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"actualizes" Antonyms

25 Sentences With "actualizes"

How to use actualizes in a sentence? Find typical usage patterns (collocations)/phrases/context for "actualizes" and check conjugation/comparative form for "actualizes". Mastering all the usages of "actualizes" from sentence examples published by news publications.

This repudiation actualizes itself in a separate scene where Tish must tell Fonny's family about their child.
Directed by Wes Anderson, the highly stylized The French Dispatch actualizes each of the stories featured in the magazine's final issue.
Netanyahu's announcement that he intends to bypass parliamentary oversight and implement emergency regulations that authorize the Shin Bet to locate Corona patients actualizes this danger.
"The more one forgets himself — by giving himself to a cause to serve or another person to love — the more human he is and the more he actualizes himself," he once wrote.
Even when you go door to door to acquire those customers and they actually do come online, it will take a long time before the actualizes the value that it spent acquiring that customer.
Whether she's staging whimsical sequences in Heaven or assembling death scenes that are equally humorous and hard to watch, Johnson actualizes the morbid fantasy of those who envision witnessing their own death, and then actively flips it on its head.
So God actualizes the world where C occurs, and then A freely believes. God still retains a measure of his divine providence because he actualizes the world in which A freely chooses. But, A still retains freedom in the sense of being able to choose either option. Molinism does not affirm two contradictory propositions when it affirms both God's providence and humanity's freedom.
An institution that actualizes each student inborn potential into the professional and technical capabilities of the highest order, awaking in each of them an indomitable spirit of enquiry a strong social commitment.
In the highest class of tantra, two stages of practice are distinguished, namely generation and completion. In some Buddhist tantras, both stages can be practiced simultaneously, whereas in others, one first actualizes the generation stage before continuing with the completion stage practices.
The atiyoga of natural perfection! Dzogchen Ati! .The Great Perfection, in its unbiased inclusivity, actualizes the meaning of self-sprung awareness. As the lion overawes all other beasts with his roar, so the language of Great Perfection commands the gradual approaches; speaking a tongue of its own, it engenders its own ultimate meaning.
P.O.) is about allowing consumers to create an experience that asserts and actualizes their individuality; to, in a world of seven billion people, feel and be unique. 4\. Relevant Sensorial Oddity (R.S.O.) is about challenging our senses with something extraordinary, marking an experience as unique. 5\. Icons are signs and symbols that clearly demarcate a consumption experience from any other. 6\.
An organism actualizes itself according to a schema that can be varied but nevertheless defines relations between its components. Its complexity is achieved by progressive breaks in symmetry that begin with small distinctions in an embryonic mass. The term 'virtual' is used to describe this type of (nevertheless real) entity. The notion of virtuality emphasizes the way in which the set of relations themselves are prior to instances of these relations, called actualizations.
An individual's language, at a given > moment, is a set of habits--that is, of analogies, where different analogies > are in conflict, one may appear as a constraint on the working of another. > Speech actualizes habits--and changes the habits as it does so. Speech > reflects awareness of norms; but norms are themselves entirely a matter of > analogy (that is, of habit), not some different kind of thing.The View From > Language, pp. 254-255.
"One Mo'Gin" contains strong jazz overtones and a prominent rocksteady drum rhythm played by Questlove. It incorporates Delta blues-style bass and keyboard-driven verses with a melodic hook. The song is introduced with lead-in bass licks by Pino Palladino, who adds musical texture to its sparse composition by using 10th notes and other arpeggio shapes. According to Seattle Weeklys Tricia Romano, the song's music actualizes "new skool sensibility with old school soul".
Class would then become a consequence, not a cause, of role. Under the systems of kinship, estate, and class, there is a common reliance on personal dependence and personal domination as devices of social organization. By contrast with these earlier systems, the principle of role, at its fullest development, actualizes an ideal that moves away from personal dependence and domination. It embodies the ideal that power in the liberal state should be disciplined by prescriptive, impersonal rules.
In contrast, form is what determines some particular chunk of matter to be a specific substance and no other. When Thomas says that the human body is only partly composed of matter, he means the material body is only potentially a human being. The soul is what actualizes that potential into an existing human being. Consequently, the fact that a human body is live human tissue entails that a human soul is wholly present in each part of the human.
It was developed by Tang Dynasty (618–907) Taoist masters based upon the Tiantai Buddhist practice of Vipassanā "insight" or "wisdom" meditation. Cun 存 (lit. "exist; be present; survive") has a sense of "to cause to exist; to make present" in the meditation techniques popularized by the Taoist Shangqing and Lingbao Schools. A meditator visualizes or actualizes solar and lunar essences, lights, and deities within their body, which supposedly results in health and longevity, even xian 仙/仚/僊, "immortality".
As relates to causality, Smuts makes reference to A. N. Whitehead, and indirectly Baruch Spinoza; the Whitehead premise is that organic mechanism is a fundamental process which realizes and actualizes individual syntheses or unities. Holism (the factor) exemplifies this same idea while emphasizing the holistic character of the process. The whole completely transforms the concept of causality: results are not directly a function of causes. The whole absorbs and integrates the cause into its own activity: results appear as the consequence of the activity of the whole.
This self-consciousness — which Boström identifies with life—can thus not be conceived as attached to a substrate or a substance, but is precisely what is primary and original in everything. Boström further accounts for the factors that constitute individual self-consciousness or the person. I contrast to the Hegelian notion of an original abstract, empty self- consciousness which, through sensible reality, actualizes itself into a fully conscious and determined (concrete) spirit, Boström maintains that the absolute person is primordial and eternally fully determined. It has its sensations fully present to itself, and does not require for its perfect determination an imperfect world.
289: "Unlike Kant, Deleuze does not conceive of [...] unthought conditions as abstract or necessary philosophical entities, but as contingent tendencies beyond the reach of empirical consciousness." In Kant's transcendental idealism, experience only makes sense when organized by forms of sensibility (namely, space and time) and intellectual categories (such as causality). Assuming the content of these forms and categories to be qualities of the world as it exists independently of our perceptual access, according to Kant, spawns seductive but senseless metaphysical beliefs (for example, extending the concept of causality beyond possible experience results in unverifiable speculation about a first cause). Deleuze inverts the Kantian arrangement: experience exceeds our concepts by presenting novelty, and this raw experience of difference actualizes an idea, unfettered by our prior categories, forcing us to invent new ways of thinking (see Epistemology).
The original Cape to Cairo idea in Cecil Rhodes' time and now under the AFTZ is a free trade zone spanning the whole continent from Cape Town in South Africa to Cairo in Egypt. Cecil Rhodes' Cape to Cairo would have involved at most a dozen countries. The current rendition of the Cape to Cairo zone actualized by the AFTZ encompasses most of Africa, almost half of the countries (26 out of 54), more than half of the production, trade, population, land mass and resources. If it actualizes its potential and becomes a truly integrated economic union, the AFTZ could actually rival any other economic union with its vast natural resources, huge markets, young population, and great technical know-how (mostly courtesy of SADC in general and the Republic of South Africa in particular).
He re-actualizes classical Greek art with the statue, Adam-Kadmon, and in the light of an art historical timeline that runs through classical, baroque, neo-classical and French salon art, he elaborates on the incessantly recurring themes of violence, terror and death while supplying this entire register of heavy and somber issues with erotic, absurdist and ironic twists. Current political and ethical questions become endowed with a clearer voice through the works, which always, in terms of their form and content, constitute a transformation from recognizability to the more veiled or unknown, inasmuch as Lemmerz is working rhizomatically, where the assertion sometimes assumes a classically distinct form and sometimes manifests itself with a gestural formlessness. His whole pluralistic oeuvre is bound together, at the same time, by the fragment – as an open and processual figure.
He decided that it was essential to adopt the point of view of the speaker, which would involve far more than pronouncing words and linking them together to form a sentence: "To study a language in circumstances as close as possible to the real circumstances of usage, one should, like a speaker, start with the language in a virtual state and trace how the speaker actualizes that virtuality."Temps et Verbe (1929), p. 121 In other words, before we speak a word to express the specific experience we have in mind, we must call on the mental potentialities acquired with our mother tongue to represent this experience by forming the word's meaning, both lexical and grammatical, and to actualize its physical sign. This realization confirmed his initial postulate that language consists of langue and discours, "language"and "speech", understood as an operative, potential-to-actual binary, and not as a static dichotomy like Saussure's langue and parole.
Wiercinski has generated research accomplishments in his subject areas that demonstrate his scholarly expertise both in the range of his works as well as in their broad, contentful composition. He understands hermeneutics as a specific mind-set of openness that admits of neither a priori nor apodictic demarcations between domains of knowledge, but instead sits decidedly between them in order to overcome the compartmentalization of knowledge forms from each other. Despite the postmodern format of this hermeneutic in-between — which of course will not be raised to a trans- regional, conceptually achievable absolutism — Wiercinski positions hermeneutics within the horizon of man’s unmistakable ability to attain truth, which actualizes itself in the history of knowledge and its forms. He understands philosophy of religion as the hermeneutic mediation between the incommensurable knowledge forms of religion/theology and philosophy, which are not separated off from one another but rather allude to one another both genealogically and constitutively.
Hegel develops his account of art as a mode of absolute spirit that he calls "the beautiful ideal," which he defines most generally as > Now when truth in this its external existence [Dasein] is present to > consciousness immediately, and with the concept remains immediately in unity > with its external appearance, the Idea is not only true but beautiful. > Beauty is determined as the sensible shining of the Idea.(LA 111/VÄ I.151) This ideal is developed throughout the Lectures accordance Hegel's Logic: #The first universal part is devoted to the concept of the artistic ideal. #The second particular part examines this ideal as it actualizes itself in three stages: ##Symbolic art, understood to encompass everything before Classical Greek art ##Classical art ##Romantic art, understood to emerge with the advent of Christianity on the world stage #The third singular part concerns itself with an examination of each of the five major arts in ascending order of "inwardness": ##architecture ##sculpture ##painting ##music ##poetry In these second two parts of the Lectures, Hegel documents the development of art from the paradigmatically symbolic architecture to the paradigmatically classical sculpture to the romantic arts of painting, music, and poetry.

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