonaf Angel" and "Benedictus". Arwyn was born in Talysarn, in the Nantlle valley, under the name Robert Arwyn Jones, and studied Music at Cardiff University before qualifying as a librarian. Arwyn's rock opera, Ceidwad y Gannwyll, with libretto by Robin Llwyd ab Owain, was performed at the National Eisteddfod at Rhyl in 1985.
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The Trappist Abbey of Achel or Saint Benedictus-Abbey or also Achelse Kluis (which means hermitage of Achel), which belongs to the Cistercians of Strict Observance, is located in Achel in the Campine region of the province of Limburg (Flanders, Belgium). The abbey is famous for its spiritual life and its brewery, which is one of few Trappist beer breweries in the world. Life in the abbey is characterised by prayer, reading and manual work, the three basic elements of Trappist life.
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Odd Sverressøn Klingenberg (8 June 1871 – 3 November 1944) was a Norwegian barrister and politician for the Conservative Party. He served as the Minister of Social Affairs 1920-1921, 1923 and 1923-1924 in addition to mayor of Trondheim 1911-1916. He was born in Trondhjem as a son of attorney Sverre Olafssøn Klingenberg (1844–1913) and Hilda Johannesdatter Klingenberg (1843–1912). He was a brother of Sverre, Olav and Kaare Sverressøn Klingenberg and a grandson and grandnephew of engineer Johannes Benedictus Klingenberg.
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Depiction at Padmanabhapuram Palace of De Lannoy's surrender at the Battle of Colachel. Eustachius Benedictus de Lannoy (also sometimes called 'Captain De Lannoy') (1715 - 1 June 1777, Udayagiri Fort) was a skilled military strategist and commander of the Travancore Army, under Maharaja Marthanda Varma. De Lannoy, originally a Dutch naval officer, arrived with a Dutch naval force at Colachel in 1741. The objective of the Dutch naval expedition was to defeat the Travancore king, Marthanda Varma, and to take over his territories.
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The beginnings of the high school are to be found in the St. Benedictus High School run by Benedictine monks from 1923 at a site very close to the present location. After the Communist takeover the school was nationalised and continued under the present name. The proximity of the Pedagogical Seminary allowed for close and deepening cooperation. In 1960 the high school was transformed into a training high school to extend the model (already successful for elementary schools) to the entire 12 years of education.
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Psalm 144 is the 144th psalm of the Book of Psalms, beginning in English in the King James Version "Blessed be the LORD my strength which teacheth my hands to war, and my fingers to fight". The Book of Psalms is the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the Greek Septuagint version of the Bible, and the Latin Vulgate, this psalm is Psalm 143 in a slightly different numbering system. In Latin, it is known as "Benedictus Dominus".
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These clamps act as fretting devices when the performer presses the levers. It has never been produced on a large scale or used much by composers (though Hector Berlioz wrote favorably about the instrument and proposed its widespread adoption). The only known work from the Nineteenth Century that specifically calls for the Octobass is Charles Gounod's Messe solennelle de Sainte-Cécile. In this work, the Octobass only appears in the "Benedictus" and the "Agnus Dei." It typically plays one octave below the Double Bass. pdfs.semanticscholar.org/ac98/d88a6e3a4e6139df7ef1cdec0bd5f0eb135b.
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It occurs in only half the surviving copies of that printing, but all later printings of the Scale included it. Hilton wrote three other Latin letters of spiritual guidance – the Epistola de Leccione, Intencione, Oracione, Meditacione et Allis, the Epistola ad Quemdam Seculo Renunciare Volentem and Firmissime crede – and a scholastic quodlibet defending images in churches, a practice criticised by Lollards. He also wrote commentaries on the Psalm texts Qui Habitat and Bonum Est (Psalms 90.1 and 91.2), and perhaps on the Canticle Benedictus (Luke 1.68).
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Henry St. John Thackeray used Niese's version for the Loeb Classical Library edition widely used today. The standard editio maior of the various Greek manuscripts is that of Benedictus Niese, published 1885–95. The text of Antiquities is damaged in some places. In the Life, Niese follows mainly manuscript P, but refers also to AMW and R. Henry St. John Thackeray for the Loeb Classical Library has a Greek text also mainly dependent on P. André Pelletier edited a new Greek text for his translation of Life.
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Siddell’s compositions include liturgical music and settings of sacred text. His St Cecilia’s Jubilee Mass dates from 1957 and includes the usual components of the Mass (Kyrie, Gloria, Sanctus, Benedictus, Agnus Dei). In 1994, Siddell published Till the moon fails: thirty two psalm settings, two canticles, an Easter blessing with Alleluia and a hymn, held in the National Library of Australia. Siddell composed music for Catholic liturgical services (Mass (liturgy) which are still in use for Catholic Mass at the parish of St Ignatius, Toowong, in Brisbane.
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Benedictus Mang Reng Say (Born Umauta, East Nusa Tenggara 15 June 1928 – died Jakarta 16 August 2003) was an Indonesian politician who was appointed Vice Chairman of the People's Representative Council of Mutual Assistance (Indonesian: Dewan Perwakilan Rakyat Gotong Royong, DPR-GR)1966-1971. In Indonesia's historical records Ben Mang Reng Say along with Frans Seda plays an important role in the Rome meeting under Foreign Minister Adam Malik and General Murtopo in order to discuss East Timor's peaceful integration into the unitary state of Indonesia territory.
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This resistance to destruction is formulated by Spinoza in terms of a striving to continue to exist, and conatus is the word he most often uses to describe this force. Benedictus de Spinoza Striving to persevere is not merely something that a thing does in addition to other activities it might happen to undertake. Rather, striving is "nothing but the actual essence of the thing" (Ethics, part 3, prop. 7). Spinoza also uses the term conatus to refer to rudimentary concepts of inertia, as Descartes had earlier.
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Stephan Louw at the 2010 Josef Odložil Memorial in Prague Stephan Louw (born 26 February 1975) is a Namibian long jumper. At the 2001 Summer Universiade he won the silver medal in long jump and participated in 4 x 100 metres relay. The Namibian relay team, which consisted of Louw, Sherwin Vries, Thobias Akwenye and Benedictus Botha, finished fourth in a new Namibian record of 39.48 seconds.Commonwealth All-Time Lists (Men) - GBR Athletics The same year Louw competed at the World Championships, without reaching the final round.
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Lewis Benedictus Smedes was born in 1921, the youngest of five children. His father, Melle Smedes, and mother, Rena, emigrated to the United States from Oostermeer, Friesland in the Netherlands (Rena's name before being changed by the officials at Ellis Island was Renske.) When he was two months old, his father died in the partially completed house he built in Muskegon, Michigan. Smedes married Doris Dekker. He died after falling from a ladder at his home in Sierra Madre, California on December 19, 2002.
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69 virtually without dialogue and which, renamed Silent Song, won The Prix Italia awardAdam Benedick and Sydney Newman Obituary: Peter Luke, The Independent, 26 January 1995 in 1967 for 'original dramatic programmes' jointly with a French programme."Winners 1949-2010" , Prix Italia official website The other O'Connor/Leonard work was The Retreat (11 May 1966). These two plays starred Milo O'Shea and Jack McGowran. Cathy Come Home by Nell Dunn and Jeremy Sandford was offered to the Luke/Benedictus team who passed it on to Tony Garnett.
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Erasmus in 1523 as depicted by Hans Holbein the Younger Hugo Grotius Portrait of Benedictus de Spinoza (painting by an unknown artist, ca. 1665), the author of Tractatus Theologico-Politicus (1670) Catholicism dominated Dutch religion until the early 16th century, when the Protestant Reformation began to develop. Lutheranism did not gain much support among the Dutch, but Calvinism, introduced two decades later, did. It began its spread in the Westhoek and the County of Flanders, where secret sermons in Dutch, called hagenpreken ("hedgerow orations"), were held outdoors.
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The movements Gloria and Credo are kept extremely short by the technique of (multiple texts): "several clauses of the text [are set] simultaneously in different voices."p. 125 (1974) Hugues The texts from the order of mass are repeated in every mass and thus well known; The setting of different passages assigned to the different parts, heard simultaneously, does justice to the liturgy but keeps the music short. The Benedictus is the only movement which is not in B-flat major, and set for a solo voice.
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In Amsterdam he associated, on the one hand, with the Collegiants Adam Boreel, and Galenus Abrahamsz, and their sect; and, on the other hand, also with the Portuguese Jews settling there at the time, among them Menasseh ben Israel and Benedictus de Spinoza.van den berg (1977), p. 189. Richard H. Popkin (2004), Spinoza, p. 40, states that "Serrarius became Spinoza's contact with the outside world," after his excommunication by the Jewish community, and during the period when he lived among the Collegiants in Rijnsburg.
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His earliest known ancestor is thought to be Folke the Fat, a powerful Swedish leader of the early 12th century, who married Ingegerd Knudsdatter, daughter of Canute the Saint of Denmark and Adela of Flanders, a descendant of Charlemagne.Philip Line, Kingship and State Formation in Sweden 1130-1290. Leiden: Brill, 2007, pp. 499-500. Ingegerd and her sister Cecilia both went to Sweden after the death of Adela and married there, and Folke and his kin were therefore close to the ruling elite of the Kingdom of Denmark.S. Otto Brenner: Nachkommen Gorms des Alten König von Dänemark 936 I. – XVI. Generation; Dansk Historisk Haanbogsvorlag DK- 2800 Lyngby 2. Ausgabe (Reprint 1978) , Nr. 137 der Nachkommen von König Gorm des Alten A medieval Swedish genealogy states that "Folke the Fat was the father of Benedictus (Bengt) Snivil, and that Benedictus sired Jarl Birger, Jarl Charles, and Magnus who was called Minniskiöld".Nils Ahnlund, "Vreta klosters äldsta donatorer", Historisk tidskrift 65, 1945, p. 340. While his older brother Birger Brosa held the office of Riksjarl between 1174 and 1202, the younger Magnus lived at the family estate Bjälbo, in the current Mjölby municipality, Östergötland, Sweden.
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After the date of 840, he published as supplements the unreliable collection of Ansegisus and Benedictus Levita, with the warning that the latter was quite untrustworthy (see Pseudo- Isidore). He then gave the capitularies of Charles the Bald, and of other Carolingian kings, either contemporaries or successors of Charles, which he had discovered in various places. A second edition of Baluze was published in 1780 in 2 volumes folio by Pierre de Chiniac. The edition of the Capitularies made in 1835 by Georg Pertz, in the Monumenta Germaniae Historica (folio edition, vol.
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The official text declaring the opening of the cause was: "Summus Pontifex Benedictus XVI declarat, ex parte Sanctae Sedis, nihil obstare quominus in Causa Beatificationis et Canonizationis Servi Dei Pii Barnabae Gregorii VII Chiaramonti". Work on the cause commenced the following month in gathering documentation on the late pope. He has since been elected as the patron of the Diocese of Savona and the patron of prisoners. In late 2018 the Bishop of Savona announced that the cause for Pius VII would continue following the completion of initial preparation and investigation.
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The serious historian of today, however, is careful not to use Books Five, Six, and Seven for purposes of reference. Early editors chose to republish this collection of Ansegisus and Benedictus as they found it. It was a distinguished French scholar, Étienne Baluze, who led the way to a fresh classification. In 1677 he brought out the , in two folio volumes, in which he published first the capitularies of the Merovingian kings, then those of Pippin, of Charles and of Louis the Pious, which he had found complete in various manuscripts.
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II the scattered capitularies of a date posterior to 828. Karl Zeumer and Albrecht Werminghoff drew up a detailed index of both volumes, in which all the essential words are noted. A third volume, prepared by Emil Seckel, was to include the collection of Benedictus Levita. To satisfy modern critical requirements, a new edition has been commissioned by the Monumenta Germaniae Historica to Hubert Mordek and to Klaus Zechiel-Eckes; the edition of the Collectio Ansegisi is superseded by the one published in the Capitularia Nova Series vol.
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Pope Pius IV promulgates the bull "Benedictus Deus" (1588), fresco, Altemps chapel Pasquale Cati (c. 1550-c. 1620) was an Italian Mannerist painter active mostly in Rome. Born in Jesi, Cati moved to Rome, where he was known as a follower, if not pupil, of Michelangelo, and later of Federico Zuccari. Among his works are frescoes in the Remigius chapel of San Luigi dei Francesi, frescoes depicting the life of the Titular saint in San Lorenzo in Panisperna, and in walls and vault in the Altemps chapel in Santa Maria in Trastevere.
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The Crucifixion in Music: An Analytical Survey of the Crucifixus between 1680 and 1800 Contextual Bach Studies No. 1, The Scarecrow Press, Inc. p. 197 A truncated fugue begins at the last line, but it is interrupted midway by an elaborate coda using the solo quartet, with the chorus joining in antiphonally. The Sanctus opens slowly, but builds to a rather ominous forte on the text "Pleni sunt coeli" before moving to a brief, more genteel "Hosanna in Excelsis". The In Tempore Belli first suggests itself in the Benedictus.
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First edition (publ, Blond & Briggs) The Rabbi's Wife is a 1977 novel by David Benedictus. The plot centers of the kidnapping of a rabbi's wife by Palestinian terrorists. At the time of its release, the book was reviewed in such publications as The Spectator, British Book News, and The Library Journal Book Review. Rabbi David J. Zucker described the book's portrayal of how members of the rabbi's synagogue treated him after the kidnapping as "indifference", which he interpreted as a fictional example of the "loneliness of rabbinic life".
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By 1901 the population had halved, recorded as 4,728. In 1968, following the Beeching Report, Tavistock Station closed, and in 1999 English Heritage listed the building as Grade II. Kelly College, a co-educational public school, to the north-east of the town, was founded by Admiral Benedictus Marwood Kelly, and opened in 1877 for the education of his descendants and the orphan sons of naval officers, and is a pastiche of the Bedford and High Victorian styles of building. It later amalgamated with Mount House to form Mount Kelly Foundation.
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Gallagher became a regular in the first team and was paired in the centre of defence with Kyle Benedictus by manager Barry Smith. In a match against Hearts on 2 November 2012, Gallagher made an impressive display during the match and was praised by the manager and teammate Riley. Gallagher played against his former club Celtic on 26 December 2012 as Dundee lost 2–0. In the last 16 of the Scottish Cup, Gallagher scored his first goal for the club in a 5–1 win over Greenock Morton.
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Start of Psalm 102 After the Psalms, like many psalters the manuscript includes various canticles and other material, including the Canticles of Isaiah the Prophet ( and ), and a third Canticle of Isaiah (). The canticle of Moses the Prophet () includes 17-20 added on the lower margin. The canticle of Habakkuk () follows with the canticle of Moses to the children of Israel (). The following canticle is the blessing of the three children, then the Te Deum attributed to St. Ambrose of Milan, the Benedictus of Zachary () with a nativity group, and the Magnificat ().
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Rationalist philosopher Benedictus Spinoza (1632–1677) argued that ideas are the first element constituting the human mind, but existed only for actually existing things. In other words, ideas of non-existent things are without meaning for Spinoza, because an idea of a non-existent thing cannot exist. Further, Spinoza's rationalism argued that the mind does not know itself, except insofar as it perceives the "ideas of the modifications of body," in describing its external perceptions, or perceptions from without. On the contrary, from within, Spinoza argued, perceptions connect various ideas clearly and distinctly.
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A review of the performance called it a melodically very rich, truly ecclesiastical work. The four-part solo Et incarnatus was very wittily conceived, the Benedictus had interesting harmonic effects, the Agnus Dei offered surprising modulations; only the Osanna was not so successful and not adapted to the Church's attitude. Krall's own Tantum ergo and Asperges me by Ferdinand Kloß rounded off the Mass. Beethoven's Mass in C major, Op. 86, and the Laudate from his oratorio Christ on the Mount of Olives was given on 21 November 1847.
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The work is divided into six parts: #Kyrie #Credo #Sanctus #Benedictus #Agnus Dei #Gloria This was the concert order in 1893 and 1924."Dame Ethel Smyth's Mass". The Times, 8 February 1924 Although the score was printed with the movements ordered as in Catholic liturgy, with the Gloria coming second, it included a note stating Smyth's preference for the Gloria to be performed last. Anglican services of the time had the Gloria at the end, but Smyth later wrote that her only reason for it was to finish triumphantly.
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The Missa brevis No. 8 in C major, K. 259, is a mass composed by Wolfgang Amadeus Mozart in 1776. It is scored for SATB soloists, SATB choir, violin I and II, 2 oboes, 2 clarini (high trumpets), 3 trombones colla parte, timpani and basso continuo. Although classed as a missa brevis (brief mass), the inclusion of trumpets in the scoring makes it a missa brevis et solemnis. The mass derives its nickname Orgelmesse or Orgelsolomesse (Organ Solo Mass) from the obbligato organ solo entry of the Benedictus.
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Fowler's first recordings were with the group The Total Eclipse for the album A Great Combination released 1975. In the early 1980s he was a member of The New York City Peech Boys with DJ Larry Levan and keyboard player Michael De Benedictus. The group had dance hits with tracks like "Don't Make Me Wait" and "Life Is Something Special". He provided vocals for the songs "I'm the One" and "Come Down" from the Material album One Down, where he was credited as a songwriter on several tracks.
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Nonetheless, they always finds eager volunteers. The convent is accessible only from the basilica, which under Ottoman rule was in charge of Muslim guards. The keys which lock the basilica shut the friars off from the outer world leaving their only means of communication as aperture in the main portal, through which they receive provisions from Saint Saviour's. Every afternoon the fathers conduct a pilgrimage to the sanctuaries of the basilica, and at midnight, while chanting their Office, they go in procession to the tomb of the Saviour, where they intone the Benedictus.
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According to the illustrations of the book, his Friends-and-Relations include other rabbits, a squirrel, a hedgehog, mice, and insects. At one point, Rabbit estimates that he would need "seventeen pockets" if he were going to carry all his family about with him. Whether that number refers just to his relatives or to the friends-and-relations as a group is unknown, if it had any basis at all. In Return to the Hundred Acre Wood, a sequel not written by A. A. Milne but by David Benedictus, Rabbit tries to organize things further.
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Benedictus Estephanus Rolly Untu M.S.C. (born 4 January 1957) is the Indonesian Roman Catholic bishop of the Diocese of Manado being appointed in 2017. Rolly Untu was born in the village of Lembean in what is now Minahasa Regency. He attended minor seminary in Kakaskasen and then completed his philosophical and theological studies in the seminary of Pineleng. He gave his perpetual vows on 15 January 1983 in Manado, and was ordained a priest on 29 June 1983 in Manado, in the order of the Marianites of Holy Cross.
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In 1861, when the Grand Vizier of the Empire visited Köprülü, the local bishop Benedictus accused Yordan Hadzhikonstantinov of spying and conspiracy with the Serbs and the Bulgarian leader Georgi Rakovski, whose prohibited in Turkey books and newspapers Yordan had kept in his private library. The Grand Vizier believed the allegations and had Yordan exiled in Aydın, (Asia Minor). On the way to Aydin Yordan lost one of his eyes, and because of that he was called "The Jinn" (Джинот, Dzhinot). He returned from exile in 1863 and devoted all of his time to education.
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Visitation), Unionskirche, Idstein The Magnificat or Song of Mary is one of the three New Testament canticles, the others being Nunc dimittis and Benedictus. Mary sings the song on the occasion of her visit to Elizabeth, as narrated in the Gospel of Luke (). Magnificat, a regular part in Catholic vesper services, was also used in the Lutheran church, in vespers and for Marian feasts. Schütz set the Magnificat text once in Latin and five times in German, Meine Seele erhebt den Herren (My soul magnifies the Lord), also called German Magnificat.
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He set the traditional liturgical Anglican texts in English, as part of his efforts to improve singing at the College Chapel. The Jubilate Deo (Psalm 100) and Te Deum in B were first performed during Matins (Morning service) on 25 May 1879. On 24 August that year, during vacation, the Te Deum was repeated with the first performance of the Benedictus, while the Magnificat and the Nunc dimittis were first performed in the evening service. The Service in B was a significant development in Stanford's setting of the morning and evening canticles.
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Spinoza adopted the Latin name Benedictus de Spinoza, began boarding with Van den Enden, and began teaching in his school. Following an anecdote in an early biography by ,Johannes Colerus, The Life of Benedict de Spinosa (London: Benjamin Bragg, 1706), 4. he is said to have fallen in love with his teacher's daughter, Clara, but she rejected him for a richer student. (This story has been discounted on the basis that Clara Maria van den Enden was born in 1643 and would have been no more than about 13 years old when Spinoza left Amsterdam.
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"Benedictus" is a song by English band Strawbs featured on their 1972 album Grave New World. After the departure of Rick Wakeman, band leader Dave Cousins consulted the I Ching asking what to do next. The answer from the coins, "Humble must he constant be, where the paths of wisdom lead, distant is the shadow of the setting sun", forms part of the first two lines of the lyrics of the song. Unusually for a rock song, the instrumental break is performed using a dulcimer played through a fuzz box.
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Scholars disagree about whether all of the Pseudo-Isidorian forgeries are to be attributed to the same person or persons; or whether the False Capitularies of Benedictus Levita and the False Decretals of Isidorus Mercator represent separate but somehow related forgery enterprises. Zechiel-Eckes believed that the prominent theologian and abbot of Corbie, Paschasius Radbertus (abbot 842-847) was to be identified with Pseudo-Isidore; and that the earliest phase of work on the forgeries, amounting to a subset of the False Decretals, was completed in the later 830s.Zechiel-Eckes, K. (2002).
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However, a mausoleum erected above ground or even a brick chamber beneath the surface is regarded as needing blessing when used for the first time. This blessing is short and consists only of a single prayer after which the body is again sprinkled with holy water and incensed. Apart from this, the service at the graveside is very brief. In the Tridentine tradition, the priest intones the antiphon "I am the Resurrection and the Life", after which the coffin is lowered into the grave and the Canticle Benedictus is recited or sung.
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So while the Reredos is a reredos, it is also a model of a Rood Screen. Separating the Reredos from the High Altar is a Sanctus ribbon from the 1559 B.C.P., drawing on Isaiah 6:3 but lacking the Benedictus found in the 1549 B.C.P. Sanctus, derived from Matthew 21:9. The Sanctus is followed by Psalm 50:5, the call to be judged for the acts of one's life, before the Throne of God. The High Altar's base features a triptych of two Old Testament events laying foundations for Christ's priesthood.
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Wellman, Jack. "What Is The Difference Between Mercy and Grace?", Patheos, March 17, 2104 An emphasis on mercy appears in the New Testament, for example in the Magnificat and Benedictus (Song of Zechariah), in Luke's Gospel, and in the Beatitudes in Matthew 5:7: "Blessed are the merciful: for they shall obtain mercy". In Ephesians 2:4 Apostle Paul refers to the mercy of God in terms of salvation: "God, being rich in mercy,... even when we were dead through our sins, made us alive together with Christ".
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The sinfonia and ballet interludes in act 2 create an imaginary world through off-stage horns and bassoons and string harmonics. By contrast the G minor sinfonia which starts act 3 depicts the inner rage of the duped Buonafede. Haydn re-used parts of the opera in trios for flute, violin and cello (Hob IV:6-11) and Ernesto's "Qualche volta non fa male" become the Benedictus of the Mariazeller Mass (Hob XXII:8).Clark, C.: Il mondo della luna in The New Grove Dictionary of Opera, ed.
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The Sanctus appears thus in the 1549 Book of Common Prayer (and as set to music by John Merbecke in 1550): > Holy, holy, holy, lorde God of hostes. heaven and earth are full of thy > glory Osanna in the highest. Blessed is he that commeth in the name of the > lorde: Glory to the, o lorde in the highest. In the 1559 BCP it appears without the Benedictus: > Holy, holy, holy, lord god of hostes, heven and earth are ful of thy glory, > glory be to the, O Lord most hyghe.
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181Tim Gray, Mission of the Messiah (Emmaus Road Publishing 1998 ), pp. 109–110 Within Anglicanism, the 1552 Book of Common Prayer omitted it and, though it is now permitted, "the choice whether or not to use the Benedictus is still for some a matter of Eucharistic theology and churchmanship".Paul Thomas, Using the Book of Common Prayer (Church House Publishing 2012 ), p. 102 The Sanctus appears in the Sacramentary of Serapion of Thmuis (the saint died in 360), but may go as far back to Christian liturgy in North Africa in the year 200.
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Robert Thornton was a member of the landed gentry in Yorkshire as well as an amateur scribe and collector.Thompson. There are many mistakes in the manuscript, which is written in "a fairly typical mid-fifteenth-century cursive hand." The name "Robert Thornton" is signed a few items, and the phrase R. Thornton dictus qui scripsit sit benedictus ("May the said R. Thornton who wrote this be blessed") occurs four times, and is also found in Thornton's other manuscript, the London Thornton Manuscript (London, British Library, Add. MS 31042).
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John XXII was attempting to save face by placing the matter in the hands of a committee, but in the end, on his deathbed, he was compelled to repudiate his opinions, which were formally condemned by his successor, Benedict XII.The Bull Benedictus Deus, issued on 29 January 1336: Bullarum, diplomatum et privilegiorum sanctorum Romanorum pontificum Taurensis editio Tomus IV (Turin 1859), pp. 345-347. On 14 April 1335, Pierre Roger's friend and patron, Cardinal Pierre de Mortemart died, naming Pierre Roger as one of the executors of his Testament.Gallia christiana XI, p. 77.
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Rubrics require the congregation to change from a standing position to a kneeling position at the 'incarnatus' out of respect for the Incarnation of Christ: hence the musical break. Similarly, only the first verse of the 'Sanctus' is sung before the Consecration; the 'Benedictus' verse was sung afterward, according to the rubrics of the Mass. This rubrical division often results in the verses appearing in music as two separate movements, although they are thematically joined. In the Credo, Mozart introduces the trombones for the Crucifixus and using a chromatic fourth in the bass.
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Cnicin is a sesquiterpene lactone, esterified with a substituted acrylic acid, and belonging to the germacranolide class of natural products. It is mainly found in Cnicus (Cnicus benedictus L. (Asteraceae)), and is present in spotted knapweed plants, where highest and lowest concentrations are found in the leaves (0.86-3.86% cnicin) and stems respectively.Providing Supplement, with or without PEG, to reduce the effects of cnicin and enhance grazing of spotted knapweed by sheep and cattle, Masters Thesis, M Cheeseman, Montana State University Cnicin is used as a bitter tonic and the bitterness value is approximately 1,500.
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At some of the performances singer and entertainer Helen Pfaff stood in for Mireille while she was pregnant. In December 2011 the band took part in the German Rock Pop Awards in Wiesbaden and were honoured with four awards: Mireille the first place for best German female rock singer for her German-English ballad “Benedictus”; second place in the category of best German instrumental group for the instrumental version of their Reactor Song; third place in the category of best German rock album with “Bartoks Crisis”; and third place for the best German progressive group.
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Burchard Tuberflug was ordained a priest in the Order of Preachers. On 18 September 1471, he was appointed during the papacy of Pope Sixtus IV as Auxiliary Bishop of Konstanz and Titular Bishop of Sebaste in Cilicia. On 22 September 1471, he was consecrated bishop by Šimun Vosić, Archbishop of Bar, with Benedictus, Titular Archbishop of Mitylene, and Giacomo, Bishop of Sant'Angelo dei Lombardi, serving as co-consecrators. It is uncertain how long he served; the next auxiliary bishop of record in the diocese was Daniel Zehender appointed in 1473.
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The structure is the same for all three days. The first part of the service is matins, which in its pre-1970 form is composed of three nocturns, each consisting of three psalms, a short versicle and response, a silent Pater Noster, and three readings, each followed by a responsory. The pre-1970 lauds consists of five psalms, a short versicle and response, and the Benedictus Gospel canticle, followed by Christus factus est, a silent Pater Noster, and the appointed collect. The Gloria Patri is not said after each psalm.
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Where he had a written authority before him he was content to reproduce even the phraseology of his original. At other times he strings together in chronological order, without any links of connection, the anecdotes which he gathered from chance visitors. Unlike Benedictus Abbas and Roger of Hoveden, he makes little use of documents; only three letters are quoted in his work. On the other hand, the corrections and erasures of the autograph show that he took pains to verify his details; and his informants are sometimes worthy of exceptional confidence.
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The second group of 21 pieces is scored for four to six parts: 14 settings of Kyrie and seven of Gloria. Another group (pieces 50 to 77) contains different settings of the chants around communion (Praefatio, Sanctus, Benedictus, Agnus Dei), and a complete mass for eight parts. Pieces 80 to 93 are 14 different settings of Amen in different modes and pieces 94 to 104 are ten settings of Gloria in different modes and an introit. The monograph of the collection is held by the Bayerische Staatsbibliothek in Munich.
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The track has a psychedelic quality, due to the first two verses, where acoustic guitar chords were played in reverse order then tape- reversed to provide instrumental backing. The middle section features a solo on a dulcimer played through a fuzzbox, similar to the solo on another Grave New World Track "Benedictus". There follows a short section of special effects which then leads into a third verse, this time with a backing of conventional acoustic guitars. The song continues with a middle 8 section and an instrumental closing section, leading to a drum solo which fades out.
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Philip's sister Archduchess Margaret of Austria became regent for the infant Charles V, and she reestablished the Burgundian musical establishment at Mechelen, with the composers Antoine Brumel, Pierre de La Rue, Antoine de Longueval, and Pierrequin de Thérache and Marbrianus de Orto as director of the court chapel, la Grand Chapelle. Margaret ensured a full musical education for her nephew Charles and his older sister Mary of Austria. After Margaret died Charles appointed his sister governor of the Netherlands 1531–1555 at Brussels, where Benedictus Appenzeller was master of the court chapel. Another favourite composer of Margaret was Josquin des Prez.
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Haydn also composed his oratorio The Creation around the same time and the two great works share some of his signature vitality and tone-painting. This piece has been long thought to express an anti-war sentiment, even though there is no explicit message in the text itself, and no clear indication from Haydn that this was his intention. What is found in the score is a very unsettled nature to the music, not normally associated with Haydn, which has led scholars to the conclusion that it is anti-war in nature. This is especially noticed in the Benedictus and Agnus Dei.
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Brought up under military discipline, he administered as provincial with such severity, that there were many complaints against him to the chapter that congregated at Yanhuitlan in 1570. He refused to comply with the admonitions of his superiors and change his methods, and was accordingly suspended. With the exclamation: "Benedictus Deus!" he received the notification of his deposition, and, declining the interference of the Viceroy Enriquez in his favour, retired to his convent at Tlacochauaya in Oaxaca, where he died after twenty-five years spent in retirement and in the study of the Zapotecan language and the customs of the natives.
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Cære was an ancient city, called at first Agylla, where the sanctuaries of Rome and the Vestals were hidden during the invasion of the Gauls; the Etruscan tombs scattered about its territory are important archeologically. Cervetri had bishops of its own until the 11th century; the first was Adeodatus (499), assuming that he was not the Adeodatus who signed himself Bishop of Silva-Candida in the third synod of Pope Symmachus (501). The last known was Benedictus, referred to in 1015 and 1029. The Diocese of Porto and Santa Rufina has 18 parishes, with 4600 inhabitants.
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Benedictus Spinoza (1632–1677) Rationalists conceived of the identity of persons differently than empiricists such as Locke who distinguished identity of substance, person, and life. According to Locke, Rene Descartes (1596–1650) agreed only insofar as he did not argue that one immaterial spirit is the basis of the person "for fear of making brutes thinking things too." According to James, Locke tolerated arguments that a soul was behind the consciousness of any person. However, Locke's successor David Hume (1711–1776), and empirical psychologists after him denied the soul except for being a term to describe the cohesion of inner lives.
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Vinders wrote both sacred and secular music. All is polyphonic music for voices; no instrumental compositions have survived, or been attributed to him. Four masses survive, all for five voices; all use different kinds of sources. The Missa Fors seulement is built on the chansons by Antoine de Févin and Matthaeus Pipelare; the Missa Fit porta Christi pervia is based on a plainchant cantus firmus; the Missa Myns liefkens bruyn ooghen uses as its source a secular song in Dutch, by Benedictus Appenzeller; and the Missa Stabat mater uses the motet by Josquin, a composer he evidently admired.
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His works have been performed by orchestras and chamber groups in Australia, the United States and Europe and receive frequent airplay on classical music stations. In July 2007, Palmer was commissioned to write the Papal Mass for World Youth Day 2008 in Sydney. The Mass, Benedictus Qui Venit, for large choir, soloists and orchestra, was performed in the presence of Pope Benedict XVI and an audience of 350,000 with soloists Amelia Farrugia, soprano and Andrew Goodwin, tenor, directed by Benjamin Bayl. In May 2016 his operatic adaptation of Tim Winton's novel Cloudstreet was premiered in Adelaide by the State Opera of South Australia.
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Maria Faxell, née Caméen (1678-1738), was a Swedish vicar's wife who, according to legend, averted a Norwegian attack in Sweden during the Great Northern War. Maria Faxell was the daughter of Benedictus Svenonis Caméen and Christina Carlberg and the sister of the ennobled Erland Caméen. She married Sveno Erlandi Faxell (1661–1728), the vicar of the Köla parish in Värmland at the border of Norway, in 1695. In the 1710s, during the war between Sweden and Denmark–Norway, a Norwegian troupe passed the border into Sweden and was observed at the farm Gryttve by Köla church in Värmland.
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Apel 1972, 500–502. The second collection, Le Magnificat ou Cantique de la Vierge pour toucher sur l'orgue suivant les huit tons de l'Église, published in 1626, contains eight Magnificat settings in all eight church modes. There are seven versets in each setting, presenting the odd-numbered versets of the canticle, with two settings of Deposuit potentes: #Magnificat #Quia respexit #Et misericordia #Deposuit potentes, first setting #Deposuit potentes, second setting #Suscepit Israel #Gloria Patri et Filio In the preface, Titelouze explains that this structure makes these Magnificat settings usable for the Benedictus. Save for the introductory ones, all of the versets are fugal.
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Sergius was the son of Benedictus, and traditionally was believed descended from a noble Roman family, although it has been speculated that he was in fact related to the family of Theophylact I of Tusculum. He was ordained as a subdeacon by Pope Marinus I, followed by his being raised to the diaconate by Pope Stephen V.Mann, pg. 119 During the pontificate of Pope Formosus (891–896), he was a member of the party of nobles who supported the Emperor Lambert, who was the opponent of Formosus and the pope's preferred imperial candidate, Arnulf of Carinthia.
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According to Benedictus, this was why all mundane institutions had to be subjected to ecclesiastical power in order to prevent moral as well as religious laxity causing divine wrath. During the Roman Republic and pre- Christian Roman Empire, homosexual behavior had been acceptable as long as the adult male citizen took the penetrative role with a passive partner of lower social status. Laws regulating homosexuality were directed primarily at protecting underage male citizens. Those who committed a sex crime (stuprum) against a freeborn male minor were penalized by death or a fine, depending on the circumstances.
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Benedictus Maria Reichert. Löwen 1896 (Monumenta Ordinis Fratrum Praedicatorum Historica I). The sister-books are also characterized by both the forms and structures of legendary narrative and the vocabulary and motifs of mysticism; the texts take images and metaphors quite seriously. In addition, note that all but one of the sister-books were written in the German vernacular, while the Unterlinden sister-book was written in Latin. None of the original manuscripts of the sister-books survive to this day; scholars rely on later copies, some of which were done as early as the fifteenth century.
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In addition, a striking similarity between the openings of the Domine Jesu Christe movements in the requiems of the two composers suggests that Eybler at least looked at later sections. After this work, he felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Süssmayr. Süssmayr borrowed some of Eybler's work in making his completion, and added his own orchestration to the movements from the Kyrie onward, completed the Lacrymosa, and added several new movements which a Requiem would normally comprise: Sanctus, Benedictus, and Agnus Dei.
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Opening of Salve Regina (facsimile) Schlick's organ music survives in two sources: the printed collection Tabulaturen etlicher lobgesang (1512) and the letter Schlick sent to Bernardo Clesio around 1520–1521. Tabulaturen contains ten compositions for organ: a setting of Salve Regina (five verses), Pete quid vis, Hoe losteleck, Benedictus, Primi toni, Maria zart, Christe, and three settings of Da pacem. Of these, only Salve Regina and the Da pacem settings are fully authentic. Much of the other music is stylistically indistinguishable from contemporary vocal works by other composers; consequently, some of the pieces may be intabulations of other composers' works.
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The Windhaager Messe is a Missa brevis in C major for alto solo, two horns and organ. The work is divided into six parts: # Kyrie, C major # Gloria, C major # Credo, C major # Sanctus, C major # Benedictus, E major # Agnus Dei, C major Total duration: 8 to 10 minutes. The work employs a text compressed to the absolute minimum and is predominantly homophonic in texture - often close to plainchant as, for example, the initial phrase of the Kyrie and the Credo - with occasional contrapuntal interruptions. The organ part consists of the alto solo line and a mostly unfigured bass.
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Joseph Haydn, portrayed by Ludwig Guttenbrunn Lionel Salter reviewed the album on LP in Gramophone in September 1978. Il mondo della luna was a better drama than some of Haydn's other operas, he thought, in that it did not have a "cat's-cradle [plot] full of confusing intrigue and confused motivation". Its musical excellence was vouchsafed by Haydn's recycling eight excerpts from it in his flute trios, his Symphony No. 63 and the Benedictus of his Mariazell Mass. As for the album itself, it was blessed with a cast that was "an uncommonly strong one, almost without weakness".
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The Introit, Gradual, Alleluia, Tract, Sequence, Offertory and Communion chants are part of the Proper of the Mass. "Proprium Missae" in Latin refers to the chants of the Mass that have their proper individual texts for each Sunday throughout the annual cycle, as opposed to 'Ordinarium Missae' which have fixed texts (but various melodies) (Kyrie, Sanctus, Benedictus, Agnus Dei). Introits cover the procession of the officiants. Introits are antiphonal chants, typically consisting of an antiphon, a psalm verse, a repeat of the antiphon, an intonation of the Gloria Patri Doxology, and a final repeat of the antiphon.
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In 1655 a Sephardic Jew was exceptionally permitted to establish a sugar refinery using chemical methods. Several Sephardic Jews stood out during that time, including Menasseh Ben Israel. He was known for corresponding widely with Christian leaders and helped to promote Jewish resettlement in England. Perhaps the most famous among Dutch Jews of Sephardic origin is Benedictus de Spinoza (Baruch Spinoza), a philosopher, scholar and optician who was excommunicated from the Jewish community in 1656 after speaking out his ideas concerning (the nature of) God, later published in his famous work Ethics Demonstrated in Geometrical Order (1677).
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Giacomo Puccini's Messa or Messa a quattro voci (currently more widely known under the apocryphal name of Messa di Gloria)The mistaken title, Messa di Gloria, was first used in 1951 by the publishers of the first printed edition, Mills Music of New York. See Michele Girardi, Puccini: His International Art, University of Chicago Press, 2002, p. 17. is a Mass composed for orchestra and four-part choir with tenor and baritone soloists. Strictly speaking, the piece is a full Mass, not a true Messa di Gloria (which contains only the Kyrie and Gloria and omits the Credo, Sanctus, Benedictus and Agnus Dei).
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Two sets of tones are used for the "Magnificat", the canticle of Vespers, and the "Benedictus", the canticle of Lauds: simple tones, which are very close to the standard psalm tones, and solemn tones, which are more ornate and used on the more important feasts. The psalm verse and "Gloria Patri" (doxology) which are sung as part of the Introit (and optionally the Communion antiphon) of the Mass and of the greater responsories of the Office of Readings (Matins) and the reformed offices of Lauds and Vespers are also sung to similar sets of reciting tones that depend on the musical mode.
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Elizabeth gives praise to Mary: "Blessed are you among women, and blessed is the fruit of your womb!", words which echo Moses' declaration to the people of Israel in : "[God] will love you and bless you and multiply you; He will also bless the fruit of your womb". Mary, in her Magnificat, then gives praise to God: she first thanks God for favoring one so "humble" as herself, then praises God for his "mercy" and "help" to all people. God's mercy (το ελεος αυτου, to eleos autou) is mentioned five times within the Magnificat and Zechariah's Benedictus hymn.
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Examples of this focus include oratories and liturgical dramas such as Ubal, Jabal, Kar og kjerring, Noahs draum, and Angeli, 18 englebilder. Major choir works in Habbestad’s list of works includes 3 Cantica (Magnificat, Nunc Dimittis and Benedictus Dominus) , Nox Praecessit, Stabat Mater dolorosa for male vocal quartet and men’s choir, Ego Clamavi, Apal, Kverni and Sju vindar. Habbestad served as a member of the board for the Norwegian Society of Composers from 1987 to 1996, as deputy director for the organization from 1990 to 1996 and as leader of NSC’s advisory committee from 1996 to 2002.
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The six altar candles are put out during the Benedictus, gradually reducing also the lighting in the church throughout the chanting of the canticle.P. J. B. de Herdt, Sacrae liturgiae praxis, juxta ritum romanum (Vanlinthout, Louvain, 1863), vol. 3, p. 41 Then any remaining lights in the church are extinguished and the last candle on the hearse is hidden behind the altar (if the altar is such as does not hide the light, the candle, still lit, is put inside a candle lantern),De l'office des Ténèbres, Cérémonies à observer, 338,3 ending the service in total darkness.
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The Matins, composed like those of feast days, have three nocturns, each consisting of three psalms and three lessons; the Lauds, as was usual until 1911, had three psalms (Psalms 62 (63) and 66 (67) united are counted as one) and a canticle (that of Ezechias), the three psalms Laudate, and the Benedictus. Pope Pius X's reform of the Breviary removed Psalms 66, 149, and 150 from being said at Lauds every day, and this reform included the Office of the Dead. The office differs in important points from the other offices of the Roman Liturgy.
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Beldwin's copy includes some sections of the Te Deum and Benedictus from the Morning Canticles, given in score. Recent research suggests that it may have been composed somewhat earlier, for a copy in the York Minster part-books (York Minster MS 13/1-5) made by the singer John Todd about 1597-99 describes it as 'Mr Byrd's new sute of service for means'.see McCarthy pp.158ff. This suggests the possibility that the Great service may have been Byrd's next major compositional project after the three Latin mass settings, which were published between 1592 and 1595.
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The Synod of Sutri was held there in 1046. This town has an ancient Christian cemetery where the body of St. Romanus was found, who is the patron of the city; the cathedral possesses a statue of him by Gian Lorenzo Bernini. Among the martyrs of Sutri is St. Felix (about 275). The first bishop of known date was Eusebius (465); other bishops were Martinus, or Marinus, who was sent as ambassador to Otho I in 963; Benedictus, who, in 975, became Pope Benedict VII; Bishop Bonitho (Bonizo), historian of the Gregorian epoch, who was driven from his diocese by the anti-papal faction and later was made Bishop of Piacenza.
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Sehling was born in Toužim (German: Teusing), Western Bohemia. From an early age, he received music lessons from the local cantor, and later completed his education in Prague and Vienna. From 1737 he was second violinist in the Orchestra of St. Vitus Cathedral, and around the same time, he worked as a court musician and composer for Count Morzin at his palace in Prague. In 1740 he became choir director at the Church of Our Lady beneath the Chain in the Malá Strana district of Prague, and at the same time filled in as the choir director at St. Vitus and the Barnabite St. Benedictus.
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In addition to his duties at the cathedral, he also was active at the Duke's court of Ferrara as musical head. Because his music was classified as nonconformist, he was forbidden to perform his music at the Ferrara Cathedral unless he had explicit permission of the local see chapter. This kerfuffle does not seem to have affected his employment, nor the further publications of his works, as Il lauro secco was published in 1582, Il lauro verde in 1583, another set of lamentations, Lamentationes et benedictus, in 1584, and Giardino de musici ferraresi in 1591. He remained chapel maestro at Ferrara until his death in 1596.
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The organ that was built in 1786 by Aegidius-Franciscus Van Peteghem for the Heilig Geestcollege in Louvain was transferred to the church after its abolition during the French occupation of the Southern Netherlands commencing in 1792. The two large pointed arch windows of the cross arms contain neo-Gothic glass windows after a design by the glazier M. Mertens (Koekelberg), restored in 1995-1996. The window in the southern transept contains depictions of the saints Eugenius, Carolus, Clemens and Eduardus, in the window in the north transept Francis, Dominicus, Augustine and Benedictus are depicted. The windows of the choir contain modern glass windows by Michel Martens (1970).
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Benedikt Niese Jürgen Anton Benedikt Niese (24 November 1849 - 1 February 1910), also known as Benedict, Benediktus or Benedictus Niese, was a German classical scholar. Niese was born in Burg, on the island of Fehmarn, then part of the German Confederation but ruled by King Frederick VII of Denmark. His father was Emil August Niese, pastor in the town, and his mother was born Benedicte Marie Matthiessen. He was educated at the Domgymnasium in Schleswig and then from 1867 at Bonn and Kiel, studying under Alfred von Gutschmid. After volunteering for the army during the Franco-Prussian War, he was awarded a PhD in 1872.
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Benedictus Levita, using what is obviously an assumed name, claims in his prefatory remarks to have been a deacon in the church of Mainz. He says that he assembled his collection from materials he found in the archiepiscopal archives of Mainz, at the command of the late Archbishop Otgar (d. 847). Though earlier scholars were inclined to believe some of these statements, modern authors agree that Benedict's preface is entirely fictional. Both the subject matter and the sources employed by the forged capitularies show that they were composed in the western part of the Frankish empire, in the archiepiscopal province of Reims, and not at Mainz.
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It has long been noted, for example, that several of the forged capitula attack the chorepiscopate, and ninth-century opposition to chorbishops was particularly strong in the western Carolingian empire. Benedict’s collection was also first used by bishops in the Reims province, and recent work by Klaus Zechiel-Eckes has shown that its compiler likely used the monastic library available at Corbie (in the diocese of Amiens) to compile at least some of the forged laws. The date of Benedictus Levita’s capitula has long proved controversial. The prefatory material mentions that Archbishop Otgar of Mainz has died; the preface must thus postdate 847 (Otgar died 21 April, 847).
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As is the case with most mass settings in the middle Renaissance, it consists of the following parts: #Kyrie #Gloria #Credo #Sanctus and Benedictus #Agnus Dei I, II and III It is mainly in Phrygian mode, although with numerous shifts to Aeolian and Dorian. The La-sol-fa-re-mi figure saturates the texture, appearing more than 200 times within the course of the mass. Most of the time it is in the tenor, suggesting that it may have been originally drafted as a cantus-firmus mass early in Josquin's career, and later reworked as a paraphrase mass with the ostinato appearing in all voices in different permutations.Blackburn, p.
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In addition to the Psalms, Crowley's psalter includes English versions of the canticles Benedictus, Magnificat, Nunc Dimittis, and Benedicite, as well as the Te Deum and the Quicumque Vult. These are the Cantica Prophetarium retained in the Book of Common Prayer from the Sarum psalter — key parts of the Divine Office. Crowley's lyrics are mainly based on Leo Jud's Biblia Sacrosancta, which was in turn a fresh translation from the Hebrew that maintained fidelity to its lyrical arrangement. Crowley rendered all the psalms in simple iambic fourteeners which conform to the single, short, four-part tune that is printed at the beginning of the psalter.
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Baruch (de) Spinoza (;"Baruch" ; ; born Baruch Espinosa; later as an author and a correspondent Benedictus de Spinoza, anglicized to Benedict de Spinoza; 24 November 1632 – 21 February 1677Jonathan Israel in his various works on the Enlightenment, e.g., (in the index "Spinoza, Benedict (Baruch) de") and ) was a Dutch philosopher of Portuguese Sephardi origin. One of the early thinkers of the Enlightenment and modern biblical criticism,Yovel, Yirmiyahu, Spinoza and Other Heretics: The Adventures of Immanence (Princeton University Press, 1992), p. 3 including modern conceptions of the self and the universe, he came to be considered one of the great rationalists of 17th-century philosophy.
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Ptolemy of Lucca Historia Ecclesiastica, quoted in Theiner, under the year 1294, § 17: stimulatur ab aliquibus Cardinalibus, quod papatu cedat. Celestine himself missed his hermitage, and even had a replica built in one of the rooms of the Castel Nuovo; he also began to realize that he was inadequate for the position to which he had been elected. Cardinal Benedetto Caetani and several other prevailed upon Celestine to resign his office.Ptolemy of Lucca, Dominus Benedictus cum aliquibus cardinalibus Caelestino persuasit ut officio cedat quia propter simplicitatem suam, licet sanctus vir, et vitae magni foret exempli, saepius adversis confundabantur ecclesiae in gratiis faciendis et circa regimen orbis.
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The names assumed by Pseudo-Isidore, including Isidorus Mercator (conflated from the names of Isidore of Seville and Marius Mercator Hosted at the Christian Classics Ethereal Library.), Benedictus Levita and others are all pseudonyms. The forgeries originated in the archiepiscopal province of Reims, where they were first circulated and cited. Thanks to the research of Klaus Zechiel- Eckes, it is now also known that Pseudo-Isidore did important research at the library of the monastery of Corbie, in the Reims suffragan diocese of Amiens.Zechiel-Eckes, Klaus. “Ein Blick in Pseudoisidors Werkstatt: Studien zum Entstehungsprozeß der Falschen Dekretalen mit einem exemplarischen editorischen Anhang,” Francia 28 (2001), p. 37–90.
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The work is divided into six parts: # Gradual Christus factus est, F major # Credo, C major # Offertory Dextera Domini, F major # Sanctus, E major # Benedictus, G major # Agnus Dei, F major Total duration: about 10 minutes. On the front page of Bruckner's manuscriptIMSLP - Front page of the manuscript is written: :Vierstimmige Choral-Messe ohne Kyrie und Gloria für den Gründonnerstag :auch mit fug[iertem] Kyr[ie] und Glor[ia] [1]845 comp[oniert] :A.M.D.G. comp[oniert] [1]844, Anton Bruckner In front of page 3 of the manuscript is written ' (At the Last Supper) This Missa brevis exhibits as the previous Kronstorfer Messe relationships to Palestrina's style.J. Garrat, p.
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For royalty, the anglicisation of personal names was a general phenomenon, especially until recently, such as Charles for Carlos, Karoly, and Karl, or Frederic for Friedrich or Fredrik. Anglicisation of the Latin is still the rule for popes: Pope John Paul II instead of Ioannes Paulus II, Pope Benedict XVI instead of Benedictus XVI, Pope Francis instead of Franciscus. The anglicisation of medieval Scottish names consists of changing them from a form consistent with Scottish Gaelic to the Scots language, which is an Anglo-Frisian language. For instance, the king known in Scottish Gaelic as Domnall mac Causantín (Domnall son of Causantín) is known in Scots as Donald, son of Constantine.
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Archivio di Stato di Brescia, Archivio Storico Civico, provisions, cart. 520, cc. 80v-81r. Finally, in 1508, three people were appointed by the council to preside over the expansion of the chapel of Sant'Apollonio so that it could encompass the marble reliquary ark (archa marmorea et miro artificio fabricata de pecuniis collegii notariorum Brixie).Archivio di Stato di Brescia, Archivio Storico Civico, provisions, cart. 521, c. 128r. The works are thereby documented from December 1509 through November 1510, with fees for interventions such as the lowering of the floor and the remaking of the walls and the arch, the last by a master Benedictus lapicida.
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He spends the night on the streets of Perth before meeting up with 'Uncle' Tadpole (Ernie Dingo), who offers to help him get home. They go to Fremantle where Tadpole allows himself to be run over by a Kombi van, hoping that the two hippies inside will help him. Not realising how far it will be to Broome, the hippies, 'Slippery' the German (Tom Budge) and Annie (Missy Higgins), his girlfriend, agree to drive them. Father Benedictus (Geoffrey Rush), head of the College, has seen Willie's potential and determines to locate him; through Tadpole's homeless friends, he learns that Willie is heading to Broome.
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Visitation, Albrecht Dürer, 1503 Visitation is a 1503 woodcut by the German Renaissance artist Albrecht Dürer, from his series on the Life of the Virgin. It depicts the Visitation, an episode in the Gospel of Luke, when Mary, heavily pregnant, travels to see her much older cousin Elisabeth, who is now also late with child. The women embrace at the house of Elisabeth's husband Zacharias, who is shown standing at the doorway to the left of the woodcut. Both Zacharias and his wife are old; and he is struck into silenceAccording to Benedictus Chelidonius he appears as if a "weak faith had closed his tongue".
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Segelcke attended the Norwegian Military Academy from 1845 to 1848 and the Norwegian Military College from 1849 to 1852. He held the rank of second lieutenant from 1849, and was promoted to premier lieutenant in 1868, captain in 1870 and colonel in 1872. He served in the Engineer Brigade for many years, and also had a parallel career under the road inspector Johannes Benedictus Klingenberg in Christiania from 1855. He studied railway construction abroad between 1856 and 1857, and then worked as an engineer on the Kongsvinger Line until 1862. He was a tutor at the Military College from 1862 to 1872 and at the Military Academy from 1863 to 1866.
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In 1811, Benedictus Gotthelf Teubner (1784–1856) refounded in his own name a printing operation he had directed since 1806, the Weinedelsche Buchdruckerei, giving rise to the Leipzig publishing house of B.G. Teubner (its imprint, in Latin, in aedibus B.G. Teubneri). The volumes of the Bibliotheca Teubneriana began to appear in 1849. Although today Teubner editions are relatively expensive (as are European-produced scholarly books in general), they were originally introduced to fill the need, then unmet, for low-priced but high-quality editions. Prior to the introduction of the Teubner series, accurate editions of antique authors could only be purchased by libraries and rich private scholars because of their expense.
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Service settings are choral settings of the words of the liturgy. These include: ; The Ordinary of the Eucharist : Sung Eucharist is a musical setting of the service of Holy Communion. Naming conventions may vary according to the churchmanship of the place of worship; in churches that tend towards a low church or broad church style of worship, the terms Eucharist or Communion are common, while in high church worship, the more Catholic term Mass may be used. Musical pieces corresponding to the liturgical pattern of the Ordinary of the Mass (Kyrie, Gloria, Credo, Sanctus & Benedictus, Agnus Dei) may be sung by the choir or congregation.
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Benedictus Canonicus Sancti Petri ("Benedict, canon of St. Peter's") was a religious and liturgical writer from Rome Ermini (1930) active in the first half of the 12th century. Benedict was one of the four canons of the old Basilica of St. Peter, who celebrated mass in the church; almost nothing is known about his life. He is author of the Liber polypticus (or Liber Politicus),da Bergamo (1966) in which, among others, is contained the Ordo Romanus; this book was written between 1140 and 1143, when he was already advanced in years. His work is important because of the contained information about institutions and religious celebrations and feasts of 12th century Rome.
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Title page of Benedictus Figulus's 1608 edition of Kleine Wund-Artzney, based on lecture notes by Basilius Amerbach the Elder (1488-1535) of lectures held by Paracelsus during his stay in Basel (1527). Paracelsianism (also Paracelsism; German: ') was an early modern medical movement based on the theories and therapies of Paracelsus. It developed in the second half of the 16th century, during the decades following Paracelsus' death in 1541, and it flourished during the first half of the 17th century, representing one of the most comprehensive alternatives to learned medicine, the traditional system of therapeutics derived from Galenic physiology. Based on the principle of maintaining harmony between the microcosm, Man; and macrocosm, Nature.
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Nafsiah Mboi is a pediatrician who received Master of Public Health from the Institute of Tropical Medicine Antwerp, Belgium in 1990 and became a research fellow for Takemi Program in International Health at Harvard University, Cambridge, United States in 1990–1991. Mboi involvement in the health sector began in 1978, when she, along with her husband, Aloysius benedictus Mboi who served as Governor of East Nusa Tenggara in elevating the health and welfare of the people of East Nusa Tenggara. She is known to have a high concern in the field of HIV/AIDS advocacy. Mboi also pioneered the establishment of the Sentani Commitment in 2004 which became a milestone commitment of the governments for AIDS prevention.
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Before the 1911 reform, the multiplication of saints' festivals, with practically the same festal psalms, tended to repeat the about one-third of the Psalter, with a correspondingly rare recital of the remaining two-thirds. Following this reform, the entire Psalter is again generally recited each week, with the festal psalms restricted to only the highest-ranking feasts. As in the Greek usage and in the Benedictine, certain canticles like the Song of Moses (Exodus xv.), the Song of Hannah (1 Sam. ii.), the prayer of Habakkuk (iii.), the prayer of Hezekiah (Isaiah xxxviii.) and other similar Old Testament passages, and, from the New Testament, the Magnificat, the Benedictus and the Nunc dimittis, are admitted as psalms.
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The Requiem consists of eight movements: # Requiem – Kyrie # Dies Irae # Rex Tremendae # Oro Supplex # Hostias (Offertory) # Sanctus # Benedictus # Agnus Dei The Requiem is scored for SATB soloists and choir, and a large orchestra reminiscent of Berlioz: four flutes, two oboes, two English horns, four bassoons, four French horns, four harps, four trombones, timpani, grand organ, accompanying organ, and strings. The trombones are positioned with the grand organ, while the orchestra and the singers are located in the choir. Carus- Verlag also published a version with a reduced orchestra, comprising only two flutes, two bassoons, two French horns, two harps, and one trombone, and without the accompanying organ, but retaining the oboes, English horns, grand organ and strings.
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In the supplement to the Summa Theologiae, a disciple of Thomas Aquinas argued that the soul departs for heaven or hell immediately on death, "unless it be held back by some debt, for which its flight must needs be delayed until the soul is first of all cleansed."Summa Theologiae, Supplement, q. 69, art. 2 In 1336, Pope Benedict XII (1334–1342) issued the Bull Benedictus DeusBenedictus Deus confirming the teaching that souls receive immediately after death their reward or punishment, ending a controversy caused by his predecessor, Pope John XXII (1316–1334), who had personally held for a while that even pure souls would be delayed in enjoying the beatific vision.
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As part of the series Music from Eighteenth-Century Prague, she performed with the same ensemble Concertos & Arias by Jan Josef Ignác Brentner. In 2010 she recorded duets with Kooy, titled Harmoniae Sacrae: works of Franz Tunder, Johann Valentin Meder, Matthias Weckmann, Heinrich Ignaz Franz Biber, Christoph Bernhard and Benedictus Buns, accompanied by the ensemble L'Armonia Sonora, conducted by Mieneke van der Velden. Her first solo album was in 2013 devoted to German Baroque Cantatas by Johann Schop, Johann Philipp Förtsch, Johann Pachelbel, Johann Philipp Krieger, Biber, Samuel Capricornus, Samuel Ebart and Dieterich Buxtehude with the ensemble CordArte. She recorded Bach's Mass in B minor with Herreweghe and also with the Collegium 1704, conducted by Václav Luks.
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As such, the apostles frequently incorporated verses from Psalms into their writings. for example is borrowed from and other psalms. Thus, due to this emphasis on prayer in the early church, lengthy passages of the New Testament are prayers or canticles (see also the Book of Odes), such as the Prayer for forgiveness (), the Lord's Prayer, the Magnificat (), the Benedictus (), Jesus' prayer to the one true God (), Praise be to the God and Father of our Lord Jesus Christ (), the Believers' Prayer (), may this cup be taken from me (), Pray that you will not fall into temptation (), Saint Stephen's Prayer (), Simon Magus' Prayer (), pray that we may be delivered from wicked and evil men (), Maranatha.
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It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Benedictus and the Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is known to have done with other works. This plan was frustrated by a public benefit performance for Mozart's widow Constanze. She was responsible for a number of stories surrounding the composition of the work, including the claims that Mozart received the commission from a mysterious messenger who did not reveal the commissioner's identity, and that Mozart came to believe that he was writing the requiem for his own funeral.
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This "most conspicuous single form in the early development of English consort music" originated in the early 16th century from a six-voice mass composed before 1530 by John Taverner on the plainchant Gloria Tibi Trinitas. In the Benedictus section of this mass, the Latin phrase "in nomine Domini" was sung in a reduced, four-part counterpoint, with the plainchant melody in the meane part. At an early point, this attractive passage became popular as a short instrumental piece, though there is no evidence that Taverner himself was responsible for any of these arrangements . Over the next 150 years, English composers worked this melody into "In Nomine" pieces of ever greater stylistic range.
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The most successful Pseudo- Isidorian forgery, known as the False Decretals, claims to have been assembled by a certain Isidorus Mercator (in English: Isidore the Merchant). It is a vast legal collection that contains many authentic pieces, but also more than 90 forged papal decretals. Pseudo-Isidore also produced a compendium of forged secular legislation pretending to be the laws of Charlemagne and Louis the Pious, under the pseudonym Benedictus Levita (Benedict the Deacon). Almost everything about Pseudo-Isidore's identity is controversial, but today most people agree that he worked in the archiepiscopal province of Reims in the decades before 850; and that he conducted important research at the library of the monastery of Corbie.
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These False Capitularies, which consist mostly of excerpts from genuine biblical, patristic and legal sources, are false primarily in the sense that almost none of them were ever promulgated by the Frankish kings. Among the many genuine items are also select forged capitula that advance the Pseudo-Isidorian program. In a preface, the pseudonymous compiler, Benedictus Levita (Benedict the Deacon) claims that he found these neglected capitularies in the archives of the cathedral at Mainz; and that the former Archbishop Otgar of Mainz ordered him to collect this material for posterity. Because Benedict seems to acknowledge that Otgar is dead at the time of his writing, it has been possible to date his preface to the years after 847.
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All the evidence suggests that it took its rise from certain versicles and responsories occurring in the Little Office or Cursus of the Blessed Virgin which just at that time was coming into favour among the monastic orders. Two Anglo-Saxon manuscripts at the British Museum, one of which may be as old as the year 1030, show that the words "Ave Maria" etc. and "benedicta tu in mulieribus et benedictus fructus ventris tui" occurred in almost every part of the Cursus, and though it is not clear that these clauses were at first joined together so as to make one prayer, there is conclusive evidence that this had come to pass only a very little later.
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Pius IV, however, aided by Cardinal Morone and Charles Borromeo, proved himself equal to the emergency, and by judicious management – and concession – brought the council to a termination satisfactory to the disputants and favourable to the pontifical authority. Its definitions and decrees were confirmed by a papal bull ("Benedictus Deus") dated 26 January 1564; and, though they were received with certain limitations by France and Spain, the famous Creed of Pius IV, or Tridentine Creed, became an authoritative expression of the Catholic faith.Imma Penn, Dogma Evolution and Papal Fallacies, (AuthorHouse, 2007), 195. The more marked manifestations of stringency during his pontificate appear to have been prompted rather than spontaneous, his personal character inclining him to moderation and ease.
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The Weigel House in a schematic diagram by Benedictus Georgi (1669) The final wonder of Jena was the Weigel House (German Weigelsche Haus, Latin Weigeliana Domus), demolished in 1898 in order to widen a road. The house stood beside the city church and owed its fame to its owner, the mathematics professor Erhard Weigel, in the 17th century. Weigel had installed many technical innovations throughout the house, including a wine pipe from the cellar, a lift based on the principle of the pulley, and long tubes through the house, protruding through the roof and permitting stargazing even during the day. At the time, the Weigel House was a well-known sight far beyond the city limits.
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Poulenc turned to sacred music first in 1937 when he composed the mass Messe en sol majeur. He dedicated it to the memory of his father who had died some years before. He set all the parts of the Latin mass, with the exception of the Credo, in 1937, scored for a soprano soloist and a mixed choir a cappella. As he omitted the Credo, it is technically a missa brevis, in five movements: : I Kyrie (Animé et très rythmé) : II Gloria (Très animé) : III Sanctus (Très allant et doucement joyeux) : IV Benedictus (Calme mais sans lenteur) : V Agnus Dei (Très pur, très clair et modéré) The choral writing for unaccompanied choir has been described as of "cool purity".
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1638) had a numerous family, who lived at Oxted until late in the seventeenth century. On 29 Oct. 1558 Mary wrote to the mayor and aldermen of London in favour of Thomas Causton, ‘one of the gentlemen of the chappell,’ requesting that he should be admitted into the freedom of the city. In 1560 he contributed some music to John Day's rare ‘Certain Notes, set forth in four and three parts, to be sung at the Morning, Communion, and Evening Prayer.’ The same publisher's ‘Whole Psalmes in Foure Partes’ (1563) also contains twenty-seven compositions by Causton. A Venite and service by him have been reprinted in the ‘Ecclesiologist,’ and a Te Deum and Benedictus in score are preserved in the British Museum (Add.
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This was however published in 1629 in the Latin script as a Dutch-Malay diglot. This was followed by a translation of the Gospel of Mark that was also published as a Dutch-Malay diglot in 1638 which also included translations of the Ten Commandments, the Benedictus, the Greater Doxology, the Magnificat, the Nunc dimittis, the Apostles Creed, the Lord's Prayer, and a few other liturgical prayers and canticles. This work was later published together with the translation of the Gospels of John and Luke that was done by a VOC clerk, Jan Van Hasel in 1646. Ruyl's translations were based on early Dutch translations of the Bible that were themselves based on translations of the Vulgate and Martin Luther's translation.
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The Missa brevis No. 9 in B-flat major by Wolfgang Amadeus Mozart, K. 275/272b, was probably written before September 1777 for Salzburg. The mass is scored for SATB soloists, SATB choir, violin I, violin II, 3 trombones, string bass, and organ. The setting is divided into six movements. # Kyrie Allegro, B-flat major, common time # Gloria Allegro, B-flat major, 2/4 # Credo Allegro, B-flat major, common time #: "Et incarnatus est" Adagio #: "Et resurrexit" Allegro # Sanctus Andante, B-flat major, 3/4 # Benedictus Andante, E-flat major, 3/4 #: "Osanna in excelsis" Allegro, B-flat major # Agnus Dei Andante, G minor, common time #: "Dona nobis pacem" Allegro, B-flat major, cut time In the Gloria and the Credo, Mozart eschews the traditional concluding fugues.p.
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Television programmes had a much shorter lead time in this era, and Dennis Potter's first four accepted television plays were shown during the course of 1965. The two Nigel Barton plays (8Sergio Angelini "Stand Up, Nigel Barton (1965)", BFI screenonline and 15 December 1965)Sergio Angelini "Vote, Vote, Vote, for Nigel Barton (1965)", BFI screenonline first brought him to widespread public attention and the slightly earlier Alice (13 October 1965),John R. Cook Dennis Potter: a life on screen, Manchester: Manchester University Press, p.333, n.3:5 about Lewis Carroll's relationship with Alice Liddell, developed themes to which Potter would return. In the first half of 1966 a series of 26 Wednesday Plays were produced by Peter Luke, the playwright, and story edited by David Benedictus.
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Similarly, he contends that historical actors located the topic of planetary order within the domains of theoretical astronomy and theoretical astrology—as opposed to their practical counterparts. 2\. Copernicus’s initial turn to the heliocentric planetary arrangement occurred in the context of his encounter with Pico della Mirandola’s wide-ranging attack on the science of the stars and, in particular, Pico’s contention that astrologers did not agree about the order of the planets (Disputationes adversus astrologiam divinatricem [Bologna: Benedictus Hectoris, 1496]). Copernicus was especially bothered by the uncertain ordering of Venus and Mercury. However, like Johannes Regiomontanus’s Epitome of Ptolemy’s Almagest (Venice, 1496), which was an important model for Copernicus, De revolutionibus (Nuremberg, 1543), astrology is nowhere mentioned in either work. 3\.
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Angenehmes Wiederau, BWV 30.1, the secular model for Freue dich, erlöste Schar, for performance at (ceiling of its two-storey high celebration hall pictured).Work , Angenehmes Wiederau, freue dich in deinen Auen, at Bach Digital website.Schloss Wiederau: Gerettet vor den Braunkohle-Baggern at Bach composed , a cantata for St. John's Day (24 June), in Leipzig, where the traditional readings from scripture for the feast day were, from the Book of Isaiah: "the voice of a preacher in the desert" (), and from the Gospel of Luke: the birth of John the Baptist and the Benedictus of Zechariah (). Bach based the cantata on a secular cantata, , BWV 30.1 (previously BWV 30a), which he had composed in 1737 to celebrate 's acquisition of Wiederau manor.
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Joannes Benedictus van Heutsz with his staff during the attack on Bateë-iliëk in 1901, by Jan Hoynck van Papendrecht Alongside his interest in military art, Hoynck van Papendrecht was deeply involved in landscape painting as well as portraiture. Owing to his careful study of his subjects and an acute eye for detail, his works are often treated as historical sources of information. He was recruited by the British art weekly The Graphic to make sketches of delegates to the Hague Conventions, in addition to the portraits of soldiers that he already published in it. In 1900, the famous book The Uniforms of the Dutch Navy and Army appeared in two parts, in which many of the illustrations were contributed by van Papendrecht.
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He has also been Conductor of the Westboro Musical Society and of the North Brookfield Musical Society. He has written many musical criticisms and reviews of musical work, and has also lectured on music. His musical compositions number many hundreds, his speciality being church music, written for both the Protestant and the Catholic church. Of special excellence among his choir pieces are the following: Praise the Lord Jehovah, Blessed is the Man (Psalm I), Great is the Lord, How Beautiful Upon the Mountains, Sing and Rejoice, Benedictus, God is our Hope and Strength and Glad Tidings of Great Joy all published by the White-Smith Music Publishing Co. Of his compositions of secular music his Scenes from Nature: Six Musical Sketches is worthy of special mention.
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The Indonesian Consulate in Darwin was first headed by the Honorary Consul, Mr Allen Keith Wilson (December 1974) and followed by Indonesian appointed Consuls : Mr Soedhoro (August 1980), Mr R. Soerodjo Pringgowirono (January 1982), Mr Benedictus Sarjono (September 1991), Mr Louis Roesli (April 2000), Mr Zacharias Manongga (2003), Mr Harbangan Napitupulu (2007), Mr Ade Padmo Sarwono (2012) and Mr Andre Omer Siregar (December 2014). Indonesia's current ambassador to Australia, Kristiarto Legowo, took up his post in Canberra in mid-2017.SBS News, New Indonesian envoy arrives in Canberra, 5 June 2017. Australia's largest foreign mission is its embassy in Jakarta; and there are Australian Consulates-General in Denpasar,Australian Department of Foreign Affairs and Trade MakassarAustralian Department of Foreign Affairs and Trade and Surabaya.
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This work contained settings of the canticles for the new services of Morning (Venite, Te Deum, Benedictus) and Evening Prayer (Magnificat and Nunc Dimittis), as well as a setting of the Credo and short Responses to the Ten Commandments for the Holy Communion service. William Byrd (1543–1623), who was influenced by Parsons Parsons is especially noted for his choral motets, and he is recognised as a master of polyphonic writing for choirs with his skilled use of cantus firmus within his works. Notable works include his setting of Ave Maria, the anthem Deliver me from mine enemies, and some instrumental pieces. Eight of these works were included in the music manuscript known as the Dow Partbooks, and several his vocal works also feature in the Drexel and Peterhouse partbooks.
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Mary writing the Magnificat, by Marie Ellenrieder, 1833 Christians celebrate the conception of Jesus on 25 March and his birth on 25 December. (These dates are for the Western tradition, no one knows for certain when Jesus was born.) The Magnificat, based on Luke 1:46-55 is one of four well known Gospel canticles: the Benedictus and the Magnificat in the first chapter, and the Gloria in Excelsis and the Nunc dimittis in the second chapter of Luke, which are now an integral part of the Christian liturgical tradition. The Annunciation became an element of Marian devotions in Medieval times, and by the 13th century direct references to it were widespread in French lyrics.O'Sullivan, Daniel E., Marian devotion in thirteenth-century French lyric, 2005, , pp. 14–15.
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On adjourning, the Council asked the supreme pontiff to ratify all its decrees and definitions. This petition was complied with by Pope Pius IV, on 26 January 1564, in the papal bull, Benedictus Deus, which enjoins strict obedience upon all Catholics and forbids, under pain of ex-communication, all unauthorised interpretation, reserving this to the Pope alone and threatens the disobedient with "the indignation of Almighty God and of his blessed apostles, Peter and Paul." Pope Pius appointed a commission of cardinals to assist him in interpreting and enforcing the decrees. The Index librorum prohibitorum was announced in 1564 and the following books were issued with the papal imprimatur: the Profession of the Tridentine Faith and the Tridentine Catechism (1566), the Breviary (1568), the Missal (1570) and the Vulgate (1590 and then 1592).
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St. Alban's Anglican Church in Copenhagen, Denmark, depicting the "Nunc dimittis" scene The Nunc Dimittis is the traditional 'Gospel Canticle' of Night Prayer (Compline), just as Benedictus and Magnificat are the traditional Gospel Canticles of Morning Prayer and Evening Prayer respectively. Hence the Nunc Dimittis is found in the liturgical night office of many western denominations, including Evening Prayer (or Evensong) in the Anglican Book of Common Prayer of 1662, Compline (A Late Evening Service) in the Anglican Book of Common Prayer of 1928, and the Night Prayer service in the Anglican Common Worship, as well as both the Roman Catholic and Lutheran service of Compline. In eastern tradition the canticle is found in Eastern Orthodox Vespers. One of the most well-known settings in England is a plainchant theme of Thomas Tallis.
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New South Wales Supreme Court Judge George Palmer was commissioned to compose the setting of the Mass for Sydney's World Youth Day 2008 Papal Mass. The Mass, Benedictus Qui Venit, for large choir, soloists and orchestra, was performed in the presence of Pope Benedict XVI and an audience of 350,000 with singing led by soprano Amelia Farrugia and tenor Andrew Goodwin. "Receive the Power", a song written by Guy Sebastian and Gary Pinto, was chosen as the official anthem for the XXIII World Youth Day (WYD08) held in Sydney in 2008. Australian Christmas carols like the Three Drovers or Christmas Day by John Wheeler and William G. James place the Christmas story in an Australian context of warm, dry Christmas winds and red dust and are popular at Catholic services.
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This is followed by the eerie silence of the battlefield after action, broken by a lone trumpet playing the Last Post. "Angry Flames" describes the appalling scenes after the bombing of Hiroshima, and "Torches" parallels this with an excerpt from the Mahabharata (book 1, chapter 228), describing the terror and suffering of animals dying in the burning of the Khandava Forest. Agnus Dei is followed by "Now the Guns have Stopped", written by Guy Wilson himself as part of a Royal Armouries display on the guilt felt by some returning survivors of World War I. After the Benedictus, "Better is Peace" ends the mass on a note of hope, drawing on the hard-won understanding of Lancelot and Guinevere that peace is better than war, on Tennyson's poem "Ring Out, Wild Bells" and on the text from : "God shall wipe away all tears".
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Chapters of this book as presented by Rahlfs are: Rahlfs, Alfred. Septuaginta (Greek Edition). 1979. Deutsche Bibelgesellschaft. # First Ode of Moses (Exodus 15:1–19) # Second Ode of Moses (Deuteronomy 32:1–43) # Prayer of Anna, the Mother of Samuel (1 Samuel 2:1–10) # Prayer of Habakkuk (Habakkuk 3:2–19) # Prayer of Isaias (Isaiah 26:9–20) # Prayer of Jonah (Jonah 2:3–10) # Prayer of Azariah (Daniel 3:26–45, a deuterocanonical portion) # Song of the Three Young Men (Daniel 3:52–90, a deuterocanonical portion) # The Magnificat; Prayer of Mary the Theotokos (Luke 1:46–55) # Benedictus Canticle of Zachariah (Luke 1:68–79) # The Song of the Vineyard: A Canticle of Isaiah (Isaiah 5:1–7) # Prayer of Hezekiah (Isaiah 38:10–20) # Prayer of Manasseh, King of Judah when he was held captive in Babylon (ref.
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Incipit of the Gregorian chant introit for a Requiem Mass, from the Liber Usualis Duruflé structured the work in nine movements: # Introit (Requiem aeternam) # Kyrie eleison # Offertory (Domine Jesu Christe), Choir & baritone solo # Sanctus and Benedictus # Pie Jesu, Mezzo-soprano solo, optional solo cello # Agnus Dei # Communion (Lux aeterna) # Libera me, Choir & baritone solo # In paradisum The work is for SATB choir with brief mezzo-soprano and baritone solos. It exists in three versions: one for organ alone (with obbligato solo for cello); one for organ with string orchestra and optional trumpets, harp, and timpani; and one for organ and full orchestra. Like Fauré in his Requiem, Duruflé's omits most of the liturgical Dies Irae, but sets its part Pie Jesu. He includes Libera me and In Paradisum, from the burial service, again like Fauré, focused on calmness and a meditative character.
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In the liturgy of the Roman Catholic Church, a rhythmical office is a section of or a whole religious service, in which not only the hymns are regulated by a certain rhythm, but where, with the exception of the psalms and lessons, practically all the other parts show metre, rhythm, or rhyme. They are also known as versified office or, if appropriate, rhymed office. The usual examples are liturgical horary prayer, the canonical hours of the priest, or an office of the Breviary. The rhythmical parts will be, for instance: the antiphons to each psalm; to the Magnificat, Invitatorium, and Benedictus; likewise the responses and versicles to the prayers, and after each of the nine lessons; quite often also the benedictions before the lessons; and the antiphons to the minor Horœ (Prime, Terce, Sext, and None).
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The state funeral of Gerald Ford in 2006–07 included music such as O God, Our Help in Ages Past by William Croft, Eternal Father, Strong to Save (also known as The Navy Hymn), and Fanfare for the Common Man by Aaron Copland. In 2018, the state funeral of George H. W. Bush included the hymns The King of Love My Shepherd Is by Henry Williams Baker, My House Shall Be Called a House of Prayer by Douglas Major, Eternal Father, Strong to Save, and Croft’s O God, Our Help in Ages Past. During John F. Kennedy's Requiem Mass at the Cathedral of St. Matthew the Apostle in 1963, the St. Matthew's Choir sang Subvenite and Sanctus and Benedictus. Tenor soloist Luigi Vena sang Pie Jesu by Ignace Leybach, Ave Maria by Franz Schubert, and In Manus Tuus by Vincent Novello.
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M° Michael D'AlessandraThe second part of the concert, consisting of symphonic and choral sacred music, saw the deployment of the largest orchestra the Church had ever experienced. Performing were the London Oratory School Schola, Michael D'Alessandra, The Rome Philharmonic Orchestra and M°Cristiano Serino. The choir and orchestra performed Vexilla Regis, a variation on Franz Liszt's Via Crucis conducted by Michael D'Alessandra, connected to Septem postrema verba, a concerto for choir, orchestra and cello solo written by M°Cristiano Serino conducting it. The last seven words of Jesus Christ on the cross were utilised for the libretto, culminating towards the core of the concert: D'Alessandra's Missa Sylvestri II, a funeral Mass, beginning with an eerie Kyrie Eleison progressing to a fast-paced Sanctus, through a solemn Benedictus, reminiscent of German baroque progressions and Russian Orthodox melodies, and concluding with an elegiac Agnus Dei.
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Moreover, the string pianissimo in the opening bars of the Kyrie was also foreshadowed in the opening bars of Psalm 146. The Qui cum Patre et Filio in the Credo is quoting the foregoing Afferentur regi. The repeat structure already stubbed in Psalm 112 – a product of Kitzler’s tutelage – is clearly present in the work: repeat of the starting theme of the Credo in "Et in spiritum", and that of "Deum de Deo" in "Et expecto"; repeat of the "Osanna" of the Sanctus at the end of the Benedictus; and that of the ascending scale of the Kyrie, of "Et vitam venturi" and of the fugue subject of the Gloria in the Dona nobis. Bruckner used also this ascending scale (a reminiscence of the "Qua resurget ex favilla homo reus" from Mozart's Requiem), as a stairway to heaven in i.a.
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The parts commemorated are readings, antiphons, and prayers. In the Liturgy of the Hours, all three are or have been used: a reading of the commemorated celebration in Matins (Office of Readings); the antiphons of the Benedictus in Lauds and of the Magnificat in Vespers; and the proper prayer of the celebration being commemorated, the same as the collect of its Mass. In Mass, the prayers used are the collect, the prayer over the offerings and the prayer after Communion. Furthermore, before the decree Cum nostra hac aetate of 1955, in the Liturgy of the Hours the verse of the short responsory in Prime and the doxology of hymns of a commemorated feast that had special ("proper") forms of these were used, as in Mass were the commemorated feast's preface, if "proper", and the Credo, if the commemorated feast required its recitation.
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Haydn composed this mass at Eisenstadt in August 1796, at the time of Austria’s general mobilisation into war. Four years into the European war that followed the French Revolution, Austrian troops were doing badly against the French in Italy and Germany, and Austria feared invasion. Reflecting the troubled mood of his time, Haydn integrated references to battle in the Benedictus and Agnus Dei movements. The Mass was first performed on 26 December 1796, in the Piarist Church of Maria Treu in Vienna. Haydn was a deeply religious man who appended the words “Praise be to God” at the end of every completed score. As Kapellmeister to Prince Nikolaus II Esterházy, Haydn’s principal duty in the last period of his life, beginning in 1796, was the composition of an annual mass to honour the name day of Prince Nicholas’ wife, Princess Maria Hermenegild, 8 September, the birth of the Blessed Virgin.
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It consists of six leaves and contains the canticles, "Cantemus Domino", "Benedicite", and "Te Deum", with collects to follow those and the Laudate psalms (cxlvii-cl) and the "Benedictus", the text of which is not given, two hymns with collects to follow them, and two other prayers. There are two Karlsruhe Fragments: four pages in an Irish hand of the late 8th or early 9th century in the Library of Karlsruhe contain parts of three masses, one of which is "pro captivis". The arrangement resembles that of the Bobbio Missal, in that the Epistles and Gospels seem to have preceded the other variables under the title of lectiones ad misam. Another four pages in an Irish hand probably of the 9th century contain fragments of masses and a variant of the intercessions inserted in the Intercession for the Living in the Stowe Missal and in Witzel's extracts from the Fulda Manuscript.
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When the boom collapsed in 1927, Trinity Church was saddled with a large mortgage debt, which was not paid until 1946, after almost twenty years of sacrifice and struggle. The interior of the Cathedral contains a profusion of finely wrought mosaics which depict the six days of creation, the hosts of heaven, and the Stations of the Cross. In addition, stained glass windows illustrate events in the life of Jesus with corresponding scenes from the Old Testament, the miracles of Jesus, the Song of the Three Young Men (the Benedictus es), the seven sacraments of the church, and many of the saints and scholars of the British Isles before the Protestant Reformation. The Cathedral interior has a sound reverberation of more than four seconds, a feature which greatly enhances the musical effectiveness of the Cathedral's E. M. Skinner/Æolian Skinner pipe organ of fifty-six ranks.
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Hawks Moody was born in Strada Reale, Valletta, Malta on 23 October 1854, the eldest son of Major General Richard Clement Moody, the first Governor of the Falkland Islands and founder and first Lieutenant-Governor of British Columbia, and Mary Susannah Hawks of the Hawks industrial dynasty, daughter of merchant banker Joseph Hawks , Sheriff of Newcastle, and Mary Boyd of the Boyd merchant banking family. Mary Hawks's maternal uncles included Admiral Benedictus Marwood Kelly and industrialist Edward Fenwick Boyd.. The Moody family had a distinguished history of military service in the British Empire. Hawks Moody's paternal grandfather was Colonel Thomas Moody, JP, Knight of the Order of Military Merit of France,Dorothy Blakey Smith, ed., ‘The Journal of Arthur Thomas Bushby, 1858–1859,’ British Columbia and his uncle was Colonel Hampden Clement Blamire Moody CB, Commander of the Royal Engineers in China during the Second Opium War and the Taiping Rebellion.
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He recovered, and he and Queen were jointly nominated for a BAFTA Award. It was, however, a disappointment to him that the makers of Flash Gordon did not use much of his score. Blake has composed many concert works, including the Piano Concerto commissioned by the Philharmonia Orchestra for the 30th birthday of Princess Diana in 1991, in which he also featured as soloist; the Violin Concerto to celebrate the centenary of the City of Leeds in 1993; the cantata to celebrate the 50th Anniversary of the United Nations in 1995, performed in the presence of the Royal Family in Westminster Hall; and the large-scale choral/orchestral work Benedictus, championed by Sir David Willcocks and the Bach Choir, which was given its London premiere in Westminster Cathedral in 1989 with Cardinal Basil Hume as narrator, and which has been widely performed ever since.
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The Fifth Symphony was premiered on 22 December 1808 at a mammoth concert at the Theater an der Wien in Vienna consisting entirely of Beethoven premieres, and directed by Beethoven himself on the conductor's podium. The concert lasted for more than four hours. The two symphonies appeared on the programme in reverse order: the Sixth was played first, and the Fifth appeared in the second half. The programme was as follows: # The Sixth Symphony # Aria: ', Op. 65 # The Gloria movement of the Mass in C major # The Fourth Piano Concerto (played by Beethoven himself) # (Intermission) # The Fifth Symphony # The Sanctus and Benedictus movements of the C major Mass # A solo piano improvisation played by Beethoven # The Choral Fantasy The Theater an der Wien as it appeared in the early 19th century Beethoven dedicated the Fifth Symphony to two of his patrons, Prince Franz Joseph von Lobkowitz and Count Razumovsky.
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Many English-language settings of the communion service have been written, such as those by Herbert Howells and Harold Darke; simpler settings suitable for congregational singing are also used, such as the services by John Merbecke or Martin Shaw. In high church worship, Latin Mass settings are often preferred, such as those by William Byrd. ; Morning Service : The Anglican service of morning prayer, known as Mattins, is a peculiarly Anglican service which originated in 1552 as an amalgam of the monastic offices of Matins, Lauds and Prime in Thomas Cranmer’s Second Prayer Book of Edward VI. Choral settings of the Morning Service may include the opening preces and responses (see below), the Venite, and the morning canticles of Te Deum, Benedicite, Benedictus, Jubilate and a Kyrie. ; Evening Service : Evening Prayer, also known as Evensong, consists of preces and responses, Psalms, canticles, hymns and an anthem (see below).
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While both monuments survived the great changes due to the construction of the old St. Peter's Basilica, the former was destroyed already during the Middle Ages, while the latter survived until the Renaissance age becoming an important element of Rome's topography. The first mention of the Terebinth is by Benedictus Canonicus Sancti Petri (c. 1144), which names it "obeliscus Neronis",Gigli (1990) p. 84 and by the Mirabilia Urbis Romae (a 12th-century guide of the city), where it is described like a circular monument composed with two superimposed cylinders (like Castel Sant'Angelo) lined with marble slabs and it is called Tiburtinum Neronis;Mirabilia, 20, 3, 5-10 the name Tiburtinum derives from the material of its revetment, the travertine (lapis tiburtinus, that is from the city of Tivoli in Latin),Castagnoli, (1958), p. 241 while the name Neronis ("of Nero" in Latin) is typical of many toponyms and names of monuments of the Vatican area (like prata Neronis, pons Neronis, etc.).
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Other films composed by McKenzie include the upcoming Dragonheart: Vengeance (Helena Bonham Carter) Accolade Award Winning Saving Sarah Cain (Elliot Gould), The Ultimate Gift (James Garner, Abigail Breslin, Brian Dennehy, Bill Cobbs, My Family/Mi Familia, (Francis Ford Coppola Award winning film directed by Gregg Nava with Edward James Olmos, Jimmy Smits and Esai Morales The Ultimate Life, (James Garner, Bill Cobbs) Blizzard (Whoopie Goldberg), The Disappearance of Garcia Lorca (Andy Garcia, Edward James Olmost, Esai Morales), Dragonheart 3: The Sorcerer's Curse (Ben Kingsley), Dragonheart: Battle for the Heartfire (Patrick Stewart), Frank & Jesse (Rob Lowe, Bill Paxton, Randy Travis) as well as the opening and closing logo music to the longest running television series in history, the Hallmark Hall of Fame. Mark's score to "El Gran Milagro" for multiple choirs, orchestra, soloists and the London Boys choir LiberaBenedictus Deus (video). YouTube, 2013.Benedictus Deus (Hope; music; soloist: Thomas Delgado-Little) - Libera Official, 2017.
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O'Donohue's first published work, Anam cara (1997), which means "soul friend" in the Irish language, catapulted him into a more public life as an author, speaker and teacher, particularly in the United States. O'Donohue left the priesthood in 2000. O'Donohue also devoted his energies to environmental activism, and is credited with helping spearhead the Burren Action Group, which opposed government development plans and ultimately preserved the area of Mullaghmore and the Burren, a karst landscape in County Clare. Later in life, O’Donohue became a prominent speaker on creativity in the workplace. He consulted executives in the corporate sector “on integrating a sense of soul and of beauty into their leadership and their imagination about the people with whom they work.” Just two days after his 52nd birthday and two months after the publication of his final complete work, Benedictus: A Book of Blessings, O'Donohue died suddenly in his sleep on 4 January 2008 while on holiday near Avignon, France.
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Leydekker's Malay translation open to the first page of Psalms (1733)The first systematic attempt to translate the Bible into Malay was by a Dutch trader of the Dutch East India Company (VOC), Albert Cornelius Ruyl, who finished his translation of the Gospel of Matthew in 1612. The translation was published in 1629 in Enkhuizen in the form of a Malay-Dutch diglot which also included translations of the Ten Commandments, the Benedictus, the Greater Doxology, the Magnificat, the Nunc dimittis, the Apostles Creed, the Lord's Prayer, and a few other liturgical prayers and canticles. This was followed by the publication of his translation of the Gospel of Mark together with his earlier translation of Matthew in a single volume in 1638. Contemporary translations of the Gospel of John and the Gospel of Luke was being done by a VOC officer named Jan Van Hasel while a translation of the Acts of the Apostles was being done by the chaplain of Batavia, Justus Heurnius.
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The setting is divided into six movements. # Kyrie Adagio - Allegro moderato, B-flat major, 3/4 # Gloria Vivace, B-flat major, common time #: "Gratias agimus tibi" Allegretto, G minor, 3/4 #:: "Qui tollis peccata mundi" Più allegro, G minor, 3/4 #: "Quoniam tu solus sanctus" Vivace, common time # Credo Allegro, B-flat major, cut time #: "Et incarnatus est" Adagio, E-flat major, 3/4 #: "Et resurrexit" Allegro, B-flat major, 3/4 #: "Et vitam venturi" Vivace assai, B-flat major, 3/4 # Sanctus Adagio, B-flat major, cut time #: "Pleni sunt coeli" Allegro, B-flat major, 3/4 # Benedictus Moderato, E-flat major, 2/4 # Agnus Dei Adagio, B-flat minor, 3/4 #: "Dona nobis pacem" Allegro, B-flat major, 3/4 The Sanctus section of the mass is a setting of a then-popular Austrian tune to the German translation of Sanctus, "Heilig". The Mass takes its popular German title Heiligmesse from this section.
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The Maronite community of Syria, Levant, and Lebanon arrived and settled in the northern part of Cyprus during the period between 9th and 12th Centuries, and went through all the vicissitudes of the Christian community of the island: the 1191–1473 French occupation under the House of Lusignan, rule under the Venetians from 1473 to 1571, and Ottoman feudalism from 1571 to 1878. The largest Maronite migrations were in the years 1224, 1570, 1596, 1776 and 1878. A Cypriot Maronite community in communion with Rome is reported since 1316 when a Maronite bishop, Hananya, who during the reign of the Lusignan took office in Cyprus. The Catholic Bishops' series begins in 1357, when in the hands of the Latin bishop of Nicosia the Maronite community with his bishop emit a profession of the Catholic faith. This union is confirmed and reinforced by the Papal bull Benedictus sit Deus promulgated by Pope Eugene IV at the Council of Florence on August 7, 1455.
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In the Roman Rite, the term preces is not applied in a specific sense to the versicles and responses of the different liturgical hours, on which those used in the Anglican services are based. In the Roman Rite Liturgy of the Hours, the word preces is freely used in the Latin text with its generic meaning of "prayers", but it has a specialized meaning in reference to the prayers said at Morning and Evening Prayer after the Benedictus or Magnificat and followed by the Lord's Prayer and the concluding prayer or Collect. They vary with the seasons (Advent, Christmastide, Lent, Eastertide, and Ordinary Time), being repeated generally only at four-week intervals, and with the celebration of saints. In the most widely used English translation of the Liturgy of the Hours, they are referred to as Intercessions, and are very similar to the General Intercessions found within the confines of the Mass.
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On feast days, the various parts of the hour may be taken from the office of the saint being celebrated or from common texts for the saints. If the feast has the rank of "memorial", any parts specifically provided for the saint (the "proper" parts) are used, while the other parts come from the weekday, with exception of the hymn (which may be optionally taken from the common texts), the antiphon for the Benedictus (which must be taken from the proper or the common), the intercession (which may be optionally taken from the common texts), and the closing prayer (which should be proper, or if missing, common). For a "feast" or solemnity, all texts are taken from the proper, or if some part is missing, from the common. On these days, the morning psalm is always Psalm 63, verses 2-9, the canticle is the "Song of the Three Holy Children" (Daniel 3:57-88 and 56), and the psalm of praise is Psalm 149.
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As Enrico Mazza writes: > The Sanctus became part of the Roman Eucharistic Prayer only in the first > half of the fifth century; all in all, this was a fairly late period, > inasmuch as by then the text of the Roman Canon had become fixed and was > regarded as a text possessing great authority. There exist two fundamental > types of Sanctus: the Alexandrian and the Antiochene. The Sanctus of the > Roman Eucharist derives from the Antiochene liturgy and has two parts: (a) > the Sanctus true and proper, consisting of the acclamation from Isaiah 6:3; > and (b) the Benedictus, a christological acclamation taken from Matthew > 21:9. The Sanctus has been given a christological interpretation and a > trinitarian interpretation, and this in both the East and the West. These > differing interpretations may be due to the presence, in the text of the > Sanctus, of a theological section, namely, the acclamation from Isaiah 6:3, > and a christological part, namely the acclamation from Matthew 21:9.
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In the very middle of the 9th century a much enlarged edition of the Hispana began to be circulated in France. To this rich collection the author, who assumes the name of Isidore, the saintly bishop of Seville, added a good number of apocryphal documents already existing, as well as a series of letters ascribed to the popes of the earliest centuries, from Clement to Silvester and Damasus inclusive, thus filling up the gap before the decretal of Siricius, which is the first genuine one in the collection. The other papal letters only rarely show signs of alteration or falsification, and the text of the councils is entirely respected. From the same source and at the same date came two other forged documents—firstly, a collection of Capitularies, in three books, ascribed to a certain Benedict (Benedictus Levita), a deacon of the church of Mainz; this collection, in which authentic documents find very little place, stands with regard to civil legislation exactly in the position of the False Decretals with regard to canon law.
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This piece is prefaced by a French version of the psalm which is believed to be the sole remnant of Alkan's Bible translation.François-Sappey and Luguenot (2013), 50. Alkan's lyrical side was displayed in this period by the five sets of Chants inspired by Mendelssohn (Opp. 38, 65, 67, and 70), which appeared between 1857 and 1872, as well as by a number of minor pieces, such as three Nocturnes, Opp. 57 and 60bis (1859). Alkan's publications for organ or pédalier commenced with his Benedictus, Op. 54 (1859). In the same year he published a set of very spare and simple preludes in the eight Gregorian modes (1859, without opus number), which, in Smith's opinion, "seem to stand outside the barriers of time and space", and which he believes reveal "Alkan's essential spiritual modesty."Smith (2000) II, 223. These were followed by pieces such as the 13 Prières (Prayers), Op. 64 (1865), and the Impromptu sur le Choral de Luther "Un fort rempart est notre Dieu" , Op. 69 (1866).
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956), the second "Benedictus" to the Mass in C major (D. 961), the three final piano sonatas (D. 958, D. 959, and D. 960), and the collection 13 Lieder nach Gedichten von Rellstab und Heine for voice and piano, also known as Schwanengesang (Swan- song, D. 957).Newbould (1999) pp. 270–274 (This collection – which includes settings of words by Heinrich Heine, Ludwig Rellstab, and Johann Gabriel Seidl – is not a true song cycle like Die schöne Müllerin or Winterreise.McKay (1996), p. 313: "That Schubert in no way considered the songs as a cycle is confirmed by his letter to Probst of 2 October mentioning that he had recently written 'several songs by Heine'.") The Great C major symphony is dated 1828, but Schubert scholars believe that this symphony was largely written in 1825–1826 (being referred to while he was on holiday at Gastein in 1825—that work, once considered lost, is now generally seen as an early stage of his C major symphony) and was revised for prospective performance in 1828.
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But, though Peter withdrew from his professorship, John of Vercelli appointed Thomas Aquinas to write a defense of the 108 propositions.Responsio ad fr. Ioannem Vercellensem de articulis 108 sumptis ex opere Petri de Tarentasia: M. Védrine, M. Bandel, M. Fouret (translators), Opuscules de Saint Thomas d'Aquin Tome deuxième (Paris 1857), pp. 50-91 (bilingual, Latin and French). Eleonore Stump, Aquinas (New York: Routledge 2003), xvii. Peter's reputation was such that he was immediately elected Provincial of the French Province for a three-year term (1264-1267). He was granted his release from office at the General Chapter, which was held in Bologna in May, 1267.Benedictus Maria Reichert, Acta Capitulorum Generalium Ordinis Praedicatorum Vol. I (Rome-Stuttgart 1898), p. 139. Potthast, no. 20022. At the conclusion of his term, and after Thomas of Aquinas' rejoinder to his critics was circulated, Peter returned to his Chair at the University of Paris (1267). In 1269 he was reelected to the office of Provincial of the French Province, and he held the post until he was named Archbishop of Lyons.
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This has been described as "plausible or at least arguable" and employing a "very rigorous historical methodology" by David Cook of Rice University, but has also been compared to Holocaust denial by historian Colin Wells, who suggests that the authors deal with some of the evidence illogically. Karl-Heinz Ohlig comes to the conclusion that the person of Muhammed was not central to early Islam at all, and that at this very early stage Islam was in fact an Arabic Christian sect which had objections to the concept of the trinity, and that the later hadith and biographies are in large part legends, instrumental in severing Islam from its Christian roots and building a full-blown new religion.Karl-Heinz Ohlig, Der frühe Islam, 2007, Volker Popp (2004, 2005) proposed that both Muḥammad ("the blessed one") and ʿAlī ("the elevated one") originated not as given names but as titles. Titles given to Jesus Christ by Syriac Christians in the Sassanid Empire, with muḥammad being the equivalent of the benedictus, ευλογηµένος of the New Testament.
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The work is set for choir and soloists, and orchestra (2 flutes, 2 oboes, 2 clarinets in B-flat, 2 bassoons, 2 horns in F, 2 horns in B-flat, 2 trumpets in C, alto, tenor and bass trombones, timpani, and strings), and organ ad libitum. The organ, present in the Wöss edition,Grosse Messe Nr. 3 F moll von Anton Bruckner – Eulenburgs kleine Orchester-Partitur-Ausgabe, foreword by Josef V. von Wöss, Universal Edition, 1924 is absent in the Haas edition, and put "ad libitum" in the current Gesamtausgabe. "The organ serves first of all to accentuate significant passages, in order to increase their sound brightness." The work is divided into six parts: # Kyrie - Moderato, F minor # Gloria - Allegro, C major # Credo - Allegro, C major # Sanctus - Moderato, F major # Benedictus - Allegro moderato, A-flat major # Agnus Dei - Andante, F minor veering to F major Total duration: about 62 minutes The Gloria starts out with the words "Gloria in excelsis Deo" and the Credo with the words "Credo in unum Deum" sung by the whole choir, rather than intoned in Gregorian mode by a soloist, as in Bruckner's previous masses.
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The printed work was submitted to Clement VIII, in 1598 for his approbation, which was refused. A new revision undertaken in 1607-08 had a similar fate, the reigning pope Paul V declining to approve the "Liber Septimus" as the obligatory legal code of the Church. It is divided into five books, subdivided into titles and chapters, and contains disciplinary and dogmatic canons of the Council of Florence, First Lateran Council and that of Trent, and apostolic constitutions of twenty-eight popes from Gregory IX to Clement VIII. The refusals of approbation by Clement VIII and Paul V are to be attributed, not to the fear of seeing the canons of the Council of Trent glossed by canonists (which was forbidden by the Bull of Paul IV, "Benedictus Deus", confirming the Council of Trent), but to the political situation of the day, several states having refused to admit some of the constitutions inserted in the new collection, and also to the fact that the Council of Trent had not yet been accepted by the French Government; it was therefore feared that the Governments would refuse to recognize the new code.
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Secular Choral Works Ai, meisie, meisie; SAB Alleen; girls chorus As good as new; orchestra; SATB Religious Choral Works A De-commercialised American Christ’s Mass (1995) i) Kyrie: Amazing Grace ii) Gloria: Do you hear what I hear? iii) Sanctus: White Christmas. iv) Benedictus: Santa Claus is Coming To Town v) Agnus Dei: Little Altar Boy Traditional Choral Works African Dawn (1997) i) Boroko; girls chorus ii) Ka Mehla; girls chorus iii) Thobela morena; girls chorus Works for Soloists (Vocal) Benediction; voice and piano (1989) Bitterbessie dagbreek; voice and piano Die son sal weer skyn; voice and piano Dinah Lee (1999); voice, piano, alto saxophone and double bass Dis my plek (1985); voice and piano Drup drup druppeltjies (1980); voice and piano; Dust of snow (1997); voice and piano Fides veritas labor (1990); voice and piano Instrumental Works Trio pour mam’selle leger e’stier; orchestra, flute, clarinet, piano African Dawn (1997); orchestra African Reflection (1994); orchestra Afrika kerslied (1996); alto saxophone and piano Aquarelle (1984); piano Boabab (1988); orchestra Con'Scertino (1992/1994); viola and piano In June 1995 African songbook for mixed choir was published. It was written in co-operation with the composer Johann van der Sandt.
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The work is set for choir and soloists, and orchestra (2 flutes, 2 oboes, 2 clarinets in B, 2 bassoons, 2 horns in F, 2 trumpets in F, alto, tenor and bass trombones, timpani, and strings), and organ. According to the Catholic practice – as also in Bruckner’s previous Messe für den Gründonnerstag and Missa solemnis, and the following Mass No. 2 – the first verse of the Gloria and the Credo is not composed and has to be intoned by the priest in Gregorian mode before the choir is going on. The work is divided into six parts: # Kyrie – Alla breve (mehr langsam), D minor # Gloria - Allegro, D major # Credo - Moderato, D major # Sanctus - Maestoso, D major # Benedictus - Moderato, G major # Agnus Dei- Andante quasi Allegretto, G minor veering to D major Total duration: about 50 minutesAnton Bruckner - Critical Complete Edition: Requiem, Masses & Te Deum When compared to the previous Missa solemnis the work is more mature in conception with crescendos, which are so characteristic of Bruckner's later symphonies. > Wagner's influence is evident as the orchestra plays a major role setting > the stage, developing material and intensifying the drama.
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Its interpretation, and in particular the exact sense of numen has been discussed extensively in the literature. The supposition that a numinous presence in the natural world supposed in the earliest layers of Italic religion, as it were an "animistic" element left over in historical Roman religion and especially in the etymology of Latin theonyms, has often been popularly implied, but was criticised as "mostly a scholarly fiction" by McGeough (2004).Kevin McGeough The Romans: new perspectives 2004:179 "Numinous Forces and Other scholarly Inventions"; "Scholars may have to content themselves with nodes of meanings for the Italic gods rather than hard-and- fast definitions," observes Charles Robert Phillips III, in "A Note on Vergil's Aeneid 5, 744," Hermes 104.2 (1976:247–249) p. 248, with recent bibliography; Gerhard Radke's classification of the forms and significances of these multifarious names in Die Götter Altitaliens (Münster, 1965) was criticized as "unwarranted precision" in the review by A. Drummond in The Classical Review, New Series, 21.2 (June 1971:239–241); the coupling and uncoupling of Latin and Italic cognomina of the gods, creating the appearance of a multitude of deities, were classically dissected in Jesse Benedictus Carter, De Deorum Romanorum Cognominibus: Quaestiones Selectae (Leipzig, 1898).
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Michael Haydn's Missa Hispanica or Missa a due cori, Klafsky I:17, MH 422, was presumably written for Spain, but there is no evidence of its ever having been performed there during Haydn's lifetime. The mass is scored for 2 oboes, 2 bassoons, 2 horns in low C, F and G, 2 trumpets in C, timpani, strings, basso continuo, SATB soloists, and two mixed choirs. The mass setting is divided into the usual six movements: # "Kyrie" Largo, C major, common time #:—"Kyrie eleison" Allegro, 3/4 # "Gloria" Allegro con spirito, C major, common time #:—"Qui tollis peccata mundi..." Adagio, F major, 3/4 #:—"Quoniam tu solus sanctus..." Vivace, C major, common time # "Credo" Vivace, C major, 3/4 #:—"Et incarnatus est..." Adagio molto, G major, 2/4 #:—"Et resurrexit..." Allegro spiritoso, C major, 3/4 # "Sanctus" Andante con moto, C major, common time # "Benedictus" Allegro moderato, C major, 3/4 #:—"Osanna..." Allegro, C major, common time # "Agnus Dei" Largo, C major, 3/4 #:—"Dona nobis pacem..." Allegro con fuoco, C major, common time The Austrian premiere was in Kremsmünster on June 24, 1792, a performance in Salzburg followed in 1796. When Empress Marie Therese visited Salzburg in 1805, she liked the music so much she wanted to have her own copy of the score.p.
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