508 Sentences With "varnished" | Random Sentence Generator

The slender cylinder compliments her varnished fingernails, her similarly curved rings.

Mr. Carter is uninterested in presenting a typical politician's varnished image.

It was tidy, not really rustic, more varnished than one might expect.

The sound bounced off the old oak floors, stained and varnished to tempt potential buyers.

You sit at what appear to be varnished picnic tables with chairs instead of benches.

The interior was filled with varnished wood and was "just overwhelmingly orange," Mr. Schafer said.

Whether it was hairstyles, tattoos, football shoes, or varnished fingernails — whatever Beckham wore became a trend.

Just look out for a tweet about her having varnished fingernails and velvety, sea nymph ears.

All the handles are varnished beechwood, a tough, tight-grained, abrasion-resistant wood often used in construction.

The other woman's slender, varnished fingers are shaking as she scrabbles with the various pots and jars.

The storm also glazed roads and varnished trees as it walloped the Mid-Atlantic region with destructive force.

Wood was not painted or varnished; it had to be used in as natural a condition as possible.

By his (possibly varnished) account, he helped make sure that Henry and Nancy Kissinger's vegetables were not overcooked.

Its surface is inert, varnished, lurid, scrubbed over, and repainted so many times that it looks simultaneously new and old.

He visits experts, quizzes YouTube gurus, hangs out with the well-varnished women looking for love on the dating site BeautifulPeople.

I've talked to everyone from the YouTube narc-hunter gurus, to the well-varnished girls dating on hotties-only site BeautifulPeople.

"Bechhofen" (1972), an unpainted Polish Synagogue piece featured in the Whitney retrospective, executed entirely in varnished wood, is an early example.

At the other end, where I was invited to sit at a varnished dining-room table, the shutters were slightly open.

The stillness we sense in her work is not the equanimity of a varnished philosophy, but the equipoise of connection and loss.

Creating that mix "is particularly challenging because straw requires no finishing, while wood must be sanded down and varnished," Ms. Saneuil said.

Master watchmakers, sitting at varnished wooden desks in Tutima's workshop, take four months to build just one watch, which has 550 parts.

First, she equates craft with unadorned necessity – the floor on which I was standing was made of planks fitted together, stained and varnished.

Bodies are entombed in caskets varnished with toxic chemicals, and the EPA rates casket manufacturers as one of the worst hazardous waste generators.

Regulations from the EPA are not based on politics (though I'd argue that Pruitt's term as administrator has varnished the EPA in political bias).

It doesn't just offer different colors and open-pore (rather than heavily varnished) wood trim, but the dashboard and other surfaces are shaped differently.

The rich, varnished sound that you hear on his first recording, from 1983, has been partly stripped away: the tone is more tensile, more vulnerable.

Tall, long-haired, his nails varnished black, Connor is just the kind of "bad boy" who gets the girls excited, but he's a lone wolf.

Two other books centered on the New York City Police Department: "Varnished Brass: The Decade After Serpico" (1983) and "On the Track of Murder" (1975).

Glazed showcases 19 iconic sculptures by the Della Robbia family of Italian artisans, famous for creating both religious and secular varnished clay sculptures in Renaissance Florence.

The projectile is a sphere of varnished red leather, weighing 5.75 ounces and marginally harder than a baseball, and traveling at approximately 90 miles per hour.

The Louvre, in turn, responded that treatment was imperative: The painting—the most varnished in the collection—had not been touched since 1802, and had darkened significantly.

Farther into this museum-like loft, a rare Picasso sculpture (one of two Picassos in the collection) made from varnished plaster lies inside a protective glass box.

Rhythmically pealing waves of arpeggiated guitar echo over expanses of feedback, shivering wind, surges of atmosphere, varnished with a soft aural fuzziness that functions as a damper.

First purchased by Queen Victoria in 1856, the S & P Erard piano is made of mahogany, satinwood and pine, with brass and gilt bronze mounts, gilded and varnished.

Picasso and Braque told friends that they would rather let their canvases deteriorate than have them varnished, which they felt would ruin the subtle texturing of the surfaces.

But the newest fundraising numbers are the latest evidence that Trump, despite his consistently low approval ratings and barely varnished bigotry, will be hard to beat next year.

When the models return from their walk-through, several will also need to have their legs varnished with gold body paint (an especially dramatic nod to ancient Egyptian iconography).

There were no indoor tennis-dedicated facilities in Liepaja — only school gymnasiums with varnished wooden floors, where the multicolored lines used for various sports intersect like a Mondrian painting.

She has impressive moments on the least varnished songs here, like "Tell Me How," a gloomy and piercing piano ballad ("I can't call you a stranger/But I can't call you").

Cohen could turn this stuff out all day, and it's not half bad; but lyrics without music, even decent lyrics, look like dried lungfish in someone's den, mounted on varnished plaques.

Before the 2013 national election she suggested the top rate of tax be raised to 53 percent, resulting in the FDP's Rainer Bruederle branding her a "Socialist varnished in (the CDU's) black".

Five bedrooms, most with varnished woodwork and dormer windows, line the L-shaped second-floor hallways; there is also a bathroom with white-painted wainscoting and an interesting three-part medicine cabinet.

Even worse, I have to get to KNOW these puds, enduring Olympics-style profiles of them, along with rehearsal footage where some varnished cracker like Blake Shelton pretends to think they have a future.

Perhaps the handful of kids who survived the disaster — and whose civil rights were so egregiously trampled on by their parents' religious choices — will someday tell their stories to counterbalance this highly varnished tale.

It depicted the Madonna and Child as black on a surface embellished with small cutouts from pornographic magazines and a few pieces of tennis-ball-size elephant dung, heavily varnished and decorated with beads.

"An alternative to a full restoration, doable by the homeowner if they're looking to cut costs, would be to refurbish any existing varnished woodwork by cleaning, touching up and re-coating," Mr. Camenares said.

Specific to his ire was a painting of a black Virgin Mary by the black Brit painter Chris Ofili, which was carefully decorated with varnished elephant dung and in truth rather respectful and very beautiful.

The compulsory bundling of products and services is prohibited: They can't require that you buy a traditional varnished casket when all you want is a cremation; an inexpensive, unfinished wooden box must be made available.

Inside, on one of the walls, there are a couple of varnished plaques that list the winners of the race since it began—both the fastest horses, and the fastest men, names painted in pristine gold.

In these two recent conflicts, you see similar friction — between a character actor and a literalist, between people who understand hip-hop as high theater and those whose celebrity is premised on something far less varnished.

Such earnings clearly fund the maintenance of vast meadows surrounded by miles of fencing, stone barns with varnished interiors that smell of hay rather than manure, and spongy faux-brick walkways that are soft on hooves.

On the sills of the high windows geraniums glowed a cheerful red in the sunlight, in boxes placed behind a protective metal barrier to protect the varnished wood from random splashes when they were being watered.

Claire Waldron, who works as a caretaker at the Barton Neighbourhood Centre, created the shiny gift from a varnished piece of rock that she had painted gold and decorated with the newborn's full name: Archie Harrison Mountbatten-Windsor.

Duck breast surrounded by minced duck meat, topped with duck foie gras and baked inside a pastry shell the color of varnished teak, it is a flaky, tender, succulent argument for why we still worship traditional French cuisine.

When I was told we'd be meeting in the "Achilles Library," I remembered how the Greek hero would have been immortal, wouldn't have had a vulnerable heel, if his mother had fully varnished him in the River Styx.

Shortly before reaching the podium, she deliberately tripped herself up, throwing herself onto the auditorium floor as the squeaks of the freshly varnished surface and the sharp intake of breath from students and parents echoed off the gym walls.

He wandered past the rows of stanchions, letting a hand trail along them, the inner wooden yokes varnished smooth by the rub and push of countless bovine necks dumbly enduring the suck of the milker, reaching out for feed.

" On another day he might comment on the Reagan administration's social services agenda: "To say 'no entitlements,' or 'let the states do it,' or 'let the private sector do it' is a barely varnished way of saying 'Don't do it.

Untarnished by water, it was wiped dry, like a cow, with a tuft of ishinge , the soft, fine grass that girls offered as a tribute to distinguished guests, and varnished with a layer of the butter that was mysteriously created inside it.

His latest collection, New Normative, which he showed at Milan Design Week in April, is a suite of living-room furniture made from curved, varnished ash that's spliced with powder-coated emerald-green steel tubes and upholstered in hot-pink and burnt-orange velvet.

Everything in this show: the brass pieces, the textiles, and the varnished wood presentation boxes looked like they all required a great deal of labor to finish, and were initially birthed in a deep respect and adoration for the gifts a mother and father gave their son.

Her paintings, watercolors and drawings of floors and rulers seem deeply motivated by her devotion to get the plainest facts right – this includes a patch of sunlight on a wall or floor, the different tonalities of each stained and varnished floor board, and linoleum's matte surfaces.

With a crisp, harmonically rich attack, Mr. Mabern carries the mantle of a piano tradition that runs through Ahmad Jamal and Phineas Newborn Jr. From time to time, Mr. Mabern holds court for a weekend at Smoke, presenting his grooving, varnished brand of hard bop with a small group.

There's a small bowl of peanuts, too, toasted till they're the ruddy color of varnished teak and strewn with sesame seeds, sweet Sichuan peppercorns, and dried chilies, and a plate of poached octopus with edges that melt in your mouth and a chewy center, bathed in a fruity wild-tea vinaigrette.

Two men happened to be passing on the snowy pavement, and in desperation my friend asked whether they would mind lending a hand; meanwhile the girl had taken out her mobile phone and was tapping at the screen with varnished fingernails, a process that resulted in a further man arriving shortly afterward.

It's likely that not many Cubans, promised a chance to move somewhere better off, would pass up a chance to leave Cuba as it is, untouched, frozen in time, covered in soot and light, varnished with that curious and appealing patina of an era in which surviving, however, is so terribly difficult.

A common tern clipped overhead, translucent supple wing beats over a river crowded with traffic, and something about its flight made me think that it was flying under clouds, but there were no clouds, there were no clouds anywhere and had not been all day, and the sky was the stretched, varnished perfection of linseed-thinned oils.

After digitally reconstructing the painting based on available photographic evidence, the team worked towards a "re-materialization" of the work: On a canvas coated with animal glue, pigment, and calcium carbonate (the type of ground Caravaggio would have used), the painting was digitally printed in several layers, retouched by hand to add texture, then stretched, varnished, and hung in its frame.

The French architect, winner of the 2016 Jane Drew Prize and the recipient of the Lifetime Achievement honor by Architizer A+ Awards, led the design of both the smokehouse on the ground level of the restaurant and of Son of a Beast, the 19-seat Chinese tasting menu eatery in the basement, with many of her signature touches: lacquered sheet metal, curved and varnished red communal tables and bar tops produced by Boys in the Wood studio, chopstick lights on the ceiling positioned at an angle to guide the eye toward the hulking red smoker in the back kitchen, a series of Le Soleil Noir suspended lamps (her own design), gold crepe-paper lined walls, and a mix of vintage Baumann and Galvanitas chairs.

This same review provided low quality conclusions regarding superior performance when tooth surfaces were sealed and varnished with fluoride, as opposed to when varnished only with fluoride.

The baptismal font is a bowl placed in a stand of varnished wood. The font is designed by principle Erik Rudman at the Steneby design school. Instead of a pulpit there is an ambon of varnished wood. The altar is placed versus populum and consists of table made of varnished wood with a light- colored marble top.

The pulpit, staircase and canope are varnished but not coloured.

All interiors are painted white with varnished mahogany doors and trim.

The original pews, which as of April 2014 had been re-varnished but were still in place, were of stained and varnished red deal. The east window, installed in 1893, is a memorial to John Mackie.

Brendel generally worked in hard woods which he then painted or varnished.

Searsia lucida, previously known as Rhus lucida, and other names varnished kuni-rhus (English) blinktaaibos (Afrikaans).

Maxillaria vernicosa, the Varnished Maxillaria, is a species of orchid found in southeastern and southern Brazil.

To make them translucent, the discs were impregnated with oil on the back and varnished on both sides.

Trumbull himself cleaned and varnished the painting in 1828, also effecting repairs to an area near Daniel Morgan's foot.

As built, the three ferries followed the standard Sydney Ferries Limited livery of the time; varnished timber superstructure, black hulls, and white bulwarks and trim and black funnels. In the 1930s, following the opening of the Sydney Harbour bridge, the white trim and varnished timber was painted over with a green and cream colour scheme.

Riviera is a 1971–1974 rusted and varnished steel sculpture by Anthony Caro, formerly installed at Olympic Sculpture Park in Seattle, Washington.

Constructed in 1910, the Benson Billinghurst House was constructed by B.D. Billinghurst as a personal residence, a bungalow with varnished pine finishes.

The objects are immersed in a 20% aqueous solution of ferric chloride and then rinsed, dried and waxed or varnished, when colored.

This altar made of varnished wood is the work of A.Bizard and dates to 1926. It has an icon on display depicting the Virgin Mary.

Amauroderma laccatostiptatum is a polypore fungus in the family Ganodermataceae. It was described as a new species in 2015 by mycologists Allyne Christina Gomes-Silva, Leif Ryvarden, and Tatiana Gibertoni. The specific epithet laccatostiptatum (from the Latin words laccatus = "appearing varnished" and stipitatum = "with a stipe") refers to the varnished stipe. A. laccatostiptatum is found in the states of Amazonas, Pará, and Rondônia in the Brazilian Amazon.

Between the poles were strung wires for laying the wet varnished fabric onto for drying. After drying the fabric was then rewound onto rollers and varnished over and over again several more times to each side and thoroughly dried each time. Each application of new varnish added a thin layer. The basement of the house was used for generating hydrogen gas and pure oxygen.

It is suited most to inflexible surfaces, including furniture. It can be buffed to a soft velvet finish when dry, or varnished for a gloss finish.

This has a varnished, panelled timber ceiling and highly glazed early ceramic tiles lining the walls to door height. A fine varnished timber screen and double- leaf door with bevelled glass panels and carved timber wreaths separates the vestibule from the central foyer. Both sets of entrance doors have metal handles in Art Nouveau designs. Early marble steps lead up to a central foyer with later stone and tile flooring.

Parnassius acco, the varnished Apollo, is a high-altitude butterfly found in Asia. It is a member of the snow Apollo genus Parnassius of the swallowtail family, Papilionidae.

The dried pieces were then completed with details such as veins, arteries and nerves made of fabric-covered metal wires, equipped with closing hooks, painted, labelled, varnished and assembled.

The members of the genus have pink- to purple-, grey- or brown-tinted caps that have a sticky surface and a varnished appearance when dry. They have white gills.

350px Cromwell with the Coffin of Charles I is a partially-varnished c.1831 watercolour by Eugène Delacroix, now in the Département des Arts graphiques of the Louvre in Paris.

The egg may then be varnished. Classes are given on US bases in Japan according to the Okinawan English language newspaper Japan Update.Japan Update. Japanese art lends beauty to Easter holiday.

It was first described in 1844 as Celmisia vernicosa by Joseph Hooker. In 2012, David Given separated C. vernicosa from Celmisia and from related genera on the basis of its morphology, and allocated it to the new genus, Damnamenia. Given named the genus Damnamenia for the Dactyl, Damnamenius, since Celmisia was named for Celmis, another Dactyl. The specific epithet, vernicosa, is the Latin adjective, vernicosus,-a, -um, meaning "varnished", and refers to the apparently varnished leaves.

Padded benches line the walls. The windows are covered with dark blue curtains similar to the lodge room. The northern door opens into a smaller room. This has a varnished timber architrave.

The objects are immersed in a 20% aqueous solution of ferric chloride for 20 minutes. After the desired color has been reached, the objects must be washed, dried and waxed or varnished.

The exterior stone was from the Moss Valley quarries. It also incorporated ornamental bricks and plain varnished woodwork. The architect was Edward Jones, the diocesan surveyor. The building contractor was Benjamin Owen of Chester.

The brand positions itself as a premium product. Unlike most other beer brands St. Erhard comes in a clear glass bottle which has a label printed on the glass and a varnished UV protection.

The copper objects are immersed in a potassium or sodium polysulfide solution (2.5%). Alternatively, sulfurated potash can be used. After the color is developed, the objects must be rinsed, dried, and waxed or varnished.

Clinton asks to see it, but Sebastien pretends that it is being varnished. They promise to telephone Clinton when it is ready, and he leaves.Coward, pp. 48–49 After his departure Anya Pavlikov is announced.

The copper objects are boiled in a solution of 12% copper sulfate and water that is at least 3 days old. After the color is developed, the material is rinsed, dried, and waxed or varnished.

The interior retained original varnished woodwork. An ell joined the house to the barn. The entire complex was engulfed by an accidental fire, probably started by sparks in the barn, and destroyed in July 2013.

The interior space is embellished with decorative timber mouldings to the cornice and tie beams. Furniture to the interior space includes the altar of varnished timber with inset quatrefoil panels, a timber framed fabric curtain screen to the altar, the altar rail and varnished pews. A painting by the late aboriginal poet and local Stradbroke resident Oodgeroo Noonuccal ( or Kath Walker) hangs on the southern wall near the altar. Located at the rear of the site is a more recent building currently used as the thrift shop.

Some areas have significant plaster mouldings. Ceiling types are mixed. Window joinery, doors and architraves are generally french polished or varnished. Windows are timber, of french door and vertical sliding sash types, where overlooking the street.

In the "Stripe" acrylic paintings (1998– ), Klamen employed an optical strategy on par with the perceptual challenges of his varnished paintings, but in an almost diametrically opposed visual language.Klamen, David. "Stripes" paintings. Retrieved August 31, 2018.

He advertised his services in Columbus as a portrait painter "from Life or from Photographs; Old Paintings cleaned, repaired and varnished".Haverstock et al., p. 295 He exhibited at the Boston Athenæum in 1858 and 1874.

The ornate altarpiece is against the back wall of the apse. Varnished wood doors open off either side of the sanctuary. One leads to the confessional, and the other to a closet room for the priest.

The livery of the stock was teak (effectively varnished wood) but in 1919 the decision was taken to paint all stock dark red. At the grouping in 1923 however all stock reverted to the teak livery.

The species was first formally described by Robert Chinnock in 2007 and the description was published in Eremophila and Allied Genera: A Monograph of the Plant Family Myoporaceae. The specific epithet is from the Latin vernicosa, 'varnished'.

The literature of their day had much to say of the Martin brothers. In Voltaire's comedy Nadine, produced in 1749, mention is made of a berline (carriage) "bonne et brillante, tous les panneaux par Martin sont vernis" ("good and bright, all the panels varnished by Martin"). The marquis de Mirabeau in L'Ami des hommes refers to the enamelled snuff-boxes and varnished carriages which came from the Martins' factory. As with many great artists, their names were attached to many works they never saw, and the Martins suffered considerably in this respect.

Wallis, "Further light on the Molyneux globes", pp. 304–305. It is possible that Molyneux helped Hondius to update the plates in 1596 or 1597. For instance, if Hondius had obtained a copy of Raleigh's map of Guiana, Molyneux was the most likely source.Wallis, "Further light on the Molyneux globes", pp. 306, 308. Unlike the Petworth House globe, the Middle Temple globes are heavily varnished. The varnish could have been first applied as early as 1818 when the globes were repaired by J. and W. Newton; they were certainly varnished by Messrs.

Fahie, p. 318 Schilling offered two schemes to the commission. One was to lay a submarine cable across the Gulf of Finland. The wires were to be insulated with varnished silk, bound together, and the whole assembly tarred.

Eremophila laccata was first formally described by Bevan Buirchell and Andrew Phillip Brown in 2016 and the description was published in Nuytsia. The specific epithet (laccata) is a Latin word meaning "appearing varnished" referring to the smooth, shiny fruit.

On seeing the Soviet Union's growing coercive power in 1923, a dying Lenin said Russia had reverted to "a bourgeois tsarist machine [...] barely varnished with socialism".Serge, Victor (1937). From Lenin to Stalin. New York: Pioneer Publishers. p. 55.

All interior timber work and joinery is varnished. Walls and ceilings are lined with hardset plaster with deep moulded cornices. A single decorative plaster ceiling rose is located in the banking chamber. Floors are generally covered with recent carpet.

Coat of arms in metal mounted on varnished wooden plate. The coat of arms of the 1st Submarine Division (Första ubåtsavdelningen) 1994–1998 and the 1st Submarine Flotilla since 1998. Blazon: "Or, from a wavy base azure a trident issuant sable".

The Second Snark is a small vessel, with a passenger capacity of 48. She retains many original features including teak decks, varnished woodwork and polished brass. There is one heated room with seating and a single toilet facility below deck.

The survey of Austria-Hungary began in 1762 with the construction of the Vienna Neustadt Baseline (Wiener Neustädter Grundlinie) which was 6,410, later 5,000, klafters long, represented by 5 measuring rods of 1 klafter in length made of varnished wood.

It is thought to be the world's largest custom diesel- powered varnished mahogany runabout. The boat's amenities include hand-wrapped ostrich skin seats, black ebony inlaid teak floors, 850 horsepower Italian Sea Tec diesels and custom fabricated stainless steel hardware.

Skirting boards and architraves are varnished silky oak. Several internal windows and openings are located in this room. One is a timber framed opening to the teller's booth set into the wall and features a metal grille. Others are leadlight glazing.

Substrates can be sheet feed or unwound on a continuous roll through the press to be printed and further modified if required (e.g. die cut, overprint varnished, embossed). Printing presses that use continuous rolls are sometimes referred to as "web presses".

An example of this is the 1987 sculpture, This is my Body this is my Blood, consisting of a cut open decapitated lamb carcass, nailed to a piece of plywood. His 1987 sculpture, Wind pipe, was a double bed with a varnished sewer pipe on it. Wind Pipe by John LeKay, 1987, varnished sewer pipe in bed In 1990, he held his first solo exhibition, at the Paula Allen Gallery, New York. Exhibits included a sensory deprivation tank, and also a large tape recorder, whose microphone was placed inside a sound-proofed acrylic glass box in order to record the sound of silence.

The walls were cleaned removing the thick coating of lime. Open benches of white varnished deal replaced the old pews, and an ornamental bell turret replaced the old wooden bell turret. Five stained glass windows by William Wailes of Newcastle were inserted.

398 The cigars come celloed in varnished boxes of 20. The band was designed by Ernesto Padilla. The ends and the top represent pen points and are a tribute to his father, Cuban ex- patriate, poet, writer and teacher Heberto Padilla.Moretti, Michael.

The joinery is generally of a high standard. Several units have a painted finish but it is likely that all were originally varnished. Floors are timber and appear to have been sanded and sealed with a polyurethane finish. Bedroom floors have been carpeted.

It is made of varnished and sealed mahogany. The organ works with an electrical fan and a 14-volt dynamo providing continuous current to the motor. Of the 32 organs in Antioquia, the basilica's is the eighth largest in area and volume.

No Woman No Cry by Chris Ofili (1998). The painting stands on two dried, varnished lumps of elephant dung. A third is used as the pendant of the necklace. No Woman No Cry is a painting created by Chris Ofili in 1998.

Room 15 has cement-rendered walls and varnished pine skirtings, and 6-pane double-hung sashes. Room 17 has a centre rug and a stain-finished perimeter floor (as does Room 27), hard plastered walls and brass door furniture. Room 18 is similar.

The timber entrance doors and sidelights are also varnished, as are panelled timber front doors to each flat. Stairs and landing are also of timber. The stair-light extends from the first to the second floor. Walls are rendered masonry, and ceilings have plaster mouldings.

The first step is to lacquer the wood surface and then paint the precise design on it. Other designs can be traced and then drawn with the help of chalk. Then the paintings happen with bright colours and finally touched with gold and then varnished.

Wood rods expand less, losing only about 6 seconds per day for a change, which is why quality clocks often had wooden pendulum rods. The wood had to be varnished to prevent water vapor from getting in, because changes in humidity also affected the length.

The bathrooms have their original tile, with decorative bands under bull-nosed caps. The third floor, designed as three servants' quarters and three guest rooms, is plain except for an elliptical room done in varnished matchboard. There is an attic and widows walk above.

This involved applying actual ferns to the wood which was then stippled in dark brown, the ferns removed and the wood varnished. The wood used was Sycamore. These products were sent all over the world. A fire in 1933 stopped production, which was never restarted.

The building stands on a narrow plot of about 10 meters wide. It has a ground floor, three upper floors and an attic. Its façade is made of bricks and varnished timber framing in an Alsatian regionalist style. The chimney features a stork statue.

It, too, has a walk-in vault. The owner's office overlooking Prospect Street has paneled and varnished cherry wainscoting, tiled fireplace, and pedimented cherry window moldings. The factory has no significant decorative touches. There is no historical machinery left in it or either of the other buildings.

The well-nourished grub begins to spin a delicate framework to support its cocoon. The Hemipepsis cocoon is a brown, silk structure. It is slightly wider at the end from which the wasp will emerge. The inner wall is varnished, but no inner cocoon is seen.

The roof, dating from 1979–80, is in varnished chestnut. It is panelled in five compartments, and heavily moulded. The west organ gallery, standing on Tuscan columns, is a replica of that destroyed in the fire. The furniture has been acquired from a variety of sources.

The organ has seven stops and a front made of varnished pine. It was made by Lindegrens orgelbyggeri from Gothenburg in 1973. The organ is placed on the right side in the choir. The altarpiece is a tapestry made in 1978, by Christina Westman in Gothenburg.

Suspended floors have prestressed concrete beams with foam slag infill panels. Roofs were timber units with cork and three layers of felt. The windows had varnished Columbian pine frames with metal projector opening lights. Brickwork was used inside and outside of the building and left unfaced.

The rest of the structure is bare concrete. A canopy floats over the entrance, which slopes down in an inward curve. On its fascia is a dedicatory inscription. The entrance doors are carved wood planking and are set in varnished planking that fills the frontage below the canopy.

R. for Metal Reconnaissance) and gained a contract for two evaluation aircraft. The fuselage construction was quite novel. Barnwell borrowed from marine experience by using duralumin sheet, varnished to prevent corrosion and used these to make the fuselage in four sections. The two forward sections were semi-monocoque (i.e.

Walls and ceilings are plaster with decorative paneling formed by plaster cornicing with some areas lined with timber paneling. Timber joinery is intact throughout with varnished finish. At the base of the public staircase is a memorial board enclosure with decorative timber screens. Floors are lined with terrazzo.

Marbling is a faux finish imitating real marbles and granites, some of which are represented by splashing on the carefully prepared ground, which should have been painted and often rubbed and polished to obtain an even surface; others have to be painted in colors, and then well varnished.

The buttresses reach and extend out . leaves The oblong leaves are long without the petiole (leaf stalk), and wide. They are perfectly rounded on both ends, rigid, and slightly coriaceous (leather-like in feel or texture). On the top, they are glabrous (smooth and hairless) and crisp, almost vernicose (varnished).

Throughout, the ceilings are flat, made of varnished beams. The foyer and bell tower above the entrance were rebuilt in 1995. The church underwent restorations, including painting of the whole interior, from 2006 to 2012. The iconostasis features the relics of Saints Charalambos, Pantaleon, Cosmas, with Luke the Evangelist added later.

The head has a shower with a teak grating. Additional sleeping accommodation includes two main cabin settee berths, the port one a double berth. The interior is predominantly teak with varnished pine trim. Ventilation is provided by two translucent hatches, one in the bow cabin and one in the main cabin.

Some rooms retain their original gas light brass wall brackets and a few ceiling gas fittings remain. Fireplaces: The groundfloor chimneypieces are Victorian in style and are generally of varnished cedar. The first floor chimneypieces are painted timber in art nouveau style. Exceptions are a white marble chimneypiece to room 3.

The blocks are precision cut to a single size and shape and are held together with sticks, which assists in the stability of larger constructions. The standard distance between brick holes is 20mm. The blocks are not varnished or treated. The set has been invented by the Austrian engineer Johann Korbuly.

The hull was almost rectangular in section. It was constructed of mahogany ribs with a single ply spruce skin covered in doped and varnished linen. A small, rectangular rudder was mounted under the rear of the hull to provide steerage in the water. The wings were mounted above the hull.

The first floor offices have varnished joinery including doors, architraves and picture rails and unusual decorative pelmets. Skirtings in these rooms have been painted. The council chamber is a finely detailed room with timber-paneling to the perimeter of the room including columns. Early glass, wall-hung pendant lights remain.

Tourte destroyed any bow that was not entirely faultless before it left his workshop. He never varnished his bows but only rubbed them with pumice powder and oil. The Tourte pattern was followed by Dominique Peccatte, Jacob Eury, Nicolas Maire, François Lupot, Nicolas Maline, Joseph Henry and Jean Pierre Marie Persois.

The belaying pin and handsome wheel were made from old puriri fence posts. Spars were scarfed and laminated of Douglas Fir taken from an old Auckland building demolished to make way for the Regent Hotel. The varnished cap rail was made from demolition kauri. Skylights came from the yacht Askoy.

The north wing has a mix of hipped and gabled roofs, clad in corrugated iron. Walls are mostly vertical slab Cypress Pine, some of which has been painted, some varnished. There is some weatherboard and brick walling as well. Verandahs are timber-floored, with corrugated iron roofs and timber posts.

The battlemented belfry shelters a bell. On the south transept is a wooden porch with a second entrance, similar to the first. The north transept leads to the Great Hall wing, built later of sympathetic design and materials. Inside the nave is a hammerbeam roof, its exposed rafters built of varnished pine.

Eremophila vernicosa, commonly known as resinous poverty bush, is a flowering plant in the figwort family, Scrophulariaceae and is endemic to Western Australia. It is an erect shrub with its glabrous leaves and branches appearing varnished due to a thick covering of resin. It has small leaves and white to pale mauve flowers.

The canvas measures high by wide, and is displayed leaning against the gallery wall, supported by two dried, varnished lumps of elephant dung. A third lump forms the pendant of the necklace. Map pins on the lower two lumps spell out the painting's title. The painting is Ofili's tribute to Stephen Lawrence.

The bricks around their openings correspond to those on the first floor walls. Joinery is attained and varnished on the ground floor with the exception of the drawing room1, which is painted. All the first floor joinery is painted. There is an ornament rail to rooms 23 & 27 while all remaining rooms have picture rails.

Wood sheds need regular maintenance. This includes keeping plant matter and debris from piling up beside the walls and on the roof, and occasional rot-proofing with preservative. Sheds are sometimes also re-stained or varnished at times for aesthetic and wood protection reasons. Fire and, in some regions, termite attack are also potential problems.

Most modern floorcloths are made of heavy, unstretched canvas with two or more coats of gesso. They are then painted and varnished to make them waterproof. Area canvas rugs, today known as floorcloth, had their start in 18th century England. Initially used by the wealthy, the designs and patterns mimicked parquet flooring, tile and marble.

The early steamers had a black hull and cabin sides and a black funnel. On the incorporation of the company in 1906, the funnel colour was changed to yellow, with a black top. Wheelhouses and companionways, where fitted were of varnished wood. Early motor vessels also followed this livery, though none were fitted with funnels.

Chengal, like teak, has the unusual properties of being both an excellent structural timber for framing, planking, etc., while at the same time being easily worked and finished to a high degree. Chengal may be varnished but does not necessarily need a "finish". The wood naturally weathers to a silver-grey colour similar to teak.

The upper level vestibule has walls lined with hard plaster and timber-paneling. Plaster ceilings have moulded plaster cornices. Timber skirting boards, architraves architrave blocks are intact throughout the room and all interior timber work and joinery has a varnished finish. Internal openings are generous in height and doors feature tall glazed pivoting fanlights.

Eucalyptus vernicosa, commonly known as varnished gum, is a species of shrub or a mallee that is endemic to mountainous areas of Tasmania. It has smooth greyish bark, crowded, egg-shaped to elliptical or round leaves, flower buds singly or in groups of three in leaf axils, white flowers and hemispherical or bell-shaped fruit.

A wide architrave surrounds the door openings and the rectangular, red glass lights. The lights are etched with the Masonic compass and square emblem. The door to the north of the platform has a small peep-hole with a sliding cover. The southern door opens into a small room with a varnished wooden dado.

The sanctuary was relined with clear-finished, horizontal pine boards and the floor around the vestry and pulpit was repaired. During this time the church floor was sanded and varnished. In 1968, the Parish of Kenmore, Brookfield and Moggill was formed. During the 1980s, stained glass was installed and the church was repaired once more.

SteelBook is the trademarked name for a disc case constructed from durable metal to create a Tin box-style package similar in size and shape to the Keep Case. It is used in memorabilia sets such as Collector's Editions, and commonly printed with full-color artwork, varnished, and embossed to provide additional visual dimensionality.

The walls were plastered to within 6 feet from the floor. The dado round the walls was 6 feet high of figured, varnished, red pine, gothic panels. St. Mary's and St. Joseph's chapels, the roofs of each also plastered, were on each side of the sanctuary. There was also a sacristy beside the sanctuary.

The church's open timber roof is stained and varnished, with the chancel roof being groined. The arches of the nave roof are supported on carved corbels. The chancel's stone corbels were carved by Mr. Boulton of Cheltenham. The floor of the chancel is laid with Minton's encaustic tiles and the aisles laid with Keinton stone.

Initial production rifles were fitted with walnut furniture, consisting of the pistol grip, forward handguard, carrying handle and butt. The wood was treated with oil to protect against moisture, but not varnished or polished. Later production weapons were produced with synthetic furniture. The material used was Maranyl, a nylon 6-6 and fiberglass composite.

The objects are painted or sprayed with a solution of 250 grams of ammonium carbonate / 250 grams of ammonium chloride / 1 liter of water. Each layer is dried for 24 hours. After reaching the desired tone, the material is waxed or varnished. If the amount of chloride is reduced, the color will be more turquoise.

The electric plant and wiring of the Georges Philippar relied on high voltage (220 volts) Direct current. It proved troublesome from the shipyard stage onwards with cables overheating, circuit breakers malfunctioning … and so on. It was lavishly decorated with wood panelling and sported a high gloss varnished wooden grand staircase which proved highly flammable.

A timber door leading from the church to the former vestry has been removed and the opening brick-filled and rendered. Internally, moulded timber trusses span a nave of four bays. Moulded plaster surrounds frame the chancel arch. Walls are of white-washed plaster, with recent varnished vertical boarding around the walls of the nave.

The basement is the full size of the building. Inside, a stone staircase led to the library's main-floor circulation desk (in the building's center, under a low dome) and two reading rooms; book stacks and stock rooms offered storage and work space behind it. Varnished oak woodwork provided elegant decoration throughout the main floor.

After an enclosed structure was built, construction of the hull was begun. Next came the laying of the deck, installation of skylights, hatches, and interior bulkheads. The last major task was the cabin trunk located aft. From aft forward is the master stateroom, engine room, salon, mid stateroom, and fore stateroom, all finished in varnished mahogany.

The flooring was renewed in 1985. A t covered way with iron roofs links the kitchen to a detached dairy/meat room at the rear. The floor of the kitchen landing was renewed in 1985. Fixture and fittings: The main stair is of stained and varnished cedar in two equal flights with mid landing and a storage cupboard underneath.

Vinyl-sided, wood- framed sheds blend the strength of a wood frame with the maintenance-free aspect of vinyl siding (it does not need to be painted or varnished). The International Building Code (IBC) defines a shed as a building or structure of an accessory character; it classifies them under utility and miscellaneous group U (Chapter 3 Section 312).

Those on the front facade are topped by small shed roofs. The windows feature colored glass panes. The interior is finished primarily in varnished woodwork. The Ladies Aid Society, a group formed to provide a meeting area and chapel in the Lower Village area of Hillsborough, had the structure built in 1886–7 at a cost of $2,081.38.

Most of the masks are related to traditional dances such as the Danza de Cuadrillas, Cuatro Estaciones, Taragotas, Francesas, Los catrines de levita and La gota. The last two are danced only in San Juan Totolac. He uses wood from a pine called ayacahuite bought locally. After the mask is sculpted, it is covered in plaster painted then varnished.

Shafrazi was ostensibly protesting Richard Nixon's pardon of William Calley for the latter's actions during the My Lai massacre. The paint was removed with relative ease from the varnished surface.Hoberman, J. (13 December 2004) "Pop and Circumstance". The Nation, pp. 22–26. On 15 June 1985, Rembrandt's 17th-century painting Danaë was attacked in the Hermitage Museum in Russia.

A single pendant light hangs centrally from the ceiling. Other rooms on this level have similar though simpler detailing. In the former public office to the west, walls are hard plaster with elaborately moulded cornices. Timber joinery including architraves, window sashes and skirtings are painted though some timber joinery in the former public office has a varnished finish.

Goff Farm is a historic farmhouse at 157 Perryville Road in Rehoboth, Massachusetts. The 2-1/2 story wood frame house was built 1800, with Federal styling, as a single-story residence. It was extensively remodeled in 1897, adding the second floor and Italianate features. The house retains significant interior details, including polished brass hardware and varnished wood paneling.

According to a description of the interior by the Evening Standard, "The bar in the diminutive ground floor is made from books stuck together into a curved wall and varnished. A plank of wood seals the top." In keeping with the book theme, the pub hosted book signings, poetry readings, quizzes and society meetings, often using the upstairs room.

Lingzhi, Ganoderma lingzhi, also known as reishi, is a polypore fungus ("bracket fungus") belonging to the genus Ganoderma. Its red-varnished, kidney-shaped cap and peripherally inserted stem gives it a distinct fan-like appearance. When fresh, the lingzhi is soft, cork-like, and flat. It lacks gills on its underside, and instead releases its spores via fine pores.

This results in a pleasant, somewhat dull finish. Finally, teak may also be varnished for a deep, lustrous glow. Teak is also used extensively in boat decks, as it is extremely durable and requires very little maintenance. The teak tends to wear in to the softer 'summer' growth bands first, forming a natural 'non-slip' surface.

The early part of the house is distinguished by wide elaborately moulded skirting boards. French doors (some painted, some varnished) open out onto the verandahs and sash windows have narrow glazing mullions. The extension is of post and rail construction lined with vertical timber boards. Mortice and tenon joints are visible in the window and door framing.

Martin Travers the English ecclesiastical designer made much use of papier-mâché for his church furnishings in the 1930s. Papier-mâché has been used for doll heads starting as early as 1540, molded in two parts from a mixture of paper pulp, clay, and plaster, and then glued together, with the head then smoothed, painted and varnished.

Different forms of bamboo flooring exist. Each varies in its manufacturing process and differs largely based on economic viability and local preferences. The most common form, particularly in southeast Asia, uses thin bamboo stems that are cut as flat as possible. They are cut to similar lengths and can be stained, varnished, or simply used as is.

The TECO Line Streetcar provides electric streetcar service along eleven stations on a route, connecting Ybor City, the Channel District, the Tampa Convention Center, and downtown Tampa."Streetcar Station Stops", 2007. TECO Line Streetcar System.. Retrieved January 28, 2010. The TECO Line fleet features varnished wood interiors reminiscent of late 19th and mid-20th century streetcars.

Canvas prints are used as final output for fine art pieces or for reproduction of other types of two dimensional art (drawings, paintings photograph, etc.). Canvas prints are often used as a cheaper alternative to framed artwork as there is no glazing required and the stretcher is not usually visible, so do not need to be varnished, or treated.

It was varnished with linseed oil gum thinned with turpentine. Myers invented machinery that applied the coats of varnish onto fabric of silk or cotton. There were several coats of varnish applied to make a balloon envelope impervious to hydrogen. The first of these patented machines, that took fourteen days to construct, was in operation for seven years.

After sanding, the horses are dipped into paint of the appropriate colour. The traditional pattern is painted free-hand by practised "ripple" painters. The art of rippling requires great skill and takes many years to learn. Finally, "all the fine horses" are varnished and sent out from Nusnäs to serve as a symbol of Sweden in the outside world.

However, the doors and windows and eves are painted in green colour. In the interior of the mosque, the wooden ceiling is varnished in black and red colours. A model of the mosque was designed by Monsier Mantout and was exquisitely crafted in wood. This was presented to Mantout by the Maharaja on 14 March 1930.

Hand taped joints are the old school method of splicing and terminating cable. The construction of these joints involves taking several types of tape and manually building up appropriate stress relief. Some of the tapes involved could be rubber tapes, semiconducting tapes, friction tapes, varnished cambric tapes, etc. This splicing method is incredibly labor and time intensive.

A navigation station is located opposite the galley. The interior features varnished teak and a holly cabin sole, while the exterior teak is oiled. Ventilation includes four vented hatches, five opening ports and a forward hatch. ;C&C; 34+WK :This wing keel model has a length overall of , a waterline length of , displaces and carries of lead ballast.

The varnish should be thick enough to withstand the large current densities and frictions, and at the same time thin enough to not increase significantly the radius of the tip apex, maintaining its sharpness and ensuring a high lateral resolution of the CAFM technique. As mentioned, the lifetime of the metal-varnished tips for CAFM experiments is much shorter than in any other AFM mode, mainly due to metallic varnish melting and loss of tip mass during the scans. To solve this problem, CAFM silicon tips varnished with hard materials like phosphorus-doped diamond have appeared. The main problems of diamond-coapted CAFM tips are: i) they are much more expensive, and ii) they are very stiff and can damage (scratch) the surface of the samples under tests.

When the coroner asks if an autopsy should be done, Cortland refuses. While Clint's body is at the morgue, he shows signs of life. Just before he is to be embalmed, Joanna instructs that he be given a quick and cheap funeral instead, skipping the embalming process. Clint is placed in a cheap water-damaged casket, varnished to look like new.

Sydney Ancher’s House was constructed in 1955, on Bogota Avenue, Sydney. The two story dwelling comprises a lower garage and upper living quarters with an open patio space. The interior has varnished wooden flooring and a lighting system made from a series of rectangles. Major (Rtd) Sydney Edward Cambrian Ancher (25 February 19048 December 1979), was an Australian architect from Woollahra, Sydney.

The threads landed in three random undulating positions. He varnished them into place on the blue-black canvas strips and attached them to glass. He then cut three wood slats into the shapes of the curved strings, and put all the pieces into a croquet box. Three small leather signs with the title printed in gold were glued to the "stoppage" backgrounds.

The only remaining hand-carved hymnal rack is in the Lee pew. The plaques on either side of the chancel were hand-lettered by Wren and have never been retouched. They display the Decalogue, the Lord's Prayer, the Apostles' Creed, and the Golden Rule. Wren used ink and then varnished his work just as an artist varnishes a finished painting.

The house is located on a point on Breezy Point Bay on Big Pelican Lake. It has a "Y" shape. The center of the "Y" has a circular staircase leading to a "reading balcony" in the main hall. The building is constructed of peeled and trimmed Norway pine logs, with brown stain on the exterior and varnished on the interior.

The Force 5 has full sail controls, including a cunningham, outhaul, boom vang, and traveller. The mainsail has a sleeve which fits over the 3-piece aluminum mast. A junior sail is available with reduced sail area for better handling when used by lower weight individuals under 185 lbs. The rudder and centerboard are solid varnished mahogany but recently fiberglass versions became available.

The building features verandas at the front and back and is topped by a pitched roof with pan-and- roll tiles. Local materials, such as glazed green screen blocks, were used in its construction. The interior of the main building follows the minimalist style of the 1930s. All the rooms have panelled doors and brass fittings; the floors are boarded and varnished.

Historical marker Bryan Neck Presbyterian Church is a historic Presbyterian church on a 2-acre tract on Belfast Keller Road in Keller, Georgia. The historic district includes a manse (built in 1939) and a cemetery. The inside of the church has varnished tongue-and-grove wood paneling in different orientations to form decorative patterns. Many of the interior furnishings are original.

Whilst most coffins have been found in eastern Finland an example has been found in the west at Turku Cathedral – this deposit was a 'high quality' work was made of varnished pine with cloth, and the initials 'HM' on the base. Radiocarbon dating, building history, and style have dated this coffin to the late 17th century or early 18th century.

Trumbull spent the next eight years executing the commission, completing this painting in 1820. It was displayed in New York City, Boston, and Baltimore before coming to Washington, D. C., and Trumbull supervised its hanging in the Capitol rotunda in late 1820. It has remained there since. Trumbull himself cleaned and varnished the painting in 1828, and it has been periodically maintained since.

Accessed 29/04/17 Despite its stark, utilitarian appearance from outside, the church's interior is richly carpeted and the inside of the metal shell is lined with varnished wood. The church has some small though fine stained glass windows. Despite only being a nave, the church can seat 150 people and has a flourishing Sunday school. The church's font dates from 1827.

Salvage operation was successful, the boat was re- floated on 11 November 2012 and towed to Sotogrande where the repairs commenced. Two weeks when most of the boat was under water and unshielded from waves caused substantial damage. Complete plumbing, electronics and practically all other equipment had to be changed or refurbished. All the wooden parts had to be dried, sandpapered and varnished.

After judicial activities transferred to the new Bristol Crown Court building in 1993, the guildhall was converted into an art gallery. Some of the old court rooms were panelled with varnished plywood. The building, particularly 'Leech's Room' suffered bomb damage during World War II and was rebuilt in 1960. In 2013 plans were unveiled to turn the building into a hotel.

On several commodes and corner cabinets (encoignures) dating from the 1760s he employed varnished sheet metal panels imitating Japanese or Chinese lacquer.John Whitehead, The French Interior in the Eighteenth Century, 1993:192; Alexandre Pradère, French Furniture Makers, 1989:220f, figs.218-20. Macret married Jeanne Foulliėre. Though he retired from active practice in 1787, he was still alive in 1796.

Varnished, painted or polished surfaces are not normally susceptible to attack but the female beetle may still lay her eggs in empty tunnels created by previous beetle occupants. Subfloors, joists and rafters are usually made of pine or other softwood and generally escape infestation. Imported tropical hardwoods may be heavily infested because of poor drying and storage practices before shipment.

3, 21. The portico opens into an entry vestibule through large, bi-folding, steel gates embellished with the notation "1960". The vestibule has a low ceiling of stained and varnished timber battens and a floor of grey vinyl tiles with contrasting white tiles in a cross shape in two places. Within the vestibule are three steps up onto the level of the nave.

The interior featured varnished timberwork, and there was a clerestory roof with sidelights of coloured glass. Sliding doors at each end led to outside platforms where the driver controlled the tram. The driver was protected by an overhanging canopy, where passengers entered and left the car. C-class trams towed steam tram and cable tram trailers, and many ran coupled together.

The three chimneys have corbelled tops and are made of hand-pressed bricks. The central wing has an iron-clad hipped roof, with some shingles remaining under the iron. Walls are entirely vertical pine slabs; again some are varnished and some painted. The verandah is timber floored and has timber posts, and the roof is a continuation of the main hipped roof.

Room 10 was used as a photographic dark room, with calico and paper covered board walls. Room 11 has lino and rugs on the floor, and is basically 1872 with an 1878 chimney. Room 13 has exposed rafters and is 1877 in vintage. Room 14, a hall, has painted fibrous plaster walls, a varnished ceiling and a 4-panel door with toplight.

Much damage to the painting seems to have resulted, and the connoisseur and art theorist Richard Payne Knight wrote that "those who have only seen it since that fatal operation ... can form but very imperfect notions of what it was before".NGTB, 28 In the 1820s the artist Benjamin West, the painting's "most vocal admirer", is recorded as restoring and repainting damaged areas on Lazarus' right leg. It was re-varnished in 1834, 1852, and 1867, and cleaned and re-varnished in 1881, after which a sheet of glass was added to protect it from London's air. After the painting was evacuated in 1939 to Penrhyn Castle to protect it from the risk of German bombing in World War II, losses of paint from flaking were noticed, and various attempts in the following years to stabilize the situation failed.

The walls are topped with a denticulated frieze, then broad eaves, then a hip roof, broken by gable-roofed dormers. Inside are floors of varnished oak, pocket doors, an elaborate oak staircase, and the dining room with a plate rail, crown moldings, and a beamed ceiling. Herman lived in the house until he died in 1920. His wife Anne Marie lived there until 1951.

Foil that does not adhere to the adhesive remains on a thin polyester liner, and waste is directed to a rewind spool. Because the adhesive is applied on press like a conventional ink, no expensive stamping die has to be created. Once printed, the surface of cold foil images may be varnished, laminated, or encapsulated in order to provide a hard-wearing, durable surface.

Passenger vehicles were painted brown, instead of varnished. On 12 June 1889, a significant rail accident occurred when a passenger train stalled between and . The train was divided, but during the uncoupling operation ten carriages ran away and collided with another passenger train. A total of 80 people were killed and 260 were injured in what was then the deadliest railway accident to have occurred in Europe.

The “A” of Charlemagne is an open triangle made of wood that is varnished with silver-gilt. At the peak of the triangle is a circular piece that houses a large, polished gem on the frontal side. Below the gem sit two angels made by repoussé metal working. Both angels glance upwards toward the gem, and one angel holds an object perceived to be a lamp.

Nany's funerary papyrus The outer corridor contained the burial of the Lady of the House, the Chantress of Amun Ra, the King's Daughter of his body, his Beloved, Nany. The yellow varnished coffin contained a mummy covered with garlands and a wig. Beyond this coffin a larger outer coffin was found. Further funerary items for the burial included a shabti box and an Osiris figure.

The roof, with its original slate, is > hipped, with a gable on the east end, over a modest rose window. The nave is > rectangular, while the apse is semi-octagonal. Heavy timbers spring from > hand-painted brackets to support the roof. The interior walls are panelled > in stained and varnished wainscotting, with matching pews and furnishings; > the walls above the panelling are natural brick.

The roof is open timbered; the benches, pulpit, > lectern and reading desk, are all of deal, stained and varnished. The church > is well lighted on all sides, and the windows are glazed in quarries with > cathedral tinted glass. It is also warmed by hot water, the apparatus being > supplied by Messrs. Oliver and Co. The remainder of the works have been > creditably executed by Messrs.

Originally rectangular and oriented to the North, the cathedral was rebuilt on the model of Santa Susanna in Rome, i.e. on a Latin cross ground plan oriented to the east, with a cupola, clad in coloured tiles varnished in the Genoese style, over the crossing. The building is in the Baroque architectural tradition. A number of alterations have taken place since the initial construction.

The hotel contains the Running W Steak House, with meat supplied by the largest producer of beef in Belize. The restaurant serves Mayan steak, marinated tenderloin with tortillas, chicken and fish dishes, and tropical fruit. Lebanese cuisine is also available. The dining room is furnished with varnished mahogany, and the patio contains wrought-iron tables and chairs and is often frequented by toucans in the trees nearby.

These were one quart, two quart, four quart, single peck, and one-half bushel. Because of his success in sales by 1885 Cragin began selling these in full sets, or "nests", that were bound in iron bands. The dry measure volume containers sold varnished, plain, and rough, depending on customer wants. Storekeepers, farmers, and fishermen needed a standard unit of dry measure for their trade products.

All editions include ten LPs, a booklet of artwork, and hand-numbered certificate. All packaged in a black varnished, silkscreened wooden box. The members edition is for those who subscribed to the label, it includes a bonus 7" record with tracks from the first Merzbow tape and a T-shirt. The friends edition includes the 7", a long sleeve T-shirt, and a bonus cassette.

The wooden legs were later replaced by the metal undercarriage used on the 3107s, with which it also shares the shape of the lower half of the shell. The surface of the shell is then varnished, painted or finished with cloth or leather. The stool is 50 cm wide, 52 cm deep and with a seat height of 44 cm in total 78 cm high.

They were copied from the works of Philip James de Loutherbourg, Angelica Kauffman and other artists, and varied in price from £1. 10s. to £21. The largest were 40 inches by 50. They were sometimes mistaken for original paintings, although these old "polygraphs" were in fact nearly identical to the varnished coloured oleographs which later became prevalent, the main difference being that the latter were printed lithographically.

32-caliber weapon. Bonhams auction company offered this pistol at auction on November 18, 2013, in San Francisco, California, described as Hickok's Smith & Wesson No. 2, serial number 29963, a .32 rimfire with a six-inch barrel, blued finish, and varnished rosewood grips. The gun did not sell because the highest bid of $220,000 was less than the reserve set by the gun's owners.

The grain appearance is prized, likened to that of mahogany, and is often varnished for a decorative appearance. When used for the backs and sides of high-end acoustic guitars, okoumé (or as it is known in the trade, akoumé) exhibits many of the tonal properties of maple. Guitars made with okoumé are noticeably lighter in weight than those made with mahogany or rosewood.

The church is built in the Decorated style and designed to accommodate 300 persons. It was built to contain a nave, two transepts, apse, porch and two vestries. An intended schoolroom was not built as part of the original work due to funding limitations, but constructed in the early 20th century. Many of the church's fittings and decorations were made from varnished pitch pine. Mrs.

The trousers have 2–3 mm wide yellow stripes. The headgear is a casque or pickelhaube dating from 1887 and made out of varnished leather, with silver metal details. The spike on top can be replaced with a white plume made of white buffalo hair. The pickelhaube plate on front portrays the Lesser Coat of Arms with a lion holding a banner on each side.

It was renamed The Thirsty Bear in 2012. Side street: Broadwall Bernie Spain Gardens with the Palm Housing Co-operative and the Oxo Tower behind in 2006. Palm Housing Co- operative - a terrace of 3-storey houses and a 9-storey tower, completed in 1994. It is built in warm red brick with varnished oak cladding, zinc and copper roofs with large French doors overlooking the gardens.

The Sunset Park Patrol Cabin was built in 1922 to shelter park rangers and hikers on the Wonderland Trail in Mount Rainier National Park. The cabin, at Golden Lakes, is a log structure about by with a low porch (included in the dimensions) across the front. The interior is finished with varnished logs and a wood floor. It was one of several such cabins built in 1922.

The deceiver was first described by Tyrolian naturalist Giovanni Antonio Scopoli in 1772 as Agaricus laccatus, before being given its current binomial name by Mordecai Cubitt Cooke in 1884. The specific epithet is derived from the Latin adjective laccatus “varnished” or “shining”. Clitocybe laccata is an old alternative name. Var. pallidifolia, described by Charles Horton Peck, is the most common variety found in North America.

Each flat has decorative plaster ceilings to most rooms, and multi-paned French doors open from the main bedroom to the enclosed sleep-out. Doors, architraves and skirtings are finished in varnished timber, with plate rails to the living room. Internal walls are plastered, with paint or paper finish, and the kitchen has been refitted. A detached single garage is located on the northern side of the building fronting Moray Street.

Lafayette (AP-53) afire at New York harbor on 9 February 1942 At 14:30 on 9 February 1942, sparks from a welding torch used by Clement Derrick ignited a stack of life vests filled with flammable kapok that had been stored in the first-class lounge.Ardman 1985, p. 299Maxtone-Graham 1972, p. 367–68 The flammable varnished woodwork had not yet been removed, and the fire spread rapidly.

The story goes that Empress Josephine noticed one of these objects at a picnic. This resulted in a demand for his work from France's high society. At the Salon of 1810, he exhibited a Lioness with lion cubs on varnished sheet metal, commissioned by the Empress. Finding success with the theme of wild animals, Berré started to concentrate on representations of wild animals such as lions, tigers, snakes, etc.

The St. Andrews Patrol Cabin was built by the National Park Service in 1922 as part of a network of stations near the boundaries of Mount Rainier National Park for rangers on patrol. The one-room log structure stands on the Wonderland Trail that circumnavigates Mount Rainier. The exterior of the cabin features a porch to the front. The interior is finished with varnished logs and tongue and groove flooring.

Afterward, he had the skeleton cleaned, dried and varnished. Mayo kept it in an iron kettle in his home office. His sons received their first lessons in osteology based on this skeleton. In the late 20th century, the identifiable remains of Maȟpiya Akan Nažiŋ and other Indians were returned by the Mayo Clinic to a Dakota tribe for reburial per the Native American Graves Protection and Repatriation Act.

As stated above, the exterior materials used in the Horner House include naturally bleached heart redwood, bevelled joint cladding, always used vertically, and plate glass. The two-story core of the main house contains manufactured casement windows, transite spandrels and heads with redwood corners and facias. The doors are solid lumber core, stained and varnished. The screened porch is constructed of four built-up columns, suspended from the cantilevered ceiling joists.

The paint scheme was unusual, since the road name did not appear on each car; rather, only the name of the train, "THE BLUE COMET", appeared in gold lettering on the letter board. Each car was named for a different comet. The name of each car was placed in gold lettering at the middle of each side below the windows. The underframes and trucks were painted royal blue and varnished.

He returned to representational work at the School of the Art Institute of Chicago (MFA, 1985), melding his regard for Minimalism, realist painting skills, and interests in hermeneutics and literature to develop a signature style: dark, highly varnished oil paintings of animals, landscapes and interiors, rendered with meticulous craftsmanship, such as Kings Knight (1986) or Untitled (1987, see right).McCracken, David. "Gallery Scene," Chicago Tribune, January 1988.Holg, Garrett.

Between the fireplace and the rear wall is a built-in dresser or sideboard. Ceilings throughout have been painted white, but the walls are oiled, and have developed a rich patina. Joinery and doors throughout are of varnished red cedar, excluding the rear door at the end of the hallway, which of more recent vintage. The internal floors have been sanded and coated recently with a polyurethane finish.

Each side has, along the ground floor, a single double-hung sash window and jigsaw-cut tracery vergeboards. A door on the south side with simple bracketed hood is the main entrance. It opens into a single large room with varnished beaded walls and simple wood trim. The oldest of the 197 graves, dating to the 1820s, are found in the original burying ground at the northwest corner.

The building is four bays deep, and has two small additions in the rear. One houses a pair of primitive toilets, and the other, a rectangular brick structure, houses a vault. The interior of the town house's main block consists of a single large chamber, with doors at the east end leading to the toilets and vault. The interior finish is varnished pine on the walls and ceiling, and fir flooring.

It was originally called "The Feathers", but was renamed after Swan & Edgar, a former department store at Piccadilly Circus, about two miles away. It was a pub from 1899 until it closed in 2013. It was known for its unusual interior, having varnished books as wall cover and Scrabble tiles as bathroom flooring. In July 2013, the freehold and the pub were offered for sale at a guide price of £650,000.

Tasmanian pademelons inhabit the park The varied vegetation includes wet eucalypt forests, mixed forests dominated by stringybark (Eucalyptus obliqua), rainforests, sub-alpine and alpine forests. The rainforest communities are dominated by myrtle (Nothofagus cunninghamii), sassafras (Atherosperma moschatum), leatherwood (Eucryphia lucida) and native laurel (Anopterus glandulosus). The sub-alpine forests are dominated by three eucalypt types: snow gum (Eucalyptus coccifera), varnished gum (E. vernicosa), Australia's smallest eucalypt, and yellow gum (E. subcrenulata).

Most products of the factory, particularly boxes and dishes, were made of pressed sawdust, which were covered in black paint, decorated, and then varnished. The artistic director of the factory until 1970 was Fedir Panko. From 1970-1988 this position was held by Vasyl' Sokolenko, and then by Anatolii Chernus'kyi, Volodymyr Hlushchenko, and Serhii Dreshpak. Its artistic advisory council included such famous masters as Hanna Samars’ka and Yavdokha Kliupa.

Plaxton Pointer bodied Dennis Dart in September 2002 in the former red, white and grey livery Plaxton President bodied Volvo B7TL in the Best Impressions designed livery. Plymouth City Tramways initially used a maroon colour scheme but a yellow and white livery was introduced in 1922 although some had varnished teak bodies. A change to maroon and white was made in 1929. Buses later used a bright red and cream livery.

The body of the church is a large space, brightly lit and uncluttered. The walls and flat ceiling are painted white complementing the stained and varnished timber elements. The floor is plain concrete squares with a red and gold carpet running the length and width of the aisle. The pews are silky oak, carved with a version of Durer's "Praying Hands" at the aisle end; some have memorial plaques, e.g.

The Koompartoo Sydney Morning Herald 13 April 1922 Koompartoo's livery generally followed the Sydney Ferries Limited tradition of varnished superstructures with white edging around the promenande deck. The steel hull and main deck bulwarks were painted a light grey. Her strikingly tall single funnel was painted black. With the opening of the Sydney Harbour Bridge in 1932, the once crowded Circular Quay to Milson's Point route was now effectively redundant.

The ranch consists of seven cabins, a lodge-dining hall and a laundry-utility building, as well as a barn, garages, sheds and a corral. The ranch is sited on the west bank of the Snake River. All buildings are in the style known as "dude ranch vernacular", characterized by log construction and board-and-batten infill. Logs are generally varnished brown, but roofs are red or green asphalt roll roofing.

They failed to score any significantly damaging hits on the Japanese with their and guns. At about (the Chinese had been steadily closing the range), the Japanese concentrated their fire on the right flank of the Chinese line, with devastating barrages poured into Chaoyong and Yangwei. Both those vessels burst into flames, because of their heavily varnished and polished wooden surfaces.McGiffin Burning fiercely, both tried to save themselves by beaching.

The north has square windows in pairs and singled and a freight entrance near the west end. That end has two square windows, one currently boarded up, matched by a passenger entrance and window at the east. Inside the space is divided into a passenger waiting area, ticket office and freight office. Many of the original finishings remain, including the lath and plaster walls, the varnished wainscoting and door and window surrounds.

A metal stair is located centrally at the rear accessing back landings. The building contains two flats per floor, each accessed from a central internal staircase at the front, and an external staircase and back landing at the rear. Each flat contains two bedrooms, a living room, kitchen, bathroom, an enclosed front sleep-out, and an enclosed rear verandah. The entrance staircase is constructed of varnished timber with slim balusters and square newel posts.

The coal masonry was varnished for weather-resistance. Located adjacent to the Mingo County Courthouse, it houses the Tug Valley Chamber of Commerce. The building's construction in 1933 was organized as a publicity stunt by O. W. Evans of the Norfolk and Western Railway, who wished to create a symbol of the "Billion Dollar Coalfield" centered on Williamson. While it is known as the "Coal House", it has never been a residence.

The vestibule is a small space approximately 16 feet square. It's the first space encountered upon entering the home and is separated from the foyer by a double-door. The foyer contains access to the main staircase with a large carved newel post made from cherry and Birds-Eye Maple. The staircase and landings are cantilevered above the first floor and feature a continuous varnished maple railing supported by 102 turned spindles.

Until World War I the Tonkinese Rifle regiments wore uniforms closely modeled on indigenous dress (see photographs above). These included a flat salacco headdress of varnished bamboo, red sashes and head-scarves. The loose fitting tunics and trousers were usually of blue/black cotton, although a khaki version was adopted for field dress after 1900. The tirailleurs annamite wore the same uniform, with minor differences of insignia and with additional white clothing for summer wear.

The Ladybird is a roughly hemispherical robot which is wide, tall and long. It has a metal baseplate on which the electronics lie, which are enclosed by a red shell with black spots. This shell was originally varnished papier-mâché, but due to deterioration, the Ladybird now has a plastic shell mimicking the original one. The black spots themselves are buttons, and the top of the shell also has a small sliding vane.

Decoration includes timber panelling, mirrors, and painted scenes including: Venetian gondolas, Aboriginal Australians hunting kangaroos, Native Americans pursuing a western covered wagon, sea shells, various animals, nursery rhyme scenes, a lighthouse, tall ships and a Manly ferry steamship. The band organ is manufactured by Gebruder Bruder. It is a 52 key stop pipe organ with two drums, one of which has a cymbal. The organ is wholly contained within a varnished timber casing - elaborately decorated.

Many would even wear varnished shoes, such as high quality leather shoes. Their shirt was worn outside the trousers. Some sources say that the Spaniards did not allow the native Filipinos to tuck their shirts under their waistbands, nor were they allowed to have any pockets. It was said that the intention of the colonizers was to remind the natives that they remain indios regardless of the wealth and power they attain.

Doom painting in Holy Trinity Church Memorial to the dead of in the Falklands War 1982 The doom painting was painted above the tower arch in 1430s. It was discovered in 1831, covered by a lime wash, and was then restored and varnished over by David Gee. In the years following, the varnish darkened and hid the painting from view again. In 1995, conservation and restoration work was begun and the painting was revealed 2004.

Varnished cork tiles can be used for flooring, as an alternative for linoleum, stone or ceramic tiles Cork's elasticity combined with its near-impermeability makes it suitable as a material for bottle stoppers, especially for wine bottles. Cork stoppers represent about 60% of all cork based production. Cork has an almost zero Poisson's ratio, which means the radius of a cork does not change significantly when squeezed or pulled. Cork is an excellent gasket material.

Lyddite presented a major safety problem because it reacted dangerously with metal bases. This required that the interior of shells had to be varnished, the exterior had to be painted with leadless paint and the fuze-hole had to be made of a leadless alloy. Fuzes containing any lead could not be used with it. When World War I began Britain was replacing lyddite with modern "high explosive" (HE) such as TNT.

The rear northern room has a strong room with a heavy iron door. The doors into the four rooms are varnished timber with moulded panels and rectangular glazed fanlights. The ground floor offices are numbered 1 to 4, and the interior double doors to the foyer carry the words "Commonwealth of Australia Naval Office" on the glass. A large plaster royal coat of arms is positioned above the doors of the small entry foyer.

This has a well-detailed and crafted varnished timber balustrade with substantial timber newels. Flooring throughout is of timber boards supported on a substantial framework of timber beams, joists and posts, all of which appear to be part of the 1918-1919 construction. The top floor is largely free of the internal timber posts that are a conspicuous feature of the lower levels. Here, the double-gabled timber roof structure is exposed.

From the room which was formerly the shop, is the straight varnished cedar staircase leading to the attic. It has turned balusters and newel, a panelled spandrel below, and a beaded board soffit over the doorway. The balustrade to the attic is simpler with squared posts and balusters. The attic is a single long room with tongue- and groove beaded boards to the side walls, flat and raked ceiling, and end walls of painted brick.

The building had a shingle roof and a barrel ceiling lined with varnished tongue-and-groove pine boards. Thomas Priest's masonry work on the church was described as "superior to anything of the class in the district" at the time. Rising from the southwestern corner of the building was a low bell-tower surmounted by a spire sheathed in zinc. This was evidently not the lofty tower that was originally envisaged for the church.

Lyddite presented a major safety problem because it reacted dangerously with metal bases. This required that the interior of shells had to be varnished, the exterior had to be painted with leadless paint and the fuze-hole had to be made of a leadless alloy. Fuzes containing any lead could not be used with it. When World War I began Britain was replacing lyddite with modern "high explosive" (HE) such as TNT.

The building still features lighting systems quite advanced for their time, such as the parallel rows of incandescent bulbs that adorn the varnished wood ceiling paneling. Also novel is a painted American flag (c. 1916) covered with light bulbs that flash in an undulating manner. Illuminated signs, possibly the very oldest surviving examples of that type (1894), proclaim "Holiness to the Lord" and "So be ye holy," a reflection of the emphasis at camp meetings.

Varnished violin Violin varnishing is a multi-step process involving some or all of the following: primer, sealer, ground, color coats, and clear topcoat. Some systems use a drying oil varnish as described below, while others use spirit (or solvent) varnish. Touchup in repair or restoration is only done with spirit varnish. Drying oil such as walnut oil or linseed oil may be used in combination with amber, copal, rosin or other resins.

Varnish on wood stairs Varnished oak floor Varnish is a clear transparent hard protective finish or film. It is neither a paint nor stain. In its native state it has little or no color, but may be pigmented as desired, and is sold commercially in various shades. Varnish is primarily used to seal wood finishes where, stained or not, the distinctive tones and grains in the wood are intended to be visible.

236-238 The Paris omnibus was painted in yellow, green, or brown. It carried fourteen passengers on two long benches and was entered from the rear. It was pulled by two horses and was equipped with a driver and conductor dressed in royal blue uniforms with silver-plated buttons, decorated with the gothic letter O, and with a black necktie. The conductor wore a kepi and the driver a hat of varnished leather.

It was considered unreliable and not approved for full installation. alt=Side view of a varnished wooden railway carriage with doors and windows at regular intervals down the side. In 1870, some close-coupled rigid-wheelbase four-wheeled carriages were built by Oldbury. After some derailments in 1887, a new design of long rigid-wheelbase four- wheelers known as Jubilee Stock was built by the Cravens Railway Carriage and Wagon Co. for the extension line.

The deck beams, knees, clamp, and shelf are constructed from white oak, and remain exposed to view from the interior of the vessel. The masts, booms, and gaffs are all original and constructed of varnished Sitka spruce. The cockpit is located forward of a 28-inch mahogany wheel, and a hatch is located forward of that. Aft of the wheel are davits supporting a ten-foot dinghy which hangs over the stern.

The safety fuse is a type of fuse invented and patented by English inventor William Bickford in 1831. Originally it consisted of a "tube" of gunpowder surrounded by a waterproofed varnished jute "rope." It replaced earlier and less reliable methods of igniting gunpowder blasting charges which had caused many injuries and deaths in the mining industry. The safety fuse burns at a rate of typically about 30 seconds per foot (1 second per cm).

His nude drawings and paintings of nudes are mostly of his wife. His collages used photographs and newspaper cuttings combined with brush strokes, influenced by Dadaism and early Cubism. He made abstract oil paintings with brush, palette knife, spray can and other techniques: some of these are intended to be hung in groups and named after the seasons. Sculptures were created from driftwood which Taylor collected from the beach near Portencross, then carved and partly painted or varnished.

The GNRI became Ireland's most prosperous railway company and second largest railway network. The coat of arms of the GNR. In its early years the GNR(I) closely imitated the image of its English namesake, adopting an apple green livery for its steam locomotives and a varnished teak finish for its passenger coaches. Later the company adopted its famous pale blue livery for locomotives (from 1932), with the frames and running gear picked out in scarlet.

This maintains the minimalist design of the O clock range with a plain white face and the inclusion of a seconds hand. The O chive is made of a soft-touch plastic shell and a white matt-varnished metal chain and clip. There were originally 10 colours but the three 80' clock colours were added, bringing the total to 13. The plastic shell can be removed and replaced with another colour much like the O clock faces.

Akita Castle was surrounded by earthen ramparts and had gates at each of the cardinal points. Archaeological excavations have found the foundations of the barracks as well as official buildings for the government of Dewa Province, as well as ceramic roof tiles, wooden tally boards and documents on varnished paper. The site was proclaimed a National Historic Site in 1939. Archaeological excavations indicate that the site had approximate dimensions of 94 meters east-west and 77 meters north-south.

She is fore-and-aft- planked, unlike most skipjacks, which are cross-planked. Her flush deck follows the standard skipjack plan, with a main hatch abaft the mast, followed by dredging gear, a smaller hatch, a doghouse over a very low cabin, the steering gear and a set of davits for the pushboat. The cabin is finished with varnished tongue-and-groove paneling, and has a bunk on each side under the deck. Steering gear is hydraulic.

The material used was Baydur, a high-resilience polyurethane foam produced by Bayer in Leverkusen, Germany. It was varnished in seven colors.Kate Watson-Smyth, "The Secret History Of: The Verner Panton S Chair", The Independent, 22 October 2010. In 1979, however, production was halted as it became apparent that polystyrene (reference required, as in the previous section polyurethane was mentioned as the material from 1968 to 1979) was not sufficiently durable and began to look shabby over time.

A sculpting technique employed by the Spanish artist Juan Martínez Montañés in the 17th-century (Baroque Period), it is used to create lifelike sculptures, hence the name (which translates to English as 'incarnation' or 'bringing to life'The Making of a Spanish Polychrome Sculpture (exhibition), The National Gallery (London). Retrieved 2012-04-13.), which after carving and drying for 6 months are painted, varnished and sanded. These steps are repeated several times until a lifelike glow is achieved.

The letters were edged with a thin red line and given depth with black shading. This livery was one of the most ornate and distinctive used on British locomotives, and is remembered with nostalgia. Carriages were all mahogany in colour, with white roofs and black chassis gear. Initially the wood of the body was varnished, but as it became harder to maintain a high-quality varnish finish and it was painted in a similar- coloured paint.

1556 and a 1720 class haul the northbound Sunlander through Yabulu in 1991 Lounge car of The Sunlander in 1978 From December 1924, when the North Coast line was completed, a steam hauled non air-conditioned train provided the service. In 1935, a new train named the Sunshine Express was introduced. This train of wooden carriages featured varnished timber internal panelling made from natural Queensland timbers. Comforts for that period included electric fans, electric lighting, and leather upholstered seating.

Eremophila vernicosa is an erect shrub which grows to a height of up to with glabrous branches which are thickly covered with resin, making them appear varnished when young, or white when mature. The leaves are arranged alternately, overlapping and clustered along the branches. They are thick, stiff, egg-shaped to elliptic, long, wide, sticky and shiny. There is a distinct mid-vein on the lower surface and the edges often have a few teeth near the ends.

In 1965 and 1966, the platforms were extended to accommodate ten-car trains. The old tiling and mosaics were removed and replaced with the 1970s-style varnished, tan-colored brick tiles. One of the mosaics was preserved in the New York Transit Museum. During the 1980s, when service levels across the subway system were decreased greatly from their heyday in the 1910s, the Metropolitan Transportation Authority installed the system's first train-frequency schedules at the Cortlandt Street station.

Some artists create their toys using synthetic resin material and resin casting. After casting the resin toy receives adjustments in its details, sometimes being superficially cast on some parts. The toy can be finished using automotive paint by aerosol and sometimes receives a varnished layer above the dry painting. The process of making resin toys is more labor-intensive and time-consuming than industrialized vinyl toy production, which in most of cases are made identical and in large quantities.

The Hill & Son Organ seen from the console, in St John's New Town The church's organ has evolved over time, as described by John Maidment: > The first organ was built by Gray & Davison, London. It had a Gothic case in > stained and varnished oak, with gilt facade pipes. This organ was sold to St > John's Presbyterian Church, Macquarie Street, Hobart and was replaced by a > new organ built in 1901 by Geo. Fincham & Son of Melbourne.

The Bermudian yawl Capricia was built by Bengt Plym shipyard in Sweden, on a project by Sparkman & Stephens New York City (United States) (number 1645), the world-famous yacht design firm. The vessel is entirely made of wood: white oak for the structure, mahogany for the planking, teak for the deck, Canadian spruce for the masts. The original owner was Einar Hansen, Malmö, Sweden. Capricia has a copal-varnished hull and brick red sails that make her instantly recognisable.

Pieces are carved from a single block of basswood, allowing the carving to take on a sculptural quality through the interplay of mass and space. The carvings are finished with sealer, but not varnished, and presented either without color, or with a hand-painted, detailed, watercolor finish and then waxed. Kaisersatt teaches classes (held through Whillock Studios and CCA) which focus on design, clay modeling, and carving technique. He is a founding member of the Caricature Carvers of America.

The manuscript is also known as the Beato of Valladolid. It consists of 230 folios conserved in good condition—another fourteen are missing—measuring 35.5 x 24.5 cm and containing 87 miniatures and numerous drop capitals. The bright colors come from azurite, malachite and cinnabar pigments mixed with egg, honey or glue, and varnished with a coat of wax. The figures de of people are limited to lines and their expressivity comes from their large almond-shaped eyes.

The Washington Post. D1. Judith Crist of the New York Post thought that the film was "a mindless compendium of stale plot and stereotyped characters varnished with foul language and garnished with violence." David Ansen of Newsweek wrote, "You don't believe a minute of it, but at the end of the quest, it's hard not to chuckle and cheer."McGilligan (1999), p.273 The film has a score of 75% on Rotten Tomatoes based on 28 reviews.

The church is made up of a three-bay nave, north aisle, chancel, north vestry, south porch and three-stage tower. The interior of the walls are of Bath stone with courses of red brick, and the pillars of the north aisle are also of Bath stone. The corbels were carved by Mr. John Seymour of Taunton and Mr. Albert Merrick of Glastonbury. The roof of the nave is made of red deal shingle, with varnished cross ties.

Fixed to the wall above the altar is a large, stained and varnished timber crucifix flanked by timber Greek letters alpha and omega. On the east side of the sanctuary is the main vestry and on the west is the server's vestry. The rooms also contain timber tables and chairs that appear older than 1960. The choir loft over the vestibule is supported by twin, canted, timber columns and is accessed via a small stair on the east side.

No claim was made that either the camera or the daguerreotype process itself, in its then-current state of development, was suitable for portraiture. The cameras made by the competing manufacturer, Alphonse Giroux et Compagnie, are nearly identical. There are only two obvious differences: their color and their labels. The Giroux cameras were made of hardwood and have a varnished natural wood finish, while the Susse Frères camera was made of a softer wood and painted black.

The replacement of the nave of St Giles at Dallington, East Sussex was completed in 1864; it replaces a nave built around the 15th century, and adjoins a 16th-century tower. The 1864 nave has "varnished roof timbers with cusping and rounded ties". There is 15th-century-style tracery, and an arcade with large, crocketed capitals in imitation of an earlier style. The interior is low and without a clerestory, like the previous 15th-century nave that it replaced.

The dock, the Judge's chair and the benches for witnesses, jury, clerks and reporters have also been restored, varnished and re-upholstered with horsehair. Paintings of session judges on the walls have also been restored and framed, while the walls have been repainted in their original red colour. The docks of both court rooms were originally linked by a tunnel to Usk Prison next door. After the opening of Newport Crown Court the Sessions House was a Magistrates' Court until 1995.

In addition to these athletic spaces, the basement had a locker room and a bath and shower facilities. The college experienced an increase in enrollment, partially attributed to the college's expanded physical education facilities and an increased emphasis on systematic physical exercise. During the summer of 1915, the gym was reconditioned with the addition of a new water heating system and a miniature post office, allowing students to store individual exercise direction cards. The woodwork was cleaned and twice varnished.

Such synthetic fabrics last for many years before deteriorating due to harsh UV rays. UV damages varnish (causes degradation, loss of color and elasticity and finally cracking and peeling) and the materials of which sails are made (often Dacron today). To avoid constant boat repair, covers are fabricated for all sails that are left outside, and all brightwork, or highly varnished wood. Hatches are covered for interior sun protection and winches are covered to protect them from deterioration of airborne particles and rain.

Between 1890 and 1939 about 30 pleasure boats operated from Margate beach. The main builder of these Thanet wherries was Brockman's of Margate, which turned them out in large numbers before World War I. It developed two distinct types of boats: the wherry proper, with high sides, and the wherry punt, with low sides. The hulls were traditionally varnished, a practice employed by boatmen from Thanet to Devon. Some boatmen put a wider beam into the design to assist fishing.

A Kholuy miniature box depicting the town of Suzdal A Kholuy miniature is a Russian folk handicraft of miniature painting, made with tempera on a varnished box of papier-mâché. This form of Russian lacquer art is produced exclusively by students of the Kholuy school. The Kholuy school of icon painting was founded in 1883. The school continued the local handicraft of icon painting known since the 16th century, but after the Russian Revolution the icon painting workshops were closed.

The muzzle of a Leather cannon in the collection of the Germanisches Nationalmuseum The leather cannon, or leather gun,Adair (1997), pg. 142–3 was an experimental weapon, first used in northern Europe in the 1620s. The aim was to construct a light and cheap weapon that would bridge the gap between the hand-held musket and the heavy stationary cannon. The varnished leather from which the gun got its name acted merely as the outer protective surface of the piece.

Every March, the Oosik Classic Ski Race is organized by the Denali Nordic Ski Club. Distances are approximate and trail conditions are variable. The Moose Dropping Festival, a two-day celebration held each July, came to an end with the announcement on August 21, 2009, by the Talkeetna Historical Society that the festival has been canceled. The event was named after a lottery where participants bet on numbered, varnished pieces of moose feces, or "moose droppings" dropped from a helicopter onto a target.

The interior of the building, which remains highly intact, has a strong aesthetic appeal generated by the clear varnished silky oak lining boards, joinery, furniture and memorials. This interior remains important in demonstrating the aesthetic possibilities of simply-designed, small timber churches of this era. The place has a special association with the life or work of a particular person, group or organisation of importance in Queensland's history. The place has a special association with the Bush Brotherhood movement in western Queensland.

The Roberts dissolved rubber in a solution of turpentine, with which they varnished stitched-together sheets of silk, to make the main envelope. They used alternating strips of red and white silk, but the rubberising varnish yellowed the white silk. The balloon built by Jacques Charles and the Robert brothers is attacked by terrified villagers in Gonesse. Jacques Charles and the Robert brothers began filling the world's first hydrogen balloon on the 23rd of August 1783, in the Place des Victoires, Paris.

In Act 2, Scene 5, however, Gobbo is intercepted by Shylock, who berates him for his change of allegiance. Gobbo seizes on Shylock's repeated mentions of Jessica's name as a pretense to call her. When she arrives, Shylock gives her the keys to his house and the responsibility of keeping it safe while he dines with Antonio and Bassanio. Upon learning there will be a masquerade, he enjoins her to shutter the windows and not "gaze on Christian fools with varnished faces".

In 1900 the company built its first motor car, a rustic-looking dogcart made of varnished wood, powered by a flat-twin 8hp engine with gear-change by "Patent Combination Clutches" and solid tyres. In 1903 Albion introduced a 3115 cc 16 hp vertical-twin, followed in 1906 by a 24 hp four. One of the specialities the company offered was solid-tyred shooting-brakes. The last private Albions were powered by a 15 hp monobloc four of 2492 cc.

On the south elevation is a two-and-a-half-story tower with metallic mansard roof dormers and bracketed cornice. The mill and office building retain much of their original finishing. The former, redecorated in a Queen Anne mode by Saratoga Springs architect R.N. Brezee, features oak and cherry wainscoting, a highly decorated cashier's desk and walk-in vault. Similarly, the bag factory has a wainscoted cashier's office with pay windows, staircase with two open flight and varnished newel posts with turned balusters.

The glider featured two wooden parallel trusses running along its spine, with two widely spaced truss wing spars. Wing ribs were attached to the spar with varnished shoelaces. The wing shape featured a straight leading edge with the trailing edge tapering back to the tail giving it a distinctive "Half Pie" appearance from the top. The vertical stabilizers were low, but ran the full length of the fuselage on either side with small canard like control surfaces at the leading edge.

The steam may also damage materials such as varnished wood, or cause mold from the moisture left behind. Effective treatment requires repeated and very thorough steaming of the mattress, box spring, bed frame, bed covers, pillows, not to mention other materials and objects within the infested room, such as carpets and curtains. Infested clothes can be effectively treated by a high- temperature ironing with vapor. If performed meticulously, this method yields faster disinfection compared to high-temperature washing in a washing machine.

At times, the painter might even remove an entire layer of paint and begin anew. This can be done with a rag and some turpentine for a time while the paint is wet, but after a while the hardened layer must be scraped off. Oil paint dries by oxidation, not evaporation, and is usually dry to the touch within a span of two weeks (some colors dry within days). It is generally dry enough to be varnished in six months to a year.

A table green wood-stained and varnished with three layers of polyurethane varnish Polyurethane varnishes are typically hard, abrasion- resistant, and durable coatings. They are popular for hardwood floors but are considered by some wood finishers to be difficult or unsuitable for finishing furniture or other detailed pieces. Polyurethanes are comparable in hardness to certain alkyds but generally form a tougher film. Compared to simple oil or shellac varnishes, polyurethane varnish forms a harder, decidedly tougher and more waterproof film.

93 including uprights as well as squares and grands, producing as many as thirty pianos a week. The factory was equipped with a steam engine, as well as steam powered elevators and drying rooms, and had been augmented with a second wide building where grand cases, sounding boards, and actions were manufactured and cases varnished and iron frames gilded."The Piano Forte Manufactory of Knabe & Co., Baltimore" Debow's review, Agricultural, commercial, industrial progress and resources. vol.2, no.1, p.

The ceiling and the walls are clad with steam-proof materials such as varnished plaster or (for the lower walls and floors) marble. The vestibule or changing room is typically one of the most decorated chambers of the complex, often featuring a central fountain and equipped with benches. In Ottoman baths, the changing room was ringed with multi-level wooden galleries which gave access to smaller rooms for changing. Toilets or latrines were historically often included at some accessible location in the complex.

Ethiopian diptychs often have a primary wing with a frame. A smaller second wing, which is only the size of the image within the frame, is painted on both sides to allow closed and open views. Icons are painted on a wood base support, but since about the 16th century with an intervening cloth support glued to a gesso layer above the wood. The binding medium for the paint is also animal-based glue, giving a matt finish which is then often varnished.

O'Malley made the Sign of the Cross, and said, "Good Lord ride all the way", just before backup astronaut Scott Carpenter, also seated in the blockhouse, made his iconic remark, "Godspeed, John Glenn!" As the countdown clock reached zero, the Mercury-Atlas rocket lifted off at 9:47 a.m. EST, carrying the first American astronaut into orbit. O'Malley had that black button mounted on a piece of varnished wood as a souvenir, which he continued to proudly display into retirement.

Wisconsin State Capitol at night. On the night of February 26, 1904, a gas jet ignited a newly varnished ceiling in the third capitol building. Although the building had an advanced fire-fighting system, the nearby University of Wisconsin–Madison's reservoir, which supplied the capitol, was empty, allowing the fire to spread substantially before the switch to alternate city water supplies could be made. Madison firefighters could not handle the blaze on their own, so additional men and equipment had to be brought from Milwaukee.

In 1916, Eggleston created an iconic painting for the Fisk Tire Company, one of a number of illustrations the company used to show its advertising icon, a boy with a tire. Eggleston's painting was printed, the print varnished to resemble a painting, and hung in Fisk tire stores. He also created the art for a Great Lakes Exposition advertisement in 1937, used on "millions of posters and booklets."He also did an Art Deco series of paintings featuring railroad destinations for the Pennsylvania Railroad.

His varnish technique was far from good. It seems he varnished his paintings while they were still on the easel, instead of lying down. This made the varnish dripping down and be unevenly spread over the painting, resulting in areas of high reflection, followed by matt areas. However, the different patches in the reflection of the varnish also indicates that Raeburn did not only varnish his paintings vertically, but that in addition, he let his paintings dry for a too short while, before varnishing them.

The toilets are also utilised by customers of the station restaurant and when closed are gated across. At the entrance to the platform there is a shall wooden chalet structure which is used by station staff when checking tickets, it also houses various signage and cleaning equipment. This structure was installed in 1991 replacing an earlier version which was time-expired; this structure was originally in a varnished finish but as part of minor refurbishments in 2009 was painted into the standard maroon and cream livery.

For this reason, if a fingerboard comes loose, as may happen, it is vital to loosen the strings immediately. The shape of the neck and fingerboard affect how easily the violin may be played. Fingerboards are dressed to a particular transverse curve and have a small lengthwise "scoop" or concavity, slightly more pronounced on the lower strings, especially when meant for gut or synthetic strings. The neck is not varnished, but is polished and perhaps lightly sealed to allow ease and rapidity of shifting between positions.

Not only was the church built on the foundations of the second church, parts of the exterior wall up to the stained glass windows were retained. In rebuilding the church, the architectural style was changed from Roman Renaissance to Neo-Gothic, and in order to make the building more fire-resistant, Father Finnegan replaced the varnished wooden walls with bare cement brick walls. On 4 January 1932, then archbishop Guillaume Forbes of Ottawa consecrated the marble altar. It is this third church that still stands today.

Eucalyptus subcrenulata was first formally described in 1929 by Joseph Maiden and William Blakely in Maiden's book A Critical Revision of the Genus Eucalyptus, from specimens he collected near Mount Field East in 1906. The specific epithet (subcrenulata) is derived from the Latin sub- meaning "somewhat" or "not completely" and crenulatus meaning "having small, rounded teeth", referring to the leaf edges. This eucalypt is in the subgenus Symphyomyrtus, section Maidenaria, series Semiunicolores along with two other Tasmanian species, Tasmanian yellow gum (E. johnstonii), varnished gum (E.

Bedroom B was known as the "French cabin" because it was Louis XV-inspired, featuring varnished oak panelling and Cabriolet furniture.Beveridge 2008 p. 59-60 In the "special staterooms", there was a wide range of finely carved panelling, veneers, and marquetry made from exotic imported woods like Mahogany, Sycamore, Walnut, Oak and Satinwood. Such was the attention to historic detail that every piece of furniture, light fixture, upholstery, and woodwork was recreated with an obsessive care for accuracy by designers and master craftsmen at Harland and Wolff.

The graceful caryatids, seemingly sustaining the balcony on their fingertips, must be of iron or some synthetic composition; they were certainly never carved in stone. Whether these are themselves supports or whether the balcony is cantilevered on iron beams, the real construction is concealed. The wall panels not of wood but of plaster, supebly grained and varnished. Only the mirrors between the columns on the stage are what they seem; yet by a final paradox they create a faery unreality by their repeated reflection.

In 1814, Louis Bohne asked Madame Clicquot to "have a pretty ornamental design printed". This was probably one of the first labels used for champagne. The green bottle sealing wax was gradually replaced by foil or tinsel wrapped round the cork. In 1895, it was covered with an additional plain, varnished or polished metal cage, bearing the anchor logo and the initials V.C.P. In 1899, white or yellow paper band, depending on the quality of the wine, was added to the neck of the bottle.

Cole's unique table tops were made from the varnished doors of retired Red Cars of the Pacific Electric Railway. The tables were removed as part of the renovation and were reportedly relocated to the developer's nearby corporate headquarters above Clifton's Cafeteria. The restaurant claims (along with Philippe's) that the first French dip sandwich was served at Cole's in the same year. Some have suggested that Philippe's is the original, as the sandwich was named "French" dip because of the original proprietor Philippe Mathieu's French heritage.

Built in 1739, the church is a T-shaped church, and is protected as a category A listed building. Externally it is painted white. The wooden pulpit is probably original to the church, complete with an old sounding board as a canopy. The pulpit is on the long wall of the church with the people seated facing each other on dark varnished wooden pews along two arms of the 'T' shape; the third part was partitioned off in the 1950s to form a vestry.

Three different body sizes were then carved in Styrofoam and, "using pattern-making techniques, two-dimensional photographic goose costumes were printed and assembled". The Styrofoam bodies were cast in fibreglass, covered in the photographic sheathes, and varnished in a tinted brown that has yellowed somewhat over time. In Snow's original preparation for the work, the title was given as Flight Stop (and indicated as the "Flight Stop project" in the archival materials). However, in a number of monographs and catalogues, the work is called Flightstop.

Some, however, had highly detailed and beautifully executed scenes such as sailing ships or local wildlife. All the pieces of furniture were painted and shared the same embellishments. The most popular base colors were tan, blues, greens, and pinks, though there are a few rare examples where the natural wood is varnished but left unpainted with the exception of the painted floral accents. Restoration of Cottage furniture is difficult in the extreme, tops of pieces were rarely painted in detail for this express reason.

The main entrance, framed by square pilasters, sidelights and a transom with a pattern of repeating semicircles set in a rectangular border, holds a stained and varnished door with recessed panels decorated in a leaf-and-dart pattern. It opens into an entrance hall with a switchback stair, its open stringers decorated with a scroll relief. The newel at the base consists of a square bottom with a round turned post carved in an acanthus leaf relief pattern. It is capped in a carved acanthus scroll.

In the bedrooms, which did not have varnished walls, the stencilled designs are more intact. The house was also reputedly the first in Charters Towers to have electric lighting, run by a 32 volt generator under the house. When Dakingsmith wound up Daking-Smith & Co. in 1925 his property and store in Deane Street, adjacent to Aldborough, was transferred to bakers Herbert Powell Jones and William John Lang in January 1926. After their business folded the land was sold to Jessie Beach in 1947.

The World That Summer (or The Wörld Thät Sümmer, as it appears on the album packaging), is an album by Death In June, released in 1986. Originally recorded between 1985 and 1986 and previously available only on LP format, The World That Summer was reissued on CD digipack packaging complete with varnished cover artwork and a booklet with photos and lyrics in 2000. Douglas P. is accompanied on this album by David Tibet (as Christ'777') and Andrea James (part of the duo 'Somewhere in Europe').

The longitudinal plan of the chapel includes a rectangular nave preceded by an open porch awning covered in tile. The facade is constructed in irregular granite blocks, with its joins painted in white, while the embasement is encircled by friezes and cornices, with pilasters situated on the corners, surmounted by pinnacles. This facade is oriented to the southwest with two stone, rectangular pillars supporting a cornice of cement and covered. It floor consists of blocks of granite, while the awning is constructed in varnished wood.

Accessed 16 July 2006. During the Vietnam War, the room containing the painting became the site of occasional anti-war vigils. These were usually peaceful and uneventful, but on 28 February 1974, Tony Shafrazi—ostensibly protesting Second Lieutenant William Calley's petition for habeas corpus following his indictment and sentencing for the murder of 109 Vietnamese civilians during the My Lai massacre—defaced the painting with red spray paint, painting the words "KILL LIES ALL". The paint was removed with relative ease from the varnished surface.

This is an above average comeback for Ginuwine fans and lovers of real back to the basics R&B; to enjoy. Welcome back Ginuwine, you've been missed." Paul Lester found that A Man’s Thoughts "is quite a different proposition to his earlier work. It’s the same milieu – slick, glossy soul – but here the stark atmospheres and electro edge that once undercut his songs about sex and sensuality are replaced by a varnished efficiency that makes most of these 15 slow jams sound the same.

Installed in 1936 just off the lobby, the first Bear Pit featured carved and inlaid wood panels with humorous scenes involving bears, created at Reamer's suggestion. When the lounge was converted to a coffee shop, the lounge was relocated to the dining room extension and the panels were replicated in etched glass in 1988. Some of the original panels remain in the snack bar. In 1940 the interior logs were peeled, revealing patterns created by bark beetles, and in 1966 the logs were cleaned and varnished.

In 1955 Hans Herbig died; for the first time no bearer of the traditional name Herbig was to be found. During the next three years Erich Zschocke informed the company. The collection of the passionate fancier of hand-painted porcelain and varnished objects, together with the collection of Kurt Herberts, later paved the way for the collection of the Museum für Lackkunst (Museum for Lacquer Art) in Münster. In 1957 the Herbol- logo was redesigned by the American designer Raymond Loewy (Coca-Cola bottle, Lucky Strike).

Finishes include plaster walls, vinyl-asbestos floor tiles and varnished wood trim throughout. A steel plate chimney rises through the roof at the southwest corner of the light. The fourth level has a lantern/watch deck and is surmounted by a conical roof with ball finial. On June 1, 2006, the light station was declared surplus, and the application for transfer under the National Historic Lighthouse Preservation Act of 2000 is complete and it has been recommended for transfer to the City of Oswego.

Afterwards, the bakyâ could then be painted or varnished, traditionally, on the specification of the person who would wear it. Uppers of traditional rattan or tight cloth (or modern plastic or rubber) will then be fastened using clavitos (tiny nails). The finished product has been a symbol of the masses since its popularity. However, since the early 21st century, the usage of the bakyâ has been revived by the upper classes of society, effectively changing the symbolism of the footwear from mass representation to holistic societal representation.

Among the leading builders of 1920s runabouts was John L. Hacker, who founded the Hacker Boat Company in 1908. Hacker was a pioneering naval architect who developed many design innovations, like the 'V-bottom'. His designs became the model upon which virtually all subsequent runabouts were based. Shortly, similar upscale varnished-wood runabouts by Gar Wood and Chris-Craft and were also available, fitted with windshields to protect the cockpits and up to Liberty V-12 marinized surplus World War I aero engines built for speed.

The original stairwell is located on the western side of the building at the centre. The stair comprises stained and varnished, turned timber posts and balusters, with a shaped rail, simply carved end brackets and sheet vinyl treads with metal strip edging. The original first floor residence of the Wollongong East Post Office comprises seven rooms off a central corridor, which runs east to west along the southern wall of the building. The northwestern corner room, centre room and southeastern corner room are carpeted.

According to a 1933 Stake Report, during the months of November and December the chapel, amusement hall and classrooms were renovated. The exterior wood trim was painted, and the interior wood trim was re-varnished. The ceiling in the auditorium was painted, and the walls and ceilings in the chapel and amusement hall were replaced, painted and "starched". The walls in the classrooms were "re- calcimined", the boiler was overhauled and new flues were installed, and new linoleum flooring was laid in the front entrance hall.

The stairwell, illuminated by a large roof lantern and arched windows, has been converted to a fire isolated exit separated from the office space. A smaller staircase, with similar but less ornate details, is located in the eastern corner of the building and opens onto the banking chamber. The George Street entry vestibule, once identical to the Elizabeth Street vestibule, is fitted with varnished maple panelling, a suspended vermiculite ceiling and two lifts. Original glass and timber doors between the vestibule and the banking chamber are all that remain of the original fittings.

He has lived at Owlpen Manor in Gloucestershire since 1974, where he manages the historic estate. He was co-founder of Mander Portman Woodward, a group of independent sixth-form colleges based in London, and of Sutton Publishing in Gloucester. He is the author of Varnished Leaves, a history of the Mander family (2004), and Country Houses of the Cotswolds (Aurum Press, 2008; Rizzoli, 2009). He has served as a company director of a number of companies in the UK and Spain, and is involved in many charitable and voluntary organisations.

The north and south sides of the church are strengthened with buttresses, while the west end gable contains a bellcote of Ham stone with one bell and surmounted by a wrought iron cross. The church's porch was added in the mid-20th century. The internal fittings, including the open-timbered roof, pulpit, reading desk and benches, were made of stained and varnished Dantzic fir. After World War I, a wooden war memorial was attached to the church wall in remembrance to the seven local men who lost their lives in the conflict.

The original ticket window and the varnished pine door and window architraves. Immediately east of the entry is a fireplace whose mantel is decorated in molded brick in floral patterns. The facility comprises a railroad yard full of restored and unrestored railroad equipment, and the restored station house containing exhibits of photographs and railroad paraphernalia, model train layouts, an extensive reference library, and a gift shop. The station is "significant in the history of Danbury" and also as a "good example" of a turn-of-the-twentieth-century railway station building.

Moynat patented its first inventions for packaging materials in 1854.National Industrial Property Institute (France) The label was the first to use hardened gutta-percha waterproofing to produce its trunks and packing boxes. In 1870, Moynat brought out the wicker trunk, known as the "English trunk" or "Moynat trunk",Le Gaulois, October 10, 1873 a lightweight structure consisting of a wicker frame, covered with a varnished canvas and leather trimming. The product weighed a mere two kilos and was highly sought after by travellers wishing to avoid excess baggage fees.

The belfry atop the bell tower was originally topped with battlements similar to those atop the square tower, but those were removed some time after 1941. The original plans called for a polygonal spire to top the bell tower, but it was never built. The nave of the church is approximately by , and its exterior is segmented lengthwise by several buttresses, between each lancet windows are located. The roof of the nave is steeply gabled and constructed of varnished cedar wood covered originally with seamed tin but later with more contemporary roofing material.

There remains a demand for soluble powders (sometimes known as vanished powders) based on natural sugars which are often used when the final printed sheet is to be varnished. In addition there is still a relatively small amount of powder made from minerals (e.g. Calcium Carbonate, rather than Talc) used in offset litho printing; however these mineral powders are not so popular because of the potential health implications and abrasive properties. Spray powder is used to separate printed sheets to enable air to naturally dry the printing ink.

The panels came from Jesus College, possibly from the college chapel which was renovated in 1864 by the architect G. E. Street, or from a disused gallery in the library; the balustrade previously ran along the tops of the chapel's pews. The college's archivist has described the chancel as containing "a startling assemblage" of panels, "patched together in jigsaw fashion" and "heavily varnished". A stone dating from the 6th century and inscribed with the name "Ergagni" is kept in the transept. It was discovered during excavations of the Pen Eglwys Edern site in 1972.

Early designs of the 1920s were often built by amateurs, who employed the lightest materials available to them at the time, which were often glued timber boarding or plywood on the floor, plywood topsides, and varnished canvas decks. Most were about long and stepped hulls were employed with a step to induce air under the hull, to enable the boat to float on air bubbles. The principle behind 'planing' was not fully understood. Thus, hulls were flat bottomed with an upward curve at the bow and the step of the way aft.

Tarahumara style flute, collected by Richard W. Payne, from the collection of Clint GossMusic and dance are highly integrated into Tarahumara social life. The classical pianist Romayne Wheeler writes that "Music sanctifies the moment in the life of all the Tarahumaras," and "All of our actions have musical meaning." During the end of the year cycle, the Tarahumaras play violins which are masterfully carved but not varnished. The tunes are known as matachín pieces and are danced by dancers lavishly dressed in colorful attire resembling North African garments and accompanied by rattles (sáuraka).

However, Addington was not yet set up for mass production and construction was intermittent and drawn out, resulting in changes to the design over the course of building. The first pair had a curved running board that started high near the smokebox and curved over downward over the lead driver. The livery was black edged on the tender and cab with chocolate, and lined with a gold stripe. the boiler bands, steam dome casing and leading edge of the Belpaire firebox were polished brass and the wheels and frames were varnished.

On the south side of the chancel is the organ chamber, and on the north side is the vestry which has access through the north wall and into the chancel. The chancel arch was built "as lofty as possible", being the "chief internal feature of the structure". All the woodwork is made of pitch pine, and was originally treated or varnished to appear as close as possible to its natural colour, although the roof timbers looked warmer than the pews when new. The nave is by , and the north and south aisles are by .

For centuries, laccate (varnished or polished) Ganoderma species have been used as traditional medicine in many parts of Asia. These species are often mislabeled as G. lucidum', although genetic testing has shown this to be multiple species such as G. lingzhi, G. multipileum, and G. sichuanense Hennicke, F., Z. Cheikh-Ali, T. Liebisch, J.G. Maciá-Vicente, H.B. Bode, and M. Piepenbring. 2016. Distinguishing commercially grown Ganoderma lucidum from Ganoderma lingzhi from Europe and East Asia on the basis of morphology, molecular phylogeny, and triterpenic acid profiles. Phytochemistry 127:29–37.

Through the efforts of the Parish Priest, Msgr. Alfredo A. Madlangbayan, and the San Sebastian Millenium Restoration Committee, the church façade and the belfry have been repainted, the pews are newly varnished, the ceiling and the roof of the dome have been repaired, the old and leaking roof of the church and convent are replaced with long span GI sheets, and there is a new altar at the vigil room. On account of the multitude of faithful gathering at the church during liturgical activities, especially for Archdiocesan affairs, the sound system was also upgraded.

1808), the chair was produced by the American Chair Company in Troy, New York. Made of cast iron and varnished steel with wood and velvet upholstery, it measured 107 × 61 × 71 centimeters with headrest and armrests, and had a seat height of 48 centimeters. The chair exhibited all features of today's office chairs except adjustable lumbar support: Referencing Olivares (2011). it allowed tilt movement in all directions and had a revolving seat, caster wheels for ease of movement, as well as a headrest and armrests in the armchair variant.

However, case weight (mass) affects how much ammunition a soldier can carry, so the lighter steel cases do have a military advantage. Conversely, steel is more susceptible to contamination and damage so all such cases are varnished or otherwise sealed against the elements. One downside caused by the increased strength of steel in the neck of these cases (compared to the annealed neck of a brass case) is that propellant gas can blow back past the neck and into the chamber. Constituents of these gases condense on the (relatively cold) chamber wall.

Léon Reynier (11 August 1833, in Saint-Cloud – 5 May 1895, in Paris) was a well known and greatly appreciated French virtuoso violinist. He is said to have been presented by Napoleon III with a richly varnished 1681 orange- reddish Stradivarius. A pupil of Lambert Massart, he was awarded first prize in 1848 at the Conservatoire de Paris. From 1875-1879 he became one of the musicians in the French chamber music society La Trompette founded in 1860, along with Léon Hollander (2nd violin), Benjamin Godard (viola) and Jules Delsart (violoncello).

It has been concluded that volatile organic compounds (VOC) such as benzene, formaldehyde, acetaldehyde, toluene, and xylenes have to be considered priority pollutants with respect to their health effects. It has been pointed that in renovated or completely new buildings, the VOCs concentration levels are often several orders of magnitude higher. The main sources of acetaldehydes in homes include building materials, laminate, linoleum, wooden varnished, and cork/pine flooring. It is also found in plastic water-based and matt emulsion paints, in wood ceilings, and wooden, particle-board, plywood, pine wood, and chipboard furniture.

A wide range of products was put on display, transforming the store in a "veritable casbah" of colors and "almost edible" fabrics. Colban also brought significant changes to the aspect of the store, having all the venerable furniture varnished in black. He created new lines of products and started ready-to-wear finely made shirts for men and women. A few years after, he was one of the first of many famous European shops and designers to sell ready-to-wear shirts, ties and accessories to Bergdorf Goodman.

In 1868, then in 1885, the factory was successively taken over by companies specializing in the production of fabrics, then waxed or varnished fabrics. The industrial site was booming, several buildings were built, and a steam engine was installed to replace the mill.Archives départementales de l'Eure, Matrices cadastrales Les Préaux In 1888, the company was taken over by Chapman, which until the 1930s carried out modernization work to improve the manufacturing process of oilcloths. In 1949, the factory was taken over by the company Les Fils d'Émile Sénéchal.

Frontons Sud Chales Sénateur Maze-Sensier (1797–1863) From the estate built by de Berthost, which was over 491 hectares in size, Chales Sénateur Maze purchased 246 hectares including the Château, the farm from the Château, and five other farms. The Château was at its most glorious, 'pediments' were added on both sides and a layer of coloured varnished baked bricks with stones were added on the aging original bricks of St Jean. The four letters M A Z E were engraved in the stonework surrounding the upper windows.

Retrieved 10 February 2020. "State capitalism would be a step forward as compared with the present state of affairs in our Soviet Republic. If in approximately six months' time state capitalism became established in our Republic, this would be a great success and a sure guarantee that within a year socialism will have gained a permanently firm hold and will have become invincible in this country." On seeing the Soviet Union's growing coercive power, Lenin was quoted as saying that Russia had reverted to "a bourgeois tsarist machine [...] barely varnished with socialism".

He complicated the work by overlaying symbols, shapes or lines (often in stark white) on the varnished surface or by inexplicably leaving key areas unvarnished—and thus surreally illuminated—creating what critic Donald Kuspit called an "ominous, unresolved, uncanny contrast." In the early 1990s, Klamen introduced similarly haunting, austere images of architectural interiors—Victorian lobbies, halls and staircases in museums and universities,Klamen, David. "Interiors". Retrieved August 31, 2018. often featuring solitary, illuminated precious objects—with works such as in Untitled (1993, see left) that some critics felt were his most powerful to date.

Carriages from other railways was conveyed on the main line from Perth. After Drummond became locomotive supervisor at Lochgorm in 1896 the older carriages were replaced by bogie stock that had access to a toilet from both third and first class accommodation, gas lighting and steam heating. Passenger carriages had previously been green with yellow lining, but Drummond painted the upper sides white. The livery reverted to green in 1903, although the sleeping carriages that which replaced the Pullmans and main-line excursion trains were built in varnished teak.

There were also difficulties in finding skilled workers due to the remoteness of the location, and a large proportion of the workers were local people who had to be trained. Conditions in the unheated airship shed were also poor: the roof leaked, ice formed on the girders in winter, and condensation caused corrosion of the airship's duralumin structure, so that the girders had to be varnished. For three years the assembly work was close behind that of the designers, and the progress of the design work was the determining factor in speed of construction.

Harris's original proof designs for the Emulation boards, and several other designs, are all today in the possession of the Sussex Masonic Museum in Brighton. In 1957 the original Harris tracing boards, in regular use for well over a century, were found to be falling into a state of decay. They were meticulously restored following an appeal for funds. The boards were found to be painted on mahogany sheets, which were fixed to mahogany panelling by means of 900 countersunk screws (300 per board), with the art painted on the top level and then varnished.

In England in the 17th and 18th century, japanning became very popular and it was used extensively to decorate furniture with raised scenes of birds, flowers and pagodas. At that time, a type of glue called sizing and whitening were applied in successive layers onto a wood surface, which was then blackened or colored before being varnished and polished. Designs were then traced onto the prepared background where they were either decorated by color or with gold. The artisans would add further interest to these scenes by raising the decorated areas.

Encaustic tiles from Godwin of Lugwardine are used on the floor of the chancel and old Portland memorial stones in the remainder of the church. All original fittings, except the lectern and font, were created according to Ferrey's designs, and many furnishings were gifted. The woodwork fittings were created under the personal supervision of Mr. Tilley, while carvings in wood and stone was executed by Mr. Frank Witcombe of Bristol. The open benches were made from stained and varnished deal, while the chancel benches was made to include moulded oak ends and fronts.

He always used material of an excellent quality and in order to accentuate the flame of the maple, he developed a special technique for treating the instrument "in the white". When he varnished his instruments, he attempted to age them slightly by accentuating the grain of the spruce on the belly. The varnish used was generally a golden yellow, but one can also find instruments with a lively red coloring. Capicchioni's work was already quite popular in the early 1960s and his instruments are still sought after today for their excellent sound.

The only noticeable change is the picking-out of some large underframe equipment in silver. However, the design of the carriages was not quite identical to 6 through 8AS, with some modifications from the original design not applied. For instance, the end diaphragm units did not have the flat aluminium ends applied, and the carriages were all fitted with varnished timber wall linings. A new change was the division of the toilet compartments at each end of the carriage into two smaller areas, thus separating the toilet from the sink.

The R.E.P. 1 in 1907 The REP 1 was a single-seat tractor configuration monoplane powered by a seven-cylinder two-row semi-radial engine driving a four-bladed propeller with aluminium blades rivetted to steel tubes. The fuselage was made largely of steel tubing covered in varnished silk and the wings of wood. An elongated triangular fixed horizontal stabiliser was mounted on top of the rear fuselage with a rectangular elevator mounted on the trailing edge, and a fixed fin and rudder were mounted under the fuselage. Lateral control was effected by wing-warping.

Because Warhol had not varnished the painting, conservators at the Carnegie Museum of Art were concerned that traditional solvents would cause the lipstick to soak into the painting and make things worse. On 19 July 2007, police arrested artist Rindy Sam after she kissed the all-white canvas of Phaedrus by Cy Twombly, leaving a red lipstick mark. The artwork, which was worth an estimated $2,830,000, was on display at the Museum of Contemporary Art in Avignon, France. First attempts to remove the mark using about 30 various chemicals were unsuccessful.

Sock hops were held as early as 1944 by the American Junior Red Cross to raise funds during World War II. They then became a fad among American teenagers in 1948. Sock hops were commonly held at high schools and other educational institutions, often in the school gymnasium or cafeteria. The term came about because dancers were required to remove their hard-soled shoes to protect the varnished floor of the gymnasium. The music at a sock hop was usually played from vinyl records, sometimes presented by a disc jockey.

The internal walls are all lined, mostly with wide tongue and groove beech boards with a single bead. The hallway ceiling is of wide beech boards, but the remaining ceilings are of later, narrow tongue and groove boards, possibly indicating that the original ceilings were of calico. The attic rooms are lined throughout with narrow tongue and groove boards. The interior has a number of finishes: the walls of the main rooms and hallway painted or wall-papered (this appears to be quite recent); the attic rooms unpainted; the joinery varnished; and the floors bare.

The interiors of Melwood Park are as impressive as the exterior. The dining room was paneled wood from floor to ceiling, similar detailing is used throughout the dwelling. Recent paint analysis of the interior indicates that Ignatius Digges painted the renovated interior all one color, a rust red, common to the era with a high gloss varnished finish to aid in the reflectance of light. It appears likely that his wife Mary redecorated the interiors shortly after his death in 1785, completing her cosmetic changes sometime after 1800.

A small quantity of wood was purchased and with limited tools and no machines, they were made by hand, and in the absence of electricity they were varnished by candlelight. The business progressed and orders grew for new sets of rowing blades for not only the Oxford University crews but also other schools and colleges throughout the country including the Cambridge University teams. By the time the Second World War broke out the Collar reputation was sufficiently established for Frank to secure a contract with the Air Ministry to make oars for all aircraft lifeboats.

In 1843, he bought the Tyntes Place estate near Wraxall, Somerset, which lay only from the centre of Bristol. In 1854 Gibbs commissioned John Gregory Crace to redecorate 16 Hyde Park Gardens, and then extended the contract to Tyntes Place which he renamed Tyntesfield. In both properties principal rooms, Crace installed wood panels and gold inlays, with oil-varnished woodwork and mouldings, and Gothic fireplaces. Tyntesfield had been demolished and rebuilt only 30 years before Gibbs purchased the property, and then remodelled by Robert Newton of Nailsea shortly before Gibbs purchased it.

Original cedar door and window joinery, skirtings and architraves survive throughout. The boardroom is notable for its joinery including the painted French windows with fanlight to the balcony flanked by large full pane varnished cedar sash windows and full pane sash windows to the former light well to the southwest. This room now has a lower plain plaster ceiling and a three-quarter height partition to the southeast. The hopper windows to the Mary Street side offices do not have internal sills, reflecting the removal of earlier French windows to these openings.

Two rows of hooks were located on both the partition and the corridor wall for the students to hang their wraps on and during inclement weather they left their galoshes on the floor next to the wall. The building had hard wood floors and beautifully varnished scrollwork and woodwork throughout the building. Twice each year, the floor was mopped by women hired specifically for this purpose using big long mops, boiling water, and strong soap. The first mopping was done before the beginning of the school year and the second during Christmas break.

Clifford Coffin (1913 - 1972) was an American fashion photographer, particularly for Vogue magazine, and a "wild and eccentric bohemian". He has also been called "the greatest of Vogue magazine’s 'lost' photographers", and an "outspoken homosexual with a heroic appetite for self-destruction, his bad behaviour was legendary". Clifford Coffin: The Varnished Truth – Photographs from Vogue 1945 to 1955 was an exhibition at London's National Portrait Gallery for three months in 1997. Coffin suffered from alcoholism and drug addiction, and died of throat cancer in Pasadena, California, in 1972, aged 58.

Thus we have the unusual design detail that the family saloon was built narrower at one end (for the servants) than the other. As the requirement for private carriages diminished, the family saloon was used less and less and eventually fell out of use. It was sold by British Railways in 1972, having latterly been used as a work- study office. The Family Saloon is finished in varnished teak - the Great Northern Railway had since the mid 19th century built all of their carriages out of solid teak.

His paints consist of egg yolk, oil and water along with coloring agents, which has a mate finish. Certain elements such as eyes and hair were varnished to make them shine. He mostly sold his wares in his hometown of Tlaquepaque, but spent the Christmas season in Mexico City, selling nativity scenes at the artisans’ fair in the Balbuena neighborhood. Martínez García’s work has received numerous awards and other recognitions both in Tlaquepaque and in other parts of Mexico. He was named a “grand master” in 2001 by the Fomento Cultural Banamex.

As built, she was painted white and maroon with black funnel and varnished timber features. Upon her 1936 conversion to diesel, at a time when Sydney Ferries Limited as seeking a refreshed look for their ferries in the uncertain post-Harbour Bridge times, she and the rest of the fleet was painted in yellow and green with red trim. In the 1960s the NSW government Transport Board updated all their ferries to a more muted cream and khaki scheme. In the 1970s, the fleet were painted in the Public Transport Commission's blue and white scheme.

The main stage and exhibition hall occupies the entity of the space, with the "L"-shaped foyer opening to the square and road. The ceilings of the exterior spaces, tribune and balconies are covered stucco with circular, copper lamps. Over the lateral doors that access the theatre balconies are ceramic elements in the forms of polychromatic wings, in bass relief with birds and flowers. The three foyers, on separate floors, are linked to the main staircase, and decorated in varnished woods, glass/windows and integrated copper and metal elements.

Lapis lazuli, an ultramarine pigment from Afghanistan, was already being imported long before this. The use of overall paint or varnish decoration on large pieces of furniture was first popularised in Venice (then later throughout Italy). There are a number of 13th-century references to painted or varnished cassone, often dowry cassone that were made deliberately impressive as part of dynastic marriages. The definition of varnish is not always clear, but it seems to have been a spirit varnish based on gum benjamin or mastic, both traded around the Mediterranean.

An atelier for textile production had existed in Petrykivka since 1929. In 1958, a cooperative workshop was created in that atelier for the production of varnished Petrykivka painted objects. The artists in that workshop included some of Tatiana Pata's most talented students. In 1958, the staff of the workshop included Hanna Isaieva, Yavdokha Kliupa, Maria Shyshats’ka, Nadia Shulyk, Ivan Zavhorodnii, Halyna Prudnikova, Oleksandra Pikush, Vira Tezyk, Nina Turchyn, Hanna Danyleiko, and (beginning in 1959) Zoia Kudish. In 1961, the cooperative was reorganized as the “Friendship” Factory of Petrikivka Painting (“Фабрика петриківського розпису «Дружба»”).

This patented varnish that Myers invented was able to seal the balloon material to hold the hydrogen gas, that otherwise would penetrate even glass and metal. The silk or cloth fabric used required eight to ten applications of the varnish to seal properly to be thoroughly impervious to hydrogen gas. This same general area of the property was used also for the drying of the varnished fabric. This consisted of twenty foot high clothes line-type poles that were 100 feet apart and further protected by wind-break fences of canvas.

The 14 acre "aerial harbor" facility was surrounded by a 42 foot high fence which is where all the airships were located. It was like a marine harbor that would hold steamships, but contained large balloons instead – that were all behind the world's first scientific and largest air-break wall. The north end of the area was equipment for making hydrogen gas to fill up these balloon envelopes of whatever shape and size they came in. The varnished silk bags that held the hydrogen gas were made by Myers.

The interior has a large two-story living room, finished entirely in original varnished tongue-and-groove woodwork. A balcony runs around all four sides, with a stair rising along the wall dividing the room from bedrooms and bathrooms. with The house was built in 1916, as a satellite cottage to The Belgrade Hotel, built in 1899 and twice enlarged, all to designs by the noted Portland architect John Calvin Stevens. The cottage is one of four built, and was probably designed by Stevens in conjunction with his son, John Howard Stevens.

A delivery wagon is a wagon used to deliver merchandise such as milk, bread, or produce to houses or markets, as well as to commercial customers, often in urban settings. The concept of express wagons and of paneled delivery vans developed in the 19th century. By the end of the 19th century, delivery wagons were often finely painted, lettered and varnished, so as to serve as advertisement for the particular business through the quality of the wagon. Special forms of delivery wagon include an ice wagon and a milk wagon.

Scientific technical researches have led him to use for his works absolutely innovative techniques such as his personal egg-yolk tempera varnished and glazed as well as his personal encausto and his "encaustic pastel". Founder, in 1977, of the "Centre for Research Techniques of Arts" and in 2003 of the "Donizetti School-Museum" online (donizetti-museoscuola.it), Donizetti also contributes to newspapers and magazines with essays on aesthetics and diagnosis of restoration. In 1983 he was given the honour of an anthological exhibition in the halls of the Ambrosiana Museum in Milan.

The kitchen and bathroom facilities are located in a wood-frame addition to the rear. The interior of the diner retains original finishes, including walls finished in enamel panels and varnished wood, a polychrome tile floor, oak booths with Formica table tops, and the main counter's marble and metal finish. The service area also has original features, including enameled refrigerator cabinets and recessed menu boards. The diner, built in 1941 by the Worcester Lunch Car Company, is the only known intact example of a Worcester barrel-roofed diner in the state.

" Joshua Khan of Blare magazine said it "proves age is simply a number that doesn't force a group to falter but instead reinvents nostalgic butterflies and shapes an acoustic ballad destined to be the next stand-in-the-rain love plea." Ben Patashnik of Rock Sound noted the "varnished" production, making it "hard to fall in love with until repeated listens unleash its true charms." However, he also added, "‘Coffee And Cigarettes’ and the title track slowly uncurl themselves over the course of a few days and before you know it, it feels like Jimmy Eat World never went away.

He served as a major in the Staffordshire Yeomanry (Queen's Own Royal Regiment) in World War I, attached to the Yeomanry Mounted Division in the Sinai and Palestine Campaign. He was wounded in the Third Battle of Gaza at Beersheba in 1917, and following the decisive battle of Megiddo entered Damascus in triumph with General Allenby. Extracts from his lively journals describing one of the last great cavalry campaigns were published in Varnished Leaves (2004). He was twice Mayor of Wolverhampton and chairman of the Borough finance committee for a generation, and was awarded the honorary freedom of the borough.

The response of the string can be tested by detecting the motion produced by the current through a metal string when it is placed in an oscillating magnetic field. Such tests have shown that the optimum 'main wood resonance' (the wood resonance with the lowest frequency) occurs between 392 and 494 Hz, equivalent to a tone below and above A4. The ribs are reinforced at their edges with lining strips, which provide extra gluing surface where the plates are attached. The wooden structure is filled, glued and varnished using materials which all contribute to a violin's characteristic sound.

In the first decade of the 20th century, Boulton and Paul besides their wood construction shops also had plants for iron making, wire fencing and structural steel for buildings. It is not surprising therefore that when they became involved with aircraft production in World War I and then began their own designs they soon looked to the use of steel airframes. The Boulton & Paul P.10 was the first example and only their third design. The P.10 was a single-engined two-seat biplane with an airframe of high tensile steel, zinc treated and varnished against corrosion.

Eagerly followed by national and international media, he began negotiations with the well-known aeronaut and balloon builder Henri Lachambre in Paris, the world capital of ballooning, and ordered a varnished three-layer silk balloon, in diameter, from his workshop. The balloon, originally called , was to be renamed (Eagle). Special technical solutions had to be designed for the accommodations for three adults to be confined in a small balloon basket for up to 30 days. The sleeping berths for the crew were fitted at the floor of the basket, along with some of the stores and provisions.

The front entry door has two leaves with stop-chamfered rails and tongue-and-groove boarding, and decorative early iron hinges. Internally, the nave and sanctuary combined measure approximately . Most of the internal finishes of the building are silky oak, including the varnished v-jointed tongue-and-groove boards lining the walls and raked ceiling; the timber scissor trusses of the roof framing, which are exposed internally; the arch of the sanctuary; and the altar rails. The nave is furnished with eight silky oak pews with pegged joints, and the table used as the altar is also silky oak.

A first restoration was attempted in 1726 by Michelangelo Bellotti, who filled in missing sections with oil paint then varnished the whole mural. This repair did not last well and another restoration was attempted in 1770 by an otherwise unknown artist named Giuseppe Mazza. Mazza stripped off Bellotti's work then largely repainted the painting; he had redone all but three faces when he was halted due to public outrage. In 1796, French revolutionary anti- clerical troops used the refectory as an armory and stable; they threw stones at the painting and climbed ladders to scratch out the Apostles' eyes.

The advantage of the reduced charge ammunition to the sniper was that it aided in his concealment as the reduced charge rounds produced less muzzle flash than standard rounds and thus did not give away the sniper's position. Also produced was 6.5 mm gallery ammunition, incorporating a paper or wood bullet; and dummy rounds, which were issued to Japanese forces. These were either all brass rounds or, more commonly, red varnished wood with a metal base and rim. Ammunition used in the spigot-type Japanese grenade launchers often has paper bullets and can be identified by the staked primers.

After the wreck of No.5 Santos Dumont immediately started work on a replacement, which was finished by September 1. Similar to the No.5 but slightly larger, it had an envelope of varnished silk from which an elongated uncovered gondola was suspended by steel wires. The envelope was fitted with a single manoeuvering valve and two automatic pressure-relief valves: in addition there were two ripping panels to enable hydrogen to be rapidly vented in an emergency. The triangular section gondola was constructed of lengths of pine connected with aluminium sockets and braced with piano wire.

Onto the flagged verandah open either French doors or large double hung windows, all screened by varnished louvered shutters. The four panelled front door is glazed with matching sidelights, above which is the Westgarth coat of arms and motto "Mens Concia Recti" displayed in leadlight above the lintel, in the transome light, and repeated on the first floor landing. Internal joinery is of cedar being unpainted except to skirtings and architraves with fine built-in cupboards to bedrooms. There are seven large marble chimney pieces each of a different colour and many other original fittings and glasswork.

The mixture is then shaped into long spaghetti-like strings, straightened, dried, cut, and then tempered in a kiln. The resulting strings are dipped in oil or molten wax, which seeps into the tiny holes of the material and allows for the smooth writing ability of the pencil. A juniper or incense-cedar plank with several long parallel grooves is cut to fashion a "slat," and the graphite/clay strings are inserted into the grooves. Another grooved plank is glued on top, and the whole assembly is then cut into individual pencils, which are then varnished or painted.

The owners have undertaken some minor works including the removal of metal grill gates at the top of the steps to the colonnade entrance, and replaced these with slate grey, steel framed doors with full glazing panels. Dividing the public area from the Long Room is a moulded archway and a panelled cedar counter. The Long Room is a double-height symmetrical space with semi-circular clerestory windows to each side, decorative pressed metal ceiling, and plaster mouldings to the opening surrounds. The interior of the building has plaster walls and varnished cedar joinery including doors, architraves and skirtings.

Farman and Archdeacon at Ghent, May 1908 In March 1908 a period of intense competition between Farman and Delagrange began, Delagrange now flying the new Delagrange II incorporating the modifications that had been made to Farman's aircraft, now renamed the Farman Ibis and with a new covering of "Continental" brand rubberised balloon fabric replacing the original varnished silk.Gibbs-Smith (1974), pp. 254-5 On 21 March Farman set a new record with a flight of just over 2 kilometres (1.25 miles). This was bettered by Delagrange, first with a flight of on 10 April and the next day with a flight of .

The album's sleeve was designed and illustrated by Paul Whitehead who had also designed the cover for Trespass and the band's next album, Foxtrot. The cover depicts characters and scenes based on "The Musical Box" and Coxhill, the manor house with a croquet lawn, itself based on the Victorian home Gabriel grew up in. When the group originally saw Whitehead's painting, they said it didn't look old enough, so he varnished it with honey which made it look like it was an antique from the 19th century. When originally released, the cover shocked some people, because of the severed heads pictured on it.

Local interest in the fate of this landmark building attracted 300 people to the auction, and the sale made the front page of The Northern Miner. Sometime in the 1920s or the 1930s the main section of the house was painted internally, with stencilled patterns over the base colours. Accounts differ as to whether it was painted during the ownership of Edmeades, or the Beaches. As the paint was applied over the varnished timber walls and ceilings of the hallway, living room and dining room, it soon cracked into a crazed pattern, which remains a feature of Aldborough's interior to this day.

Children running for a bun in 2006 Bun-throwing is an Abingdon tradition that began with the 1761 Coronation of King George III. This long-standing tradition of the town has local dignitaries throwing buns (5,000 buns in 2018) from the roof of the Abingdon County Hall Museum into crowds assembled in the market square below on specific days of celebration (such as royal marriages, coronations and jubilees). The museum has a collection of the buns, dried and varnished, dating back to bun-throwings of the 19th century. To date there have been 35 bun-throwing events.

Vertical, half-timber palisade architecture at Covewood Lodge in Big Moose Lake in New York's Adirondack Mountains In the late nineteenth century, when milled lumber was not available or practical, many Adirondack buildings were built using a palisade architecture. The walls were made of vertical half timbers; the outside, rounded half with its bark still on faced Adirondack weather, while the inside half was sanded and varnished for a finished wood look. Typically, the cracks between the vertical logs were filled with moss and sometimes covered with small sticks. Inside, the cracks were covered with narrow wooden battens.

He generally wore a "very extraordinary costume" such as the one pictured on the right: "a dust coat of a reddish havana brown, a suit made of a large grey shepherd plaid check; extremely wide trousers tapered at the ankle, and turned up several inches to display white spats and highly varnished shoes; a 'startling' striped shirt in red and sky blue, with very high false collar of a pattern different from the shirts, a striped vest and a widely spread stock- cravat." He was popularly credited with the possession of over 500 trousers and 5,000 neckties.

The Central Saint Giles at the extreme end of Oxford Street in London (2002–10) is a complex composed of 56 luxury apartments, 53 less-expensive apartments, and 37,000 square meters of offices grouped around a public square with shops and restaurants, covering 7000 square meters. The site was originally occupied by a Ministry of Defence building. A tower of fifteen stories holds the 109 residences, while the offices are in a larger building of eleven stories to the east. The distinctive element is color; the buildings are covered with ceramic tiles varnished green, orange, lime green, and yellow.

Things came to a halt though when Alexandra Spaulding and Hawk Shayne, out of a mutual enmity towards Kyle, fabricated evidence that the "Sampson Girl" contest was a fraud and Mindy's name was mud. Mindy went to the construction site of the new house, where she found Kurt and Roxie asleep in each other's arms! Mindy didn't know Roxie had been helping Kurt with the house, and they had varnished themselves into a corner and had to remain there until the varnish dried. Jealous and angry, Mindy beat a hasty exit, knocking over a kerosene lamp in the process.

The wingspan Vickers Wellington bomber was designed by Rex Pierson and made by the Vickers- Armstrongs company. It was named after Arthur Wellesley, 1st Duke of Wellington. A total of 11,461 were built during the war, more than any other British aircraft except the Supermarine Spitfire and Hawker Hurricane, which were smaller, single-engine aircraft. With its geodetic aluminium skeleton airframe construction covered by a varnished linen fabric skin it was said to be held in great regard by aircrews and pilots for its durability and resistance to damage, able to survive long enough to return home, even if one engine failed.

His first electromagnet was a horseshoe-shaped piece of iron that was wrapped with about 18 turns of bare copper wire (insulated wire didn't exist yet). The iron was varnished to insulate it from the windings. When a current was passed through the coil, the iron became magnetized and attracted other pieces of iron; when the current was stopped, it lost magnetization. Sturgeon displayed its power by showing that although it only weighed seven ounces (roughly 200 grams), it could lift nine pounds (roughly 4 kilos) when the current of a single-cell power supply was applied.

The fire quickly spread through the highly-varnished wood paneling in the lounge and the mezzanine balcony overlooking the lobby. While a significant number died from flames, a greater number of deaths were caused by suffocation from the thick, black smoke. Around 900 guests were able to leave the building but some 150 had to be rescued by the fire services and by heroic members of the public, including two sailors who were reported to have rescued 27 people between them. Two-thirds of hotel fire deaths in 1946 occurred in the La Salle and Winecoff (Atlanta) fires.

In July 1923, WH Jolly commenced operated a service from South Hylton to Sunderland. Following the closure of the railway it was extended from the outskirts of Sunderland into the city centre.Two Sunderland appeals dismissed Commercial Motor 30 April 1965Corporation loses routes battle Commercial Motor 31 March 1967South Hylton Jolly Bus BBC News 1986Jolly Buses South Hylton Local History Society The Jolly Bus ran from Claxheugh Road (map) in South Hylton to Evesham (map) and Sunderland city centre (map). The Jolly Bus trademark features were both the colour, cream with a brown stripe, and the rear seat, made of varnished wooden slats.

As part of economy measures, almost older and/or larger steamers were put up for sale, and the five "Lady- class" ferries were converted to diesel power in the 1930s with Lady Chelmsford first. Their tall black smoke stacks were replaced with short funnels. Facing uncertain post-Bridge times, Sydney Ferries Ltd sought a refreshed look for their ferries, covering the original livery of varnished timber and white trim with yellow and green paint and red trim. In 1937, Lady Ferguson re-entered service with a six-cylinder 65 hp Henty & Gardner diesel that pushed her to 9 knots.

All Saints is built of blue lias stone, with dressings in Hamstone and roofed with Bridgwater tiles, in the Early English style. It was designed to accommodate 170 persons and is made up of a three-bay nave, two-bay chancel, vestry, heating chamber and tower (incorporating the porch). The tower, in height, was originally fitted with the bells from the old parish church. The open roof is largely made of stained and varnished red deal, and the same material was also used for the pews except those in the chancel which were made from oak.

Turner's biographer, Alfred Whitman, dismisses a tradition in the artist's family that he was apprenticed to George Jones, who was in fact younger than Turner, but suggests that he may have come under the influence of George Jones' father John Jones, who was a notable exponent both of mezzotint and stipple, without making any mention of any formal apprenticeship.Whitman 1907, p.4 In 1798 he was employed by the publisher Edward Orme to produce the first plates for his "transparencies", a new type of varnished and coloured print designed to be illuminated from behind.Whitman 1907, p.

Founded and owned by Neil Underwood, Silver Lake Railroad opened on July 7, 2007, operating from Madison Station (aka Silver Lake Depot) in the town of Madison. This station was a stop for the Boston and Maine Railroad from 1872 until passenger service ended on the line in 1961. The station has been restored over the period from 2002–2007, and much of its original features are intact. The original order boards and stationmaster office were undisturbed, as well as the interior of the station (now housing the Silver Lake post office), which displays its original varnished woodwork.

After the Conquest, the Spanish demanded European style furniture, which was usually made by indigenous craftsmen. As colonial Mexico was Spain's gateway to Asia, oriental techniques such as parquetry and other types of inlay became common as well. The state of Michoacán is a major producer of handcrafted furniture, which can be simply varnished or stained or painted in bright colors. Decorated skull made of sugar for Day of the Dead Ceremonial objects are produced in every region of the country in all different shapes, sizes and colors, whose sole purpose is to celebrate saints and holidays and honor the dead.

The interior was considered to be remarkably well finished, with very fine ceilings of varnished pine, cut into panels and with fretwork borders. Little more than 3 months after the November opening, the Church of the Sacred Heart was severely damaged by Cyclone Leonta, which struck Townsville on 3 March 1903. The building was unroofed (over 2 tons of iron sheeting) and substantial water damage to the interior resulted. The damage was repaired, but the original plan to build a belltower and extend the transept back towards Castle Hill in order to create a chapel behind the altar, was never carried out.

Panellets (, singular: panellet; Catalan for "little bread") are the traditional dessert of the All Saints' Day, known as Castanyada, in Catalonia, Andorra, EivissaEssay on Eivissa culture and the Land of Valencia, with chestnuts and sweet potatoes. Panellets are often accompanied with a sweet wine, usually moscatell, mistela, vi de missa or vi ranci. Panellets are small cakes or cookies in different shapes, mostly round, made mainly of marzipan (a paste made of almonds and sugar). The most popular are the panellets covered with pine nuts, consisting of the panellet basis (marzipan) rolled in pine nuts and varnished with egg.

South Devon Railway shows the familiar "chocolate and cream" livery used for coaching stock from 1922 The livery of early carriages was a dark chocolate brown but from 1864 the upper panels were painted white which became a pale cream after being varnished and exposed to the weather. These panels were later painted in cream to give a similar effect. From 1908 carriages were painted chocolate brown all over but this changed to a red lake colour in 1912. A two-colour livery reappeared in 1922, now with a richer shade of cream on the upper panels and chocolate brown below.

Bickford invented a machine which would thread and weave two layers of jute yarn (a shiny vegetable fibre), spun in opposite directions, over a small "tube" of gunpowder, the whole of which would then be "varnished" with tar to waterproof the product. The outcome was the development of a fuse which when lit "the fire only travels along it slowly, rate of burning ... being about 30 seconds per foot." Bickford had developed a fuse which would burn for a known length of time, depending on the length of the fuse. Bickford obtained a British Patent for his device (No.

On the short-wheelbase chassis, the dashboard was polished machined aluminium; on the long-wheelbase chassis, it was replaced by mahogany varnished with inlaid cabinetry friezes on the dashboard and inlays on the strips below the windows. The two side windows could go down into the interior of the door and were operated by a strap as on the railway cars of the time. These windows could also be kept clipped in the high position when the hood was open. The windshield was in two parts, the upper part opens towards the front in order to give more fresh air and some visibility in case of heavy rain.

Such was her success, that Kalang was similarly fitted out as a three-deck showboat, and a third deck was later added to Koondooloo. The newer series of "Lady" class ferries - Ladies Chelmsford (1910), Denman (1912), Edeline (1913), Scott (1914), and Ferguson (1914) - were converted to more efficient diesel power. Sisters Karingal and Karrabee (1913), the smallest of the "K-class" ferries, were converted to diesel in the mid 1930s. As part of a refresh and change in direction following the bridge opening, the "K-class" and "Lady-class" varnished timber with white trim livery was painted over with a green on the hull and bulwarks, and yellow painted superstructure.

The stalls of the stables are made of varnished oak. The Allegheny Parks Commission bought of land and riding trails from Mary (John died in 1945) in 1969, with several stipulations. 1) Mary was to be able to remain in residence until her death as were her servants, 2) The land would never be subdivided, and 3) the county would also purchase her sister Edith's home, which was called Harkaway Farm (This is now the area called the Middle Road Concert Area where the amphitheater is located). Mary died on October 29, 1974, and in 1976 the new park was opened to the public.

When the body is complete, the neck, which is carved out of a separate piece of wood (usually maple), is set in its mortise to complete the basic structure of the instrument, after which it is varnished. Violin taken down, with upright soundpost visible through the sound hole. Vital to the sound and playability of the instrument is setup, which includes adjusting the neck angle if needed, fitting the pegs so they turn smoothly and hold firmly, dressing the fingerboard to the proper scooped shape, fitting the soundpost and bridge, adjusting the tailgut and installing the tailpiece, and stringing up. A removable chinrest may be put on at this time.

Jacques Charles designed the hydrogen balloon and the Robert brothers invented the methodology for constructing the lightweight, airtight gas bag. They dissolved rubber in a solution of turpentine and varnished the sheets of silk that were stitched together to make the main envelope. They used alternate strips of red and white silk, but the discolouration of the varnishing/rubberising process left a red and yellow result. Jacques Charles and the Robert brothers launched their balloon, the world's first hydrogen-filled balloon, on 27 August 1783, from the Champ-de- Mars (now the site of the Eiffel Tower); Benjamin Franklin was among the crowd of onlookers.

The steering wheel of a Super Aquarama The bows of several Riva Aquaramas and Aristons, an Aquarama in center The most famous of Carlo Riva’s designs, the Aquarama has become over the decades a nautical legend. Its evocative name, derived in part from the widescreen Cinerama movie format popular in the early 1960s, echoed in its sweeping wrap-around windshield, conjures images from another time. The Riva Aquarama's 8.02 - 8.78 metreRiva Charter hull was sheathed in mahogany and varnished to accentuate the beauty of its natural wood grain. All versions were twin engined, with top speeds of 45/50 knots depending on engine choice.

Early boats were generally of clinker construction and varied from , although once in the 1930s pretty much all the designs were . Initially gaff rigs were the norm, but as the class entered the 1930s Punt owners adopted Bermuda rigs. Today many of the early Punts have been lovingly and painstakingly renovated or rebuilt, transformed into varnished works of art. Some have been brought into the 21st century, sporting carbon spars, trapezes and composite sails atop their beautiful, near-century old clinker hulls. Whatever the owners’ personal choices, these older boats are well loved and still very fast, offering near- 29er-type speed in an elegant package.

The FAMAS Award of Merit statuette was modeled from the movie legend and FAMAS Award-winner Rosa Rosal. The varnished gold-painted wood statuette boasts of a Balintawak-clad woman whose raised hands holds a four- spoke film reel. She stands on a black cylindrical pedestal, which is encircled with a thin gold leaf that bears the initials and full name of FAMAS in big black letters, the awards ceremony, the category in which it was won, the name of the winner, the place where it was given and the signature of the FAMAS President. The statuette design itself has never changed over the years.

The vast majority of the rotor currents will flow through the bars rather than the higher-resistance and usually varnished laminates. Very low voltages at very high currents are typical in the bars and end rings; high efficiency motors will often use cast copper to reduce the resistance in the rotor. In operation, the squirrel-cage motor may be viewed as a transformer with a rotating secondary. When the rotor is not rotating in sync with the magnetic field, large rotor currents are induced; the large rotor currents magnetize the rotor and interact with the stator's magnetic fields to bring the rotor almost into synchronization with the stator's field.

Loading levers affixed to the right side of the frame were not present on early models, becoming standard during mid-production in August 1840. The stock is varnished walnut and the buttplate features a rounded heel. The trigger guard on the Model 1839 Carbine is an oval in shape and features a "rearward spur" that continues along the bottom of the stock a short distance before curling back forming a small open circle. The Model 1839 is distinguished from the larger Ring Lever rifles by the lack of a ring lever in front of the trigger guard and the presence of an external hammer.

A sloping floor is provided for the church - the average height of the interior walls from the floor being . Accommodation is provided for 350 persons with an additional 25 persons in the choir; which is semi-circular and raised in steps on a platform extending across the end of the church, one side of which is occupied by an ornamental rostrum. The seats throughout are of Queensland Kauri, having ornamental stall ends, slightly stained and varnished. A sliding door leading from the end of the church opens into the school block attached, which comprises a hall by , with a raised platform, six class rooms, ; grouped about the same.

Jan Hanlo, in full Johannes Bernardus Maria Raphael Hanlo (Bandung, Dutch East Indies, 29 May 1912 - Maastricht, Netherlands 16 June 1969) was a Dutch poet and writer. The son of a judge in the Dutch East Indies, Hanlo grew up with his mother, who was a Roman Catholic bigot, in Deurne, later in Valkenburg aan de Geul, both in the south of the Netherlands. From 1942-1958 he lived in Amsterdam, where he grew to be interested in poetry and was associated with the experimental group of the Vijftigers, although he was an outsider in that group. In 1951 his first book op poems was published, The varnished - Het geverniste.

He made an almost imperceptible taper in the pews and floor pattern, to give a false perspective towards the altar, making the church look longer than it is. Dykes Bower designed the fine plaster ceiling, in the style of the late seventeenth century, which is embellished with gold and varnished aluminium leaf. Fittings from other destroyed City churches, including the richly carved pulpit from All Hallows Bread Street and the font and cover from St Anne and St Agnes were incorporated into the new design. Dykes Bower commissioned the Whitefriars glass windows in the East End, showing scenes from the life of St Vedast.

Eucalyptus vernicosa was first formally described in 1847 by Joseph Dalton Hooker in William Jackson Hooker's London Journal of Botany from specimens collected by Ronald Campbell Gunn on "Mount Fatigue, altitude 4000 feet". A specimen of Actinotus bellidoides held in the Royal Botanic Gardens, Kew, also collected on "Mount Fatigue" gives its location as "about 12 to 16 miles S.S.W. off [the St] Clair and about 4000 ft High [Van Dieman's Land]". Mount Arrowsmith is found at approximately this location, and was named "Fatigue Hill" until 1855. The specific epithet is from the Latin word vernicosus meaning "varnished" or "shining", referring to the glossy appearance of the leaves.

Herd of Sheep at Pasture, 1650, Städelsches Kunstinstitut Sunlight in his paintings rakes across the panel, accentuating small bits of detail in the golden light. In large, atmospheric panoramas of the countryside, the highlights on a blade of meadow grass, the mane of a tranquil horse, the horn of a dairy cow reclining by a stream, or the tip of a peasant's hat are all caught in a bath of yellow ocher light. The richly varnished medium refracts the rays of light like a jewel as it dissolves into numerous glazed layers. Cuyp's landscapes were based on reality and on his own invention of what an enchanting landscape should be.

Georgia's electric chair, known as "Old Sparky", located at Georgia State Prison was installed in 1924 following the state's abolition of hanging and was the sole method of execution in Georgia until October 25, 2001. The original chair, which was painted white, was replaced in 1980 and sent from the Georgia Diagnostic and Classification Center back to Reidsville, while a squat, varnished replacement was constructed to replace it. Between 1924 and 1998, Georgia electrocuted 441 prisoners. Today the original chair is on public display at Georgia State Prison, while its replacement is situated in a closet near the death chamber at the Georgia Diagnostic and Classification Center.

The film was inspired by one of the violins of Antonio Stradivari, the 1721 Red Mendelssohn, which features a unique red stripe on its top right side. By the time the film was made, the Red Mendelssohn was owned by Elizabeth Pitcairn, heiress to the PPG fortune, whose grandfather purchased it for her 16th birthday for $1.7 million at auction at Christie's London. Despite rumours and the film, the Red Mendelssohn is varnished with burgundy rather than blood. Stradivarius used red varnish on numerous other violins from 1704 to 1720, the so-called "golden period", and other red-coloured violins besides the Red Mendelssohn survive.

Only the lower, conical shaped piece was kept. The half-thighs were then laid on an insulator of varnished wood so arranged that the inside surface of one was in contact with the outside surface of the next, with the conical ends of the outside surface being pushed into the cavity of the cut surface. The ends of the pile were placed in cups of water sunk into the wood and formed the terminals of the battery.Longet and Matteucci, "Traité des phénomènes electro- physiologiques des animaux", "Rapport entre le sens du courant electrique et les contractions musculaires dues et ce courant" The Medico-chirurgical Review, vol.

The front space houses the chapel, whose walls and ceiling are finished in varnished tongue-and-groove boards. The rear of the building is unfinished, and has always served as an equipment storage area; it is accessed via the sliding door on the south, and via an inside door. Oak Hill Cemetery was founded in 1875, as the second municipally-owned cemetery in the town of Rockingham, of which Bellows Falls is a part. (The first cemetery, established 1845, was transferred to a Roman Catholic organization in 1878.) It was enlarged in 1883, and the town authorized significant funds for its improvement in 1884.

Rockford left her escort station to assist, and fired her first barrage of mortars from her "hedgehog" at 13:08; two explosions followed, before an underwater detonation rocked the ship. Ardent carried out two more attacks and the frigate dropped 13 depth charges to administer the coup de grace. The resulting explosions caused a loss of all contact with I-12. Wreckage recovered on the scene—deck planks, ground cork covered with diesel oil, a wooden slat from a vegetable crate with Japanese writing and advertisements on it, pieces of varnished mahogany inscribed in Japanese, and a piece of deck planking containing Japanese builders' inscriptions — indicated a definite "kill".

He needed money to build the airship; in return he was forced to display the German flag on the fins. Construction resumed in 1935. The keel of the second ship, LZ 130 Graf Zeppelin was laid on June 23, 1936, and the cells were inflated with hydrogen on August 15, 1938. As the second Zeppelin to carry the name Graf Zeppelin (after the LZ 127), it is often referred to as Graf Zeppelin II. A fire-damaged duralumin cross brace from the frame of the Hindenburg salvaged in May 1937 from the crash site at NAS Lakehurst The duralumin frame was covered by cotton cloth varnished with iron oxide and cellulose acetate butyrate impregnated with aluminium powder.

Inside the church are a 12th-century font and early piscina. The circular font is made of hamstone is lead lined and is in diameter. There is a wall tablet which is a memorial to Lieutenant Charles Goodford who died in World War I. Theophilus Brome, who died in 1670, had his body buried in the church, however his skull was separated from the body on his instructions and is kept in a cupboard at Higher Chilton Farm. According to writer Daniel Codd, who observed the skull in February 2010: 'Upon being shown Theophilus' skull, I was curious to see his lower jaw was missing and that he appears at some stage to have been varnished.

King James I remitted to Tokugawa Ieyasu (preserved in the Tokyo University archives) Adams traveled with Saris to Suruga, where they met with Ieyasu at his principal residence in September. The Englishmen continued to Kamakura where they visited the noted Kamakura Great Buddha. (Sailors etched their names of the Daibutsu, made in 1252.) They continued to Edo, where they met Ieyasu's son Hidetada, who was nominally shōgun, although Ieyasu retained most of the decision-making powers. During that meeting, Hidetada gave Saris two varnished suits of armour for King James I. As of 2015, one of these suits of armour is housed in the Tower of London, the other is on display in the Royal Armouries Museum, Leeds.

The interior of the nave is highlighted by the exposed wood in the hammerbeam roof. The central stained glass window in the chancel features a depiction of Jesus Christ in the Garden of Gethsemane while the smaller flanking windows depict lilies and roses. The set is dedicated to rector Cabell Mayo Martin, during whose rectorship (1887–1892) the building was finally consecrated. The altar is constructed out of the same varnished wood present in the roof beams and features a carving of the letters "IHS" (a Christogram for the Greek Ἰησοῦς, meaning "Jesus") surrounded by a crown of thorns and topped with the Greek A and Ω, in reference to the Alpha and Omega.

In the 1920s he designed and constructed a number of spectacular Baroque reredos for various Anglican churches, often employing affordable materials such as plywood, whitewood, papier mache, embossed wallpaper, and tinted varnished foil to achieve the desired effect; which has meant that some of this work has not weathered well. Notable examples of his furnishings in central London are the re-fashioned reredos in St Mary's, Bourne Street, Pimlico, c. 1920, and the remarkable Churrigueresque altarpiece in St Augustine's, Queen's Gate, South Kensington, 1927. After his involvement at the International Exposition of Modern Industrial and Decorative Arts – which gave rise to the term Art Deco – much of Travers' furnishing output had an Art Deco flavour.

All the components finally came together, and in 1979 the new hull was transported in parts from Barrow back to Coniston. Gondola was finally reassembled in front of Pier Cottage on the one-time northern jetty for Coniston-bound Victorian passengers. This had been Donald Campbell's base, and long before that the home of Captain Felix Hamill who served as Gondola's Master from 1863 to 1913. Over the next few months the shipyard's carpenters and shipwrights travelled to fit her out with boiler, engine, superstructure, decking and all the finery associated with a vessel of this size and pedigree, including a plush carpeted first class saloon complete with varnished walnut trim, gilded Corinthian columns and Puginesque, faux-vaulted ceiling.

While other artists employed to develop vehicle camouflage for the war used Modernist techniques to alter color perception, as academic artists, Thayer and the Brushes were said to be inspired by instances of camouflage in nature. Different variations on their proposed designs included giving planes light-colored underbellies and using counter-illumination to render the plane as bright as the sky and thereby, seeming to appear transparent. Exploring counter-illumination techniques, George used varnished silk to dress the plane, but it was not durable enough. Mary Taylor decided to punch holes in parts of the (linen) wings in her designs, pairing this with light bulbs in different parts of the fuselage to scatter light around the plane.

In 1866 he is claimed to have started construction of a full-sized glider which he named Loty (Flyer), which had an ash framework covered with varnished linen. It is claimed that he controlled his glider by twisting the wing's trailing edge using strings attached to stirrups at his feet. Wnęk is said to have made his first short controlled flights in June of the same year from a small hill. After several flights, some adjustments and learning his glider behavior, Wnęk is then said to have felt confident enough to ask for authorization from the Odporyszow church priest, Father Stanisław Morgenstern, to build a special ramp on top of the church tower to launch himself from.

Varnished timber stairs with matching railings lead from the hall to the stage where a large rouge and white marble memorial honour board listing the names of 26 men and 2 nurses from Cardwell who served in World War I is fixed to the rear wall. The honour board features simplified classical architectural elements (columns, entablature, and pediment) and is prominently positioned within the hall, supported on a substantial timber frame. Loose furniture in the hall includes the original table used by the Cardwell Divisional Board. This table, the honour board and the original stage area of the hall are of particular heritage significance, as is the scale and form of the hall itself.

The brothers invented the methodology for the lightweight, airtight gas bag by dissolving rubber in a solution of turpentine and varnished the sheets of silk that were stitched together to make the main envelope. They used alternate strips of red and white silk, but the discolouration of the varnishing/rubberising process left a red and yellow result. Jacques Charles and the Robert brothers launched the world's first hydrogen filled balloon on August 27, 1783, from the Champ de Mars, (now the site of the Eiffel Tower) where Ben Franklin was among the crowd of onlookers. The balloon was comparatively small, a 35 cubic metre sphere of rubberised silk, and only capable of lifting about 9 kg (20 lb).

The port town of San Felipe is located 11 kilometers west of Rio Lagartos and at the entrance of the estuary of the Ría Lagartos Biosphere Reserve, world-famous for the concentrations of pink flamingoes. The San Felipe estuary runs parallel to the Gulf Coast to the port of El Cuyo. At its origin, most of the houses in San Felipe was built in cedar varnished so it could resist damage from moisture and salt from the coast, however a number of these buildings were destroyed by Hurricane Gilbert in 1988. At present, San Felipe offers many services for ecotourism and adventure, accommodation, excursions by boat in the estuary to observe birds and beaches.

The car, cheap gasoline and postwar affluence created boom conditions for the expansion of suburbia. Several standard designs for the single family home on a standard lot were reproduced cookie-cutter style row-upon-row in cities across Canada as subdivision after subdivision sprang up radiating from the central core. The designs were thoroughly modern, reflecting the optimism of the era, usually with a peaked roof, asphalt shingles and a brick or wood siding exterior and included a living room, kitchen and occasionally dining room and two, three or four bedrooms and a full basement made of poured concrete or cinder block. Floors were usually made of varnished hardwood planks and the walls and ceilings of gyprock.

Eden's most recent biographer notes that Eden could have inherited his temper and aesthetic sensibilities from either Wyndham or Sir William Eden: D.R. Thorpe (2003) Eden.However, Butler had a habit of making such observations, once asking historian Richard Thorpe, "How was Harold Macmillan when you met him? Was he the Duke's son-in-law or the crofter's great-grandson?": D. R. Thorpe (2010) Supermac: The Life of Harold Macmillan The writer and critic A. N. Wilson, who observed in 2008 that Eden was "easily the best-looking individual, of either sex, to occupy [the] office [of Prime Minister] in the twentieth century", noted also that he was "the only male Prime Minister known to have varnished his fingernails".

In the 1950s, radio disc jockeys from local and regional radio stations took advantage of their popularity and augmented their income by playing records and performing as master of ceremonies at teen dance parties called sock hops or record hops. The term came about because these events were commonly held at high schools, often in the school gym or cafeteria, and dancers were asked to remove their hard-soled shoes to protect the varnished floor of the gymnasium. Record hops became strongly associated with early rock and roll. "At the Hop", a 1957 hit song by Danny and the Juniors, described the scene: "where the jockey is the smoothest, and the music is the coolest at the hop".

Despite the hysteria generated by the media in Melbourne, no invasion ensued. David Syme, the proprietor of The Age, wrote in a series of editorials that the visit of the three ships was associated with a war that was threatening to engulf Britain and Russia, and that the squadron under the command of Avraamy Aslanbegov was in the Pacific in order to raid British commerce. Newspapers wrote that Admiral Aslanbegov behaved like a varnished barbarian due to his non- acceptance of invitations, and because he preferred to stay at the Menzies Hotel, rather than the Melbourne Club or the Australian Club. Aslanbegov was accused of spying and fraud, leading to the Admiral complaining to the Premier of Victoria Bryan O'Loghlen and threatening legal action against the newspaper.

One Enstar designated a "Unique" product which not only effectively performed the task for which it was designed but does so in a markedly unique manner; two Enstars meant "Best of Kind", a product identified as the best performing in some specialized class within its overall category;three Enstars distinguished a product as "Best Overall" without qualification. In 1998, the cover of Hammacher Schlemmer's 150th-anniversary catalog was graced by The Bertazzon Venetian Carousel, a full-sized fully functional carousel that sat twenty. Evoking the charm of 18th-century Venice, this carousel offered an Old World design complete with hand-rendered scenes of Venetian landmarks. Its six jumping horses, five rocking horses, and two chariots were all hand painted and the revolving platform is varnished, solid hardwood.

The plans were drawn up by Mr. G. R. Crickmay of Weymouth and the work carried out by Mr. R. Reynolds of Weymouth, under the supervision of the architect. The work included repairing the walls, replacing the pews with new ones of stained and varnished deal, laying new flooring and replacing the church's gallery. The two small windows on the west side of the porch were replaced by a larger, single one, the timbers of the nave's roof were restored, and new timber roofs added in the porch and south transept. New fittings were also added to the church, including a pulpit fixed on a pedestal of Portland stone, an octagonal font of Portland stone, a reading desk and communion rail.

When the Communist Party of Great Britain applied to affiliate with the Labour Party in 1920, it was turned down. On seeing the Soviet Union's growing coercive power in 1923, a dying Lenin stated that Russia had reverted to a "bourgeois tsarist machine [...] barely varnished with socialism". After Lenin's death in January 1924, the communist party, increasingly falling under the control of Joseph Stalin, rejected the theory that socialism could not be built solely in the Soviet Union in favour of the concept of socialism in one country. In other parts of Europe, many democratic socialist parties were united in the IWUSP in the early 1920s and in the London Bureau in the 1930s, along with many other socialists of different tendencies and ideologies.

It is fitted throughout in native American woods, all of > light colours and varnished. The seats which run along the sides are marvels > of lightness, cleanliness, and comfort. ... The ventilation – that most > important consideration in a climate such as ours – is thoroughly provided > for by means of adjustable panels in the ceiling. The Kensington service was so successful that on 9 December 1878 the Adelaide and Suburban Tramway Company was able to open its North Adelaide line, satisfying a key proviso of the Act that it was to construct 10.8 miles (17.4 km) of track from Adelaide's city centre to the suburbs of Kensington and North Adelaide within two years; the goal for Kensington had been reached in May 1878.

Paintings and the role of varnish, which might protect the white lead yet itself darken, aside—according to Michelle Facini, a paper conservator at the National Gallery of Art, lead carbonate to lead sulfide is indeed what happens to some lead chalks/paints in drawings and watercolors and other works done on paper and unvarnished. Varnish is meant to be removable from an oil painting, to strip off when it dirties or cracks; but on paper it soaks through and becomes inseparable from the paper fibers, ruinous as it ages. This is why works on paper are never, or should never, be varnished. In any event, white lead has been mostly supplanted in artistic use by titanium white, which has much higher tinting strength than white lead.

Fischer was also inventive in putting together his own telephoto lenses. After making all the calculations, he would order the necessary lens elements from a local optician and encase them in varnished home-made papier-mâché tubes, providing equipment of a type which at the time could not be obtained commercially. While Fischer showed great interest in photographing buildings and items of physical interest in the town of Luxembourg and its surroundings, he was also adept at photographing local men, women and children in their natural surroundings, often at their place of work. His shots often convey an unusual liveliness as he managed to catch his subjects in the course of their normal activities, sometimes amusingly portraying their leisure moments.

A group of men, including Samuel Henshaw, then the chairman of the Staffordshire Chemical Company, reckoned there was money to be made from these surplus-to-requirements stocks. Henshaw became the first chairman of the National Benzole Company. Although the idea of using benzole to power automobiles was not new, cars fuelled on neat benzole needed altered carburetter settings which was inconvenient for owners who had previously used petrol and the effectiveness of neat benzole as a paint stripper raised concern about the possible effect on carburettor floats made of varnished cork – a common feature in US vehicles which at the time were being imported in greater numbers. There was also concern about the variable quality and specification of the benzole.

While Pelican was satisfied with the original recordings, Chris Common mixed the tracks in a makeshift studio with "less-than-ideal circumstances" that "varnished the incredible tones generated during tracking". Southern Lord described the deluxe reissue as bringing "a new level of low-end depth, atmospheric clarity, and tight, punchy heaviness to the album". Pelican also announced new album was coming in 2019, and slated a new single from that album "Midnight and Mescaline"/"Darkness on the Stairs" for release on Record Store Day. Months later in April 2019, Pelican released the track "Midnight and Mescaline" for online streaming and formally announced their sixth studio album would titled Nighttime Stories and would be released on June 7, 2019 through Southern Lord.

The midblock double-height Neo-Gothic church has a rendered symmetrical facade of three bays, a splayed plinth and a molded stringcourse running above between the first and (heightened) second floors. The central bay has a depressed gable surmounted by an open bellcote with cast-bronze bell; the second story has a prominent quatrefoil rose window surmounted by a stop-ended hood mold over the first floor with three square-headed windows in round-headed recesses. Flanking bays both slightly project with square-headed parapet roofs, while both second floors have three square-headed windows in round-headed recesses over gabled breakfront entrance porches. Both porch entrances are square-headed double varnished timber paneled doors set within a deep round-headed opening with quatrefoil and mouchette tympanums.

In 1901 Gaudí decorated the house of Isabel Güell López, Marchioness of Castelldosrius, and daughter of Eusebi Güell. Situated at 19 Carrer Junta de Comerç, the house had been built in 1885 and renovated between 1901 and 1904; it was destroyed by a bomb during the Civil War. The following year Gaudí took part in the decoration of the Bar Torino, property of Flaminio Mezzalana, located at 18 Passeig de Gràcia; Gaudí designed the ornamentation of el Salón Árabe of that establishment, made with varnished Arabian-style cardboard tiles (which no longer exist). A project of great interest to Gaudí was the restoration of the Cathedral of Santa Maria in Palma de Mallorca (1903–1914), commissioned by the city's bishop, Pere Campins i Barceló.

Seventeen seconds later, she heard four or five explosions at an estimated depth of , followed at 09:36 by a violent explosion that knocked out Conklin′s engines and steering gear. Conklin observed huge air bubbles rising to the surface, soon followed by oil, wreckage, and large quantities of human remains. It marked the end of I-48, sunk with the loss of all 122 men aboard — her crew of 118 and four embarked kaiten pilots — at either or , according to different sources. A motor whaleboat from Conklin later recovered pieces of planking, splintered wood, cork, interior woodwork with varnished surfaces, a sleeve of a knitted blue sweater containing human flesh, chopsticks, and a seaman's manual from the water north of Yap.

La Salle Hotel in Chicago, Illinois On June 5, 1946, a fire broke out in the La Salle Hotel in Chicago, killing 61 people, many of them children. The fire began in the Silver Grill Cocktail Lounge on the lower floor on the LaSalle Street side adjacent to the lobby, spread quickly through the highly varnished wood paneling in the lounge and the mezzanine balcony overlooking the lobby, and rose through stairwells and shafts. According to the Chicago Fire Department the fire started either in the walls or in the ceiling at around 12:15 am, but they were not notified until 12:35 am. While a significant number died from the flames, a greater number of deaths were caused by suffocation from the smoke.

To obtain the mottled appearance the camels' hair pencils are applied, and when completed the work is left to dry, and after-wards covered by a coat or two of good copal varnish. Imitation wainscot requires the use of combs of various degrees of fineness to obtain the grain (whence the process is called combing by some persons), and the flower is got by wiping off the color with a piece of rag. When dry it is over-grained to obtain a more complete representation of the natural wood, and then varnished. If the work is done in watercolor and not in oil, beer grounds to act as a drier are mixed with the color; this sets it ready for varnishing.

A translation of the cylinder's cuneiform inscription is inscribed in golden letters on the wall of one of the galleries leading to the museum's audio-visual center. A similar plaque facing the cylinder listed the Twelve Points of the White Revolution. Next, to the Cyrus Cylinder, there was a gold plaque commemorating the original presentation of the museum to Mohammad Reza Pahlavi by the Mayor of Tehran. Potteries, ceramics, varnished porcelains (such as a seventh-century blue and gold dish from Gorgan), an illuminated Quran, and miniatures highlighted milestones in the country's history up to the 19th century, which were represented by two painted panels from Empress and the structure was to represent Farah Pahlavi as in is stated in some ancient texts.

In Australia and New Zealand flat 'TPS' (Thermo-plastic sheathed) "Twin and Earth" cable manufactured prior to 1966 permitted the use of an uninsulated CPC stranded core, requiring the exposed ends of this conductor to be sleeved with Green insulating tubing. . (Before the advent of PVC, this tubing was varnished cambric.) Since 1966 it has been required that the CPC be insulated with Green insulation and since 1980 the colour of this insulation has been Green/Yellow.Electrical wiring In Australia and New Zealand Single conductor and Twin conductor TPS cables also exist. These are required because it is not permitted in Australia and New Zealand for the Neutral conductor in a "Twin and Earth" cable to be "re-purposed" as a "Switched Line" conductor, as is permitted the UK and in North America.

Two explosions followed, before an underwater detonation rocked the ship. While the ships in company took evasive action on signal from the convoy commodore in U. S. Grant, Ardent carried out two more attacks and the frigate dropped 13 depth charges. Wreckage recovered on the scene—deck planks, ground cork covered with diesel oil, a wooden slat from a vegetable crate with Japanese writing and advertisements on it, pieces of varnished mahogany inscribed in Japanese, and a piece of deck planking containing Japanese builders’ inscriptions—indicated a definite “kill” that the Navy ultimately awarded to Ardent and Rockford equally. Postwar research revealed the sunken boat to be , Commander Kudo Kaneo, that had sailed from the Inland Sea on 4 October 1944, to disrupt American shipping between the west coast and the Hawaiian Islands.

The attached single-storeyed warehouse, erected by Joseph Vidulich, was completed a little later. The two-storeyed building contained storage space on the ground floor and offices (general and manager's) and sample room on the first floor. One of the features of the office building was the provision made for ventilation and light: > "The main office - 41 ft long and 31 ft wide, and 14ft from floor to ceiling > - contains 15 windows, and is lined with pine suitably varnished. In the > centre of the roof is a fret-work ventilator 25 ft long by 2ft 6 in wide, of > elaborate design." In June 1912 Brisbane architect Montague Talbot Stanley, son of former Queensland Colonial Architect FDG Stanley, called tenders for the erection of additions and alterations to WH Paxton & Co.'s premises in Mackay.

Rocchi also recalled a specific incident when he found an old broken crucifix that he fixed and cleaned and then Varnished with wood oil before hanging it up in his bedroom. He said that one night he was struggling with severe pain when he began speaking to Jesus Christ about his life and struggles which led to an immense light coming out of the crucifix and illuminating the room. This incident inspired him to accept his suffering despite his dislike of it and to transmit the messages in the Gospel to others to find God. This had transformed Rocchi from sadness and crisis to one of peace and a desire to do good for others and he would later reflect that "suffering made me realize that it is sweet to be loved".

A description of the Papyrograph method of duplication was published by David Owen: David Owen (2008) Copies in Seconds, page 42, Simon & Schuster, Google book preview > A major beneficiary of the invention of synthetic dyes was a document > reproduction technique known as stencil duplicating. Its earliest form was > invented in 1874 by Eugenio de Zuccato, a young Italian studying law in > London, who called his device the Papyrograph. Zuccato’s system involved > writing on a sheet of varnished paper with caustic ink, which ate through > the varnish and paper fibers, leaving holes where the writing had been. This > sheet – which had now become a stencil – was placed on a blank sheet of > paper, and ink rolled over it so that the ink oozed through the holes, > creating a duplicate on the second sheet.

Cillit Bang Grime and Lime Spray (known in some countries as Easy off Bang/Bam Power Grime and Lime Cleaner Trigger) product contains two acids: sulfamic acid and phosphoric acid. Phosphoric acid (also known as orthophosphoric acid or phosphoric (V) acid) is a weak mineral acid with the chemical formula 34 and applied to rusted iron or steel tools or surfaces to convert iron (III) oxide (rust) to a water-soluble phosphate compound. This cleaner can be used on glass, acrylic plastic, ceramics (washbasins, toilet bowls, etc.), wall and floor tiles, PVC floor coating, copper, chrome and kitchen tops. It should not be used on any acid sensitive material, such as marble or enamel, aluminium, stone, zinc plated metals, kitchen worktops, linoleum, varnished, waxed or oiled wood floors, rubber, textiles or carpets.

The first runabouts date back to the 1920s and were originally small, fast, powerful, varnished, wooden boats created to take advantage of the power of outboard motors such as the first Evinrude, introduced in 1909. In order to gain speed, the hull shape had to be designed to take advantage of hydroplaning; a hydrofoil-like design would allow the boat to skim atop the water's surface at high speed instead of needing to push aside large quantities of water to move forward. Another design change which followed soon after was the replacement of the tiller and rudder control with a rudder controlled by a steering wheel, allowing the operator a comfortable forward-facing position. A remote lever to allow the engines to be placed into a reverse gear was another early innovation.

Rating it 4 out of 5 stars, Allmusic critic Stephen Thomas Erlewine felt that the album's sound combined modern and traditional country influences, staying that "Sanded and varnished though they may be, the pair feel fresh, their chemistry easy and natural, so they pull off their spiffy retro act with style." Jeffrey B. Remz of Country Standard Time made note of Southern rock and outlaw country influences in the sound, while also comparing T.J.'s voice to that of Trace Adkins. His review highlighted the lyrics to "It Ain't My Fault" and the instrumentation of "Stay a Little Longer", concluding that there were "no weak songs". Markos Papadatos of Digital Journal rated it "A-", calling it "a well-crafted project from start to finish" and praising the songwriting and arrangement of the singles in particular. Meet-Country.

On a yellow-orange background, the large painting (8 feet high and 6 feet wide) depicts a black woman wearing a blue robe, a traditional attribute of the Virgin Mary. The work employs mixed media, including oil paint, glitter, and polyester resin, and also elephant dung, map pins and collaged pornographic images. The central Black Madonna is surrounded by many collaged images that resemble butterflies at first sight, but on closer inspection are photographs of female genitalia; an ironic reference to the putti that appear in traditional religious art. A lump of dried, varnished elephant dung forms one bared breast, and the painting is displayed leaning against the gallery wall, supported by two other lumps of elephant dung, decorated with coloured pins: the pins on the left are arranged to spell out "Virgin" and the one on the right "Mary".

The chapel is finished in gable topped by iron cross and marked by portal with straight lintel, framed by Tuscan ashlar pilasters, surmounted by a cornice line that supports curved pediment, surmounted by two pyramidal pinnacles, the alignment of the pilasters, and two lateral oval glasses. The left, lateral facade includes a marble plaque and the right lateral faced includes capialço around the altar. The plaque includes: :CASIMIRO CSBELEIRA Residente nos EUA Mandou restaurar as paredes desta Capela :Casimiro CS Beleira Resident of the United States of America restored the walls of this Chapel To the rear of the chapel is a small niche with a sculpture of the Virgin Mary, surmounted with a stone Latin cross. The single- nave in granite ashlar are joined and painted white, illuminated by slit on the epistle-side, with stone flooring and varnished wood ceiling.

The architectural character of the historic centre of the village was significantly influenced in the late 19th and early 20th centuries by the activities and benefaction of Benjamin Howard Mander, who bought the Manor House in 1894 and lived there until his death in 1912. His widow Lilian continued to reside in Trysull until her own death in 1952.Varnished Leaves: a biography of the Mander Family of Wolverhampton 1750-1950, Nicholas Mander, published: Owlpen Press, 2004 The Manor House, Seisdon Road, Trysull The considerable wealth of the Mander family began to grow following the migration of Thomas Mander from the family’s farmland on the Warwickshire-Worcestershire border to the market town of Wolverhampton in the mid-1700s. By 1845, Mander Brothers had become a formidable industrial force in the area with a range of chemical and industrial businesses.

And the imagery, especially in the similes, traffics often in the jarringly unexpected. Sometimes it is lyrically tender (clouds are "like splendid fins/Of chameleonic fish of the sky" [12: "The Clouds"]);Henceforth all titles in parentheses (or, as here, brackets) refer to the poems in Giraud (1884); numbers that precede them indicate their placement in the cycle. sometimes it is shockingly brutal (Pierrot's thought of his "last mistress", the gallows, "is like a nail/That drunkenness drives into his head" [17: "The Gallows' Song"]). At its most dreamlike, it has a disturbing obscurity of reference ("sinister"—and unexplained—"black butterflies" swarm in the sky and blot out the sun [19: "Black Butterflies"]); at times it suspends all laws of materiality (a moonbeam penetrates the "varnished case" of a violin to caress its "soul" with its "irony"—"like a luminous white bow" [32: "Lunar Violin"]).

St. Mary's Church in Lübeck, Germany with red and varnished brick, edges of granite and cornices of limestone Malbork Castle in Poland is Europe's largest medieval Brick Gothic complex Geography of Gothic brick architecture in Europe Brick Gothic (, , ) is a specific style of Gothic architecture common in Northwest and Central Europe especially in the regions in and around the Baltic Sea, which do not have resources of standing rock, but in many places many glacial boulders. The buildings are essentially built using bricks. Buildings classified as Brick Gothic (using a strict definition of the architectural style based on the geographic location) are found in Belgium (and the very north of France), Netherlands, Germany, Poland, Lithuania, Latvia, Estonia, Kaliningrad (former East Prussia), Sweden and Finland. As the use of baked red brick arrived in Northwestern and Central Europe in the 12th century, the oldest such buildings are classified as the Brick Romanesque.

Historically the stalks were made into walking sticks, of which 30,000 a year were being sold by the early 20th century, many for export.; republished Plant Portraits, Royal Botanic Gardens, Kew (pdf) They were also used for fencing and as rafters. Much of the stalk is bare; the islanders stripped leaves to accentuate this effect and induce it to grow without twisting, varnished the stalk, and created a handle either by heat-treating and bending the root end or by planting at an angle to produce a naturally bent root. The lower leaves were fed to livestockPhilip Miller (one variety in Portugal was grown specifically for the purpose), and were reportedly of great value: The Farmer's Magazine stated in 1836 that five plants would support 100 sheep or 10 cows, and sheep fed them were rumoured to produce silky wool up to in length.

500x500pxThe main problem of the CAFM is that the probes are more expensive and wear out faster than those used in topographic AFM maps, mainly due to the high current densities flowing through the tip/sample nanojunction, but also due to lateral friction. The premature degradation of a CAFM tip not only increases the cost of the experiments, but also reduces the reliability of the data collected. For this reason, when using CAFM, tip conductivity characterization (using a reference sample) before and after the experiments is highly recommended; only if the CAFM tip holds the same conductivity before and after is the data collected considered reliable. The first types of conductive nanoprobes used in CAFM experiments, which are still widely used nowadays, consist on standard silicon nanoprobes (as those used in topographic AFM measurements) varnished with thin metallic films, including Pt, Au, Ru, Ti and Cr, among others.

The staircase in (i) led to a separate private apartment above (i), (k) and (l) and not a terrace. Mau reached this conclusion based on remains of eave gutters. Finds made north of House VI 15, 6 were assumed to be from the upper rooms of the House of the Prince of Naples, most likely from this private apartment. Finds included two glass jugs, two unguentaria, a bronze hinge, a very small bronze figure of Fortuna with a ring in the back to hang as an amulet, a small bronze surgical instrument with an eye in one end and a ball on the other, two paterae with fine ram's head handles, a horse blinker, a bronze circular mirror, the bottom of a terracotta Arezzo cup with trademark foot, a black varnished luminello with ring handle with depictions of three divinities seated at a table, and a bronze cylindrical inkwell.

"The shipwreck of SS Austria" shown at Odense, Denmark Sinking of the SS Austria, at the Deutsches Historisches Museum. On 1 September 1858, SS Austria captained by F. A. Heydtmann sailed from Hamburg on her third voyage to New York City. At approximately 12:00, on 13 September, at coordinates , following a procedure to fumigate steerage by dipping a red-hot chain into a bucket of tar; the chain became too hot for the boatswain to hold, and it was dropped onto the deck, which immediately burst into flames; although the ship was traveling at only half speed it was impossible to stop the engines as the engine crew had become asphyxiated. When the helmsman abandoned the wheel, the ship swung into the wind, spreading the flames down the length of the ship, racing through the mahogany veneer and varnished bulkheads, as passengers jumped into the sea.

Baskerville was a wealthy industrialist, who had started his career as a writing-master (teacher of calligraphy) and carver of gravestones, before making a fortune as a manufacturer of varnished lacquer goods. At a time when books in England were generally printed to a low standard, using typefaces of conservative design, Baskerville sought to offer books created to higher-quality methods of printing than any before, using carefully made, level presses, a high quality of ink and very smooth paper pressed after printing to a glazed, gleaming finish. While Baskerville's types in some aspects recall the general design of William Caslon, the most eminent punchcutter of the time, his approach was far more radical. Beatrice Warde, John Dreyfus and others have written that aspects of his design recalled his handwriting and common elements of the calligraphy taught by the time of Baskerville's youth, which had been used in copperplate engraving but had not previously been cut into type in Britain.

The use of metal for airframe construction was by no means uncommon: Robert Esnault-Pelterie used steel tubing to construct the fuselage of his aircraft as early as 1907, and Louis Breguet was another notable pioneer of metal construction, using steel channel sections for fuselage construction, steel tube for wing spars, pressed aluminium for wing ribs and aluminium sheeting for fuselage covering – this would not be improved upon until the second half of 1915. The era also saw the first use of monocoque construction, first seen in Eugene Ruchonnet's Aero- Cigare and notably used in the Deperdussin Monocoque of 1912, which won the Gordon Bennett race in both 1912 and 1913. Another structurally advanced and influential (although unsuccessful) concept aircraft designs was the Antoinette Monobloc, which was the first monoplane design concept to have a cantilever wing without any external bracing wires. Early aircraft were covered in a variety of fabrics including rubberised cotton and varnished silk.

The Texas Meritorious Service Award is a black, plastic plaque in the form of a shield, measuring 8-1/2 inches in height and 7 inches in width. It is mounted evenly on a shield-shaped wood background of beveled, stained, and varnished pecan or oak, 1/2 of inch thick and 1-1/8 inches larger than the plastic shield. The plastic shield has a raised gold border, a raised gold (3 inches in circumscribing diameter) reproduction of the seal of the State of Texas, centered in the upper half of the shield, and five lines of raised gold 1/4 of an inch upper and lower case block letters which read, "Texas Meritorious Service Award in Recognition of Outstanding Service and Support of the State Military Forces." Beneath the last line of lettering is a depressed box, 1-3/4 inches in length and 1/2 of an inch in height for insertion of an individualized brass plate.

Lesueur produces a series, whereby her works follow one another but without overtly resembling one another, unfolding in seemingly infinite variety, in terms of themes, trompe-l'œil and optical traps that resonate between each other to create an overall unity. Half of her photographic output juxtaposes the body with food. Examples include "aspics en guise de bonnets de bain" ("Aspics in the form of bathing caps" - 1997/98), "Peau de saumon comme résille de chignon" (Salmon skins as fishing nets), "ambes gainées de crépine de porc " ("Legs wrapped in membranes of pork" - 1997/98), "bouches dont les dents sont des graines de toutes sortes" ("human mouths with a diversity of seeds in place of teeth" - 2000). In other images women's bodies are marked with pearl imprints (1994–96), with eye-test charts (2000-2001), with a sleeping man's face inscribed with a pen (2004), carved finger nails (1997-2003), or women whose teeth are varnished with red, bursting into laughter.

The Handley Page Type E tandem seat monoplane was begun in the hope of winning a War Office competition late in 1911, but the specifications looked hard to meet, so it was decided to complete the machine as a demonstrator and submit a new design (the Type F) for the military prize. The Type E had a good deal in common with its smaller, single-seat predecessor, the Type D. Both were single-engined high-wing aircraft with the characteristic wing plan inherited from the José Weiss patent. Less technically, both the wings and tails of both machines were varnished yellow, though the fabric-covered fuselage of the Type E was doped bright blue in contrast to the dull grey finish of the Type D. Unsurprisingly, the Type E also inherited the name Yellow Peril. The wings of the Type E had a strongly curved leading edge and a straight but swept back trailing edge.

83, no. 39, p. 2590. In March 1964, Paul Groleau succeeded his father in the management of the company. The company then adds a line of mosaic parquet while maintaining the slatted floor line. In November 1965, Cie Groleau Inc became the fifth largest manufacturer of parquet flooring in Quebec. Destroyed by a fire in 1973, the village sawmill was rebuilt and production returned to normal in October 1973. Expansion outside of Moyenne-Mauricie From 1977, production was transferred outside the region while purchasing: building in Compton (Eastern Townships) used to manufacture mosaic parquet, a building in Louiseville (1983) to install a mosaic parquet production line and a factory varnished slab floor line and an industrial complex at Saint-Mathieu-de-Beloeil (1992) serving as a distribution center. The company also produces factory-painted flooring and dries a large quantity of wood. In 2002, mosaic parquet fabrication was moved from Compton to Louiseville.

Casorati was born in Novara. He showed an early passion for music, but abandoned his study of piano after a serious illness, and became interested in art.Lamberti & Fossati 1985, p. 242 To please his mother he studied law at the University of Padua until 1906, but his ambition to be a painter was confirmed in 1907 when a painting of his was shown in the Venice Biennale. The works he produced in the early years of his career were naturalistic in style, but after 1910 the influence of the symbolists and particularly of Gustav Klimt turned him toward a more visionary approach. In 1915 he had a solo exhibition at the Rome Secession III, where he showed several paintings and the first of his sculptures in varnished terracotta.Lamberti & Fossati 1985, p. 250. His military service in World War I began that year and lasted until his discharge from the army after the death of his father in 1917.Turner 1996, p. 919.

" As to the difficulties with the leather valve in extremes of weather, heat, frost and heavy rain, > The same remedies apply to all three, keeping the leather of the valve oiled > and varnished, and rendering it impervious to the water, which otherwise > soaks through it in wet weather, or which freezes it in cold, rendering it > too stiff to shut down; and the same precaution prevents the leather being > dried up and shrivelled by the heat; for this, and not the melting of the > composition, is the principal inconvenience resulting from heat. A little > water spread on the valve from a tank in the piston carriage has also been > found to be useful in very dry weather, showing that the dryness, and not > the heat, was the cause of the leakage. But there was a much more serious problem: "A considerable extent of longitudinal valve failed by the tearing of the leather at the joints between the plates. The leather first partially cracked at these points, which caused a considerable leakage, particularly in dry weather.

Wood trim, alternatively known as wood fascia, is a fascia made of synthetic or varnished, natural wood, usually found on dashboards of luxury cars. Wood trim can be made from natural materials like beechwood, maple, walnut, oak, or from synthetic materials. In more recent years among the younger population, wood trim has gone out of favor, mostly replaced by carbon fiber reinforced polymers in sports cars or aluminum composites in most luxury offerings, and with the proliferation of cheap offerings from luxury car brands, many will simply omit the option of wood trim to save money on the purchase. However, it still remains a popular trim among those who like the aesthetic, so many luxury car brands still offer it with the exception of a few (It is said that the company Rolls-Royce is moving away from the use of wood trim by 2020, this however cannot be proven) and third party kits consisting of veneer can also be found for cars or lower trim levels that omit the use of wood trim.

The exterior of the building is substantially intact and much original interior fabric survives including window and door joinery; fibrous cement ceilings with timber cover strips; decorative plaster ceilings; plaster and timber skirtings and architraves; timber picture rails; decorative elliptical arch between the lobby and hall; terrazzo floors to the main entrance lobby and main hall; the main and subsidiary staircases with terrazzo treads and landings, silky oak handrails and newels, decorative wrought iron balustrading and decorative consoles to the flat arched approaches to the stairwells. Formerly stained and varnished, the timber panelling to the walls throughout the public areas, cover strips to the fibrous cement ceilings, timber architraves, cornices and picture rails are now painted. The integrity and spatial relations of the internal planning remain. The main entrance stair was an important component of the building and the French polishing section of the building specification referring to the stair handrails, newels and panelling states that "great care to be taken to show off the timber and panels to best advantage".

On 21 October 1896 The North Queensland Register reported that Daking-Smith's new residence, one of the finest in the town, was approaching completion. The position of the building, facing the corner, was apparently designed to secure an expansive outlook, while increasing privacy. The building's style, the bungalow, was seen as the most suitable for the local climate, and features mentioned at the time included: a handsome flight of front steps; a spacious verandah with cast iron railings; glass front and rear doors, both with sidelights; an arch in the hallway and one between the dining and drawing rooms; cedar cornices and an embossed stamped paper frieze in the dining and drawing rooms; two floor-to- ceiling bay windows to the front verandah; varnished interior woodwork; three large bedrooms in the main building; ventilation tubing from the ornamental panels in each ceiling, with an iron ventilator on the roof; and bedrooms on either side of the latticed back verandah, separated from the main building. There was also a separate pantry, on piles set in vessels of water, off the rear verandah; and the kitchen wing included the kitchen, a bathroom and three bedrooms (counting the bedroom on the south end of the rear verandah).