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4 Sentences With "apotheosizes"

How to use apotheosizes in a sentence? Find typical usage patterns (collocations)/phrases/context for "apotheosizes" and check conjugation/comparative form for "apotheosizes". Mastering all the usages of "apotheosizes" from sentence examples published by news publications.

Like the franchise's first installment, this album apotheosizes the streamlined, downtempo, "dark" style that captivates a generation of moody millennials, and it crackles with spooky excitement.
Narraboth gazes from a terrace in Herod's palace into the banquet hall at the beautiful Princess Salome; he is in love with her, and apotheosizes her, much to the disgusted fearfulness of the Page of Herodias. The voice of the Prophet Jochanaan is heard from his prison in the palace cistern; Herod fears him and has ordered that no one should contact him, including Jerusalem's High Priest. Tired of the feast and its guests, Salome flees to the terrace. When she hears Jochanaan cursing her mother (Herodias), Salome's curiosity is piqued.
At its zenith under the Macedonian dynasty (the 9th and 10th centuries) the Byzantine world produced great heroes, but no great historians, excepting the solitary figure of the Emperor Constantine VII Porphyrogenitus. The first period is dominated by Procopius because of his subject matter and his literary importance. Typically Byzantine, his Anekdota depreciates Emperor Justinian I as emphatically as his Peri Ktismaton apotheosizes him. In literature and history though, he follows classical models, as is evident in the precision and lucidity of his narrative acquired from Thucydides, and in the reliability of his information, qualities of special merit in the historian.
Film studies scholar Carrie Tarr has written that audiences may have been confused by Kurys treatment of May '68 as nearly devoid of protest and politics, instead focusing on an explicitly female personal drama, as opposed to the generally male-centered view of the student revolts. She also notes that Kurys had had to rewrite the script due to budget constraints which made reenacting the barricading of Paris streets impossible, and further cut explicitly political scenes out in the editing process to further emphasize the teenagers' story.Tarr 1999, pgs. 39-40. Perhaps in a reaction to its lack of political content, Vincent Canby's 1981 review in the New York Times called the film "a nearly perfect example of the kind of French film that apotheosizes middle-class values while pretending to question them".

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