How to use most manic in a sentence? Find typical usage patterns (collocations)/phrases/context for "most manic" and check conjugation/comparative form for "most manic". Mastering all the usages of "most manic" from sentence examples published by news publications.
This year's Globalfest, the 17th, was the most manic and clamorous of them all, a lineup of musicians demanding attention with speed, rhythm, passion, humor, costumes, dance moves and the determination to hold on to particular cultural heritages in a connected world.
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The Saga of Mayflower May is Marissa Nadler's second full-length studio album, released in 2005 on US label Eclipse Records, and distributed later that year in Europe by British label Beautiful Happiness. The album followed the breakup of her relationship with her previous collaborator, Myles Baer. She explained, "Heartbreak was like water to a plant for my songwriting. I hate to say it was one of the times where I was feeling the most manic and the most inspired".
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Allmusic's Mark Deming rated the album three stars out of five, saying that, "the feel of the album is pretty close to The Who's version," and that "guitarist Jim Babjak may lack Townshend's epic vision and sense of flourish, but he gets the crunchy bash of this music right, and drummer Dennis Diken and bassist Severo Jornacion find a way to pare down the style of the most manic rhythm section in rock history while achieving some approximation of their power and musical sense". Deming added that, although lead vocalist Pat DiNizio's "deep, moody tone" doesn't match Roger Daltrey's singing style, the songs suit "the dark, dramatic feel of DiNizio's instrument, and Babjak and Diken contribute lead vocals on a few tunes that demand something lighter". However, Deming concluded that the album is "little more than an oddity for Smithereens completists and Who fans obsessive enough to want every cover version of their favorite band's work. In short, this gets an A for effort but a C- for practical utility".
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Baum would later organize two exhibitions for the Museum of Contemporary Art Chicago. The first of these, Don Baum Says Chicago Needs Famous Artists, included works by Wetzel. The second show, Made in Chicago, did not. Made in Chicago traveled on to the São Paulo Bienal in Brazil and also to the Smithsonian Museum in Washington. James Yood offered a concise definition of the Imagist aesthetic: > … funky and irreverent subject matter (often with sexual and/or violent > overtones, with imaginative fantasies dealing with the figure under extreme > physical or psychological stress), a predilection for narrative themes drawn > from vernacular sources, a decided openness to influences from self-taught > artists and from sources outside the mainstream of Western art history, a > taste for garish and obsessively busy small-scale compositions driven by a > concern for symmetry and a linear approach to the figure, surrealistic > whimsy and ironic and caustic humor undercutting the “serious” status of the > art object, high-keyed color, scrupulous and fastidious craftspersonship > [sic] tending toward the suppression of evidence of the experiential residue > of the artist's hand, and iconic independence and idiosyncratic mannerism of > the most manic sort. Franz Schultze in ARTNews 1971 described a cliquishness in the various groups.
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