Blake's characteristic ability to syncopate odd shapes that speed up, slow down, and deform space is in full force.
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"Building stories that syncopate between written and visual narrative isn't something I've done much of," Mr. Dwyer said of the experience.
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During a show-pausing turn in "Mary Poppins Returns," Lin-Manuel Miranda takes center stage to sing and syncopate, and the movie flickers to life.
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These maps are not representational in any proper sense, but serve instead to structure and syncopate Mr. Bowling's washes of color across immense painterly acreage.
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Popes, knights, nuns, wolves, Death on horseback, or other unsettling figures syncopate the full height of the enormous embankment, which was built after a devastating flood in the 19th century.
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I imagine that's you asking the pigeons to divebomb skateboarders on the corner of 14th and 6th Avenue, moving them downstage to 5th in start-and-stoplight syncopate, moving with dancers I can almost see doing airplane turns at the cross streets.
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The grotesque popping and squishing sounds syncopate as additional percussion for the video's soundtrack of Ravel's Bolero, and shots of Atkins' character cut abruptly between sitting, squatting and contorting, as if he's being cavity searched in prison — or trying to stretch while on an airplane.
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As the vocals savor pleasures like "the rise and fall of his chest on me," there's a simultaneous mesh in the music: the way two rhythm guitars, in left and right channels, continually converse and syncopate, ending up in their own shared, rippling bliss.
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Kane is known for his ability to syncopate over faster hip hop beats, and despite his asthmatic condition he is acknowledged as one of the pioneering masters of fast rhyming. His sense of style is renowned and set a number of late-1980s and early-1990s hip hop trends (high-top fades hairstyles, velour suits, and four-finger rings). The backronym King Asiatic Nobody's Equal is often applied to his moniker.
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Clivillés and Cole recorded in 1988 a sequel called "So Many Ways (Do It Properly Part II)" with the Brat Pack on Vendetta/A&M; Records.Brat Pack, The – So Many Ways (Do It Properly Part II), DiscogsTHE BRAT PACK - SO MANY WAYS (DONE PROPERLY PART II) ( DONE PROPERLY CLUB MIX ), YouTubeThe Brat Pack- So Many Ways (Do It Properly 2) , YouTube "Do It Properly" was covered again by vocalist Deborah Cooper, who worked with C+C, in 1999 for The Collaboration.The Collaboration, The, DiscogsDo It Properly (CD), Artistdirect In 1989, 2 Puerto Ricans, a Blackman, and a Dominican released a single called "Scandalous" on Capitol Records in the United States and on Syncopate (a label of EMI)Syncopate (2), Discogs) in the UK. Later in 1989, Clivillés and Cole started C+C Music Factory,C+C Music Factory/Full Biography, MTV David Morales had a successful solo career in the 1990s,David Morales/Full Biography, MTV Chep Nuñez died in 1990.
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Young performers like Chris Ardoin, Keith Frank, and Zydeco Force added further by tying the sound to the bass drum rhythm to accentuate or syncopate the backbeat even more. This style is sometimes called "double clutching." Hundreds of zydeco bands continue the music traditions across the U.S. and in Europe, Japan, the UK and Australia. A precocious 7-year-old zydeco accordionist, Guyland Leday, was featured in an HBO documentary about music and young people.
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He has since transitioned into a career as a recording engineer, working on albums such as Ice Cube's Death Certificate. He released a 1997 CD album under his stage name, Stoker, called "Syncopate" (on Knitting Factory's Knit Classics label) that contains modern covers of jazz compositions by Duke Ellington, Thelonious Monk, Lee Morgan, Sonny Rollins, Miles Davis, Yusef Lateef, Duke Pearson, Reuben Wilson, et al. The album featured several instrumentalists including David Longoria on trumpet, Greg Smith, Marc Antoine and others.
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Jon Pareles of The New York Times wrote regarding Carey's live vocals, "Beyond any doubt, Ms. Carey's voice is no studio concoction. Her range extends from a rich, husky alto to dog-whistle high notes; she can linger over sensual turns, growl with playful confidence, syncopate like a scat singer." However, after the strong media attention, Carey did not visit the US on her succeeding Daydream World Tour in 1996, visiting only Europe and Asia. The tour in contrast, received critical acclaim from critics and fans alike, as well as breaking ticket sale records.
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Edwards is also known for smaller freestanding works, the kinetic "Rockers" series. Works from the Rocker series include, Homage to Coco (1970), Good Friends in Chicago (1972), Avenue B (Rocker) (1975), Memories of Coco (1980), A Conversation with Norman Lewis (1980), among others. These moving sculptures are inspired by his memories, including one of him falling off his grandmother’s rocking chair and another as a homage to his friendships. Edwards used the term “syncopate” to describe the interaction while rocking, and the relationship of syncopation in African-American music.
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She currently teaches at Colby College in Waterville, Maine and lives in East Winthrop, Maine. Her poems have appeared in The American Poetry Review, Poetry, The Baffler, The Georgia Review, The Gettysburg Review, Copper Nickel, Crazyhorse, The Greensboro Review, The Southern Review, The Massachusetts Review, Ploughshares, and elsewhere. They have been reprinted in The Open Door One Hundred Poems, One Hundred Years of "Poetry" Magazine; Seriously Funny: Poems about Love, Death, Religion, Art, Politics, Sex, and Everything Else; From the Fishouse: An Anthology of Poems that Sing, Rhyme, Resound, Syncopate, Alliterate, and Just Plain Sound Great.
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When playing the bodhrán as an accompaniment to Irish music, different beats may be used. For example, reels have a 4/4 time. The bodhrán player must stick to this rhythm but is free to improvise within the structure: most simply, they may enunciate the first beat of four, making a sound like ONE two three four ONE two three four; but they can syncopate, put in double pulses, according to the rhythmic characteristics of the tunes being played. This is the difference between sensitive and insensitive playing, a matter of much concern to other traditional musicians.
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In the Sulu Archipelago, the kulintang orchestra uses not two but three low-sounding agungs, which serve as accompaniment in Tausug, Samal and Yakan ensembles. For the Tausug and Samal, the largest of the agungs with a wide turned-in rim is called the tunggalan or tamak , which provides slow, regular beats, similar to the Maguindanaon pangandungan and Maranao p’nanggisa-an. The smaller pair of agungs, the duahan, syncopate with the tunggalan/tamak. These are further classified: the wider-rimmed duahan is called the pulakan and the narrower one is called the huhugan or buahan by the Tausug and bua by the Samal.
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It was noted to showcase a shift towards more mature and sexually suggestive subject matter than in Gomez's previous releases. A number of the lyrics attribute syllables as a means of poetry, namely, "leave this dress a mess on the floor" and "syncopate my skin to your heart beating". Gomez's lyrics specifically deal with pleasing and being the perfect complement for her significant other, by means of wearing skin-tight dresses and doing her "hair up real, real nice". Gomez references the Greek myth of Midas and jewelry retailer Tiffany & Co in the lines "Doing it up like Midas, mmm" and "I'm on marquise diamond / I'm a marquise diamond / Could even make that Tiffany jealous, mmm".
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Kermit met the Hinds brothers - at the time calling themselves the Dangerous 2 - and together they decided to form the Assassins, with Greg Wilson staying with them as a producer. Their first release was the single "We Don't Kare" (Murdertone, 1987), which had as a B-side a song by Kiss AMC - an all-female Manchester rap group that featured Christine "Kiss" Leveridge, Kermit's sister. They followed this with two singles entirely of their own, "The Meltdown Session" (Murdertone, 1988) and "The Drone Session EP" (Murdertone, 1989) - in between which, Dangerous C performed a rap for a B-side remix of Kym Mazelle's "Useless (I Don't Need You Now)" (Syncopate, 1988). Following this, the group released Killer Album (Murdertone/EMI, 1990).
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The company was founded in 2006 by George Chumburidze (a representative of the Italian yacht shipyard Azimut-Benetti), Armen Gasparyan, Vasily Medvedev, Oleg Sambikin and Gevork Sarkisyan were among its founders. In 2009, Sambikin and Medvedev exited the business and founded the company-developer Syncopate. At the time of the company's creation, the online games market in Russia was in the "gray zone", foreign games were mainly adapted by "pirates". The first licensed game released by the company was RF Online (Rising Force Online) of the Korean company CCR. In 2007-2018 Innova localized and published 40 massively multiplayer online games and multiplayer browser games in Russia, including Lineage II, R2 Online, Aion, Blade & Soul and others, becoming one of the largest Russian players in the video game market.
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Born in Denver, Colorado, Dungy graduated from Stanford University (BA) and the University of North Carolina, Greensboro, where she earned her MFA."Camille T. Dungy", Poetry Foundation. She is the author of four poetry collections – Trophic Cascade (Wesleyan University Press, 2016), Smith Blue (Southern Illinois University Press, 2011), Suck on the Marrow (Red Hen Press, 2010) and What to Eat, What to Drink, What to Leave for Poison (Red Hen Press, 2006) – as well as a recent collection of essays entitled Guidebook to Relative Strangers (W.W. Norton, 2017). Dungy is editor of Black Nature: Four Centuries of African American Nature Poetry (UGA, 2009), co-editor of From the Fishouse: An Anthology of Poems that Sing, Rhyme, Resound, Syncopate, Alliterate, and Just Plain Sound Great (Persea, 2009), and assistant editor of Gathering Ground: A Reader Celebrating Cave Canem’s First Decade (University of Michigan Press, 2006).
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Ruth Ellen Kocher (1965-) is an American poet and author of Third Voice (Tupelo Press, 2016), Ending in Planes, (Noemi Press, 2014), Goodbye Lyric: The Gigans and Lovely Gun (The Sheep Meadow Press, 2014), domina Un/blued (Tupelo Press 2013), One Girl Babylon (New Issues Press 2003), When the Moon Knows You're Wandering, 2002 Winner of the Green Rose Prize in Poetry (New Issues Press 2002), and Desdemona's Fire winner of the 1999 Naomi Long Madget Award for African American Poets (Lotus Press 1999). Her poems have been translated into Persian in the Iranian literary magazine She’r and have appeared or are forthcoming in various anthologies including, Angles of Ascent: A Norton Anthology of Contemporary African American Poetry, Black Nature, From the Fishouse: An Anthology of Poems that Sing, Rhyme, Resound, Syncopate, Alliterate, and Just Plain Sound Great, An Anthology for Creative Writers: The Garden of Forking Paths, IOU: New Writing On Money, New Bones: Contemporary Black Writing in America. Her work has been published in numerous journals. Her collaborative scholarly work on Frederick Douglass (Miller, Keith D., and Ruth Ellen Kocher. “Shattering Kidnapper's Heavenly Union: Interargumentation in Douglass's Oratory and Narrative.” Hall 1999.
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