Many populations have bright orange dorsal stripes, however some have bright green, pink, yellow, cream or uncoloured stripes.
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Davison 2003, 131 Red, or ruby, copper-based glass, is usually flashed as the colour is too dense to be used alone. Other glass colours may also be flashed. These techniques could be remarkably sophisticated as demonstrated by 15thc. glass from the Carthusian Monastery of Pavia, where layered glasses of blue and violet; green and uncoloured; and red and uncoloured have been identified.
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Meanwhile, in the UK, L. Miller & Son, Ltd. and some of its successors published large monthly compendiums of uncoloured American superhero comics up until the 1980s, often reproducing T.H.U.N.D.E.R. Agents material.
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The uncoloured isidwaba is worn over a lace garment that is tube-like called itete, which also extends to cover isidwaba on top. The itete is used for protection and hygienic purposes.
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This is done by layering the coloured mixture with a separate layer of uncoloured product, and then slicing the result into individual pieces. In modern versions, honey gelatin is sometimes also used as an ingredient.
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Glass comprising multiple layers of clear and (usually) red glass was known to exist in the 12th and 13th centuries. The manufacturing process is not known.Davison 2003, 131 Flashing was developed in the 15th century, and refers to the superimposition of a thin layer of coloured glass onto another coloured or uncoloured glass sheet. The procedure may have involved dipping a small sphere of molten glass into a molten uncoloured glass and blowing this into a cylinder form (the cylinder blown sheet process) which was then cut into sections and flattened in an annealing oven.
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Many of them have an irregular triangular transparent area at the tip of the wing. The wings vary in size, shape, width and coloration. The clear uncoloured apices of wings will help to distinguish it from other red Asian dragonflies.
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The Daniells' great work on India, Oriental Scenery, was published in six parts over the period 1795–1808.Oriental scenery (indoislamica.com) It comprised a total of 144 coloured aquatints and six uncoloured title-pages. The cost of a complete set was £210.
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The Literature of photography. New York: Arno Press. Sales of conventional uncoloured and hand-coloured daguerreotypes fell in anticipation of this new technology. Hill delayed publication of the details of his process for several years, however, and his claims soon came to be considered fraudulent.
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A plain uncoloured Segagah is kept aside in every household to be used for washing and carrying the body of a deceased. A second type of Segagah is dyed in different colours and laid out by the bride groom during bridal night and further marriage festivities. It is reused for the period of forty days (ربع) after a woman has given birth and during which she is not supposed to leave the house. 'Anqarib (عنقريب) and Birsh Ruba'i (برش رباعي) uncoloured Segagah (سجاجة) coloured Segagah (سجاجة) A different kind of Birsh can be found in many households and in community places such as the guest house (Madeifah, مضيفة) of the village.
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Fabrics could be left uncoloured or dyed various colours, the most popular being deep blue using indigo, others being black, red and green. In 1870 there were ten dyeing workshops in the Murestan quarter of Jerusalem, employing around 100 men.Baldensperger, 1903, p.164Weir, Palestinian Costumes. p.26.
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Above the central wall of the apse is a carved oak canopy. Between the nave and the transepts are carved oak screens. The walls of the nave are plastered but uncoloured. The pulpit is incorporated within the southern screen; it is polygonal and supported on a carved corbel.
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This area is generally lined with mats woven out of a locally grown reed. The reed closely resembles stripped bamboo, having a glossy outer covering which is generally resistant to dirt and fluid. The mats are generally uncoloured and comes in its natural shade. But occasionally one comes across a few dyed mats.
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When the colonies are grown on oatmeal agar at a temperature of for 10 days, the isolates form poorly differentiated phialides, and single-cells, thick- walled uncoloured chlamydospores with chromophilic walls measuring 4-8 μm in diameter on the ends of hyphae and intervening in filaments. After 7 days of incubation, the chlamydospores become apparent although sclerotia remain absent.
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The arms of the City of London The logo of the City, employing a simplified version of the arms (with the peripheral elements uncoloured) The coat of arms of the City of London is the official coat of arms of the City of London, which is one of a number of cities and boroughs in Greater London.
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Podospora appendiculata produces perithecia, necked fruiting bodies laden with sexual spores. Unlike perithecia obtained from other ascomycota, however, perithecia from P. appendiculata lack very prominent necks. Its perithecia are ovoid, appear blackish to purplish, have hyaline (uncolored) tips, and are covered evenly with short, stiff hairs. These hairs are wide and brown at the base, and, like the perithecia, have hyaline, uncoloured tips.
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A Poncho chilote is type of woolen poncho originating from southern Chile and usually associated with Chiloé Archipelago. The Poncho chilote is of simple design, most often it features stripes of white (uncoloured), grey and brown colours. The wool used is of medium to coarse yarn of raw wool. In early colonial and pre-Hispanic times the wool of chilihueques was used instead to that of sheep.
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Aspergillus clavatus colonies grow rapidly on Czapek's solution agar, reaching 3.0–3.5 cm, in 10 days at 24–26 °C. Growth is usually plane or moderately furrowed, with occasional appearance of floccose strains. But generally a comparatively thin surface layer of mycelial felt is observed, which produces a copious amount of erect conidiophores. The reverse is usually uncoloured but becomes brown with passing time in some strains.
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Some of these illustrations were published William Hooker in Britain, but from 1838 published a series of illustrated works in Madras including the uncoloured, six-volume Icones Plantarum Indiae Orientalis (1838–53) and two hand-coloured, two-volume works, the Illustrations of Indian Botany (1838–50) and Spicilegium Neilgherrense (1845–51). By the time he retired from India in 1853 he had published 2464 illustrations of Indian plants.
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Louisa Kamps, "Cheese Curds," NY Times, October 17, 2004 After 12 hours, even under refrigeration, cheese curds lose much of their "fresh" characteristic, particularly the "squeak", due to moisture entering the curd. Keeping them at room temperature can preserve the squeakiness. The curds have a mild flavour and are sometimes somewhat salty. Most varieties, as in Ontario, Quebec, Nova Scotia, Vermont, or New York State, are naturally uncoloured.
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The luxury version sold for an exorbitant 500 florins, while the plain, uncoloured copies went for 35 florins each. Besler could finally purchase a comfortable home in a fashionable part of Nürnberg at a price of 2 500 florins – five coloured copies' worth of ‘Hortus Eystettensis'. The work generally reflected the four seasons, showing first the flowering and then the fruiting stages. "Winter" was sparsely represented with a mere 7 plates.
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On CER under 21-25 °C, white or pale yellow cottony colonies form and turn granular in older portions. Reverse of the colonies appears uncoloured. On dilute salt acidic medium (DSA) under 25-28 °C, colonies appear yellow to brown with brown spots adjacent to the hairs. On peptone yeast extract agar (PYE) under 25-35 °C, colonies are yellow, dense and filamentous with a purplish brown centre and white periphery.
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The Paris copy is a single combined sheet that came into the possession of the Bibliothèque Nationale from the estate of Julius Klaproth (1783–1835).van 't Hoff (1961), page 40. The map is uncoloured, partially borderless and in poor condition due to repeated exhibitions during the nineteenth century. It was reproduced by Edmé-François Jomard (1777–1862) between 1842 and 1862 as part of a collection of 21 facsimile maps.
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On Czapek Yeast Autolysate (CYA) plates, the colony growth is low and sparse, most often spreading across the entire Petri dish. These colonies of 60 mm diameter or more appear to be pale grey or yellow in colour, with the reverse being uncoloured. Colonies also fill up the entire Petri dish of malt extract agar, producing colony colours similar to those observed on CYA. Mucor circinelloides can assume a yeast-like growth form.
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Between 1900 and 1902, 23 of the Sir Daniel 2-2-2s were rebuilt as 0-6-0s to a design by William Dean. Apart from the provision of new wheels of diameter, the only alterations necessary were to the frames. The 0-6-0 locomotives were withdrawn between 1903 and 1920, the last two (nos. 381 & 474) lasting long enough to be placed in the "ungrouped" power classification and "uncoloured" weight classification in 1919.
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1090 Similarly, Co2+ gives a blue complex with thiocyanate. Both the iron and cobalt complexes can be extracted into organic solvents like diethyl ether or amyl alcohol. This allows the determination of these ions even in strongly coloured solutions. The determination of Co(II) in the presence of Fe(III) is possible by adding KF to the solution, which forms uncoloured, very stable complexes with Fe(III), which no longer react with SCN−.
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The cylindrical or conical appearance of the pedicel (an uncoloured, cytoplasm-filled appendage attached to each ascospore) in P. appendiculata allows it to be distinguished easily from P. fimiseda, whose pedicels are club-like in shape. Podospora appendiculata was also discovered independently slightly after Auerswald in 1873 by the Finnish mycologist Petter Adolf Karsten, who classified it as Sordaria winteri, and in 1876 by Job Bicknell Ellis who classified it under the name Sphaeria amphicornis.
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Colonies of C. bostrychodes can grow 2.5 to 3.5 mm daily, usually without developing aerial mycelium. It can sometimes grow with pale green exudates and a green or uncoloured reverse. When young, C. bostrychodes appears as colourless and dextrinoid, but upon maturity, turns pale bluish grey or olivaceous with an apical germ pore . C. bostrychodes often are darkened around the 25 to 35 μm wide ostiolar pore, giving the genus its name of Collariella.
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Uniquely, Spirou et les hommes-bulles was never published in the Spirou magazine, but only in Le Parisien Libéré, uncoloured, and subsequently the later colour treatment of the two stories in this album is distinctly different from that of other Spirou albums. In comparison to its "prequel", Le repaire de la murène, hailed for its rich and atmospheric colour-use, it is criticized for falling short in this respect, as well as other, more typical, sequel disgruntlement.
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He named a genus of orchid, Govindooia (now Tropidia), after Govindoo, but could not do so for Rungiah, as a genus Rungia already existed. Wights illustrated publications included the uncoloured, six-volume Icones Plantarum Indiae Orientalis (1838–53) and two hand-coloured, two-volume works, the Illustrations of Indian Botany (1838–50) and Spicilegium Neilgherrense (1845–51).Noltie, H. J. (1999) Indian botanical drawings 1793-1868 from the Royal Botanic Garden Edinburgh. Royal Botanic Garden Edinburgh. Edinburgh.
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A coboglobin is a synthetic compound, a metalloprotein chemically similar to hemoglobin or myoglobin but using the metal cobalt instead of iron (hence the name). Just like hemoglobin and myoglobin, the coboglobins are able to reversibly bind molecular oxygen (O2) at the metal atom. However they lose this ability much faster than the natural molecules. Blood of this type would be uncoloured and clear when in the veins while amber yellow in colour in the arteries.
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Café Fodkold - Eventyret om den danske pølsevogn. Copenhagen: Lindhardt & Ringhof. . Typical and classic sausages served from a pølsevogn also includes, thick and juicy knækpølser (both red and uncoloured), long thick and grilled frankfurtere, hearty grilled medisterpølse, large grilled kryddersvend sausages spiced with curry, and pølse i svøb (sausage in a wrap) which are a sausage wrapped in and grilled with bacon. When the sausage is served in a traditional hot dog bun, it is called a "hot dog".
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A donor portrait by Petrus Christus, c. 1455, showing a print attached to the wall with sealing wax Wax seal displaying the Fonseca Padilla family arms Formulas vary, but there was a major shift after European trade with the Indies opened. In the Middle Ages sealing wax was typically made of beeswax and "Venice turpentine", a greenish-yellow resinous extract of the European Larch tree. The earliest such wax was uncoloured; later the wax was coloured red with vermilion.
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At first Ueno practiced wet-plate photography, but by about 1877 he began using imported Belgian dry plates. In spite of the contemporary popularity of hand-coloured photographs, Ueno's photographs are usually uncoloured. Some of Ueno's negatives were probably purchased at some point by the photographer Kusakabe Kimbei, as these images appear in the latter's albums. Though he apparently did not regularly offer photograph albums, he seems to have made some albums by special request for foreign customers.
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DSatur is a graph colouring algorithm put forward by Daniel Brélaz in 1979. Similarly to the greedy colouring algorithm, DSatur colours the vertices of a graph one after another, expending a previously unused colour when needed. Once a new vertex has been coloured, the algorithm determines which of the remaining uncoloured vertices has the highest number of colours in its neighbourhood and colours this vertex next. Brélaz defines this number as the degree of saturation of a given vertex.
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One day he started attracting attention by wearing a suit and cape made of rough, uncoloured wool, a fabric usually only worn by fishermen. Soon many of the Germans and English on the island adopted attire made of similar material, which stimulated a local industry of hand- woven wool cloth which persisted until machine-made fabrics took over several decades later.Steegmuller 1982, p. 260. His friendship with Ernest Reyer led to him providing libretti for Sigurd (1884) and Salammbô (1890).
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The porch is to the west of the nave, its walls also constructed of random rubble with uncoloured concrete block quoins. The western porch facade has a rectangular window with three lights, the outer casements of which open outwards while the central light is fixed. There is a narrow, upright slit in the stone wall above the window. The western facade of the nave has a circular window in-filled with fixed louvers and topped by a stone drip moulding.
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Bol therefore abandoned these large-scale works in favour of very small-sized works, which would be more difficult to copy by others. He built a reputation with his miniature drawings minutely finished in colours on parchment. December Bol is principally known for his extensive graphic oeuvre of both uncoloured drawings and prints. His earliest known drawing depicting a Landscape with trees and a watermill (signed and dated 1557, Museum Boijmans Van Beuningen) shows the influence of Pieter Bruegel the Elder.
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This hand-blown glass is created by blowing a bubble of air into a gather of molten glass and then spinning it, either by hand or on a table that revolves rapidly like a potter's wheel. The centrifugal force causes the molten bubble to open up and flatten. It can then be cut into small sheets. Glass formed this way can be either coloured and used for stained-glass windows, or uncoloured as seen in small paned windows in 16th- and 17th- century houses.
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Another belt called an impempe is left on the side to hang as decoration. The predominant dyed colour of the isidwaba is black. The Nazareth Baptist Church (NBC) version of the isidwaba reaches just below the knees and the pleats are broader than the usual isidwaba, as per the picture below: NBC Isidwaba full length NBC members have a second version of the isidwaba that is natural uncoloured cowhide for daily usage. It is a shorter version that is used by married women as an under garment.
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Detail of a panel from Chartres Cathedral The colour of glass could be affected by many factors. Sources of silica were often impure, with iron oxide being one of the most common impurities. The greenish hue of uncoloured glass is usually owing to the presence of a mixture of ferrous (Fe2+) and ferric (Fe3+) ions in the glass matrix. It is also possible that ‘impurities’ could be introduced at the fritting stage within the glass furnace, leading to the addition of further alumina, silica and iron oxides.
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The Computer Originated World as seen on BBC1 The uncoloured frames were only sufficient for a 180-degree rotation of the globe; at this point the colours applied for front and back were switched and mirrored to create the remaining 180 degrees The Computer Originated World (COW) was the method of creating the BBC1 symbol that was used between 18 February 1985 and 16 February 1991. It was later used by the international, commercial television service BBC World Service Television from its launch until 26 January 1995.
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Aspergillus clavatus undergoes rapid growth, resulting in the formation of a velvety and fairly dense felt that is observed to be bluish-grey green in colour. The emerging conidial heads are large and clavate when very young, quickly splitting into conspicuous and compact divergent columns. The conidia bearing conidiophores are generally coarse, smooth walled, uncoloured, hyaline and can grow to be very long. Elongated club-shaped vesicles clavate, and bear phialides (singular: phialide) over their entire-surface, contributing to its short and densely packed structure.
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Over 350,000 people are affected by urushiol annually in the United States. The pentadecyl catechols of the oleoresin within the sap of poison ivy and related plants causes the allergic reaction; the plants produce a mixture of pentadecylcatechols, which collectively is called urushiol. After injury, the sap leaks to the surface of the plant where the urushiol becomes a blackish lacquer after contact with oxygen. Urushiol binds to the skin on contact, where it causes severe itching that develops into reddish inflammation or uncoloured bumps, and then blistering.
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The art of stenciling on textile fabrics has been practiced from time immemorial by the Japanese, and found increasing employment in Europe for certain classes of decorative work on woven goods during the late 19th century. A pattern is cut from a sheet of stout paper or thin metal with a sharp-pointed knife, the uncut portions representing the part that will be left uncoloured. The sheet is laid on the fabric and colour is brushed through its interstices. The peculiarity of stenciled patterns is that they have to be held together by ties.
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Over 350,000 people are affected by urushiol annually in the United States. The pentadecyl catechols of the oleoresin within the sap of poison ivy and related plants causes the allergic reaction; the plants produce a mixture of pentadecylcatechols, which collectively is called urushiol. After injury, the sap leaks to the surface of the plant where the urushiol becomes a blackish lacquer after contact with oxygen. Urushiol binds to the skin on contact, where it causes severe itching that develops into reddish inflammation or uncoloured bumps, and then blistering.
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All openings feature stepped reveals externally and stepped mitred reveals internally. The double height nave of the church is essentially rectangular in plan and runs in an east-west direction under a low pitched gable roof clad with red concrete roof tiles. The eaves are lined with timber boards above exposed decorative rafters that carry half round gutters. A series of long, narrow, high level, arched windows punctuate its northern and southern elevations and contain fixed, nine pane, steel framed windows glazed with randomly set yellow, blue, green and uncoloured obscure glass.
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The worst-case complexity of DSatur is Ο(n2), however in practical some additional expenses result from the need for holding the degree of saturation of the uncoloured vertices. DSatur has been proven to be exact for bipartite graphs, as well as for cycle and wheel graphs. In an empirical comparison by Lewis 2015, DSatur produced significantly better vertex colourings than the greedy algorithm on random graphs with edge probability p = 0.5 at varying number of vertices, while in turn producing significantly worse colourings than the Recursive Largest First algorithm.
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A rainbow rose with petals in main spectral colors, except where the petal is green or orange or potentially purple Rainbow roses for sale A pastel rainbow rose The rainbow rose is a rose that has had its petals artificially coloured. The method exploits the rose natural processes by which water is drawn up the stem. By splitting the stem and dipping each part in different coloured water, the colours are drawn into the petals resulting in a multicolored rose. With these changes to the rose, it causes them to not live as long as an uncoloured rose.
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Giorgio Sommer's blind stamp Blind stamp of Printsellers' Association A blind stamp ('blind' meaning uncoloured) is an image, design or lettering on an art print or book formed by creating a depression in the paper or other material. It is the opposite of embossing which refers to a design created by raising the paper above the surrounding area. It is also distinct from foil stamping, which is a depression that is filled with a thin layer of metal, usually gold. A blind stamp is often unobtrusive, and careful inspection may be necessary to establish its presence.
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Report by C. Davies Sherborn and J. Hartley Durrant. 1 March 1911. Note: The drawings were shortly thereafter withdrawn from sale and given to the British Museum. As of January 2018, of the known, surviving bound sets, that held by the Natural History Museum, London (subscribed for by the Earl of Sheffield) originally comprised second edition versions of parts 1 - 30 but was corrected some time prior to 1911 by the separate acquisition of a first edition of Volume I. The set belonging to the Linnaen Society is all good except that it contains a number of uncoloured illustrations.
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The copy held by The British Library is reportedly made up from many sources and editions. Another at The Smithsonian is made up from three part sets, lacks 117 plates with 3 plates uncoloured but is in reasonable overall condition. An apparently complete set of first edition plates and text, systematically arranged and bound in contemporary half calf covers is held by Kings College, London. It is in generally good condition but suffers strong paper toning and appears mainly to comprise end-of-run impressions as they are all very coarse and lack much of the finest detail.
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The floor and walls were of planks which had shrunk after being > put up, so we could with little effort, see what was going on in the next > room, and as the floor was the same, I used to see the chickens scratching > the ground under the floor between the short wooden piles on which the > little Hotel!!! was built. The walls had coloured and uncoloured > illustrations from different newspapers stuck on them in places, which made > one's room a little more private. There was only one bedroom and a sort of > press with a bed in it.
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Geologically speaking, most of the gemstones traditionally carved in the West are varieties of quartz, including: chalcedony, agate, amethyst, sard, onyx, carnelian, heliotrope, jasper, and quartz in its uncoloured and transparent form, known as rock crystal. The various materials called jade have been dominant in East Asian and Mesoamerican carving. Stones typically used for buildings and large sculpture are not often used for small objects such as vessels, although this does occur. For example, in the Uruk period of Sumerian culture (4th millennium BCE) heavy vases, cups and ewers of sandstone and limestone have been found, but were not for common use, as the people of Uruk had well-developed pottery.
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Two-dimensional inlay techniques for floors, furniture and walls include pietre dure, opus sectile (Ancient Roman), and medieval Cosmatesque work these typically inlay hardstone pieces into a background of marble or some other building stone. The definition of "hardstone" is not very rigid, but excludes "soft" stones such as soapstone (steatite) and minerals such as alabaster, both widely used for carving. Hard organic minerals such as amber and jet are included, as well as the mineraloid obsidian. Geologically speaking, most of the gemstones carved in the West are varieties of quartz, including chalcedony, agate, amethyst, sard, onyx, carnelion, heliotrope, jasper and quartz in its uncoloured form, known as rock crystal.
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In 1941 the station's goods sidings were further modified and extended in connection with airfield construction in the locality, and a new signal box with a lever frame that had been relocated from the Cornish Main Line at St Germans. A second, metal, bridge was also built at this time to carry the road over the new goods yard access lines. A camping coach was positioned here by the Western Region from 1958 to 1962. Due to the line's "uncoloured" classification, heavy locomotives such as GWR Classes 43XX 2-6-0 Tender Engine and 51XX 2-6-2T Tank Engines were allowed as far as Nancegollan only.
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Hydrogenation of glucose gives sorbitol. Isosorbide is obtained by acid-catalyzed dehydration of D-sorbitol which yields the monocyclic furanoid sorbitan, which in turn forms by further dehydration the bicyclic furofuran derivative isosorbide. 1,4-Sorbitan aus D-Sorbit und Weitereaktion zum Isosorbid The reaction gives about 70 to 80% isosorbide in addition to 30 to 20% of undesirable by-products which have to be removed costly by distillation, recrystallization from alcohols, recrystallization from the melt, by a combination of these methods or by deposition from the vapor phase. A high purity product (> 99.8%) is essential for the use of a monomer when uncoloured, high molecular weight polymers shall be obtained.
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In 1790, he began the first of several huge projects: a 36-volume work, English Botany that was published over the next 23 years, contained 2,592 hand-coloured engravings and became known as Sowerby's Botany. An enormous number of plants were to receive their first formal publication within this work, but the authority for these came from the initially unattributed text written by James Edward Smith. The work was continued by his son, James de Carle Sowerby who published a further set of 204 plates, mostly uncoloured until the end of the first edition in 1835. Further plates were added by other hands up to 1865 ending with plate number 2,999.
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Meyer collaborated with the painter Heinricus Füllmaurer and the engraver Veit Rudolph Speckle (d.12 December 1550 Straßburg) in producing the woodcuts for the book, which, unusually for its time, named the contributing artists and included their portraits. Fuchs, whose herbal had been inspired by Brunfels's work "Herbarum vivae imagines" which had appeared twelve years earlier, praised the illustrations as having been carried out with 'great diligence and artifice', and went on to state that 'shading and other less crucial things with which painters sometimes strive for artistic glory' had been shunned in order to make the images truer to nature. The book appeared in both coloured and uncoloured versions.
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La fin de la fée verte ("The End of the Green Fairy"): Swiss poster criticizing the country's prohibition of absinthe in 1910 In Switzerland, the sale and production of absinthe was prohibited from 1910 to March 1, 2005. This was based on a vote in 1908. To be legally made or sold in Switzerland, absinthe must be distilled, must not contain certain additives, and must be either naturally coloured or left uncoloured. In 2014, the Federal Administrative Court of Switzerland invalidated a governmental decision of 2010 which allowed only absinthe made in the Val-de-Travers region to be labelled as absinthe in Switzerland.
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Cober Valley viaductThe branch was "uncoloured"—the lightest engine weight classification—but this was relaxed to permit 45XX 2-6-2T locomotives to operate, and these were the general motive power. 43XX 2-6-0s and 51XX 2-6-2Ts were allowed as far as Nancegollan only.Operation Cornwall, W S Becket, Xpress Publishing, Caernarvon, undated, In the line's final years, Class 22 diesel locomotives were used to haul passenger and goods trains. The line was single throughout, and several of the trains crossed at Nancegollan; from the opening of the passing loop there, the line was operated as two block sections, with signal boxes at Helston, Nancegollan and Gwinear Road East.
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This work was published in three formats: with the plates entirely uncoloured, with botanical details hand-coloured, and fully hand-coloured. Work began in 1830 and it was first issued in sixty-three monthly parts from January 1835 to July 1838. It presented: an exhaustive account of all the trees and shrubs growing in Great Britain and their history; notes on remarkable examples growing in individual gardens; drawings of leaves, twigs, fruits, and the shapes of leafless trees; and entire portraits of trees in their young and mature state. All were drawn from life, many being from the parkland grounds of Syon House, one of the homes of the Duke of Northumberland to whom the work was dedicated, or from Loddiges' arboretum.
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His white marble monument is on the west wall of the South Transept. At the top of the monument is a carving (uncoloured) of his coat of arms: a hind courant, pierced through the neck with an arrow, a chief indented (see Heraldry). His Latin epitaph can be translated as follows: Here rests the Reverend Doctor Thomas Triplett, of the county of Oxford, prebendary of this church: who, right through to his seventieth year of age, made himself dear to God by his piety and constant devotion; to the Learned, by his uncommon skill in the Greek language; to the Poor, by his generosity and continual good works; and to All, by the innocent charm of his character; and finally passed from this life to a better one, on the 18th of July A.D. 1670.
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1181 The English heraldry system still uses a form of blazon almost unchanged since the reign of Edward I. Traditionally, images in heraldic manuscripts such as rolls of arms and armorials are all coloured. With the spread of the printing press, woodblock printing and copperplate engravings in the 1400s, there arose the need for designating the colours in uncoloured illustrations as well, since printing in full colour was too labour- and cost-intensive. As a rule, two main methods were applied to achieve this – tricking, or giving designations to the tinctures after the initials of the given colours; and hatching, which is ascribing designations to the tinctures by means of lines and dots. While the first method was introduced and developed by the heralds, the second model was developed and adopted by the heraldists.
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While Francis of Assisi humbly used uncoloured and un-bleached wool for his robes, the Capuchins coloured their vestments to differ from Augustinians, Benedictines, Franciscans, and other orders. The word cappuccino, in its Italian form, is not known in Italian writings until the 20th century, but the German language kapuziner is mentioned as a coffee beverage in the 18th century in Austria, and is described as, "coffee with sugar, egg yolks and cream", in dictionary entries from 1800 onwards. Kapuziner was by the First World War a common coffee drink in cafés in the parts of northern Italy which at that time still belonged to Austria. The use of fresh milk in coffee in cafés and restaurants is a newer phenomenon (from the 20th century), introduced when refrigeration became common.
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Helmet - Constable Helmet - Sergeant Male constables and sergeants of Hampshire Constabulary wear the traditional comb-style custodian helmet when on foot patrol. However, Hampshire is one of only three other UK forces that does not use the common Brunswick star style force badge, favouring instead a large metal plate that mirrors the county crest, depicting a laurel wreath enclosing a crowned rose above a banner that reads 'Hampshire'. The helmets worn by constables have larger helmet plates of uncoloured white metal whilst those worn by sergeants have slightly smaller helmet plates that includes blue and red enamelled detail on the crown, rose and county title. The helmet plate worn by constables is the largest of all those worn by forces in England and Wales and ensures that they stand out in the company of officers from other areas.
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The remaining lines on the grid and all the lines along the edges of the grid are coloured in the dark colour.Brown (1969), 14–15; colour photo of back cover, British Library Database of Bookbindings, accessed 3 March 2012 This is a simple version of the sort of design found on Insular carpet pages, as well as in Coptic manuscript decoration and textiles, and small stepped crosses decorate the main panels of the famous Sutton Hoo shoulder-clasps.Wright, 154–155; Battiscombe, 372; Photo of the Sutton Hoo shoulder clasps The alignment of the various outer framing lines with the innermost frame and the panel with the grid is noticeably imperfect, as the top framing line was extended too far to the left. Traces of an uncoloured first attempt at this line can be seen on the right hand side, above the coloured line.
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Figures were typically uncoloured, or just with certain features coloured in ink, often just black, but sometimes a few other colours. Chinese puzzle ball with openwork and a series of twelve smaller balls, ivory, 19th century By the 18th century China had a considerable market in items such as figures made for export to Europe, and from the Meiji Period Japan followed. Japanese ivory for the domestic market had traditionally mostly been small objects such as netsuke, for which ivory was used from the 17th century, or little inlays for sword-fittings and the like, but in the later 19th century, using African ivory pieces became as large as the material would allow, and carved with virtuosic skill. A speciality was Chinese puzzle balls, consisting of openwork that contained a series of smaller balls, freely rotating, inside them, a tribute to the patience of Asian craftsmen.
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The chimney was built to a height of around 19 metres; the high chimney increased the draught through the kiln and thus reduced the timing of the firing cycle to around 36 hours.Kerr, 39–40 Wares were placed inside stacked saggars on a floor of quartz sand; as the saggars protected their contents from direct flame both fuel and air could be introduced directly to the interior through vents, allowing temperature regulation throughout the kiln. Peepholes were used to observe the colour of flame, which changes according to the conditions and temperature. The hottest part of the kiln next to the firebox was used for crackle glazes; following inwards high-fired green and red glazes in a reducing atmosphere, then uncoloured, blue-glazed, and decorated ware at a moderate temperature, followed at the back by glazes to be fired at a lower temperature and turquoise-glazed ware in an oxidising atmosphere.
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Later editions of the book were to take advantage of mechanical colour printing, improving the affordability of the book but to the detriment of the image quality already seriously compromised by extensive wear to the original copper plates. The third edition in 1863 saw editor John Boswell alter the text and include a "popular portion". However, it is evident that by this third edition the original plates had already deteriorated to such a degree that many of the original fine supplemental details in the plates had to be erased to be replaced by very low-grade work by James de Carle Sowerby who also often added large, uncoloured outlines of the leaves that further reduced the quality and aesthetics of the plates. Several further editions were subsequently produced by various publishers using cheap materials and low quality methods of reproduction, each seemingly copied from the immediately prior publication thus compounding the deterioration of the images.
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