560 Sentences With "enamelled" | Random Sentence Generator

It was then enamelled and finished in the Forbidden City's workshops.

Perhaps each phrase slid off their smooth enamelled backs like rain, like light.

The iridescent black, red, green and blue enamelled reptile, set with emerald eyes, curls around a ringed, white enamel hand—a Renaissance motif.

Its dial has a fan-motif guilloché pattern enamelled in midnight blue, and an indicator showing the phases of the moon in both the Northern and Southern Hemispheres.

The hand is completely enamelled yet also firmly clasped by the chameleon; this could not have been realised in the Renaissance as the high temperature required to solder metal work would melt the enamel, as well as the points of connection.

A red enamelled bar denoted a State Registered Nurse (SRN). A purple enamelled bar denoted a State Certified Midwife (SCM) and/or a Nurse on the Special Part of the State Register i.e. psychiatric or learning disability). A green enamelled bar denoted a State Enrolled Nurse (SEN). Their use was abandoned in the mid-1990s.

There were a variety of miscellaneous enamelled and non-enamelled brooch styles during this period. The most common were the rectangular, bird-shaped, ottonian and cross-shape styles. Most of the rectangular brooches found in England are non- enamelled, and can be grouped into those with straight sides and those with convex sides. Ottonian brooches were complex, three dimensional brooches imported from Europe.

In 1962 the foundry itself was closed and the Company concentrated on the production of electric ranges. In conjunction with the manufacture of electric ranges, porcelain enamelled baths, kitchen sinks, enamelled street signs were also produced.

The egg opens to reveal an enamelled yolk, which contains a miniature hen.

Viyella row counter The Viyella needle gauge and knitting counter was created between 1936 and 1940. It is sizeable and heavy at high and across, and is enamelled and chromed. The two flat, chromed ends of the drum are pierced to form a needle gauge. The ends rotate on the enamelled drum such that red or white enamelled numbers are revealed through piercings in the sides of both drum-ends.

But what expression can there be in a face bedaubed with white paint and enamelled?

The medal is circular and struck from bronze, the obverse bears at its center a blue enamelled octagon with a yellow enamelled five-pointed star in the center. Along the outer circumference of the medal are thin enamelled lines of black, yellow and red surrounding the relief inscription "ARMED HUMANITARIAN OPERATIONS" in ) and in (). The obverse of the medal is plain. The ribbon is azure blue, with three thin longitudinal in the national colours of Belgium, black, yellow and red.

The Order "For Military Merit" is a wide silver and enamelled eight pointed star. The four diagonal points of the star being enamelled in the national colours of Russia, white, blue and red. The obverse has a central red enamelled medallion with the silver state emblem of Russia in the center. The medallion is surrounded by a silver band with a relief laurel wreath on the lower half and the relief inscription "FOR MILITARY MERIT" () following its outer circumference in the upper half.

A number of other techniques were in use during the Roman period, including enamelled glass and engraved glass.

In the case of a posthumous award, a black enamelled bar was worn on the ribbon above the others.

The heraldic badge of the enamelled with the arms of the Braunschweig (Brunswick) family, Gules, two lions passant guardant or.

The central disc is in white enamel with the monogram "RP" (Rzeczpospolita Polska) surrounded by a green enamelled oak wreath.

The badge of the order consisted of a gold crowned double-headed eagle enamelled in black, with a cross superimposed upon its chest: this was a gold Maltese cross enamelled in red with white enamel outline and golden rays between the arms. A white enamel crowned eagle with spread wings, facing left (the coat-of-arms of Poland) was superimposed on the cross. On its reverse side the double-headed eagle bore in the center of its back a diminutive red-bordered white-enamelled cross pattée with a gold rosette at its center gold rays between its arms. The black double-headed eagle hung by its two crowned heads from an enamelled Russian imperial crown, which, in turn, hung from a dark blue silk moire ribbon.

Brooch styles were predominantly circular by the middle to late Anglo-Saxon era. During this time period, the preferred styles were the annular and jewelled (Kentish) disc brooch styles. The circular forms can be divided generally into enamelled and non-enamelled styles. A few non-circular style were fashionable during the eighth through eleventh centuries.

The design elements of the multiplex include lobby spaces with intricate marble flooring, mirrored ceilings, enamelled lighting, and antique gold accents.

Cloisonné enamelled disc brooch Enamelling is the process of using extremely high heat to fuse glass onto a prepared metal surface. The technique enables the craftsman to create brightly coloured images. Anglo-Saxon enamelled brooches can be grouped into two main enamelling techniques: champlevé and cloisonné. Champlevé means ‘raised field’ in French and cloisonné translates to 'partitioned'.

Its ruby enamelled obverse bears the gilt Emblem of Russia within a gilt laurel wreath. Each award is serialised on the reverse.

The Commemorative Decoration of the 50th Anniversary of the Creation of the Railroads was a white enamelled Maltese Cross with a slightly convex dark blue enamelled central medallion. The cross was outlined in gold and small gilt orbs were affixed to the eight tips of the cross arms. The obverse of the central medallion bore the gilt emblem of the railways of the time, a winged wheel over six arrows pointing in different directions, all under the royal crown of Belgium. Its reverse bore the gilt monogram of King Leopold II on a white enamelled background encircled by a dark blue enamelled ring bearing the gilt dates "1 MAI" (1 MAY) at the top, "1834" at lower left and "1884" at lower right, three small gilt five pointed stars separating the three inscriptions.

In 1884, Cust was the subject of a portrait bust by Alfred Gilbert. Alexander Fisher produced an enamelled portrait of Cust in 1898.

The cruiser «Moskva» («Moscow») was awarded the Order of Nakhimov. Sevastopol, 22 Jul 2016. The badge of the Order Nakhimov is a 40 mm wide blue enamelled silver cross pattée with a narrow raised edge superimposed over a four pointed star, the ruby enamelled rays of which protrude between the arms of the cross and end in the shape of naval sea anchors. In the center of the obverse, a blue enamelled silver bordered medallion bearing the left profile bust of Admiral Nakhimov over laurel branches. Along the medallion’s circumference over the image of the bust, the relief silver inscription “Admiral Nakhimov” ().

Brooch styles were predominantly circular by the middle to late Anglo-Saxon era. The circular forms can be divided into enamelled and non-enamelled styles. Ansate brooches, traditional brooches from Europe migrated to England and became fashionable in the late Anglo-Saxon period. Safety-pin brooches, more common in the early Anglo-Saxon period, became less fashionable by the seventh century.

The circular brooch is the primary brooch type from the seventh through the eleventh centuries. The circular brooches of this time perdiod can divided into enamelled and non-enamelled types. There are many outstanding brooches created in the ninth through the eleventh centuries. A few of these elaborate brooches include the Strickland Brooch, the Fuller Brooch and the brooches of the Pentney Hoard.

Boreham in Blair et al. 2009, p. 65. Alongside the communion table unveiled in 1943, a silvered bronze cross was added at the east end. Designed by John Fraser Matthew, the cross features square enamelled panels at each end, showing the symbols of the Four Evangelists: these panels were designed by Morris Meredith Williams and enamelled by Harold Conrad William Soper of London.

79,92 In 1975, Crummles of Poole, Dorset began manufacturing Beatrix Potter enamelled boxes, and eventually released a diameter enamelled box depicting Babbitty Bumble and Mrs. Tittlemouse holding her book. In 1977, Schmid & Co. of Toronto and Randolph, Massachusetts was granted licensing rights to Beatrix Potter, and produced a Mrs. Tittlemouse music box playing "It's a Small World" the same year.

An enamelled blue ribbon surrounds the middle of the prize, and there are memorials to past record-holders, with Harold Hales's name at the base.

Fox studied enamelling under Oswald Reeves. She created an enamelled cup entitled Going to the feast for which she won a gold medal in a 1908 British competition. The cup was later exhibited with the other prizewinners at the Victoria and Albert Museum, and at the 1924 Tailteann Games exhibition in Dublin. In 1909, Fox was awarded a national prize for Music, an enamelled copper plaque.

There is also a small enamelled version (white parachute with blue, yellow, or red wings) worn on the left pocket as Jump Indicator Wings (for 25, 50 or 100 descents, respectively). The small enamelled badge has now been replaced by a brass badge with stars at the bottom of the parachute, with one star denoting 25 jumps, two stars 50 and three stars 100.

The insignia of the Labour Decoration is oval and made of silver, surrounded by a blue enamelled laurel wreath, with in its center a black enamelled oval medallion surrounded by a red enamelled border and in the center an emblem made of a beehive, a hammer and a compass and topped by the coat of arms of Belgium. The insignia is suspended by a ring through a lateral suspension loop through the orb of a pivot mounted royal crown. The reverse of the insignia is plain. The emblem and the royal crown are silver for the second class decoration and gold for the first class.

The advertising frames are metallic and the name of the station is written in Parisine font on enamelled plates. The Motte style seats are dark blue.

There was a WLOG member's badge in blue enamelled metal, featuring the long ears of Wilfred. Among the WLOG rules was one to never eat rabbit.

The peristome is thin, though strongly ribbed exteriorly. The columellar marginis concave, strongly enamelled. The base of the aperture ends in a short, wide siphonal canal.Schepman, 1913.

The name of the station is written in faience on the abutments of the station and with the Parisine font on enamelled plates on the central platform.

There are many variations of the non-enamelled circular brooch. The most common styles include: the back-turned animal, coin, cross, concentric circle, stepped and cogwheel forms.

The Medal "For Strengthening Military Cooperation" was a 32mm in diameter gilt tombac circular medal. On the obverse, a red enamelled five pointed star with a shield at its center. The shield is not enamelled and bears the relief inscription in five rows “"FOR STRENGTHENING MILITARY COOPERATION" and "USSR" () and (). Two relief laurel branches follow the left and right circumference of the medal passing under the points of the star.

The badge of the Order of Australia is a convex disc (gold for AKs, ADs and ACs, gilt for AOs, AMs and OAMs) representing the Golden Wattle flower. At the centre is a ring, representing the sea, with the word 'Australia' below two branches of golden wattle. The whole disc is topped by the Crown of St Edward. The AC badge is decorated with citrines, blue enamelled ring, and enamelled crown.

A Marseille business directory for 1779–80 listed Savy as making both enamelled faience and porcelain. Childless, Savy continued his work until his death on 24 September 1790.

The decoration is hung from a star and crescent suspension, enamelled red. The order had three classes, with the highest class mounted with diamonds and other precious stones.

Araneus bradleyi, known as the enamelled spider, is a common Australian spider belonging to the family Araneidae. It occurs in Tasmania, New South Wales, Queensland and Victoria, Australia.

Fourth-class order A red enamelled cross pattée with black enamelled borders, and a black enamelled central disc bearing a crowned red and ermine mantle with the monogram of Saint Vladimir. Worn on a sash by the first degree, on a necklet by the second and third degrees, and on a chest ribbon by the fourth degree. A four-pointed star superimposed upon a four- pointed gold star, with a golden cross pattée and the letters "CPKB" between the arms of the cross on a black enamel background at the centre surrounded by the motto of the order "Benefit, Honour and Glory". Worn on the left chest by the first and second degrees.

These precious barmas are the high-craft masterpieces, enamelled and encrusted with gems. Some of the barmas have gold medallions with engravings in Greek, presumably of the Byzantine origin.

The advertising frames are metallic and the name of the station is written in capital letters on enamelled plates. In 2017, the platforms of Line 4 were under construction.

The name "Star and Garter" originates from an abbreviation of the name of the insignia belonging to Order of the Garter. The Star is eight pointed and of chipped silver. At its centre is a white enamelled medallion bearing the Cross of St George in red enamel and surrounded by a dark blue enamelled Garter edged with gold bearing the motto in gold letters. Several English pubs are named the Star and Garter.

The 1964 law that created the Cross also specified its design, which has "a total length of 4.5 cm and is a regular octagon of 8 mm on the side." In the center, on gold enamel, a sword enamelled in white and decorated. The arms, on the inner surface, will be enamelled in red or white depending on the class, and in the center, from left to right, it will read: "To Police Merit".

The Honour Deans of Labour wear a collar the color of the ribbon and adorned with golden badges showing a lion's face. The insignia suspended from the collar is a hammer enamelled in red and black with two ears of corn forming the letter "A" for King Albert I. The Star of Cadet of Labour is an enamelled pin shaped as a five-pointed star showing an anvil and topped with a royal crown.

The roof is painted white. Advertising frames are metallic and the name of the station is written in a Parisine font on enamelled plates. The Motte style seats are red.

The spandrels and walls have flat white tiles aligned and placed vertically. The advertising frames are metallic and the name of the station is in Parisine typeface on enamelled plates.

The spandrels and walls are provided with flat white tiles organised vertically. The advertising frames are metallic and the name of the station is of Parisine typeface on enamelled plate.

The reverse side of the badge bears the same Maltese Cross with golden rays as the front side and this cross bears the same design as that of the star of the order (see below), except that the arms of the cross are not enamelled red, i. e., only the outline of the cross and its central disc with its surrounding oak wreath are enamelled. The star or plaque of the order consists of an eight-pointed silver star with straight rays, with a gold Maltese cross, enamelled in red with white enamel outline and with golden palmette-like rays between the arms, superimposed upon it. The motto of the order, „Za Ojczyznę i Naród” ("For Fatherland and Nation"), appears on the arms of the cross.

The champlevé process requires the casting of shallow sunken cells into the body of the metal, and then the cells are filled with enamel. Cloisonné means ‘partitioned’, and this process involves creating cells by soldering vertical cell walls to a disc backplate. Anglo-Saxon craftsmen used a variety of enamelling techniques, with champlevé enamelling being the most common. The three most popular enamelled brooch styles of this period were the enamelled cross, the saint motif, and the cloisonné brooch.

All members of the Order may also wear a plain, Maltese cross as a star or 'breast badge'. Most such stars are of plain linen, though enamelled stars in either silver or silver gilt, of about 5.5cm in diameter, also are worn in formal evening attire. A white- enamelled Maltese cross in either gold (generally about 1.8 centimeters in diameter) or silver (1.3), may be worn on the left lapel of a knight's suit coat or sportcoat.Clark, page 66.

The Dunstable Swan Jewel, modelled fully in the round in enamelled gold, is a far more exclusive version, that would have been given to someone very close or important to the donor.

Reymond also made the enamelled altarpiece commissioned by Anne de Montmorency for the chapel of his Château d'Écouen. The Petit Palais in Paris, France has a display of one of Reymond's work.

1805 in the cellar of Priory House. This small enamelled casket dates from the 13th Century and originates from workshops in Limoges, France. It is now on display at Rutland County Museum.

Mary Pagez had a jewel with a sapphire from the Queen for her father and another with a green enamelled bird, Christine was given a pair of bracelets and a ring.Labanoff, Alexandre, ed.

The advertising frames are metallic and the name of the station is written in Parisine font on enamelled plates. The platforms are equipped with wooden slatted benches as well as platform screen doors.

The Silver Cross was to be made entirely of silver, while the Gold and Commander's crosses where enamelled in white with blue edges. The ribbon consists of five pale blue and white stripes.

The Order of Zhukov was established by Presidential Decree 930 of May 9, 1994. Its statute was amended by Presidential Decree 243 of March 6, 1995. The original award was a wide gilt cross pattée, the four arms were enamelled in red with a gilt border with alternating raised and recessed rims giving the appearance of shields. At the center, a diameter blue enamelled medallion bearing the gold plated silver relief bust of Georgy Zhukov, below him, interlaced laurel and oak branches.

The 60 mm badge consists of a gold-plated back plate consisting of crossed dorji (crossed thunderbolt) with lattice work, and an enamelled flag of Bhutan with beaded gold edge, with the dragon mounted in gold. The 80 mm breast star consists of a large ornate gold-plated back plate with silver trumpets (dhung) individually pegged onto back star. The centre is an enamelled flag of Bhutan, with the dragon in gold, identical to the badge. The ribbon is dark orange.

Grandhomme worked mainly in the Limoges School Revival style. A variety of Grandhomme's work is displayed at the Musée d'Orsay, including a series of enamelled tableaux on Greek mythological themes that he created with Garnier in the style of Gustave Moreau. Two of his enamelled medals are on show at the Metropolitan Museum of Art. A pre-World War I commemorative medal he made was part of a Victoria and Albert Museum exhibition on 'European Commemorative Medals for the Great War'.

The order consists of a badge, worn on a sash from right shoulder to the left hip, and a star worn on the left chest: The badge of the order is a blue-enamelled, eighteen-karat, yellow-gold Maltese cross with a granular border. In each of the compartments between the four arms of the cross is a red-enamelled crown surmounting the royal monogram ("W II", for Wilhelm II). The central disc on the obverse of the badge shows a golden crown with red enamel, surrounded by a blue-enamelled circular band bearing the gold-lettered motto, "Gott Mit Uns". The disc on the reverse bears the intertwined initials "IR W II" (for "Imperator Rex Wilhelm II": "Emperor King William II"), encircled by the date "18 January 1901".

The advertising frames are metallic and the station name is written both in Parisine typeface and in capital letters on enamelled plates. The Motte style seats are orange. Access is via the south-eastern end.

Within the churchyard there is a medieval cross base. This scheduled monument consists of a large cylindrical block of stone upon a square plinth. A small Viking enamelled strap end was found here c.1910.

The story, with considerable elaborations, survives in various literary forms, and as a figure from the life of Agnes, Constantina appears in the late 14th enamelled scenes on the Royal Gold Cup in the British Museum.

Made of gold, enamelled and studded with diamonds and other precious stones, the crown is topped by a brilliant white diamond called the Phra Maha Wichian Mani (พระมหาวิเชียรมณี), bought and added later by King Rama IV.

Though still luxury products, enamel chasses were cheap compared to a custom-made object from a goldsmith, and the effect impressive and colourful. The solidity of the boxes, and the difficulty of recovering the relatively low value of the gold used, has meant a high survival rate compared to other types of medieval metalwork, at least for religious chasses; over 700 medieval Limoges chasses survive, often in very good condition. In the earlier examples only the figures and decorative roundels were enamelled, but in the 13th century this was usually reversed, with an enamelled background, generally dominated by blue, and figures just engraved and gilded. A group from the end of the 12th century with some sixty survivals have enamelled figures and "vermiculated" gilded backgrounds "incised in a pattern of densely interwoven vine scrolls and tendrils".

The Reichsadlerhumpen, a glass with the double-headed eagle of the Holy Roman Empire, and the arms of the various territories on its wings, was a popular showpiece of enamelled glass in the German lands from the 16th century on. Dated 1743, this is a late example The Luck of Edenhall, a 13th-century enamelled glass cup made in Syria or Egypt Enamelled glass or painted glass is glass which has been decorated with vitreous enamel (powdered glass, usually mixed with a binder) and then fired to fuse the glasses. It can produce brilliant and long-lasting colours, and be translucent or opaque. Unlike most methods of decorating glass, it allows painting using several colours, and along with engraving, has historically been the main technique used to create the full range of image types on glass.

Moreover, they made crafts and sweets, ceroplastics and enamelled objects. Nowadays they make silk holy paraments, embroidered with gold and silver threads, or embellished with gems and pieces of coral; they also prepare hosts for several churches.

The vault is coated and painted white. The advertising frames are white ceramic and the name of the station is written in the Parisine type font on enamelled plates. The platforms are equipped with wooden slat benches.

The Order of Zhukov is a wide gilt cross pattée, the four arms are enamelled in red with a gilt border with alternating raised and recessed rims giving the appearance of shields. At the center, a blue enamelled medallion bearing the gold plated silver relief bust of Georgy Zhukov half turned to the right, below him, interlaced laurel and oak branches. Above the bust of Zhukov, the gilded inscription "ГЕОРГИЙ ЖУКОВ" (GEORGY ZHUKOV). Between the cross arms, embossed gilt rays protruding from the center outward forming a wide square with rounded corners.

Born in Florence, Robbia was the son of Marco della Robbia, whose brother, Luca della Robbia, popularized the use of glazed terra-cotta for sculpture. Andrea became Luca's pupil, and was the most important artist of ceramic glaze of the times. He carried on the production of the enamelled reliefs on a much larger scale than his uncle had ever done; he also extended its application to various architectural uses, such as friezes and to the making of lavabos, fountains and large retables. One variety of method was introduced in his enamelled work.

The medal of the order is constituted of a white-enamelled cross of Malta, bordered in red, surrounded by a green crown of laurel. At the centre of the cross in a gold medallion showing a frontal elephant surrounded by a crown of laurel, the whole surrounded by a green-enamelled ring with golden inscription "REPUBLIQUE DE COTE D'IVOIRE" ("Republic of Ivory Coast"). The plaque shows the same design as the medal but the cross is put upon a silver radiating star. The ribbon of the order is dark orange.

Badge of the Order of Ushakov The Order of Ushakov is a 40 mm wide blue enamelled silver cross pattée, seven silver rays of increasing size protrude from the center between each cross arm. On the obverse, a convex central blue enamelled medallion superimposed over a ship's anchor, the arms and flukes, stock and shackle visible. On the medallion, the gilded bust of Admiral Fyodor Ushakov half turned to the left. Below the medallion, on the crown and arms of the anchor, crossed gilded branches of oak and laurel.

The Political Prisoner's Cross 1940–1945 was a 37mm wide silver cross pattée. Its obverse bore a 2 cm in diameter central medallion surrounded by barbed wire with an inverted red enamelled triangle with a black capital "B" at its center. The triangle with the "B" represents the insignia internees had to wear on their prisoners' uniforms identifying them as Belgian political prisoners. The reverse also bore a central medallion, this one though was enamelled in black bearing the years "1940 1945" in silver numerals on two rows.

The AO badge is similar, without the citrines. For the AM badge, only the crown is enamelled, and the OAM badge is plain. The AK/AD badge is similar to that of the AC badge, but with the difference that it contains at the centre an enamelled disc bearing an image of the coat of arms of Australia. The star for knights and dames is a convex golden disc decorated with citrines, with a blue royally crowned inner disc bearing an image of the coat of arms of Australia.

In 2003 the lowest two classes of the Order were abolished. Moreover, the badges of the Order will from now on be suspended from three white-enamelled paulownia leaves (not chrysanthemum leaves as the Decoration Bureau page claims).

Fernande Olivier, Picasso's mistress at the time, described DerainClement 1994, p. 396 as: > Slim, elegant, with a lively colour and enamelled black hair. With an > English chic, somewhat striking. Fancy waistcoats, ties in crude colours, > red and green.

The north chancel aisle contains an enamelled brass by Warrington to the memory of Major W. Pitcairn Campbell who died in 1855. There is a ring of six bells which were cast in 1912 by John Warner & Sons.

Kakiemon plate, 1680-1700 Sakaida Kakiemon (), or Sakaida Kizaemon (1615— 1653) was a Japanese potter who invented the style known after him as Kakiemon. He worked in association with Higashijima Tokue, and created the first enamelled porcelain in Japan.

Apart from pottery, the technique was used on metal, and enamelled metal, and sometimes on wood and textiles. It remains used today, although mostly superseded by lithography. In the 19th century methods of transfer printing in colour were developed.

Rockingham-produced earthenware is often transfer printed, but occasionally enamelled pieces may be found. Brown-glazed 'Cadogan' pots are also common. Many pieces are backstamped with an embossed "Brameld" mark. Other pieces can be identified by matching with known backstamped designs.

The reverse on both crosses is flat with a semi scoop shape in the center and a single long golden pin attached on the top of the cross. On the enamelled badges about 5 to 6 decorations are known in Denmark.

The Staffordshire Moorlands cup, an enamelled Roman bronze vessel (diameter 89.5 mm) which lists the names of several Roman forts on the western sector of Hadrian's Wall and also the ancient name of the Wall in the form Val[l]i Aeli, the 'Aelian frontier', using part of Hadrian's name which in full was Publius Aelius Hadrianus. The Staffordshire Moorlands Pan, is a bronze cooking and serving vessel of trulla form found in Staffordshire in 2003. It has elaborate Celtic-style enamelled decoration and had a single handle, now broken. The inscription on the bowl lists four forts on Hadrian's Wall.

The badge of the Order is in the shape of a 40 mm wide four pointed cross made of enamelled silver. Two anchors cross behind a central medallion bearing the coat of arms of the Russian Federation. The central medallion edge is enamelled in blue and bears the inscription "FOR NAVAL MERIT" (). The Order "For Naval Merit" is suspended by a ring through the badge's suspension loop to a standard Russian pentagonal mount covered by an overlapping 24 mm wide white silk moiré ribbon with three central 2 mm wide longitudinal blue stripes separated by 3 mm.

The circular brooch form developed from jewelled disc brooches produced in Kent in the early sixth century. In the early Anglo-Saxon era, the circular brooch type included the saucer, the applied saucer, the button, the annular (circular ring form), the penannular (incomplete ring), and the quoit (double ring, one of each of the previous types) brooches. The circular was the most common brooch form during the middle to late Anglo-Saxon era, with the enamelled and non-enamelled circular brooches being the predominant brooch styles. There are a few styles that fall into the miscellaneous category.

Knights of Honor now must have rendered five years of service to the Order before a cross of honor is granted. Promotion to Knight of Justice requires at least seven years of distinguished service. The basic insignia of the Order is a white-enamelled Maltese cross. The crowned Brandenburg (later, Prussian) eagles between the arms of the crosses date from 1668; they are gold for Knights of Justice, Honorary Commanders, Commanders, and the Herrenmeister, but, on the crosses of Knights of Honour and Honorary Members, the eagles are enamelled black with only the tiny crowns on each eagle's head left unenamelled gold.

66 citing TNA SP14/6/9. Spilman and Herrick had already accepted Radcliffe's instructions to repair some jewels, presumably from the late queen's collection. These included; a branch of tree with a half moon, set with diamonds, "ballas", rubies and pearls; a branch withn an opal, an opal ring to be enamelled black; two gold bodkins; a gold feather jewel set with rubies, emeralds, and pearls; five gold buttons set with pearls; a ring "enamelled in fashion like crayfish" with a large diamond, to be enlarged for King James.HMC Laing Manuscripts at the University of Edinburgh, vol.

Gudenrath 2006, 47 Due to its high demand, enamelled glass was exported throughout the Islamic world, Europe, and China during this period.Pinder-Wilson 1991, 135 Enamelling eventually ended in Syria and Egypt following disruption by various Mongol invasions from the 13th through to the 15th centuries AD.Israeli 2003, 376 A feature of glass from the Middle Islamic Period is the increased interaction between the Middle East and Europe. The Crusades allowed for the European discovery of Islamic gilded and enamelled vessels. The 'Goblet of the Eight Princes' brought to France from the Levant is one of the earliest examples of this technique.

Hariot Hamilton-Temple-Blackwood (1883), wife of the Earl of Dufferin who was British ambassador to the Ottoman Empire, and to American social reformer Ellen Martin Henrotin (1893).The Semi-centennial Alumni Record of the University of Illinois, page 976. University of Illinois, 1918 The badge consists of a five pointed star in gold and crimson enamel, with a central gold medallion bearing the Sultan's cypher, surrounded by a green enamelled band with the words "Humanity, Assistance, Patriotism" in Turkish. The star rests upon a circular wreath enamelled green with crimson berries, the whole mounted on another star with radiant points.

The title is a 25mm wide by 23.8mm high convex pentagon with a gilt silver rim. In the center is an image of the terrestrial globe with the territory of the Soviet Union enamelled in red. A gold star denotes Moscow as the point of origin of a gilt orbital path going around the globe once to reach a silver satellite at the upper left of the globe. A second orbital path, this time enamelled in red, starts at the bottom center of the globe going up in an arc narrowing along the way to reach a gilt spacecraft above the globe.

The star for the Grand Cordon and Second Class is a silver star of eight points, each point having three alternating silver rays; the central emblem is identical to the badge. It is worn on the left chest for the Grand Cordon, on the right chest for the 2nd Class. The badge for the Grand Cordon to Sixth Classes is an eight-pointed badge bearing a central red enamelled sun disc, with gilt points (1st–4th Classes), with four gilt and four silver points (5th Class), or with silver points (6th Class); each point comprises three white enamelled rays. It is suspended from three enamelled paulownia leaves (not chrysanthemum leaves as the Decoration Bureau page claims) on a ribbon in white with red border stripes, worn as a sash from the right shoulder for the Grand Cordon, as a necklet for the 2nd and 3rd Classes and on the left chest for the 4th to 6th Classes (with a rosette for the 4th Class).

The Roman lamp, copper coins of Victorius, atche beads, enamelled beads were found in this area. These antiques were also firmly related to the trading which linked the Eastern and Western world.Paul Wheatle, The Golden Khersonese 1966, p.15, note 2, p.288.

The shell has an ovate-oblong shape. It is more or less inflated, generally pretty thin, enamelled, and provided with parallel, longitudinal, inclined and acute ribs. ; The body whorl is much larger than all the others together. The spire is slightly elevated.

Fermentation in stainless steel tanks in the UK. The wort is then placed in a tank to undergo fermentation. These fermentation tanks can be of several types: oak, cement coated with epoxy, stainless or enamelled steel, or epoxy resin.Sopexa, op. cit., p. 19.

The main chamber of the monument measures . The ceiling is decorated with plaster work that contains Quranic inscriptions and floral designs. The monument was originally decorated with blue enamelled tiles that shined like glass. The Gumbad hence got its name "Shish Gumbad".

Although the economy of the commune is mainly agrarian, based on livestockbreeding and farming, logging, conversion of timber, food industry and industry of building materials are also wellrepresented. Small industry based on handicraft is present in Târnăvița through workshops of popular, enamelled ceramics.

In ecclesiastical heraldry, laypersons awarded the rank Grand Cross display a blue enamelled circle bearing the inscription in letters of gold SANC. SYLVESTER P. M around the shield in their coat of arms, while other ranks place an appropriate ribbon below the shield.

In recent years, agricultural silos have also been constructed with porcelain enamelled steel plates to protect the interior from corrosion and the exterior from weathering; this may indicate a future trend of coating all outdoor mild steel products in a weather-resistant porcelain enamel.

Marked blue-enamelled medallion with the letters or `TW`. Since 1928, the initial `A` (Albert). Men wear the decoration around their neck with sky-blue band. A copy of the order is in the treasury at the museum at St. Emmeram's Abbey in Regensburg, Germany.

Although not limited to medical care of the sick and wounded, recipients who earned the medal by working in hospitals received a variant with a red enamelled cross within the suspension wreath. A great many Belgian and foreign doctors and nurses received the medal.

The Honorary Title "Pilot-Cosmonaut of the Russian Federation" is a 25mm wide by 23.8mm high convex pentagon with a gilt silver rim. In the center is an image of the terrestrial globe with the territory of the Russian Federation enamelled in blue. A gold star denotes Moscow as the point of origin of a gilt orbital path going around the globe once to reach a silver satellite at the upper left of the globe. A second orbital path, this time enamelled in red, starts at the bottom center of the globe going up in an arc narrowing along the way to reach a gilt spacecraft above the globe.

Venetian betrothal goblet, Victoria and Albert Museum Milk glass cup and saucer, imitating porcelain. Venice, c. 1730–45 Enamelled glass ceased to be fashionable in Italy by around 1550, but the broadly Venetian style remained popular in Germany and Bohemia until the mid-18th century, after which the remaining production was of much lower quality, though often bright and cheerful in a folk art way. It is sometimes called "peasant glass", though neither the makers nor customers fitted that description.Osborne, 335; Gudenrath, 64-65 Enamelled glass was now relatively cheap, and the more basic styles were no longer a luxury preserve of the rich.

It originally was surmounted by a large round sapphire at the top enclosed by two intersecting rows of pearls. This sapphire was lost at the baptism of Gustav IV Adolf and was replaced by the present dark blue enamelled orb in 1780. The orb is also of gold and is unique among European regalia in that it is engraved and enamelled with a map of the earth according to the cartography current at the time it was made. At the top of the orb is a smaller orb in blue enamel and covered with stars, above which is a small cross formed of a table cut diamond surrounded by three pearls.

The columellar margin is tubercled above, then regularly concave and conspicuously enamelled. The aperture ends in a short, wide siphonal canal. The interior of the aperture shows a white layer of enamel near peristome and 3 brown blotches at its margin, corresponding to the external bands.Schepman, 1913.

An original enamelled cast iron sink is situated on the landing for hand washing. Under the landing there is access to a storage space under the building. The landing outside the back door also has a lattice screen. Four timber steps descend to a concrete slab.

Thomas Fattorini Ltd as medallists. The earliest medals that Thomas Fattorini made were for sporting achievements. These were often attached to pocket watch chains and so were also known as fob medals. These medals were mostly made in 9ct gold or sterling silver and sometimes enamelled.

"" (), a term only used for these wares much later, means "enamelled" in the Persian language.Suleman, 144 The technique is also known as haft-rang, "seven colours" in Persian. This was the term used by the near-contemporary writer Abu al-Qasim Kasani, who had a pottery background.

Limoges enamel chasse, c. 1200, with the story of the Three Magi. Limoges example of the first style with the figures enamelled, and gems. Detail showing a "vermiculated" background A chasse, châsse or box reliquary is a shape commonly used in medieval metalwork for reliquaries and other containers.

Calendar State Papers Scotland, vol. 10 (Edinburgh, 1936), no. 154. In pledge of payment for these purchases and for jewels and silver plate made in his workshop, James gave him two cut rubies and three cabochon rubies set in gold "chatons" or buttons, enamelled with red, white and black.

Prince Bernhard of Lippe- Biesterfeld Knight Commander of the Military William Order. The badge of the Order is a white-enamelled Maltese Cross, in silver for the 4th Class and in gilt for higher classes; a green enamelled Burgundy Cross appears between the arms of the Maltese Cross. The obverse bears a golden firesteel at the centre, and the motto Voor Moed – Beleid – Trouw (For Bravery – Leadership – Loyalty) on the arms of the Maltese Cross. Both the Burgundy Cross and the firesteel were symbols of the House of Valois-Burgundy during their lordship of the Netherlands and probably are meant to recall its crucial unifying role in the history of the Netherlands.

The current decoration or cross of the Order is a gold cross of white enamelled surface, in the centre of which is impressed the image of St. Sylvester, surrounded by a blue enamelled circle bearing the inscription in letters of gold SANC. SYLVESTER P. M. On the obverse, in the centre, are the Papal tiara and crossed keys with the date of the Order's restoration under Gregory: MDCCCXXXXR, and that of the Pius X renovation, MDCCCCV, impressed in characters of gold upon a blue circle. The ribbon of the decoration is black silk with three narrow red stripes. The star or badge is the cross of the Order attached to a silver star.

Badge, Ordre de l'Union Parfaite The badge or "jewel" of the Order was a white enamelled cross, each arm of which was capped by a golden crown. Between the arms, a golden Norwegian lion bearing a golden, white-shafted halberd alternated with a red-enamelled, golden-headed Brandenburg eagle. A blue oval medallion, encircled by diamonds, imposed on the center of the cross displayed the crowned intertwined monograms of Sophie Magdalene and Christian VI. The silk ribbon was dark blue, edged with silver (the ribbon has become discolored over the centuries, but the original hue can still be seen in numerous painted portraits of the recipients). Gentlemen wore the cross in a left buttonhole of their coats.

In 1980, Boyle completed the enamelled steel mural Our Nell for the Queen Station of the Toronto subway, depicting Nellie McClung, William Lyon Mackenzie, as well as the former Simpson's and Eaton's department stores. From 1973 through the 1990s, Boyle exhibited regularly at Nancy Poole’s Studio in Toronto, a commercial gallery.

Next door to Chaffers, Samuel Gilbody took over his father's earthenware business and switched to the production of enamelled porcelain at his "China Manufactory" on Shaw's Brow, Liverpool, from about 1755 until his bankruptcy in 1760. His factory is probably one of two shown on a 1769 map of Liverpool.

Vollon was born the son of an ornamental craftsman in Lyon, France. He taught himself to paint. He began an apprenticeship to an engraver, and studied under Jehan Georges Vibert at the École des Beaux-Arts in Lyon to become a printmaker. He then worked at decorating enamelled pans and stoves.

Dacia Hotel, originally Pannonia Hotel (in ) located in Satu Mare (in ), present-day Romania, was built at the beginning of the 20th century, on the site of the previous town hall. The facade, generously embellished with plant motifs, is made from enamelled ceramic. The building was built in Hungarian Secession style.

The Scandinavian egg is an enamelled Easter egg made by Michael Perchin under the supervision of the Russian jeweller Peter Carl Fabergé between 1899 and 1903. The egg was made for a St. Petersburg client, one of the very few eggs that were not made for the Russian Imperial Family.

This company makes vehicle fuel tanks and car seats, employing 200 people to do so. The firm Bamberger, formerly Europe's third-biggest manufacturer of enamelled- steel bathtubs, and with 200 employees one of the biggest firms in the community, was taken over by the Kaldewei company and in 2005 it was broken up.

Anders Mickelson, Finnish goldsmith, Fabergé workmaster. Born 8 January in 1839 in Pyhtää, Finland. Worked in St. Petersburg as a apprentice from 1855, as a journeyman from 1859 and from 1867 ran his own workshop as a master. He was an outworker of Fabergé, made mostly gold cigarette cases and small enamelled objects.

Garde Manger: The Art and Craft of the Cold Kitchen, 4E (p. 300). Hoboken, NJ: John Wiley & Sons, Inc. They may also be cooked in a wide variety of non-pottery terrine moulds, such as stainless steel, aluminium, enamelled cast iron, and ovenproof plastic. Terrines are usually served cold or at room temperature.

The latter are covered with white beveled tiles, as are the walls and the vault. The advertising frames are metallic and the name of the station is written on enamelled plates, with an unusual font for the Paris metro. The seats are Akiko style blue. The Line 7 station is also available.

This applies to most of the Servatiana, the alb of Saint Servatius, the cloak of Saint Lambert, several staurothèques (cross reliquaries), all the reliquary horns in the treasuries (except for the Viking horn in Our Lady's), all the ivory and enamelled caskets, as well as the silver reliquary arm of Saint Thomas.

The reverse side of this Maltese cross was enamelled white with red borders and had at its center an oval gold medallion with the founder's crowned royal cypher above two crossed swords taken from his arms as the Arch-Marshall of the Holy Roman Empire. The star of the order consisted of an eight-pointed gold star with straight rays which bore a red-bordered white enamelled cross pattée with golden rays between the arms and with a golden rosette at its centre. The arms of this cross pattée bore the motto "Pro Fide, Lege et Rege" (For Faith, Law and the King) in golden letters. The King of Poland could also wear the cross from a collar of 24 alternating links of white enameled eagles, crowned and holding scepters and orbs, and dark blue enameled ovals, surrounded by gold rays, bearing alternatively full-length enamelled images of the Virgin Mary crowned, dressed in pink and pale blue and supporting the Christ Child on her left arm and holding a gold scepter in her right hand and the letters of her name, "MARIA", arranged into a stylized monogram in white enamel.

James Frank Breazeale in 1918 opined that aluminium "is without doubt the best material for kitchen utensils", noting that it is "as far superior to enamelled ware as enamelled ware is to the old- time iron or tin". He qualified his recommendation for replacing worn-out tin or enamelled utensils with aluminium ones by noting that "old-fashioned black iron frying pans and muffin rings, polished on the inside or worn smooth by long usage, are, however, superior to aluminium ones". Aluminium's advantages over other materials for kitchen utensils is its good thermal conductivity (which is approximately an order of magnitude greater than that of steel), the fact that it is largely non-reactive with foodstuffs at low and high temperatures, its low toxicity, and the fact that its corrosion products are white and so (unlike the dark corrosion products of, say, iron) do not discolour food that they happen to be mixed into during cooking. However, its disadvantages are that it is easily discoloured, can be dissolved by acidic foods (to a comparatively small extent), and reacts to alkaline soaps if they are used for cleaning a utensil.

Egyptian enamelled glass mosque lamp made for Amir Qawsun, ca.1329-1335 The later plain type hanging in Istanbul Mosque lamps of enamelled glass, often with gilding, survive in considerable numbers from the Islamic art of the Middle Ages, especially the 13th and 14th centuries, with Cairo in Egypt and Aleppo and Damascus in Syria the most important centres of production.Jones & Mitchell, 134 They are oil lamps, usually with a large round bulbous body rising to a narrower waist, above which the top section is flared. There is usually a foot so they can be placed on a surface, but they were normally used suspended by chains that went through a number of loops on the outside of the body.

The Order, made of silver, consisted of a white-enamelled badge, which had a golden Hammer and Sickle badge surrounded by two golden panicles of wheat on a Red Star, backed by crossed hammer, plough, torch, and a red flag bearing the motto Proletarians (Workers) of all countries, Unite!. The whole was surrounded by two golden panicles of wheat; at the bottom were the letters "SSSR" (). Additional awards of the Order bore a white enamelled shield with a silver sequence number at the bottom of the obverse. A recipient of multiple Orders of the Red Banner would wear a basic badge of the Order with a numeral corresponding to the sequence of the award on a cartouche over the wheat at the bottom of the badge.

"Cotton-tail" at Lunchtime; another figurine of the Amiable Guinea Pig; and Two Gentelman Rabbits from the frontispiece. All the figurines were retired by 2002.DuBay 2006, pp. 30,37 In 1975 Crummles of Dorset began producing 1 and 5/8 inch (41.3 mm) diameter enamelled boxes depicting scenes and characters from the Potter tales.

A lavatory and bathroom, with enamelled baths and showers adjoined the dormitory at the rear of the building. The dormitory opened onto front, rear and side verandahs. A corridor led from the boarders' dormitory to an infirmary for smaller children, which had a fireplace. Six nuns' cells , painted in French grey were also located here.

The 65 mm badge, comprises a back plate of dorjee the point of which form an outer circle, within which a black enamelled circle encloses the King's portrait in gold, on a background of enameled yellow and orange of the Bhutanese National Flag. The ribbon is blue with orange and yellow stripes on the edges.

Alexandra herself and Queen Mary, quoted by Battiscombe, p. 296. She took to wearing elaborate veils and heavy makeup, which was described by gossips as having her face "enamelled". She made no more trips abroad, and suffered increasing ill health. In 1920, a blood vessel in her eye burst, leaving her with temporary partial blindness.

Jane Nina Wigley (1820–1883) was a British photographer who opened a studio in Newcastle upon Tyne in September 1845. In June 1847, she moved her business to London where she produced coloured or enamelled daguerreotypes in King's Road, Chelsea (1847–1848) and Fleet Street (1848–1855)."Wigley, Jane Nina", photoLondon. Retrieved 2 April 2013.

The office tower building rises above a five-storey podium block. It has a steel frame and glass curtain walls with metal window frames. Black vitreous enamel panels demarcate the floor levels. The building materials, glass, enamelled steel and aluminium, were chosen so that the building could remain clean in the polluted Manchester atmosphere.

It contained Colombian emerald, topaz, amazonite from Brazil, spinel, iolite, and chrysoberyl from Sri Lanka, ruby from India, Afghan lapis lazuli, Persian turquoise, Red Sea peridot, as well as Bohemian and Hungarian opal, garnet, and amethyst. Large stones were frequently set in box-bezels on enamelled rings.Scarisbrick, Diana. Rings: Symbols of Wealth, Power, and Affection.

By about 1450, a stain known as "Cousin's rose" was used to enhance flesh tones. In the 16th century, a range of glass stains were introduced, most of them coloured by ground glass particles. They were a form of enamelled glass. Painting on glass with these stains was initially used for small heraldic designs and other details.

The copper cornice had warped, and some of the enamelled facing bricks had fallen off in the heat, but otherwise the building was intact. Reconstruction began almost immediately. A small temporary hotel, the little St. Francis, with 110 rooms, was built in the middle of Union Square, to house temporary guests. The hotel re-opened in late 1907.

As well as for its beer, the pub is also known for its decor including a ceiling decorated with vitreous enamelled iron plates. The pub has been designated a Grade II listed building. Two old landmarks of Netherton can now be viewed only in the Black Country Living Museum. These include Harold Emile Doo's chemist shop and Providence Church.

Most of the plates made by the factory are octagonal, and some tea and coffee sets are six-sided. A common product was a bulbous mug with an incised cordon above the foot, enamelled with a Chinese scene in polychrome. Philip Christian & Co took over the factory when Richard Chaffers died and produced similar designs until 1778.

He married the widow of his brother Queen Nahhunte-utu and had 8 children. He continued with the policies of previous kings about Mesopotamia and set up continues attack on Babylon. He ruled for thirty years and many inscriptions have remained of him. Brick of Shilhak- Inshushinak with Elamite inscription, regarding the decoration of Susa with enamelled bricks, v.

Generally sleeves were closely fitted to the arm and the outer dress comes to the ankles (although often called a scaramangion), and is also rather closely fitted. The sleeves of empresses became extremely wide in the later period.Parani, 19-27 Glove from the Imperial Regalia of the Holy Roman Emperors in Vienna, including enamelled plaques. Palermo, c.

The badge of the Order of Friendship is made of gilded silver and enamels. It is a pentagonal star created from diverging golden rays. On the obverse at the center of the star is a terrestrial globe, with the oceans covered in blue enamel. The globe is surrounded by a green enamelled wreath of olive branches.

In fashion in the 16th century were "books of golde": small, devotional books adorned with jewelled or enamelled covers worn as a girdle or around the neck like pieces of jewellery by the English court. These pieces can be seen in portraits from the period and records of jewels from the reigns of Henry VIII and Edward VI.

Kittelsen's aim was to make beautiful and user-friendly everyday objects available for everyone. She had a vast and varied production. With her enamelled objects and jewelry she has been a pioneer in design in the post-war era and a model for the next generation of designers. Today her pieces constitute design icons and are sought-after collectables.

The Victoria and Albert Museum, London, owns an enamelled badge of The Corporation, dated 1773, showing St George slaying the dragon.The V&A;'s Stroud Green badge was discussed on the chat-board StroudGreen.Org in a thread started on 2 November 2010 by contributor krappyrubsnif, who kindly posted images there. See Local discussion: The Ancient Corporation of Stroud Green.

Douglas Ferguson (born 1951) is a multidisciplinary artist mainly known for his fashion designs using enamelled metal mesh and hand-painted leather which received widespread exposure in the 1980s. Since starting out in the 1970s as Diana Vreeland's voluntary assistant at the Metropolitan Museum of Art's Costume Institute, he has also worked as an interior designer and film-maker.

Soon it is morning, and time for the Duke's audience. While Smith hides, the Duke receives Glover, who invites him to his daughter's approaching wedding. The Duke is surprised, and Smith bursts in and accuses Catherine of betrayal. She protests, and he forgives her, but then notices that the Duke has her enamelled rose, confirmed all his suspicions.

Badge of the Order. The gold medal is star-shaped and consists of eight bundles of five smooth golden rays each. There is a green, enamelled short beam between each individual beam. The medallion is surrounded by 28 red jewels and shows a stylized Chinese dragon in the center, which is accompanied by a piece of a golden cloud.

John Ashford was a gilt toy maker ("toy" meaning small items like buckles and buttons, not children's playthings) in Birmingham from 1842. In 1905 he sold the business to Joseph Aitken. The firm, which made enamelled objects and men's jewellery, closed in 1980, but its name is still shown, carved in Portland stone on the building's frontage.

The egg is made of nephrite and has a stand made of gilt silver in the form of branches twisting up about the bottom of the egg (the egg points downward). Around the sides are five pansies with enamelled leaves and petals. The top of the egg – a nephrite dome – lifts off to reveal the egg's surprise.

Annabel Westman, Fringe, Frog & Tassel (London, 2019), pp. 13-14. On 29 June 1600 she took receipt of a jewel from Sir Thomas Egerton, which his late wife Elizabeth had borrowed. The piece was made of gold, and enamelled with five large diamonds and a pendant pearl.John Payne Collier, The Egerton Papers (Camden Society: London, 1840), p. 313.

Egyptian mosque lamp with enamelled glass and gilding, 1360. Hedwig glass with eagle, Rijksmuseum, wheel-cut relief with hatched details, 12th-century. Imitating rock crystal and exported to Europe. The influence of the Islamic world to the history of glass is reflected by its distribution around the world, from Europe to China, and from Russia to East Africa.

The cave is 58m long. Local men Micah Salt and Robert Milletts excavated the cave in the 1880s and 1890s, after boys found a bear's skull in the cave. They discovered Roman artefacts, including bronze jewellery, enamelled brooches, pottery fragments, coins and an iron and bone knife. Many of these objects are on display in the Buxton Museum.

The beginnings of something like town-life can be seen, but probably not with the same extent of urbanisation and wealth as in the south of England.Shotter (2004), pp. 111-123, 147. The Staffordshire Moorlands Pan - an enamelled cooking and serving vessel, engraved with the names of four Hadrian's Wall forts sited in Cumbria (2nd century AD).

According to the eminent Soviet specialist I. G. Spasskiy, an order with this name was planned already in 1915, during the penultimate year of the reign of Nicholas II, but the project was never completed because of political developments. Fourteen years later the idea was adopted by Russians living in exile and the order was founded on 19 July 1929 by a cousin to the last Czar, Grand Duke Cyril Vladimirovich, who had assumed the title of the Emperor of All the Russias in 1924. Originally the order had only one class and all Russian veterans of World War I were entitled to receive it. There exist, however, enamelled and unenamelled badges, and one can assume that the enamelled ones were awarded to officers and the simpler ones to NCOs and privates.

Reverse of the Order of Honour The Order is struck from silver and covered with enamels, it is shaped as a 42 mm in diameter octagonal cross enamelled in blue on its obverse except for a 2 mm wide band along its entire outer edge which remains bare silver. The obverse bears a white enamelled central medallion bordered by a silver laurel wreath, the medallion bears the silver state symbol of the Russian Federation. On the otherwise plain reverse, two rivets and the award serial number at the bottom. The Order of Honour is suspended by a ring through the badge's suspension loop to a standard Russian pentagonal mount covered by a 24 mm wide overlapping blue silk moiré ribbon with a 2.5 mm wide white stripe situated 5 mm from the ribbon's right edge.

The celebrations also included the "Tournament of the Golden Tree" that was arranged around an elaborately detailed allegory, designed to honor the bride. When the Duke and Duchess appeared there, both wore magnificent crowns. Margaret's crown was adorned with pearls, and with enamelled white roses for the House of York set between red, green and white enamelled letters of the Latinization of her name ("Margarita de York", m ar ga ri ta de yo rk), with gold Cs and Ms, entwined with lovers' knots (it can still be seen in the treasury at Aachen Cathedral). The removal of the crown to Aachen was significant, since it allowed its survival from the ravages of the later English Civil War which involved the destruction of all the main English Crown Jewels.

Porcelain workshop in Jingdezhen Following the Xinhai Revolution of 1911 manufacture of porcelain for the imperial household ceased.Kerr, 127 In 1916 Yuan Shikai, acting as the Hongxian Emperor, appointed Guo Baochang to re- establish the imperial depot at Jingdezhen. Guo's workforce were initially set to produce copies of Ru ware, but this approach was abandoned in favour of copying enamelled ware of the 18th century.Kerr, 129 The high-quality porcelain of the Hongxian establishment continued to be produced after the abandonment of the empire and the death of Yuan in 1916; the depot was taken over by the Jiangxi Porcelain Company who retained one hundred of the workers.Kerr, 129 Production of enamelled and thin-walled "eggshell" ware continued through the 1920s and 1930s, with many pieces bearing Hongxian reign marks.

The peristome is rather thin, with a large sinus near the limit of the body whorl and siphonal canal. The columellar margin is tubercled above, then slightly concave, running nearly straight in the narrow, slightly contorted and upturned siphonal canal. It is strongly enamelled, especially below, where it leaves a conspicuous umbilical slit. The iInterior of the aperture is white.

The peristome is rather thin, with a very shallow sinus near the siphonal canal, which is short and broad. The columellar margin is tubercled above, then slightly concave, then straight and slightly directed to the left at the siphonal canal, strongly enamelled in its whole length. The interior of the aperture is light purplish, nearly white near the peristome.Schepman, 1913.

'Ava often was also allowed to remain indefinitely in the tanoa in order that the inside might acquire an enamelled appearance. This enamel or sheen is called tane. In earlier bowls the legs were tapered towards the bottom and reduced there to about a half an inch in diameter. Chiefs and orators, high and low, use the same type of tanoa.

There were Robertson Golly dolls, ceramic, Golly games for children, the 1979 illustrated storybook Here Comes Golly by Gyles Brandrethand even Golly clothing. At the start of the 1980s the hard enamelled badges were replaced with cheaper to produce acrylic badges, but this did not affect their popularity. When production stopped in 2001, over 20 million Gollies had been sent out.

Caquelon A caquelon () is a cooking vessel of stoneware, ceramic, enamelled cast iron, or porcelain for the preparation of fondue, also called a fondue pot. The word is from a Swiss French term originating in the 18th century derived from the East French dialect word kakel (from German Kachel, glazed tile) meaning an earthenware casserole.Dictionnaire suisse romand. Particularités léxicales du français contemporain.

The mixture was poured on the object to be enamelled and then it was cooked again. The second firing lasted two days and myrtus wood (sa murta) was used. The baking was done in the same way as the first except for the interposition of fragments between the pots to prevent them from sticking to each other when the melting point was reached.

The star of the order consisted of an eight-pointed gold star with straight rays; the central golden disc bore a red-bordered white enamelled cross pattée with a golden rosette at its center and golden rays between the arms, surrounded by a blue enamel ring bearing the motto "Pro Fide, Lege et Rege" (For Faith, Law and the King).

On the 11 and 12 June 1889, Joseph Darby performed at the Dudley Castle Fetes. After his display of jumping, he was awarded a belt by Alderman Walker of Dudley Council. The belt, made of silver and with enamelled pictures on it was stated to be of £70 value and was made by Messrs. Elkington and Co. Limited of Birmingham.

The platforms on Line 7a are also equipped with two white Gaudin rounded lighting strips and white bevelled ceramic tiles on the pillars, vault, the spandrels and the outlets of the corridors. The advertising frames are white ceramic and the name of the station is registered in Parisine font on enamelled plates. The seats are of the Akiko orange style.

The emblem of the Society has been incorporated into the detail over the main entrance from Martin Place and Castlereagh Streets. The granite was supplied by the firm Loveridge and Hudson Ltd. The windows are arranged in pairs between wide piers with slender mullions between the windows. The innovative spandrel panels between the windows were enamelled fluted steel panels, the flutes running horizontally.

K. Holman, The Northern [I. E. Northern] Conquest: Vikings in Britain and Ireland (Signal Books, 2007), , p. 137. From the west, another boat burial at Kiloron Bay in Colonsay revealed a sword, shield, iron cauldron and enamelled scales, which may be Celtic in origin.L. Laing, The Archaeology of Late Celtic Britain and Ireland C. 400–1200 AD (London: Taylor & Francis, 1975), , p. 201.

At the neighboring village of La Chapelle-des- Pots, Palissy mastered the rudiments of peasant pottery as it was practised in the 16th century. He may also have learned of manufacture of European tin- enamelled pottery. In his work Palissy produced ceramics using a great many ingredients including tin, lead, iron, steel, antimony, sapphire, copper, sand, saltwort, pearlash, and litharge.

Night-time festivities at the Duke's palace. The Duke tells his friends that his latest conquest will shortly arrive and a masked lady appears, but will only unmask for him. Alone together, Mab removes her domino, then flees, leaving her lover only Catherine's enamelled rose she had been wearing on her bodice. Next Smith arrives to a deserted ballroom, lamenting Catherine's infidelity.

Circular windows are located in the gable ends on the northern and southern elevations. The upper floor has recently constructed offices, built as a free-standing series of rooms within the larger interior space of the building. These offices are constructed of plasterboard. Some internal walls are finished to a height of six feet with white enamelled brick with green trim.

In addition to work on the line itself, most of the stations were extensively renovated and the old tiles replaced with enamelled metal plates. The asphalt surface of the platforms was also replaced with granite slabs. Two years later, the entrances were also renovated. When it was opened, Weberwiese was the standardbearer for all the stations on the 7 km-long line.

Inside, a large number of bronze, alabaster, glass (remains of 180 pieces), coins, and ivory objects, along with remains of furniture and Chinese lacquer bowls, were unearthed. Some of the furniture was arranged along walls, other pieces stacked or facing each other. In particular, a high percentage of the few survivals of Greco-Roman enamelled glass come from this discovery.

The remains of apple cores thrown from train passengers have left the route with several apple trees. A programme of planting of apple and pear trees is now being undertaken to turn this into a linear orchard. A series of etched and enamelled copper plate signs which are being set into boulders along the route highlighting the names of Old English varieties.

Mina'i ware bowl with couple in a garden, around 1200. In this type of scene, the figures are rather larger than in other common subjects. Diameter 18.8 cm.Canby (2016), # 22 Innovations in Seljuk pottery include the production of mina'i ware (meaning "enamelled ware"), developed in Kashan in the decades leading up to the Mongol invasion of Persia in 1219, after which production ceased.

Between 1905 and 1910 they built four large stores. In 1905 Jourdain designed the second La Samaritaine store, which opened in 1910. It had a visible metal frame, twin cupolas, and a facade with panels of enamelled igneous rock. Sales rose from 800,000 francs in 1875 to 6,000,000 francs in 1882, 50,000,000 francs in 1898 and over 1,000,000,000 francs in 1925.

The Mortonhall scabbard, probably from the first century CE, is elaborately decorated with trumpet curves and "S"-scrolls. Further north there are finds of massive bronze armlets, often with enamelled decoration, like the ones found at Culbin Sands, Moray.R. Megaw and J. V. S. Megaw, Early Celtic Art in Britain and Ireland (Bodley: Osprey, 2nd edn., 2008), , pp. 72–4.

Durham Gospel Fragment contains similar fish-like creatures. The two surviving escutcheons are made of enamelled bronze and are in diameter. They have the same design and plain frames, parts of which survive. Both escutcheons are fragmentary; enough survives of each for the design to be reconstructed, and, because of overlapping segments, for it to be certain that they represent two distinct pieces.

From about 1720 Chinese and European kilns also began to imitate the Imari enamelled style at the lower end of the market, and by about 1740 the first period of Japanese export porcelain had all but ceased.Ford & Impey, 126–127 The Arita kilns also supplied domestic utensils such as the so-called Ko-Kutani enamelware.Some claim that such porcelain was also produced at Kutani. See Kutani ware.

For whatever reason, Purcell chose to purchase ceramics typical of the prosperous town house of the early nineteenth century Cape, and not necessarily of the original collection. One ceramic piece of major importance was bought in 1913 for £53. It is a bottle shaped vase, enamelled in famille rose with sprays of fruiting peach, bearing the Ch'ien Lung seal mark and of the period.

"Iron Age Gold", National Museums of Scotland, retrieved 14 May 2012. The bronze Stichill collar is a large engraved necklace, fastened at the back a pin. The Mortonhall scabbard, probably from the first century CE, is elaborately decorated with trumpet curves and "S"-scrolls. Further north there are finds of massive bronze armlets, often with enamelled decoration, such as the ones found at Culbin Sands, Moray.

Above John Tame are sculpted in relief into the marble the arms of Tame: Argent, a dragon vert, a lion azure crowned gules, combatant.Neale, p.132; given by Edmondson as Or, a dragon vert, a lion rampant azure crowned or, combatant, quoted in Neale, p.132 The shields were originally enamelled in colours, but few traces remain: the dragon, however, is clearly vert, and his tongue gules.

A portion of the output was exported, mainly to North America and the Caribbean. The factories produced a great variety of wares and some figures. However the main production was underglaze blue and white porcelain with the fashionable Oriental designs, which Liverpool delftware painters were already well used to. Some transfer-printed wares, both overglaze and underglaze, were made as well as polychrome overglaze "enamelled" decorated pieces.

2 (Edinburgh, 1900), p. 148. In September 1567 Clark lent Regent Moray £530 Scots on the security of a gold pendant enamelled in black with a long cabochon ruby from the jewels of Mary, Queen of Scots.HMC 6th Report: Earl of Moray (London, 1877), p. 643. He formed a partnership with another merchant, William Birnie, to sell the lead from the roof of Elgin Cathedral.

The open-air part of the platform towards Château de Vincennes has floor-to-ceiling windows offering a view of the Saint-Martin canal opening onto the port of Arsenal. Bevelled white ceramic tiles cover only the outlets of the corridors. The name of the station is written in Parisine typeface on enamelled plates. The platforms, equipped with glass edge doors, are devoid of advertisements and seats.

He participated regularly in exhibitions of Czechoslovak glass all over the world. In the 1970s and 1980s, his work was negatively influenced by the adverse attitude of the governing communist regime to his person. The domain of Jan Novotný is enamelled glass – vases, decorative wall plates and stained glass windows. But in his work he was using other techniques as well – etching, drypoint, blowing or engraving.

The advertising frames are metallic and the name of the station is written in capital letters on enamelled plates. The platforms of Line 6 are of standard configuration. Two in number, they are separated by the metro tracks in the center. The decoration is materialized by two blue luminous strips and tympans treated in blue flat tiling, except to the right of the access outlets.

Behind the altar, under the sarcophagus is a small chapel, protected by a bronze grill, containing the precious reliquary with the head of Saint Dominic. This masterpiece of gold and silver is the work of the goldsmith Jacopo Roseto da Bologna (1383). Its octagonal base is adorned with elaborate enamelled panels, related to events in the life of the saint. The shaft consists of three levels.

Garter Banner List (online) , accessed 12 October 2015 Originally after a knight's death, the crests became the property of Garter King of Arms, and these crests have been the subject of occasional exhibitions in the Earl Marshal's Court at the College of Arms. Garter stall plates are small enamelled and engraved brass plates located in St George's Chapel as memorials to Knights of the Garter.

Contemporary pictures show that this badge however, although certainly issued on large scale, was not so often worn. Many Black Brigades adopted sleeve badges, following Italian military tradition, both cloth and metal. These were usually of very fine workmanship, often minted and enamelled, and are today high-priced collectors items. Rank insignias were the same of those prescribed for the Italian army; however, were rarely worn.

Jewelled and enamelled Gospel book belonging to Tsar Aleksei Mikhailovich (Trinity Monastery, Aleksandrov). Among Eastern Orthodox and Eastern Catholics the Gospel Book (Greek: Εὐαγγέλιον, Evangélion) is very important liturgically. It is considered to be an icon of Christ, and is venerated in the same manner as an icon. The Gospel Book contains the readings that are used at Matins, the Divine Liturgy, Molebens, and other services.

Mosques abound all over Punjab and vary in architectural style. Calligraphic inscriptions from the Quran decorate mosques and mausoleums in Punjab. The inscriptions on bricks and tiles of the mausoleum of Shah Rukn-e-Alam (1320 AD) at Multan are outstanding specimens of architectural calligraphy. The earliest existing building in South Asia with enamelled tile-work is the tomb of Shah Yusuf Gardezi (1150 AD) at Multan.

This mode of government persevered for three centuries, until 1517, and gave rise to abundant architectural projects; many thousands of buildings were constructed during this period. Patronage of luxury arts favored primarily enamelled glass and metalwork and is remembered as the golden age of medieval Egypt. The Baptistère de Saint Louis in the Louvre is an example of the very high quality of metalwork at this period.

The Wall of Love (, lit. the I Love You Wall) is a love-themed wall of in the Jehan Rictus garden square in Montmartre, Paris, France. The wall was created in 2000 by calligraphist Fédéric Baron and mural artist Claire Kito and is composed of 612 tiles of enamelled lava, on which the phrase 'I love you' is featured 311 times in 250 languages. Each tile is .

A new pattern of mess tin was developed for the Web Equipment 1937 Pattern, which was a nested, two-piece rectangular mess tin with long, folding handles. An enamelled tin mug was used for drinking hot liquids. The water bottle of the 1908 Pattern Web Equipment was unchanged, though the web carrier was changed to incorporate the 1-inch-wide brace ends of the 1937 gear.

Apolinère Enameled was painted in 1916–17 by Marcel Duchamp, as a heavily altered version of an advertisement for paint ("Sapolin Enamel"). The picture depicts a girl painting a bed-frame with white enamelled paint. The depiction of the frame deliberately includes conflicting perspective lines, to produce an impossible object. To emphasise the deliberate impossibility of the shape, a piece of the frame is missing.

St Paul's Church, Birmingham St Paul's Church, in the Jewellery Quarter, Birmingham, has an important enamelled stained glass east window made in 1791 by Francis Eginton, modelled on an altarpiece painted c. 1786 by West, now in the Dallas Museum of Art. It shows the Conversion of Paul. He was elected a Foreign Honorary Member of the American Academy of Arts and Sciences in 1791.

He made a great cross and six candlesticks for the high altar of Notre Dame, which disappeared in the French Revolution, but similar work for Bayeux Cathedral still exists. A wonderful enamelled toilet set which he executed for the Princess of Asturias has also disappeared. A few portrait busts by Jacques Caffieri exist, notably of the baron de Besenval (1737) and his son (1735) (Watson 1966).

Tabitha Twitchit, Mr. Drake Puddle-Duck, Rebeccah Puddle-Duck, and Mittens and Moppet were released either as single figurines or in combination with other characters. A Tom Kitten mug, plaque, and tableau were issued. In sum, 12 Tom Kitten figurines were released by Beswick between 1948 and 2000.Dubay 2006, pp. 30,35 Crummles of Poole, Dorset began producing small enamelled boxes beginning in 1975.

Enamelled glass is only one of the techniques used in luxury glass, and at least until the Early Modern period it appears in each of the leading centres of this extravagant branch of the decorative arts, although it has tended to fall from fashion after two centuries or so. After a brief appearance in ancient Egypt, it was first made in any quantity in various Greco-Roman centres under the Roman Empire, then medieval Egypt and Syria, followed by medieval Venice, from where it spread across Europe, but especially to the Holy Roman Empire. After a decline from the mid-18th century, in the late 19th century it was revived in newer styles, led by French glassmakers. Enamel on metal remained a constant in goldsmithing and jewellery, and though enamelled glass seems to virtually disappear at some points, this perhaps helped the technique to revive quickly when a suitable environment arrived.

Piaget continue the tradition of miniature painting thanks to a traditional technique. The enameller begins by crushing and cleaning raw enamels to obtain a very fine powder, which is then mixed with essential oils to achieve the colour palette. The enamel is applied with a brush in successive fine layers, each of which is oven-fired at temperatures exceeding 800 °C. Each enamelled piece requires nearly twenty firings in the oven.

The emergence of enamelled porcelain near Arita in Kyushu began Kakiemon-style decoration in overglazed coloured enamels. The success of the Japanese was due to the failure of the Chinese industry under the Ming Dynasty until it was reestablished under the Qing dynasty. However, in this brief period Kakiemon emerged with this new technique and style. These elephants are thought to have been made in 1660 to 1690.

Obituary, The Builder, 6 December 1884. From 1854 to his death he was employed as architect to the Privy Council's Education Department, alongside his private work. After his death, an auction of his "Objects of Art" on 9 June 1891 by Christie, Manson & Woods included ancient Chinese Cloisonné enamels, Japanese ivory carvings, bijouterie, old Persian, Venetian and French metal work, and Old Nankin, powdered blue and other enamelled Chinese porcelain.

The aim was to improve the quality of stay at the stations. The lighting has been renewed and brighter, the technology has been brought up to date, the plaster has been extensively renovated and the walls have been clad in vandalism with enamelled sheet steel. The BVG took over Grenander's principle of identifying colors, but chose new color patterns. Numerous metro stations have been equipped with lifts and barrier- free.

They are typically enamelled, carved from ebony or painted black to contrast with the bright colors of the embellishments. Depictions may only represent the head, or head and shoulders, facing the viewer in a symmetrical pose. In decorative sculpture the full body is depicted, either to hold trays as virtual servants or bronze sconces to hold candles or light fixtures. They may be incorporated into small stands, tables, or andirons.

The badge consists of a five-pointed star, 75mm in diameter. In the centre there is a square of gold, which depicts mediaeval frescoes from the Veliki Preslav Palace surrounded by green-enamelled olive branches. It bears the number 681, the year of the creation of the Bulgarian state. It is worn on a sash 85mm wide, beige/off-white with a white, green and red central stripe.

The enamelled plates from the Monomachus Crown (if it is one) showing the Byzantine emperor Constantine IX Monomachos, 1042–1055, now in Budapest. A set of crown jewels were created for the first modern Greek king, Otto of Greece, but he never wore them and took them with him after fleeing the country. His descendants later returned the regalia to Greece, but they were still never worn by any Greek monarch.

But the Tilangani tomb is built of different materials, grey granite and red sandstone, white marble and plaster instead of the enamelled tiles of the tomb in Samarra. It also suffers from design defects such as very low central and subsidiary domes, very low verandah arches and a lack of symmetry. These defects were gradually removed and this tomb became an inspiration for the later Sayyid and Lodi tombs.Sharma, Y.D. 2001.

In the second half of the 19th century, Bohemia looked to the export trade and mass-produced coloured glass that was exported all over the world. Pairs of vases were produced either in a single colour of opaque glass or in two-colour cased glass. These were decorated in thickly enamelled flower subjects that were painted with great speed. Others were decorated with coloured lithographic prints copying famous paintings.

Pieces with overglaze painting are often referred to as "enamelled". Open mediums do not dry in the air, while closed mediums do. An artist may prefer a medium that stays fluid for some time, may want one that dries hard, or may want a medium that remains somewhat sticky. If the medium dries hard the artist can build up layers of color, which will fuse together in a single firing.

Underglaze decoration may then be applied, followed by glaze, which is fired so it bonds to the body. The glazed porcelain may then be painted with overglaze decoration and fired again to bond the paint with the glaze. Most pieces use only one of underglaze or overglaze painting, the latter often being referred to as "enamelled". Decorations may be applied by brush or by stenciling, transfer printing, lithography and screen printing.

Fossil of L. elvensis Teeth of L. maximus Inhabiting both freshwater lakes and shallow seas, Lepidotes was typically about long. The body was covered with thick, enamelled scales. Batteries of peg-like teeth enabled Lepidotes to crush the shells of its molluscan prey. Fossil examples of these teeth were collected in medieval times as 'toadstones', claimed to be found within the heads of toads and to have magical powers against poisoning.

In the southern part of the parish is White Sheet Hill, on which there are Bronze Age barrows including a long barrow. In the eastern part of the parish there is bowl barrow. The barrow may be older than the pagan Saxon burial from the 7th century AD that has been found in it. Grave goods excavated from the burial include a diadem, palm cups, enamelled ironwork and an incense burner.

The east window has an important enamelled stained-glass window made in 1791 by Francis Eginton and modelled an altarpiece painted c. 1786 by Benjamin West, now in the Dallas Museum of Art.Dallas Museum of Art, accession number 1990.232 St Paul's website - Features of St Paul's Church It shows the Conversion of Paul. In the south-east nave there is a window by Ward and Hughes of c. 1880.

Unlike the gentlemen officers' jacket, which has a pointed lapel, the ladies' jacket features a shawl collar. From the 1970s and prior to the introduction of current women's mess dress in 1996, female officers wore a royal blue Empire line dress made of crimplene material with a loose mandarin neck, long sleeves, and an ankle length hem. Rank was indicated on a small enamelled brooch worn near the neck.

In the Polish Army Museum, there is a yellow metal plume-holder from 1776–89, which is enamelled with the king's cypher (turquoise), a crown (blue and gold), wreath (blue with red ribbons) and metal feathers (turquoise and red). The officers had blue konfederatkas, which were adorned with white cockades and plumes, whereas the towarzycz had blue belts. On their left shoulders, the troopers had blue shoulder straps.

Three versions of the badge were produced - two larger versions (approximately 1” (about 26mm) in diameter) with either a half-moon buttonhole fitting for men, or a pin and latch fitting for women: a smaller buttonhole version (approximately ¾” (19mm) in diameter) was also manufactured (a variation of this has the outside of the badge enamelled in blue). All versions were made in die-stamped metal but without any maker’s marks.

The organization was headed by sveitfører Per Carlson (April 20, 1942 - April 1, 1944), Sverre Henschien (until February 1945) and sveitfører Sophus Kahrs (until May 9, 1945). The members of the bodyguard wore a special oval silver badge with a black enamelled edge. At the top was the emblem of the NS party (St. Olaf's cross), on which sat a eagle with outstretched wings, and below the initials "VQ" in white.

Piacenti and Boardman, pp. 237–238. The Collar and the Great George of the Order of the Garter consist of an enamelled gold figure of Saint George, the patron saint of England, slaying a dragon made for Charles II in 1661 suspended from a gold collar made in 1685. The George is set with 122 diamonds and measures by . The saint's cloak and a large suspension loop are both missing.

North Wales Society of Architects Presidential Chain of Office NWSA Past President's Medal The Society's Presidential Chain of Office was designed in 1954 by Fattorini and Sons of Birmingham of hallmarked sterling silver finished in polished hard gold plate and vitreous enamelled in three colours. Between 1961 and 1994 the Society presented a Past President Medal, similarly designed and produced by Fattorini. This custom was reinstated in 2017.

Roll of Honour, Queensland National Bank, Brisbane, August 1920 The honour board is a large bronze panel framed by mouldings and relief ornamentation, with lettering covering the pediment and frieze. In the upper corners of the panel are brass and enamelled representations of the Australian Commonwealth flag and of the Union Jack. In the lower corners are the brass bas relief figures of an Australian Infantryman and a Light Horseman.

The chain is in gold, decorated with motifs of Tudor rose, thistle, shamrock, and lotus flower (symbolizing England, Scotland, Ireland, and India, respectively) and a crowned, red enamelled cypher of King Edward VII—ERI (Edwardus Rex Imperator)—surrounded by a gold wreath for men, upon which the badge is suspended. The chain is worn around the collar by men or with the four motifs and some chain links fixed to a riband in the form of bow (blue with red- white-red edges) on the left shoulder by women. However, the Queen's sister, the late Princess Margaret, Countess of Snowdon, in later life chose to wear her chain around the collar, as male recipients do. The badge is a gold, white enamelled Maltese Cross; the oval-shaped central medallion depicts Victoria's royal and imperial cypher—VRI (Victoria Regina Imperatrix)—on a red background, surrounded by a crown-surmounted blue ring bearing the word Victoria.

The form of the various insignias has been altered a number of times since the establishment of the order, the most obvious change being the removal of the crown during the periods of republican rule. The present form of insignias is regulated by Presidential Decree 849/1975 (ΦΕΚ 273 Α΄/4-12-1975). The original decree of 1833 described the badge of the Order as consisting of a white enamelled Maltese cross (silver for the Silver Cross, gold for the higher grades), surmounted by a crown, set on a green enamelled wreath, one half of which is an oak branch and the other half a laurel branch. The obverse featured a white cross on a blue background (the coat of arms of Greece) with Otto's Bavarian arms in an inescutcheon in the centre, surrounded by this inscription on an outer ring: Η ΔΕΞΙΑ ΣΟΥ ΧΕΙΡ, ΚΥΡΙΕ, ΔΕΔΟΞΑΣΤΑΙ ΕΝ ΙΣΧΥΙ ("Thy right hand, O Lord, is become glorious in power", Exodus, 15:6).

The thickness of the enamel on the molars is often reported when fossils are being recorded and used to make comparisons across taxa. The thickness is referred to either as "thin" or "thick" and is commonly assessed as a linear measurement of the enamel on worn or naturally fractured teeth. From enamel testing it has been suggested that A. turkanensis is the oldest known thick- enamelled hominoid, which is what would distinguish it from Kenyapithecus.

The whole thing was then cast in bronze and enamelled white. The works are a result of her physical contact with the location, preserving a direct impact of reality. Chadwick describes the flowers as a "metaphysical conceit for the union of two people expressing themselves bodily". The work utilises the pleasure of taboo; elevating the medium of urine that is generally regarded as polluting and marginal in a dynamic and playful way.

The Queen as Freeman of the Fraternity possesses a small jewelled and enamelled brooch depicting its arms and circumscribed by the motto, known as "The Drapers Company Badge". She wears the brooch when performing royal engagements connected with the Drapers Company. The modern blazon is: Azure, three clouds radiated proper each adorned with a triple crown or. The triple crown contains a cap (velvet/fabric lining visible through the gold structure) gules.

Modern ecclesiastical labara (Southern Germany). The emperor Constantine IX Monomachos (centre panel of a Byzantine enamelled crown) holding a miniature labarum A later Byzantine manuscript indicates that a jewelled labarum standard believed to have been that of Constantine was preserved for centuries, as an object of great veneration, in the imperial treasury at Constantinople.Lieu and Montserrat p. 118. From a Byzantine life of Constantine (BHG 364) written in the mid to late ninth century.

The Coilliot House is constructed of bricks and cut stone, with decorative elements in wrought iron, ceramic and enamelled lava. There is a shop on the ground floor, and apartments make up the rest of the three upper floors. The house has two façades: a street façade aligned with the neighbouring buildings’, and a recessed façade which stands at an angle. The two façades are linked by balconies on the two upper floors.

The gold Medal is awarded by the Minister-President of Rhineland-Palatinate and shows on their Front the sublime embossed and colored enamelled Coat of arms of Rhineland-Palatinate. Enclosed in this is from a vine leaf border. The Back, however, is smooth and shows the five-line inscription , which is also surrounded by a vine border. It is supported medal at the upper left side of the chest on a black-red-golden ribbon.

The medal was a sterling silver cross with an enamelled roundel in the centre bearing a lion's head, suspended from a ribbon woven half-red and half blue, with green edges and narrow white stripes at the inner edge of the green. The medal was impressed in small capitals with the recipient's name on the reverse, and was awarded with a case of issue, miniature medal for wear, and an illuminated certificate.

The figures are largely based on Asian elephants but differ slightly in some details. Like Dürer's Rhinoceros this is art based on the best information available. The artists who made these figures had never seen a real elephant and had to work from drawings and sketches; possibly from Buddhist sources. They are made from enamelled porcelain, which would have been a new technology in Japan (and unknown in Europe) at the time they were made.

The movement employed is very similar to Bontems', but - as with Flajoulot - the governor for speed control is a departure and might have derived from Flajoulot's design. In general, Marguerat mechanisms were well made and particularly the enamelled cases are of very good quality for the epoch. Of the other two makers, in the pieces by Antoine Salmon (c. 1876 – 1951) the enamel work is often of a very good quality as well.

At first he concentrated on producing enamelled earthenware stoves. Around 1720 he was working with Henri Wackenfeld, perfecting these stoves and at the same time making experiments in porcelain, in which they attained a certain success, with great improvements being achieved by succeeding members of the Hannong family. Wackenfeld later left Strasbourg and Charles-Francois continued alone. By 1724, the faience was so successful that Charles-Francois opened a second factory in Haguenau.

RLA skill and trade badges also came in gilt metal and/or enamelled pin-on and cloth embroidered yellow or black-on-green subdued variants. On dress and service uniforms, they were worn on both collars by all-ranks if shoulder boards were worn, but in the field officers wore them on the left shirt collar only if worn alongside collar rank insignia; enlisted ranks usually wore branch insignia on both collars instead.

The direct lighting is white while the indirect lighting, projected on the vault, is multicolored. The white ceramic tiles are flat and cover the walls, the roof, the tympans and the outlets of the corridors. The advertising frames are green and cylindrical and the name of the station is written in capital letters on enamelled plates. The platform towards Montrouge, known as the departure platform, is equipped with sit-stand seats and individual gray benches.

These structures were tough and strongly enamelled, useful for tough vegetation and with a striation pattern. In S. stirlingi, fossil evidence shows that the tooth row curves medially (anteriorly and posteriorly) from a line tangential to the labial side of the molars at the anterior ridge of the masseteric processes. The fossils of teeth may also suggest that the sthenurines and macropodines shared a common ancestor. They share many synapomorphic character states.

Flat storage is the best option for exceptionally fragile pieces because it provides the most even support for the fibres. Enamelled metal shelves or drawers may be used, or acid-free boxes. The textiles may be placed in the boxes or drawers flat, if at all possible. If folding becomes necessary, acid-free tissue paper should be used to form soft rolls around which the folds can be shaped, to prevent creases from forming.

The main structure is of brown bricks and reinforced concrete, topped by a flat roof. Inspired by contemporary Dutch and German architecture, the distinctive tower functions as a landmark within the low-height suburban residential area. The tower is decorated with glazed ceramic tiles and pasted with an enamelled London Underground logo. The upper stages of the tower are fitted with a vertical strip of glass bricks which is part of a lighting feature.

Many of them were manufactured in a particularly rational way. In 1957–1958 – in cooperation with Paolo Venini, owner and director of the Venini Glass Works in Murano – she developed jewelry in glass and silver that are considered among her most outstanding works. From the end of the 1950s she worked as a designer for the Cathrineholm factory in Halden. They built up a collection of objects in enamelled steel that became very popular.

The enamelled Royal Gold Cup which survives in the British Museum is listed simply as;Dalton 8, Jenny Stratford, 324, 320; the cup appears in all known Tudor inventories of the royal plate. "a Cuppe of gold with Imagerie, the knopp a crowne Imperiall and aboute the bordre of the cover and the foote a Crowne garnished with lxii garnishing perles weying lxxix oz," and identified by its original number of pearls.Starkey, David, ed.

This was a popular showpiece that did not need customised designs. It was probably first made in Venice, but was soon mainly made in Germany and Bohemia.Osborne, 335; Gudenrath, 62–65 By the 17th century, "German enamelling became stereotyped within a limited range of subjects", most often using the humpen beaker shape. The earliest dated enamelled humpen is from 1571, in the British Museum;Gudenrath, 62 a late example, dated 1743, is illustrated above.

The Pares family vault was erected in 1803. An enamelled brass plaque to the west of the organ records that Joseph Birkinshaw converted the Pares family vault into an organ bay in 1928. An organ may have been installed at the time of the restoration and rebuilding of the church in 1835. Work on the organ was carried out in the 1900s by J.H. Adkins and in 1960 and 1998 by Henry Groves of Nottingham.

It is not known whether he commissioned the cross. Viewing the cross as a symbol of victory rather than an instrument of suffering is typical of the High Middle Ages and occurs often in Romanesque art. It is, therefore, also a symbol of the Imperial claim to universal rule. The base of the cross is a later addition, made of gilt silver with a wooden core and decorated with four enamelled coats of arms.

Inside, the burial chamber is circular in plan, with bare walls. The Mausoleum of Mu'mine Khatun is representative of the Nakhchivan architectural tradition of the medieval era, which was heavily influenced by the works of the Azerbaijani architect Adjemi ibn Kuseyir. The Nakhchivani style differed from the Shirvani styles, prevailing in Absheron, in its use of brick as the basic construction material and the use of coloured, especially turquoise enamelled tiles, for decoration.

The Rosebud egg with the lost surprises The egg opens like a bonbonnière to reveal a yellow-enamelled rosebud, in which the two surprises were originally contained. The surprises are missing, but they were a golden crown, with diamonds and rubies, and cabochon ruby pendant. The crown was a reference to Alexandra Feodorovna's new role as Empress of Russia, following the accession to the throne of her husband, Nicholas II of Russia.

Today archaeological discoveries made in the château are displayed in the reception room. The château still has a large collection of medieval floor tiles that decorated the floors of the 1st and 2nd floors of the ducal residence. Made of enamelled terracotta, they are decorated with motifs such as daisies, lions that are the symbols of the rulers of the place as well as roses, thistles, sheep, suns, fleur-de-lis etc.

The reverse bore the relief image of a nurse sitting and holding an oil lamp with the circular inscription in Latin "PRO PATRIA HONORE ET CARITATE" translating into "FOR COUNTRY HONOUR AND CHARITY". Below, the years "1914 - 1916" are inscribed. At the top, a laurel wreath with a hollow centre served as the base for the suspension loop. Awards made for services to wounded or invalided soldiers incorporated a red enamelled cross within the wreath.

Lustre painting, by techniques similar to lustreware in pottery, dates back to the 8th century in Egypt, and became widespread in the 12th century. Another technique was decoration with threads of glass of a different colour, worked into the main surface, and sometimes manipulated by combing and other effects. Gilded, painted and enamelled glass were added to the repertoire, and shapes and motifs borrowed from other media, such as pottery and metalwork.

The House of Fabergé also stocked a full range of jewellery and other ornamental objects. There were enamelled gold and silver gilt, as well as wooden photograph frames; gold and silver boxes; desk sets, walking sticks, doorbells and timepieces. Quality was assured by every article made being approved by Carl Fabergé, or in his absence by his eldest son Eugène, before it was placed into stock. The minutest of faults would result in rejection.

A laundry copper A wash copper, copper boiler or simply copper is a wash house boiler, generally made of galvanised iron, though the best sorts are made of copper. In the inter-war years they came in two types. The first is built into a brickwork furnace and was found in older houses. The second was the free- standing or portable type, it had an enamelled metal exterior that supported the inner can or copper.

The seven- bearing crankshaft was milled from a steel billet to become a sturdy unit, while the block used screwed-in steel liners, and the water passages were enamelled to prevent corrosion.Browne, T.C. p.119. One of the most notable features of the H6 was its brakes. They were light-alloy drums on all four wheels with power-assist the first in the industry, driven with a special shaft from the transmission.

Ralph de Stratford, Bishop of London and Sir William de Clinton were named as supervisors of the will. Examples of Sir John's affluence are found in specific bequests to the respective supervisors, which were his “finest ring with a great stone called rubie of great value and beauty” and “a beautiful ring with two great stones called diamauntes, two silver flagons enamelled, a cup, together with a certain spoon and salt-cellar to match”.

The collar is long and has 26 alternating knots and enamelled badges, each with a tudor rose in the centre.Piacenti and Boardman, pp. 218–221. The Ruby Ring was probably used at the English coronations of Charles I and Charles II, and certainly that of James (known in England as James II). It has a large ruby etched with a St George's Cross and bordered by 26 diamonds applied in the 19th century.

The P8 was supplied with engine mountings. The electrical system was powered by a 12 volt, lightweight, aircraft battery, which had a master battery control. It powered a starter solenoid via starter button and switches, as well as an array of instruments, including tachometer (0–10,000 rpm), oil pressure, water temperature, and oil temperature. All suspension parts were in new Bowin Satin finish, and the other parts were cadmium-plated and stove-enamelled.

The Lesser Necklace was similar to the Grand Necklace but in smaller size. The Grand Cross, established in 1908, was also similar to the initial issue but the cross was enamelled in green and in the middle of the pendant was placed a crowned Bulgarian lion. The star was of similar design with green ring around the crowned lion on red background. The other grades are like the first issue but smaller in size.

In 1854 the officers of the Northumberland Militia Artillery wore badges that were unique to the unit. Their black leather helmet carried a plate consisting of an ornate silver shield surmounted by a crown and surrounded by a laurel wreath. The shield bore the star of the Order of the Garter with the garter strap in gilt and blue enamel and the cross of St George enamelled red. Below the star were crossed gilt cannons.

The advertising frames are in white ceramics and the seats, in Akiko style, are green. The western part of the platform, in the direction of Mairie de Montreuil, has the distinction of displaying coats of arms of the two French departments of the Antilles: Guadeloupe and Martinique, thus illustrating the subtitle attributed to the platforms of line 9 only. For each stopping point, the name of the station is written in Parisine font on enamelled plates.

In the mid-1920s, skilled enameller H. Miller from Birmingham's Jewellery Quarter approached the company with the idea of enamelled "mascots". Miller produced the first design, a Golly golfer in 1928. These brooches were given out to people posting in sufficient labels from jars of jam. Developed as a brooch-based collector series, by the early 1930s the Golly had appeared in little fruit designs, many of which were worn as jewellery because of their high quality.

By 1911, the demands of her aging parents and the business operations at her working farm, Hill Top, occupied much of Potter's time and attention to the exclusion of nearly everything else, and are accounted as some of the reasons for the author's declining artistry and her lack of interest in producing children's books. Characters from the tale have been reproduced as porcelain figurines, enamelled boxes, music boxes, and various ornaments by Beswick Pottery, Crummles, Schmid, and ANRI.

In Paris, he studied engraving and lithography with S. W. Hayter at Studio 17t two years there. He became friends with the poet Robert Lowell and produced illustrations for some of his books. Nolan was a prolific book cover illustrator, his images enhancing the dust jackets of over 70 publications. In 1965, Nolan completed a large mural (20 m by 3.6 m) depicting the 1854 Eureka Stockade, rendered in enamelled jewellery on 1.5 tonnes of heavy gauge copper.

The badge for the Seventh and Eighth Classes consisted of a silver medal in the shape of three paulownia leaves, enamelled for the 7th Class and plain for the 8th Class. Both were suspended on a ribbon, again in white with red border stripes, and worn on the left chest. Both classes were abolished in 2003 and replaced by the Order of the Paulownia Flowers, a single-class order that now ranks above the Order of the Rising Sun.

The bell shrine was made in a number of phases. The inner iron bell was made in the 7th or 8th centuries AD. The more elaborate outer case was produced in the early 12th centuries AD. The brass case is incomplete and would have originally been fronted by a bejewelled crucifix. The enamelled and niello inlaid crest of the outer case is decorated in the Ringerike style, which reflects the influence of the Vikings on contemporary fashion.

The names of several Mosan goldsmith-enamellers are known. Relief and fully modelled figures were also enamelled, and some metal bases formed by hammering into moulds. The Limoges production increased steadily in quantity, and by the Gothic period had declined in quality, but provided a fairly cheap product, especially of chasse caskets, produced on a semi-industrial scale and exported all over Europe. Spanish enamels, not easily distinguished from Limoges work, were also produced on a large scale.

Glacière is a standard configuration elevated station. It has two platforms separated by metro tracks, all covered by a glass roof in the style of the steel railway station marquees of the time. The vertical walls are covered with white ceramic tiles on the inside and brick with geometric patterns on the outside. The advertising frames are white ceramic and the name of the station is written in Parisine type font on enamelled plates fixed to the metal frame.

The white ceramic tiles are flat and cover the walls, the roof and the outlets. The advertising frames are red and cylindrical and the name of the station is written with the Parisine typeface on enamelled plates. The platforms are equipped with red Motte-style seats and gray "sit-lean" benches. Since the late 1980s, the station exhibits a Thierry Grave sculpture in limewood, in a niche incorporated in the side of a platform towards Bobigny-Pablo Picasso.

The medal was a 9 ct gold cross with an enamelled roundel in the centre bearing a lion's head, hung from a V-shaped suspender from a scarlet ribbon woven with a central green stripe edged in white, with a gold stripe between the red and white. The medal was impressed in small capitals with the recipient's name on the reverse, and was awarded with a case of issue, miniature medal for wear, and an illuminated certificate.

Enamelled metal box for 1 ounce of tobacco. Before this, smokers would have bought tobacco by weight from loose supplies and cigarette papers to roll them in The image of the sailor was known as "Hero" because of the name on his hat band. It was first used in 1883 and the lifebuoy was added five years later. The sailor images were an 1891 artists concept registered for Chester-based William Parkins and Co for their "Jack Glory" brand.

Enamelled glass is mostly associated with glass vessels, but the same technique has often been used on flat glass. It has often been used as a supplementary technique in stained glass windows, to provide black linear detail, and colours for areas where great detail and a number of colours are required, such as the coats of arms of donors. Some windows were also painted in grisaille. The black material is usually called "glass paint" or "grisaille paint".

In 1908, at the age of sixteen, Hunt won free admission to the Margaret Street Art School in Birmingham, where he was taught by Bernard Cuzner. He was awarded several prizes for both design and metalwork in national competitions. Hunt opened a shop at Five Ways, near Birmingham city centre. By the 1920s his clientele included aristocracy such as Eileen Sutherland-Leveson-Gower, Duchess of Sutherland, for whom he made a series of enamelled miniatures of her ancestors.

"The 'plus' is easily identified by the newly designed enamelled badges asymmetrically placed at the rear and on the hood." Rear tinted glass with integrated heating element was also equipped. Optional extras available for 1970 included safety hex-hub, center locking, 60 spoke double laced wire wheels with each spoke "hand torqued to Triumph specifications". Racing mag or aluminum wheels, custom chrome plated steel roof rack, bumper guards, space for under dash radio were also listed.

The liquid used can be pure ethanol, toluene, kerosene or isoamyl acetate, depending on manufacturer and working temperature range. Since these are transparent, the liquid is made more visible by the addition of a red or blue dye. One half of the glass containing the capillary is usually enamelled white or yellow to give a background for reading the scale. The range of usefulness of the thermometer is set by the boiling point of the liquid used.

However, the black enamelled FOKOS short base rangefinder was made available from the start, as well as a higher ever-ready case accommodating it. The measured subject distance using the rangefinder must be set on the lens' distance scale manually. Some Standard cameras were assembled at Leitz New York during the 1940s from spare parts using Leica III body shells and equipped them with Wollensak lenses. Standard cameras imported from Germany later were also sold with Wollensak lenses.

As a group they were commissioned to value the statues of Faith and Hope by Giacomo di Pero created for the spandrels of the Loggia della Signoria in Florence. Lorenzo was commissioned to apply the blue enamelled ground and to gild the statues, work that provided him a steady income. A more significant project arrived In 1387 when Lorenzo was employed to decorate the cathedral of Florence. This was a major project already underway at the time.

In 1968 Stolpe became manager of Kymin Oy Högfors works, and in 1970 he became manager of the company engineering industry division. The Högfors works' main products were enamelled bathtubs, but the portfolio moved gradually make-to-print products delivered to vehicle industry. The bathtub production collapsed during the oil crisis of the 1970s when the government prohibited them from new state funded rental houses, in order to save energy. Subsequently, the Högfors works fell into trouble.

Watt, Possessing the Past, pp. 439–41. Enamelled decoration (such as the one at left) was perfected under the Chenghua Emperor (1464–87), and greatly prized by later collectors.James C.Y. Watt, "Official Art and Commercial Art," in Possessing the Past, p. 441. Indeed, by the late 16th century, Chenghua and Xuande era works – especially wine cups – had grown so much in popularity, that their prices nearly matched genuine antique wares of the Song dynasty or even older.

They also used the former TASCOS building on the corner of Alton Road until it was destroyed in a massive fire. A dentists surgery now occupies the site.Pearson, Wendy: Selly Oak and Bournbrook through time (Amberley 2012) p39 The Patent Enamel Company Ltd, founded in 1888, moved to a purpose built factory in Heeley Road in the following year. Benjamin Baugh had begun to manufacture tough vitreous enamelled sheet wrought iron in Bradford Street In 1857.

Burnett and Hodgson, p208 Unlike other British Orders, the armorial banners of Knights and Ladies of the Thistle are not hung in the chapel, but instead in an adjacent part of St Giles High Kirk.Innes, p42 The Thistle Chapel does, however, bear the arms of members living and deceased on stall plates. These enamelled plates are affixed to the back of the stall and display its occupant's name, arms, and date of admission into the Order.Burnett and Hodgson, pp.

Charles M. Sternberg (1940) considered there to be multiple genera within the family, all sharing fully enamelled teeth, divided into two subfamilies, Hypsilophodontinae and Thescelosaurinae. Within Hypsilophodontinae–grouped by a longer scapula, thinner forelimb and femora shorter than tibiae–Sternberg included Hypsilophodon, Dysalotosaurus, and Parksosaurus (renaming of Thescelosaurus warreni). Only Thescelosaurus was included in Thescelosaurinae, as it had a tibia shorter than the femur. Peter M. Galton in 1972 re-studied the relationships of taxa within Ornithischia.

Each wing of the hotel was designed to be physically isolated from the rest of the building, giving an entourage access to as many as 40 rooms at one time. The hotel's 34 suites, which initially rented for $5,000 a night, all had windows with bulletproof glass, to entice diplomatic guests. The Ritz-Carlton, Georgetown's main floor contained a 70-seat restaurant and bar with hardwood flooring, Oriental rugs, and glass tables with black-enamelled steel borders.

Inside the Cathedral at the entrance are small statues of the Four Evangelists. These originally stood under the first High Altar of the present cathedral. Near the sanctuary is a statue of St Brigid, patron of St Brigid's Church, Wadestown, which was closed in 2007. Behind the cathedra in the sanctuary is a bronze and enamelled Processional Cross designed and made by Graham Stewart for the visit of Pope John Paul II to Wellington in 1986.

Sèvres-Lecourbe is an elevated metro station of standard configuration. It has two platforms separated by metro tracks, all covered by a glass roof marquee in the style of the stations of the time. The verticals wall are covered on the inside with white ceramic tiles and bricks with geometric patterns on the outside. The advertising frames are white ceramic and the name of the station is written in capital letters on enamelled plates attached to the metal frame.

See Imari porcelain. At that time, the Arita kilns like the Kakiemon kiln could not yet supply enough quality porcelain to the Dutch East India Company, but they quickly expanded their capacity. From 1659 to 1740, the Arita kilns were able to export enormous quantities of porcelain to Europe and Asia. Gradually the Chinese kilns recovered, and developed their own styles of the highly coloured enamelled wares that Europeans found so attractive, including famille rose, famille verte and the rest of that group.

The stations of the two lines are of a standard configuration: they include two platforms flanking two tracks under an elliptical vault. However, the Line 4 station also has a later extension, recognizable by its much higher ceiling and mezzanine. The platforms of Line 5 are decorated in the Andreu-Motte style: the fittings are orange, but the tiles are white and beveled. The advertising frames are metallic and the name of the station is indicated on enamelled plates, in Parisine font.

Spanish emerald and gold pendant at Victoria and Albert Museum Enamelled gold, amethyst, and pearl pendant, about 1880, Pasquale Novissimo (1844–1914), V&A; Museum number M.36-1928 Gemstones have no universally accepted grading system. Diamonds are graded using a system developed by the Gemological Institute of America (GIA) in the early 1950s. Historically, all gemstones were graded using the naked eye. The GIA system included a major innovation: the introduction of 10x magnification as the standard for grading clarity.

Ellis Waterhouse suggested that the genre of elaborate costume pieces was as much a decorative as a plastic art. He notes that these works, the "enamelled brilliance" of which has become apparent through cleaning, are unique in European art and deserve respect. They were produced chiefly by the workshops of Peake, Gheeraerts the Younger, and De Critz. Sheeran detects the influence of Hilliard's brightly patterned and coloured miniatures in Peake's work and places Peake firmly in the "iconic tradition of late Elizabethan painting".

The City of London Police warrant card badge is the city shield enamelled in red and white. The City motto Domine Dirige Nos (Lord Guide Us) in gold on a black scroll above the words "City of London Police". Two Tudor dragons surround the shield, a reference to the heraldic supporters of the City's arms. The warrant number is printed below and the word "police" is written beneath that in braille (at the suggestion of blind former Home Secretary David Blunkett).

The platforms of Line 5 are underground and have an elliptical vault. The decoration is the style used for the majority of metro stations. The lighting strips are white and rounded in the Gaudin style of l'Operation Espace Métro 2000, and the white ceramic tiles are covered the walls, the vault, the spandrels and the outlets of the corridors. The advertising frames are of white ceramics and the name of the station is written in Parisine typeface on enamelled plates.

The perfumes Amour Sauvage, Femme de Paris, Desire du Cœur, Mon Ame, Devinez and Ruban Rose (Pink Ribbon) are in coloured crystal bottles with engraved and enamelled square brass toppers. Each perfume has a different coloured bottle, black for Amour Sauvage emerald green for Femme de Paris, ruby red for Desir du Coeur, amethyst for Mon Ame, coral for Devinez and pink for Ruban Rose. Ruban Rose will be released as token of dedication to all breast cancer survivors and victims.

Campo-Formio metro station has a standard configuration. It has two platforms separated by metro tracks and the roof is elliptical. The decor is the style used for the majority of metro stations, the lighting strips are white and rounded in the Gaudin style of the metro revival of the 2000s, and the bevelled white ceramic tiles cover the walls, the roof and the tympan. The advertising frames are metallic and the name of the station is in Parisine font on enamelled plate.

Their use was more flexible than that of arms proper. Badges worn on clothing were common in the late Middle Ages, particularly in England. They could be made of base metal, cloth or other materials and worn on the clothing of the followers of the person in question; grander forms would be worn by important persons, with the Dunstable Swan Jewel in enamelled gold a rare survivor. Livery collars were also given to important persons, often with the badge as a pendant.

The original design Maquette is also located in the Bank. Other important elements include the brass lettering text of the Bank's 1959 charter set on a black granite wall in the main foyer; the opening commemorative plaque; the Bank emblem originally located on the western parapet wall of the building constructed in cast aluminium with green enamelled finish designed by Gordon Andrews (now removed); the portrait of Dr H. C Coombs, the first Governor by Louis Kahan purchased in 1964.

Bunce, having retired in 1898, died on 28 June 1899 at home, of heart failure. He had been due to be given an enamelled silver commemorative casket, created by Florence Camm and Violet Holden, to mark his being granted the freedom of the city of Birmingham on 21 March 1899. The casket is now in the collection of Birmingham Museum and Art Gallery. His wife, Rebecca Ann (1823/4–1891, née Cheesewright; they married on 5 July 1849), predeceased him.

The medal of the Order is called the Croix de la Libération ("Cross of Liberation"). It is a 31 mm wide by 33 mm high rectangular bronze shield bearing a 60 mm high vertical gladius on its obverse. On the blade of the gladius: a black enamelled Cross of Lorraine (symbol of the Free French Forces). On the reverse, in Latin: a relief inscription in bold letters on four rows, PATRIAM SERVANDO VICTORIAM TULIT ("By serving the Fatherland, he/she achieved Victory").

These were still on relatively small objects, although numbers of plaques could be set into larger objects, such as the Pala d'Oro, the altarpiece in Saint Mark's Cathedral, Venice. Some objects combined thick and thin cloisons for varied effect.Ross, 217 The designs often (as at right) contained a generous background of plain gold, as in contemporary Byzantine mosaics. The area to be enamelled was stamped to create the main depression, pricked to help the enamel adhere, and the cloisons added.

Early Orange Matamp amplifiers were built by Radio Craft to Cooper's design to provide the new generation of guitarists with the sustain they demanded. The front end was modified and Cooper changed the chassis from lightweight aluminium to enamelled steel. The Orange logo was designed to be clearly visible on stage. When the design was delivered to Radio Craft, Mathias suggested that a small Matamp logo be added, which as a courtesy to Mathias, Cooper agreed to, making Matamp a model name.

Edge Hill University Mace The Mace is the symbol of the University's authority to award degrees. Edge Hill University commissioned its mace in 2007, from silversmith Clive Burr. Inspired by the University Coat of Arms and the campus architecture, the mace took six months to produce and is crafted from sterling silver. At the head is an 18-carat yellow gold dome enamelled by Jane Short, with a hand engraved inscription of the University motto running around the silver edge.

When Bruce was dead, his heart was cut from his body and placed in a silver and enamelled casket which Sir James placed around his neck. Early in 1330, Douglas set sail from Berwick upon Tweed, accompanied by seven other knights with twenty six esquires and gentlemen. The party stopped first at Sluys in Flanders. There it may be that Douglas received confirmation that Alfonso XI of Castile was preparing a campaign against the Muslims of the kingdom of Granada.

Enamelled glass mosque lamp of Amir Qawsun, probably intended for one of his two architectural commissions in Cairo —the mosque or a tomb-hospice complex. Metropolitan Museum of Art Sayf ad-Din Qawsun ibn Abdullah an-Nasiri as-Saqi (1302 – April 1342), commonly known as Qawsun (also spelled Qausun or Qusun) was a prominent Mamluk emir during the reigns of sultans an-Nasir Muhammad (r. 1310–41), al-Mansur Abu Bakr (r. 1341) and al-Ashraf Kujuk (r. 1341–42).

A Guldbagge from the 48th Guldbagge Awards ceremony, January 21, 2013. The prize itself, a small statue in the shape of a beetle, is made from copper which is enamelled and gilded and weighs approximately 1.2 kg. It was designed by the artist Karl Axel Pehrson, who won a design competition, which was organized on the initiative of SFI's CEO at the time, Harry Schein. The award would then be presented to those who had made a strong contribution during the year.

They were sent to the children in a miniature post bag marked G.P.O. that Potter had made herself or in a toy tin mail box enamelled bright red. "Some of the letters were very funny," Potter wrote, "The defect was that inquiries and answers were all mixed up."Linder 1971, p. 72 Potter sent miniature letters to the Moore children, to the Warne children, Lucie Carr and her older sister Kathleen, Master Drew Fayle, and to Master John and Miss Margaret Hough.

The Rudge Cup is a small enamelled bronze cup found in 1725 at Rudge, near Froxfield, in Wiltshire, England. The cup was found down a well on the site of a Roman villa. It is important in that it lists five of the forts on the western section of Hadrian's Wall, thus aiding scholars in identifying the forts correctly. The information on the cup has been compared with the two major sources of information regarding forts on the Wall, the Notitia Dignitatum and the Ravenna Cosmography.

Amongst the most impressive of these is the Scar boat burial, on Orkney, which contained an elaborate sword, quiver with arrows, a brooch, bone comb, gaming pieces and the Scar Dragon Plaque, made from whalebone, most of which were probably made in Scandinavia.K. Holman, The Northern [I. E. Northern] Conquest: Vikings in Britain and Ireland (Signal Books, 2007), , p. 137. From the west, another boat burial at Kiloron Bay in Colonsay revealed a sword, shield, iron cauldron and enamelled scales, which may be Celtic in origin.

The "type 1" Order consisted of a 38 mm wide by 43 mm high silver badge in the shape of a cogwheel, at center, a disc bordered along its entire outer diameter by panicles of wheat. Protruding from under the lower half of the central disc, a red enamelled triangle pointing downwards. On the central disc in the background, a hydro electric dam, at center, a gilded hammer and sickle, at the top, a waving red banner bearing the inscription "Proletarians of the World, unite!" ().

Louis Coilliot, a French ceramic entrepreneur, was fond of enamelled lava and wanted to popularise the technique. To do so, Coilliot commissioned Hector Guimard, an architect he had met at the 1897 fair La Céramique et tous les arts du feu, ("Ceramic Arts & Glass Making"), to apply the technique to his house's façade. Coilliot’s factory and warehouse were located to the rear of his house, and therefore the façade held a double purpose, both decorating the front of his home and advertising his business.

Mairie de Montrouge is a standard configuration station. It has two platforms separated by metro tracks and the roof is elliptical (rare case for the stations built in recent decades). The decor is contemporary and materials vary, with sides covered with an alternation of wooden panels and silver metal camber in which are incorporated the advertising frames, and a gray coating on the roof and tympans painted white. The lighting is semi-direct and the name of the station is written in Parisine font on enamelled plates.

Star of the modern order The badge of the order consists of a gold Maltese cross enamelled in red with white enamel outline and with golden palmette-like rays between the arms. A white enamel crowned eagle with spread wings, facing left (the coat-of-arms of Poland) is superimposed on the cross. It is worn on a plain light blue sash. This design clearly reflects a return to the essential design of the 1713 badge, but without the diamonds of the earlier badge.

The production of porcelain enamelled products on an industrial scale first began in Germany in 1840. The method used was very primitive compared to modern methods: the product was heated to a very high temperature and dusted with enamel, then immediately fired. This frequently resulted in poor adhesion or a spotty coat; two coats were always required to achieve a continuous, corrosion-resistant surface. It could only be applied to cast- and wrought-iron, and only used for relatively simple products like pots and pans.

The cross is the second highest award of the Kingdom of the Netherlands, preceded only by the Military William Order. The cross was awarded to (and is still worn by) natives of the Netherlands East Indies that showed exceptional display of bravery and fidelity. The cross has a resemblance to the Military William Order and is worn with the same ribbon as that order. The shape of the cross itself is somewhat different in the sense that the cross and crown are made of non-enamelled silver.

The platforms of Line 8 are also underground under an elliptical vault. They are furnished in the Andreu-Motte style with two orange luminous ramps, benches and outlets in the corridors treated with flat brown tiles and Motte orange seats. These arrangements are married with the flat white ceramic tiles that cover the walls, vault and spandrels, making this station one of the few to have the Andreu-Motte preserved style. Advertising frames are metallic and the name of the station is Parisine typeface on enamelled plates.

The advertising frames are metallic and the name of the station is written in Parisine font on enamelled plates. Line 7 station is curved and has an elliptical arch. However, it is distinguished by the lower part of the wall which are vertical and not curved, and its platforms are slightly offset from one another. Like those of line 1, they are furnished in the Andreu-Motte style with two orange light fittings, the corridor outlets in flat brown tiles and orange Motte seats.

The Great Crown of Victory (; ) is one of the regalia of Thailand. Made of gold and enamelled in red and green during the reign of King Rama I in 1782, the crown is 66 centimeters (26 inches) high and weighs 7.3 kg (16 pounds). In the reign of King Rama IV, a set of diamonds was added to the crown. Also added was a large cut diamond from India to decorate the top of the crown, called the Great Diamond (พระมหาวิเชียรมณี Phra Maha Wichian Mani).

However Zeiss called it Universalkamera. One of the key design features was a coupled rangefinder with a very long baseline, with its own eyepiece next to that of the viewfinder. To enhance accuracy, a novel rotating wedge system was employed instead of the common swinging mirror mechanism. Other main features included focusing drive built into the camera body for use with standard lens, removable back, shutter-speed knob integral with film-wind knob placed at the front of the camera body, and black- enamelled finish.

The center medallion displayed a black eagle (which gripped a wreath of laurels in its left claws and a scepter in its right) on a golden background, surrounded by a white enamelled ring bearing a wreath of laurels and the motto of the Order. At meetings of the chapter of the Order of the Black Eagle and at certain ceremonies, the knights wore red velvet capes with blue linings. Embroidered on the left shoulder of each cape was a large star of the Order.

The Saliera The Cellini Salt Cellar (in Vienna called the Saliera, Italian for salt cellar) is a part-enamelled gold table sculpture by Benvenuto Cellini. It was completed in 1543 for Francis I of France, from models that had been prepared many years earlier for Cardinal Ippolito d'Este. The cellar is the only remaining work of precious metal which can be reliably attributed to Cellini. It was created in the Mannerist style of the late Renaissance and allegorically portrays Terra e Mare (Land and Sea).

The Order of the Red Star is a red enamelled 47mm to 50mm wide (depending on the variant) silver five pointed star. In the center of the obverse, an oxydised silver shield bearing the image of an erect soldier wearing an overcoat and carrying a rifle, along the shield's entire circumference, a narrow band bearing the Communist motto in relief, "Workers of the world, unite!" (), the band below the soldier bore the relief inscription "USSR" (). Below the shield, the hammer and sickle also of oxydised silver.

It is, therefore, easy to mistake Seljuk art as new developments rather than inheritance from classical Iranian and Turkic sources.Hillenbrand (1999), Chapter 4 Innovations in ceramics from this period include the production of minai ware, enamelled with figures on a white background, and use fritware, a silicon-based paste, rather than clay.Piotrovsky & Rogers, 64–73 Metalworkers highlighted their intricate hammered designs with precious metal inlays.Piotrovsky & Rogers, 78–93 Across the Seljuk era, from Iran to Iraq, a unification of book painting can be seen.

The egg was created by Faberge's workmaster, Henrik Wigström (Russian, 1862–1923) and is crafted of gold, green and pink enamel in various shades, portrait diamonds, rose-cut diamonds and satin lining. This egg is enamelled in translucent pale green and latticed with rose-cut diamonds and decorated with opaque light and dark pink enamel roses and emerald green leaves. A portrait diamond is set at either end of this egg, the one at the base covering the date "1907". Unfortunately the monogram has now disappeared.

During the 1970s he and his wife lived at Canons Ashby House in Northamptonshire. Whilst there, he made the crown, with his enamelist wife, which was used at the investiture of Charles, Prince of Wales. In 1976, they also made the gold enamelled casket holding the Magna Carta on view in the United States Capitol, Washington, DC for the United States Bicentennial.Washington Post: Original Magna Carta and replica get a cleaning 20 August 2010, accessed 23 May 2013 Epstein statue of Madonna and Child at nos.

The principal methods of this are enamelled glass, essentially a technique for painting patterns or images, used for both glass vessels and on stained glass, and glass paint, typically in black, and silver stain, giving yellows to oranges on stained glass. All of these are fired in a kiln or furnace to fix them, and can be extremely durable when properly applied. This is not true of "cold- painted" glass, using oil paint or other mixtures, which rarely last more than a few centuries.

In 1539 or 1540, Palissy was shown a white enamelled cup that astonished him, and he began a project to determine the nature of its production. The piece of fine white pottery may have derived from Faenza, Urbino, Saint-Porchaire or even China. In Palissy's time pottery covered with beautiful white tin-glaze painted with enamels was manufactured throughout Italy, Spain, Germany and the South of France. A man as travelled and as acute as Palissy, however, would have been acquainted with its appearance and properties.

An early example of an impossible object comes from Apolinère Enameled, a 1916 advertisement painted by Marcel Duchamp. It depicts a girl painting a bed-frame with white enamelled paint, and deliberately includes conflicting perspective lines, to produce an impossible object. To emphasise the deliberate impossibility of the shape, a piece of the frame is missing. A 3D-printed version of the Reutersvärd Triangle illusion, its appearance created by a left Swedish artist Oscar Reutersvärd was one of the first to deliberately design many impossible objects.

The trees are enamelled in red (coral) orange and yellow. Cliff produced a colourway variation on this by simply changing the trees to shades of blue and pink, and this was then called Rudyard after a local Staffordshire beauty spot. Coffee pot designed by Clarice Cliff, part of the 'Conical' series, with the rare 'Blue and White' pattern, circa 1929. Clarice Cliff's fame and success in the 1930s are hard to fully appreciate now, but at that time there was no such thing as 'career women'.

Born in East Coburg, Victoria Lenton Parr spent eight years in the Royal Australian Air Force before enrolling to study sculpture at the Royal Melbourne Technical College (now RMIT University), then worked in England 1955–57 as an assistant to Henry Moore. There he was influenced by Reg Butler and Eduardo Paolozzi to work with enamelled steel structures, which was to become his lifelong specialty. After his return to Melbourne he showed at Peter Bray Gallery in 1957, and embarked on a career in art education.

Savernake Hown in the British Museum The Savernake Horn is a horn made of 12th-century elephant ivory decorated with 14th century enamelled silver gilt mounts; it has belonged to the Seymour family since at least the Elizabethan period, and is associated with Savernake Forest in Wiltshire, England. It is an olifant/oliphant horn, a hunting horn made from an elephant (olifant) tusk, and is also known as the "Bruce Horn" as it was presented to Thomas Lord Bruce. It is kept in the British Museum.

The oldest exhibit is the 350 BCEIlkley Toy Museum website: 350 BCE articulated Etruscan ceramic doll (see image). There is a display of early English wooden dolls, including Miss Barwick,Ilkley Toy Museum website: Miss Barwick doll dated ca.1750-1760. She was owned by the Barwick family of West Yeadon, and has a sedan chair with brocade furnishings embossed with a "B". Her face is sculpted with gesso on wood, her eyes are enamelled and her wig is made of real hair (see image).

The mounts referred to in the 1823 description were of enamelled silver-gilt and were added to the vase in Europe in 1381. An 18th-century water colour of the vase complete with its mounts exists, but the mounts themselves were removed and lost in the 19th century. The vase is now in the National Museum of Ireland. It is often held that qingbai wares were not subject to the higher standards and regulations of the other porcelain wares, since they were made for everyday use.

The land version was enamelled in red, with a red ribbon. The titles of the medals changed in 1917, the gold "Albert Medal, first class" becoming the "Albert Medal in gold" and the bronze "Albert Medal, second class" being known as just the "Albert Medal". The event that led to the introduction of the Albert Medal for Gallantry on Land was the Tynewydd Colliery disaster which occurred on 11 April 1877.John Price, Everyday Heroism: Victorian Constructions of the Heroic Civilian (Bloomsbury: London, 2014) , pp.

The same conduction that works against the spot vaporization of metal is an asset if the objective is to vaporize some other coating away from the metal. Laser engraving metal plates are manufactured with a finely polished metal, coated with an enamel paint made to be "burned off". At levels of 10 to 30 watts, excellent engravings are made as the enamel is removed quite cleanly. Much laser engraving is sold as exposed brass or silver-coated steel lettering on a black or dark-enamelled background.

The sceptre is decorated with 285 gemstones, including 94 diamonds, 53 rubies, 10 emeralds, 4 sapphires and 3 spinels. Circling the rod are bands of precious stones. At the top is a gold monde set with diamonds and topped by a plain cross, upon which sits a white enamelled dove with its wings outspread, representing the Holy Ghost. A sceptre like this first appeared in the 11th century, and it was probably based on the German sceptre, which was topped by an Imperial Eagle.

Two gold arches, preserved from the original, are surmounted by a gold monde enamelled blue with stars representing the night sky. On top of the monde is a cross decorated with black enamel, pearls, and a large amethyst. A purple velvet cap was manufactured by Thomas Arthur of Edinburgh; this was changed to a red cap by James VII (1685–88), and the present cap dates from 1993. Four gold ornaments with a large pearl in the centre are attached to the cap between the crown's arches.

The order had a white enamelled cross pattée with golden or silver edges according to the grade. On the pendant of the obverse there was a stylized inscription with the name of the order and on the surrounding ring there was the motto СЪ НАМИ БОГЪ (God with us) with laurel wreaths below. On the reverse there was a white background with inscription 19 ФЕВРАЛЪ 1878 (19 February 1878) - the date of the signing of the Treaty of San Stefano. Atop the cross was a royal crown.

Finished jade objects were often damascened with gold or silver, enamelled or studded with jewels, not only for external beauty but also to grant them royal status. Decorative elements and design used in Mughal architecture in stone and marble were beautifully used in jade. Jade formed an important material with which small objects like thumb rings, wine cups, plates, trays, boxes, huqqa bowls, dagger and sword hilts and the like were fashioned and decoratively enriched with various designs. The Mughals referred to jade by its Persian name Yashm.

Hay said Lady Atholl sent it to Mary, but it fell into Elizabeth's hands. It was no bigger than the palm of a hand, and in the shape of a "hierse of a harthorne" and "well decked with gold and enamelled". According to Hay, the design included the royal arms of Scotland and an image of Mary herself in royal robes, with a lion worrying a leopard, and the motto quoted by Randolph. The matter, wrote Hay, was "daintie" and kept secret, but it was known Elizabeth was not pleased.

The picture was called "Old Folks at Home". It was not long before the firm's name was everywhere, stressing the quality of Mazawattee to counteract the criticism of "doctoring" that had been levelled at some teas. A contract was made with the railway companies so that eye-catching enamelled signs could be fixed on every railway station platform in Britain. Ceylon tea had been introduced to Britain in 1875 and Mazawattee concentrated for some years on this type of tea and at one time named itself the Mazawattee Ceylon Tea Company.

This would have been a rarely used feature given the often inclement weather of the North Atlantic. The first- class lounge was decorated in Georgian style with inlaid mahogany panels surrounding a jade green carpet with a yellow floral pattern, measuring overall . It had a barrel vaulted skylight rising to with stained glass windows each representing one month of the year. First-class smoking room First-class reading and writing room Each end of the lounge had a high green marble fireplace incorporating enamelled panels by Alexander Fisher.

The medal was a gold-plated sterling silver cross, enamelled in Oxford blue, bearing a roundel in the centre struck with the gold "wounded lion" device of the BSAP on a white field. The cross was suspended from an Oxford blue ribbon with two narrow stripes of scarlet, edged with silver, very similar to that of the British Queen's Police Medal, which it replaced. The medal was impressed in small capitals with the recipient's name on the reverse, and was awarded with a case of issue, miniature medal for wear, and an illuminated certificate.

Excavations were carried out in 1894, during which the ramparts were cleared. The west tower of the south gate was found to contain a hoard of jewellery, which included an enamelled brooch shaped as a hare, a gilded bronze brooch described as a masterpiece of Celtic art, a silver collar with a pendant, a gold ring and a bronze ring with a Gnostic gem. During this excavation the headquarters building (principia) was partially uncovered, together with its vaulted underground strong room. A barrack block was also found to the south-west of the principia.

Enamelled badge on an early MG car 1925 'Old Number One' with body by Carbodies William Morris's Morris Garages in Longwall Street, Oxford, was the Oxford agent for his Morris cars. Cecil Kimber joined the dealership as its sales manager in 1921 and was promoted to general manager in 1922. Kimber began promoting sales by producing his own special versions of Morris cars. Debate remains as to when MG car production started, although the first cars, rebodied Morris models that used coachwork from Carbodies of CoventryNorthey, p.1333.

The Kakiemon elephants are a pair of 17th century Japanese porcelain figures of elephants in the British Museum. They were made by one of the Kakiemon potteries, which created the first enamelled porcelain in Japan, and exported by the early Dutch East India Company. These figures are thought to have been made between 1660 and 1690 and are in the style known as Kakiemon. They were made near Arita, Saga on the Japanese island of Kyūshū at a time when elephants would not have been seen in Japan.

Since this exhibition she has incorporated and explored monochromatic colour schemes that have influenced her continuing practice. Her early works from 1984-1987 use industrial material, screenprinting, airbrushing and video-scanning processes to explore the connection between language and images. In these works, words such as: MUTE, RETURN, APORIA, and EQUIVALENCE are enamelled on aluminium and canvas boards to highlight the limits of language and representation. In 1983, Burchill and McCamley’s working partnership began. McCamley studied film, semiotics and philosophy, which supplemented Burchill’s training in sculpture and film.

Qing export porcelain with European figure, famille rose, first half of the 18th century. As trade with China developed, finer quality wares were shipped by private traders who rented space on the ships of the companies trading with the country. The bulk export wares of the 18th century were typically teawares and dinner services, often blue and white decorated with flowers, pine, prunus, bamboo or with pagoda landscapes, a style that inspired the willow pattern. They were sometimes clobbered (enamelled) in the Netherlands and England to enhance their decorative appeal.

It is often described as producing "enamelled" decoration. The colours fuse on to the glaze, so the decoration becomes durable. This decorative firing is usually done at a lower temperature which allows for a more varied and vidid palette of colours, using pigments which will not colour correctly at the high temperature necessary to fire the porcelain body. Historically, a relatively narrow range of colours could be achieved with underglaze decoration, where the coloured pattern is applied before glazing, notably the cobalt blue of blue and white porcelain.

Many historical styles, for example mina'i ware, Imari ware, Chinese doucai and wucai, combine the two types of decoration.Vainker, 188-189, 192-193, 195 In such cases the first firing for the body, underglaze decoration and glaze is followed by the second firing after the overglaze enamels have been applied. The technique essentially uses powdered glass mixed with coloured pigments, and is the application of vitreous enamel to pottery; enamelled glass is very similar but on glass. Both these latter two are essentially painting techniques, and have been since they began.

Tabatiéres of the Bontems style were produced with the mark of C. K. Lamy of Furtwangen in the Black Forest. In his book Mechanische Singvögel, Peter Schuhknecht traces the history of the firm to its closing in 1927. Little is known of its range, but the few examples seen have been housed in well enamelled silver boxes and have birds with bone beaks. The movement is basically a copy of Bontems. For six years between 1922 and 1928 the company Eschle appeared briefly in Triberg (also in the Black Forest), fabricating bird boxes.

Garter stall plate of Henry Bourchier, 2nd Earl of Essex (d.1540), nominated 1499, showing his name, titles and heraldic achievement Stalls of Knights of the Garter in St George's Chapel. The Garter stall plates are visible affixed to the rear panelling of each stall Garter stall plates are small enamelled brass plates located in St George's Chapel displaying the names and arms of the Knights of the Garter. Each knight is allotted a stall in St George's Chapel and the stall plate is affixed to his personal stall.

Abu'l Hasan ibn Arfa Ra's (died 1197) was a Moroccan chemist from the city of Fez, who lived most of his life during the Almohad period. In his works he develops a theoretical and terminological framework of experimental process and basic laboratory techniques still recognizable today. He is the author of Shudhur al-Dhahab, a renowned work on theoretical and practical experiments in chemistry. It describes the properties of various metals and has provided detailed information on enamelled ceramics and the various techniques, methods and processes of industrial chemistry of the time.

The steel pillars and spandrels incorporate ground glass windows which sit atop white and flat ceramic tiles. The platforms, devoid of advertising, are equipped with white Motte style benches and the name of the station is written in Parisine font on enamelled plates. The platforms of Line 5 are arranged in the Andreu-Motte style blue colour: they have two lighting strips in this shade, as well as seating and spandrels covered with flat tiling of the same hue. They are equipped with Motte blue and white seats.

Campbell, 10 The Staffordshire Moorlands Pan, 2nd century AD Romano-British, with enamel in four colours. Celtic curvilinear styles were highly effective in enamel, and were used throughout the Roman period when they largely disappear in other media. The Staffordshire Moorlands Pan is a 2nd-century trulla with large enamel roundels in four colours of enamel, commissioned by or for Draco, a soldier, possibly a Greek, as a souvenir of his service on Hadrian's Wall. It is one of a group of similar enamelled vessels found in Britain and northern Gaul.

They are decorated in the style used for the majority of the metro stations. White ceramic bevelled tiles cover the walls, the tympans and the outlets of the corridors. The roofs are coated and painted white and the name of the station is in the Parisine font on enamelled plates. On the platforms of line 6, the lighting strip is white and rounded in the Gaudin style of the metro revival of the 2000s, the advertising frames are a white ceramic and the seats are in Akiko blue style.

He first exhibited at the Royal Academy in London from 1889 and later at the Paris Salon. In Paris, Bayes won an honourable mention at the 1900 International Exhibition, then several medals at the Salon and, in 1925, a gold medal and diploma of honour at the Exhibition of Decorative Art. His work was part of the sculpture event in the art competition at the 1928 Summer Olympics. Bayes is perhaps best remembered for his interest in colour, his association with the Royal Doulton Company, and his work in polychrome ceramics and enamelled bronze.

Waterfront on the Amnok River An important light industry centre in North Korea, Sinŭiju has a plant manufacturing enamelled ironware as well as a textile mill, paper mill and an afforestation factory. Its southwest harbour has a shipyard, although the shipyard's main function is seemingly to dismantle ships for scrap metal and other usable materials rather than building new ships. The area has recycling plants which recycle a wide range of material, including products that are banned for recycling in China. The Sinŭiju Cosmetics Factory is located in South Sinŭiju (Namsinŭiju).

This World War I Honour Board is wall mounted in the old foyer of the Pine Rivers RSL and Services Memorial Club. The honour board is made of bronze on a marble background with timber edging. Predominantly rectangular in shape, the board has a panel to either top corner featuring a cavalryman with the Queensland state emblem and a soldier below. There are two enamelled flags at the top in the centre, the current Australian flag and the Union Jack, and on either side is the emblem of the AIF.

The Military Cross is a black enamelled Maltese cross with a 1 mm gilt edge, the cross arms end in eight 2 mm in diameter gilt spheres. Gilt crossed swords pointing up are positioned between the arms of the cross. The obverse central medallion bears the Belgian "lion rampant", pre 1952, the reverse medallion bore the royal cypher of the reigning monarch, post 1952, the reverse is identical to the obverse. Suspension is by means of a ribbon through a suspension ring passing through the orb of a pivot mounted crown.

The development of the champlevé enamel technique made enamel decoration far easier and so cheaper than the previous fiddly cloisonné process, and enabled much larger surfaces to be covered in a single firing. The enamel chasse was developed to exploit these new possibilities. By the 12th century, the Romanesque chasse had become popular as a relatively cheap form for reliquaries, especially for the enamelled caskets made in Limoges and Spain, which were exported all over Europe.Osbourne, 332-333 Limoges was on one of the main pilgrim routes to Santiago de Compostela, which probably helped distribution.

At the end of the side aisles and on both sides of the choir are altars (also in the Manueline style) dating from the 16th and the 17th centuries. They are decorated with carved wood and plated in golden and green pigment, and one of them supports the image of Saint Jerome in multi-coloured enamelled terracotta. This chancel was ordered by Queen Catherine of Austria as the final resting place for the royal family. It is the work of Jerónimo de Ruão (Jean de Rouen) in the Classical style.

The Metters Sydney foundry manufactured the: 'Beacon Light'; 'Dover; 'Bega'; 'Canberra'; 'Empress'; 'Regina'; 'Herald'; 'Newcastle'; 'Samson'; 'Edford'; 'Capitol'; 'Shearer'; 'Royal'; 'New Royal'; 'Improved'; 'Crawford'; and 'Early Kooka' wood stoves. Metters Limited introduced the 'Early Kooka' range of gas cooking appliances in 1937. The name of this oven, punning on 'cooker', was emblazoned over the enamelled image of a kookaburra gobbling a worm. Metters Limited was acquired by Email Limited in 1974, which continued to market electric and gas kitchen cookers under the Metters brand name, but was eventually phased-out in the mid-1980s.

One of the finest artefacts found at the site is the Whithorn crozier. The gilded and enamelled crozier is an outstanding example of champlevé enamels which were being made in England in the second half of the 12th century, and this one dates to around 1175. It is now housed in the National Museums of Scotland, although it is loaned to the Whithorn Trust Visitor Centre every summer. It is thought that the crozier was buried with the body of Simon de Wedale, who was one of the Bishops of Whithorn.

The piece with its original stand in 1902, now lost. The egg is made from gold with translucent lime yellow enamel on a guilloché field of starbursts and is in reference to the cloth-of-gold robe worn by the Tsarina at her Coronation. It is trellised with bands of greenish gold laurel leaves mounted at each intersection by a gold Imperial double-headed eagle enamelled opaque black, and set with a rose diamond on its chest. This pattern was also drawn from the Coronation robe worn by the Empress.

Glass is enamelled by mixing powdered glass, either already coloured (more usual) or clear glass mixed with the pigments,Gudenrath, 23–24 with a binder such as gum arabic that gives a thick liquid texture allowing it to be painted with brushes. Generally the desired colours only appear when the piece is fired, adding to the artist's difficulties. As with enamel on metal, gum tragacanth may be used to make sharp boundaries to the painted areas. The paint is applied to the vessel, which has already been fully formed; this is called the "blank" .

All proper uses of the term "enamel" refer to glass made into some flexible form, put into place on an object in another material, and then melted by heat to fuse them with the object. It is called vitreous enamel or just "enamel" when used on metal surfaces, and "enamelled" overglaze decoration when on pottery, especially on porcelain. Here the supporting surface is glass. All three versions of the technique have been used to make brush-painted images, which on glass and pottery are the normal use of the technique.

Immediately before the outbreak of the First World War in 1914, Curran's supplied several annealing furnaces to the Royal Arsenal in Woolwich, and had built a major munitions factory in Ward End, Birmingham. In 1915 Curran's converted a building next to their iron foundry into a plant for manufacturing shell casings. Production of brass howitzer shell casings started in 1916, continuing until the end of the war with over seven million shell casings produced. After the First World War the business diversified and it products included enamelled metalware, including cups and plates.

The literature of their day had much to say of the Martin brothers. In Voltaire's comedy Nadine, produced in 1749, mention is made of a berline (carriage) "bonne et brillante, tous les panneaux par Martin sont vernis" ("good and bright, all the panels varnished by Martin"). The marquis de Mirabeau in L'Ami des hommes refers to the enamelled snuff-boxes and varnished carriages which came from the Martins' factory. As with many great artists, their names were attached to many works they never saw, and the Martins suffered considerably in this respect.

Some of the modern units incorporate an electrical heating element in the steam generating pot that makes for very convenient operation away from the kitchen where small spills and hot stoves are not a problem. The first units were probably made from aluminum due to the ease of fabrication of the complex shapes by metal spinning. Some have been made from enamelled steel (a German trend) and the modern bare metal units have moved to stainless steel alloys to prevent aluminium from leaching into the juice at the time of preparation.

As megas doux, he was also the governor of the joint province of Hellas and Peloponnese (southern mainland Greece), and in this capacity he went to Athens ca. 1201–1202 to oppose the rising power of Leo Sgouros, a local magnate turned autonomous ruler. He does not seem to have succeeded in checking Sgouros, but the local bishop, Michael Choniates, nevertheless composed an encomium in his honour. Three seals of Stryphnos survive, as well as a large enamelled gold ring, possibly given to him on his appointment as megas doux.

The collar of the order was composed of a tortil of three gold chains, at the end of which a gold porcupine hung on a green-enamelled flowered terrace. It was worn on an azure velvet coat, lined with crimson satin, ornamented with a cope and a mantle, both crimson. Under the coat, the knights wore a long violet garment. The knights received, on the day of their nomination, a gold ring adorned by a cameo (called in French at the period, "camaïeu" or "kamaheu" or even "camail") upon which a porcupine was engraved.

In 1897 Staffordshire pottery manufacturers James Macintyre & Co. Ltd employed 24-year-old William Moorcroft as a designer, and within a year he was put in full charge of the company's art pottery studio. Early in his employment at Macintyre's, William Moorcroft created designs for the company's Aurelian Ware range of high-Victorian pottery, which had transfer-printed and enamelled decoration in bold red, blue and gold colours. Moorcroft developed highly lustred glazes and used oriental shapes and decorations. Some of his techniques were closely guarded trade secrets.

11 Above is an enamelled coat of arms of the Borough of South Molton: Azure, a bishop's mitre in chief a sheep's fleece or The Mayor of South Molton in Devon is an ancient historical office which survives at the present time. In the Middle Ages the town of South Molton was incorporated by royal charter into a borough governed by a Mayor and Corporation. This enabled the inhabitants to free themselves from the jurisdiction of the lord of the manor of South Molton and to subject themselves instead to the jurisdiction of the king.

Awards for tending the wounded had a red enamelled cross in the wreath. The Queen Elisabeth Medal (, ) was a Belgian decoration created by royal decree in October 1916 to recognise exceptional services to Belgium in the relief of the suffering of its citizens during the First World War. Its statute was ratified on 14 May 1919. It was awarded to people, both Belgians and foreign nationals, who, like Queen Elisabeth herself, had worked and cared for the suffering victims of war for a year or more prior to 10 September 1919.

Islamic work includes some three-dimensional animal figures as fountainheads or aquamaniles, but only one significant enamelled object is known, using Byzantine cloisonne techniques.Arts, 201, and earlier pages for animal shapes. The Pisa Griffin is the largest surviving bronze animal, probably from 11th century Al-Andaluz. More common objects given elaborate decoration include massive low candlesticks and lamp-stands, lantern lights, bowls, dishes, basins, buckets (these probably for the bath),But see Arts, 170, where the standard view is disputed and ewers, as well as caskets, pen-cases and plaques.

It is faced with white tiles made of Doulton's Carrara- enamelled stoneware. Its central copper-covered dome is topped with a life- size figure of Britannia and two smaller domes on each side bear figures of Mercury. Finely sculpted Art Nouveau-style cast iron edges the steps to the promenade deck and the octagonal bandstands or summer houses. The Pavilion opened on Saturday 17 August Western Daily Mercury 19 Aug 1912 1912 and apart from the foyer and auditorium, it had lounges and a cafe, all of which were panelled with oak.

Knight's Cross (version used before 1932) Knight's Cross with swords (used after 1932) The religious character of the model of 1881 is a red-enamelled, eight-pointed Maltese Cross with wider margin of gold and white. In the angles of the cross were "C"s, the initials of the founder. The medallion in the middle of the cross shows a royal crown on dark red background. The medallion is surrounded by a white-frost edge surrounded the inscription PRIN NOI INSINE (by ourselves) and the order's foundation date of 14 March 1881.

The Herepath has a characteristic form which is familiar on the Quantocks: a regulation 20 m wide track between avenues of trees growing from hedge laying embankments. A peace treaty with the Danes was signed at Wedmore and the Danish king Guthrum the Old was baptised at Aller. Burhs (fortified places) had been set up by 919, such as Lyng. The Alfred Jewel, an object about long, made of filigree gold, cloisonné-enamelled and with a rock crystal covering, was found in 1693 at Petherton Park, North Petherton.

The hoard demonstrates the international trade in luxury goods in the period, including gemstones from sources across South America, Asia and Europe: emerald from Colombia, topaz and amazonite from Brazil; spinel, iolite, and chrysoberyl from Sri Lanka, Indian diamond, Burmese ruby, Afghan lapis lazuli, Persian turquoise, pearls from Bahrain, peridot from the Red Sea; Bohemian and Hungarian opal, garnet, and amethyst. Relatively few pearls have survived in good condition after being buried for approximately 350 years. Large stones were frequently set in box-bezels on enamelled rings.Scarisbrick, Diana.

The hexagonal pulpit itself consists of five scenes in white Carrara marble from the Life of Christ : the Nativity, the Annunciation, the Annunciation to the Shepherds are juxtaposed in the first relief, the Adoration of the Magi, the Presentation, the Crucifixion and the Last Judgement. The backgrounds of these scenes were originally painted and enamelled, while the eyes of the figures were coloured. This contributed to a realistic depiction of these religious scenes. All these scenes, except the last two, reflect his knowledge of the style on the sarcophagi.

The building is typical of the prefabricated diners that were common from the 1920s through the 1940s, built to resemble railroad cars and incorporating elements of Art Deco design. With its interior of cherry wood and porcelain enamelled steel and a geometrically tiled floor, it is one of the few pre- World War II diners in the United States in near-original condition. The interior was depicted by the photorealist artist Ralph Goings in his 1993 painting Miss Albany Diner.Louis K. Meisel Gallery, Ralph Goings: Miss Albany Diner, 1993 .

The badge of the order is a blue-enamelled, white enamel-bordered Maltese Cross, in gilt for the officers and above, in silver for knights and members. The obverse central disc displays the King's coat of arms in gold and blue enamel, surrounded by a white enamel ring bearing the national motto Je Maintiendrai (I shall maintain). The reverse central disc has the crowned monogram "W" (for Queen Wilhelmina) surrounded by the motto God Zij Met Ons (God be with us). The badge hangs from a royal crown.

Family Actinopodidae :Missulena spp. Mouse spiders Family Araneidae :Arachnura higginsii, Scorpion-tailed spider :Araneus bradleyi, Enamelled spider :Argiope keyserlingi, St Andrew's cross spider :Argiope protensa, Tear drop spider or longtailed orb-weaving spider :Argiope trifasciata, Banded orb-weaving spider :Austracantha minax, Christmas Jewel Spider :Celaenia excavata, Bird-dropping spider :Cyrtophora spp., Tent spiders :Eriophora pustulosa, Garden orbweb spider :Eriophora transmarina, Wheelweaving orbweaving spider :Ordgarius magnificus, Magnificent spider :Poecilopachys australasia, Two-spined spider Family Austrochilidae :Hickmania troglodytes, Tasmanian cave spider Family Barychelidae :Idioctis spp., Intertidal trapdoor spider :Idiommata spp.

The quarry was then owned by David Lloyd Jones, who specialised in supplying slab for enamelling, both to a merchant in London and to a joint venture with the Towyn Enamelled Slate Quarry Company. Jones sold Llwyngwern in 1891. In 1893, a new company Maglona Quarries Ltd. took over Llwyngwern, (Maglona was commonly believed to be the name of a Roman fort on Sarn Helen at what is now Machynlleth) In March 1895, quarryman Robert Ellis Jones was killed at the quarry when the rock face he was working on collapsed.

The Order only has one rank: Knight. The decoration consists of a star of gold with eight triangles (enamelled in half-red, half-silver) and supported by the imperial crown, charged with an oval shield in the heart with the initials of the two empresses (ECMT for Elizabeth Christine Maria Theresa), all topped by a crown, surrounded by the legend: MARIA THERESIA PARENTIS GRATIAM perennem VOLUIT. The ribbon of the Order is black. The decoration was hanging from a triangular knot of that black ribbon on the left chest.

The English were for first into the fray; Spanish pistols, priests cassocks, swords, gold chains, pendants and enamelled shields were all taken from the dead and dying. There were heaps of Spanish and Italian dead under the "Sandhill" and along the wall of the old town, amidst broken siege equipment. Among the dead and wounded was the discovery of a young Spanish girl in male attire, who had fallen in the assault and under her dress was a chain of gold set with precious stones, along with other jewels and silver.

Hong Kong businessman T.T. Tsui began collecting antiques in the 1970s, featuring rotating exhibits from the 3,000-piece collection. Formerly located in the old Bank of China building, the museum had moved to Henley Building, at 5 Queen's Road, Central prior to its closing in the late 1990s. Chinese ceramics ranging from the painted pottery of the Neolithic period to the porcelain of the Qing Dynasty formed the collection's cornerstone. In addition, the scope of the Tsui Museum encompassed bronzes; bamboo, wood and ivory carvings; jade, enamelled ware, glass, furniture, Han Dynasty tomb statues.

Gerald Durrell was born in Jamshedpur in 1925. Many of the important industrial constructions in Jamshedpur were undertaken by his company, including the Tinplate Company of India, the Indian Cable Company, and the Enamelled Ironware Company, and contractual work for the Tata Iron and Steel Works. Although Durrell purchased a house in Dulwich and was planning on moving to England, instead he transferred to Lahore with his family for supervising contract work. In 1928, the engineer fell ill due to causes which were medically undiagnosed and attributed to overwork.

The clerestory windows are glazed with green tinted cathedral glass. There are some windows of two lights in the aisles, and a three-light one at the east end of the north aisles. The chancel arch is pointed and well proportioned. Beneath it is a low screen, coloured in the mouldings and panels, with green and red on a white ground, and a pair of highly finished solid gates of brass enriched with enamelled work, and supported by two brass standards, tufted with flowered finials representing the sun-flower.

The faluchards in the majority of the courses of study and for each city elect a Grand Maître (GM) appointed like guarantor of the traditions and supported by a Grand Chamberlan (GC) whom it chooses. Their badge is a registered cross of the expression to the merit, which they carry at the end of a ribbon of the color of their course. The cross of GM is enamelled of white and that of GC is gilded. In Valence and Grenoble, the GC has a ribbon points some without cross with the colors of their discipline.

The medal is a gold Maltese cross, enamelled white, with small gold ball on eight points and four royal crowns in the corners. At the center is a medallion of red enamel with the monogram of Ernest Augustus (EA), and around, there was a band of blue enamel with the motto of the order "SUSCIPERE ET FINIRE" in gold. The back displays the founding date "DEC MDCCCLXV XV" with the initials of the king who had granted the order George V ("G"). The ribbon is scarlet red with two dark blue stripes parallel to each side.

On 12 February 1828, Maria wrote her will.The National Archives, Kew, PROB 11/1775/386 - Will of Maria Stuart Collins of Stonehouse, Devon as quoted in Currey She was then residing at 23 Durnford Street, Stonehouse Devon. She left specific gifts of jewellery, including a gold watch set with pearls, gold enamelled watch keys, a rose diamond ring, a small garnet hoop rings, her books and a Jusia Japan box to her nieces and nephew and the widow of General Desborough. The residue of the estate was left to her nephew, Theophillis Desbrisay of the Royal Artillery.

While he admitted the storm to be the worst he had ever known, he called the ladies to the cabin and asked them to notice the builder's name in golden letters on the white enamelled panel. They read this: ‘Paul Curtis, builder.’ He assured them that no ship of Curtis’s had ever foundered,—no ships had so high a record for low insurance rates,—no timber or bolt was introduced unless free from all defect. ‘I assure you, ladies,’ he said, ‘I think she will ride this terrible storm safely.’ The ship came safely through the storm.

The station is unmanned and has only basic amenities - a single shelter on the southbound platform, a payphone and timetable poster boards on each side. Tickets must be purchased prior to travel or on the train. Step-free access is available to each side via the level crossing. Goxhill Station was notable for being the last operational British Rail railway station to retain original Eastern Region of British Railways enamelled "totem" signs on the platform lamp-posts - one or two of these were dark-reddish/maroon rather than Eastern Region ultramarine dark blue, the reason for this being unclear.

He and his wife settled in Falkirk where he became a partner in Campbell & Co Fireclay Works and coal mine, Roughcastle. He later became owner of the business. Previous to settling in Falkirk the Howie family lived in Hurlford, where they owned the renowned Hurlford Fireclay Works (until it was bought by Armitage Shanks), which produced pottery, bricks, chimneys, garden ornaments and enamelled sanitary ware (lavatories, baths, urinals etc.) The family owned much of the town, including Marchmont Place, Salisbury Place, Collier Row, Office Row, Chapel Cottages, Skerrington Row and Howie's Square. They also owned small mining villages, including Hemphill.

The old building was considered inadequate for the growing population still confined to one city church. In May 1897 Grimes went to Rome for his ad limina visit. He had several audiences with Pope Leo XIII who gave two gifts for the project. One was a valuable cameo and the other a richly enamelled portrait of the Pope both of which were later sold in a fund- raising bazaar. During his 18 months overseas Grimes travelled in England, Ireland, France, Belgium, and on the return journey, via the Canadian Pacific Railway, in the United States and Canada.

The medal was a bronze cross with an enamelled roundel in the centre bearing a lion's head, suspended from a ribbon. The ribbons of the Bronze Cross differed in colour according to the service in which the recipient was enlisted; thus Army awards had a red ribbon with three white stripes; Air Force awards a purple ribbon with stripes and Guard Force awards a brown ribbon with stripes. The medal was impressed in small capitals with the recipient's name on the reverse, and was awarded with a case of issue, miniature medal for wear, and an illuminated certificate.

For many years Fattorini and Sons were a prominent manufacturer of regalia for use in the different Orders of Freemasonry. Their factories and retail outlets in Yorkshire and Birmingham provided a regional competitor to the well-known London based regalia manufacturing companies. Many items of masonic regalia manufactured by Fattorini and Sons remain in current use, and bear the company's "signature-style" label. The North Wales Society of Architects' Presidential Chain of Office was designed in 1954 by Fattorini and Sons of hallmarked sterling silver finished in polished hard gold plate and vitreous enamelled in three colours.

Both classes share the same ribbon and are worn around the neck. ;Obverse The badge of the Order is a white-enamelled gold or silver gable cross that displays the national arms on a shield in the centre of a smaller gold or silver cross paty. ;Reverse The reverse has the pre-1994 South African Coat of Arms. Breast star ;Suspender The suspender is in the form of the crest of the pre-1994 South African Coat of Arms, a lion holding four staves to represent the four provinces of the Union of South Africa, above an outline of an inverted gable.

He favoured metal boxes, heavily embossed and engraved in silver and silver gilt, some enamelled and with enamel pictures on the lids. His standard movement was well-made and, although owing much to Bontem's design, was not a simple replica of it. His movements have the added feature of an ingenious method of speed control and a stamped makers's name and serial number. He also seems to have introduced the idea of a start/stop pull rod and button on the right side of the box to replace the previously ubiquitous slider at the top right on the front of the box.

Three full page evangelist portraits survive, by two different artists, and many pages have decorative elements. The close resemblance between this and the equivalent pages in the Mstislav Lectionary suggests they are both based on a common prototype, now lost. The two artists who produced the evangelist portraits were both heavily influenced by Byzantine models, but the style of the portraits of Saints Mark and Luke seems to derive from Byzantine enamelled plaques rather than manuscripts. Ostromir Gospel More early Russian manuscripts have survived from Novgorod, which was never occupied by the Mongols, than any other centre.

Nearby employment sites include Benton Park View to the west, Tyneview Park to the south east, and Quorum Business Park to the north. Unlike neighbouring Longbenton and Benton, Four Lane Ends was purpose-built for the Tyne and Wear Metro network. These purpose-built stations, such as Four Lane Ends, Heworth and Regent Centre, had a definite corporate look of rectangular blocks, light enamelled wall panels, and black roofing. The station is situated at the site of the first Longbenton station, which opened in 1864 and closed at the start of 1871 – being replaced by Benton.

The 2nd class was a 39 mm circular silver medal also bearing the inscription VERDIENST UM DEN STAAT on its obverse, surrounded by a laurel wreath, with the reverse depicting a large crowned cypher of Friedrich Wilhelm III. In 1830, the General Honor Decoration, 1st class, became the Fourth Class of the Order of the Red Eagle, with the medallion in the center of the cross being replaced by an enamelled insignia of the Order of the Red Eagle. This design change ended the identical paralleling of the designs of the General Honor Decoration and Military Honor Medal.

The direct lighting is white, while unlike most bands of this style, there is no multicolored indirect lighting present yet. The flat white ceramic tiles cover the pillars, vault and the spandrels but not the outlets of the corridors which are covered with white beveled tiles, this last point also constituting an exception to the Ouï-dire style. The name of the station is written in Parisine font on enamelled plates and the Motte seating is blue. Advertising frames are metallic instead of the blue half- circle, which is another exception to the Ouï-dire style.

The eleven storeys of the middle section of the facade are characterised by the repetitive pattern of the smaller aluminium-framed curtain wall panels. The curtain wall is composed of vertical standard sections which include awning windows at their tops, central panels of fixed glazing and enamelled steel spandrel panels at their bases. At the northern end of the building is a full height sandstone faced wall on which a vertical "Qantas Airways" sign was originally located. The sandstone facing returns in a long band to form the top of the fagade composition, providing an exciting demarcation of the building against the sky.

The platforms for the two lines are of standard configuration, two at each stop point, separated by the metro tracks in the centre and the arch is elliptical. Line 5 is decorated in the style used for most metro stations: the lighting strips are white and rounded in the Gaudin style of the 2000s Metro revival, and white bevelled ceramic tiles cover walls, spandrels and outlets in the corridors. The vault is coated and painted white. The advertising frames are in a white ceramics and the name of the station is written in Parisine typeface on enamelled plates.

The use of enamelled inlay continued until the end of the 3rd century AD. Gallo-roman museum, Tongres A variation of the P-shaped fibula, the tied foot fibula has a foot that returns to the bow but then wraps, or ties, around the bow. Many Tied Foot fibulae have long bilateral springs. The tied foot fibula was found in the 3rd and 4th centuries AD and is associated with the Wielbark Gothic culture. The classic fibula of the late-Roman era, and in fact the best known of all fibula types, is the crossbow type.

By 1879, UK wall boxes were also fitted with a drop-down hinged metal letter chute to help guide the stored mail into the waiting sack or basket during clearance. An even later modification, which was then widely retro- fitted, was the provision externally of a Next Collection tablet holder to hold the square metal tablet inscribed, enamelled or printed with the time or day on which the next collection is due to be made. At the same time, internally, a tablet storage box was added to hold the remaining day or hour tablets not currently in use.

Haughton was born in Wednesbury, Staffordshire, and baptised on 27 March 1735. He trained as an enamel painter and was employed at the workshop of Hyla Holden in Wednesbury, before moving to Birmingham to work for John Baskerville and Henry Clay in 1761, where he worked on enamelled, japanned and papier-mâché products. He was married to Elizabeth Haughton (1741 - 13 January 1816). In 1809, together with Samuel Lines, he established a Life Academy in Peck Lane, a street leading out of New Street, close to what was the Free Grammar School (on a site now occupied by New Street station).

After about the 3rd century Greco-Roman enamelled glass disappears, and there is another long gap in the history of the technique. This is ended in spectacular fashion by a 10th or 11th-century Byzantine bowl in the Treasury of Saint Mark's, Venice. This is of very high quality and shows great confidence in using the technique, which had no doubt been reborrowed from enamel on metal, although Byzantine enamel uses brush painting very little.Gudenrath, 40–42; also Gudenrath, William, et al. “Notes on the Byzantine Painted Bowl in the Treasury of San Marco, Venice.” Journal of Glass Studies, vol.

But, above them, on each wall is a tall window with a flamboyant Gothic arch. The whole west façade is without any openings, which indicates that the intention of the Metropolitan Roșca was from the beginning to reserve it for frescoes. On the north façade is still visible the original decoration of the church, the rows of ceramic enamelled discs in yellow, brown and green, decorated in relief. These include heraldic motifs, such as the rampant lion and the aurochs' head of the Moldavian coat of arms, and creatures inspired by Western European mediaeval literature, such as two-tailed mermaids.

The ribbon of the Honour Badge of Labour is dark brown (to represent the earth) with one thin vertical orange stripe on each side (representing fire). In addition, the ribbon of the Silver Badge has a thin silver stripe on the inside of each orange stripe. This stripe is gold for the ribbon of the Gold Badge. The insignia of the Honour Badge of Labour shows a vertical hammer with one ear of corn on each side enamelled in black, yellow and red, and topped by a royal crown, which is bronze, silver or gold depending on the class of the award.

The badge of the order is suspended from a blue sash wide with a central stripe of red. The sash for female recipients is wide. Honorary companions who are heads of state at the time of their appointment are entitled to wear the badge of the order from a collar long and wide. The collar consists of two silver-gilt chains wide linked together with alternating wide red and white enamelled discs, wide enameled Maltese Crosses, and wide black enameled discs bearing five-turreted silver-gilt mural crowns with a total of five of each on the collar.

There used to be three bowl barrows in the south-west part of the parish, close to the boundary with Chisbury parish. These suggest human occupation in the area some time in the Neolithic or Bronze Age. In 1725 the remains of a Roman villa were found at Rudge Coppice about north-west of the village.Pevsner & Cherry, 1975, page 252 Remains excavated on the site include a Roman mosaic floor depicting the figure of a man, coins, human burials, a stone statuette of Attis and a champlevé-enamelled bronze bowl known as the Rudge Cup, that appears to depict Hadrian's Wall.

It records Grandisson's death and the fact that he bequeathed it to royalty.Records Of The Death Of Bishop John Grandisson, In 'The Grandisson Psalter', British Library retrieved 7 December 2013 When Grandisson's looted tomb was reopened in 1956, a small enamelled gold ring was discovered. It shows the Virgin and child and has similarities with enamels created in Paris around the 1330s. It has been suggested that as it is too small to be worn over a glove it may have been one of his most treasured possessions, probably worn hidden from view on his little finger.

The plaque is eight-pointed and filleted to represent rays, in gold enamel for the degrees of Grand Cross and Grand Officer and in silver for the degree of Commander. An inner eight-pointed blue enamelled star is superimposed over the plaque and overlaid with the coat of arms of Portugal in gold wreathed by two golden palms joined at their tops with their petioles crossed and bound by a wavy listel of white enamel with the legend "Instrução Pública" in gold, all indented. The badge consists of two crossed golden palms. The ribbon is of golden yellow silk.

Apart from the four rings there are three pendants and a heart-shaped brooch, which like some other items is inscribed with an "amatory phrase", in this case "je suys vostre sans de partier" (I am yours wholly). One of the pendants is a tiny enamelled padlock, inscribed "de tout" on one side and "mon cuer" on the other (of all ... my heart). The turquoise gem on one ring was reputed to have protective powers for the wearer against drowning, poison and riding accidents. The rings are thought to be English, but other items may be made in Flanders.

This was not initially exported, but used for gifts to other aristocratic families. Imari ware and Kakiemon are broad terms for styles of export porcelain with overglaze "enamelled" decoration begun in the early period, both with many sub-types.Smith, Harris, & Clark, 164-165; Watson, 261 A great range of styles and manufacturing centres were in use by the start of the 19th century, and as Japan opened to trade in the second half, exports expanded hugely and quality generally declined. Much traditional porcelain continues to replicate older methods of production and styles, and there are several modern industrial manufacturers.

Litovoi tholocephalos is a multituberculate mammal indigenous to Romania, then the Hațeg Island. A part of Kogaionidae, a lineage otherwise dominated by iron-enamelled insectivores, Litovoi appears to have had a similar lifestyle, having similar teeth. Different however is its cranial anatomy; this is the first recorded example of a Mesozoic island mammal have reduced its brain size in an insular environment, presumably due to the lack of predators or specialised niche it found itself in. It has one of the smallest brain-to-body ratios seen in derived mammals, although it retains enlarged olfactory bulbs and paraflocculi.

The son of a small farmer from Calvados, he started his career as a dealer in wallpaper in Paris. In 1838 he went into partnership with Achille Collas (1795-1859), who had just invented a machine to create miniature bronze replicas of statues. Together they started a business selling miniatures of antique statues from museums all over Europe, thus democratising art and making it more accessible to households.Information translated from Ferdinand Barbedienne entry in French Wiki From 1843 they extended their scope by reproducing the work of living artists and also diversified by making enamelled household objects.

Pinder-Wilson 1991, 130 This technique was often combined with enamelling, the application of ground glass with a colourant, to traditional and new vessel forms, and represents the height of Islamic glassmaking.Carboni 2001, 323–325 Enamelling, a resurrection of older techniques, was first practiced in the Islamic world at Raqqa (Syria) during the late 12th century, but also spread to Cairo during Mamluk rule.Gudenrath 2006, 42 A study of various enamelled vessels, including beakers and mosque lamps, suggests that there are two subtle yet distinct firing practices, possibly representing two distinct production centres or glass-working traditions.

Burhs (fortified places) had been set up by 919, such as Lyng. The Alfred Jewel, an object about 2.5 inch long, made of filigree gold, cloisonné-enamelled and with a rock crystal covering, was found in 1693 at Petherton Park, North Petherton. Believed to have been owned by Alfred the Great it is thought to have been the handle for a pointer that would have fit into the hole at its base and been used while reading a book. Monasteries and minster churches were set up all over Somerset, with daughter churches from the minsters in manors.

Although he wrote numerous publications, he is probably best known for his works on Wordsworth. His edition of Wordsworth's Works and Life (1881–89) is contained in 11 volumes. He presented to the trustees of Dove Cottage, Grasmere, the poet's former home, all the editions of Wordsworth's poems which he possessed. He also corresponded with Robert Browning about Elizabeth Barrett Browning, and on his retirement in 1905 he came to Florence's Swiss-owned so-called English Cemetery to plant the red rose at her tomb, which still flourishes, to honour women's learning, though the enamelled plaque celebrating that act has since been stolen.

Early in his employment at Macintyre's, William Moorcroft created designs for the company's Aurelian Ware range of high-Victorian pottery, which had transfer-printed and enamelled decoration in bold red, blue and gold colours. Introduced very soon afterwards, his art nouveau-influenced Florian Ware was decorated entirely by hand, with the design outlined in trailed slip using a technique known as tubelining. This technique has been used in almost all of Moorcroft's art pottery ever since, distinguishing it from mass- produced pottery. Both father and son also experimented with high-temperature flambé techniques, producing high glaze with vibrant colour.

Schusteröderhof Heilmeierhof Bedchamber in the Marxensölde Balcony of the Marxensölde dating to 1885 The Massing Open-Air Museum was founded in 1969 and was one of the first museums of its type in Bavaria. Initially only the most attractive buildings from the rural Rot valley were displayed, which included wooden houses, painted cupboards and chests, Kröning pottery, embroidery, and turned ware. Since then, more everyday objects have been presented. With the Marxensölde farm came the world of the small farmers, with the Kochhof the fascination of technology: winch wells, tractors, vaulted stables, enamelled pots, bowls, and buckets.

He supported Count Geoffrey Plantagenet when the latter invaded Normandy and he supported his wife, the Empress Matilda, in the English civil war. In 1139, at the Second Lateran Council, Ulger asserted publicly (and incorrectly) that Matilda had been anointed empress by Pope Pascal II. He also supported the Knights Templar, who had close connections to the Angevin dynasty. Sometime after the fall of Edessa, between 1144 and 1149, in light of the new crusading impetus, he urged his clergy to promote the Templars throughout the diocese and strongly commended their holy way of life. Ulger was buried in an enamelled sarcophagus.

Its teeth also have been found through plane film X-ray to not be thickly enamelled. This suggests that Kamoyapithecus had more emphasis on foods that did not involve heavy wearing, such as soft fruits, nuts and seeds. This would have been well-placed in the Late-Oligocene in Africa, when forests covered a lot of the land. Similar affinities with the jaw fragments have been seen with Afropithecus, Proconsul, and the Morotopithecus, but nothing definitive can be stated as to the relationship between these genera and Kamoyapithecus as the amount of fossil record is very limited.

The principal shapes being produced by Cypriot glass blowers consisted predominantly of jars, beakers and unguentaria, or flasks that contained oil or perfume. Though it is often difficult to distinguish between beakers and jars, the word beaker is mostly used to describe drinking-vessels while jars are considered to be containers for salves and cosmetics. Distinguishing between the two can often be done through examination of the rim of the vessel which would often be unworked if it was not a drinking vessel. Furthermore, jars often had decorated lids that had a design enamelled on the side facing the interior.

The museum was built in a traditional manner, but decorated with enamelled, checkerboard mosaics on the facade and adjacent sections. In contrast to Antonio Gaudí, Hundertwasser used symmetrical mosaic stones, carefully arranged. The size of each stone is likewise not accidental, which is rare for building-mounted mosaics that are not industrially manufactured. The mosaics cover only certain (non-load- bearing) parts of the surface, and contribute to the trademark features of the building: the incorporation of nearly every part of the facade into an overall picture, and the very deliberate concealment of the boundaries between floors.

The GZI consisted of four horizontally mounted cardinal compass point pinhole cameras within a white enamelled metal drum, each 'camera' contained a sheet of photosensitive paper mounted within a clear plastic cassette on which were printed horizontal and vertical calibration lines delineating compass bearing and elevation above the horizon. The bright flash from a nuclear explosion would burn a mark on one or two of the papers within the drum. The position of the burn spot enabled the bearing and height of the burst to be estimated. With triangulation between neighbouring posts these readings would give an accurate height and position.

In many of the recessed areas further decoration was added by either engraving or punching which would show through the translucent enamel, or to facet the background so the reflections change as the viewing angle changes slightly. Most background areas to the enamelled scenes were decorated in the same way. Finally the surfaces were cleaned up, made good and polished, perhaps including scraping off any bumps showing through on the reverse of the metal.Lightbown. Maryon (1951) - see further reading - and his colleagues established the method for making the recesses; Read and Dalton had thought they were cut out with chisels.

After the introduction of Archer's collodion process a number of photographers experimented with materials other than glass to use as a base for collodion positives. Around 1853 Adolphe Alexandre Martin (1824–1896) a French teacher, put forward the idea of using thin sheets of enamelled iron and in 1854 a Liverpool photographer suggested photographs on dark-coloured leather. In the early 1850s, Mayall worked on producing a substance that resembled ivory and could hold photographic images on its surface. He hoped he would be able to produce photographs that closely resembled the portrait miniature on ivory.

The tables above describe the rank insignia worn on the service dress jacket. On DEU shirts, sweaters, and outerwear; and operational dress shirts and jackets, rank insignia are worn on slip-ons with the word "CANADA" or a regimental/branch title embroidered underneath. Flag/general officers' slip- ons include only the crown, crossed sabre and baton, and maple leaves worn on the shoulder straps; they do not include the braid worn on the sleeve. Army NCM slip-ons for DEU shirts, sweaters, and outerwear display only the word "CANADA" or a regimental/branch title, rank insignia being worn instead as enamelled metal pins on collar points or lapels.

Associations with earth, shit and 'base matter' are disturbing and simultaneously liberating, speaking to the pleasures of excess and the subject as a desiring self. When asked the reason for making this work Chadwick explained "my libido demanded it", describing it as "a pool or primal matter, sexually indeterminate, in a perpetual state of flux". On the walls that surrounded Cacao were Chadwick's Wreaths of Pleasure (1992–93), a series of circular luminous photographs framed in enamelled metal that are over a metre in circumference. Combining delicate suspensions of flowers and fruit in household liquids such as hair gel and milk, the work alludes to a fluidity of boundaries.

A silver stater of the pre-Roman Durotriges tribe has been found in Teffont which may have been near the boundary of Durotrigian territory. The modern name derives from "Teo", an old Germanic word meaning a boundary, and the Late Latin word "fontana", meaning a spring of water. The perennial stream rises at Spring Head at the north end of Teffont Magna, and flows some 2.5 km south to its debouchment into the River Nadder. Enamelled Roman trumpet brooch, Upper Holt, Teffont EviasEarly Saxon remains have not been found to the west of the stream, and the original boundary may have separated the Romano-British from the Anglo-Saxons.

The Symbol of Ciociara is a copper amphora called "Conca", formerly used to carry water from the fountains; such containers are still made by local artisans. Wicker and “vinchio” (marshy grass that grows on the slopes of the Aurunci Mounts) are woven in the shape of baskets, hampers, bags and cheese or fish containers. Terracottas are also made: from water amphorae, the so-called “cannate”, decorated with red soil as well as pottery articles decorated and enamelled (like little bells and crib statuettes) made in Arpino, to terracotta jugs made in Aquino and Fiuggi. Gold and coral jewellery have always been worn by the famous “balie ciociare” (Ciociarian wetnurses).

Aubrey, John, Miscellanies, London, 1696: "I have seen some Rings made for sweet-hearts, with a Heart enamelled held between two right hands." The Claddagh ring is a variation on the fede ring, while the hands, heart, and crown motif was used in England in the early 18th century.Enamelled gold fede ring, set with rose-cut diamonds in silver collets, with a crowned heart held by two hands inscribed "Dudley & Katherine united 26.Mar. 1706" — Victoria and Albert Museum Towards the end of the 20th century there was an explosion of interest in the Claddagh Ring, both as jewelry and as an icon of Irish heritage.

Retrieved 27 April 2013. Further gifts and bequests were made by W. T. H. Fox-Strangways, Walter Savage Landor, Sir Richard Nosworthy & C.R. Patterson (Russian Orthodox metal plaques, many enamelled). The Picture Gallery is especially strong on Italian art from the 14th to 18th centuries. The collection includes paintings by Annibale Carracci (The Butcher's Shop), Duccio, Fra Angelico, Hugo van der Goes, Giovanni di Paolo, Filippino Lippi (The Wounded Centaur), Sano di Pietro, Frans Hals, Salvator Rosa, Tintoretto, Anthony van Dyck and Paolo Veronese, and drawings by Leonardo da Vinci, Raphael, Michelangelo, Albrecht Dürer and Peter Paul Rubens and a great range of other artists, especially Italians.

Seeing a passage above them, they had a ladder lowered which they used to ascend into the passage. Here they found what they thought was a rich mine "an abundance of strange places, the flooring being a kind of a white stone, enamelled with lead-ore, and the pendant rocks were glazed with saltpetre, which distilled upon them from above, and which time had petrified." After a few hours they ascended to the surface, but the unfortunate Captain Sturmy suffered from a severe headache for four days, developed a fever and died. This gave the hole a bad reputation and for a long time, nobody was willing to explore it further.

Anne of Denmark was crowned with a "circlet" of gold set with diamonds, rubies, sapphires, emeralds, and pearls. They made insignia of the Order of the Garter and Georges, some to be sent to the Duke of Württemberg. On the instructions of Mary Radcliffe they had mended some old pieces from the collection of Queen Elizabeth, including; a branch of tree with a half moon; a gold feather jewel set with rubies, emeralds, and pearls; a ring enamelled like crayfish with a large diamond. The Earl of Nottingham and other lords inspected their invoice and recommended it should be reduced by £74-13s-1d.

A number of kilns opened up in the area, and a considerable variety of styles were made, the Japanese export porcelain destined for Europe often using Western shapes and Chinese decoration. Early wares used underglaze blue decoration, but by the mid-17th century Arita was in the forefront as Japan developed overglaze "enamelled" decoration in a range of bright colours.Smith, Harris, & Clark, 163-165; Ford & Impey, 61-118; Watson, 260-261 Between the second half of the 17th century and the first half of the 18th century they were extensively exported to Europe, travelling initially from Arita's port of Imari, Saga to the Dutch East India Company's outpost at Nagasaki.

Model nº 7, was one of Griesbaum's most expensive enamelled silver cases, c. 1930. Nevertheless, the only company of the twentieth century to dominate the manufacture of bird boxes for more than 50 years with an output exceeding all others put together, was certainly the prolific firm of Karl Griesbaum (1872–1941). Founded in 1905 also in Triberg, they originally made clock parts and in 1920 they embarked on the production of singing bird boxes until its closure in 1988. During the course of its lifetime the cases were supplied to them in a variety of over thirty different styles, some based on previous models by Rochat, Bruguier, etc.

They are laid out in the Andreu-Motte style in relatively neutral tones with two bright grey-green light canopies, the walls and tympans covered with large white flat tiles as well as grey tiled benches deprived of seats. The advertisements are devoid of frames and the station's name is inscribed in Parisine font on enamelled plates. On lines 12 and 13, the vault is elliptical and the lower part of the walls are vertical, a shape specific to the old Nord-Sud stations. They are among the rare stations of this company not to have found their original style, only the green earthenware advertising frames being renewed.

The stained glass also pays tribute to the pacifist Jean Jaurès, founder of the newspaper L'Humanité, murdered on 31 July 31, 1914 by the nationalist Raoul Villain. At the corner of the canopy and the piers, ivy spreads beneath the latter, planted in 2017, by the company Les Jardins de Babylone, as part of the revegetation of RATP spaces. The platforms, devoid of advertising, are equipped with blue Motte style seats and the name of the station is written in Parisine font on enamelled plates. The platforms of Line 5 are equipped with two white rounded lighting strips in the Gaudin style of the Renouveau du métro of the 2000s.

Qantas House is distinguished by its graceful, segmented, curved facade which consists of a 46m high, double glazed curtain wall of green glass with enamelled blue-green steel spandrel panels. It is located on the western side of Chifley Square which itself is located at the intersection of Elizabeth, Hunter and Phillip Streets in Sydney. In following the curve of Chifley Square, the building's plan respects the semi-circular form which was proposed for the northern side of the square in its original design of 1908. Qantas House is still a distinctive feature of Chifley Square and its curved form provides a welcome pedestrian area at the front of the building.

The tiling and the North-South ceramics are however well preserved (advertising frames and frame of the station name is of a green color, with green geometrical designs on the walls and the roof). This station, the station at Porte de Versailles (on the same line) and Porte de Clichy (on line 13) are only three stations on the network to mix these two decorative styles. The platforms of Line 6 are decorated in the Bruno-Gaudin style (2000 metro revival) with bevelled white tiling, rounded white lighting strips, white ceramic advertising frames, beige Akiko seats and the station name on enamelled plate in Parisine font.

It associated Richard's rule with piety and asserted his divine authority. The emblem features prominently in a notable piece of late 14th- century religious art known as Wilton Diptych (National Gallery, London), which is thought to be the earliest authentic contemporary portrait of an English king; in the diptych paintings, Richard II is depicted wearing a gold and enamelled White Hart jewel, and even the angels surrounding the Virgin Mary all wear White Hart badges. On one of the reverse panels, there is a White Hart seated on a bed of rosemary, symbolising remembrance and sorrow. The white stag has also been invoked in contemporary society for its symbolism.

Benjamin Thompson noted at the start of the 19th century that kitchen utensils were commonly made of copper, with various efforts made to prevent the copper from reacting with food (particularly its acidic contents) at the temperatures used for cooking, including tinning, enamelling, and varnishing. He observed that iron had been used as a substitute, and that some utensils were made of earthenware. By the turn of the 20th century, Maria Parloa noted that kitchen utensils were made of (tinned or enamelled) iron and steel, copper, nickel, silver, tin, clay, earthenware, and aluminium. The latter, aluminium, became a popular material for kitchen utensils in the 20th century.

Boards afforded the opportunity for decorative ornamentation, with metal casings set into the wood for the installation of precious gems, stones, and jewels. The cover material would then be laid over the casings by hand and cut around the rim of the casings to reveal the jewels. The books typically bound were gospels and other religious books made for use within the church. In the Middle Ages, the responsibility of creating adorned books went to metalworkers and guilders, not the bookbinders, who worked with sheets of gold, silver, or copper to create jewelled and enamelled panels that were nailed separately into the wooden boards.

Badge of the Order of the League of Mercy, version awarded 1899-1946. The bow was for ladies' awards Badge of the Order awarded since 1999 The original badge of the order, awarded from 1899, was a red enamelled silver or silver gilt cross surmounted by the plumes of the Prince of Wales and with a central roundel bearing the crest of the League. The reverse is plain, save for the inscription “League of Mercy 1898” on the central roundel. It was awarded for at least five years distinguished and unpaid personal service to the League in support of charity hospitals, or in the relief of suffering, poverty or distress.

All replacements were of enamelled steel and bore the appropriate arm colours, red with white band for 'Stop' arm and chevroned yellow arm with black chevron for 'Distant' (Caution) arms. Both types are white on the reverse side with black band or chevron as appropriate. The final 'Call-on', Shunt' or 'Warning' arms on the Western Region were 2ft with red-white-red horizontal stripes and showed a reduced light during darkness with the appropriate black letter, C, S or W, back-lit in the 'proceed' state with a green light shown in that mode. The stop aspect was generally lunar-white during darkness.

Armorial glass, with a painted coat of arms or other heraldic insignia, was extremely popular with the wealthy. The painting was often not done at the same time or place as the main vessel was made; it might even be in a different country. This remains an aspect of enamelled glass; by the 19th century some British-made glass was even being sent to India to be painted. The Reichsadlerhumpen or "Imperial Eagle beaker" was a large beaker, holding as much as three litres, presumably for beer, showing the double-headed eagle of the Holy Roman Empire, with the arms of the imperial various territories on its wings.

At the brother's request, Emile Gallé created a design for Maison Perrier-Jouët, drawing on his own passion for botany to imagine a spray of Japanese white anemones. Four magnums enamelled with this delicate motif were delivered in 1902, becoming the iconic emblem, not only of the prestigious Perrier-JOuët Belle Epoque cuvée, but of Maison Perrier-Jouët itself.Perrier-Jouët, the essence of Champagne, Jean Pierrre Devroye, Stock, 1999, 978-2-234-05112-6 One of the three bottles of the world's oldest champagne, a Perrier-Jouët (vintage 1825) was opened and tasted in 2009. Harold Macmillan, Prime Minister of the United Kingdom from 1957 to 1963, favoured vintage Perrier-Jouët.

The lines (reins of the front pair of this team run through terrets on the bridles of the rear pair. Romano-British enamelled bronze harness terret, made in 1st-century Britain, found in France A terret is a metal loop on a horse harness, guiding the lines and preventing them from becoming tangled or snagged on the harness. The lines run from the hands of the driver, through the terrets, and then attach to the horse's bit to guide the horse. Most harnesses have two pairs of terrets, one on the harness saddle, and one on the hames of the collar (or on the neck-strap of a breast collar).

"So may the lantern leading thee above, find in thy will the wax that is required for one to reach the enamelled green on high;" he thus began, "if thou of Val di Magra, or of its neighboring land, dost know true news, tell it to me, who once was mighty there. Corrado Malaspina I was called; I ’m not the elder, but from him descended; I bore my race the love which here is cleansed." Divine Comedy Purgatorio canto 8 vv.112-120, Courtney Langdon 1921 translation Then starts Dante's famous homage to the family, whose hospitality is legendary not only in Italy but in Europe.

The Luck of Edenhall, mid-14th century V&A; Museum no. C.1 to B-1959 The "Luck of Edenhall" is an enamelled glass beaker that was made in Syria or Egypt in the middle of the 14th century, elegantly decorated with arabesques in blue, green, red and white enamel with gilding. It is now in the Victoria and Albert Museum in London and is 15.8 cm high and 11.1 cm wide at the brim. It had reached Europe by the 15th century, when it was provided with a decorated stiff leather case with a lid, which includes the Christian IHS; this no doubt helped it to survive over the centuries.

Moscow Kremlin egg, 1906 In 1885, Tsar Alexander III commissioned the House of Fabergé to make an Easter egg as a gift for his wife, the Empress Maria Feodorovna. Its "shell" is enamelled on gold to represent a normal hen’s egg. This pulls apart to reveal a gold yolk, which in turn opens to produce a gold chicken that also opens to reveal a replica of the Imperial Crown from which a miniature ruby egg was suspended. Although the Crown and the miniature egg have been lost, the rest of the Hen Egg as it is known is now in the collection of Victor Vekselberg.

Sahn Atiq was extended in the time of Shah Abbas I, and during the Safavid era, great efforts were made for its further improvement. Shah Tahmasp I began to repair and gild the minaret near the dome and in 932/1525, precious tiles covering the dome were changed into gold-coated bricks. After they were plundered during Abd al- Mu'min Khan Uzbek invasion, the gold-coated bricks were rebuilt by Shah 'Abbas in 1010/1601, the details of which was written on an enamelled inscription by Ali Reza Abbasi. Shah Abbas also began to establish northern porch, rooms, chambers, facades, as well eastern and western porches.

The jewel is about long, made of filigreed gold, enclosing a highly polished piece of quartz crystal beneath which is set in a cloisonné enamel plaque with an enamelled image of a man holding floriate sceptres, perhaps personifying Sight or the Wisdom of God. It was at one time attached to a thin rod or stick based on the hollow socket at its base. The jewel certainly dates from Alfred's reign. Although its function is unknown it has been often suggested that the jewel was one of the æstels—pointers for reading—that Alfred ordered sent to every bishopric accompanying a copy of his translation of the Pastoral Care.

Expensive hi-fi speaker systems and receivers use higher quality passive crossovers, to obtain improved sound quality and lower distortion. The same price/quality approach is used with sound reinforcement system equipment and musical instrument amplifiers and speaker cabinets; a low-priced stage monitor, PA speaker or bass amplifier speaker cabinet will typically use lower quality, lower priced passive crossovers, whereas high-priced, high quality cabinets will use better quality crossovers. Passive crossovers may use capacitors made from polypropylene, metalized polyester foil, paper and electrolytic capacitors technology. Inductors may have air cores, powdered metal cores, ferrite cores, or laminated silicon steel cores, and most are wound with enamelled copper wire.

A variety of unofficial medals in the form of a red enamelled star suspended by the same ribbon appeared very early on and although tolerated for wear by the authorities, were not official until recently. A provisional instruction of 14 April 2015 from the French Army High Command began the proceedings which were later ratified in the official decree n° 2016-1130 of 17 August 2016 making the Medal for the War Wounded a state decoration of the French Republic. A recent 2017 amendment further simplified the regulations of this award by allowing all past recipients to keep wearing it but strictly limiting any future award to military personnel.

Bowl with couple in a garden, around 1200. In this type of scene, the figures are rather larger than in other common subjects. Diameter 18.8 cm.Canby, # 22 Side view of the same bowl ware is a type of Persian pottery developed in Kashan, Iran, in the decades leading up to the Mongol invasion of Persia in 1219, after which production ceased.Komaroff, 4; Michelsen and Olafsdotter, 76; Fitzwilliam Museum: "Mina’i, meaning ‘enamelled’ ware, is one of the glories of Islamic ceramics, and was a speciality of the renowned ceramics centre of Kashan in Iran during the decades of the late 12th and early 13th centuries preceding the Mongol invasions".

The left The Court of the Lions (Patio de los Leones) is an oblong courtyard, 116 ft (35 m) in length by 66 ft (20 m) in width, surrounded by a low gallery supported on 124 white marble columns. A pavilion projects into the court at each extremity, with filigree walls and a light domed roof. The square is paved with coloured tiles and the colonnade with white marble, while the walls are covered 5 ft (1.5 m) up from the ground with blue and yellow tiles, with a border above and below of enamelled blue and gold. The columns supporting the roof and gallery are irregularly placed.

The Order of the Union of Burma is awarded in two divisions (military and civil) and each of these is split into five classes: #Agga Maha Thray Sithu - Grand Commander #Thado Maha Thray Sithu - Grand Officer #Maha Thray Sithu - Commander #Thray Sithu - Officer #Sithu - Member The first class consisted of a gold braided salwe worn across the breast with the badge of the order suspended. It is decorated with a large gold and enamelled breast star surrounded by five small stars. 2nd class honors have a single breast star that is smaller than the first class. 3rd class honors has a badge, worn from a ribbon around the neck.

By the 17th century, armills were no longer delivered to the monarch, but simply carried at the coronation. A new pair had to be made in 1661; they are wide, in diameter, and champlevé enamelled on the surface with roses, thistles and harps – the national symbols of England, Scotland and Ireland – as well as fleurs-de-lis. For Elizabeth II's coronation in 1953, the medieval tradition was revived, and a new set of plain 22-karat gold armills lined with crimson velvet was presented to the Queen on behalf of various Commonwealth governments. Each bracelet is fitted with an invisible hinge and a clasp in the form of a Tudor rose.

It is entitled "Don't leave your jemmy on the door," for that is what the thieves did. Mr Cliff was at the theatre, and the burglary was discovered by Miss Phyllis Monkman, his wife, who found the door splintered opened and a jemmy nearby. The thieves had ransacked the house and stolen a gold cigarette case inscribed from "David to Laddie," a blue enamelled dress watch inscribed "To Laddie from his Friar friends: Aug, 4, 1916,"The August dating established that this was given to Laddie while still resident in Port Jervis, before he sold his property in Port Jervis and returned to England. See section 3, above.

Italian Army gorget patches ( or ) are worn by all army personnel on the collars of the shirts and jackets of their service uniforms and formal uniforms. The gorget patches identify the arm (Infantry, cavalry, artillery, engineer, signals, transport and material), corps (Health, commissariat, engineers), or speciality within an arm or corps a soldier belongs to. Generals wear golden stars instead of a gorget patches, while army recruits wear silver stars until they are assigned to a unit after basic training. Originally made from colored cloth, respectively embroidered cloth for Granatieri, Carabinieri and general staff members, gorget patches have been made since 1973 from enamelled metal.

After completing his apprenticeship, Brayley was employed by Henry Bone (later a Royal Academician) to prepare and fire enamelled plates for small pictures in rings and trinkets. Later, when Bone was working on some exceptionally large enamels, Brayley prepared the plates for Bone's use and fired the finished pictures, continuing to do so for some years after he had become eminent as a topographer. In 1823 he was elected a fellow of the Society of Antiquaries and he was appointed librarian and secretary of the Russell Institution in Great Coram Street in 1825, remaining in the positions until his death. He died in London on 23 September 1854.

Two of Maryon's designs, she wrote, "were singularly good—a knocker, executed by Jeremiah Richardson, and a copper casket made by Thomas Spark and ornamented by Thomas Clark and the designer". She described the casket's lock as "enamelled in pearly blue and white", and giving "a dainty touch of colour to a form almost bare of ornament, but beautiful in its proportions and lines". At the following year's exhibition three more works by the school were singled out for praise, including a loving cup by Maryon. Under Maryon's leadership the Keswick School expanded the breadth and range of its designs, and he executed several significant commissions.

She collaborated with A. Michelsen and Georg Jensen who were silversmiths, adapting her painting style to the creation of many enamelled holloware works, some inlaid with silver and gold leaf. The effects of light and colour emanating from the enamel also exerted considerable influence on Hanman's paintings. One of Hanmann's large enamel art works in connection with architecture is a sculpture at Landmandsbanken later merged into Danske Bank, which is the largest enamel work in the world, unveiled on the occasion of the 100th anniversary of the bank in 1971. For Copenhagen Airport, in 1989, she created an artefact in enamel which measured 100 square meters.

Fixed Survey Meter The instrument was designed and built by the Atomic Weapons Establishment at Aldermaston as a replacement for the Radiac Survey Meter No 2 which could only be used above ground. The Royal Observer Corps’ need was for an instrument that could be read from inside the protected environment on the underground post. The instrument had an analogue mechanical dial with a pivoted needle indicator on a scale that covered 0.1 roentgens to 500 roentgens. Powered by three obsolete high voltage batteries (15 volt and 30 volt), that had to be specially manufactured, the meter was contained in a sturdy enamelled metal case.

This entry suggests the huge numbers of matching aiglets fashionable forty years later: > Lost the 2 of February ... [1582] 1 bunsh of small gold tagges or aglettes > from a gowne of black satten at Sittingbourne parcell [part] of uppon the > same gowne 193 bunshes Elizabeth's aiglets were variously enameled with white, red, black, blue, and purple details or set with diamonds, garnets, rubies. In Scotland, they were known as "horns", Mary, Queen of Scots had pairs of gold horns enamelled in red and white and set with pearls.Thomas Thomson, Collection of Inventories (Edinburgh, 1815), p. 278. Those of Anne of Denmark in the early years of the 17th century were larger, shaped in triangles and pyramids.

The emblem of the order was the shield of gold enamelled with green and a white lady inside. The dame blanche represented the purity which the knights of the order were to protect; what the green background signified is not so clear. That white and green were sometimes associated together in connection with the observances of May is shown by an account, in Hall's Chronicle, of a "maying" of Henry VIII of England, in which the company were clad in green on one occasion and in white on another. In Machyn's Diary, too, there is mention of a white and green Maypole around which danced a company of men and women wearing "baldrykes" of white and green.

Total losses for the Dutch were eight spent fireships and about fifty casualties. In the Republic the populace was jubilant after the victory; many festivities were held, repeated when the fleet returned in October, the various admirals being hailed as heroes. They were rewarded by a flood of eulogies and given honorary golden chains and pensions by the States General and the lesser States of the Provinces; De Ruyter, Cornelis de Witt and Van Ghent were honoured by precious enamelled golden chalices made by Nicolaes Lockeman, depicting the events. Cornelis de Witt had a large "Sea Triumph" painted, with himself as the main subject, which was displayed in the townhall of Dordt.

There are examples with wooden covers, sometimes with a metal handle, such as the Bute Mazer or Flemish and German mazers in the British Museum. On the outside, but generally not the inside of the metal band there is often an inscription, religious, or convivial, and the print was also often decorated with a sculpted or engraved plare, and sometimes a gem.St. John Hope, 131-133 The Bute Mazer is one of the most elaborate to survive, with a three-dimensional reclining lion rising from the base, and enamelled coats of arms in a circle around it. Saints, the religious monogram IHS, and animals, often no doubt with heraldic significance, are other common decorations of the boss.

The Medal "Veteran of the Armed Forces of the USSR" was a 32mm in diameter silver- plated tombac circular medal with a raised rim. The obverse was oxidised, it bore at its upper section a ruby-red enamelled five pointed star superimposed on the relief image of the hammer and sickle, just below in the center, the relief inscription "USSR" () over a curled laurel branch; at the bottom along the medal circumference, a relief scroll with the inscription in prominent letters "VETERAN OF THE ARMED FORCES" (). The reverse was plain with a matte finish. The medal was secured to a standard Soviet pentagonal mount by a ring through the medal suspension loop.

Taken from the Nuestra de La Concepetion, it was made of enamelled gold and bore an African diamond and a ship with an ebony hull. For her part, the Queen gave Drake a jewel with her portrait, an unusual gift to bestow upon a commoner, and one that Drake sported proudly in his 1591 portrait by Marcus Gheeraerts now at the National Maritime Museum, Greenwich. The "Drake Jewel", as it is known today, is a rare documented survivor among sixteenth-century jewels; it is conserved at the Victoria and Albert Museum in London. As for the rewards, all investors which included Walsingham were rewarded handsomely as individuals who received a return of some 5000 per cent.

The coloured glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead and supported by a rigid frame. Painted details and yellow stain are often used to enhance the design. The term stained glass is also applied to windows in enamelled glass in which the colours have been painted onto the glass and then fused to the glass in a kiln; very often this technique is only applied to parts of a window. Renaissance roundel, inserted into a plain glass window, using only black or brown glass paint, and silver stain in a range of yellows and gold.

The Order of Saint George is divided into four classes, from the First Class to the Fourth class; the highest degree being the Order First class. The four classes are awarded sequentially from the fourth to the first. These four classes are individually identified by the size and manner of wearing the two principal insignia of the Order, the cross and the star. Proper wear of the Order of Saint George insignia, fourth class at left to first class at right Order of Saint George, second class, neck badge and breast star Cross: A white enamelled cross pattée with a central medallion bearing the image of Saint George on horseback slaying the dragon.

Star: A four-pointed silver gilt star with a gold central medallion bearing the cipher of Saint George "SG" topped by a crown and surrounded by a black enamelled band bearing the motto of the order "For Service and Bravery" ("Za Sluzhbu i Khrabrost"). The star is worn on the left breast for both the Order first and second classes. Ribbon: The ribbon of the Order of Saint George is orange with three black stripes, commonly called "George's Ribbon". It symbolises fire and gunpowder: the Russian "colors of military glory", and is also thought to be derived from the colours of the original Russian imperial coat of arms (black eagle on a golden background).

White Curves (2002), made of white aluminium, by Ellsworth Kelly Sculptures by Alexander Calder (front) and Ellsworth Kelly in the park Embedded in the Berowerpark in the Basel suburb of Riehen, the building features a glazed façade largely looking out onto the corn fields and vines covering the Tüllinger Hills. The two perimeter walls of the original garden site inspired the idea of the museum’s layout. Four long supporting porphyry walls running from north to south and standing apart define the plan of the building. Resting on top of the solid foundation walls, the lightweight glass roof, white enamelled on the reverse, admits northern light but screens off light from the east and the west.

Diversification, which had already been a key factor of other Italian industrial initiatives, became a guiding principle for Merloni, and at the end of the fifties the production of water heaters, followed by enamelled gas stoves was started. In thirty years they reached a production of 1.000 stoves a day, with more than 400 workers. In order to compete with leading manufacturers of brands such as Zoppas, Candy, Triplex, Rex and Fargas, Merloni used the Ariston brand, probably inspired by his name. In 1966 seven plants were created in the Marche region, with a geographical disposition that reminds of the constellation of the Great Bear, in Fabriano, Matelica, Albacina, Genga, Sassoferrato, Cerreto d’Esi and Borgo Tufico.

Similar gem- studded styles of decoration were used for precious objects of a number of types at this period, in particular religious ones such as reliquaries, crux gemmata or, processional or altar crosses such as the Cross of Lothair, and book-covers such as that of the Codex Aureus of St. Emmeram and Codex Aureus of Echternach. Front right plate showing Jesus with two angels Four smaller plaques bear pictorial representations of figures and scenes from the Bible and inscriptions in cloisonné enamel, in the Byzantine senkschmelz style. The four plates, called 'picture-plates' (Bildplatten) each shows representations from the Old Testament. Each of these enamelled plates is surrounded by blue sapphires and pearls in raised filigree settings.

From the latter came the bronze gates with hammered reliefs, which are now in the British Museum. The remains of a palace of Ashurbanipal at Nimrud (Calah) were also excavated, and hundreds of enamelled tiles were disinterred. Two years later (1880–1881) Rassam was sent to Babylonia, where he discovered the site of the temple of the sun-god of Sippara at Abu-Habba, and so fixed the position of the two Sipparas or Sepharvaim. Abu-Habba lies south-west of Baghdad, midway between the Euphrates and Tigris, on the south side of a canal, which may once have represented the main stream of the Euphrates, Sippara of the goddess Anunit, now Dir, being on its opposite bank.

Some of the most venerated but whole icons considered to be products of miraculous thaumaturge are those known by the name of the town associated with them, such as the Vladimir, the Smolensk, the Kazan and the Częstochowa images, all of the Virgin Mary, usually referred to by Orthodox Christians as the Theotokos, the Birth-Giver of God. The preeminent Russian icon painter was Andrei Rublev (1360 – early 15th century), who was "glorified" (officially recognized as a saint) by the Moscow Patriarchate in 1988. His most famous work is The Old Testament Trinity. Icon of Christ Pantokrator with enamelled riza, and jewelled halo (venets) and collar (tsata) (Bob Jones University Museum and Gallery).

Parts of a human lower jaw, and two bushels of bones belonging to ox, goat, sheep, and rabbit were found; there were also several bird and fish bones. Other finds included two bushels of broken pottery, of which 57 pieces were ornamented; 61 handles and pots; 6 stone axes and 70 flint knives; a portion of an armlet and anklet; and 10 pounds of sea shells. A small, brightly coloured, enamelled copper plate was also found, which appears to have had a design upon it of a bird with an open bill in the coils of a serpent. Similar works of art, consisting of fragments of pottery, flint and stone implements were unearthed.

Types of ivories included small, devotional polyptychs, single figures, especially of the Virgin, mirror-cases, combs, and elaborate caskets with scenes from Romances, used as engagement presents.Calkins, 193–198 The very wealthy collected extravagantly elaborate, jewelled and enamelled metalwork, both secular and religious, like the Duc de Berry's Holy Thorn Reliquary, until they ran short of money, when they were melted down again for cash.Cherry, 25–48; Henderson, 134–141 Gothic sculptures independent of architectural ornament were primarily created as devotional objects for the home or intended as donations for local churches,Stokstad (2005), 537. although small reliefs in ivory, bone and wood cover both religious and secular subjects, and were for church and domestic use.

Parani, 18-27 The men's version of the loros was a long strip, dropping down straight in front to below the waist, and with the portion behind pulled round to the front and hung gracefully over the left arm. The female loros was similar at the front end, but the back end was wider and tucked under a belt after pulling through to the front again. Both male and female versions changed style and diverged in the middle Byzantine period, the female later reverting to the new male style. Apart from jewels and embroidery, small enamelled plaques were sewn into the clothes; the dress of Manuel I Comnenus was described as being like a meadow covered with flowers.

How to Recognize a Container made by Saint-Gobain Emhart Glass Punt Marks web page In the case of mold-blown work, where no pontil is used during manufacture, the term has also come to apply to marks impressed in the base of the work where the pontil scar would have been had it been free blown. The base of a wine bottle, particularly when it is indented, has come to be known as a punt, although wine bottles have generally been mold-blown for centuries. In older enamelled glass there are often two pontil marks, indicating that the piece has been in the furnace twice, before and after the enamels were added.

The commission from the French Ministry of Culture was unusual: a German artist was chosen to “replace” the memorial for those who had been killed in the First and Second World Wars in the Dordogne village of Biron, where the 1944 massacre by the SS was still far from forgotten. Jochen Gerz renewed the Obelisk and the plaques with the names of the fallen, and asked every villager the same question, which they were asked not to reveal. The 127 anonymous replies were enamelled onto brass plaques and affixed to the new obelisk. Two examples: “Life makes sense. To kill or give one’s life is the same; it doesn’t make sense today or yesterday.

Once painted, the enamelled glass vessel needs to be fired at a temperature high enough to melt the applied powder, but low enough that the vessel itself is only "softened" sufficiently to fuse the enamel with the glass surface, but not enough to deform or melt the original shape (unless this is desired, as it may be). The binding and demarcating substances burn away.Ward, 57–59; Carboni, 203; Gudenrath, 23–27, and throughout, has very full details of manufacturing processes. Until recent centuries the enamel firing was done holding the vessel in a furnace on a pontil (long iron rod), with the glassmaker paying careful attention to any changes in the shape.

In fact some glassmakers allowed for a deforming effect in the second firing, which lowered and widened the shape of the vessel, sometimes very greatly, by making blanks that were taller and more narrow than the shape they actually wanted.Gudenrath, 50–58 The enamels leave a layer of glass projecting very slightly over the original surface, the edges of which can be felt by running a finger over the surface. Enamelled glass is often used in combination with gilding, but lustreware, which often produces a "gold" metallic coating is a different process. Sometimes elements of the "blank", such as handles, may only be added after the enamel paints, during the second firing.

Parish Summary: Dereham A Neolithic polished greenstone axe head was found near the town in 1986, with a Neolithic axe head, flint scraper and other tools and worked flints also found in local fields during the 1980s. There is evidence that the area was occupied during the Bronze Age, with burnt flints from a pot boiler site being found in 1976 and another burnt mound site located in 1987. In 2000, an enamelled bridle bit dating from the Iron Age was discovered, with pottery sherds also being found by field walkers in 1983. The town is believed to be on the Roman Road linking the Brampton with the major east-west Roman Road of the Fen Causeway.

Chapel quad East window of the chapel The college chapel was built in late perpendicular style between 1629 and 1631; its windows are enamelled rather than stained, which is a process of painting the windows then firing them, a complicated procedure. They are the work of Abraham van Linge, who was an expert in this technique. The east window of the chapel depicts twelve biblical scenes: the top six depict scenes from Jesus' life (including the Last Supper), whilst the six below depict corresponding scenes from the Old Testament (including Adam and Eve at Creation and the whale spitting out Jonah). The north windows show the Twelve Prophets, and the south windows the Twelve Apostles.

Woman's Weekly flat-faced on-needle counter The earliest on-needle row counters seem to have appeared in the UK between 1920 and 1939, when complicated printed patterns increased in popularity among the working population. In the 1920s a grey-brown enamelled unit was manufactured with two rotary dials on the front showing tens and units, and slots on the back for sliding onto a knitting needle. The front was flat and shaped like a figure-8, but was heavier than the back so that the unit hung downward from the needle, making the numbered face difficult to read. A similar bakelite unit was manufactured by Abel Morrell for sale in the US in the 1930s.

The Courtyard of the Lions is an oblong courtyard, 35 m in length and 20 m in width, surrounded by a low gallery supported on 124 white marble columns. A pavilion projects into the courtyard at each extremity, with filigree walls and light domed roof, elaborately ornamented. The square is paved with coloured tiles, and the colonnade with white marble; while the walls are covered 1.5 m up from the ground with blue and yellow tiles, with a border above and below enamelled blue and gold. The columns supporting the roof and gallery are irregularly placed, with a view to artistic effect; and the general form of the piers, arches and pillars is most graceful.

The station building was constructed to a design by Harry Ford in a style similar to that used at Earl's Court and Hammersmith and is now a Grade II listed building as it retains many of its original features, including terracotta facing and Art Nouveau lettering. The wooden benches on the platform with the station name along the back on enamelled metal panels are a unique feature on the entire London Underground. The station has two island platforms to provide an interchange between the two lines - the inner pair of tracks is used by the Piccadilly line and the outer tracks by the District line. The station building has been Grade II listed since 14 February 1985.

The insignia of the Order (from top to down): breast star and badge on sash for the Grand Cross rank, badge suspended on necklet together with breast badge for the Commander rank, and badge on a ribbon for the Knight rank The Medal for a brother of the order The badge of the Order is a gilt, white-enamelled Maltese Cross, with the monogram "W" (for King William I) between the arms of the cross. The obverse central disc is in blue enamel, bearing the motto Virtus Nobilitat (Virtue Ennobles). The reverse central disc is plain golden, with the lion from the Netherlands coat-of-arms. The badge hangs from a royal crown.

Royal Badge of Richard II The White Hart ("hart" being an archaic word for a mature stag) was the personal badge of Richard II, who probably derived it from the arms of his mother, Joan "The Fair Maid of Kent", heiress of Edmund of Woodstock. It may also have been a pun on his name, as in "Rich-hart". In the Wilton Diptych (National Gallery, London), which is the earliest authentic contemporary portrait of an English king, Richard II wears a gold and enamelled white hart jewel, and even the angels surrounding the Virgin Mary all wear white hart badges. In English Folklore, the white hart is associated with Herne the Hunter.

These were enamelled and filled with bold, opaque colours with delicate scenes of nature and animals. Lucien also visited the Campana collection at the Louvre, where he viewed a number of items, being influenced by the treasure trove of medieval, Renaissance, Assyrian, Egyptian, and Byzantine objects. Until his death by a stroke in 1897, Lucien continued to create breathtaking designs for public sale and private commissions. He was determined to make the jewellery house Falize a commercial success, collaborating with other established designers like Germain Bapst, with whom he was partnered from 1880 to 1892. He was a prolific writer and reviewer and often published under his pseudonym, ‘Monsieur Josse’ in the decorative arts journals of the day.

It is awarded in three classes: #Agga Maha Thiri Thudhamma - Grand Commander #Sado Thiri Thudhamma - Grand Officer #Maha Thiri Thudhamma - Companion The first class consisted of a gold braided salwe worn over the right shoulder and across the breast with two badges of the order appended in the front, and also a large gold enamelled breast star. The second class consisted a single, breast star similar to the first class but smaller. Third class was a badge, worn from a ribbon around the neck. Generally speaking, the first class was conferred to the Head of State of the Union of Burma (1948-1962) and the Heads of State and Heads of Governments from other countries.

In the opening shown at the start of Matthew the evangelist portrait to the left is in a consistent adaptation of Italian style, probably closely following some lost model, though adding interlace to the chair frame, while the text page to the right is mainly in Insular style, especially in the first line, with its vigorous Celtic spirals and interlace. The following lines revert to a quieter style more typical of Frankish manuscripts of the period. Yet the same artist almost certainly produced both pages, and is very confident in both styles. The other surviving evangelist portrait of John includes roundels with Celtic spiral decoration probably drawn from the enamelled escutcheons of hanging bowls.

A shire hall, courthouse and guildhall are known to have exited and were probably located north of the church. A minor skirmish of the English Civil War took place in August 1644 outside what was then the cornhill, now the area of Fore Street between the Community Centre and the former George Inn. The Alfred Jewel, an object about long, made of filigree gold, cloisonné-enamelled and with a rock crystal covering, was found in 1693 at Petherton Park, North Petherton. Believed to have been owned by Alfred the Great it is thought to have been the handle for a pointer that would have fit into the hole at its base and been used while reading a book.

Members were expected to actively support the league, and to keep up interest, a programme of social events was organised for the membership, "of which the Primrose summer fête, often held in the grounds of stately homes opened for the first time for this purpose, provided the grand annual climax". There were, however, also day excursions and winter evening entertainments for league members, leading Flora Thompson to conclude that “It was no wonder the pretty little enamelled primrose badge, worn as a brooch or lapel ornament, was so much in evidence”.F Thompson, ‘’Lark Rise to Candleford’’ (OUP 1979) p. 481 At the events, the members would often be addressed by, and have the opportunity to meet members of the Parliamentary Conservative Party.

The Medal "For Work in Agriculture" is a 32-millimetre-diameter silver-plated circular medal with raised rims on both the obverse and reverse. The obverse bears a cross pattée, its four arms enamelled in green, at its center a bare metal medallion bearing the relief State Emblem of the Russian Federation surrounded by a wreath of corn. On the otherwise plain reverse the inscription in relief "FOR WORK IN AGRICULTURE" (), below the inscription, "№" in relief with a horizontal line for the award serial number. The medal is suspended by a ring through the award's suspension loop to a standard Russian pentagonal mount covered with a 24-millimetre-wide green silk moiré ribbon with 1.5 mm yellow stripes located 1.5 mm from the edges.

The 9/11 Heroes Medal of Valor is a decoration in the United States, created specifically to honor the 442 public safety officers who were killed in the line of duty during the September 11, 2001 terrorist attacks at the World Trade Center and the empty wing of The Pentagon.9/11 Heroes of Medal of Valor The Medals were presented by President George W. Bush to the families of the fallen officers at The White House on September 9, 2005. The 9/11 Heroes Medal of Valor, which intentionally resembles the Public Safety Officer Medal of Valor and the military's Medal of Honor, is a gilt, light blue-enamelled, five-pointed, upside-down star (i.e. one arm points downwards), surrounded by a wreath of laurel.

Reverse of the Jubilee Medal "50 Years of the Armed Forces of the USSR" The Jubilee Medal "50 Years of the Armed Forces of the USSR" was a 37mm in diameter circular gilded brass medal. On the obverse in the background, a laurel and oak wreath around the entire circumference of the medal with rays extending outwards from the center. In the center, a red enamelled five pointed star, its points extending to the edge of the medal, at its center, a 19mm in diameter circular relief medallion bearing the left profile busts of two Soviet soldiers, the nearer helmeted, the other wearing a Budenovka. Inscribed in relief along the medallion’s inner circumference, at left the year "1918", at right "1968".

Tube sign Assortment of old enamel bathroom appliances in Sardinia The porcelain-enamelled interior of a chemical reaction vessel Porcelain enamel is used most often in the manufacture of products that will be expected to come under regular chemical attack or high heat such as cookware, burners, and laboratory equipment. It is used in the production of many household goods and appliances, especially those used in the kitchen or bathroom area: pots, pans, cooktops, appliances, sinks, toilets, bathtubs, even walls, counters, and other surfaces. Porcelain enamel is also used architecturally as a coating for wall panels. It may be used externally to provide weather resistance and desirable appearance, or internally to provide wear resistance; for example, on escalator side panels and tunnel walls.

Richard II's treasure roll of 1397 includes, together with several of his own white hart badges, a swan badge with a gold chain, perhaps presented by one of his Lancastrian enemies mentioned above: "Item, a gold swan enamelled white with a little gold chain hanging around the neck, weighing 2 oz., value, 46s. 8d".Stratford He declared to Parliament that he had exchanged liveries with his uncles as a sign of amity at various moments of reconciliation. After Henry Bolingbroke seized the throne in 1399, the use of the swan emblem was transferred to his son, the future King Henry V (1413–1422), who was made Prince of Wales at his father's coronation, and whose tomb in Westminster Abbey displays motifs of swans.

The Dunstable Swan Jewel made in about 1400 is presumed to have been intended as a livery badge possibly given to his supporters by the future Henry V of England, who was Prince of Wales from 1399. It is in the form of a white enamelled swan gorged with a gold collar in the form of a crown with six fleur-de-lys tines, held by a gold chain. The Bohun swan was also used by Henry V's grandson Edward of Westminster, Prince of Wales, who died in the Battle of Tewkesbury in 1471. In 1459 Edward's mother Margaret of Anjou insisted that he should give swan livery badges to "all the gentlemen of Cheshire"; the type and number are unknown.

In 1628 her friend William Mason of Westminster left her a legacy of £600, "as a pledge of my unfeigned heart, to her unstained honour, wishing every penny of it were a thousand pound". Acknowledging her marital difficulties, Mason asked his executrix, Harington's sister Sarah, Lady Hastings (by now Lady Edmondes), to ensure that she, not Lord Dudley, received the money. Mason left legacies to Theodosia's daughters, and to other members of the Harington/Sidney family, including Anne Dyer, Lady Carr Cromwell and Theodosia, Lady Bodenham. He owned portrait miniatures of Theodosia Harington, Lady Hastings, and Lady Chesterfield, in gold cases enamelled with green.'Will of William Mason, Gentleman of Westminster, Middlesex', (8 October 1628) 2 February 1630, TNA PROB 11/157/110.

Surviving pieces made by Heriot for Anne include a gold miniature case set with her initials in diamonds, now held by the Fitzwilliam Museum, which the queen may have gifted to her lady-in-waiting Anne Livingstone, and a pair of earrings which include the enamelled face of an African man, in a private collection. The earrings were itemised by Heriot in 1609 as "two pendants made as more's heads and all sett with diamonds price £70." They may reflect her fascination with the representation of African people in the theatre, as in her Masque of Blackness.Daniel Packer, 'Jewels of 'Blacknesse' at the Jacobean Court', Journal of the Warburg and Courtauld Institutes, vol. 75 (2012), pp. 201-222 at p.

In 1171, Saladin seized Fatimid Egypt, and installed the transitory Ayyubid dynasty on the throne. This period is notable for innovations in metallurgy and the widespread manufacture of the Damascus steel swords and daggers and the production ceramics, glass and metalwork of a high quality were produced without interruption, and enamelled glass became another important craft. In 1250, Mamluks seized control of Egypt from the Ayyubids as the Mamluk Sultanate, and by 1261 had managed to assert themselves in Syria as well their most famous ruler was Baibars. The Mamluks were not, strictly speaking, a dynasty, as they did not maintain a patrilineal mode of succession; in fact, Mamluks were freed Turkish and Caucasian slaves, who (in theory) passed the power to others of like station.

The bloodstone cup with enamelled gold mounts made for him in 1854-55 by Jean- Valentin Morel, who pioneered the taste for gold-mounted hardstones in neo- Renaissance taste, is now at the Indianapolis Museum of Art.Erika Speel, "History of Jewelry" His politics were liberal. He took an active part in the Revolution of 1830, equipping and arming at his own expense a contingent of National Guard, but refused the offer from the July Monarchy of a pairie but consented to be appointed a representative of the Second Republic, 1848–51, where his role was that of an independent, before he withdrew to Dampierre with the rise of Napoleon III. He was awarded the Prussian order Pour le Mérite in 1853.

The ribbon of the order is blue with a central stripe of golden wattle flower designs; that of the military division has additional golden edge stripes. AKs, male ACs and AOs wear their badges on a necklet; male AMs and OAMs wear them on a ribbon on the left chest. Women usually wear their badges on a bow on the left shoulder, although they may wear the same insignia as males if so desired. A gold lapel pin for daily wear is issued with each badge of the order at the time of investiture; AK/AD and AC lapel pins feature a citrine central jewel, AO and AM lapel pins have a blue enamelled centre and OAM lapel pins are plain.

Cheapside pictured in 1909, with the church of St Mary-le-Bow in the background The Cheapside Hoard is a hoard of jewellery from the late 16th and early 17th centuries, discovered in 1912 by workmen using a pickaxe to excavate in a cellar at 30–32 Cheapside in London, on the corner with Friday Street. They found a buried wooden box containing more than 400 pieces of Elizabethan and Jacobean jewellery, including rings, brooches and chains, with bright coloured gemstones and enamelled gold settings, together with toadstones, cameos, scent bottles, fan holders, crystal tankards and a salt cellar. Most of the hoard is now in the Museum of London, with some items held by the British Museum and the Victoria and Albert Museum.

In May 1573 the "Lang Siege" of Edinburgh Castle ended in victory for the king's party. A coffer containing the jewels of Mary, Queen of Scots was recovered from the ruins. On 28 July 1573 Regent Morton sent some of these jewels to Annabell Murray to have sewn on the king's clothes, including gold buttons enamelled in white and red, and white and black, and sets of large "horns" or "points" with enamel and engraving. Morton also had 60 new gold and silver buttons made for James VI, bought him a football, and had the king's chamber at Stirling panelled in oak, and paid the outstanding wages of James's nurse Helen Litill, his cradle- rocker Jane Oliphant, and Grissel Gray, who made the king's shirts.

The motif of the three hares is used in a number of medieval or more recent European churches, particularly in France (e.g., in the Basilica of Notre-Dame de Fourvière in Lyon) and Germany. It occurs with the greatest frequency in the churches of Devon, England where it appears to be a recollection of earlier Insular Celtic design such as the triaxially symmetric triskele and other Romano-British designs which are known from early British 'Celtic' (La Tene) metalwork such as circular enamelled and openwork triskel brooches (fibulae). The motif appears in illuminated manuscripts amongst similar devices such as the anthropomorphic "beard pullers" seen in manuscripts such as the Book of Kells, architectural wood carving, stone carving, window tracery and stained glass.

In 1946, after the abolition of the monarchy and proclamation of the Italian Republic, the figure-eight knots of the Savoy were replaced with two curvy lines. Concurrently the badge was completely redesigned, and further reduced in size to , a diameter unchanged ever since. Made of stamped steel, the new badge bore the traditional elements—the scripts, the cross, a newly stylized biscione and a thin laurel wreath—embossed in antique silver, over a uniform Alfa Red background, which had replaced the blue, white and light blue fields. This red-and-metal badge was used until 1950, when the company switched back to a traditionally enamelled and coloured one; in 1960 the badge was changed from brass to plastic, without substantial differences in design.

The Queen declared that all written accounts of Drake's voyages were to become the Queen's secrets of the Realm, and Drake and the other participants of his voyages on the pain of death sworn to their secrecy; she intended to keep Drake's activities away from the eyes of rival Spain. Drake presented the Queen with a jewel token commemorating the circumnavigation. Taken as a prize off the Pacific coast of Mexico, it was made of enamelled gold and bore an African diamond and a ship with an ebony hull. For her part, the Queen gave Drake a jewel with her portrait, an unusual gift to bestow upon a commoner, and one that Drake sported proudly in his 1591 portrait by Marcus Gheeraerts now at the National Maritime Museum, Greenwich.

The Argonauts Club was open to Australian boys and girls aged from 7 to 17. It proved hugely popular with young Australians: by 1950 there were over 50,000 members, with 10,000 new members joining each year through the 1950s (national membership reached 43,000 in 1953).Sydney Morning Herald 19 November 1953 Applications for membership (and subsequent contributions) were made by post. The new member received an enamelled badge and handsome membership certificate with the Pledge (brought over from 1931): Argonauts' membership badge :Before the sun and night and the blue sea, I vow :To stand faithfully by all that is brave and beautiful; :To seek adventure and having discovered aught of wonder, or delight, of merriment or loveliness, :To share it freely with my comrades, the Band of Happy Rowers.

172-5 Other "side-shows" (as she termed the ancillary merchandise) were produced over the following two decades.Taylor 1987, p. 106 In 1947 Frederick Warne & Co. gave Beswick Pottery of Longton, Staffordshire rights and licences to produce the Potter characters in porcelain. Four figurines based on Cecily Parsley were released beginning in 1965: Cecily Parsley; And This Pig Had None; This Pig Had a Bit of meat (limited edition); and Head Gardener. All the figurines were retired by 2002.DuBay 2006, pp. 30, 37 In 1975 Crummles of Dorset began producing 1 and 5/8 inch diameter enamelled boxes depicting scenes and characters from the Potter tales. A box depicting Cecily Parsley brewing wine was released. In 1994 and 1995 Crummles was commissioned to create exclusive works for an American distributor.

The center has a dark blue-enamelled pentagon (representing The Pentagon), with a gilt disc bearing the twin towers of the World Trade Center, the American eagle holding the shield of the United States and laurel, and the date "9. 11. 01". The Medal is suspended on a gilt disc bearing a letter "H" (for Heroism) inside a keystone, (representing the Keystone State of Pennsylvania) surrounded by a wreath of laurels, which is in turn suspended on a neck ribbon, blue with gold and light blue edge stripes and a white center stripe. Because the 9/11 Heroes Medal of Valor has only been authorized posthumously, and only for one action, it is generally considered a commemorative decoration not intended for wear; therefore the Medal does not come with lapel pin or ribbon bar.

Whilst there, Osman made the crown, with his enamellist wife, Dilys Roberts, which was used at the investiture of Charles, Prince of Wales in 1969. They also made the gold enamelled casket that held the Magna Carta which was on view in the United States Capitol, Washington, DC in 1976 for the United States Bicentennial.Washington Post: Original Magna Carta and replica get a cleaning 20 August 2010, accessed 23 May 2013 During World War 2, the London offices of 20th Century Fox films were evacuated to Canons Ashby House; the evacuee staff lived in the nearby village of Moreton Pinkney. Gervase Jackson- Stops, who was the Architectural Adviser to the National Trust for over twenty years, broke fresh ground when he fought for the rescue of the then decaying manor-house in the 1980s.

Her paintings of suspended hoops, collectively entitled MLR (More Light Research) (1992), recall gymnastics apparatus caught mid-swing and frozen in time.Isa Genzken, 17 February 2006 - 16 April 2006 Camden Arts Centre, London. Starting in 1995, while in New York for several months, Genzken created a three-volume collage book entitled I Love New York, Crazy City (1995–1996), a compendium of souvenirs from her various stays in the city, including photographs of Midtown's architecture, snapshots, maps, hotel bills, nightclub flyers, and concert tickets, among others.Isa Genzken: Retrospective, November 23, 2013 – March 10, 2014 Museum of Modern Art, New York. One of Genzken's best known works, Rose (1993/7), is a public sculpture of a single long-stemmed rose made from enamelled stainless steel that towers eight metres above Leipzig’s museum district.

Representing the state of dental health at the time, it features both a check-up room and surgery for extraction, and a technicians room for creating dentures - a common practice at the time being the giving to daughters a set on their 21st birthday, to save any future husband the cost at a later date. His home is presented as more modern than No.2, furnished in the Edwardian style the modern day utilities of an enamelled bathroom with flushing toilet, a controllable heat kitchen range and gas cooker. No. 5 is presented as a solicitor's office, based on that of Robert Spence Watson, a Quaker from Newcastle. Reflecting the trade of the era, downstairs is laid out as the partner's or principle office, and the general or clerk's office in the rear.

Mosan 12th century armlet, somewhat damaged, so showing the cast recesses for the enamel Champlevé is an enamelling technique in the decorative arts, or an object made by that process, in which troughs or cells are carved, etched, die struck, or cast into the surface of a metal object, and filled with vitreous enamel. The piece is then fired until the enamel fuses, and when cooled the surface of the object is polished. The uncarved portions of the original surface remain visible as a frame for the enamel designs; typically they are gilded in medieval work.Osbourne, 332 The name comes from the French for "raised field", "field" meaning background, though the technique in practice lowers the area to be enamelled rather than raising the rest of the surface.

A number of objects exist in the form of firedogs, candlesticks, caskets, plaques and vases, the body of which is of brass roughly cast with a design in relief; the hollow spaces between the lines of the design are filled in with patches of white, black, blue or red enamel, with very pleasing results (cf. Fig. 7). The nearest analogy is found in the small enamelled brass plaques and icons produced in Russia in the 17th and 18th centuries. The second use of brass is found in a group of locks of intricate mechanism, the cases of which are of brass cast in openwork with a delicate pattern of scroll work and bird forms sometimes engraved. A further development shows solid brass cases covered with richly engraved designs (cf. Fig. 8).

At the period of Jesus's birth, the actual Jewish practice was for the operation to be performed at home, usually by the father,Schiller, 89; Penny, 116 and Joseph is shown using the knife in an enamelled plaque from the Klosterneuburg Altar (1181) by Nicolas of Verdun, where it is next to plaques showing the very rare scenes (in Christian art) of the circumcisions of Isaac and Samson.Schiller, 89; Schreckenberg, 78–79 Like most later depictions these are shown taking place in a large building, probably representing the Temple, though in fact the ceremony was never performed there. Medieval pilgrims to the Holy Land were told Jesus had been circumcised in the church at Bethlehem. The scene gradually became increasingly common in the art of the Western church, and increasingly rare in Orthodox art.

In strophes 22 and 23 they are also said to be shining. Jupiter is described as the "Father" ("Padre" – archaic Portuguese for 'father') who "vibrates the fierce rays of Vulcan" ("vibra os feros raios de Vulcano") and presides from a "crystalline seat of stars" ("assento de estrelas cristalino"), carrying "a gleaming crown and sceptre / of another rock clearer than diamond" ("hua coroa e ceptro rutilante / de outra pedra mais clara que diamante"). Jupiter's chair is a crystalline seat of stars and the rest of the Olympian furniture is equally ornate: "In shiny seats, enamelled / of gold and pearls, under there were / the other gods (...)" ("Em luzentes assentos, marchetados / de ouro e perlas, mais abaixo estavam / os outros Deuses (...)"). During the council, the behaviour of the gods is described as disgraceful.

The star for all three categories is a nine-pointed enamel star, in green for the category of Agricultural Merit, in blue for the category of Commercial Merit and in red for the category of Industrial Merit. In the center of the star is the national coat of arms in gold, which is surrounded by a white enamel border with either "Agricultural," "Commercial" or "Industrial" Merit inscribed on it in capital gold-enamelled letters. The star is itself centered on a nine- pointed plaque, in gold for the degrees of Grand Cross and Grand Officer and in silver for the degree of Commander. Between each arm of the star is a five- pointed enamel star of the same colour as the star for the respective category of the order.

Handicrafts in the Qing era are marked by their ornamentation, use of colors, and innovative production technologies. These aspects not only enhanced the quality of objects produced, but added to their value as luxury products as it was easier for artisans to incorporate more complex techniques in their work. The advancement of handicraft technology and the contact between specialized artisans at imperial workshops resulted in the possibility of combining multiple raw materials in a singular object, such as the hardwood being inlaid with enamelled porcelain. With the increase of trade networks and the tributary system, the centers of certain handicraft traditions shifted as raw materials such as hardwoods and ivory from Southeast Asia, marble from Yunnan, and jade from Burma were able to be imported from different locations.

They included a Coptic or eastern Mediterranean bronze bowl with drop handles and figures of animals, found below a badly deformed six-stringed Anglo-Saxon lyre in a beaver-skin bag, of a Germanic type found in wealthy Anglo-Saxon and north European graves of this date.Bruce-Mitford 1974, 188-197; Bruce-Mitford 1983 (II), 611-731; Evans 1986, 69-72\. The lyre was at first reconstructed as a single-armed harp with horizontal soundbox. Uppermost was a large and exceptionally elaborate three-hooked hanging bowl of Insular production, with champleve enamel and millefiori mounts showing fine-line spiral ornament and red cross motifs and with an enamelled metal fish mounted to swivel on a pin within the bowl.; Bruce-Mitford 1983 (I), 206-243, 264-281, 300-306; Evans 1986, 72-75.

Dagmar Cross (Dagmarkorset) Reverse of Dagmar Cross A pectoral cross now well known as the Dagmar Cross (Dagmarkorset) was found lying on the breast of Queen Dagmar remains when the tomb was opened in 1683. In 1695 the cross was donated to the National Gallery of Denmark. The jewel of Byzantine design and workmanship, is of gold, enamelled, having on one side a crucifix, and on the other side portraits of Christ in the center, St Basil, St John Chrysostom, Mary the Virgin and St John the Apostle-Evangelist. In 1863, King Frederik VII of Denmark donated a replica of the cross to Princess Alexandra of Denmark, daughter of the later King Christian IX of Denmark when she married the Prince of Wales, later King Edward VII of England.

Roman glass from the 2nd century Enamelled glass depicting a gladiator, found at Begram, Afghanistan, which was once part of the Greco-Bactrian Kingdom, but was ruled by the Kushan Empire during the contemporaneous Roman Principate period, to which the glass belongs, 52–125 AD (although there is some scholarly debate about the precise dating).Warwick Ball (2016), Rome in the East: Transformation of an Empire, 2nd edition, London & New York: Routledge, , p. 153. Despite the growth of glass working in the Hellenistic World and the growing place of glass in material culture, at the beginning of the 1st century AD there was still no Latin word for it in the Roman world. However, glass was being produced in Roman contexts using primarily Hellenistic techniques and styles (see glass, history) by the late Republican period.

1664, he patented: # a new stringed instrument called the teliochordon; # a new method of constructing the keys of keyed instruments, which avoided "any danger of touching one key for another"; # a method of mellowing the tone of strings of keyboard instruments, by fixing vellum to the instrument frame; # the construction of glass or enamelled keys for keyboard instruments, instead of wood or ivory; # a celestina stop in which the tone was produced by the scraping of silk strings; # chromatic trumpet and French horn; # a new design for tuning-forks; # an instrument consisting of a number of tuning-forks mounted on sound-boxes and set in vibration by a keyboard; # a new kind of tuning-key for harpsichords and other instruments; # a better method of fitting the sound-post of a violin to its place.

This museum's section exhibits copper-ware utensils such as kettles, washbowls, buckets, hand-basins and cooking pots used in the Ottoman households during the 19th century; various jewellery worn by Ottoman women; nacre-inlay wooden spoons, boxes, trunks and clogs from the Ottoman period; all types of Ottoman weapons; Seljuk and Ottoman ceramic plates and water jugs; astronomical tools like wooden astrolabes, compasses and globes; Ottoman bath objects such as bundles made of tinsel embroidery velvet and bath clothes; timekeeping instruments including silver and enamelled hunter-case pocket watches and wooden-case pendelum clocks; lighting devices like glass and ceramic kerosene lamps; Ottoman period tea, coffee and smoking utensils; thuribles; talismans; hand-written books of the Quran; writing utensils; lecterns; decree documents with Sultan's tughra, and colours, standards and guidons.

A train in the station, with the original wall slats visible, in 2009 Kipling station, in what was then the Borough of Etobicoke, officially opened on November 21, 1980—along with Kennedy station, as a pair of one-stop extensions at opposite ends of the Bloor–Danforth line—but was not opened to the public until the following day. Kipling and Kennedy were designed similarly, with both stations having an island platform that is typical of terminal stations. The outer platform walls at Kipling were originally two rows of vertical yellow vinyl slats separated by a black strip showing the station's name in Univers font. This wall treatment was replaced by off-white fitted enamelled panels using the traditional Toronto Subway font with black trim with smaller lettering along the top in a 2017 renovation, evoking the older stations along the line.

Artworks in the church include the silver antependium of the high altar, a masterwork by Nicola da Guardagriele, who worked on it with his workshop from 1433 to 1448. This antependium replaced a previous one, also of precious quality, which had been stolen in 1416 during the troubles following the death of King Ladislaus of Naples. It is formed by 35 silver sheets in repoussé, placed in four horizontal rows on a wooden base, which are connected at the corners by 22 colorful enamelled tesserae, all within a silver frame added in 1734. The central sheet is double-sized and depicts the Redeemer; it is flanked by the Four Evangelists and the four Doctors of the Church; the last scene represents Saint Francis receiving the stigmata while the others show Jesus' life from the Annunciation to the Pentecost.

While under the direction of George McKenzie, Master Musician (1810–1845), King William IV, having heard the Band play at the launching ceremony in 1883, of a ship in Woolwich, commanded the Band to play at the royal palace within the very same week (George McKenzie was appointed at the insistence of King George IV to Lord Bloomfield). King William wanted to present the Band with a pair of sterling silver kettledrums, but was disappointed when they were instead made of copper, enamelled, and "beautifully painted", so he also presented the officers with a superb candelabra. The inscription on the kettledrums reads "Presented by His Majesty King William IV., 1833)." In 1815 the Band of the Coldstream Guards had risen to twenty-two 'bandsmen', while in 1812, it is also recorded that the Royal Artillery Band comprised thirty-eight 'musicians'.

Three of the heaviest English ships of the line were burned down and the Royal Charles was taken as a prize. The battle of Chatham was the greatest naval victory the Dutch would ever gain on the English, and it was the heaviest defeat the English Navy would be dealt in her history. Van Ghent was rewarded by the States-General of the Netherlands with a golden enamelled chalice, showing the event; sadly this priceless piece would be lost in the 18th century when it was trampled by the then-owner in anger when he was obliged to pay a gold-tax. Immediately after having delivered the Royal Charles at Goeree, Van Ghent set out on the Dolphijn to Shetland to escort and protect the Return Fleet, a biannual convoy from the East-Indies, on this occasion commanded by Joan van Dam.

It became a department of the School in 1956, with a diploma course developed by Dr. Neil Lewis from Kodak which he modelled on that of the Rochester Institute of Technology in the United States. Art became a separate school at RMIT in 1917, as the School of Applied Art (and the second following the Trades School in 1890), with a building for its own purposes completed that year. The foundation stone for the new School building was laid by the Premier of Victoria, Sir Alexander Peacock, on 25 January 1915, and the School was officially opened with a 1 oz 15 karat gold and enamelled key by the Governor of Victoria, Sir Arthur Stanley, on 25 January 1917. Since 2008, the original key is held by Melbourne Museum as part of its history of technology collection.

An enamelled bonbonnière from Bilston, now in the collection of the Metropolitan Museum of Art, New York From the middle of the 18th century, Bilston became well known for the craft of enamelling. Items produced included decorative containers such as patch-boxes, scent boxes and bonbonnieres. With the opening of the Birmingham Canal to the west of the town in 1770, industrial activity in the local area increased, with the first blast furnaces near the canal at Spring Vale being erected by 1780. Few towns were more dramatically transformed during the Industrial Revolution as Bilston was. In 1800, it was still a largely rural area dependent on farming. By 1900, it was a busy town with numerous factories and coalmines, as well as a large number of houses that had been built to house the workers and their families.

Upon admission into the Order of Merit, members are entitled to use the post-nominal letters OM and are entrusted with the badge of the order, consisting of a golden crown from which is suspended a red enamelled cross, itself centred by a disk of blue enamel, surrounded by a laurel wreath, and bearing in gold lettering the words FOR MERIT; the insignia for the military grouping is distinguished by a pair of crossed swords behind the central disk. The ribbon of the Order of Merit is divided into two stripes of red and blue. Men wear their badges on a neck ribbon, while women carry theirs on a ribbon bow pinned to the left shoulder, and aides-de-camp may wear the insignia on their aiguillettes. Since 1991, it has been required that the insignia be returned upon the recipient's death.

Helmet - Constable Helmet - Sergeant Male constables and sergeants of Hampshire Constabulary wear the traditional comb-style custodian helmet when on foot patrol. However, Hampshire is one of only three other UK forces that does not use the common Brunswick star style force badge, favouring instead a large metal plate that mirrors the county crest, depicting a laurel wreath enclosing a crowned rose above a banner that reads 'Hampshire'. The helmets worn by constables have larger helmet plates of uncoloured white metal whilst those worn by sergeants have slightly smaller helmet plates that includes blue and red enamelled detail on the crown, rose and county title. The helmet plate worn by constables is the largest of all those worn by forces in England and Wales and ensures that they stand out in the company of officers from other areas.

The insignia of the Order consists of a gold star with six beams, enamelled in white enameled with a wreath of roses, with the center of the obverse the armillary sphere, also of gold, in a blue field, and, on the reverse, the caption: "National Order of Merit". The necklace consists of two chains alternately ornamented with armillary and pink spheres, allegorical elements of the decoration, and from it hangs the insignia. The Grand Cross consists of the insignia pendant of a strip of scarlet color with two white lists, passed by the shoulder strap, from right to left, plus a gold plaque with the same insignia and placed to the left of the chest. The insignia of the Grand Officer and Commander hang from a ribbon around the neck, and the insignia of the Grand Officer is accompanied by a silver plaque.

These are frequently framed with realistic yet decorative garlands of fruit and flowers painted with coloured enamels, while the main relief is left white. The hospital of San Paolo, near Santa Maria Novella, has also a number of fine medallions with reliefs of saints, two of Christ Healing the Sick, and two fine portraits, under which are white plaques inscribed "DALL ANNO 1451 ALL ANNO 1495". The first of these dates is the year when the hospital was rebuilt owing to a papal brief sent to the archbishop of Florence. Arezzo possesses a number of enamelled works by Andrea and his sons: a retable in the cathedral with God holding the Crucified Christ, surrounded by angels, and below, kneeling figures of San Donato and San Bernardino; also in the chapel of the Campo Santo is a relief of the Madonna and Child with four saints at the sides.

In English the word may or may not be italicised, and if it is may use the French circumflex: châsse. Regardless of the form used, the term in English is normally only used of "house"-shaped boxes, usually enamelled ones, whereas in French it is a general term for reliquaries with a box, "shrine" or casket form, of any shape, and tends to be used especially for larger examples. The chasse shape was also used for most of the much larger, and far grander, reliquary shrines made by goldsmiths for cathedrals and great monasteries, like the Reliquary Shrine of Saint Eleutherius in the cathedral of Tournai, but these featured elaborate three- dimensional decoration, with gold or silver-gilt the predominant impression. These are less often described as chasses in English, though they are likely to be so termed in French, where the term châsse mostly refers to large sarcophagus-sized reliquaries.

Upon admission into the Order of Merit of the Police Forces, members are gifted various insignia of the organization, though these remain property of the Crown. The badges are similar in design to those of the Order of Military Merit, consisting of a dark blue enamelled cross pattée with four equal arms, at the centre of which is a disc bearing a maple leaf on a white enamel background, surrounded at its edge by a red enamel ring (annulus) bearing the words MERIT • MÉRITE • CANADA. Slight differences in appearance represent each grade: for Commanders, the emblem is gilt with a red enamel maple leaf in the gold central disk; for Officers, it is gilt with a gold maple leaf; and for Members, both the badge itself and the maple leaf are silver. The reverse bears only a serial number, and all are topped by a St. Edward's Crown, symbolizing that the order is headed by the sovereign.

The exact size of this star and the number and value of the gemstones with which it was set varied according to the knight's own choice since the star was made at the knight's own expense. The insignia also included a gold ring of which the enamelled red bezel was circular; within it an eight-pointed star in white enamel extending past the diameter of the bezel, and within the star a roundel of azure containing a small yellow sun. The name of the knight to whom the ring belonged was inscribed on the outside of the ring around this bezel, presumably so it could be sent back to the king to identify the particular knight who had died in battle. While the Order itself was short- lived, the use of an eight-pointed star worn on the left breast became very influential in the design of the insignia of many later orders of chivalry and still later orders of merit.

DuBay 2006, pp. 30,36 In 1973, The Eden Toy Company of New York City became the first and only American company to be granted licensing rights from Warne to manufacture stuffed Potter characters in plush. In 1975, Timmy Tiptoes and Goody Tiptoes were released.DuBay 2006, pp. 91-2 In 1975, Crummles of Poole, Dorset began manufacturing enamelled boxes depicting Potter characters on their lids, and eventually produced a 1 and 5/8 inch diameter Timmy Tiptoes box.DuBay 2006, pp. 78-9 In 1977, Schmid & Co. of Toronto and Randolph, Massachusetts were granted licensing rights to Beatrix Potter, and produced a Goody Tiptoes music box, a Chippy Hackee music box playing "Feed the Birds", and a "Baby's First Christmas" ornament depicting Goody cuddling one of her babies.DuBay 2006, pp. 106,108,110,126 In the middle 1980s, the Italian firm of ANRI manufactured ornaments and figurines of Timmy Tiptoes composed of a synthetic substance called Toriart.

Royal Star of Order of the White Eagle of Augustus II the Strong before 1730 Coat of Arms of Stanisław II Augustus with collana of Order of the White Eagle The 1713 badge was a Maltese cross enameled red with white borders with diamonds set in each of the balls at the eight points of the cross and with diamond set rays appearing between each of the points of the cross, i.e., a larger longer ray between each arm of the cross and a smaller ray between each of the two points of these arms. In the centre of the cross was a white enamelled eagle in high relief with spread wings and facing left and with a diamond set royal crown on its head. At the top of the cross between the two top points was a diamond studded semi-circular link through which passed a diamond studded ring through which, in turn, passed the light-blue ribbon from which it was worn.

Part II deals, principally, with the machinations of Sylvia Tietjens. II.i. Although she has made an appearance in I.ii, where she is seen looking through the window of General Campion's automobile, Sylvia Tietjens is fully present and dominates this chapter by commanding all around her by her stunningly beautiful presence in ‘the admirably appointed, white-enamelled, wickerworked, bemirrored lounge of the best hotel’ in Rouen. She has come to France without proper documentation in the company of Major Perowne (Major Wilfrid Fosbrooke Eddicker Perowne) of General Campion's staff, one of her more incompetent lovers, convinced that the war is a schoolboys’ game played to seduce and rape women. Throughout the chapter Perowne is in her presence both urging Sylvia to leave her bedroom door open for him that night and fearing the appearance of Tietjens, whom he sees in a mirror, and who could easily, as Sylvia says, break his back over his knee.

In June 1910 the Società Anonima Darracq became Anonima Lombarda Fabbrica Automobili, and was readying its first model, the 24 HP. The board asked chief engineer Giuseppe Merosi to devise a badge for the radiator shell of the new car; Merosi turned to his collaborators. One of them, Cattaneo, was inspired by the coat of arms he had seen on the gates of Castello Sforzesco to include the biscione in the logo. Merosi liked the idea, and together with Cattaneo came up with a sketch, then approved by managing director Ugo Stella; Cattaneo was entrusted with doing the final design. The original badge was round, of enamelled brass, measuring in diameter, and carried already all the present day accoutrements: the red cross on a white field of Milan on the left, a green biscione on a light blue field on the right, all surrounded by a blue ring inscribed with the words "ALFA" at the top and "MILANO" at the bottom.

According to his Livre des faits, in 1399 Jean Le Maingre, tired of receiving complaints from ladies, maidens, and widows oppressed by powerful men bent on depriving them of the lands and honours, and finding no knight of squire willing to defend their just cause, out of compassion and charity founded an order of thirteen knights sworn to carry une targe d'or esmaillé de verd & tout une dame blanche dedans ("a shield of gold enamelled with green and a white lady inside"). The thirteen knights, after swearing this oath, affirmed a long letter explaining their purpose and disseminated it widely in France and beyond her borders. The letter explained that any lady young or old de noble lignée ("of noble lineage") finding herself the victim of injustice could petition one or more or the knights de l'Écu Vert à la Dame Blanche for redress and that knight would respond promptly and leave whatever other task he was performing to fight the lady's oppressor personally. The thirteen knights promised not just this, however.

Original variant 1938 to 1943 of the Jubilee Medal "XX Years of the Workers' and Peasants' Red Army" The Jubilee Medal "XX Years of the Workers' and Peasants' Red Army" is a 32 mm in diameter oxidised silver matte finished circular medal with a polished 2.5 mm rim. On the obverse, a large red enamelled five pointed star with a silvered edge, the tip of each point reaching the medal's edge; at the bottom sitting on the rim, in deep relief, the prominent 8 mm high gilded Roman numeral "XX" going up between the star's lower rays to superimpose it over 4 mm. On the reverse, a 25 mm high relief image of a Red Army soldier clad in the winter uniform of the Red Guard and firing a rifle, at the lower right side of the soldier, the dates "1918-1938". From its establishment in 1938 to 1943, the medal was secured by a ring through the medal suspension loop to a small rectangular mount covered by a red silk moiré ribbon.

Winged lantern clock made by Edward East in the late 17th century just after the invention of the pendulum clock in 1657 A large silver alarum clock- watch by Edward East, which was kept at the bedside of Charles I, was presented by the king on his way to execution at Whitehall, on 30 January 1649, to Sir Thomas Herbert. Among the collections of Alfred Morrison was a warrant, dated 23 June 1649, from the Committee of Public Revenue to Thomas Fauconbridge, Esq., Receiver-General, authorizing him to pay "vnto Mr. Edward East, Watchmaker, the some of fortie pounds for a Watch and a Larum of gould by him made for the late King Charles by directions of the Earle of Pembrooke, by order of the Committee, and deliuered for the late King's use the xviith of January last." In the Ashmolean Museum at Oxford is a watch by East with gold case in the form of a melon, studded all over with turquoises, the pendant being enamelled blue to match.

The insigna of the order, when granted by the Doge as a "public and honorable mark for actions of marked value" and reserved for "low officers and soldiers", was a bifurcated cross enamelled in white and blue with the Lion of Saint Mark "in majesty"In Maestà, frontal view. The lion "passant" was common in other heraldry devices of the Republic of Venezia, like flags, statues, paintings, etc, but on medals, coins, seals etc the more circular-shaped "in majesty" pose was often used instead. in the center, suspended around the neck by a gold chain, and was granted either in the gold class (which gave the right to an extra one-month pay yearly bonus) or in the silver one (with a half-month pay bonus). When it was instead granted by the Major Council or by the Senate, in addition to the cross, a gold medal was also used depicting the winged lion of Saint Mark on the recto and on the reverse a dedication inscription, hanging on a more elaborate gold necklace often of great value.

As visible impaling Pyne (Gules, a chevron ermine between three pine apples or (Vivian, 1895, p.632)) on mural monument to Melior Hooper (née Pyne) (d.1703), (mother of Sir Nicholas II Hooper) in Upton Pyne Church ; Also visible on Queen Anne's Walk in Barnstaple and on a small enamelled plaque now on the staircase of the Barnstaple Guildhall, originally affixed to the wall of Queen Anne's Walk; These are the arms given in Burke's General Armory, 1884, p.505, for "Hooper" Arms of Sir Nicholas II Hooper (1654-1731): Gyronny of eight or and ermine, over all a castle triple-towered sable.As visible impaling Pyne (Gules, a chevron ermine between three pine apples or (Vivian, 1895, p.632)) on mural monument to Melior Hooper (née Pyne) (d.1703), (mother of Sir Nicholas II Hooper) in Upton Pyne Church ; These are the arms given in Burke's General Armory, 1884, p.505, for "Hooper" Detail from parapet of The Mercantile Exchange (Queen Anne's Walk) (1713) Barnstaple Sir Nicholas II Hooper (1654-1731) of Fullabrook,Fulbroke per Venn, 1897 BrauntonVivian, p.

260page 76, Rochdale Town Hall, James L. Maxim, 1959, G. & A.N. Scott Ltd Alloa Town Hall (1886–89), in Alloa, Clackmannanshire, Scotland, is French Renaissance in style. Built of Polmaise stone with a slate roof, of three floors, designed to contain not just the council, but a public library and art school, as well as a large hall. The building was paid for by local mill owner John Thompson Paton, it cost £18,008. The builders were G. & R. Cousin; heating and ventilation was installed by W.W. Phipson and D.O. Boyd; faience decoration was by Burmantofts; the mosiac flooring was made by W.H. Burke & Co.; the stained glass was made by R.B. Edmundson & Sons; the internal decoration was executed by Reed & Downie of Edinburgh; the enamelled and painted ceiling lights were made by Edmeston of Manchester; gas fittings were installed by Hart Son Peard & Co.; furniture and fittings were by Taylor & Sons and Whitlock & Reed of Edinburgh; the organ in the main hall was built by Forster and Andrews.

Skull hat insignia, worn with the black, Italian Army-issue uniforms, by soldiers of the Black Brigades Black Brigades Italian Army-issued, beret, with skull insignia Black Brigades Italian Army-issued, black, "Marcello", M33, steel, helmet, with white skull markings The badge or insignia of the Black Brigades was the jawless death's head, with a dagger in its teeth, or one of assorted Italian versions. Collar tabs were issued, unique to the Black Brigades, consisting in square-shaped tabs with pointed tip, of solid black cloth, on which was pinned a bright red republican fascio, in the lower part. In the upper part, every Brigade chose its own insignia: either one of the many variants of skulls (with or without crossbones) or coloured facing. Regulations prescribed for all members of the Black Brigades to wear a metal enamelled breast badge, of roundel shape, showing a golden fascio amidst Italian national colours in vertical stripes, and surrounded by a black enamel rim with the inscription: "Corpo Ausiliario delle Squadre d'Azione di Camicie Nere", in capital letters, and in the lower part the identification number of the Brigade.

"Mina'i", a term only used for these wares much later, means "enamelled" in the Persian language.Suleman, 144 This technique much later became the standard method of decorating the best European and Chinese porcelain, though it is not clear that there was a connection between this and the earlier Persian use of the technique. As in other periods and regions when overglaze enamels were used, the purpose of the technique was to expand the range of colours available to painters beyond the very limited group that could withstand the temperature required for the main firing of the body and glaze,Yale, 175 which in the case of these wares was about 950 degrees centingrade.Caiger-Smith, 57 The period also introduced underglaze decoration to Persian pottery, around 1200,Watson, 326 and later mina'i pieces often combine both underglaze and overglaze decoration; the former may also be described as inglaze. Most pieces are dated imprecisely as, for example, "late 12th or early 13th century", but the few inscribed dates begin in the 1170s and end in 1219. Gilded pieces are often dated to around or after 1200.

In his 1911 paper on the tiles, French Egyptologist Georges Daressy, of the Egyptian Museum in Cairo, noted that the tiles have no inscriptions, so identification of the peoples shown required a comparison of the drawings with previously known temple bas-reliefs or tomb paintings, giving some uncertainty: > Unfortunately, there is no inscription on these tiles fixing the name of the > peoples represented; we are forced to compare with the bas-reliefs of the > temples or the paintings of the tombs to find a similar type and we are > sometimes perplexed. Formal excavation work at Medinet Habu by the Egyptian Antiquities Service (EAS) ended in 1899, but work continued by local fellahin sebakh-diggers (sebakh is the nitrogen-rich remains of ancient mud brick, dug up to be used as fertilizer). In 1903, the fellahin discovered remains of overturned doorways, still partly covered with their original decoration in enamelled tiles. Some pieces disappeared, but most were collected by the "ghafirs" and sent by Howard Carter, then Chief Inspector of the EAS in Upper Egypt, to the Cairo Museum, together with four of the pillars and an overdoor to which they had belonged.