For example, Shinique Smith's textile bundles chats amiably with Kevin Beasley's resined rainbow of split ball caps, both buoyantly exuberant in color.
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Vissel Kobe In 2004, manager Ivan Hašek resined in September and Kato became a new manager in October.Vissel Kobe He managed 7 matches until end of 2004 season.
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Showcased under crafted indigo kakemonos, and highlighted on indigo resined chunks of trees, Nadel & Pen exposed three of its Denim-Sculptures. 100% handmade in France, the three sculptures featured objects of mass- industrialisation, wrapped up in collectible selvage denim, turning these "out of service". International press was enthusiastic and then, articles popped-up .
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In 1986, he named a manager for Japan national team as Takaji Mori successor. He managed at 1986 Asian Games. However, at 1988 Summer Olympics qualification in October 1987, following Japan's failure to qualify for 1988 Summer Olympics, he resined a manager. In 1988, he returned to Fujita Industries and managed the club.
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He managed at 1970 Asian Games. However, at 1972 Summer Olympics qualification in 1971, following Japan's failure to qualify for 1972 Summer Olympics, Okano resined. In October 1974 he joined the Japan Football Association (JFA). Soon after that he became executive director of the Japanese Olympic Committee (JOC); in 1977 he was appointed as its general secretary and in 1989 as its executive director.
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On 31 July 1983, Vaidya became the 13th Chief of Army Staff of the Indian Army, taking over from General K.V. Krishna Rao. The appointment was subject to controversy as the senior-most general, Lt Gen S K Sinha was super-ceded. Sinha was the Vice Chief of the Army Staff and was being groomed to take over as the next Chief. With the appointment of Vaidya as the 13th COAS, Sinha resined in protest.
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Vigevano's war carriage A rotary grindstone − the earliest representation thereof − which is operated by a crank handle is shown in the Carolingian manuscript Utrecht Psalter; the pen drawing of around 830 goes back to a late antique original. A musical tract ascribed to the abbot Odo of Cluny (ca. 878−942) describes a fretted stringed instrument which was sounded by a resined wheel turned with a crank; the device later appears in two 12th century illuminated manuscripts. There are also two pictures of Fortuna cranking her wheel of destiny from this and the following century.
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Chasi, a Warm Springs Apache musician playing the Apache fiddle, 1886, photo by A. Frank Randall"Portrait of Chasi, Bonito's Son..." National Anthropological Archives. (retrieved 11 June 2010) Arizona Apache fiddle, from the Musical Instrument Museum - Phoenix, Arizona The Apache fiddle (Apache: tsii' edo'a'tl, "wood that sings") is a bowed string instrument used by the indigenous Apache people of the southwestern United States. The instrument consists of a plant stalk, such as that of the agave or mescal plant. One or sometimes two strings, often made of horse hair, are secured at both ends of the stalk, a bridge and nut added, and the string is played with a bow resined with pine pitch.
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Until English King Henry VIII seized the lands of the Roman Catholic Church in 1536, land measures as we now know them were essentially unknown. Instead a narrative system of landmarks and lists was used. Henry wanted to raise even more funds for his wars than he'd seized directly from church property (he'd also assumed the debts of Monasteries), and as James Burke writes and quotes in the book Connections: the English monk Richard Benese "produced a book on how to survey land using the simple tools of the time, a rod with cord carrying knots at certain intervals, waxed and resined against wet weather." Benese poetically described the measure of an acre in terms of a perch:Connections, pbk. p.
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The lion's roar consists of a cylindrical or bucket- shaped vessel with one end open and the other closed with a membrane. A length of cord or gut is fastened through a hole in the centre of the membrane; the cord is resined and rubbed with coarse fabric or a glove, producing a passable imitation of a lion's roar. In the past this was always a two-handed operation – one hand held the cord taut, the other gripped and slid up the cord, but in the late 20th century Kolberg produced a mounted model, with the cord held taut, requiring only one hand. In another version of the instrument, the end of the string is loosely secured to a wooden handle to form a whirled friction drum.
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