It's Nine Inch Nails at its least melodic and most balefully efficient.
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The press sat in their rows at the Miami Auditorium staring balefully at him.
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Spanberger paused for a moment, looked balefully at the screen and then kept moving.
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Does Hank stare balefully at the loot and get all passive aggressive with his team?
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No wonder Ruth balefully reminds Ben he has to remember her daughter's "place" in the Annex.
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The eyeless heads of slain humans and cattle stare blindly and balefully at us through the screen.
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Then I took a nice one of him flopped on the kitchen floor, bloodshot eyes staring balefully at the camera.
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She took a medical timeout that stalled Halep's momentum and the Romanian stared balefully from the baseline while the trainer worked on Davis.
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For many contemporary writers of fiction, The Novel looms balefully, a rigid school from which we should all be desperate to play hooky.
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For sheer theatricality, though, a 1929 Toyo Miyatake photograph of the Japanese dancer-choreographer Michio Ito, staring balefully from behind long bangs, stands out.
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Streaming, though, is often sluggish, and the screen will freeze in the middle of a show while we stare balefully at the loading spinner.
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Then we get the episode's most memorable shot: Gus, staring balefully into the middle distance, evincing all the murderous intent behind his hospitality smile.
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Grace, in turn, is seen balefully inhabiting a London bedsit, doomed forever to relive her days with a husband she found alternately magnificent and merciless.
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A "faceprint" portrait of philosopher and revolutionary Frantz Fanon—an averaging of his photographs used in facial-recognition technology—stares balefully, wonderfully symmetrical, blurry, and haunting.
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The London production stoked controversy, with The Independent approvingly describing a "disturbing, balefully hilarious new play," while many other critics attacked its tone, pace and politics.
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While I bravely fought the corner of the Green Triangle, my boyfriend calmly chewed through a couple more sweets, thinking, while my housemate stared balefully at the floor.
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Her face is in shadow, but her eyes gleam balefully from their sockets — though not nearly with the intensity of the slightly cross-eyed gaze of her nipples.
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And when they don't bleed, they appear refracted through wildly colored plexiglass, or treaded on balefully by a long-haired figure clad in a golden bodysuit, her face masked by a hood.
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A new, still unfinished painting hung on the left wall: Donald Trump, standing on a bright-yellow escalator, glowering balefully as he descends to the lobby of Trump Tower to announce his candidacy for President.
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S.A." Vice-President Pence, dressed in a bomber jacket, travelled to the DMZ to be photographed as he stared balefully across the border, saying that he wanted the North Koreans to "see our resolve in my face.
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There was an old wooden root cellar to which the children were banished when a twister was sighted; the kids huddled down there in the dark on an old bed, next to their mama's preserves and tinned meats, their father outside on a chair, leaning against the house, balefully scanning the horizon.
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Kavanaugh glares balefully as he watches Mackey walk away. Meanwhile, Vic gestures toward Lem's body and snarls: > We're gonna find whoever did this, and we're gonna kill 'em.
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Suman is about to discharge the boy but his parents beseech her to examine him; the boy had specifically asked for her after his last bout of convulsions. Suman interviews the boy. He looks at her balefully and says he knows everything. He says that the missing Dr Asthana is dead and the body is in the woods outside Lonavla.
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Seeing his brother, Jesse chases after Sammy before reawakening in the upstairs hallway of his house. The Greys appear in front of him and he disappears with them in a flash of light, the rest of the family powerless to help. Three months later, Lacy and Daniel are suspects in Jesse's disappearance case and have moved into an apartment. Pollard balefully cuts out a newspaper article about Jesse's disappearance and hangs it on his wall with other pictures of missing children.
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At the time Salford City Council were looking for any additional revenue and it sold the statue to a scrap metal merchant. He was aware of the rivalry between the two cities so he approached Manchester with the suggestion they might buy it. It was purchased by Manchester City Council in 1986, and was resited at Riverside Walk, overlooking the River Irwell and facing towards Salford. The effect was that he was looking balefully at the city that thought so little of him as to sell his statue.
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The listener is exposed to the apocalyptic blare of several horns, trombones, trumpets and tuba, which, as Jaffé describes it, "balefully [play] the opening 'fate' theme fortissimo", while piano, flutes and strings still shriek in unison up and down the higher ranges. Two cymbal crashes end the cataclysm in G minor. A decrescendo brings the music back to an almost spooky piano in which the piano timidly puts forth the second narrante theme, echoes its last notes, repeats it pianissimo, ever fading. Pizzicato strings point several more times to the opening theme, the significance of which has now been revealed.
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In 2018, West authored Escaping the Rabbit Hole. How to Debunk Conspiracy Theories Using Facts, Logic, and Respect with the goal of helping people understand and explain conspiracy theories, and then pass those explanations onto others. In a review of the book, British actor Stephen Fry wrote “Mick West demonstrates with exquisite style, wit, and insight how those three rare and valuable species, Fact, Logic and Respect (each now on the very brink of extinction) have in harness the power to shine light into darkness and dispel the miasma of bias, superstition and balefully proud ignorance that is threatening to poison our age.” An extended excerpt from this book was published in Salon.
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The story revolves around a Bostonian painter named Richard Upton Pickman who creates horrifying images. His works are brilliantly executed, but so graphic that they result in the revocation of his membership in the Boston Art Club and he is shunned by his fellow artists. The narrator is a friend of Pickman, who, after the artist's mysterious disappearance, relates to another acquaintance how he was taken on a tour of Pickman's personal gallery, hidden away in a run-down backwater slum of the city. As the two delved deeper into Pickman's mind and art, the rooms seemed to grow ever more evil and the paintings ever more horrific, ending with a final enormous painting of an unearthly, red-eyed and vaguely canine humanoid balefully chewing on a human victim.
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Miriam > and the two boyfriends in her odd ménage à trois bring "The Band Played On" > to life by singing it on the merry-go-round, lustily and loudly... Grinning > balefully on the horse behind them, Bruno then sings it himself, making it > his motto. The band plays on through Bruno's stalking of his victim and > during the murder itself, blaring from the front of the screen, then > receding into the darkness as an eerie obbligato when the doomed Miriam > enters the Tunnel of Love. "The Band Played On" makes its final reprise during Guy's and Bruno's fight on the merry-go-round, even itself shifting to a faster tempo and higher pitch when the policeman's bullet hits the ride operator and sends the carousel into its frenzied hyper-drive. Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes.
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" Giuseppe Sedia of the Krakow Post noted that the character played by Israeli actor Itay Tiran turns out to be "the most tormented groom ever seen in Polish film". He added that "the distastrous reception is drenched in vodka just like the banquet displayed in Wojciech Smarzowski's The Wedding but purged from any black comedy". Jake Dee from Arrow in the Head rated the film a score of 8/10, writing, "Shot with a steady and sure-handed formalistic lens, played with credible pathos by all involved, belled with a quizzically unnerving score - despite the humor hampering the horror at times - Demon is a bold and balefully bedeviling Polish delight!" Justin Chang of the Los Angeles Times praised the film's cinematography, and called it " A bravura testament to a talent silenced far too soon.". Joshua Rothkopf from Time Out awarded the film 4 out of 5 stars, writing, "Nailing a tricky sense of physical anarchy (as well as some far subtler domestic tensions), Marcin Wrona’s Polish import is an eerie, extraordinarily poised piece of horror.
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