Rick transfigures into a pigeon and Morty feeds him breadcrumbs.
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"Trophallaxis" projects a brutal history, but transfigures it into an assertion of women's power.
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Time is the common thread through these chapters and for Yu Hong the essential axis along which reality unfolds and transfigures.
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"Your elevation transfigures you," the French philosopher Michel de Certeau wrote in the late seventies, after a visit to the World Trade Center.
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Yet this "sincerely silly character-driven music," as the notes put it, transfigures the chaos that inflects so many of our daily doings.
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Critic's Notebook When dance succeeds, it creates an alchemy of time and space that transfigures the action; life itself becomes brighter, keener, more momentous.
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She somehow transfigures her tall frame, so graceful and unhurried in a film like "Frost/Nixon" (2008), into a hard and angular demonstration of anxiety made flesh.
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Its art-as-magic transfigures, suggesting that North Africa is brimming with imagination, strength, and beauty, and that the region need not stall or go in reverse now, as America has done with Trump, to put it lightly.
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After receiving a message from his son, Harry, together with Ron, Hermione and Draco (who by now has become friends with Harry after they join forces to save their respective sons) transfigures himself into Voldemort so that he can distract Delphi, allowing them to overpower her. The real Voldemort kills Harry's parents as prophesied, and Delphi is sent to Azkaban.
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The contents range in style, including journalism, memoir, and cultural and political commentary. Critics noted that Didion's distinct literary voice, highlighted by John Leonard's introduction, is apparent throughout the collection. The Chicago Tribune review stated "even the slightest [of her work] tends to have at least a moment when her prose somehow modulates ... transfigures ... kicks the whole thing up a level."McLemee, Scott.
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The openness of such worlds should also be emphasised for people with too rational a mind have chosen not to trouble themselves with such interactions. As media of transvisibility, poets act as torch-bearers in charge with the fire of eloquence; they are walkers between worlds. As we cross from the visible to the invisible, the transvisible transfigures Time itself.
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104: "Ein Film über die Liebe zum Krieg. Der Kampf ist eine Art Gemeinschaftsvergnügen" - "A film about the love of war. Battle is a kind of shared pleasure". As a contemporary critic wrote, "Sheer enthusiasm transfigures the danger.... For [the dashing leader of the Bull's Squadron], ... fight is like intoxication, while for the squadron's captain of the 'cavaliers,' ... it is the elixir of life; for the captain of the Ninth, ... it is spirit, distance, concentration."Dr.
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Chester Wolford noted in his critical analysis of Crane's short fiction that although one of the author's most familiar themes deals with a character's seeming insignificance in an indifferent universe, the correspondent's experience in "The Open Boat" is perhaps more personal than what was described in earlier stories because of Crane's obvious connection to the story.Wolford (1989), p. 17 Sergio Perosa similarly described how Crane "transfigures an actual occurrence into existential drama, and confers universal meaning and poetic value on the simple retelling of man's struggle for survival".Schaefer (1996), p.
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His subject matter is often squalid and sickening; his imagination has a painful preoccupation with the adolescent secrets of sexual aberration and fantasy. But in his accomplishment as a story writer he is an immediate master of styles and structures, his writing transfigures, and he can command variety in subject and feeling. His intellectual resources enable him—and the reader—to open windows in a claustrophobia which otherwise would have left us flinching and no more. Invention, irony, humor, a gift for satirical parody and curiosity give him the artist’s initiative.
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Shortly thereafter, it activates a Boom Tube and travels to Apokolips, taking the two Legionaires with it. On the planet, the two escape to the streets, but then Eye transfigures Una into an OMAC. With Brother Eye's defeat at the hands of the Pied Piper, Una is freed, but not before having beaten Karate Kid into submission and handing him to Brother Eye for experimentations. The whole party of heroes brought back to Earth, Una pleads with the others to save Karate Kid, even if the general consensus is to kill him before the Morticoccus virus spreads.
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She then worked for several years as a comedy writer, writing for shows like Smack the Pony and TV to Go. In 2000, she moved to the United States on a Fulbright Scholarship. She received her Master of Fine Arts from Columbia University in 2003, and went on to become a playwriting fellow at Juilliard School. Doran's work has been developed by the O'Neill Playwriting Center, Lincoln Center, Manhattan Theatre Club and Sundance Theatre Lab, among others. She helped Lear deBessonet with her play transFigures, and has been commissioned by the Atlantic Theater Company and Playwrights Horizons.
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When discussing the qualities of Byron's poetry in comparison with how Verdi treated it musically, Julian Budden points to one obvious problem: the opera "hardly makes for music-drama [because] it is a narrative. Not being conceived of in dramatic terms it offers no opportunity for the generation of musical power through conflict and clash of personalities."Budden, p. 367 He compares it unfavourably with "the steady crescendo of dramatic interest" in Ernani, or the "cut and thrust of character dialectic that informs I due Foscari and "without the sense of grand theatre that transfigures the great moments in Giovanna d'Arco and Attila.
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Just as the recording methods resembled that of the band's 1970s era, the musical style which they produced also favored the band's earlier approach to punk rock. Even though "Howling at the Moon (Sha- La-La)" featured a synthpop feel, the overall genre leaned more so toward heavy metal music rather than pop music, which had been a major focus of the band's writing process throughout the 1980s. Authors Scott Schinder and Andy Schwartz explained: Stephen Thomas Erlewine of AllMusic wrote that the album uses the "big guitar riffs" featured on Subterranean Jungle and transfigures them to be "shorter and heavier." The songs featured on the album are mostly rather short and have a considerably fast tempo, which was a typical quality of the band's early work.
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Car Wheels on a Gravel Road was met with widespread critical acclaim. Reviewing for Entertainment Weekly in July 1998, David Browne found Williams' hard-edged evocations of Southern rural life refreshing amid a music market overrun by timid, mass-produced female artists. Richard Cromelin of the Los Angeles Times said her "resonant, resolute and reassuring" answers to the questions romantic passion and pain pose are as ambitious as the "rich", commanding sound she crafted with producers Steve Earle and Ray Kennedy. NME magazine said Williams transfigures "American roots rock into a heady, soul-baring and, would you believe, unabashedly sexy art form", while Uncut credited the album with "repositioning country-blues roots rock as contemporary Southern art" and offering listeners "a sense of life and place that leap from every line and guitar lick".
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When Bertha Jorkins discovers the truth, the news reaches Voldemort, who rescues Crouch Jr. and puts Crouch Sr. under the Imperius Curse. Crouch Jr. then imprisons Alastor "Mad-Eye" Moody, a famous auror, and using Polyjuice Potion, assumes Moody's appearance and position to infiltrate Hogwarts as the new Defence Against the Dark Arts teacher. Despite not being a real teacher, Crouch Jr. does a fair job and the class learns vast amounts from him, including valuable knowledge related to the three "unforgivable curses". Crouch Sr. escapes and, exhausted and delirious from the Imperius Curse, reaches Hogwarts to tell Dumbledore about Voldemort's return; but his loyal Death-Eater son murders him on the castle grounds, transfigures the body into a bone, and buries the bone in freshly turned earth in front of Hagrid's cabin.
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Geek Hlynur is approaching 30 years old, still lives with his mother who is divorced from his alcoholic father, downloads porn, and wanders around Reykjavík half-heartedly searching for a job while spending much time in Kaffibarinn, the central Reykjavík bar (the bar is owned in real life by writer/director Baltasar Kormákur and his soundtrack composer Damon Albarn, a long-standing Icelandophile). The cramped, dark and oddly furnished house in which Hlynur and his mother live features a bath which transfigures into a sofa as Hlynur steps naked out of it, in the middle of the lounge with his mother watching. Hlynur's isolated world – no small metaphor for his home country – is going along rather blissfully ignorant of the greater joys involved with engaging in life until his mother's friend Lola Milagros arrives to stay at the house for a while. Lola is a Spanish flamenco instructor with a seductive smile, a sultry voice and a carpe-diem attitude.
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