428 Sentences With "upper story" | Random Sentence Generator

Some still have the original recessed upper-story balconies that made the neighborhood's architecture stand out.

It was a garish, oddball establishment with a giant mural of a topless woman over the upper story façade.

One sight during the flood: a handmade, white flag hung from an upper story of a Main Street building bearing the letters SOS.

Their tiny workshops eventually became a complex of 200 street-level cultural and art sites, with older residents continuing to occupy upper-story apartments.

Built on a small plot of land, the house is composed of two compact stories; this view depicts the studio portion of the upper story.

Video In May, a photo on Manning&aposs Twitter account apparently showed the 30-year-old standing on the edge of an upper-story window ledge.

Few of these towering constructions are open to visitors throughout, but most contain public amenities at their bases, and some have upper-story observatories or restaurants.

From Juliet to Alice Kramden, women have communed from their upper-story windows, but few ever reached a wider audience with as mundane a message as Mary Fiumara.

Bodies crowded into the pick-up zones and the parking lot outside the international arrival area, creeping into the parking garage, where protesters hung signs from upper-story railings.

"They're Watching," a mildly amusing horror movie released on Friday, is about a reality TV crew that goes to Moldova to film an expatriate's fixer-upper story and stumbles into the occult.

The family holed up in a house that heated up "like a boiler" inside, he said, then made their way onto the roof and then to the upper story of another, concrete home.

But until last month my twin passions for journalism and horses had intersected only rarely — like when I covered a gala at the Waldorf Astoria hotel where two horses trotted around in an upper-story ballroom.

According to Mr. Simmons, putting a three-lane, 75-foot lap pool in an upper story of a new building can cost $650,000 to $750,000, not counting the costs for the pool room, finishes and building mechanicals.

At Hunters Point, construction workers were putting the finishing touches on the ground-floor community room when I visited; cushy furniture had been moved into the sunny teen area, smartly quarantined on an upper story and partly cordoned off with glass, to buffer sound.

I'm in an upper-story office, surveying the Crazy Horse strip club with Tiffany Apczynski, the vice president of public policy and social impact at Zendesk, who points out that in renderings of a new building to be constructed next door to it, the architectural firm was careful to leave out the strip club.

He was best known for two works: "Accidental Death of an Anarchist" (215), a play based on the case of an Italian railroad worker who was either thrown or fell from the upper story of a Milan police station while being questioned on suspicion of terrorism; and his one-man show "Mistero Buffo" ("Comic Mystery"), written in 21970 and frequently revised and updated in the decades that followed, taking wild comic aim at politics and especially religion.

Three bedrooms were located on the upper story. Remodeling in 1937 and 1956 changed the interior slightly. The upper story now had a bedroom. The house is shaded by 100-year-old cottonwood trees that were planted by the original owner.

The upper story is decorated with two terracotta shields and with patterned brick panels.

Most of the houses exhibit the czechish style, which shuns height and dispenses with an upper story.

The ballroom in the upper story of this addition served as the scene of many events and parties.

The upper story is used by Sam and Ardella, and about half a dozen of their adopted native children.

Detail of the staircase loggia. Hermes fountain in the courtyard The main building is a square, three story sandstone structure. The south facade is symmetric around the large open air staircase and main entrance loggia into the upper story. The upper story has four sets of windows on each side of the main entrance.

The other major habitat type in the ecoregion is the shola- grassland complex, found at elevations of 1,900 to 2,220 m. Shola is a stunted forest, with an upper story of small trees, generally Pygeum gardneri, Schefflera racemosa, Linociera ramiflora, Syzygium spp., Rhododendron nilgiricum, Mahonia nepalensis, Elaeocarpus recurvatus, Ilex denticulata, Michelia nilagirica, Actinodaphne bourdellonii, and Litsea wightiana. Below the upper story is a low understory and a dense shrub layer.

The upper story included a large hall known as the Stuva süra as well as bedrooms. The basement housed the stables. Many of the houses were decorated with sgraffiti.

Much of the woodwork is slightly curvilinear, and in the upper story, the ceilings have been curved inward to achieve greater height than is typically found in period houses.

Windows had to be propped open with a stick. Upper story windows were fixed sash. Interior and exterior window surrounds were all rough-sawn cedar. Window sills were cedar.

Also rebuilt was the church of San Giovanni Elemosinario. On 6 October 1527 he was named the proto-maestro for the Scuola di San Rocco, and designed the upper story.

One crazy, completely fabricated story that persisted for some time had Jackie being held outside of an upper story of a building upside down by thugs until he agreed to sign a contract.

The first story is of brick and upper story sheathed in stucco with half-timbering. Note: This includes and Accompanying photographs. It was listed on the National Register of Historic Places in 2000.

There are narrow semi-circular-headed windows. The upper story is Early Norman. The parapet is 17th century. The remainder of the church was entirely rebuilt in 1861, by Sir George Gilbert Scott.

The convent preserve same of the original mudejar gates of the palace. One of them leads to the cloister. The capitals of the upper story are among the more prominent examples of the Plateresque.

Visitors can eat at the open air upper story "Food Court" of the "Taj Mahal" building (which seats up to 1,500), at the Dingo Diner, or at several food vending stands around the zoo.

The building is a two-story red brick structure separated into three storefronts demarcated by brick piers. The street level storefronts have been rebuilt, and many of the upper story windows have been filled in.

However, most of them are masonry, not wood frame constructions, and no other such curved corner sits beneath a cantilevered, rectangular, Japanese-style (irimoya) hip and gable roof. The cantilevered, wrap-around balcony on the upper floor follows the curve of the walls beneath, serving the same function as the verandah walkways around traditional Japanese homes. The upper-story doors are also paned sliding doors, like Japanese shōji. Upper- story balconies were typical of many small family-owned shops, where the family lived above the shop.

According to the 2010 census, the township has a total area of , of which (or 99.11%) is land and (or 0.86%) is water. Indian Lake, Lower Story Lake and Upper Story Lake are in this township.

The front has two closely spaced doors that enter different rooms. There are two nine over nine lights on each side. The upper story has five nine over nine lights. The middle window is off center.

In a few months the handsome exterior of the building was completed. Its dimensions were: length, width, height; the upper story served as a church, and the lower served as a parochial school, divided into four rooms. The cost of building, exclusive of interior finish, was $16,000. As soon as the edifice was enclosed, a temporary altar was erected and plain chairs, in lieu of pews, were provided in one of the large rooms in the unplastered upper story, and divine service was held for the first time on Christmas, 1892.

They eventually reconcile and make love. Manute arrives and violently beats a naked Dwight. Dwight is knocked out of his upper story apartment window, where he blacks out momentarily. He awakens to find Manute driving off with Ava.

It is topped with a gabled roof from which four brick chimneys rise. The west elevation features a two-story porch supported by six pillars. Its upper story has a balustrade. All doors and windows have simple wood trim.

A small synagogue was on the upper story. Shops occupied the lower story of the buildings, with their entrances facing Jaffa Road. In the courtyard stood two cisterns and a shared bathroom tower. The development was considered luxurious for its era.

The upper story windows are detailed similarly to those on the west side. Primary access to the upper floors has been via a stairway inside the west-facing arched doorway. The upstairs floor and ceiling were constructed of Dade County Pine.

The two-story station building is wooden with a gabled roof. The upper story was originally a residence, while the lower story featured passenger and cargo services and a waiting room. The building measures . It currently features a Peppes Pizza outlet.

Its otherwise normal upper story is inaccessible and therefore offers no usable space. It is in this respect similar to the tahōtō (a two-storied pagoda) and the multi-storied pagoda, neither of which offers, in spite of appearances, usable space beyond the first story. In the past, the name also used to be sometimes applied to double-roof gates.Iwanami Nihonshi Jiten This extremely common single-roof gate was developed from the double-roofed nijūmon, replacing the flanking roof above the first floor with a very shallow balcony with a balustrade that skirts the entire upper story.

We reached into the > building and drove the enemy from the lower floor some of them running > toward the river and some running up the stairs. They kept up a fire from > the upper story and from the direction of the River so that many were killed > and wounded of our party. After getting possession of the lower floor we > were no better off than we would have been had we nothing at all of the > house. I saw the officers trying to get their men to go up the broad > stairway to drive the enemy from the upper story.

It was named Albertturm after Prince Albert, later King Albert of Saxony. It is 18 m tall and was built with three stories. A staircase with 99 steps, initially outside and only turning inside in the upper story, leads to the observation platform.

Behind it are a double-hung one-over-one sash window and plain wooden door. The upper story has a double one-over-one sash. A wide overhanging eave at the roofline sets off its projecting nested gable, decorated with half-timbers.See photo.

In his bedroom is a nude Ava. Following a heated argument, they eventually reconcile and make love. Manute arrives and violently beats naked Dwight. Dwight is knocked out of his upper story apartment window to the street below, where he blacks out momentarily.

Upper and lower flooring is blind-nailed hard pine tongue and groove. Hard pine steps make up the stairs. The building holds approximately of floor space. The upper story contains three major bedrooms with a shared bath; there are also three minor bedrooms.

Protective roofs were erected, then in 1972, the ground floor was completely covered after razing much of the ancient walls of the upper story so flat concrete ceilings could be installed and tiled roofs constructed over the atrium and Porticus.Strocka 1984, p. 17.

They continued to use the upper story as their meeting hall, but the first story transitioned from the blacksmith shop to a feed store and a garage. With . Heathman built his shop much as it appears today. The walls are of gold-tinted limestone.

The main section of the house is articulated with bay windows and porches, and gables on the upper story, most noticeable on the front facade. The entrance has arch-top double doors under a small porch; over that is a window with a gabled pediment.

Two skylit staircases, with turned balusters and newels and a curved molded handrail rise to the upper story in the front and rear. Off them, the hallways have simple wainscoting. Fireplaces in the front rooms have a mix of classical, Italianate and Eastlake decorative touches.

Two tracks received a roof. All buildings were wooden, with the two- story main building a log house with paneling in Swiss chalet style. The upper story was used as housing.Norwegian State Railways: 10 About forty people worked at the station from the opening.

The upper story was added in the 1930s. Included are numerous color photos. With The property includes a collection of bells, collected by Dr. Babcock during the 1930s through 1960s. A redwood frame called the Babcock Bell Tower, designed and built by Dr. and Mrs.

The single-story annexes on both sides break with the symmetry. In its original layout the ground floor featured a waiting room, ticket office, post office and a cargo facility. The upper story was originally a station master's residence.Hartmann: 91 The station building measures .

With this issue, both of the old buildings were to undergo a drastic change. The upper story of the high school building was removed. The architects dug under the building, raised the corner with jacks and poured cement in the hole with jacks in place.

The works building was expanded in 1982, including more garages and office space.Hjelle: 55 A new control tower was taken into use in November 1984.Hjelle: 39 A new terminal was also built for NOK 53 million. It included an upper story with a restaurant.

The Cannon Building is five stories high, 22 bays wide by five deep. It is made of load-bearing brick augmented by wooden floor joists inside. The upper story is a mansard roof with bracketed cornice and pedimented dormers. Originally, it was four stories in height.

The original kitchen wing has a reconstructed fireplace and original Dutch door. It has a bedroom in its upper story. The bedrooms on the second floor are similar in layout and size to the rooms below. They, too, have intricate original detail, although not as extensive.

In the basement it is thick. The ground floor wall is while on the upper story it is only thick. The south-west wall, which faced the city, is between thick. The five residential floors were all given rectangular windows during the conversion in 1862-64.

Until construction was completed in 1823, court was held in the upper story of the district school on Center Street (east of the present-day Livingston County Museum) and prisoners were housed in Canandaigua. In 1829 the county opened a poor house farm just outside the village.

The upper story has been subvidided into bedrooms and remodeled considerably. The house has two outbuildings, a modern metal barn and detached garage, on its lot. Neither are considered contributing resources to the NRHP listing. A late-19th-century photograph shows a carriage house near the property.

Count Yakov Bruce made the upper story his astronomical observatory, the first in Russia. The fourth floor had a clock and a state coat of arms. "An attractive typically Muscovite, wide exterior staircase led to a gallery on the first floor and surrounding the building."Berton, Kathleen (1977).

The -story wood-frame building has a front elevation with three bays. The ridge-line of the roof is parallel to the front facade. Each side of the main structure is gabled and flanked by stuccoed chimneys. The upper story makes extensive use of steeply pitched cross-gables.

The upper story features a restaurant while there is a café and kiosk in the lower section.Hjelle: 177 Vigra has a category 7 fire and rescue service. Ground handling is provided by SAS Ground Handling and Aviator. The asphalt runway measures and is aligned 07/25 (roughly east–west).

On the east side of these lots Janietz had a plain frame, by , building erected. The upper story served as a temporary church, and the lower story as a school. The building cost $4,600. It was dedicated to St. Stanislaus of Szczepanów by Gilmour, on Sunday, November 13, 1881.

Library of Government College for Men Nazimabad, Karachi. It is a two-story building, the upper story of which serves place for calm and busy researchers. The lower story is working as reading hall for the students. Presently, the library has more than 25000 books on different subjects.

The monastery was a double story building. Stairs to the upper story went through one of the rooms. There was additional connection through wooden constructions from the courtyard. The strength of the walls has, however, led to the idea that there might have existed even a third story.

The kitchen structure is accessible by a single entryway situated on its southern façade, which is connected to the adjacent residential structure of the Wilson–Wodrow–Mytinger House by a covered porch. A large stone chimney dominates the kitchen structure's northern side, directly opposite the entryway on its southern side. One single six-over-three-light wooden sash window is located in the center of each of the building's long sides on the ground floor, and two four-light wooden sash windows are located in the southern gable opposite the fireplace to provide light to the upper story. An enclosed stairway provides access to the upper story and is situated opposite the fireplace side of the building.

The Drum Tower is a -tall two-story building made of wood. In the upper story of the building housed 24 drums, of which only one survives. New drums have been made to replace them. Nearby stands the Bell Tower, a -tall edifice with gray walls and a green glazed roof.

Mitchell et al, p. 221. The upper story was reserved for Lodge activities. A deep well was dug in the center of Main Street to supply the town's needs, which was named the "Exhaustable Fountain" [sic], but because of the growing population, this well later went dry.Mitchell et al, p.

Jones died under tragic circumstances at his residence in Bayswater Road, Kings Cross on Saturday 1 November 1924. He was found dead in the street after falling from an upper story window. He apparently cut his throat before the fall. He was suffering from ill health prior to his suicide.

The building is located at the corner of Griswold and Lafayette Streets, and has decorative facades facing both streets. Each facade has three-story Ionic columns supporting the attic story, on the upper story, double-hung windows are grouped in pairs, separated by elaborate plaques. A parapet runs across the roofline.

It has a three-bay facade with bay windows flanking a center entry covered by an open porch. Its upper-story windows are headed by projecting lintels. Most of the windows are single sash, but some are paired sash windows set in a shared opening. The house was built c.

The two-story frame commercial building has two bays with entrances. The exterior is covered in metal panels pressed to simulate stone with pressed metal accessories and cornices. An oval stained glass window is to the left of the right-hand storefront. Four windows face the street in the upper story.

The bell tower was constructed 46 years after the rest of the church, on the west side, as it was not intended to be used an entrance. The sides of the church have three windows reaching to the upper story. Each window has forty- four panes of glass—eleven panes high, four across.

It is generally believed that these houses had an upper story made of wood. The interiors were finished smooth with plaster and were rarely painted. Over time changes were made to the housing units; Querns, braziers and mortars appeared in the floors. Recesses in walls were also put to good use as cupboards.

Lowland forests are found at elevations from sea level to and reach heights of . They consist of three tree stories. The upper story includes achiotillo (Alchornea latifolia), najesí (Carapa guianensis) and acana (Manilkara valenzuelana); the middle story has tagua-tagua (Diospyros caribaea), Ocotea floribunda, Oxandra laurifolia, Talauma minor, Terminalia spp. and Ficus spp.

The upper story still contains an oratory with stuccos. and an altar was decorated by Paolo Reggiani with mural decorations by the Antonio Rolli and his brother Giuseppe, and Giovanni Battista Caccioli.Biblioteca Salaborsa, entry on the structure.Bologna sacra: tutte le chiese in due millenni di storia, by Marcello Fini, page 116-117.

Lower Middle Castle with half timbered stair tower and upper story Gundeldingen Castle is a castle in the Gundeldingen neighborhood of the municipality of Basel of the Canton of Basel-Stadt in Switzerland. It is a Swiss heritage site of national significance. Originally four related castles, today parts of only two remain.

The lower story is built of field-stone, and the upper > part, including the tower, of wood. The interior is finished in antique oak, > and the walls are painted in hues of brown and yellow. In the upper story is > situated the town-hall proper. It has a seating capacity for 550.

Access to the rear of the house is provided through the sun porch addition. The original interior plan featured a central hall with a living room on one side and a parlor on the other. Stairs to the upper story were in the central hall. The kitchen and pantry were in the rear.

Looting took place the next morning with rioters carting off furniture, blankets, rugs, files and air-conditioning devices among others. Fire was reportedly still raging from one floor as protesters tore down the Muslim Brotherhood signs from the building's front facade and another waved the Egyptian flag from an upper-story window.

The campus library is a two-story building, the upper story of which serves as a place for researchers. The lower story serves as a reading hall for students. Presently, the library has more than 25,000 books on different subjects. The leading dailies of the country are available in the Reading Hall.

Only the lower story is preserved, but there was also an upper floor, in which there are presumed to have been attic quarters for Macellum workers. Access to the upper story was by means of a wooden stairway leading to a wooden gallery from which it was possible to reach the rooms.

The upper story is reached by narrow stairway. This floor is more spacious even though there are columns here as well. This is the only multistoried palace found outside the Mayan areas. Building A Building A has two levels, stepped frets and niches and is reminiscent of structures found in the Yucatán.

Terrestrial Ecoregions of the Indo-Pacific: a Conservation Assessment. Washington, DC: Island Press. The other major habitat type in the ecoregion is the shola-grassland complex, found at elevations of 1,900 to 2,220 m. Shola is a stunted forest, with an upper story of small trees, generally Pygeum gardneri, Schefflera racemosa, Linociera ramiflora, Syzygium spp.

Orlando M. Poe. It is a "distinctive lighthouse that some believe resembles a gingerbread house". While there is no witch living inside as there was in the tale of Hansel and Gretel, there is an eerie "phantom keeper" who for years beckoned to mariners from an upper-story window. It stands sentinel to Maumee Bay.

Since the gate was reconstructed using flame-resistant materials, the upper story of the Hōzōmon stores the Sensō-ji's treasured sutras. These treasures include a copy of the Lotus Sutra that is designated a Japanese National Treasure and the Issai-kyō, a complete collection of Buddhist scriptures that has been designated an Important Cultural Property.

A low iron fence and gate separates the house from the street. On the three-bay south (front) facade, the western two bays are on a small projecting section. A veranda begins here and wraps around the house's west side. It has a wooden rail with regular turned posts supporting the slightly flared upper story.

Traditional Dai villages are mainly located in bamboo plains near rivers or streams. Dai homes are usually built on stilts and some are square in shape. A few houses are two story with the upper story being the living space and the bottom story as a storehouse. The bottom story can sometimes be wall-less.

The upper story is dominated by Pinaceae (Pine Family) including Pseudotsuga menziesii (Douglas-fir), Tsuga heterophylla (Western Hemlock), Pinus contorta (Shore Pine), and Abies grandis (Grand Fir), as well as Acer macrophyllum (Bigleaf Maple), Arbutus menziesii (Pacific Madrone), and Alnus rubra (Red Alder). Important understory species are Gaultheria shallon (Salal) and Acer circinatum (Vine Maple).

The stairway at the right accesses the upper story, which originally had the same floor plan as the ground floor. The floor plans have been somewhat modified for the Museo Picasso Málaga.Isabel Cámara Guezala and Rafael Martín Delgado, El encuentro del pasado y el futuro, Diario Sur Digital. Part of the Canal Picasso series.

A fourth stall is located behind one of the two tack rooms. A sliding door opens into the granary, now a woodworking shop. To its north is the threshing floor, with a corner staircase leading to the basement. Two-thirds of the upper story is taken up by the hayloft, divided into two sections.

It is an L-shaped brick and stone structure with a slate mansard and tin roof. The main portion is one-and-one-half stories with dormer windows projecting from the mansard roof. The first floor contains an entry porch, living room, dining room, kitchen and office. The upper story contains two bed-rooms and a bath.

The lodge also contains a basement, which is divided into two rooms by a masonry wall. A single-story rear addition was constructed c. 1900. There is a total of of living space. The windows on the first story are one-over-one double-hung sash, while the upper-story windows are modern one-over-one sash replacements.

Montane forests are found at elevations of . These forests consist of two arboreal stories and reach a height of . The upper story is dominated by barril (Cyrilla racemiflora), marañon de la Maestra (Magnolia cubensis), Persea anomala and Laplacea angustifolia. The lower story consists of Cleyera nimanimae, Freziera grisebachii, Haenianthus salicifolius, Lyonia species, Torralbasia cuneata and enebro (Juniperus saxicola).

In its first years, Crowell served on the school's board of directors and contributed liberally to the institution. Crowell operated his Stone Mill from 1845 until his death, exporting products throughout the country. In 1917 this building was converted for use as a bank, removing the upper story, and applying a neoclassical front on the Superior St facade.

Upper story window surrounds are made of cast concrete, and the facade contains a wealth of classical detailing, including rosettes, dentils, beadwork, and egg-and-tongue moldings in the entablature and spandrel panels. The rear of the building has a similar five-part facade with entryway, but lacks the portico. The sides are shorter, and have similar entryways.

The church, with pews, altars, etc., cost about $15,000. The upper story is used for divine worship and the lower story serves as a parochial school, divided into three rooms. The school was attended by two hundred pupils, taught by Felician Sisters, of Detroit, who have had charge since its opening, in the spring of 1890.

This idea is also supported by the photograph of a "cure cottage" such as the one in which his mother died at the Saranac Lake tuberculosis sanatarium behind the grimly forbidding windows of the upper story, a memory of which may have been awakened by the inn's upper windows.O'Connor, in Dreishpoon et al. , 2002, pp. 47, 54: fig. 3.

See Júlio Parra, Azulejos. Painéis do Século XVI ao Século XX (Lisbon: Santa Casa da Misericórdia / Museu de São Roque, 1994). In the niches above the two pulpits are white marble statues of the four Evangelists. Around the upper story of the nave is a cycle of oil painting depicting the life of Ignatius of Loyola (ca.

Soft washing Equipment is distinctly different than power and pressure washing equipment. The electric diaphragm pump applies the cleaning solution at 40-80 PSI. The equipment used for soft washing may also have telescoping handles so that the cleaning solution can easily reach roof eaves, upper story windows, and other such areas, without this added pressure.

Terra cotta plaques with Egyptian motifs decorate the building's upper story, and lotus-patterned terra cotta trim adorns its parapet. The building's lobby includes an tall panel depicting a scene from the Temple of Edfu as well as Egyptian-inspired detailing. The building was added to the National Register of Historic Places on April 15, 1978.

The rear elevation of the 1861 stone addition, viewed from the northwest. Following its construction by Col. Parsons in 1861, the ballroom in the upper story of Wappocomo's stone addition served as the scene of many events and parties. According to tradition, as many as 100 couples have danced on the ballroom's wooden floor since its construction in 1861.

The yellow building is wooden with a concrete foundation. It has siding in asbestos cement and a gable roof. The building consists of a main section, where the lower story originally featured a ticketing and waiting room, and an upper story with the station master's residence. Originally there was a gabled annex situated perpendicular to the main section.

Vinton in the presence of many native and British friends. It was a large two-story brick building with the upper story for church services and the lower story for schoolrooms. The Karen Home Mission Society was also housed in that building. It was called Frank's Church, and later came to be known as Reverend Vinton Memorial Church.

It rented to Trosvik Verkstad, which at first used it for office space. Later it converted the southern part into a physician's office. From 1982 the upper story was also available and rented to the same company, until it went bankrupt in 1986. A series of renovations were carried out, which partially destroyed many dignified aspects of the building.

Blackbourn, David (1997) The Long Nineteenth Century: A History of Germany, 1780-1918, Oxford: Oxford University PressGunter Mai, [2000] Die Erfurter Union und das Erfurter Unionsparlament 1850. Köln: Böhlau The church was reconsecrated in 1854. In 1872, a fire destroyed the interior of upper story of the monks' dormitory, but the damaged was repaired shortly afterwards.

The station was a two-story wooden building with sash windows, the upper floor being smaller than the lower and centrally placed.Photo of the station. The pitched roof over the ground floor was extended to form a canopy over the platform on all four sides of the building. The upper story had a gable end roof.

The station master lived in the four-room apartment in the upper story of the station building.Jakobsen: 36 Initially the Horten Line had four trains per direction per day, increasing to seven in 1884. It reached eleven during the 1920s and peaked with thirteen from 1946.Aspenberg (1994): 140 Travel time was initially 16 minutes between Skoppum and Horten.

In the center of the roof along eastern side a flagpole rises. An air handler is located in the northeast corner. The upper story of the pavilion has the same treatments as the rest of the building. On its north facade are two windows, one the same single casement type seen elsewhere on the building, the other a triple.

A semi-round turret sits on the corner of the building; it is lacking its original upper story and conical roof. However, the remainder of the second floor retains a high degree of integrity, containing the original double-hung windows with limestone sills and lintels, as well as pressed metalwork with wreaths and garlands near the roofline.

Another former monolith was first described in 1968 by Ussishkin. At that time it was located under the courtyard of a modern-period house serving as a cistern. It has "the finest and most delicate stone dressing in the Silwan necropolis." The upper story was destroyed for use as quarried stone in the Roman/Byzantine period.

In 1977, Evelyn Hill and Juania Higuera purchased 18.5 E. Concho. Two years later, Hill remodeled the upper story of the building into the present museum. Museum established, Hill created the story of Miss Hattie's bordello, alleging that it operated from 1902 to 1952. According to Miss Hattie's Bordello Museum, the brothel was established by a Mrs.

When Florentina embraced her sister the likeness walking with her father in the garden disappeared. Later, Florentina goes to the upper story to get a garment from the wardrobe and comes back much later looking pale. She reveals that while upstairs she encounters an illuminated version of herself (her spirit). The spirit foretells her many things.

The second being a two-storey brick residence was added to the original portion in 1893. The two-storey brick house has picturesque verandahs to the north, east and west elevations and a large tower. The upper story is timber framed and decoratively shingles and lath and plaster lined. The front section of the roof is ripple iron.

The first-floor room was of some pretensions, having had two three-light windows with traceried heads and an oriel window, replaced in the 17th century, over the entrance to the side passage; the main ceiling beams have chamfered soffit-nibs. The second floor was once open to the roof, and the partition truss had shallow arch-braces to a collar-beam which had a central boss. The contemporary hall wing is of three bays; the floor area of the hall extended over all three, but the bay adjoining the range fronting the street had an upper story. The upper story was built above an elaborately moulded bressummer, supported by arched brackets, and there is a waist rail corresponding in height and in decorative detail in the east wall of the hall.

Objects related to the Eight-Nation Alliance's invasion of Beijing and later the May 30 Massacre of 1925 were put on display, turning the towers into a museum. The upper story of the building currently serves as the People's Cultural Hall of the East City District. In the 1980s, after much repair, the Bell and Drum Towers were opened to tourists.

When the house was set on fire from below the children and women had to be lowered from the upper story, and Mrs. Taylor and Miss Blatchley with their escape cut off had to jump, both were seriously injured. Mr. Reid was nearly blinded for life by being struck in the eye with a brick when trying to break Mrs. Taylor s fall.

A conical tower marks the front corner of the building; the original main entrance is below the tower and is flanked by two sets of stone columns, one of the building's most prominent Romanesque features. The upper-story windows are topped by brick arches, a common Romanesque element; the second-story windows have segmental arches, which the third-story windows have round arches.

Around 1908, the company needed a new house on Main Street. Local architect William J. Beardsley, who had recently designed the new Dutchess County Court House, was hired. His building was plainer than other firehouses in the city, but came with an upper story meant to be used as a club. One of his original renderings of the building is on the wall.

Another jail wing was built in 1907. A fire in 1924 destroyed most of the upper story, but it was rebuilt to its original appearance. Repairs could do nothing about the building's age, however, and by the later 20th century some degradation was becoming apparent. The sheriffs and their wives moved out in 1966, and eleven years later the jail itself was closed.

By mid-September a gravel runway was completed and approved by inspections of the CAA and Braathens. The second stage of construction saw the extension of the runway to . It also saw the construction of a terminal consisting of an expedition building measuring , with an upper story used as a control tower, measuring . It cost and lacked such amenities as water.

Many of the smaller stations received a ground floor in stone and an upper story in wood.Hartmann: 65 Steinkjer and Levanger were both built in plastered brick.Hartmann: 69 Fauske Station, terminus from 1958 to 1962, had a plainer style in concrete. The section from Sunnan to Grong was designed by Eivind Gleditsch and in a transitional style between Historicism and Neo Classism.

Other portions of the resort grounds are platted as a series of "parks," intended to be undeveloped grounds held in common by the residents. Cottages at the resort are primarily summer residences, and few are winterized. They are wood-frame buildings, mostly with wood siding. Nearly all cottages have wide verandas along the front, with many having upper story portions.

The first-story windows are six-over-six; the upper story has the same six-light casement seen on the west wing. Inside, the main front entrance opens into a small front hall. On the west is the original parlor, with its original fireplace; opposite is the original kitchen. A large bedroom, with a fireplace, and several smaller rooms adjoin the kitchen.

Rosemary Lodge is a historic home located at Water Mill in Suffolk County, New York. It is a -story frame Shingle Style constructed in 1884 as an unfinished shell from plans prepared by architect Frederick W. Stickney. The rear wing was added in 1904. The house features a steep gable roof, broad porch, several upper story projections, and asymmetrical massing.

Contrary to prevalent custom, no lattice hid from view the women sitting separately at the upper story. A choir and an organ accompanied the prayer: instrumental music in synagogue was almost unknown among Ashkenazim, and the organ was strongly associated with church services. Another feature was the use of Sephardic pronunciation, deemed more aesthetic than the traditional Ashkenazi one.Meyer, Response, pp. 36-39.

Sørensen (1995): 65 The upper story of the station building was used as a residence for the station master. The station acted as the central transport hub for Brevik. The Strømtangen area also served, until 1934, as a quay for ferries along the coast, and until 1962 for car ferries across the sound to Stathelle. The bus route to Skien also terminated there.

From its upper story there is a superb river view, > from the street or the East River Bridge an impressive sky line. It is > quaintly balconied and recessed, and the deep brown red of its brick > harmonizes admirably with its iron work.Livingstone, p. 81. The building was topped by large, pyramidal-roofed rectangular towers, which offered excellent views of the cityscape.

Its roof has broad eaves supported by knee brackets. The rear has a projecting entrance at ground level, where the slope exposes the entire basement. The main entrance's glazed double doors are framed in a Colonial Revival surround topped by a round-arched Palladian-style light. They open into an entrance vestibule with stairs leading to both the basement and upper story.

The gallery running between the facades is covered with a gable skylight of metal-framed wire-glass panels. On each side of the gallery are ground-level shops which face onto the roofed passage. These shops are essentially two stories in height, some with a mezzanine level. Upper-story office windows above the commercial spaces also face onto the gallery.

Upper-story windows have terra-cotta molding above the lintels and windows. The north façade shows the original, three-story section on the east with two wings flanking a center section. There are entrances in each wing and nine windows on each floor of the center section. The two upper stories of the original building have windows set in three terra-cotta panels.

Construction began, but was delayed time and time again due to lack of supplies and lack of workmen. Ten years later, in 1871, the first light shone from Halfway Rock, as a new light had been completed. The keepers' quarters were originally inside the lighthouse tower. An 1888 boathouse contained additional living space for the keepers in its upper story.

The Manse of the complex is the northwest wing of the Foothills gallery complex. It was built freestanding in 1892 as the home for the minister of the First Presbyterian Church. It is a Queen Anne- styled home with upper story fishscale siding and onion dome tower. Through additions added in 1898, 1920 and 1947 the main church was linked to this building.

Their upper story and roof were burned and the lower floors were soaked with water.New-York City, New York Times, May 11, 1855, pg. 8. As successors to Greenleaf & Kinsley the business was significant in mid-19th century New York for the variety of products it sold. Aside from medicinal items, the company supplied country merchants, artisans, grocers, bakers, confectioners, distillers, and restaurateurs.

In the desert sand-ridge country of Western Australia, red-browed pardalotes forage in the upper story of bloodwoods and marble gums dispersed amongst sand dunes . They have also been recorded in bloodwood-banksia, low–acacia and eucalypt–paperbark woodlands, mulga, acacia shrublands, spinifex plains and grasslands , , , . Red-browed pardalotes may also inhabit sand dunes, rocky outcrops, valleys and floodplains .

This tablet has been the subject of broad examination by numerous researchers. This rock chunk was found on the western mass of the ground floor room of the two story building joined toward the northern side of the old Church of the Holy Ghost. The upper story was used as Priest's residence and the ground floor was used as the sacristy.

The courtyard arrangement was converted once more after the movie's production. The upper story of the Patio was an addition made by Charles V. The addition was designed by Luis de Vega in the style of the Italian Renaissance although he did include both Renaissance and mudéjar plaster work in the decorations. Construction of the addition began in 1540 and ended in 1572.

All the windows and doors are trimmed in carved wood; the rooms also have similarly carved wainscoting and ceiling cornices. The upper story, mainly given over to bedrooms, also has several fireplaces, all with similarly detailed and painted wooden casings and mantels. The attic is unfinished. There are three outbuildings: a small brick smokehouse, frame woodshed and two-story frame barn.

After the 1932 season, when a guest was killed in an avalanche, Jim Boyce took over management and continued to operate the camp through the 1930s. A major expansion took place in 1935-36. The upper story rooms were added at this time, as well as a bathhouse and more cabins. In 1972 the lease passed from the Ski Club to Locke's Resorts of the Canadian Rockies.

Sub-montane forests occur elevations of . Typical sub- montane forests consist of two tree stories and an understory; they reach a height of up to in height. Achiotillo (Alchornea latifolia), júcare amarillo (Buchenavia capitata), purío prieto (Guatteria blainii), Licaria jamaicensis, roble macho (Tabebuia hypoleuca) and Zanthoxylum elephantiasis grow in the upper story. Cuaba de la maestra (Amyris lineata), cuajaní (Prunus myrtifolia), Ditta myricoides, Laplacea spp.

In the first upper story, the so-called Herkulessaal (Hercules hall) is decorated with a statue of Hercules battling the Hydra from the 17th century. The castle is surrounded by a large park with an 18th-century Orangery and a neo-Gothic pavilion which was built in 1890. The pavilion is decorated with a statue of Minerva which was carved by Johann Friedrich I Funk in 1773.

The upper story was called the episkenion. Some theatres also had a raised speaking place on the orchestra called the logeion. By the end of the 5th century BC, around the time of the Peloponnesian War, the skênê was two stories high. The death of a character was always heard behind the skênê, for it was considered inappropriate to show a killing in view of the audience.

The cathedral has three towers, and the best view of these is from the nearby Hôtel de Ville. The first of these is a Roman tower which dates back to the 12th-century and is all that is left of the Romanesque style building. It is called the "Tour Hastings". The tower has three stories, the upper story having two semicircular windows on each face.

Priteca completed his plans for the building in early 1913; the synagogue was dedicated in August 1915. The lower story of the addition on the south side of the building dates from 1961, the upper story from 1971. The building became the Langston Hughes Performing Arts Institute in 1969, originally under the Model Cities Program.Langston Hughes Performing Arts Center History, Seattle Parks and Recreation.

Russell Town Hall is a historic town hall building located at Russell in St. Lawrence County, New York. It was built in 1921 and is a three-story Classical Revival style structure. The ground story is built of sandstone and upper story is of brick. It was originally constructed with town offices on the lower floor and a two-story theater on the upper floor.

It has siding in wood and a gable roof. The building consists of a main section, where the lower story originally featured a ticketing and waiting room, and an upper story with the station master's residence. The annex was allocated cargo handling. Today the station building features a waiting room and washrooms, open around the clock except from 21:00 on Saturday to 07:00 on Sunday.

The facade is 8.68 m wide and 8.6 m high. It once had a triangular pediment with a tympanum containing relief decoration, but this is almost entirely lost as a result of severe damage suffered by the facade in antiquity. Below this, there is an upper story with six Ionic columns in antis, which are 1.46 m high. In between these columns are seven 'false windows'.

The front facade is symmetrical, featuring a slant-sided recessed entryway with the door at grade level. The entryway is flanked by heavy piers, with large glass store windows to each side and three paired windows on the second floor. A brick beltcourse runs above the entrance and serves as the sills for the upper-story windows. A metal cornice runs across the top.

Dwight is knocked out of his upper story apartment window to the street below, where he blacks out momentarily. He awakens to see Manute driving off with Ava. Determined to rescue her, Dwight arrives at Kadie’s, where Marv is in the middle of a squabble with some out-of-town punks and the bar owner Kadie. One of them pulls a gun on Marv.

The upper-story is relatively plain. It lacks a roof or tower, but the structure suggests that it was likely a flat roof temple. This style of construction is seen in a few early temples (such as Sanchi, Temple No. 45; Deogarh, Kuraiya-Bir Temple, Lad Khan Temple in Aihole). The Nachana temple is one of the prototypal Hindu temple styles that has survived from ancient India.

Some of the decorative touches, such as woodwork and door paneling, are in keeping with the Greek Revival era and an extensive renovation around that time. In the center section, believed to be the oldest, the two open areas and cooking fireplace are consistent with the late 18th century. A library and bay window were added during the 19th century. Its upper story is used for bedrooms.

Alberoni directed the painting of the main altar. The church measured at the central aisles, and high at the lateral aisles. Its towers rose to . Although Fr. Sixto and Fr. Ristoro would supervise construction of the church, the Dominicans contracted the services of the European-trained architect Félix Roxas Sr. Roxas, adapting the seismic realities, designed a church with story of stone an upper story of wood.

5 and 8. The two-story, Queen Anne-style home has a Wisconsin white cedar-log exterior and features California redwood shingles on the upper story. The front facade features a single-story wraparound porch with log pillars across the front and east side. The fourteen-room home includes a wood-framed interior with red oak panels in the entrance hall, dining room, and library.

In 1721, he became one of the first Russian counts. Bruce was one of the best educated people in Russia at the time, a naturalist and astronomer. In 1701 he founded the first Russian observatory; it was located in Moscow in the upper story of the Sukharev Tower. Bruce's scientific library of more than 1,500 volumes became a substantial part of the Russian Academy of Sciences library.

The station master's apartment in the upper story consisted of four rooms and a kitchen. However, it had limited space due to roof angles and steep stairs. There was also a cargo building on the platform and the station featured six tracks at the time. In 1926 the station was manned by a station master, a clerk, a switcher, five telegraphists, six station workers and a journeyman.

Rendering of the Library, 1894 The exterior west and south walls of the Troy Public Library are constructed of white Vermont marble. The walls are rusticated on the first story, and are contrasted with dressed stones, Ashler Masonry, on the upper story. The facades are articulated carved stone courses, water table, and cornice. The ornament surrounding the three windows on the Second Street side are highly detailed.

The Palatine chapel consisted of a high octagonal room with a two-story circuit below. The inner octagon, with a diameter of , is made up of strong piers, on which an octagonal cloister vault lies, covering the central room. Around this inner octagon is a sixteen sided circuit of low groin vaults, supporting a high gallery above. This upper story was known as the Hochmünster (high church).

Saint Grigol of Khandzta. An 18th-century miniature from Georgia. Gregory of Khandzta (Georgian: გრიგოლ ხანძთელი, Grigol Khandzteli) (759 - 5 October 861) was a prominent Georgian ecclesiastic figure and a founder and leader of numerous monastic communities in Tao-Klarjeti, a historical region in the Southwest of Georgia."Upper-Story Chapels Near the Sanctuary in Churches of the Christian East", Natalia Teteriatnikov, Dumbarton Oaks Papers, Vol.

The adjacent octagon sides are arranged symmetrically around the entry side, with two tall windows on the lower level and much smaller upper story windows. Interior rooms are generally rectangular in shape, with triangular closet space. The first floor has a kitchen, bedroom, and parlor. Stairs to the second floor arise from the kitchen, and end in a central hall, through which three bedrooms can be accessed.

It is built in the peripteral style, surrounded by galleries with brick pillars on the lower story and wooden pillars on the upper story. The ceilings of the first floor are 10' and 14' on the second story. The walls of the house are brick and lumber used for roof rafters, floor joists, etc. are thought to pit-sawn and employ timber framing techniques, i.e.

The upper story has been sided in clapboard to match the two-story frame rear wing. The exposed fieldstone has been painted white as well. A shed-roofed porch with stone deck supported by four round columns runs the full width of the south (front) elevation on the first story and wraps around to the east. That gable end has a picture window with an art-glass top.

The upper story is a tent-like structure where the Boyar Duma convened. The exterior, exuberantly decorated with brick tracery and colored tiles, is brilliantly painted in red, yellow, and orange. The interior used to be painted as well, but the original murals were destroyed by successive fires, particularly the great fire of 1812. In 1837, the interiors were renovated in accordance with old drawings in the Russian Revival style.

The current building was begun in 1406-07 by Heinrich von Gengenbach on the site of a townhouse owned by the Burgistein family. Von Gengenbach died shortly after construction began. The name of his replacement was not recorded. It was completed around 1415 to 1417. Between 1430 and 1450 the grand external staircase was built and two chambers for the great and small councils were added to the upper story.

A formal garden was laid out around the palace. The palace was never visited by any royalty, however, and it was not long before it fell into disrepair. Catherine II of Russia, who was passing through Kyiv in 1787, preferred Mariyinsky Palace for her residence. It was destroyed by a fire in 1858 and was rebuilt soon after with the addition of an upper story and the side wings.

After the annex was completed in 1908, the ground-floor lobby extended between Park Row and North William Street. The World cashier's and bookkeeper's offices occupied the mezzanine over the 1st floor. The original two-story annex on Frankfort Street contained a newspaper-delivery department on its lower story, and bookkeepers' departments on its upper story. View from atop the dome The mezzanine through 10th stories were used as offices.

The Patton Block Building is a historic commercial building located at 88-90 Public Square in Monmouth, Illinois. Monmouth businessman and politician Robert S. Patton built the building in 1891. The red brick building was designed in the Commercial style. The building was built with stained glass panels in the top portions of its upper story windows; it is the only commercial building in Monmouth to have used stained glass.

At one time, this building was the Office of the Sheriff and Tax Collector of St. Landry Parish as well as Owen's Office Supply. Later it housed the office for Casanova Insurance. Today (2014) it is Java Square Café. 13\. Sandoz Building: Built during the 1890s, this large two story Italianate stucco over brick building has segmentally arched windows on the side and upper story of the façade.

The library of chemical books was established by a donation of several sets of journals and a gift of three hundred dollars from John F. Winslow. The laboratory was damaged by a fire in the upper story in 1884 and was rebuilt and enlarged in 1885. The building was again damaged by fire in 1904. It was used as a laboratory until 1907 and then converted into a shop.

The lintels have an unusual ogee curve on their lower edge. All upper-story windows are one-over-one sash with stained glass border panes in the upper section. The fourth story's round-arched windows have an otherwise similar treatment with some differences in detailing. The panels below are more detailed than their third story counterparts, with a spiral foliate decoration at the center and owls at the sides.

A front wall of art glass windows connects the dwelling's interior to the garden, with bands of windows on the upper story adding to the sense of horizontality. Wooden piers and trim were all given “jin-di-sugi” treatment, a wood-aging technique based on traditional Japanese techniques using the application of chemicals or burning to artificially age wood.For more information on this technique, see Conforti, et al., Minnesota 1900, 69.

59, 169, 172 Lady Dudley's chamber was a large, sumptuous upper story apartment, the best of the house, with a separate entrance and staircase leading up to it. At the house's rear there were a terrace garden, a pond, and a deer park.Skidmore 2010 p. 171 Amy Dudley received the proceeds of the Robsart estate directly into her hands and largely paid for her own household,Adams 1995 pp.

His wife followed in 1918, and ownership of the inn passed to the couple's daughters, Blanche and Anna. They ran the inn until 1924, when it was destroyed by fire. Rather than construct a new building, they modified the 1912 dance hall that Jacob Schwarz had constructed previously. The building was moved to face the river, an upper story was added, and the interior was reworked to make a new inn.

The building consists of a main section, where the lower story originally featured a ticketing and waiting room, and an upper story with the station master's residence. The annex was allocated cargo handling. There is also a shed housing the interlocking controls, dating from 1968. Today the station building features a waiting room and a washroom, open around the clock except from 21:00 on Saturday to 07:00 on Sunday.

The remaining settlers built a large two-story structure at the center of the settlement. The ground floor was divided into three rooms: one for La Salle, one for the priests, and one for the officers of the expedition. The upper story consisted of a single room used to store supplies. Surrounding the fort were several smaller structures to provide shelter for the other members of the expedition.

Only a few years after opening, the Lindell Hotel succumbed to fire. On March 30, 1867, a fire erupted on the upper story and quickly spread through the roof and all sides of the building. Although the fire department arrived without delay, the height of the hotel prevented firemen from throwing water on the roof. The top of the hotel was completely engulfed in flames, which spread downward throughout the structure.

Today, the hunting lodge serves as the conference and recreation center for the Landeskirche Schaumburg-Lippes Protestant youth group, Evangelische Jugend, as well as an educational center offering seminars, lectures, and holiday and weekend programs. A dining hall, common room, kitchen, and dormitories in the lodge's upper story are used to accommodate the various functions. An adjacent building, constructed after the hunting lodge, provides additional lodging for up to 40 guests.

The east block, the smallest and newest, serves as the kitchen with a large brick mass separating it from the cooking areas in the center block. Its upper story is unfinished. Two outbuildings are considered contributing resources to the farm's historic character. A large barn with gabled roof is to the north, near the carport, and a frame privy with gabled, asphalt-shingled roof, four- paneled door and novelty siding.

One day he dug out from a pile of corpses a little girl, Sang Sang. Since that day the two of them are inseparable. Ning Que joined the frontier military and eventually become part of the entourage of Princess Li Yu as she traveled back to the capital. He managed to discover the hidden school known as the Upper Story, which leads him and Sang Sang to many wondrous adventures.

There are only a few textbook examples of the style in McClellan Heights. Instead, it found its expression in the use of broad roofs, horizontal window openings, and placing upper story windows just below the eaves. Its use was adapted by combining the Prairie School style with the revival styles as well as two other typically American styles that are found throughout the neighborhood, American Craftsman and American Foursquare.

The church includes a nave and chancel. The whole edifice is of Norman architecture, though considerable alterations have been made. The tower retains most of its original features, and has in the upper story wide windows of two lights, which are triangular-headed. Herringfleet Mill is a timber smock drainpipe windpump grade 2 building which is now in a state of decay and has had two of its four sails removed.

The facade's decorative details include quoins made of limestone, surrounds around the door and window openings, and casement windows. The southeastern elevation has seven bays, while the northwestern elevation has a door and four bays; these bays are separated by brick buttresses capped with stone. The visible portion of the northeastern elevation is clad with brick. A vestibule, accessed from the main entrance, connects to the parish house's upper story.

Corbett felt the tiny Portland with its strategic location would make a logical hub for commerce for the Territory and for shipping supplies of farm produce and timber to California. He rented a building there that was being erected on the corner of Front and Oak streets, for $125 per month. His shipment arrived in May. He hoisted his goods into the upper story and "slept with his wares".

The Lutheran and Methodist Churches were heavily damaged; the Lutheran Church subsequently put metal braces in its attic to protect it from future earthquakes. The partially damaged school became a total loss for the town and had to be rebuilt. The town hall was so badly damaged that the upper story was condemned and has not been used since. The Shelby County area has experienced at least 40 earthquakes since 1875.

In 1872, the club rooms were moved from the upper story of a brick house on Palmer Street to a building on Brattle Street. These rooms were occupied until 1878, when a club-house was obtained on the corner of Mt. Auburn and Dunster Streets. In 1900, the club moved to its present club-house at 1 Plympton St.Cambridge Historical Commission, "City of Cambridge, Landmarks and Other Protected Properties" , 2009.

Two main rooms flank a central passage, which was an uncommon layout in colonial North Carolina but was not rare in other colonies. The unique aspect of the house is its combination of a cupola with an overhanging upper story. The cupola is octagon-shaped and covered in wood that has been cut to imitate stonework. Inside, the house features elaborate finishing which denotes the "social hierarchy" of the rooms.

The church's facade is divided by a frieze that continues around the adjoining belltower. It has bas reliefs of leaves and flowers and a sculpted image of St. James depicted as a Santiago Matamoros (Saint James the Moor-slayer) in a central niche of the upper story. The relief of Saint James is no longer the original image. The present relief which replaced the original one was installed in 1804.

Modern reproduction of a cannon in the Holsten Gate Both tower interiors have the same design. The ground floor and first upper story have the highest ceilings, while the floors above are much lower. Two narrow spiral staircases wind their way upwards, in each case between the central building and the adjacent tower. On each floor corridors connect the rooms of the central block with tower rooms at the same level.

She had stabbed him to death with a switchblade after he shot and killed her unfaithful mother. The rich man takes her to bars and nightclubs and finally to his elegant high-rise apartment. He first ignores her as he feasts on an extensive meal. She tempts him, and when he advances on her, she stabs him with her switchblade, pushing the dying man out of an upper story window.

The mill was constructed to a very high standard, presumably as a demonstration of John Mildred's status. The timber framed building has a clay tile roof and the walls are tile-hung to the level of the brick base. Diamond pattern leaded lights echo the tiling. Uniquely in Surrey, it has a lucam or projection of the upper story over the roadway to allow wagons to be loaded and unloaded easily.

Central High was built in 1911, when the current building was erected on Raleigh Avenue, now called Bellevue Blvd. It is in the Jacobean Revival architecture style, with corner pavilions on the west facade, and rusticated surrounds on the upper story windows. Though there have been additions, the school retains is architectural integrity. . Central High's building was added to the National Register of Historic Places on September 17, 1982.

The house is situated near the top of Deer Hill, a wooded area that is the highest point in the village. There are views to the Hudson River. It is a two-story hip-roofed shingle-sided frame building with polygonal and gabled dormer windows on its upper story. The west facade has a full-length stone veranda with shingled pillars, leading to an enclosed porch on the southern end.

While the Swaggerty Blockhouse bears some resemblance to historical blockhouse descriptions, it lacks common blockhouse characteristics such as gun portals. The Swaggerty Blockhouse's degree of cantilever (i.e., the degree to which the upper story extends outward beyond the lower story) is also greater than typical frontier blockhouses. Analysis of the tree rings in the Swaggerty Blockhouse's logs indicated a cutting date of 1860, well after the region's frontier period.

The walls taper slightly and upper story walls are only about thick to a height of . The tower was surrounded by two semi-circular walls to the north and east. By the end of the 13th century the town was surrounded by an, up to high, wall and additional defensive works. When the Kyburg family died out in 1264, the city and castle of Zug were inherited by the Habsburgs.

The John and Emma Lacey Eberts House is a two-story gable-front Queen Anne structure clad with clapboard and shingling. The front facade has a small turned-post entry porch with a three-section bay window. The upper-story windows are double hung one-over-ones in plain frames. The tall front gable is finished with wood shingles, and contains a paired window with a decorative board frame surround.

The Gottfried Furniture Company Building is a historic commercial building located in Springfield, Missouri, United States. Built around 1890, it is a three-story, rectangular, Late Victorian-style red-painted brick commercial building. It features a lavish presentation of metal ornamentation and corbeled brick at the roofline, upper-story windows and storefront. (includes 7 photographs from 2006) It was listed on the National Register of Historic Places in 2007.

He has transformed an old wooden building at the corner of Mt. > Vernon and River Streets into the most attractive and picturesque place in > the city. ... The upper story and roof are tiled, the windows are abundant > and pretty; on the front of the large gable in the roof is a huge sunflower > in high relief; below it, on the upper story, is a winged lion in relief; > over the front door is a course of grotesque, open carving; the whole is > painted yellow, and is so attractive that people who love light and sunshine > hover about it like moths round a candle. There is nothing in New England in > the least like it; and Mr. Fields did it no more than justice when he > brought it into his lecture on Cheerfulness, a day or two ago, with a hearty > compliment to its originality, and its cheering influence."Old Boston > Streets" (Boston Letter to the Worcester Spy), printed in Wayside Gleanings > for Leisure Moments.

The gateposts are machine cut sandstone and the same design is found elsewhere, such as at the Kennox lodge, Cankerton and opposite Peacockbank Farm (previously Pearce Bank) near Stewarton, near the original entrance road to Lochridge. In 1775 Armstrong's map shows the road going no further than Lochridge (formerly Lochrig). A wind-pump is shown situated above Chapeltoun House on the 1923 OS map. Chapeltoun House During demolition it was noted that the stonework in the lower story of Chapelton (old) House was noticeably older than the upper story as would be expected if Laigh Chapelton had developed into Chapelton when it acquired an owner with greater financial means, Mr. James McAlister (or MacAlester), who added first a new 'mansion house', later an upper story to the old farm, developed the ornamental gardens and probably built the bridge over the river with the associated 'ha-ha' (see the section on the estate gardens and landscape).

Fire Station No. 7 is a historic fire station located at South Bend, St. Joseph County, Indiana. It was built in 1904, and is a 2 1/2-story, Queen Anne style brick building with a Shingle Style upper story. It was used as a fire station until 1968, after which it was adapted for community uses. Note: This includes It was listed on the National Register of Historic Places in 1999.

Even though land was set aside for a courthouse on a public square, the courthouse was built elsewhere. This structure was a simple log house which was converted into a private home after the court relocated. During the War of 1812 the courthouse was used as an army hospital and the court was removed to the upper story of the county jail. This arrangement continued until 1817 when a new courthouse was finished.

Customs eventually had the confiscated items destroyed. Second, while playing Scandals Disco in Edmonton, a spurious "bomb threat" against the band made the front page of the Edmonton Journal on June 9, 1982; Lee and assistant band manager Greif were interviewed by police as a result. This too ended up being a staged PR stunt perpetrated by Greif. Lastly, Lee threw a television set from an upper story window of the Sheraton Caravan Hotel.

Location of Qumran Since the discovery of the Dead Sea Scrolls in 1947–1956, extensive excavations have taken place in Qumran. Nearly 900 scrolls were discovered. Most were written on parchment and some on papyrus. Cisterns, Jewish ritual baths, and cemeteries have been found, along with a dining or assembly room and debris from an upper story alleged by some to have been a scriptorium as well as pottery kilns and a tower.

The Luce County Jail and Sheriff's House is a three-story structure built with three wings in an irregular plan. Two side wings adjoin the main front section, with a third two-story wing, housing the jail, attached at the rear. The structure sits on a split fieldstone foundation. The first story is faced with Jacobsville sandstone, the second is faced with red, sand-molded brick, while the upper story is covered with fishscale shingles.

St. Paulus Evangelisch Lutherischen Gemeinde (also called Kornthal Church or Kornthal Union County Memorial Church) is a historic Lutheran church in Jonesboro, Illinois. The church was built by immigrants from Austria, who settled in the Jonesboro area in 1852. Architect Charles Fettinger, one of the settlers, designed the church. The wood frame church features a limestone foundation, upper-story windows topped by lunettes, and a double entrance topped by an arched transom.

In the fall of 1854 the combination church and school was built. It was a brick structure, about by , and consisted of two stories, surmounted by a belfry. The first floor was used for a church, the upper story served partly as a parochial school and partly as the priest's residence. The congregation rapidly increased in numbers, so that additional room had to be provided for the large number of children attending the school.

The building consists of a main section, where the lower story originally featured a ticketing and waiting room, and an upper story with the station master's residence. The annex was allocated cargo handling. Today the station building features a waiting room and washrooms, open around the clock except from 21:00 on Saturday to 07:00 on Sunday. There is free parking for 30 cars at the station, as well as parking facilities for bicycles.

Section drawing of the Sneed House The first floor of the Sneed House consisted of six rooms; front and rear halls, three parlors (south, west, east), and a kitchen. A stairwell led to the upper story from the rear hall. The second floor also had six rooms; front and rear halls, and four bedrooms with access to the attic via a stairwell in the southeast bedroom. The bedrooms, parlors, and kitchen each had fireplaces.

Coulter Cottage is a historic cure cottage located at Saranac Lake, town of North Elba in Essex County, New York. It was built between 1897 and 1899 and is a -story wood-frame structure on a stone foundation and topped by a gambrel roof in the Shingle Style. It features a sitting out porch and four upper story sleeping porches. The house was designed by noted Adirondack area architect William L. Coulter (1865–1907).

Below the upper story is a low under story and a dense shrub layer. There is a thick concentration of mosses growing on the under story and many ferns in the sunlit narrow transition to grassland. Exacum bicolor, a shola grassland plant Shola forests are interspersed with montane grasslands, characterized by frost- and fire-resistant grass species like Chrysopogon zeylanicus, Cymbopogon flexuosus, Arundinella ciliata, Arundinella mesophylla, Arundinella tuberculata, Themeda tremula, and Sehima nervosum.

Washington Firehouse No. 5, also known as Fire Station No. 5, is a historic fire station in Mobile, Alabama, United States. The two-story brick Greek Revival building was built in 1851 at a cost of $5,500. It was constructed to house the privately run Washington Fire Company. The building features a Doric distyle-in-antis arrangement at the street level supporting an upper story with jib windows opening onto a cantilevered iron balcony.

The lowest section of the ground-story facade is made of reddish granite, and some of the upper-story trimmings are made of reddish marble. The terracotta on the upper stories were sprayed with fourteen-carat gold. The detail of the facade wraps around to its rear elevations as well. The design is emphasized by rounded vertical piers, which separate the facade into bays, and recessed spandrels, which separate the windows between each floor.

The Calvin A. and Alta Koch Campbell House is a two and one- half story modified T -plan house clad with brick and panel. It is topped with a hipped roof. The house is sited on a hilly lot, so that the upper story opens directly onto ground level on one side of the house. On two sides, the second floor overhangs the first, with long bands of windows running across the second floor facades.

The Berry House was constructed in 1908. It is significant both because of its association with James E. Berry, Lieutenant Governor of Oklahoma from 1935 to 1955, but also because of its unique architectural style, described as “vaguely Italianate with a Midwestern feeling.” It is a two-story rectangular wood frame with lapped wood siding. The front door is flanked by glass sidelights; three Tuscan columns on the front support the upper story.

KNAPP was strongly in favor of retaining Poland's Eastern territories, was critical of Sikorski, and was entirely distrustful of Stalin. Wieniawa, after moving back to New York, caught between these two opposing forces, committed suicide on 1 July 1942. Some sourcesPinkowski Files. Poles.org. say he committed suicide by leaping from an upper story of his New York city residence (3 Riverside Drive), but the exact details of his death are debated among historians.

The Curtis Yelland House is a historic building located in Mason City, Iowa, United States. Frank Lloyd Wright associate William Drummond designed this Prairie School style house, completed in 1910. with The house features a strong horizontal emphasis, broad hip roofs, board-and-batten siding, stucco on the upper-story, and a centrally located fireplace and chimney round which the open plan interior revolves. The main entry is on the side of the house.

A two-story lighthouse keeper's house adjoins the lighthouse. The lower story of the house is stone and the upper story is wood. At the top of the lighthouse, at an elevation of above sea level, there is a white, red, or green light (depending on direction) that emits an isophase pattern of two seconds on and two seconds off. The 57,000-candela intensity light can be seen for up to away.

This interior view of the Neue Nationalgalerie's ground floor shows the play of light off the reflective floor, as well as the animated red LCD tracks on the ceiling. The plan of the Neue Nationalgalerie is divided into two distinct stories. The upper story serves as an entrance hall as well as the primary special exhibit gallery, totaling of space. It is elevated from street level and only accessible by three flights of steps.

Marnardal followed late in a rather standardized period of Neoclassical architecture used by the Norwegian State Railways since the 1920s. By the 1940s the designs had been altered to include elements of functionalism. It has siding of weatherboard and was built with two stories, providing an upper story for a station master's residence. The design was altered from the norm by having the two- storey section built normally to the single-storey section.

The building was originally three stories in height; a fourth floor was added later. The original building, with its upper story addition, is constructed from brick. The façade is symmetric, with projecting pavilions at each end and another in the center; this front section, which housed the company offices, is 13 bays wide and five bays deep. The center pavilion contains an arched stone entryway and a clock on the third floor.

Where the building behind is of only one story (at the aisles of both nave and choir) the upper story of the exterior wall is sham. It serves a dual purpose of supporting the buttresses of the vault, and providing a satisfying appearance when viewed rising above buildings of the height of the 17th- century city. This appearance may still be seen from across the River Thames. Between the pilasters on both levels are windows.

Some use the bus as a feeder to the train, while others took it all the way to town.Langård & Ruud: 183 Freight traffic to Hauketo was limited and mostly served a building materials outlet located at the station. The cargo annex of the building received an upper story with an apartment in 1967.NSB Arkitektkontor: 58 The cargo handling was discontinued during the 1970s, and the ramp and cargo annex were both demolished.

Exeter was a seven-part house. It was dominated by a two-story tetrastyle Ionic portico with Chinese Chippendale railings on the upper level, added in the 1830s to replace a one-story pedimented portico. The portico was flanked by single recessed bays, then by hyphens recessed farther back, and finally by small pavilions on either end. The mass of the house was reduced by a gambrel roof on the upper story.

Besides him and a youth, the only inmates were women. The Tories advanced, and took up their station; but the treasure was not to be yielded to their demand. Their call for admittance was answered by an order to leave the premises; and their fire was received without much injury by the logs of the house. The fire was quickly returned from the upper story, and proved much more effectual than that of the assailants.

The coloured coat of arms of the incumbent archbishop (presently Charles Scicluna) is located just below the arms of Mdina. A round-headed window is set in the upper story above the doorway, and the façade is topped by a triangular pediment. Bell towers originally containing six bells are located at both corners of the façade. It has an octagonal dome, with eight stone scrolls above a high drum leading up to a lantern.

The stock market crash of 1929 forced the construction committee to accept a downsized plan, with an adjusted budget of $625,000. Groundbreaking ceremonies commenced on November 14, 1930 and construction was completed on September 16, 1931. The building exhibits an amalgamation Neo-classical styling with Art moderne influences and features upper-story Ionic columns and monel alloy bas-relief doors. It features two grand staircases at the main entrance which leads to a terrace.

With his nephew, the architect Gaspar de Vega, he worked on the vanished Palace of Valsaín and Torre de la Parada. In 1540 he designed the upper story of the "Patio de las Doncellas" (Courtyard of the Maidens) in the Alcázar of Seville. He also worked on a number of manor houses including the Palace de Dueñas in Medina del Campo, and the Francisco de los Cobos Palace in Valladolid (the Valladolid Royal Palace).

Worse, the air shaft acted as a flue spreading fire from apartment to apartment.Robert W. DeForest and Lawrence Veiller, eds. The Tenement House Problem: Including the Report of the New York State Tenement House Commission, in two volumes (New York:MacMillan 1903) The 1901 law did away with the air shaft, replacing it with the large courtyard for garbage storage and removal. In later structures, the introduction of elevators reduced garbage defenestration by upper-story tenants.

The dwelling that was built on the property is a -story three-bay Federal-style house. It is constructed of brick laid in three course American Bond, and is covered with a side-gable slate roof. First floor windows are six-over-nine double-hung sash, and upper-story windows are six-over-six double-hung sash. A pair of four-pane casement sash flank the chimney at the third, or garret, level.

Those on the first story have louvered wooden shutters. Those on the upper story of the north (front) facade skip bays. A small wooden deck is located in front of the main entrance, running almost the width of the house. A stone walk leads from the front door to the road; at the latter's former route there are two stone posts and a six-foot (2 m) square bluestone mounting block, a contributing object to the National Register listing.

On the second story over the entrance is a niche with a statue of the Virgin Mary holding the baby Jesus. This, in turn, is flanked with columns and pinnacles, a miniature of the entrance below; a tondo above shows the anagram of the Virgin. Over this all, another semicircular arch is worked into the façade. There in another window bay in the upper story to the left of the entrance, similar to the two bays on the right.

The upper story of the building was rebuilt in stone. Building and expansion continued up to World War I, by which time the orphanage occupied 150 acres (600 dunam) of land. The Schneller grounds reached all the way to present-day Romema, where Schneller planted forests on land that eventually housed the Jerusalem Biblical Zoo. The orphanage's holdings were gradually reduced to 17.5 acres with the sale of land to the new neighborhoods of Mekor Baruch and Kerem Avraham.

The ground floor exterior facades were built of grey granite stones from Rocklin, California while the interior first floor facade and all upper story facades were built of redbrick. The top floor exterior facades were crowned with a white cornice. On March 4, 1981, it was added to the Nevada State Register of Historic Places. It is a contributing property in the Goldfield Historic District, which was added to the National Register of Historic Places on June 14, 1982.

It seems that it was also derived independently by Butrus Sowmy of St Mark's Monastery at the same time, according to Trever 1965, p. 25. This hypothesis suggests that the original residents of the settlement were the Essenes, and that they established the site in the desert for religious purposes. He interpreted the room above locus 30 as a "scriptorium" because he discovered inkwells there. A plastered bench was also discovered in the remains of an upper story.

The house has two stories and a basement, with a small projection on the northwest corner. The rectory's enclosed porch has arched window and a flat roof, which doubles as a balcony for one of the second-floor bedrooms. Dark woodwork is present throughout the eight-room interior of the building. A wooden Craftsman staircase leads to the upper story; the rectory also features a telephone nook, broad baseboards, French doors, and a built-in butler's pantry.

The rooms on the upper stories were for novices and those below overlooking the courtyard were occupied by the eunuchs who had administrative functions. There is a monumental fireplace revetted with the 18th-century Kütahya tiles at the far end. The Chief Harem Eunuch's apartment (Darüssaade Ağasi Dairesi) adjacent to the dormitory contains a bath, living rooms and bedrooms. The school room of the princes under the control of the Chief Harem eunuch was on the upper story.

Dunlap stated at the time that most of the upper floors were intact while the ground floor had been significantly revised. After the demolition of other structures nearby in the early 20th century, the fifth edition of the AIA Guide to New York City (2010) called the Corbin Building "a slender book-end at the corner, with no books to hold up". The book described the upper-story arches as "asserting strong individuality above a tawdry commercial corner".

The castle's architect was Ernest G. W. Dietrich of New York. A Danbury Evening News article of October 7, 1895, outlines his initial plan for the castle as a seventeen-room, 80 ft × 100 ft building, with its upper story of wood. The same article mentions a 38 ft × 48 ft barn to be constructed with architectural features "corresponding to those of the house," and makes no mention of any other outbuildings.Danbury Evening News, October 7, 1895, p.

High Dive ride under construction The High Dive ride is located in the Spanish Castle portion of the park. The load platform and splashdown pool are located outdoors, below the castle, with an observation deck/splash zone overhead. The ride vehicles ascend into the building, through an automated guillotine door, and into a spiraling fog vortex. Once at the top, the vehicle splashes down into a flume, which curves through the upper story of the building.

The eclectic architecture of the building combines two principal styles. Colonial Revival styles were very popular for both residential and public buildings when the school was built in 1908. The building's symmetry, proportions, large columned portico, and balustraded roofline are typical of the style. At the same time, the round arches on the upper-story windows and the stone block facade are typical of the Romanesque Revival style that was often employed for substantial public buildings in that period.

200 Fifth Avenue The Javits Center exhibits feature demonstrations and displays in a mostly open trade show setting. Historically, toy district showrooms near the Flatiron building also allowed buyers to consult with sales representatives from the major toy manufacturers in a quieter setting. Each building (they were interconnected by upper story walkways) contained relatively small showrooms from many manufacturers. Products featured included current lines as well as samples of products not yet introduced, or products under development.

Upstairs, Stein gave Jones a stolen piece of the spear, and then the two jumped from the upper story window and escaped by car. Driving across the land, Jones and Stein crashed into a bog, and set out on foot, with Jones carrying the skirted Stein across the muck. The Nazis pursued, and one car containing Jorge and Seigfried also crashed in the mire. Knowing where Jones was headed, Dieterhoffmann stopped to pick up his vehicle-less men.

Drinking horns were the ceremonial drinking vessel for those of high status all through the medieval periodHagen, p. 243. References to drinking horns in medieval literature include the Arthurian tale of Caradoc and the Middle English romance of King Horn. The Bayeux Tapestry (1070s) shows a scene of feasting before Harold Godwinson embarks for Normandy. Five figures are depicted as sitting at a table in the upper story of a building, three of them holding drinking horns.

The former Chevry Lomday Mishnayes Synagogue stands in Hartford's Clay-Arsenal neighborhood north of the downtown, at the southeast corner of Mather and Bedford Streets. It is a masonry structure, built out of red brick with trim of orange and yellow brick. It is three stories in height, with a shallow-pitch gabled roof. Upper story widnows are set in round-arch openings, framed by soldier bricks; the windows on the front facade second story have keystones.

168 However, Hofer states that the tower does not match either the inner or outer wall construction or position and is first shown in a drawing of the city from 1623. The late gothic windows are typical of the 16th and early 17th centuries. The distinctive upper story was added in the 17th century by a Bernese officer who had served as a mercenary in Holland. It was at this point that the tower acquired the name Holländerturm.

The house is notable for its unusually high kneewall in the upper story, a feature found only in a few surviving homes in northeastern Shelburne, and thus probably the work of a particular local builder. The house was finished in brick, probably when Sutton's son Bryon took over the farm in the 1830s. Sutton descendants continued to farm the property themselves until about 1985, at which time farmers of the adjacent land to the south took over operations.

Historically, in colonial times, the town of Charlestown was protected by Fort Charles to the south and Fort Black Rocks to the north. Many of the oldest two-story stone buildings were severely damaged over time by earthquakes, which tended to cause the upper story to collapse into the lower story. This unfortunate design flaw led to the common practice of building a wooden upper floor above a stone ground floor. The Museum of Nevis History, Charlestown, Nevis.

This can project beyond one side wall or both side walls of the hall, or sometimes just the upper story is jettied beyond the side wall. There were multiple solutions as to where the staircase was placed. ;Double ended hall plans 150px The open hall is flanked by two two-story extension. Together they can give the appearance of an H-shape as at Little Moreton Hall or a U-shape as is found in Cambridgeshire.

The Enchanted Valley Chalet is a 2-1/2 story hewn-log structure with a gabled roof covered in cedar shakes. The exterior walls are entirely constructed of silver fir logs hewn on three sides and notched at the corners with dovetail diagonal-cut joints. The first story logs are 10" in diameter, and the upper story logs are 8" in diameter. Originally, the smaller logs were cut from the tops of larger logs to conserve materials.

Joseph tells him about Greta's father, who committed suicide in front of Greta when she was very young. Julie demonstrates his respect for Greta when she attempts to lose her virginity to him. He tells her he will not be one of the things she checks off of her "to- do list" and that it has to be another time. The police come as a result of neighbors having seen Julie enter an upper story window.

In 1907 German immigrant Albert Treffeisen moved his north side grocery store here, where it remained as the City Market for many years. Afterward, the building had various tenants and first floor renovations. In 1992 it was renovated to an approximation of its original appearance, and its interior space merged with the Loveland Block to become part of the restaurant. The upper story was water damaged in the 2005 fire and has since been fully renovated.

On the west (side) elevation, the first story contains a double-hung, two-over-two wood- frame window, the upper story windows are smaller but have the same configuration. On the east (side) elevation, the first story features a double-hung, twelve-over-twelve wood-frame window that matches the façade windows in this section. Half story windows on the east elevation are double hung with six-over-six sash. There is a small basement window on this elevation.

The upper story has Mock Tudor detailing, including dentils on the two outward-facing gables. Most of the interior is also original, although the dividing walls between bars and off- license sales have been taken out to create one large bar area. The present day eating area retains its original wooden wall panelling. On the east of the building itself is a very sheltered beer garden, so food and drink can be enjoyed inside or out.

Certainly the room they have is older than that of the current coenaculum (crusader – 12th century) and as the room is now underground the relative altitude is correct (the streets of 1st century Jerusalem were at least lower than those of today, so any true building of that time would have even its upper story currently under the earth). They also have a revered Icon of the Virgin Mary, reputedly painted from life by St Luke.

It covers a footprint of by . The upper-story windows in the opera house section were originally tall one-over- one double-hung wooden windows, set into arched hoods with a prominent keystone and filling much of the two-story height. The windows in the upper stories in the remainder of the block were similar, but shorter and with less detail. The Opera House housed a series of commercial establishments throughout the 20th and into the 21st century.

The upper story contains a storage loft, and is clad in weatherboards. Attached to the southern façade of the building is a one-story wing (also of concrete masonry units) that is fenestrated by six pane steel windows. Two large concrete silos rise from the western façade of the barn. House, c. 1830. Approximately 1,100 feet southwest of Annefield is a two cell, -story frame house that probably dates from the second quarter of the 19th century.

The western half, used for services, features plain white benches along every wall facing the center of the room, where a Bible sits on a small table. The benches along the northern wall, reserved for elders, are slightly elevated. The east room, used for meetings and social gatherings, has a piano, folding tables and chairs and a library of Quaker reading. Two original stairs lead up to the upper story, formerly a gallery that overlooked the lower rooms.

The Faculty of Medicine Library has 2 stories. It provides spacious tables and study areas, the upper floor was equipped with computers in 2010 during the establishment of the electronic medical library; the project was not launched, and the upper story remained closed. Many Book- stands offering Arabic, English and French medical journals are present on the periphery of the library. The librarians' office contains numerous textbooks of clinical and sub-clinical sciences available for students to borrow.

The storefronts have been replaced since the original construction (although they still consist mainly of glass), and some of the upper-story windows have been filled in. The facade is topped by a pressed metal cornice with brackets designed to look like dentils. Although a sign inscribed with the building's name originally embellished the top of the structure, it has since been removed, along with other cornice embellishments. There is a basement entrance on the building's south side.

The Dr. James Davies House in Boise, Idaho, is a 2-story, shingled Colonial Revival house designed by Tourtellotte & Co. and constructed in 1904. The first floor is veneered in composite brick which may not be original to the house. The shingled upper story has flared walls at its base and small shed roof decorations above side windows. Other prominent features include a gambrel roof that extends over a cross facade porch with stone pillars at its front corners.

The rooms are numerous and large, admitting of free ventilation, and adapted for comfort. A hundred beds will be provided, and in case it is needed the whole of the upper story can be occupied, greatly increasing the amount of accommodations. As patients become convalescent, or in cases where such a step is deemed desirable, they will be taken into the private houses of the members and attended by their host's family physician. In the basement every accommodation required is provided for cooking.

The building is built into a slope, further reducing its scale. Its main mass is a tall main floor set over a low raised basement, all enclosed in random rubble limestone in a rough texture with deeply raked joints. Above this masonry mass is an upper story of painted concrete, set off by the false balcony with its high railing on three sides and part of the fourth. The upper story's steel industrial sash windows are framed with wood trim.

Cornersville United Methodist Church, formerly Cornersville Methodist Episcopal Church South, is a historic church at 100 S. Mulberry Street in Cornersville, Tennessee. The church's brick building was completed in 1852. Its lower story was designed for religious use and the upper story was designed for Masonic meetings; the Masons relinquished their meeting space to the church in 1939. In October 1862, the church hosted the Tennessee Annual Conference of its Methodist denomination because Civil War hostilities made it unsafe to meet in Nashville.

The two six- over-six double-hung sash windows on either side of the main entrance have louvered shutters with stone sills and splayed lintels. Recessed panels top each window on the upper story. On either side of the pediment small gabled dormer windows with eight-over-eight double-hung sash pierce the roof. Side fenestration consists of two windows similar to the front windows at ground level, two small windows on the second floor and a fanlight at the gable apex.

It was also to encourage writers of good books. A further object, later added at the time of registration of the Trust (but never implemented) was to collect manuscripts of Sanskrit and Hindi books and to edit and publish them within the limits of available funds. The Library received the constant care of its promoters, Lal Behari, Balkrishna Bhatt and Jai Govind Malaviya who met daily on the upper story of the house of Brij Mohan Lal Bhalla. Malaviya joined them frequently.

The Bull-Leaping Fresco, as it has come to be called, is the most completely restored of several stucco panels originally sited on the upper-story portion of the east wall of the palace at Knossos in Crete. Although they were frescos, they were painted on stucco relief scenes and therefore are classified as plastic art. They were difficult to produce. The artist had to manage not only the altitude of the panel but also the simultaneous molding and painting of fresh stucco.

However, in about 1907, the Goodspeed brothers decided to install a motion picture theatre in the upper story of the building, the first such establishment in the city. The new "Idle Hour Theatre" proved popular, and remained in business until 1928, when its small size began to affect its ability to compete with newer, larger theatres. After the theatre closed, the building was occupied by Marshall's, Inc., a women's wear shop, the by Renard's Shoes, and later by the Eugene Hotel.

The school was founded by the Jesuits in 1692 as a Catholic gymnasium, and Latin was the language of instruction. It was initially located in a small old building near a pharmacy on the Great Square, on the site of the present City Hall. In 1753, it moved to the upper story of a house located at the corner of what are now Mitropoliei and Samuel von Brukenthal streets. In 1773, when the Jesuits were suppressed, the school closed its doors.

Inspiration Point The Inspiration Point shelter is located in the park, close to the intersection of the Henry Hudson Parkway and 181st Street. It was designed in the Neoclassical style by Gustave Steinacher and opened in 1925. The shelter consisted of two levels: a deck with Doric columns and a wooden trellis on the upper story, and restrooms on the lower story. The shelter was popular among motorists who used it for private romantic encounters, but later fell into disuse.

The kitchen, at the west end of the refectory was accessed via an anteroom and a long passage. Nearby were the bake house, brew house and the sleeping-rooms of the servants. The upper story of the refectory was called the "vestiarium" (a room where the ordinary clothes of the monks were stored). On the western side of the cloister was another two-story building with a cellar on the ground floor and the larder and store-room on the upper floor.

The smooth stone walls of the first story rise to a flattened, dentiled stringcourse before a shallow setback to the upper-story block. The outer bays of the second story have semicircular balconies of corbelled stone and metal railings. In between, eleven sets of three-story, stacked windows are each angled outward to the central mullion, creating a distinctive zigzag pattern across the surface of the facade. The window spandrels separating each floor feature moldings incised with black designs in Pueblo Indian motifs.

The two-story, timber-framed, Greek Revival-style house was built in 1850, and assumed its current form in about 1860. It has one main floor, with an octagonal upper story room projecting above the center of the main block and overlooking the property. It was added to the Alabama Register of Landmarks and Heritage on October 12, 1976 and subsequently placed on the National Register of Historic Places as part of the Antebellum Homes in Eutaw Thematic Resource on April 2, 1982.

He lured young boys from the royal family into his home with the promise of food and money, stripped them naked and sodomized them. He then killed them by throwing them naked out of an upper story window of his home. He was only stopped when a would-be victim, named Zara'h (Dhu Nuwas), stabbed him in the anus. Following his assassination, Dhu Shanatir's decapitated head was displayed from the palace window and Dhu Nawas assumed rulership of the Himyarite Kingdom.

To hit the bottom panel of an enemy tank, the bazooka operator had to wait until the tank was surmounting a steep hill or other obstruction, while hitting the top armor usually necessitated firing the rocket from the upper story of a building or similar elevated position. Even the heavy King Tiger tank only possessed hull and turret top armor thicknesses of 44 mm (1-3/4 in) thickness at best, capable of being pierced by the bazooka's shaped-charge rocket ordnance.

The Frenchman's Mountain Methodist Episcopal Church—South and Cemetery is a historic church in Cato, Arkansas. Located at the junction of Cato, Frenchman Mountain, and Camp Joseph Robinson Roads, it is a single-story wood frame structure, built in 1880 as a two-story building to house both religious services and the local Masonic lodge. The upper story, housing the lodge facilities, was removed in 1945. The congregation was organized in 1872 in Cato, the oldest community in northern Pulaski County.

Tønsberg was built as a first-class station, the station's upper story originally serving as a residence for the station master and offices which hosted TEB's administration. The ground floor consisted of a waiting room, ticket sales, office for the station master, a telegraphy room, a cargo handling room, all with central heating. The station building was originally supplemented with a cargo building. The station had four main tracks, three spurs and a branch to the port, which was part of TEB.

A school was built in 1864 out of adobe and also served as the LDS Meetinghouse for the South Jordan Branch. As South Jordan grew, a new and larger building was constructed in 1873 on the east side of the site of the present-day cemetery. It had an upper and lower entrance with a granite foundation using left-over materials brought from the granite quarry at the mouth of Little Cottonwood Canyon. The upper story was made of oversized adobe bricks.

The station was built as a third-class station. The original floor plan consisted of a station master's office, three other offices, a ticket office, an express cargo expedition, a waiting room and a restaurant on the ground floor. The upper story consisted of a station master's apartment, with four rooms, a kitchen and a maid's room. The station complex further consisted of a cargo house, a water tower and two sheds, a smithy and warehouse for the track division.

This combination is particularly emblematic of the period following the completion of the Reconquista. The chief Mudéjar element is the tower, which resembles those of certain houses in Granada in its style of cornice and in the low alfiz-style arches of its upper story, but is on a much grander scale than any found in that city. The basement is effectively an archeological museum in its own right, visible from above through transparent panels in the floor.Museo Picasso - Málaga, Diario Sur Digital.

Photographs show the house and grounds prior to the erection of the museum . The studio photographs which appear to be contemporaneous are taken from the south east and north east. They show the house prior to the enclosing of the verandahs as well as a good view of the eastern wing of the house (including a small separately roofed timber addition) prior to the addition of the upper story. The roofed area to the rear of the house is also shown.

The Rayner House is a brick Upright and Wing house with a two-story upright and one-story wing, along with a frame ell at the rear containing a kitchen. The main entrance is in the front of the upright and is flanked with sidelights. The house has gently sloping gable roofs with wide frieze boards, gable returns and fanlights in the gable peaks. There are two windows on the upper story of the main wing and two on the first floor.

On the west it has been divided by a spandrel; on the east it is a small window that lights only the lower space. Two small windows on the upper story complete the fenestration of the main block. The older one-story frame rear wing with shed roof and brick chimney connects with the newer addition, a gable-roofed section wider than the main block on a concrete foundation sided in asbestos shingles. It has an entrance and porch in its east end.

It is built of rubble masonry and lime mortar. The upper story has stone pillar taken from the destroyed Jain and Hindu temples from and around Agroha Mound. The place building is between one and three cell deep on north, west and east side bit it is several cells deep on the south side where bulk of the structure lies. In the extreme north-west is the three-storied above-ground staircase that also leads to one story underground to connect to the tehkhana cells.

The facade contains ornaments such as swags and wreaths. There are bronze spandrels with decorative friezes within the upper-story bays, and the facade of the top story under the parapet contains bronze lion heads. Foliated reliefs are located within the door and window frames at ground level, and antefixes are located above the shop windows and the Dey and Fulton Street subway entrances. The subway entrances also contained granite faces and bronze gates, and the decoration extended into the basement where the subway platform was located.

Three days after the O.K. Corral gunfight, the city council suspended Virgil as city marshal pending outcome of the preliminary hearing. Virgil was eventually exonerated of wrongdoing, but his reputation suffered thereafter. On December 28, 1881, three men hidden in the upper story of an unfinished building across Allen street from the hotel ambushed Virgil from behind as he walked from the Oriental Saloon to his room. Virgil was hit in the back and left arm by three loads of double-barreled buckshot from about .

On April 24, 1829, the City of Louisville established the first public schools for children under sixteen years of age. A board of trustees was selected, and Edward Mann Butler was selected as the first head. The first school began operation in the upper story of a Baptist church on the SW corner of Fifth and Green Streets (now Liberty Street). The next year, the first public school building in the Louisville Public School District was erected at Fifth and Walnut (now Muhammad Ali Blvd).

The front door is framed with its original semicircular limestone arch with keystone and impost blocks. It opens on a large square room filling the building's southeast corner and extending two-thirds of its depth. A fireplace with original mantel is on the south wall; a narrow stair goes to the upper story behind the west wall while a door opens onto the rear porch. The past presence of a chair rail in the room is evident from the plaster behind where it was.

The first two stories were constructed from adobe, while the third floor was wood-framed to save weight. In 1926, the wooden upper story was destroyed by a fire, reducing the building to its present two-story height. After this, it remained in use as a dormitory but was vacated when St. Michael's moved to a new campus in 1966. The building was sold to the state of New Mexico and renamed in honor of Archbishop Lamy; it now houses the New Mexico Tourism Department.

Samuel Collins began construction of the building in 1891, when the city was at the peak of its population and prosperity due to the Colorado Silver Boom. It was designed to have businesses on the first floor and offices on the second. Collins had problems with the carpenters' union that delayed completion of the project for two years. That delay may have accounted for the disparity between the more Victorian look of the stone lower story and the neoclassical elements of the upper story.

The Liznjek Farm () is an ethnographic museum housed in a renovated 18th- century farmhouse, located in the centre of the town of Kranjska Gora, Slovenia, at the street address 63 Borovška cesta. It is administered by the Upper Sava Museum, based in nearby Jesenice. The farm presents the living conditions of a wealthy peasant family of the mid-19th century. The house is of mostly brick construction, with a wooden upper story; there is a furnished attic, and a full basement level, including a cellar and stable.

The house is located on a lot on the west side of the street. There are several outbuildings from the former farm, no longer in use for their original purpose. Its original section is the front block, a one-and-a-half-story with thick load-bearing stone walls. A porch covers the front entrance between two of the three pairs of windows; the upper story has two large, wooden gabled dormers added later, between the three small shed dormers remaining from the original house.

Each of the window bays on the lower three stories once contained two large double-hung windows; the upper story bays contained single large three-section windows. All window openings have since been infilled with a stucco-like material, and narrow windows inset into the larger openings. The rear and side walls of the building are plain brick, and like the front facade contains large window openings, later infilled with narrow windows inserted. The fourth story only extends over a portion of the footprint.

The cones grow high on the bine, and in the past, these cones were picked by hand. Harvesting of hops became much more efficient with the invention of the mechanical hops separator, patented by Emil Clemens Horst in 1909. Harvest comes near the end of summer when the bines are pulled down and the flowers are taken to a hop house or oast house for drying. Hop houses are two-story buildings, of which the upper story has a slatted floor covered with burlap.

Open stairs along the west gable lead to the hoop shop upstairs with built-in workbench lit by three large windows. Next to it, on the east of the upper story, a large bulk storage area could also be accessed from an open loft door on the east. Behind the hoop shop is the swine house, a one-story frame saltbox building with metal roof and board-and-batten siding. Each of the many pens inside has an upward sliding hatch door to the west and north controlled from the inside by rope and pulley.

The Temple has undergone a few changes over the years such as new upper-story, shop windows and doors being installed sometime around the 1960s, a metal awning was adding over the East side shop, which is currently the comic book store. Drop ceilings or asbestos tile were placed over the original ceilings with only the East side shop interior being spared. An elevator to the second story was installed as well around this time. Architectural drawings for some subsequent remodeling projects also survive in the Lodge vault.

On the right half of the upper story are two linteled window bays, flanked by half-columns, with a pediment above. The principal entrance, which gives access to the interior, is to the left of center. For roughly two thirds of its height, the door is flanked by columns, over which there is a semicircular arch. That entire assemblage is finished at the outer edge with molding, flanked on both sides by attached columns on a high base, over which is an entablature with pinnacles on either end.

The location of the printing house was on what is now Los Angeles Street, then called Calle Zanja Madre (Mother Ditch street), and sometimes Canal street. This site of Foster’s printing office was opposite the Bell Block. On the lot granted by the council, Foster built a small two-story frame building. The lower story was occupied by the printing outfit, and the upper story was used as a living room by the printers and proprietors of the paper. Over the door was the Sign “Imprenta” (printing office).

The most obvious difference between the two houses would be the materials that was used to build them. The bahay na bato was constructed out of brick and stone rather than the traditional bamboo, timbre and other wooden materials that elevates the house. It is a mixture of native Filipino, Spanish and Chinese influences. During the 19th century, wealthy Filipinos built some fine houses, usually with solid stone foundations or brick lower walls, and overhanging, wooden upper story with balustrades and capiz shell sliding windows, and a tiled roof.

The ground floor of the new Masonic Hall had rental space for shops (such as a meat market and a barbershop), and the upper story contains the 22 foot by 45 foot lodge room along with the Tiler's room and preparation room; the remainder of the second floor was for offices and sleeping quarters. The exterior is primarily load-bearing stone, with a cast- iron storefront.Nevada Lodge No. 4 A.F. & A.M. "From the Archives", One Hundred Years of Masonry, Commemorating the 100th Anniversary of Nevada Lodge No. 4 A.F. & A.M.. Colorado. 1860. Pg. 42.

It has had two cross wings added and is strikingly decorated with close studded and herringbone timber work decoration. Trewern Hall A development of this is Severn Valley Houses which particularly congregate along the Severn Valley in Montgomeryshire especially between Newtown and Welshpool."Suggett and Stevenson" (2010), 109–132 A typical feature of the Severn Valley houses are the elaborate entry porches to the houses which often have decorative scroll brackets supporting a jettied upper story. These porches often are added features to an earlier timber framed house and lead directly into a lobby entrance.

On 19 April 1995, the nine-story concrete framed Alfred P. Murrah Federal Building in Oklahoma was struck by a huge car bomb causing partial collapse, resulting in the deaths of 168 people. The bomb, though large, caused a significantly disproportionate collapse of the structure. The bomb blew all the glass off the front of the building and completely shattered a ground floor reinforced concrete column (see brisance). At second story level a wider column spacing existed, and loads from upper story columns were transferred into fewer columns below by girders at second floor level.

223 On the lower stories of the apartments are the quarters of the concubines, while the upper story rooms are those of the Queen Mother and her ladies-in-waiting (kalfas). The apartments of the Queen Mother are connected by a passage, leading into the Queen Mother's bathroom, to the quarters of the sultan. These are all enriched with blue-and-white or yellow-and-green tiles with flowery motifs and İznik porcelain from the 17th century. The panel representing Mecca or Medina, signed by Osman İznikli Mehmetoğlu, represents a new style in İznik tiles.

Conde–Charlotte House in 1936 The house was originally built in the Federal style and was later altered to reflect the Greek Revival style. It has a two-story portico on the front elevation featuring brick Doric columns on the lower level and wooden Corinthian columns on the upper level. The house is wide at the front southern elevation, long at the eastern elevation, and long at the western elevation, including the carriage house. The ground floor is high from floor to ceiling and the upper story is high.

On either side is a single bay with a two-over-two double-hung sash window topped by a two-light transom in a recessed surround on the first story, where a water table forms their sills, and a smaller two-over-two with no surround on the upper story. The attic has two similar windows flanking the anthemion. Behind the portico colonnade is the main entrance, set within a battened, crosetted enframement with "Canadaigua" carved into the top. Above the modern entrance doors is a transom with a classically inspired grille.

The General Alexander Campbell House is located on the north side of United States Route 1, near the eastern end of the village of Cherryfield, atop the village's highest point. It is an L-shaped two story wood frame structure, with a hip roof, twin interior chimneys, and clapboard siding. Its main entrance is centered in the southern (street-facing) facade, framed by pilasters and a gabled pediment. It is flanked on either side by Italianate polygonal window bays; the upper story of the facade has five sash windows.

Central High School, of Fargo, North Dakota, was the first public high school in Fargo. Central High School served grades 9-12, while Central School served K-8. CHS was built originally in the early 1800s, but became "finalized" and had was moved to 2nd Ave South in 1921, however the new CHS didn't last long. On the afternoon of April 19, 1966, a teacher holding a study hall with 51 students in the theater heard crackling, and popping- the upper story of the school had started on fire.

Ascension Church in Kolomenskoye, Moscow. In 1485 Ivan III commissioned the building of a royal Terem Palace within the Kremlin, with Aloisio da Milano being the architect of the first three floors. Aloisio da Milano, as well as the other Italian architects, also greatly contributed to the construction of the Moscow Kremlin Walls and towers. The small banqueting hall of the Russian Tsars, called the Palace of Facets because of its facetted upper story, is the work of two Italians, Marco Ruffo and Pietro Solario, and shows a more Italian style.

Darius Heald in 1893, holding his father's sword among other relics Darius Heald built a new large brick home near the fort in 1884 and called it "Stony Point". Its architecture has been referred to as "German- Italianate-Victorian" – primarily of German construction, with Italian influence in the porch columns and balcony railing. Heald died in 1904 and a tornado destroyed the upper floor of the house in 1915. Before selling the home in 1916, the family rebuilt its upper story with original recovered bricks, though it was about a foot shorter in height.

A wooden staircase with a slatted balustrade climbs to the main entrance, in the center of the facade. It is flanked by two six-over- six double-hung sash windows on either side with paneled wooden shutters. The roof's overhanging eave runs the length of the facade. The symmetry of the front is in contrast with the asymmetrical fenestration on the side elevations, with the first floor's two windows on the east facade occupying the middle and northern bays and the upper story windows in the bays not used below them.

The ground floor of the northern part of the château neuf was occupied by the appartement des bains, which included a sunken octagonal tub with hot and cold running water. The king's brother and sister-in-law, the duke and duchesse d’Orléans occupied apartments on the ground floor of the southern part of the château neuf. The upper story of the château neuf was reserved for private rooms for the king to the north and rooms for the king's children above the queen's apartment to the south.Nolhac, 1901; Marie, 1972; Verlet, 1985.

The Ludington State Park Beach House is a two-story square plan building measuring by . It sits on a concrete foundation, and has red brick walls on the lower story, wooden singles on the upper story, and a cedar shingle hip roof. Three brick archways on the lower floor provide access from the beach house directly to the Lake Michigan beach. The upper floor of the beach house, originally intended to be a public lodge, has a wooden floor, large timber beams, and a brick and stone fireplace.

The "terem" (Russian: Терем) refers to the separate living quarters occupied by elite women of Muscovite Russia. Also, the upper story of a home or castle, often with a pitched roof. More broadly, the term is used by historians to discuss the elite social practice of female seclusion that reached its height in seventeenth-century Muscovy. Royal or noble women were not only confined to separate quarters, but were also prevented from socialization with men outside their immediate family, and were shielded from the public eye in closed carriages or heavily concealing clothing.

The House at 1141 North Chester Avenue is a historic house located at 1141 North Chester Avenue in the Bungalow Heaven district of Pasadena, California. John A. Jergenson designed and built the airplane bungalow for himself and his wife in 1914. The house is wood frame with a stone wall foundation; stone is also used in the four wide piers supporting the porch. The small, central upper story is the characteristic feature of the airplane bungalow design, which takes its name from the half-story's resemblance to an airplane cockpit.

They made more changes to the upper story, eliminating a stair and replacing it with a false fireplace. In the process of modernizing the kitchen wing completely, they changed its original layout but kept its scale and design consistent with the main house. In the late 1930s the Taconic State Parkway was built through the area, cutting the main house area off from some of its former pasturelands. In 1963, when the Bicknells sold the land, Mary Ann Wilkinson's wedding gift was subdivided into lots, spurring the current exurban residential development.

Sometimes the subjects of Buehman's post- mortem photography were well-known outlaws, but more often a grieving family would hire him to make a lasting keepsake to remind them of a lost child. The Buehman Studio appears to have been financially successful from the beginning. To meet the growing demands of his business, he built a two-story building on the eastern outskirts of town in 1881. The $10,000 building had space for several shops on the ground floor with a photo studio located on the upper story.

It was thought that the new building would be an extension westwards of the Selden End of the Bodleian Library. Francis Atterbury, Dean of Christ Church, writing in December 1712 describes plans for a 90 ft room on the site of neighbouring Exeter College, and that the lower storey would be a library for Exeter College and the upper story Radcliffe's Library. Radcliffe also dedicated £100 a year to furnishing his proposed library with books. Plans were prepared by Nicholas Hawksmoor and are now held in the Ashmolean Museum.

This tablet has been the subject of extensive research by many scholars. This granite slab was found on the western wall of the ground floor room of the two storey building attached to the northern side of the old Church of the Holy Ghost. The upper story was used as the Priest's Home and the ground floor was used as the sacristy. Muttuchira Sliba, the Pahlavi inscribed Cross is an invaluable monument of the Christian community that was the symbol of veneration of the ancient Christian settlement of Muttuchira.

On walls, there are some scenes from the epics Mahabharata and Ramayana. Of the two inscriptions, one is to the left in the upper story and bears date 94 AD and 102 AD. This writing, cut in stone, is not very archaic and could not be of the date it professes to record. It may be a transcript of an older inscription or the record of an old tradition. The other, on copper at the entrance of the temple, records repairs executed in 1762 AD by the then Thakor of Tintoi.

The Stumpf House is a symmetrical two-story brick structure with a foundation of fieldstone; except for a small addition to the rear that consists of a porch and kitchen, it is rectangular in layout. Inside, the two floors have similar plans: a center hallway with a stairway is surrounded by four rooms of equal sizes. An attic sits above the upper story. In its early years, the house was one of two buildings on the property: a small summer house was erected behind the main residence for the use of the farm's employees.

Most of the walls of the crossing, the north and south transepts, and the outer walls of the nave aisles date from c1140. The walls of the Wykeham Chapel, and some of the wall of the north quire aisle were also built at this time. The entrance porch dates from c1180, though the upper story was restored in 1851. Prior to the 1850s there was a large stone pulpitum, 18 feet high and 5 feet wide, on the west side of the crossing, probably dating from the 12th century.

The most immediately prominent errors are the first three or four: # The man in the foreground's fishing rod's line passes behind that of the man behind him. # The sign is moored to two buildings, one in front of the other, with beams that show no difference in depth # The sign is overlapped by two distant trees. # The man climbing the hill is lighting his pipe with the candle of the woman leaning out of the upper story window. # The crow perched on the tree is massive in comparison to it.

The formal entry led to the main business area and is flanked by un-ornamented, symmetrical openings. That to the south was designed as an entry to the upper story offices; the corresponding window to the north initially housed an illuminated bulletin board that provided the news of the day. The north side of the building is articulated as a series of arched openings at both stories designed to flood the work spaces with natural light. The original Standard Star Building has been altered and added to over the course of the twentieth century.

With Looney unable to publish his newspaper for a year after he sold it, he was left powerless in Rock Island politics since he was unable to blackmail its residents. Looney resumed his publishing from the garage on the side of his house called "The Roost" in 1909. Looney moved his newspaper again in 1924 to the upper story of his mansion overlooking the Mississippi River. However, when Looney began to publish his first newspaper again for the first time on February 6, 1909, he personally attacked Wilmerton and his family on the front page.

Fountain from the Portuguese Gallery Karl Anton built the castle into a meeting point for the nobility of Europe. Portions of the castle were rebuilt and decorated to make Schloss Sigmaringen into a destination of the rich and powerful. In 1855 the walls of the upper story were removed to create the Old German Hall (German: Altdeutschen Saal). In 1864 he modified the arches above the southern curtain wall to form the Weapons Room (German: Waffenhalle). From 1862 until 1867 he built the new Art Gallery (German: Kunsthalle), which is today a museum.

Irish in the neighborhood responded by firing repeated volleys from the windows of their houses on Main street. Mr. Rodes, a river-man, was shot and killed by one in the upper story, and a Mr. Graham met with a similar fate. An Irishman who discharged a pistol at the back of a man's head was shot and then hung but survived. After dusk, a row of frame houses on Main street between Tenth and Eleventh, the property of Mr. Quinn, a well known Irishman, were set on fire.

The city of Ayer, named after Groton-born James Cook Ayer, was incorporated from parts of Groton and Shirley in 1871; the railroad station was then renamed Ayer Junction. The station received a small expansion that year, and a covered island platform was built between the W&N; tracks. The roof was rebuilt with new trusses; the former iron supporting pillars were used to construct the upper story of the nearby Spaulding Block. Ayer was devastated by a fire in 1872, but its industrial connections allowed for a period of rebuilding and even prosperity after.

The Anglo House on Ellicott Hill relates to its French vernacular contemporaries in Louisiana in the use of bousillage, composed of mud and Spanish moss, in the exterior walls of the frame upper story. Construction details also document the early expansion of the house to the north and south and the early enclosure of a rear loggia. Built into the side of a hill, the façade of the house is two-stories including a raised brick basement. On the rear elevation, where the basement is beneath ground level, the house reads as a single story.

No 5 was once referred to as 'The Snuggery.' The property was known as "No 20, Colpetty" in the 1900s, it stretched from Galle Road, with its lawn stretching eastwards right down to the Beira Lake. No 5 was twice its size when it was first built, with kitchens, servants quarters and stables stretching along the Northern perimeter, forming the top stroke of the T-shaped layout of the house. The upper story of this historic building was added in the early 1900s to provide rooms for a parson from England.

Ohinetahi Homestead in 2005 The Ohinetahi historic homestead, in Ohinetahi, is a Category I heritage building, and the associated formal garden is considered to be one of New Zealand's finest. A partnership of three purchased the property in 1977 "Sir Miles Warren's Ohinetahi", Rosa sheils, February 2013, The Press and one of them, prominent Christchurch architect Sir Miles Warren, has lived in the property since soon afterwards. Damage from the September 2010 quake forced changes to lighten the upper story of the building. Sir Miles gifted the property "to the nation" in early 2013.

Engine House No. 8 was a historic fire station located at Baltimore, Maryland, United States. It was a two-story masonry building with a cast-iron street front, erected in 1871 in the Italianate style. The front featured a simple cornice with a central iron element bearing the legend "No. 8". Engine Company No. 8 operated from this building until 1912. In 1928 it became the motorcycle shop of Louis M. Helm and the upper story functioned as a clubhouse for a series of boys’ clubs into the 1940s.

The Royal Exchange building in New York City, later known as the "Old Royal Exchange" and the Merchants Exchange was a covered marketplace located near the foot of Broad Street, near its intersection with Water Street.Suzy Maroon. The Supreme Court of the United States, New York and Charlottesville: Thomasson-Grant and Lickle (1996), p. 18. Originally a one-story building in 1675, it was rebuilt with a meeting hall on the upper story in 1752, typical of the type of market halls found in England and Europe at the time.

The two commercial buildings, at 177–79 and 182 East 73rd, are the highest on the block at five stories. Both were originally built for paying customers who rented and were not wealthy enough to afford their own separate buildings rather, with 177–79 the only one on the block designed with automobile use in mind. It is a Beaux Arts building on an exposed limestone and granite foundation with the middle stories faced in brick with terra cotta trim. Its upper story is a mansard roof pierced by three unusually large dormer windows with terra cotta enframements.

This Grade 1 listed church was built before 1286 (this being the first date for which there is a recorded name of a priest at the church, Richard de Halyngleghe). Church website Although the church has been extended over the years, its most remarkable feature is the timbered tower which was probably constructed in the late 13th Century. It consists of an octagonal ground floor and a square upper story above which rises an 80-foot octagonal shingle-clad spire. The whole structure is braced and strengthened by a system of massive oak pillars, beams and trusses.

The upper story hangs over the lower one by a few inches, built in a way that indicates it is a false overhang done for decorative rather than architectural reasons. The siding is reproduction split wood siding, manufactured in the 20th century using techniques similar to those employed at the turn of the 18th century. The interior has also undergone a careful restoration, and now houses furnishings and artifacts appropriate to the period of its construction. The house after restoration, in 2009 Although once thought to have been built between 1692 and 1698, more recent research has dated its construction to c. 1711.

The Winecoff Hotel fire, which occurred on December 7, 1946, was the deadliest hotel fire in United States history, killing 119 hotel occupants, including the hotel's owners. The Winecoff Hotel had been advertised as "absolutely fireproof." While the hotel's steel structure was indeed protected against the effects of fire, the hotel's interior finishes were combustible, and the building's exit arrangements consisted of a single stairway serving all fifteen floors. All of the hotel's occupants above the fire's origin on the third floor were trapped, and the fire's survivors either were rescued from upper-story windows or jumped into nets held by firemen.

Nijūmon (the sanmon of Tōfuku-ji, a National Treasure) is one of two types of two-story gate presently used in Japan (the other one being the rōmon, see photo in the gallery below), and can be found at most Japanese Buddhist temples. This gate is distinguishable from its relative by the roof above the first floor which skirts the entire upper story, absent in a rōmon. Accordingly, it has a series of brackets (tokyō) supporting the roof's eaves both at the first and at the second story. In a rōmon, the brackets support a balcony.

The panels, therefore, do not represent the formative stages of the technique. In Minoan chronology, their polychrome hues – white, pale red, dark red, blue, black – exclude them from the Early Minoan (EM) and early Middle Minoan (MM) Periods. They are, in other words, instances of the "mature art" created no earlier than MM III. The flakes of the destroyed panels fell to the ground from the upper story during the destruction of the palace, probably by earthquake, in Late Minoan (LM) II. By that time the east stairwell, near which they fell, was disused, being partly ruinous.

The Imperial Romanov family moved in on 30 April 1918 and spent 78 days at the house. This household included Tsar Nicholas Romanov, his wife, the Tsarina Alexandra Fyodorovna of Hesse, their four daughters, their son and heir Alexei, the Tsarevich (crown prince); their court physician Dr. Yevgeny Botkin, chambermaid Anna Demidova, cook Ivan Kharitonov, and valet Alexei Trupp. They occupied four rooms on the upper story of the Ipatiev House, while their guards were housed on the ground floor. From early July, command of this guard was taken over by Yakov Yurovsky, a senior member of the Ural Soviet.

With a major reconditioning in 1998, capacity was reduced to 10,230 (all seated). In 2005 the east stand was named "Quality Stand" after the club's main sponsor. "Quality Stand" is a two-story stand which holds the newly built VIP boxes (upper story), press room, dressing rooms, and bar. In 2006, the stadium went through another reconditioning including the building of VIP Boxes in the upper section of west stand, the launching of the automatic ticketing issue and entrance system, the replacing of the metal front fence with clear acrylic glass for security reasons and for maximized field view.

A cobbled courtyard with a deep well, granite trough and pump surrounded by outbuildings which include an upper story which had a ladder running up to it, probably for access to the stable hand's dwelling. Another pump was located inside the side wing which was the boiler house, with its chimney. The clothes were boiled here on washing days and the pump drew water from the well outside, using a system of lead pipes. A door from the courtyard, now removed, led directly into the main room of what was the living area of the farm.

O'Rourke and his sidekick Featherstone insist on being allowed to go to the NAAFI to buy cigarettes and Evans ill-advisedly lets them go. O'Rourke confides to Featherstone that at midnight it will be his 30th birthday and the two decide to go the canteen and start drinking, knowing full well it is forbidden whilst on guard duty. O'Rourke, having endured a grim childhood and the harsh, unjust punishments of the army for all his adult life, is at breaking point. Drunk and unstable, he tries to kill himself by jumping out of an upper story window but only suffers minor injuries.

Alexander and his colleagues, all highly critical of the government, plan to use Alex as a symbol of state brutality and thus prevent the incumbent government from being re-elected. Alex inadvertently reveals that he was the ringleader of the home invasion; he is removed from the cottage and locked in an upper-story bedroom as a relentless barrage of classical music plays over speakers. He attempts suicide by leaping from the window. Alex wakes up in a hospital, where he is courted by government officials anxious to counter the bad publicity created by his suicide attempt.

The upper-story walls are smooth, accented with thin, textured stringcourses, rising to gabled dormers that incorporate Romanesque leaf ornament, gargoyles, and finials. Like the facade, the east and west elevations are ornamented and symmetrically balanced, prominently featuring a projecting gable with a variety of arched fenestration. The 1929-32 addition to the south adds a massive eight-story block at the rear of the original structure. Although its walls are clad in granite and include arched fenestration to match the original building, the extension is distinguished by its flat roof, flattened elevations, and reduced ornamentation.

The Upper Lusatian house is defined by the constructional separation of its living area from the roof, or its living area from the upper story and roof. The main characteristic of the normal type is "a wooden support system, which runs around the living area of the house made of logs or boards, which has the job of freeing the frame of the living area from the weight of the roof (in single-storey houses) or the roof and upper storey (in two-storey houses)."Delitz 1987, p. 12 Upper Lusatian houses are transversely divided Middle German houses or Ernhäuser.

The western ringtail is an arboreal and nocturnal herbivore with a relatively small home range of 0.5-6 ha, dependent on habitat type. It uses tree hollows and builds dreys for shelter in tree canopies, their nest-like drey is an assemblage of shredded bark, twigs and leaves. They are primarily arboreal, but will move through understorey or open ground to feed or gain shelter when the tree canopy is unconnected. Sheltering at ground level is recorded, though not usual, more frequently be found at hollows and the upper story of a forest; the species has occasionally be seen to occupy rabbit burrows.

The front has a wide center entrance originally used as an auto entry, but since converted to a double-door with sidelights. Two large shop windows are placed on either side of the entrance, and a large central window, flanked by narrower windows, is in the upper story. A single-story brick addition is connected to the side of the original building well back from the street, giving the overall plan an L-shape. The addition originally had three garage bays and a large window in front; the garage entrances have since been converted to doors.

Two years later, his widow, Emilie Enz- Allemann, was able to reacquire both castles. She sold the New Castle but converted the Old into a rental property with three small apartments on the ground floor and two larger ones in the upper story. After her death in 1897, Hermann and Anna Enz inherited the castle.Bümpliz Castle-Irrenanstalt, Knabenanstalt und Mietshaus , Bümpliz im 19.Jahrhundert accessed 24 April 2012 In 1919, Hermann Enz and his sister Anna Enz sold the castle to the "Gemeinnützige Genossenschaft Altes Schloss Bümpliz", a society that had been founded to preserve and maintain the castle.

It is known from five sites: Labahe Natural Reserve (Tianquin County), Dayi County, Shuanghe town (Ebian County), Wawu Shan (Hongya County), and Wujipung in Wolong Biosphere Reserve. Within this small area, the species is thought to be patchily distributed because it seems to be confined to old stands of the Faber's fir. The species forages for invertebrates in the upper story of large trees by creeping along branches and trunks. Intensive logging of primary coniferous forests in the last century, even at high altitudes in the mountains of western China, has seriously reduced the potential range of this species.

Dasch called Burger into their upper-story hotel room and opened a window, saying they would talk, and if they disagreed, "only one of us will walk out that door—the other will fly out this window." Dasch told him he had no intention of going through with the mission, hated Nazism, and planned to report the plot to the FBI. Burger agreed to defect to the United States immediately. On June 15, Dasch phoned the New York office of the FBI to explain who he was, but hung up when the agent answering doubted his story.

The structure is asymmetrical with four windows on the upper story left side, one on the right side, and one to the right of the first floor entrance. The doorway with a one-story portico is slightly off-center. Stone chimneys on either end of the house are original. The building was purchased by the Bierbower family in the late 19th century and sold to Stanley Forman Reed in 1910, Reed having just completed his law studies at a number of Universities including Yale University, the University of Virginia, Columbia University and the University of Paris.

The upper-story windows in the opera house section were originally tall one-over-one double-hung wooden windows, set into arched hoods with a prominent keystone and filling much of the two-story height. The windows in the upper stories in the remainder of the block were similar, but shorter and with less detail. There are two stairways to the upper floors: one near the center of the Superior Street facade, and one at the back end of the State Street facade. The Lancashire Building addition is a two-story structure, two bays wide and measuring by .

The Nathan Warnick Apartments are located in a mainly residential area of Dorchester, at the southeast corner of Bradshaw and Bicknell Streets in the Franklin Field North area. It is a single building, four stories in height, built out of buff brick with a stone foundation, cast stone trim, and a flat roof. The building is basically rectangular, with entrances near the centers of both street-facing facades, and an angled face at the street corner. The Bicknell Street facade is four bays wide, with upper-story bays occupied by bands of two or three sash windows.

In its heyday, the Village Gate also included an upper-story performance space, known as the Top of the Gate. Throughout its 38 years, the Village Gate featured such musicians as John Coltrane, Coleman Hawkins, Duke Ellington, Jimi Hendrix, Dizzy Gillespie, Bill Evans, Dave Brubeck, Charles Mingus, Sonny Rollins, Dexter Gordon, Art Blakey, Woody Shaw, Miles Davis, Stan Getz, Vasant Rai, Nina Simone, Herbie Mann, Woody Allen, Patti Smith, Velvet Underground, Edgard Varèse, and Aretha Franklin, who made her first New York appearance there. The show Jacques Brel is Alive and Well and Living in Paris, debuted at the Village Gate in 1968.

Operating pavilion The hospital built in 1889 was made up of four brick buildings of 2.5 stories, connected by closed passageways. The first building had a clinic room, chapel, and drug room on the first floor; and on the second floor, a suite of rooms for doctor and foreign nurse, two private rooms with two beds, and one with four beds. The two operating rooms were in a second building; the clean cases being cared for in the one on the upper story and the dirty cases in the one on the lower floor. Both operating rooms were very well equipped.

The Hokedoun was built by the donation of Khoja Gharibjan. The Italian explorer Pietro Della Valle who visited Aleppo in 1625, has described the church as one of the four churches that were built adjacent to each other in one yard with one gate, in the newly created Jdeydeh Christian quarter. The other three churches are the Greek Orthodox Church of the Dormition of Our Lady, the Holy Mother of God Armenian Church (the current Zarehian Treasury) and the old Maronite Church of Saint Elias. Currently, the cathedral has 3 altars, an upper story built in 1874 and a baptismal font placed in 1888.

Alternatively, these windows could be used to position archers and spies. The jharokha is a stone window projecting from the wall face of a building, in an upper story, overlooking a street, market, court or any other open space. It is supported on two or more brackets or corbelling, has two pillars or pilasters, balustrade and a cupola or pyramidal roof; technically closed by jali but generally partly open for the inmates to peep out to see passing processions. The jharokha is more formal and ornamental than English or French oriel window, and is one of the most distinctive characteristics of the façade in medieval Indian architecture until the 19th century.

The entrance has glass-paneled double doors, set in a recess framed by marble trim and topped by a sill with a foliated cartouche, and a half-round transom window. Windows on the ground floor are set in rectangular openings with splayed keystoned lintels; there are small windows beneath the eaves that illuminate the rooms of the half-story. The interior begins with a tiled entry area, with stairs rising around the outer walls to a large meeting room that occupies most of the upper story. The entry opens into a central rotunda, with reading rooms on either side, and stacks and librarian area to the rear.

Rice Hotel, Houston, Texas in 1916 Illustration of the Gulf building, Houston, Texas, 1929 Upper story of the Simon Theatre, Brenham, Texas Finn's first commission was as project manager for the Rice Hotel, under contract with the firm of Mauran, Russell & Crowell. The owner of the new hotel, Jesse H. Jones, soon after established a collaboration with Finn which would change the face of Downtown Houston. Finn designed two buildings for Jones across the way from the Rice Hotel: the Foster Building, aka the Houston Chronicle Building, in 1914, and the Rusk Building in 1916. The corner of Texas and Travis was dominated by buildings built by Finn and Jones.

Baumgartner, 1985, p. 309. By the end of January, Pole had dropped to twenty-one votes, but the French faction remained split between Carafa, de Bourbon, Lorraine, and Salviati; Este's candidacy, though desired by many in the French College, had not yet been put forward, perhaps having been held back in hopes that he would be more acceptable as the conclave dragged on. Toward the end of January, in accordance with traditional efforts to counter dilatory cardinals, the amenities and rations of the conclave were decreased and the upper story windows were closed to reduce the natural lighting and fresh air.Baumgartner, 1985, p. 310.

Scholz argues that Anne's marginal status as a woman in the film is linked to that of the servants; the parallel between class and gender is conveyed with Anne's trip to Uppercross in a cart containing animals. Julianne Pidduck adds that the director "pointedly foregrounds themes of class and gendered social constraint by juxtaposing the stuffy interiors of mannered society with the inviting, open horizons of the sea". As an example, Pidduck discusses Anne's stay in a gated residence in Bath, where she gazes out of an upper story window in search for Wentworth on the streets below. To her, Wentworth and the sea represent freedom and possibility.

Unfortunately, there was animosity among all these gifted musicians at the court in Dresden. In 1722, the arrogant Veracini was involved in a quarrel, staged according to one source (Cramer 1784) by the composer and violinist Pisendel, which resulted in Veracini leaping out of an upper-story window and breaking his foot in two places and (also) his hip. There are two conflicting accounts of this incident on August 13, one involving humiliation of Veracini at the hands of the last-desk violinist in the orchestra, who was asked to play the same concerto, replacing Veracini. Pisendel had been rehearsing his composition intensively with this violinist.

This light, together with the Windmill Point Light, forms something of a range marking the center of the channel in this section of the lake. A light was placed here as early as 1829; some sources state it was initially a lantern simply hung in a tree, but all agree that it was soon hung in an upper story window of a stone house (still standing today). In 1856 the Lighthouse Board purchased a small plot and erected a stone pyramid on it, with a lantern placed at its peak. This light was first lit in 1857 and was tended by a local farmer rather than by a dedicated keeper.

The main facade of the Palace, the one facing the Plaza de la Armeria, consists of a two-story rusticated stone base, from which rise Ionic columns on Tuscan pilasters framing the windows of the three main floors. The upper story is hidden behind a cornice which encircles the building and is capped with a large balustrade. This was adorned with a series of statues of saints and kings, but these were relocated elsewhere under the reign of Charles III to give the building a more classical appearance. The restoration of the facade in 1973, which includes Sabitini's balcony of four Doric columns, returned some of Sachetti's sculptures.

The Bob Giraldi-directed music video features Benatar playing a rebellious teenage girl running away from her home with her father (played by actor Trey Wilson) warning her, "If you leave this house now, you can just forget about coming back!" Her mother looks on helplessly and her brother (played by actor Philip Cruise) watches sadly from an upper-story window. She later becomes a taxi dancer at a seedy club to get by in the city, outwardly New York. She writes to her brother, telling him about her exciting new life, while her father seems to feel guilty about being angry at her.

An opera house operated on the upper story from 1865 until the 1900s, and Massie served as an agent for local farmers who traded their products along the Chicago, Burlington and Quincy Railroad. Massie's son Harry began renting the storefront in 1918; in the following decades, it served as a drug store, ice cream parlor, grocery store, and post office before closing for good in 1948. Roger Dudley purchased the building from the Massie family in 1962 and converted it to a toy store; his business, later an antique store, operated until the 1980s. The store was added to the National Register of Historic Places on August 20, 2004.

The Polar bear enclosure was renovated in 1967, adding an upper story, and two more orphaned cubs arrived. Then in 1968 and 1969, the Tropical House, Native Animal Exhibit, and a new south gate were added. In the 1980s, the Zoological Society of Manitoba, which had not been active for a while, began to provide money for new signage, exhibits, and infrastructure. The main entrance was reconstructed to include a new Gift Store operated by the Society of, and the Carousel Restaurant was renovated. 155x155px New enclosures for the camels, yaks, and zebras, as well as the "Camel Oasis" Interpretive Playground, opened in the northwest end of the zoo in 1995.

Three of the bungalows are Airplane Bungalows, a style in which the upper story of the home sits above the lower story like a cockpit above the wings of an airplane. The twelve bungalows are a mix of one-story and one-and-a-half-story homes; no two homes on Oak Circle are exactly alike. The remaining three homes are two-story homes which also demonstrate the Craftsman and Prairie School influences seen in the other homes. Several of the eleven garages in the district are also contributing properties; the garages at 328, 332, and 344 Oak Circle have architectural details similar to their respective houses.

Work began on the church in 1438 and was probably completed three years later, though certainly by 1443 when it was consecrated by Pope Eugene. Using the perimeter of the former Trecento church, Michelozzo added a polygonal apse, similar in form to that at Bosco ai Frati; it was lighted by three long round arch pietra serena windows which can still be seen in the upper story of the convent. The pointed entrance arch rested on two pilasters with large, classical Corinthian capitals surmounted by a dado decorated with the Medici balls (also still visible). In front of the apse was the Capella Maggiore, covered with groin vaulting.

The present-day church is known as Roberts Park United Methodist Church. The building was dedicated in 1876, and serves as the fourth home of Indianapolis's original Methodist congregation.Bodenhamer and Barrows, eds., p. 334. The foundation for the present-day church was laid in 1869; its cornerstone was laid on May 14, 1870. Construction on the upper story, delayed for financial reasons, began in 1873. The completed church was dedicated on August 27, 1876, making it one of the oldest churches remaining in downtown Indianapolis. The total cost of the new church was estimated at $128,000, including the lot, structure, interior decoration, and an organ.

These were not a classical feature and were one of the first elements Wren changed. Instead he made the walls of the cathedral particularly thick to avoid the need for external buttresses altogether. The clerestory and vault are reinforced with flying buttresses, which were added at a relatively late stage in the design to give extra strength. These are concealed behind the screen wall of the upper story, which was added to keep the building's classical style intact, to add sufficient visual mass to balance the appearance of the dome and which, by its weight, counters the thrust of the buttresses on the lower walls.

On the ground floor, the southernmost bay of the east face is set with a double window. Next to it is a projecting secondary entrance set with modern metal and glass doors sheltered by a flat concrete roof. alt=The post office seen from the other street it faces, with its entrance on the ground floor at left, the flag flying, and sunlight coming through the clouds behind it The last bay on the north end is blind, with the main entrance recessed into the corner and fronted by a low porch with metal railings. A single round metal pillar supports the upper story within the recess.

The second floor of the Kirk Building was later converted to apartments while the ground floor continued to host businesses including a butcher shop, a grocery store and a furniture store. One of these was the Eastside Furniture Company, owned by Kirkland's youngest mayor, Al Leland, in the 1940s. After years of neglect, the building was threatened with demolition in the late 1950s because the landlord couldn't afford to make the needed repairs.Grindeland, Sherry "Art league began with leaky roof" The Seattle Times 9 June 2007. Retrieved December 31, 2009 William Radcliffe, a local teacher, purchased space in the building's then vacant upper story in 1958 for an art studio.

The Brinkerhoff is an early example of the conscious adaptation of rustic-style architecture that had been employed in public buildings around Jackson Hole to a private vacation house, in which the rustic style sets the tone of a rustic retreat. Jan Wilking's interpretation of the rustic style represents a transition from the heavy, consciously rustic style seen in public park buildings, to a cleaned-up, more finished and polished style., which would be further developed in vacation homes throughout the West. The main house is a partial two story log building of dressed log construction, with vertical wood sheathing on the upper story.

The mill operated until 1958, and was purchased in 1970 by the United States Army Corps of Engineers as part of the West Point Lake reservoir project. The mill sits on the sloped bank of Wehadkee Creek, and is 3.5 stories tall on the stream side and 2.5 stories on the bank side. It is constructed of unfinished stones, however features details such as finished stones as quoins, courses of rectangular stones between the doors and cornice, and half millstones as window and door arches. There are two entrances on the main floor, with a large opening above that was probably used to hoist grain to the upper story for storage.

In 1891, they moved to San Diego, where Waldo got a job with a railroad. The couple had three children: Robert Wood, Helen Gardner, and Waldo Dean. They joined the local College Graduate Club, through which they made the acquaintance of several people who would later be of great importance to Hazel in her career, notably the architects Irving Gill and William S. Hebbard, landscape designer Kate Sessions, and local businessman Julius Wangenheim. In 1900, Hazel and Waldo hired Gill to build them a house, and the resulting "Granite Cottage" was a Tudor-inspired building combining a granite lower story with a half-timbered upper story.

They remained as trustees administering his estate after his death in the following year on 26 April 1917. Under the terms of Cameron's will, his wife continued to reside at Lochiel (including the enjoyment of the museum) until her death in August 1945 when Lochiel passed to their two sons. The Brisbane City Council Sewerage Detail Plan records that by 1927 an upper story had been added to Lochiel positioned over the early brick eastern wing, although based on photographic evidence this may have been as early as 1912. An undated photograph shows Lochiel after this addition which was detailed to match the museum wing.

History of the Basel Museum of Cultures. The Natural History Museum Basel (Naturhistorisches Museum Basel), which features most areas of the natural sciences (anthropology, mineralogy, paleontology, vertebrates, insects including the Frey Collection of Beetles and other invertebrates), has not only remained in its original location since 1849 but has also retained its traditional name. Its collections, comprising nearly eight million objects which are also dedicated to scientific research, bear the title "Archives of Life". Basel Museum of Ancient Art and Ludwig Collection, rear annex with roof lighting The public art collection was installed in the upper story of the Museum on Augustinergasse in 1849.

Additionally, the upper story of the cloister, which was placed upon the wooden vaulting of the first story, was completed during the 12th century. Abbot Domingo's successor, Abbot Fortunius was in charge of the construction of the north gallery and the original west gallery. After completion of two of the galleries and the beginning stages of construction of a third gallery, Fortunius was forced to halt construction on the cloister due to the influx of pilgrims coming to visit Abbot Domingo's shrine. Additionally, construction on the cloister was halted for several decades because of political and economic difficulties during the period of 1109 to 1120.

Corymbia calophylla – Xanthorrhoea preissii woodlands and shrublands of the Swan Coastal Plain is an ecological community in the Southwest Australia ecoregion. The assemblage, found inland on the eastern side of the Swan Coastal Plain, is defined by the presence of plant species at drier or lower rainfall areas of heavy soils dominated by several marri communities. The mid and upper story vegetation is the marri tree, Corymbia calophylla, and the grasstree Xanthorrhoea preissii, called balga. Marri is also found in two other described ecological communities which contain some plants of the assemblage, those in wetter areas of the range with a greater diversity of plants.

On the south-west corner (1 Fair Oaks Avenue) stood Williams Hall, also owned by the Williams family; this building was re-modeled in 1902 and became known as the Dodsworth Building, and now houses the Dodsworth Hotel. The first meeting of Masons in Pasadena, later to become Pasadena Masonic Lodge No. 272, took place on 20 February 1883. A meeting in the library hall followed in October, at which the newly elected officials decided to make Williams Hall their permanent meeting place. An ornate front, similar to the facade of the present lodge, was erected on the upper story of the Colorado Boulevard building by H. Ridgway, an architect who was Master of the lodge in 1886.

Terem of tsarevnas (1878) by Michail Petrovitj Clodt Between the sixteenth and seventeenth centuries, the seclusion of aristocratic women to separate quarters became a common practice among royal and boyar families. The terem was often a cloistered apartment within a home or castle, usually on an upper story or in a separate wing, from which all contact with unrelated males was forbidden. As a separate building, the women’s quarters might only be connected to the men’s by an outdoor passageway. The women’s quarters of the tsar’s palace were particularly elaborate and were equipped with a separate courtyard, dining room, and children’s apartments, as well as a whole envoy of maidservants, wet nurses, nannies, and ladies in waiting.

Glas Hirfryn is contemporary with Great Cefnyberen in the Vale of Kerry, dendrochronologicaly dated to 1545–60. This house has a jettied first floor supported by massive brackets, but unlike Glas Hirfyn it has a central chimney stack and rather than a lobby entrance has a chimney backing on to the entrance with a post and panel screen or cross passage of Smith’s type B.’‘Smith’’, 1988, 447, Map 29a Also in the Vale of Kerry, but just in Shropshire in Brompton and Rhiston is the ‘‘Lack’’. This is a jettied house of the Montgomeryshire Lobby entrance type , with herringbone work in the upper story and Close studding to the lower floor.”Moran’’, 396.

The house typical three-bayed bahay na bato, its ground-floor walls of adobe blocks support an upper story of carved acanthus consoles of molaveseemingy support the windows sills. The Ventanilla or "little windows" beneath the window sill are a typical of the 1850s. The ogee arches carved on the doors were inspired on the facade of Bauan Church, where it first appeared in Batangas. The doors of the central bay lead to a short flight of stairs to the meseta or landing with its doors opening to the entresuelo or mezzanine chamber that had capiz windows opening to the zaguan and a window on the street side with a wrought iron rejas na buntis.

From Rinnan to Sparbu, the ground floors were instead built in brick, and from Mære and north, the stations have wooden ground floors. In addition to a station buildings, stations consisted of an outhouse and a freight house; selected stations also featured a water tower and motive power depot. The preserved Skogn Station is an example of the stations' style mix, with a random rubble ground story and wooden upper story, and with elements from both Dragestil and Art Nouveau Levanger Station is the most spectacular station on the line and also the best preserved town station. Built entirely in stone, it has a dominant position in town and with a park in front of the station.

The Kenilworth Plantation House is a historic plantation house located at 2931 Bayou Road in St. Bernard Parish, Louisiana. According to a sign in front of the house, the French Creole style house was built in 1759; however, its nomination to the National Register of Historic Places indicates it was built circa 1820. During the early 19th century, the French Creole style was the predominant architectural form of St. Bernard Parish; however, most of the parish's French Creole buildings from the period are no longer standing, and Kenilworth is one of the best-preserved examples of the style. The two-story house has a raised basement, and the upper story is considered the primary living space.

The large palace, Vadi Medi, upper storied and surrounding an open quadrangle; about fifty -five feet square and twenty high, tastefully built of very large blocks of stone, stands on the north side of the city. The front porch and colonnade are ornamented with carving. The upper story and the very heavy stone terraced roof are each supported by eighty -four pillars, each pillar one block of stone, round, and with capitals carved into figures of men and animals. The small, or half-day palace, Nani Medi or addho taro, for it was only twelve hours building, one storied, of stone, and with rather poor carving, is forty feet long by thirty-three broad.

It stands on the margin of the > elevated plain on which are the remains of the ancient works [mounds], > mentioned in my letter of May last, thirty feet above the high bank of the > Muskingum, twenty-nine perches distant from the river, and two hundred and > seventy-six from the Ohio. It consists of a regular square, having a block > house at each angle, eighteen feet square on the ground, and two stories > high; the upper story on the outside or face, jutting over the lower one, > eighteen inches. These block houses serve as bastions to a regular > fortification of four sides. The curtains are composed of dwelling houses > two stories high, eighteen feet wide, and of different lengths.

In 1988 he returned to Aspen and bought the Collins Block next door. He began to transform both properties into visible symbols of Aspen's cachet among the international rich and famous, easing out longtime tenants like a hardware store in favor of upscale fashion retailers like Louis Vuitton, Dior and Gucci. Baldwin opened the art gallery that still bears his name in the building as well. The upper story of the Hyman–Brand became the exclusive Aspen Hotel, where guests had membership privileges at the exclusive Caribou Club in the basement of the Collins Block The area became known as "Glitter Gulch", a nickname that soon also came to be used for Aspen as a whole.

During the 19th century, wealthy Filipinos built some fine houses, usually with solid stone foundations or brick lower walls, and overhanging, wooden upper story/stories with balustrades Ventanillas and capiz shell sliding windows, and a Chinese tiled roof or sometimes Nipa roof which are today being replaced by galvanized roof. Bahay na bato had a rectangular plan that reflected Spanish style integrated with Traditional Philippine style. During the American period of the Philippines, they still incorporated bahay na bato style, though the American Antillean houses are more liberated in design but still keeps the Spanish Colonial designs. Today these houses are more commonly called Ancestral houses, due to most ancestral houses in the Philippines are bahay na bato.

They also designed one home in North Dakota (the George and Beth Anderson House, entered into the National Register of Historic Places in 2017), and two homes in Minnesota. By 1970, Wright Ingraham wanted to move away from her grandfather's styles and develop new architectural approaches. That year she founded her own firm, which she called Elizabeth Wright Ingraham and Associates. She went on to design approximately 150 buildings in Colorado Springs, including the Vista Grande Community Church (1987), an expansion of the Fountain Branch of the El Paso Country Library (2006), an upper story addition to the All Souls Unitarian Church, and the Solaz, La Casa, Kaleidoscope, Beadles, and Vradenburg private homes.

The intimate relationship that vascular epiphytes have with the formation of canopy soils means that the distributions of canopy soils follow a parallel distribution pattern, since is the pattern of growth and decay of epiphytic growth that promotes the formation of canopy soils. The presence of certain types of epiphytes could be considered ecosystem engineers, due to their ability to form new canopy soils within an upper story in forest. For example, Fascicularia bicolor is a species of epiphyte in South American temperate rainforests, and belong to a group known as trash basket epiphytes. These individuals form extensive mats that capture falling organic matter and accumulate it, promoting the formation of canopy soils.

The station of the first companies due at the scene was only 100 feet down an alley to the southeast of the hotel, yet they saw no smoke or fire when they arrived about two minutes later. Other companies arriving from the south on Broadway saw smoke coming from a few upper-story windows of the hotel. A second alarm was requested at 4:17 am, and ultimately the fire went to four alarms and at its height 23 fire trucks and at least 90 firemen were on the scene, more than three-quarters of all available on-duty Kansas City fire companies, including companies from Kansas City, Kansas. It took more than four hours to bring under control.

The William D. Alexander House was built in 1891 by William Denton Alexander. This home is perhaps the only example of Stick Style architecture in Utah. "The overall design of the house integrates Eastlake porch details and Queen Anne wall shingling on the upper story with the dominant ground level Stick Style to form a complete, cohesive, architectural composition... The visual complexity of the house is further accentuated by the mixing of hip and gable roof forms, the use of projecting wall dormers, and the presence of clipped corners on the house body and wing (National Park Service p. 1)." The William D. Alexander House was designated to the Provo Historic Landmark registry on March 7, 1996.

Concrete Herald Building Located in the heart of Concrete Town Center on Main Street, the Concrete Herald Building was originally built in 1918 as a Model T Ford garage complete with a gas-station out front. When the building was later converted to be the Brommer Logging facility, a large apartment was added to the upper story. It was shortly after this that Concrete Herald owner and editor Charles M. "Chuck" Dwelley took over the building and made it into a modern printing facility and new home of The Concrete Herald (established in 1910). When Robert and June Fader purchased the newspaper upon Dwelley's retirement in late 1970, the building remained the home for the weekly.

After resting overnight at Busan, the First Division left at 6:00 AM the following morning, marched around the bay without delay, and arrived at Dongnae around 8 AM two hours later. Its prefect, Song Sang-hyeon, hurriedly gathered all the town-people and what soldiers he could find such as Jo Yeong Gyu, the magistrate of Yangsan. As soon as the Japanese completed the investment of the fortress surrounding it in five lines, with other troops crowding on the nearby fields and prepared to storm the fortress. The brave prefect took up his position in the upper story of the great gate of the fortress where, in accordance with the Korean custom, he beat upon a great drum and urged on his soldiers in the fight.

Meridian Railroad Museum at Union Station In operation for less than two years, Union Station has had a profound impact on the community in numerous ways. The number of passengers on Amtrak trains, Greyhound buses, and Meridian Transit System buses averages 242,360 per year.Meridian, MS FAQ Inside Union StationThe station has already encouraged more than $8 million in private investment in the Depot District, including office space, retail shops, a data processing/computer training center, upper-story apartments on the west side of Front Street, two hotels - the Terminal Hotel and the Union Hotel, the newly renovated Rosenbaum condominiums, two restaurants, and vital records storage buildings. Future plans may include renovation of the historic Threefoot Building, possibly as an upscale hotel.

Kumarcılar Hanı after restoration in 2016 The Kumarcilar Han as of 2008 Kumarcilar Han (Gambler's Inn) is a caravansarai located in North Nicosia, Northern Cyprus.. It is unknown when exactly it was built, however it is thought to be built around the end of the 17th century, is much smaller and modest when compared with Büyük Han (Great Inn). Similar to all caravansarai, the entrance leads to an open air courtyard, which is surrounded by a two storey building, originally containing 56 rooms. Those on the upper story were used by the travelers, while those on the ground floor were used for their animals and belongings. Since then, the Kumarcilar Han has entered into a state of disrepair, is in danger of collapse.

Painting fragments found in the same room as the "Investiture of Zimri-Lim" and the sacrificial procession scene include goats in heraldic pose flanking a tree, a life-size figure with a dagger in his belt, a figure in front of an architectural background, and a hand grasping hair in a manner very similar to the traditional Egyptian scene of a king smiting an enemy with a mace. Others rooms yielded very fragmentary wall paintings, which may have fallen and broken partly as a result of the collapse of an upper story. The fragments fall into two general stylistic groups: figures resembling the bundle-bearing men in the "audience chamber" frescoes, and life-size figures bearing similarity to the sacrificial procession scene.

The ground floor is divided into five bays separated by pilasters, with a retail entrance to their right, and an upper-story building entrance at the far right. The block was built in 1881 for the Springfield Steam Power Company, which was established by the directors of the Wason Car Manufacturing Company to provide steam power to factory buildings the company offered to build nearby. The business plan was made possible by what was the largest real estate transaction in the city's history to that time, in which entire city blocks changed ownership. This particular building was built by the company for lease to smaller industrial concerns; early tenants included a brass foundry, iron works, and a sewing machine company.

Upstairs is a main bedroom and a second bedroom for children; to the rear (i.e. the colder, north side), are bedrooms for a servant and the servant lad respectively. Above the kitchen (for transferred warmth) is a grain and fleece store, with attached bacon loft, a narrow space behind the wall where bacon or hams, usually salted first, would be hung to be smoked by the kitchen fire (entering through a small door in the chimney). Presented as having sparse and more old fashioned furnishings, the Old House is presented as being occupied in the upper story only, consisting of a main room used as the kitchen, bedroom and for washing, with the only other rooms being an adjoining second bedroom and an overhanging toilet.

On 4–5 May 1842, nine prominent male church members were inducted into this endowment ceremony in the upper story of Smith's store. The first woman (Smith's first wife, Emma) was inducted into the endowment ceremony on 28 September 1843. As the washings and anointings were practiced in Nauvoo, men and women were taken to separate rooms, where they disrobed and, when called upon, passed through a canvas curtain to enter a tub where they were washed from head to foot while words of blessing were recited.. Then oil from a horn was poured over the head of the participant, usually by another officiator, while similar words were repeated. As part of the ceremony, participants were ordained to become kings and queens in eternity.

It continued to be military property until 1976, when a large restoration project was undertaken by the provincial authority of the Provveditorato alle Opere Pubbliche of Campania. In seven years the original castle was freed of centuries of accretions, and made structurally sound, recreating the original galleries, parapet walkways and underground chambers, where an auditorium seating 700 has been created. In 1982 the site was handed over to the Soprintendenza per i Beni Artistici e Storici of Naples, and the Bruno Molajoli Art History Library was installed in an upper story of the old prison block. The former Marine headquarters now houses the castle administration and some administrative offices for Naples, including the Catalogue Office, Photographic Archives and the Thefts Office.

At 6pm on Sunday, 17 January, an estimated crowd of between 2,000 and 5,000 rallied outside the Tote, filling the intersection of Johnston and Wellington Streets and spilling down each street. People found other vantage points on rooftops, upper story windows and balconies in the surrounding buildings. Amongst the crowd were amateur and professional photographers, film makers, a Tote documentary crew, various local independent music celebrities and a large collection of Melbourne's local independent musicians, patrons, long-time Tote patrons, former employees and others. Petitions circulated the crowd before a makeshift PA system was set up through one of the building's upper-level windows, facilitating speeches from "Fair Go 4 Live Music", Rod Quantock, a councillor for the City of Yarra and owner Bruce Milne.

In 1768, the New York Chamber of Commerce was founded by a meeting in the building. After a rebuilt in 1752 that added a meeting hall on the upper story, the Royal Exchange building was the location of the Chamber of Commerce in the City of New York (later Chamber of Commerce of the State of New York) from 1770 until the Revolutionary War. The United States District Court for the District of New York was one of the original 13 courts established by the Judiciary Act of 1789, and it first sat at the Royal Exchange (Merchants Exchange) building on Broad Street.Asbury Dickens, A Synoptical Index to the Laws and Treaties of the United States of America (1852), p. 386.

Non-Christian thought, in Frame's view, also is characterized by irrationalism because inevitably the finite and fallen human mind cannot fully capture all of reality into a man-made system. On this position, at the point in which the non-Christian rationalist realizes that they cannot account for everything, they engage in what Francis Schaeffer called an "upper story leap." As a brief example, Frame uses the epistemology of Kant, who taught that the categories of thought that are necessary for our understanding the world around us, such as causality, logic, time, space, and order, are structured by our minds and imposed upon the things we experience. In order to be rational and make sense out of life we must assume, or presuppose, these notions.

In 1922 the upper storefront was remodeled to modernized appearance by contractor Michael Sweeney, at which point the building's cornerstone was removed and given to the Golden Masonic lodge, which had long since moved out of the building. In 1941 the plate glass storefront was extended partially along the south side of the building and clerestory covered. In 1992 the storefront, with a canopy added in the 1960s, was thoroughly renovated to an approximation of its 1922 appearance. After a nearly catastrophic fire gutted the rear upper floor with water heavily damaging the rest of the building on November 3, 2005, the interior was stripped completely and building thoroughly reinforced, a new rear replacement roof installed, and new more historically accurate upper story windows installed.

The house pf John Scougal (left) at the foot of Advocates Close He was a cousin to Patrick Scougal (died 1682), Bishop of Aberdeen and to Patrick's brother John Scougal, Lord Whitekirk. John Scougal is said to have been born at Leith, where his father David had a residence, and where several of his works were still in the Town Hall in the nineteenth century. In the latter part of the seventeenth century, one of the resorts of the fashion and beauty in Edinburgh was on the east side of the Advocates' Close, where John Scougal the painter rented or owned a house, to which he had added an upper story arranged as a studio. It stood opposite the house of Sir James Stewart.

Fioravanti was given the 12th-century Vladimir Cathedral as a model, and he produced a design combining traditional Russian style with a Renaissance sense of spaciousness, proportion and symmetry. The Palace of Facets on the Cathedral Square of the Moscow Kremlin In 1485 Ivan III commissioned the building of the royal residence, Terem Palace, within the Kremlin, with Aloisio da Milano as the architect of the first three floors. He and other Italian architects also contributed to the construction of the Kremlin walls and towers. The small banquet hall of the Russian Tsars, called the Palace of Facets because of its facetted upper story, is the work of two Italians, Marco Ruffo and Pietro Solario, and shows a more Italian style.

The uppermost story is treated as an attic in the wings giving space for a window and creating an impressive silhouette for the rest. Pilasters complete the feature of the wings, and while the windows enclosed within them are plainly framed in the white marble and encased in solid brick. The entrance in the center is a unique structure made of white marble completely occupied by the ground floor and the story above it The round arched opening pilasters and the terrace of the roof is enclosed within a balustrade. The rectangular side porch, and two beautifully executed upper stories, are treated as window galleries; two on each side of the porch and eight beautifully glazed windows in the upper story.

In 1485, Ivan III commissioned the building of a royal Terem Palace within the Kremlin, with Aloisio da Milano being the architect of the first three floors. Aloisio da Milano, as well as the other Italian architects, also greatly contributed to the construction of the Kremlin walls and towers. The small banqueting hall of the Russian Tsars, called the Palace of Facets because of its facetted upper story, is the work of two Italians, Marco Ruffo and Pietro Solario, and shows a more Italian style. In 1505, an Italian known in Russia as Aleviz Novyi built twelve churches for Ivan III, including the Cathedral of the Archangel, a building remarkable for the successful blending of Russian tradition, Orthodox requirements and Renaissance style.

Coat of Arms of Johann Franz II von Stauffenberg Construction began in 1710 under Bishop Johann Franz II. von Stauffenberg, with Christoph Gessinger designing and supervising the work. It would be two years later in 1712 that the project was finished. The building was, however, a bit unfinished as a symbol of the power of the bishop. The upper story contained a number of apartments for visiting nobles and church leaders as the residence of a Prince-Bishop should, but it lacked a grand staircase and other trappings of wealth and power.Regional Studies Online-History of the Neues Schloss When Hugo Damian von Schönborn, who was already Bishop of Speyer and had already built Schloss Bruchsal there, took over the seat at Meersburg in 1740 he wanted to improve the Neues Schloss.

Adjacent to this apartment are the remains of the kitchen, pantry and buttery. The arches of the lavatory are to be seen near the refectory entrance. The western side of the cloister is occupied by vaulted cellars, supporting on the upper story the dormitory of the lay brothers (9). Kirkstall Abbey layout # Nave # Tower # Presbytery # North and south transepts # Cloister # Library (part of east range, with 7 & 8) # Chapter house (part of east range, with 6 & 8) # Parlour (part of east range, with 6 & 7) #Lay brothers' dormitory # Reredorter # The Lane/ malt house # Refectory # Warming house # (unknown) # Novices' quarter # Abbot's lodgings # Visiting abbot's lodgings # Infirmary Extending from the south-east angle of the main group of buildings are the walls and foundations of a secondary group of buildings (17, 18).

The > windows of the clerestory are of two lights, the great east window of five, > whilst the others are of different widths, some of two and the rest of three > lights, each being filled with geometrical tracery, of a character strictly > harmonising with the style of the building The tower is square, the upper > story of belfry being lighted by eight windows, two on each face. There is > an octagon staircase at the south-west corner, capped by a neat turret. The > spire is octagon, and is surrounded by two bands enriched with diaper work, > and a number of spire lights, the whole being surmounted by a cross and > vane. The aspect of the interior is likewise very pleasing, and would be > more so if some of the windows were filled with stained glass.

In total thirty five houses and business premises and their contents were destroyed. Later that year the fire brigade crew were presented with medals and £2 each at a dinner in their honour at the Royal Clarence Hotel. The damage was estimated at the times at between £80,000 and £100,000. The same area of the town was struck by fire twice during the 1980s. First on 12 December 1981 Draper's paint store in the upper story of the building on the corner of Portland Street and Fore Street, this fire was contained quickly, however fumes from the burning paint meant much of the local area was evacuated during the night. The second much larger fire started at 2:30 am on the night of 2 September 1983 in the shopping arcade under the Candar Hotel.

The Society's Manhattan headquarters, at Park Avenue and East 70th Street on the Upper East Side, is a nine-story building faced in smooth red Oklahoma granite designed by Edward Larrabee Barnes in 1980. Since it replaced some old brownstones on one of the city's most prestigious streets, Barnes gave the building a strong facade to continue the line along Park, and set it back from East 70th with a terraced garden buffering it between the street and the older houses on that block. The semicircular window on the upper story and variations in the color and finish of the granite are intended to evoke Asian cultures. Paul Goldberger, architecture critic at The New York Times, called it "an ambitious building, full of civilized intentions, some of which succeed and others that do not".

The Jama Mosque is a quadrangular structure of brick and stone, encircled by a ring of terrace roofed and double storeyed buildings, the ground floors of which are let out as shops. The chief or eastern gate of the mosque leads directly across an open courtyard to the ancient tank, which is now furnished with masonry steps and embankments, built in 1893, and contain about ten feet of water fed by springs at the bottom, that contains gold and silver fish and few turtles. This is used for ritual ablutions (wudu), however modern facilities are also available for this purpose. From the depth of the tank rise sixteen black stone arches, constructed in 1874, which support the whole fabric of the mosque, the upper story being upheld by five rows of wooden pillars, each of which contains a receptacle for sacred books.

Its masonry is very uneven, including several stone pillars that have been inserted into it, often not fully, and its counterfort is made of small, irregularly fitted stones.. Its interior arrangement, with its spacious upper story, large windows, and westward-facing balcony, suggests a use as a residential tower. Combined, these factors strongly support its traditional identification with the so-called Tower of Isaac Angelos: according to the historian Niketas Choniates, that tower was built by Emperor Isaac II Angelos (r. 1185–1195, 1203–1204) both as a fort and a private residence, and made use of materials from ruined churches.. In contrast, the northern tower, which is identified as the Tower of Anemas proper, is a carefully built structure, displaying the typically Byzantine alternating layers of stone masonry and bricks. Its buttress is built of large, regular, carefully fitted blocks.

These properties include: Aureole, Charlie Palmer Steak NYC, Upper Story Events by Charlie Palmer, Charlie Palmer at The Knick and St. Cloud Rooftop Bar at The Knickerbocker, AVA Social and Spyglass Rooftop Bar at Archer Hotel, Willow by Charlie Palmer (Rhinebeck, New York), Aureole at Mandalay Bay Resort & Casino, Charlie Palmer Steak at Four Seasons Hotel (Las Vegas), Charlie Palmer Steak (Washington, DC), Charlie Palmer Steak (Reno, Nevada), Charlie Palmer Steak and Sky & Vine Rooftop Bar at Archer Hotel (Napa, California), and Dry Creek Kitchen at Hotel Healdsburg (Healdsburg, California). Television and Projects Charlie Palmer was one of sixteen chefs honored in the 1993 PBS series, Cooking with Master Chefs: Hosted by Julia Child and is featured in the cookbook derived from the series.[citation needed] He is also a frequent guest on NBC's Today Show, Bravo’s Top Chef, and The Rachael Ray Show.

The arrangement of rooms in the first floor of the Hills House and extended porches are evocative of the pinwheel shape found in the Ward W. Willits House, Darwin D. Martin House and other works. As Wright broke away from the conventional, rectangular floor plans with the development of his Prairie homes, the hidden entrance also became more common and can be found in nearly every one of his Prairie houses. One component which epitomizes the transitional nature of the Hills- DeCaro House is the dual-pitched, Japanese inspired roof which recalls similar roof designs for the Harry C. Goodrich House and George W. Smith House, both completed ten years prior. However, the cantilevered eaves of the Hills-Decaro house are even deeper – stretching 5.5 feet (1.67 m) on the upper story – and the fascia is even thicker than those of its early predecessors.

The Germania Life Insurance Company Building in New York City, built in 1911, with a four-storey mansard roof The 1916 Zoning Resolution adopted by New York City promoted the use of mansard roofs; rules requiring the use of setbacks on tall buildings were conducive to the mansard design. In the 1960s and 1970s, a modernised form of mansard roof, sometimes with deep, narrow windows, became popular for both residential and commercial architecture in many areas of the United States. In many cases, these are not true mansard roofs but flat on top, the sloped façade providing a way to conceal heating, ventilation and air-conditioning equipment from view. The style grew out of interest in postmodern stylistic elements and the "French eclectic" house style popular in the 1930s and 1940s, and in housing also offered a way to provide an upper story despite height restrictions.

Facade of Sant'Andrea, Mantua One of the earliest uses of this feature in the Renaissance was at the Basilica of Sant'Andrea, Mantua, designed by Leon Battista Alberti and begun in 1472; this adapted the Roman triumphal arch to a church facade. From designs by Raphael for his own palazzo in Rome on an island block it seems that all facades were to have a giant order of pilasters rising at least two stories to the full height of the piano nobile, "a grandiloquent feature unprecedented in private palace design". He appears to have made these in the two years before his death in 1520, which left the building unstarted. It was further developed by Michelangelo at the Palaces on the Capitoline Hill in Rome (1564-68), where he combined giant pilasters of Corinthian order with small Ionic columns that framed the windows of the upper story and flanked the loggia openings below.

The play's earliest editors all agreed the original production would have been of the processional sort, with a wagon travelling between three different stations to perform the three scenes of the play, and the audience following, rather as they would performing the Stations of the Cross. The need to accommodate a horse must have meant that the wagon would be fairly large, and with an upper story in order for the Holy Spirit to appear above and from which thunderbolts could be thrown. Lines in Saul's sermon – "thys semely [assembly] that here syttyth or stonde" – led scholars to conjecture that a scaffold may have been erected for this and perhaps other stations. It was not until the 1970s that Glynne Wickham, first in an essay and then in his edition of the play, challenged this conception, arguing that the three stations had taken the form either of mobile "pageants" or fixed "mansions" grouped together on a single acting area, or "platea".

Disney used multiple shell companies to buy up land at very low prices from unknowing landowners in the area that would eventually become the district. These company names are listed on the upper story windows of what is now the Main Street USA section of Walt Disney World, including Compass East Corporation; Latin-American Development and Management Corporation; Ayefour Corporation (named because of nearby I-4); Tomahawk Properties, Incorporated; Reedy Creek Ranch, Incorporated; and Bay Lake Properties, Incorporated. A map showing the Walt Disney Company's land holdings and the current boundaries of the District On March 11, 1966, these landowners, all fully owned subsidiaries of what is now The Walt Disney Company, petitioned the Circuit Court of the Ninth Judicial Circuit, which served Orange County, Florida, for the creation of the Reedy Creek Drainage District under Chapter 298 of the Florida Statutes. After a period during which some minor landowners within the boundaries opted out, the Drainage District was incorporated on May 13, 1966, as a public corporation.

Ibatzes, believing that Daphnomeles would not have come alone unless he intended to forge an alliance against Basil, retreated with the strategos to a secluded wooded glade in the gardens for a private discussion. There, Daphnomeles and his two hidden associates sprang on the Bulgarian general, blinded him, and carried him to the upper story of the palace, through the assembled crowds who were too stunned to react. When the Bulgarians recovered, they gathered underneath the building crying for revenge. Daphnomeles, however, addressed them and managed to convince them of the futility of further resistance, and to lay down their arms and seek the emperor's pardon... Ibatzes' capture on 15 August 1018 brought to an end the long conflict between Byzantium and Bulgaria,.. and according to the Byzantinist Paul Stephenson, secured for Daphnomeles, along with Nikephoros Ouranos and Nikephoros Xiphias, the reputation of one of the most prominent and successful generals in the Bulgarian wars of Basil II.. Following his feat, Daphnomeles was appointed strategos of the thema of Dyrrhachium by a grateful emperor, and given all of Ibatzes's movable wealth as a reward.

The Oxford English Dictionary notes the 1922 appearance of "How much cost? Waterloo. Watercloset." in James Joyce's novel Ulysses and defers to Alan S. C. Ross's arguments that it derived in some fashion from the site of Napoleon's 1815 defeat... In the 1950s the use of the word "loo" was considered one of the markers of British upper-class speech, featuring in a famous essay, "U and non-U English".. "Loo" may have derived from a corruption of French ' ("water"), ' ("mind the water", used in reference to emptying chamber pots into the street from an upper-story window), ' ("place"), ' ("place of ease", used euphemistically for a toilet), or ' ("English place", used from around 1770 to refer to English-style toilets installed for travelers).. Other proposed etymologies include a supposed tendency to place toilets in room 100 (hence "loo") in English hotels,. a dialectical corruption of the nautical term "lee" in reference to the need to urinate and defecate with the wind prior to the advent of head pumps, or the 17th-century preacher Louis Bourdaloue, whose long sermons at Paris's Saint-Paul-Saint-Louis prompted his parishioners to bring along chamber pots.

Alvord was interested in the classical problem of Apollonius, to find a circle tangent to three given circles, and the special cases of Apollonius' problem, as well as the generalization to spheres. In 1855 he published in Smithsonian Contributions to Knowledge.B. Alvord (1855) Tangencies of Circles and of Spheres, Smithsonian Contributions, volume 8, from Google Books Posted to the remote Fort Vancouver, he continued his investigations and submitted his findings in 1860 but was frustrated by a fire. In 1882, when he found that there are 96 circles which cut four given circles at a fixed angle and there are 640 spheres which cut five given spheres at a fixed angle, he assembled all his results for an article in American Journal of Mathematics.B. Alvord (1882) The Intersection of Circles and the Intersection of Spheres, American Journal of Mathematics 5(1): 25–44 where he explained the delay: :All of this memoir, except the last two problems, were completed and sent to the Smithsonian Institute in January, 1860, from Fort Vancouver, Washington Territory, but the manuscript was burned in January 1865 when the upper story of the Smithsonian building was on fire.