The oddly cladded flanks of Citroen's C4 Cactus crossover would probably not generate much U.S. interest.
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Five other blocks, also cladded since 2006, had combinations of panel and insulation board that failed the test.
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Introduce yourself or a friend to high-quality five-ply cladded stainless steel cookware without paying a middle man — try the Made-In Cookware Starter Kit.
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For one of the Spring issues, in a nod to his leather coat-cladded 80s look, I staged a shoot of friends wearing leather biker jackets and Ray-Bans.
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San Francisco is a city of extremes, with multibillion-dollar glass-cladded obelisks piercing the SoMa sky while thousands of the city's long-term residents fail to find even the basic rudiments of housing and other social services.
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In boxing it is popular because the scoring area of the glove is heavily padded, where the inside of the glove is the less padded heel of the palm and below that the scantily cladded bone of the wrist.
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Reuters identified 210 blocks which, since 2006, had been cladded with aluminum panels with polyethylene cores - a form of cladding that failed the DCLG's test, and which the prime minister and three other ministers have said breaches safety regulations when used in tall buildings.
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However, while the Pores of Kohn connect alveoli to adjacent alveoli, the Canals of Lambert connect terminal bronchioles to alveoli. The canals of Lambert are cladded by airway epithelium.
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Its design was to have cladded finishing on its podium, and external curtain glass walls on the rest of the building. When finished, it was supposed to be one of the Philippines' tallest buildings at that time.
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The main exterior of the building is cladded in limestone and features design in the Romanesque-style. A large, iconic feature is the square clock tower with belfry. In the main facade, the windows are made from stained-glass.
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Starr's childhood residence at alt=A colour photo of a white and pink cladded house At the age of six, Starkey developed appendicitis. Following a routine appendectomy he contracted peritonitis, causing him to fall into a coma that lasted days.
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Street art and graffiti are commonplace, whilst buskers/street performers also frequent the laneway, adding to its atmosphere. The Majorca Building built in the 1930s dominates the view at the northern end of Degraves Street. The building was designed by Harry Norris and is cladded in faience tiles.
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The Australian Hotel is a two-storey building with basement, designed in an Italianate style with a brick exterior and iron- cladded roof. The hotel still retains many of its original features including the saloon bar, etched signage and pressed metal ceilings. The archaeological condition of the site is partly disturbed but otherwise well preserved.
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However, such a modification requires further industrialization of the cladding process to adapt it for efficient mass production. Further research on the detailed effects from surface topography, material composition of the laser cladded material and the composition of the additive package in the lubricants on the tribological properties and performance are preferably studied with tribometric testing.
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Like natural topography, small slopes are created by the small undulations in the ground, leading to the basins of bathing water. The undulating wood-cladded ceiling continues throughout the spa. Architectural reveals result from the white marbled walls meeting with the warm-coloured wooden ceiling. Natural light glows through the translucent glass in the building’s existing openings.
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The structure consists of an office tower and a media tower connected by three enclosed footbridges. The exterior is cladded with salt-resistant titanium. Special care was taken with the acoustics for the building, including blocking radio waves. The Theatre mall is on the first floor, a rooftop garden is on the 7th floor, and Mezama Sky is on the 24th floor.
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Raka was attested in written sources in 1161 as Arch (and as Archa in 1249, and Arch in 1279). The Slovene name is derived from the common noun raka 'wooden cladding preventing water erosion of a bank' or 'cladded chute carrying water to a mill'. Both the Slovene and German names are ultimately derived from Latin arca 'box'.Snoj, Marko. 2009.
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Upon completion, Vista Tower designers are targeting a Silver Leadership in Energy and Environmental Design (LEED) certification. The three towers feature a curvilinear design, and are made up of alternating frustums. The towers are cladded in 6 different shades of glass. The uppermost segment of the tallest tower contains unoccupied "blow through" floor to prevent the structure from swaying in the wind.
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George Alfred Hockham FREng FIET (7 December 1938 – 16 September 2013)RIP George Hockham (1938–2013) was a British engineer. He worked for over 40 years in theoretical analysis and design techniques applied to the solution of electromagnetic problems covering many different antenna types for radar, electronic warfare and communication systems. He coauthored the original paper on the application of cladded glass fibre as a transmission medium.
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It also has a roof-mounted gantry for television cameras, and press facilities. The East Enclosure was formerly an area of open terracing, which was roofed in 1954. To meet the Taylor Report requirements, it was converted to seating and re-cladded in the early 1990s. Although the East Enclosure is shallow, it allows sufficient legroom by only having seats on every second step.
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The town of Porto Rafti stretches amphitheatrically around the Rafti Bay, a bay of the Aegean Sea, on the east coast of the Attica peninsula. It is surrounded by pine-cladded hills, the tallest of which is Merenta, 613 m above sea level. It is 5 km south of Vravrona, 6 km east of Markopoulo and 26 km southeast of the center of Athens.
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Since 2017 a room in between the historical living quarters and cladded in black hosts the exhibition space Bach's inner world.Cf. Tilman Krause: Bibeln kann man gar nicht genug haben. In: Die Welt, 27 March 2017, accessend 29 April 2018. Presented here is a reconstruction of Bach's theological library, facilitated by the written estate which lists 52 theological book titles bound in 81 volumes as having been privately owned by Bach.
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Rašica was attested in historical sources in 1230 as Reschwiz (and as Reschicz in 1260 and Rasczicz in 1436). The name was originally a hydronym, referring to Rašica Creek south of the village. The name is derived from the common noun raka 'wooden cladding preventing water erosion of a bank' or 'cladded chute carrying water to a mill'. Both the Slovene and German names are ultimately derived from Latin arca 'box'.
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The wooden base is solidly cladded with oak, dissolving into oak fins and curved glass above. The sun shading and acoustically isolating vertical fins gently forms the perimeter of the house, resonating the undulation throughout the river valley. The materiality throughout the building demonstrates Shim’s attempt to connect with nature. The inside features sensuous details such as the hand blown laminated glass staircase, which is a collaborated artwork with a glass artist, Mimi Gellman.
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The Department for Communities and Local Government (DCLG) commissioned "whole system" tests, which are designed to see how different cladding systems reacted in a fire. Seven combinations were tested, and six deemed dangerous. It reported in August 2017 that there were 228 buildings in the United Kingdom cladded using these methods. The seventh, a combination of aluminium composite material (ACM) cladding with a limited flammability filling and stone-wool insulation, was deemed safe.
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The carried version is usually attached to straps acting as suspenders, allowing the person wearing the boards to carry the weight on his or her shoulders and keeping the boards balanced on the wearer. The wearer might also pass out flyers or shout advertising slogans.These sandwich men are seen parading in a queue cladded in a specific costume. They were gorgeously dressed at the beginning but later they were portrayed wearing shabby clothes in many illustrations that failed to attract consumers attention.
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To the north west of the residence are two more outbuildings, both with hipped roofs clad with corrugated iron one of masonry and timber construction and the other timber framed and cladded. To the north, north west and north east of the house are remnants of a large garden. Stone terracing and walling and extensive timber paling fences survive as do many established trees and plantings. The trees in this area include a jacaranda, several figs, pepperina, and orange trees.
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The ten LHB coaches were built from steel, the single MBB coach from aluminium. The LHB coaches were cladded with corrugated stainless steel under license from the American Budd Company. They were built to a light-weight construction with a lower floor height and electropneumatically operated double sliding doors with folding steps, new bogies of the LD 76 type with a pneumatic shock absorber system. The prototypes also featured air heating and more comfortable seats with a larger seat pitch.
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The north façade is cladded with COR-TEN steel, relating alongside to the red-bricked historical buildings. Inside, the architects designed the central staircase to be a sculptural and abstracted version of a tree, with branches of stairs spanning into its laboratories, classrooms, and offices. The large atrium allows the landscape to flow through its tall, vertical glazed walls, letting in natural light. The building’s glass material palette reflects the surrounding context, with different glass tones of light and dark grey, and white juxtaposing one another.
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The interior of Memorial Hall. Its walls are made out of smooth concrete, and are arranged in a grid resembling First World War headstones Situated within the lobby of the museum, Memorial Hall serves as a place for sombre reflection and remembrance. The exhibit's access point is angled upwards; with its doorway designed to provide an illusion of narrowness. The walls surrounding the access point is cladded in copper, and is illuminated only by light fixtures installed in the floor, and a light mounted on the ceiling.
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Telus Sky's northern and southern facades are cladded in a dynamic LED display dubbed "Northern Lights", designed by Canadian artist Douglas Coupland, which is one of the largest public art fixtures in Canada. The LED light strips that make up the art piece are equipped with an infinite number of colour shades and combinations. The Northern Lights display will go through five 12-minute sequences per hour. With the starting sequence always being a mimic of the world famous aurora borealis, and the remaining four sequences to be interchangeable.
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A schematic of the equipment Laser cladding is a method of depositing material by which a powdered or wire feedstock material is melted and consolidated by use of a laser in order to coat part of a substrate or fabricate a near-net shape part (additive manufacturing technology) . It is often used to improve mechanical properties or increase corrosion resistance, repair worn out parts, and fabricate metal matrix composites. Surface material may be laser cladded directly onto a highly stressed component, i.e. to make a self-lubricating surface.
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The original plans for the site was for a single tower name Eclipse, the result of a project by Cala Developments and initially designed by Broadway Malyan. These designs called for a charcoal-grey cladded 22 storey tower with a 12-storey brickwork skin wing that was to provide 263 new apartments. After successfully selling most of the apartments before construction began - Cala decided that the economic conditions were unfavourable and abandoned the scheme in 2005, causing concern among early investors by putting the land up for sale without a public announcement.
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The tower diagonally opposite, which has survived, also originates from this first phase and served to defend the gate (gate tower) as well as acting as a bergfried. At that time, its height reached up to the upper edge of the present fighting platform. During the second construction phase, the outer wall was reinforced, cladded with brick and raised. Other buildings were built onto the donjon up to the same height, and completely vaulted in up to four storeys (a unique design for a castle on the Rhine); thus a quadrangular structure was created.
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It is aged in Warehouse H at Buffalo Trace, which is the only metal-cladded warehouse at Buffalo Trace and was commissioned for construction by one of the distillery's early leaders, Albert B. Blanton, shortly after the end of the Prohibition era. Being metal, the warehouse transfers heat quicker than brick warehouses, which allows for more rapid aging.Blanton's Single Barrel Bourbon – Review, Whiskey Lately There are multiple different expressions of Blanton's, each being a different proof. The original 93 proof Blanton's was the only expression available in the United States until 2020.
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The walls of the tunnel where the platforms are located are cladded with cast stone panels with different densities, curves and perforations. The process combines white pre-cast stone with a gentle acid-etched finish and encrusted glass beads that let light filter through. Each platform is equipped with white cast stone benches with a shiny polished finish rest on cantilevered metal brackets to camouflage the station's air- conditioning outlets. This project was designed by architects A&M; in conjunction with Escofet while the architectural design of the station in general was designed by Tomàs Morató.
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171 La Trobe Street occupies four squares on the corner of Russell Street and La Trobe Street. The building rises uniformly with 10 storeys of office floors from a catenary canopy over a tavern at the ground level, with a pair of double-storey penthouses on the top. The residential usage of the building is differentiated from its office counterpart by accentuation of masses protruding from the apartments on the exterior. Other distinctive features of 171 La Trobe Street include vertical shafts composed by green-glazed glass, horizontal curtain walling, vertical fins and black cladded shear wall.
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At the north eastern end of the kitchen block is a small storage room, with raked ceiling, unpainted timber lining boards and a boarded floor. The 1890 section of the homestead, elevated on round timber posts, comprises five rooms of varying sizes all opening onto a wide verandah which surrounds the section. This section has a low pitched hipped roof clad with corrugated iron sheets, extending over the verandahs where it is lined with fibrous cement lining sheets with timber cover strips concealing edges. The verandah is supported on slender square planned posts which have partially chamfered corners and sit on the hand rail of the chamfer board cladded balustrade.
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The neo-classical powerhouse sat on an L-shaped floor plan, with the main hall aligned along the length of the river and a shorter hall connecting the main hall with the river bank at the western end of the building. The natural stone cladded concrete structure has large round arched glazed windows. The roof was supported by an iron truss structure without roof support pillars or dividing walls inside the building in a way that a vast open unencumbered space for the machinery inside the powerhouse was provided. The interior of the turbine hall was decorated in the flamboyant Beaux-Arts style fashionable at the time.
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Satavahanas constructed a stadium and a theater at Nagarjunakonda in the 2nd century AD. The theater has a small quadrangular open area enclosed on all four sides by stepped stands which are made of bricks and cladded with limestone. An oblong- shaped stadium dating form the same era consisted of an arena which was enclosed on all four sides by flight of steps with each step measuring two feet wide and a pavilion which was situated on the west end. At the top of the arena there was an eleven feet wide platform. The area of arena was 309 X 259 feet and 15 feet deep.
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The Corinthian capitals are very well preserved and bear the signature of Hygeinos, the contractor in charge of carving the bases, shafts and capitals of the columns. The portico and the cella stand on a podium built by a system of parallel vaults surrounded by a corridor, both accessible by two separate staircases from the cella. Two more staircases lead to the roof of the temple, a flat terrace probably used by the worshippers for rituals. The interior of the cella was cladded with polychrome marbles, as proven by the clamps' holes in the walls and fragments of verde antico slabs from the floor.
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It also can be noted that as LOPO was designed to operate at zero power, and no means for cooling were necessary, so ordinary water served solely as a moderator. It is however the first aqueous homogeneous reactor and the first reactor using enriched uranium as fuel and ordinary water as a moderator. By the end of the war, following an idea of Alvin Weinberg, natural uranium fuel elements were arranged in a lattice in ordinary water at the top of the X10 reactor to evaluate the neutron multiplication factor. The purpose of this experiment was to determine the feasibility of a nuclear reactor using light water as a moderator and coolant, and cladded solid uranium as fuel.
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Original (right) and externally cladded (left) BISF type houses at Moss Road and Bardrainney Avenue, Port Glasgow The BISF house is a British steel framed house, designed and produced by the British Iron and Steel Federation, and erected around the country from 1946. BISF was an association of steel producers, formed in 1934 in order to provide central planning for the industry. It was prominent in coordinating output through World War II. Post- war, BISF became key in the new Ministry of Works Emergency Factory Made housing programme. It sponsored a solution for a permanent steel framed housing to a MoW conforming design by architect Sir Frederick Gibberd, who also designed the Howard house.
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Born in Epsom, Surrey, Hockham received a BSc (Eng) degree from the Regent Street Polytechnic in 1961, and a PhD in 1969 from the Queen Mary University of London. He worked for over 40 years in theoretical analysis and design techniques applied to the solution of electromagnetic problems covering many different antenna types for radar, electronic warfare and communication systems. Hockham also contributed significantly to the development of optical fibres for long distance communications systems. He proposed and published, together with a colleague Professor K. C. Kao, in 1966 the original paper on the application of the cladded glass fibre as the transmission medium – "Dielectric-fibre surface waveguides for optical frequencies" – for which he received the Rank Prize in Opto-Electronics in 1978.
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Capacity of stand: 5,460 + Press Seats (63) This original stand opened in 1924 includes the Directors Box, new offices/Main Entrance were built at the rear of the stand during the nineties, meanwhile the exterior of the Main Stand has been re-cladded in white replacing the old original blue painted corrugated iron. New seats were also installed during the summer of 2013, several lounges/Bars and a restaurant are also within the stand. With new investment confirmed the club put forward plans for this stand to be redeveloped into a three-tier structure, building over, then removing, the current stand. Plans for a new 13,500-seater Main Stand (extending overall stadium capacity to 34,000) were approved at a Croydon Council meeting on 19 April 2018.
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Coming off their home win over the Dolphins, the Ravens flew to the Georgia Dome for a Week 10 interconference duel with the throwback-cladded Atlanta Falcons on Thursday night. After a scoreless first quarter, Baltimore trailed in the second quarter as Falcons quarterback Matt Ryan completed a 28-yard touchdown pass to running back Jason Snelling, followed by kicker Matt Bryant making a 28-yard field goal. Atlanta added onto their lead in the third quarter with Bryant's 51-yard field goal, yet the Ravens answered with quarterback Joe Flacco found wide receiver Anquan Boldin on a 5-yard touchdown pass. The Falcons struck back in the fourth quarter as Ryan completed a 4-yard touchdown pass to wide receiver Roddy White.
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The station exterior was cladded with ribbed aluminium to make the material ambiguous; making them look soft or hard depending on light conditions and time of the day. This station was awarded "Design Of The Year" of the President's Design Award in 2010, nominated by Patrick Bingham-Hall, an architectural photographer. Bingham- Hall, the nominator, praised the station as a 'brilliantly intuitive piece of architecture (which) defy imitation', while the jurors of the award commented that the station design was 'appropriate' to reflect the importance of the new Sports Hub the station serves. The station also received the 9th SIA Architectural Design Awards for the Industrial, Transport & Infrastructure, the Award for International Architecture by the Australian Institute of Architects and the 2010 International Architecture Award by the Chicago Athenaeum and the European Centre for Architecture Art Design and Urban Studies.
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The site, which was also known as Ashton Fields or Rownham Fields as well as Ashton Meadows, covered and was served by two railway stations Clifton Bridge railway station and Ashton Gate railway station which was renamed Exhibition Station for the duration of the event. The triangular site was bordered by the River Avon on the north, a road called Ashton Avenue on the east and the railway tracks on the west, with a bridge over the other set of railway tracks running across the site. Each of the exhibition halls was built of a timber frame cladded with plasterboard and mouldings made from fibre and gypsum given them a white appearance and it became known locally and in some press reports as the White City. The major buildings included the International Pavilion and a concert hall with a capacity of 5,000.
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After the discoveries of fission, moderation and of the theoretical possibility of a nuclear chain reaction, early experimental results rapidly showed that natural uranium could only undergo a sustained chain reaction using graphite or heavy water as a moderator. While the world's first reactors (CP-1, X10 etc.) were successfully reaching criticality, uranium enrichment began to develop from theoretical concept to practical applications in order to meet the goal of the Manhattan Project, to build a nuclear explosive. In May 1944, the first grams of enriched uranium ever produced reached criticality in the low power (LOPO) reactor at Los Alamos, which was used to estimate the critical mass of U235 to produce the atomic bomb. LOPO cannot be considered as the first light-water reactor because its fuel was not a solid uranium compound cladded with corrosion-resistant material, but was composed of uranyl sulfate salt dissolved in water.
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