Where Europeans tried to contain its unruliest citizens in asylums, Australia sent theirs to Tasmania.
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When Reed was finished, Berlin promised that the tour's security would do a better job rooting out the unruliest fans.
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But in the right artistic hands, even the unruliest and most cumbersome of narratives can be converted into gripping, involving theater.
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Norman Lear has fathered six children, aged twenty-one to sixty-eight, but the modern TV show remains the unruliest of his offspring.
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The Eclipse straightener, for instance, uses "tri-zone technology" and a series of six sensors to maintain constant temperature, minimising damage to hair while taming even the unruliest of tresses with a single stroke.
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The teacher revolts rippling across the country in the past couple months have seemed out of the blue to many, yet they are only the latest and perhaps unruliest actions taken by educators in the past eight years.
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What made me gag was a scene earlier in the film, in which the sweet-faced girl — a lifelong vegetarian, played with deranged glamour by Garance Marillier — is forced to swallow a rabbit kidney as part of a bizarre hazing ritual at the world's unruliest veterinarian school. Gross.
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The Macedonians of Eumenes's army were drawn into the ranks of Antigonus's army. Given the fickle loyalty of the Silver Shields (betraying Eumenes and Antigenes), Antigonus decided to send the 1,000 unruliest of them to the far off satrapy of Arachosia to fight in the frontier war with the Indians, the local satrap Sibyrtius was given special orders to regard them as expendable.Diodorus Siculus, Bibliotheca Historica XIX 48,3-4; Polyainos, Strategemata IV 6,15; Plutarch, Parallel Lives, the Life of Eumenes 19,2.
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Ignatiy Vishnevetsky of The A.V. Club, while overall positive on the film, said it "trades the wordless gracefulness and sense of discovery of the animation studio's best work for explanatory voice-over and nonstop exposition", also arguing that the Pixar animators could have been more visually adventurous to match the conceptual ambition. Kristopher Tapley of HitFix called it "one of the best films of the 21st century". A. O. Scott of The New York Times deemed the film "an absolute delight", reserving particular praise for its "defense of sorrow, an argument for the necessity of melancholy dressed in the bright colors of entertainment". The Washington Posts Ann Hornaday considered it "that rare movie that transcends its role as pure entertainment to become something genuinely cathartic, even therapeutic, giving children a symbolic language with which to manage their unruliest emotions".
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