Less forebodingly, there's a political element to our enchantment with catastrophe.
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In one, a creamy, card-stock envelope perched forebodingly on a computer keyboard.
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And, forebodingly, much of this agenda was liable to repeal should Republicans take the presidency.
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"Which other companies will fail because their future customers are being aborted?" she writes somewhat forebodingly.
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A meat packing plant stared Allister in the face, his name forebodingly inscribed on a swinging swine carcass.
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The third episode of the season, forebodingly called "Oathbreaker" (but more on that later), opens with Davos. Staring.
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"With old Internet technology, retrieving and viewing any graphic image on a PC at home could be laborious," Coats explained, forebodingly.
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For "Jesus Gonna Be Here," Waits switched instruments with bassist Larry Taylor, whose buzzing, two-note slide lick hovers over the song forebodingly.
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Angel-faced boys with steel cheekbones and forebodingly blue eyes abound on the platform, as do shiny-haired girls with winged liner and pouty lips.
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The specter of a second Trump administration, and concerns that any Democrat might be perceived as abetting it, even inadvertently, also looms forebodingly over the process.
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T heir discography is large, but not forebodingly so; it can be divided along myriad lay lines, and I set out a few personal entrance points below.
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The aroma was briny and medicinal—palpably witchy, somehow—and the glass was adorned with thick legs that spreading forebodingly up the side, like a heavy single malt.
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They hit up the club where money falls from the ceiling, ride a boat into the city and stare forebodingly at the skyline, and ultimately... well, just watch.
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Less than two weeks later, the 22-year-old Ortiz, who forebodingly rapped under the stage name "John Doe," was fatally shot as he drove on an expressway in Chicago.
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"Blue Moon," a large, ultramarine balloon, hangs forebodingly over the stairwell as you enter the gallery, like having a stranger's ass thrust in your face during a rush hour subway ride.
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But perhaps most forebodingly, the judge has stated several times that while he would prefer "the political branches" to resolve the issue, if that becomes impossible, he may have to impose his own solution.
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First by a mysterious green light emanating from the end of the corridor, followed by a forebodingly low end rumble, drawn out past the point of comfort and punctuated with stabs of chilling symphonic shrills.
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And every so often, a spectral figure in ceremonial garb — a sort of spirit of place incarnate — shows up to roam Katrina Lindsay's expansive indoor-outdoor set and chant forebodingly in the Nigerian language of Ibo.
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" In 2017, the CDC revealed that only about one-third of sex-havers in the United States were consistenly using condoms; a statistician with the CDC referred to this (forebodingly, it seems) as "a public health issue.
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This week's episode of This Is Us scaled the poignant peak of Heartbreak Hill — as in William Hill — which has been looming forebodingly in the distance for a while now, and brought us the final verse of the gentle, world-weary poet/musician.
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"Record of a Life," written when she was 51, offers an idyllic version of her childhood and young adulthood; the cryptically (and somewhat forebodingly) titled "Adventures of a Nobody," written when she was 65, chronicles the first two decades of her marriage.
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Poor Ann is left hanging with a bottle of red and it looks a bit like she's going to polish it off herself, but we'll have to wait until next week to find out; the last thing we see is Detective John gazing forebodingly into the sunset.
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Dracula shows Harker to his bedroom, where he notices a picture of Harker's fiancée Mina Murray, which seems to have a strange effect on him. Once Dracula leaves, Harker composes a letter to Mina, who herself remembers how they met ("Whitby Bay"). Mina, in England, suddenly hears Dracula's voice in her head; the Count forebodingly informs her of his imminent journey to England and his desire to be with her. Early one morning, Dracula surprises Harker while shaving, causing Harker to cut himself.
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Listeners also noted an Islamic call to prayer, forebodingly drowned out by the approach of a helicopter. Without much warning, soldiers began yelling and shooting. When the gunfire ceased, a mother was heard wailing, and the episode ended in ominous silence (voices recorded for Out of Here belonged to a mixture of Iraqi-Americans, United States soldiers, and actors).Blake J. Ruehrwein, "Wodiczko's Veterans: Artist, Institution, and Audience in ...Out of Here: The Veterans Project," M.A. Thesis, City College of New York, Dec 2012.
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"Norway's Romoeren sets ski flying world record". ESPN. 20 March 2005. Retrieved 1 March 2016. Tommy Ingebrigtsen, Bjørn Einar Romøren, and Matti Hautamäki all traded records of 231 m, , and respectively, with Romøren emerging victorious with a jump of to claim the final figure. Commentating for Finnish broadcaster MTV3, former world record holder Toni Nieminen remarked forebodingly after Romøren's jump that "the landing area is now practically completely flat ground."Commentary by Toni Nieminen following Bjørn Einar Romøren's second-round jump, from the MTV3 broadcast in Planica on 20 March 2005.
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He believed the shorter pieces sounded like "impressionistic experiments", while "Selim" and "Nem Um Talvez" appropriately "hark back to the late '50s". Edwin C. Faust from Stylus Magazine called Live-Evil "one of the funkiest albums ever recorded" while deeming the "somber" short pieces to be "haunting examples of musical purity—Miles enriching our ears with evocative melodies (his work on Sketches of Spain comes to mind) while the bass creeps cautiously, an organ hums tensly, and human whistles/vocals float about forebodingly like wistful phantoms".Faust, Edwin C. (September 1, 2003). Review: Live-Evil.
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La Barca de Aqueronte is a Neoclassic-style painting based by Hidalgo on his reading of Dante's Inferno while in Italy. It is Hidalgo’s interpretation of damned souls journeying across the River Acheron towards the gates of hell or Hades. The protagonist of the painting is the boatman of classical mythology named Charon, who is depicted as the personification of the merciless harvester of condemned souls with "eyes of coal" glaring forebodingly from the shadows at the boarding commuters. Charon is presented at the right side of the canvas as a lone figure with a shroud.
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Emily and the narrator spend most of their time in the flat and are able to interact with the children due to Emily's relationship with Gerald, but both fear an attack in the future, as the children are actively raiding and killing other humans at night. By this point, most of the residents of the neighbourhood have departed for the lands to the north and west of the city, lands from which there is forebodingly no news. Eventually, the children turn on Gerald and attack him, while he remains incredulous that such young children could betray him. Emily is able to save Gerald and hurry him into the flat.
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