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"slap down" Definitions
  1. (informal) to criticize somebody in an unfair way, often in public, so that they feel embarrassed or less confident

92 Sentences With "slap down"

How to use slap down in a sentence? Find typical usage patterns (collocations)/phrases/context for "slap down" and check conjugation/comparative form for "slap down". Mastering all the usages of "slap down" from sentence examples published by news publications.

"This is a slap down to the President," Graham told CNN.
WATTERS: All they did was slap down the Colorado Commission of Civil Rights.
Who do you really think has a better chance to slap down that fascist creep?
They slap down their quarters, waiting their turn, and she sinks them, one by one.
Monday's decision is yet another slap down of the North Carolina legislature from the Supreme Court.
Plus, it feels pretty cool to slap down your card at a turnstile like a local.
But Trump loves to slap down anything he considers to be a pre-packaged, poll-tested line.
The more people know about the process, the easier it is to slap down accusations of malpractice.
She's used to paying, but maybe juuust this once ... ya let the kid slap down her black card.
Scalia The SCOTUS was about to spank Obama once more for ruling by fiat and slap down his renegade EPA.
While everyone fishes out their credit cards, you slap down $10 for a couple of sodas and a nice tip.
She doesn't have to slap down racists in the Walgreens so what does she have to do it on Twitter?
We have a president who has used his Twitter account to slap down House Republicans, John McCainJohn Sidney McCainFighter pilot vs.
He also said his committee "might" look at the commission's decision to slap down free wireless data offers it said could violate the rules.
Regardless of a regulatory slap-down and pointed guidance from the UK's National Data Guardian on the use of patient data for app development.
The outspokenly pro-Trump actor James Woods scooped 28,000 retweets by using the law-abiding gun-owner to slap down an anti-gun activist.
That cagey moment of wondering if a guy will "do the right thing" and slap down his card is a thing of the past for me.
WHEN YOU SLAP DOWN A CREDIT CARD, THE CREDIT CARD COMPANY, THE BANK BEHIND IT IS MAKING A CREDIT DECISION TO EXTEND CREDIT TO YOU. REALLY?
We'd expect that when developers slap down impermeable materials like concrete and asphalt, the amount of water slicking off those surfaces would increase — leading to more flooding.
Or how about putting it this way: can Trump slap down some Deep State folks from exploiting their insider access, or the perception of it, for partisan gain?
Mr. Trump has sent mixed messages on his views of a border adjustment tax, seeming to slap down the idea in a Wall Street Journal interview published this week.
Judge John Bates became the third judge to slap down Donald Trump's move to kill the program — and more significantly the first to order officials to begin accepting new applications.
Another said the decision was inevitable after spiraling pressures from the 737 production halt to a public slap-down from the FAA, topped off by an embarrassing space launch snafu on Friday.
You could argue, like Steve Kerr did, that it was the Warriors' "annual beat down at Staples by the Lakers," right after the Dubs' resounding 26-point slap-down of the Thunder.
All day Tuesday, local CBS News station WROC is broadcasting live on Facebook from Anthony's grave, where men and women have come to slap down their "I Voted" stickers on the activist's headstone.
There was the Oval Office debacle in December 2018 — 17 minutes on camera during which Trump tried to slap down Pelosi and Schumer on his border wall only to have Democrats punch back hard.
When Mr. Iger did his slap-down of Fox assets for Wall Street, noting that Fox was in worse shape than he had thought, was he implying that Mr. Murdoch had taken advantage of him?
The fact that I'm famous for being a musician or doing whatever, sorry, it's not enough reason other than salacious curiosity or an attempt to dig up a story which they can then immediately slap down.
Some companies in China have embraced facial recognition software at building security points, which, for example, allow employees to move from the lobby to an elevator without pausing to slap down building identification cards at turnstiles.
Case in point: After Mueller investigated the Trump campaign's June 2016 meeting with Russian lawyer Natalia Veselnitskaya at Trump Tower in Manhattan, he decided the situation was too hazy for him to slap down an indictment.
After Mike Pence said that "provocations by Russia [in Syria] need to be met with American strength," Mr Trump disagreed—preferring to slap down his running-mate rather than rebuke Mr Putin for his barbarities in Aleppo.
Meh Marco Rubio The senator from Florida started off strong with a slap-down of Hillary Clinton that also served to one-up his former mentor, Jeb Bush, and delivered a strong finish when he slammed Cruz as a flip-flopper.
The decision capped a week of dramatic setbacks for Boeing, from a decision to halt production of the 737, a public slap-down from the Federal Aviation Administration (FAA), a ratings downgrade and an embarrassing space launch glitch on Friday.
The ousting of the company veteran followed a week of dramatic setbacks for Boeing, from a decision to halt production of the 737, to a public slap-down from the Federal Aviation Administration (FAA), a ratings downgrade and a space launch glitch on Friday.
The climate of resistance helped inspire courts to slap down several versions of Trump's travel ban, helped keep the DACA program alive to this day, inspired civil servants to leak damaging information about Trump's misconduct, and contributed to the defeat of the Affordable Care Act repeal.
An international coalition of civic society organizations, security and policy experts and tech companies — including Apple, Google, Microsoft and WhatsApp — has penned a critical slap-down to a surveillance proposal made last year by the UK's intelligence agency, warning it would undermine trust and security and threaten fundamental rights.
" At the District of Columbia Circuit, Judge Rao concluded her slap-down of the Postal Service with the observation that "although the five-cent stamp price hike may have gone unnoticed by many, the American Revolution was fomented in part by ordinary people who objected to taxation through stamps.
Like most festivals that've lasted beyond a second edition, it possesses a loyal following of fans who'll slap down cash for tickets before a single act's been announced, but this year's bill really did have everything—from Arab Strap to Aphex Twin the organizers had sorted stuff to suit everyone's taste.
Now, that plan could be headed for a legal slap-down; the museum's disaster-prone director Van Shields is on medical leave through at least the end of the year; and, as far as anybody can tell, there is no Plan B. To be clear: From day one, the plan looked very, very bad.
Read more of The Hill's Flint coverage from Wednesday: -The aid package puts the energy bill in jeopardy; -Harry ReidHarry Mason Reid2020 Democrats fight to claim Obama's mantle on health care Reid says he wishes Franken would run for Senate again Panel: How Biden's gaffes could cost him against Trump MORE calls for a deal; -Michigan Democrats slap down Inhofe's proposal Flint hearing turns into blame game: Across the Capitol, federal and state officials looked to blame each other for the underlying problems in Flint.
He also had the slap down, scoop throw and outer leg trip in his repertoire.
Hanakaze’s most common winning kimarite are uwatenage (overarm throw) hatakikomi (slap down) and yorikiri (force out).
Dewaminato's most common winning techniques were hatakikomi (slap down), sotogake (outer leg trip) and sukuinage (scoop throw).
Takanofuji's most common winning kimarite were yori-kiri (force out), hataki-komi (slap down) and tsuki-otoshi (thrust over).
Hatakikomi Slapping down the opponent's shoulder, back, or arm and forcing them to fall forwards touching the clay (slap down).
Chiyomaru relies heavily on pushing and thrusting techniques, or oshi- sumo, but is also very commonly seen winning by the hataki-komi slap down technique. His most common winning kimarite are oshi-dashi (push out), hiki- otoshi (pull down) and hataki-komi (slap down). He is at a disadvantage if his opponent manages to grab his mawashi or belt.
Sentoryū favoured pushing and thrusting techniques, winning most of his matches by oshi dashi (push out), hatakikomi (slap down) or hikiotoshi (pull down).
Aran's favoured techniques as listed with the Japan Sumo Association were migi-yotsu (a left hand outside, right hand inside grip on his opponent's mawashi), yori (grappling) and oshi (pushing). He was criticised for not moving forward enough during his bouts and for relying heavily on henka (side-stepping) and slap down techniques. Approximately one third of his wins were by hataki-komi (slap down), a much higher figure than most other wrestlers.
His favourite techniques were tsuppari (thrusting attack), katasukashi (under-shoulder swing down), migi-yotsu (left hand outside, right hand inside mawashi grip), and sotogake (outer leg trip). He most commonly won by hataki-komi (slap down).
Like his stablemate Chiyotaikai, Chiyohakuhō favoured pushing and thrusting techniques, as opposed to grabbing the opponent's mawashi. His most common winning techniques were oshidashi, the push-out, hatakikomi, the slap down, and tsukiotoshi, the thrust over.
Chiyonokuni is an oshi-sumo specialist, who prefers pushing and thrusting techniques to fighting on the mawashi or belt. His most common winning kimarite are hataki-komi, the slap down, and oshi-dashi, the push out.
Hoshitango was an oshi-sumo specialist who preferred pushing and thrusting techniques to fighting on the mawashi. His most common winning kimarite were hataki-komi (slap down), hiki-otoshi (pull down) and okuri dashi (push out from behind).
Keeping with the reputation of his stable, Sasshūnada was known for having a very powerful pushing attack. His preferred techniques were oshidashi (push out) and hatakikomi (slap down), which together accounted for sixty percent of his career victories.
Miyagiyama is briefly mentioned in Chapter 17 of Memoirs of a Geisha, when many of the novel's main characters attend a sumo exhibition in Kyoto. He competes in his role as yokozuna, winning his bout by hataki komi (slap down).
Tomokaze has shown a preference for tsuki and oshi techniques which involve pushing and thrusting rather than grasping his opponent's mawashi or belt. His most common kimarite or winning moves are hatakikomi, the slap-down and oshidashi, the push-out.
Chiyoshōma's preferred grip on his opponent's mawashi or belt is hidari-yotsu, a right hand outside, left hand inside position. He uses both pushing and grappling techniques. His most common winning kimarite are hatakikomi (slap down), yorikiri (force out) and uwatenage (overarm throw).
Abi is a tsuki/oshi specialist, meaning he prefers to slap and push his opponents rather than fighting on the mawashi or belt. His most common winning kimarite are oshi- dashi (push out), hataki-komi (slap down) and tsuki-dashi (thrust out).
Aogiyama was an oshi-sumo specialist who preferred pushing and thrusting techniques to fighting on the mawashi or belt. As well as a straightforward oshi-dashi or push out he also regularly used hiki-otoshi, the pull down and hataki-komi, the slap down.
Tamanofuji had a steady, unspectacular style, and has been described as a "dull and plodding grinder." His most common winning kimarite was yorikiri or force out, followed by hatakikomi, slap down. His favoured grip on his opponent's mawashi was migiyotsu, a left hand outside, right hand inside position.
His favoured grip is migi-yotsu, with his left hand placed outside and right hand inside his opponent's arms. His three most common winning techniques are yori- kiri, the force out, oshi-dashi, the push out, and hataki-komi, the slap down. He is also fond of shitatenage, the underarm throw.
Asahishō is an oshi- sumo specialist who prefers pushing and thrusting techniques to grabbing the opponent's mawashi. His most common winning kimarite is oshi-dashi, or push out. He also regularly wins by forcing his opponent to the floor of the dohyō by hiki-otoshi (pull down) or hataki-komi (slap down).
Amūru was a yotsu–sumo wrestler who preferred a hidari–yotsu, or right hand outside and left hand inside grip on his opponent's mawashi. His most common winning kimarite were yorikiri or force out (which accounted for over 40% of his wins), hatakikomi or slap down and okuridashi or rear push out.
Gojōrō used both yotsu-sumo (grappling) and oshi-sumo (pushing) techniques. He preferred a hidari-yotsu (right hand outside, left hand inside) grip on his opponent's mawashi, and often won by yorikiri or force out. However, his three most regularly used kimarite were oshidashi (push out), hatakikomi (slap down) and tsukidashi (thrust out).
Enazakura was a solid if unspectacular wrestler who favoured pushing and thrusting techniques to fighting on the mawashi or belt. He regularly used oshi dashi (push out), tsuki otoshi (thrust over), hataki komi (slap down), hiki otoshi (pull down) and yori kiri (force out). He rarely employed throwing moves, occasionally using sukuinage (scoop throw).
Kasuganishiki's favourite techniques are listed on his profile at the Sumo Association as pushing and thrusting, or tsuki/oshi, but his most common winning move in his career was actually yori-kiri, or force out, using the opponent's mawashi or belt. He also regularly used oshi-dashi, the push out, and hataki-komi, the slap down.
Toyozakura's favourite techniques were open-handed thrusts known as tsuppari, and simple pushes to the opponent's chest, oshi-dashi. When he chose to fight on the mawashi his preferred grip was migi-yotsu, a left-hand outside, right- hand inside position. He also frequently employed hiki-otoshi, the pull down, and the similar hataki-komi, or slap down.
Asashio was fond of tsuki/oshi (thrusting and pushing) techniques, winning many bouts by oshi-dashi (push out) and hataki-komi (slap down). However, he was also well capable of fighting on the mawashi, preferring a right hand outside, left hand inside grip (hidari-yotsu), and overall yori-kiri (force out) was his most regularly used kimarite. He rarely employed throws.
Takayasu is an oshi-sumo specialist, preferring pushing and thrusting techniques (tsuki/oshi) to fighting on the opponent's mawashi. His most common winning kimarite so far in his career are yori-kiri (force out), hataki-komi (slap down) and oshi-dashi (push out). He has strengthened his physique and his pushing techniques through intense training sessions with his senior stablemate Kisenosato.
Yoshiazuma is a solidly yotsu-sumo wrestler who prefers grappling to pushing and thrusting techniques. His favoured grip on his opponent's mawashi or belt is migi-yotsu, a left hand outside, right hand inside position. He wins about half of his bouts with a straightforward yori-kiri, or force out. Another kimarite he regularly uses is hataki-komi, the slap down.
Kiyoseumi was an oshi-sumo specialist, preferring pushing and thrusting techniques (tsuki/oshi). His most common winning kimarite was hatakikomi, the slap down. He was one of the largest wrestlers in sumo, at 180 kg or 400 lb. Being so large, he lacked speed and mobility, and there were concerns that his knee injury further hampered his movement and held him back.
Naminohana was an oshi-sumo specialist who preferred to push and thrust rather than go for a grip on the mawashi or belt. His most common winning kimarite or techniques were oshi-dashi (push out), yori-kiri (force out), hataki-komi (slap down) and tsuki-otoshi (thrust over). He was known for trying to tempt his opponent to begin the bout early, a practice known as jikanmae.
If they have a pair of cards of the same number in their hand, they slap down on their hand paddle. The Joker is not wild and does not pair with any of the other cards. It is a bonus card later in the game. When the current player slaps on their hand, the other players slap their hand paddles as quickly as they can.
Asanosho was well known for his attacking tsuppari style, using a series of rapid thrusts to the opponent's chest to force them out of the dohyo. When fighting on the mawashi or belt his favoured grip was hidari- yotsu, a left hand outside, right hand inside position. His most common winning kimarite were oshi-dashi (push out), tsuki-dashi (thrust out) and hataki-komi (slap down).
Tōki relied almost exclusively on slapping and pushing techniques, making his style very predictable, yet often surprisingly successful. However, he was very vulnerable when his opponents got hold of his mawashi. He won only eight matches in his career by yori-kiri, or force out, and lost 132. His most common winning kimarite were the slap down, hataki-komi, and the pull down, hiki-otoshi.
" According to Sputnikmusic, "In the middle of the song, Avril spells out, in the style of an American football cheer, her name as a pneumonic, with each letter spelling out a different way in which a girlfriend deserves to be treated. Gary Graff of Billboard called its lyrical content a "man-smashing slap-down", while Alex Macpherson of The Guardian wrote that Lavigne is "chanting about periods" on the track.
Asanowaka was of a short build for a sumo wrestler and had limited technique, relying heavily on slap-downs and henka. He sidestepped so regularly at the tachi-ai that he was criticized by sumo elders. He was a pusher-thruster, rarely fighting on the mawashi or belt. His most common winning kimarite was oshidashi (push out), followed by hiki- otoshi (pull down) and hataki-komi (slap down).
Amakaze is one of the heaviest wrestlers in sumo at , and likes to use his weight to his best advantage by grabbing his opponent's mawashi and forcing them out by yori- kiri. His preferred grip is hidari-yotsu, a right arm outside, left arm inside position. Roughly half of his winning bouts are with the yori-kiri technique. His other regular winning kimarite include oshi-dashi (push out) and hataki- komi (slap down).
If done, it is usually at the tachi-ai to set up a slap-down technique, but this is often regarded as bad sumo and unworthy of higher ranked wrestlers. Some say it is a legitimate "outsmarting" move, and provides a necessary balance to direct force, "henka" meaning "change; variation". ;heya (部屋): Literally "room", but usually rendered as stable. The establishment where a wrestler trains, and also lives while he is in the lower divisions.
Mitakeumi prefers pushing and thrusting moves as opposed to fighting on the opponent's mawashi or belt. His most common winning techniques are oshidashi, the push out, yorikiri, the force out and hatakikomi the slap down. Mitakeumi emphasizes speed in his tachi-ai, and attempts to be the first wrestler in each match to take two steps toward his opponent rather than one. He trains by unconventional methods, such as jumping rope and running uphill, to gain additional speed.
He was famed for his explosive start at the tachi-ai and so was often prone to being sidestepped at the initial charge. The technique which he has been defeated most often, aside from yori-kiri, is hataki-komi, a slap down move that is often the result of a sidestep. He was also vulnerable to the pull down, hiki-otoshi. He suffered from knee and ankle problems in his latter years and had lost much of his speed and mobility.
Dimitri Ehrlich of Entertainment Weekly graded the album "B+", saying the album shows "James at its most inspired and unpredictable" and called the album "a joyride of a record." The Harvard Crimson said "Wah Wah is not ear candy, like much of Laid; it's meant to get inside your head, and that may be a bit more than you're in the market for when you slap down your money at HMV." Rolling Stone were also favourable to the album. Retrospective reviews were more positive.
However, because he was in danger of injuring other wrestlers, he was eventually told by the Sumo Association to stop using some of them, and by the end of his career he had a much more defensive (and less successful) style. His most common winning kimarite overall were uwatenage (overarm throw) and yorikiri (force out), using his preferred mawashi grip of migi-yotsu (left hand outside, right hand inside). However his next most common were hatakikomi (slap down) and hikiotoshi (pull down), reflecting his change of style.
Tobizaru is below the average size for an elite sumo wrestler, being the second lightest sekitori when he reached jūryō in 2017, and he stands just tall. He is an oshi-sumo specialist, preferring to push his opponents rather than grab the mawashi or belt. His likes to pull his opponents down at the edge of the ring, with a high percentage of his victories being by hataki-komi (slap down) and hiki- otoshi (pull down). He is also good at kicks and leg sweeps.
Fujinoshin employed a wide variety of techniques but was regarded by some commentators as a jack of all trades, master of none. He favoured a right hand outside, left hand inside grip (hidari-yotsu) on his opponent's mawashi or belt. His most common winning technique was yori-kiri (force out) but he also tried oshi–dashi (push out), hataki–komi (slap down), yori–taoshi (force out and down), uwate–nage (overarm throw), shitate–nage (underarm throw), uwatedashi–nage (pulling overarm throw) and katasukashi (armlock throw).
Due to a neck injury, Kokkai was forced to change his sumo style. He began to fight more on the mawashi, gripping his opponent's belt, switching from the pushing and thrusting techniques he used earlier in his career. His profile at the Japan Sumo Association still lists tsuki/oshi as his favoured techniques, and his most common winning kimarite was oshi-dashi, or push-out, followed by yori-kiri, or force-out. He was also fond of using the slap-down (hataki-komi) and the pull-down (hiki-otoshi).
Wakanohō favoured belt techniques and preferred a migi-yotsu (left hand outside, right hand inside) grip his opponent's mawashi. He was known for occasionally jumping straight up into the air at the tachi- ai, or initial charge, a highly unorthodox move which some commentators put down to youthful bravado. He was also criticised for relying too much on side- steps and slap-downs. Although his most common winning technique was yorikiri (force-out), the slap-down, or hatakikomi, was second and he had a much higher percentage of wins with this technique than most of his contemporaries.
Terao was an oshi-sumo specialist, relying on pushing and thrusting techniques, keeping his opponent away from his mawashi. Throughout his career he consistently weighed around , a considerable disadvantage in an era when most of his opponents were over . He compensated by relying on his speed and agility, and was often able to use his quick reactions to outwit his heavier opponents. He was well known for his rapid series of thrusts to the chest (tsuppari), enabling him to win many of his matches by hataki-komi (the slap down), oshi-dashi (the push out) and tsuki- dashi (the thrust out).
Kotomitsuki was a yotsu- sumo wrestler, and his favourite grip on the mawashi was migi-yotsu, with his left hand outside and right hand inside his opponent's arms (although he was also capable of fighting in the reverse position, hidari-yotsu). His most common winning kimarite by far was yori-kiri, the force out, followed by oshi- dashi (push out) and hataki-komi (slap down). He was fond of dashinage (pulling throws, both overarm and underarm), and was also one of the few rikishi to employ uchi-muso, a technique which involves tapping the opponent's inner thigh with the back of the hand to off-balance him, before twisting him down.
Before biting, a tarantula may signal its intention to attack by rearing up into a "threat posture", which may involve raising its prosoma and lifting its front legs into the air, spreading and extending its fangs, and (in certain species) making a loud hissing by stridulating. Tarantulas often hold this position for longer than the duration of the original threat. Their next step, short of biting, may be to slap down on the intruder with their raised front legs. If that response fails to deter the attacker, the tarantulas of the Americas may next turn away and flick urticating hairs toward the pursuing predator.
Roho was a yotsu-sumo specialist, who preferred a migi- yotsu, or left hand outside, right hand inside grip on his opponent's mawashi. His favourite techniques were yorikiri (force out) and uwatenage (overarm throw), although he also relied heavily on henka (side stepping) and pull- downs. Hataki-komi, the slap-down, was his second most commonly used technique after yorikiri. Henka in particular is looked down upon by sumo purists, and Roho believed that his failure to receive a special prize from the Sumo Association in the March 2005 tournament, despite winning eleven bouts, was due to use of henka in his victory over Kotomitsuki.
Arthur Timothy Lawson-Cruttenden (23 January 1955 – 17 April 2019Lawyer to the stars dies in tragic body surfing accident in Gibraltar, Daily Mirror, 18 April 2019) was a British solicitor. He specialised in court-martial law, and using the Protection from Harassment Act 1997 to contain and curtail protest involving, amongst other matters, anti-corporate groups.The solicitor protestors love to hate, BBC South, Inside Out, 26 October 2007 He acted in numerous cases involving animal rights groups,Oxford wins extension to animal rights injunction, The Guardian, 10 November 2004Oxford seeks animal rights ban, Daily Telegraph, 15 September 2004 environmentalists,Otter-spotting and birdwatching: the dark heart of the eco-terrorist peril, The Guardian, 23 December 2008 and anti-militarist groups.High court injunction – the weapon of choice to slap down protests, The Guardian, 27 October 2009 Timothy ("Tim") Lawson-Cruttenden was born in Hendon (North London).
Halfback Tommy Ford ran for two scores to help #1 Texas beat Arkansas at Little Rock, 17–13."Longhorns Slap Down Razorbacks," Oakland Tribune, October 20, 1963, p51 #2 Wisconsin won 10–7 at Iowa, as Paul Krause of the Hawkeyes' went for a win instead of a tie with 99 seconds left, and was stopped a foot short of a first down after a fake field goal attempt,"Iowa Edged By Badgers" Oakland Tribune, October 20, 1963, p51 and the #3 Pitt Panthers came from behind to beat West Virginia, 13–10."Pitt Edges Mountaineers," Oakland Tribune, October 20, 1963, p51 Previously unbeaten and #4 Ohio State was crushed by USC at before 63,883 fans in Los Angeles, 32–3."USC Power Buries Ohio State," Oakland Tribune, October 20, 1963, p51 #5 Ole Miss became the third Top Five team to shut out Tulane, 21–0, a team that went scoreless in six games in 1963 and finished at 1–8–1.

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