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"simile" Definitions
  1. a word or phrase that compares something to something else, using the words like or as, for example a face like a mask or as white as snow; the use of such words and phrases

369 Sentences With "simile"

How to use simile in a sentence? Find typical usage patterns (collocations)/phrases/context for "simile" and check conjugation/comparative form for "simile". Mastering all the usages of "simile" from sentence examples published by news publications.

Wilson gives us the simile, one of the loveliest in Homer.
In this early poem, Amichai's supple, surprising way with simile is evident.
Aiming to insult Democratic opponent Clinton, he reached for a German simile.
Or (as Kroff has himself suggested) is it an exploration of simile?
Add a simile here, and make sure it's consistent with Dave's character.
I'm a sucker for a good simile, and she crafts them in abundance.
She told me he disapproved of any poem with a simile in it.
D'Avenia's relationship to simile is misguided and cynical: used to obfuscate, not clarify.
A simile uses the word "like" or "as" to compare two very different things.
DESPITE their dour reputation, economists frequently play with metaphor and simile, just like literary folk.
VanDerveer used the simile of ducks, outwardly graceful but paddling like mad under the surface.
In her early work, Dillard tends to soar and sink on lyrical thermals and downdrafts, composing arias of figurative language, piling simile upon simile, image on image, and when I was myself in my 20s, I thrilled to the aerial show of her prose.
Thingthing is today announcing it's closed a €350,000 ($400k) seed round, led by Simile Venture Partners .
A screenwriter getting their characters to show what writing is like, is like a— A bad simile?
Few football players are better understood by simile than by 40 times, but Le'Veon Bell is one.
The reporter provided a thorough and descriptive account of the bouts, with a heavy reliance on simile.
In the past, the right simile would've been cumulonimbus clouds, but this haze feels decidedly like smoke.
His simile choices — "just got a new bitch, white with a little black like dice" — are appealingly bizarre.
The simile fits: flashy, fidgety, hyperactive, Luv Is Rage 2 inhabits a childishly exuberant Day-Glo aesthetic that glimmers.
But if that simile was valid, then the prevailing tree of 1977, the orthodox image of life's history, was wrong.
He likened Madonsela to a "Biblical David" taking on the Goliath of state corruption, a simile that spawned lurid cartoons and headlines.
So to borrow a simile from what many American colleges are celebrating as graduation weekend: Joe Biden is the Democrats' safety school.
Can you write about someone or something using a simile that is not the same as the one used in the passage?
Write your own simile, metaphor or other kind of comparison to illustrate your viewpoint on your favorite or least favorite punctuation mark.
This is so strangely funny—a klutzy raptor—that it's comparable to a great poet dropping a comic simile into a formal design.
In fact, it makes one regret all the times one has used the Energizer Bunny as a simile—it's Williams who really deserves it.
The film is racking up awards and accolades like bees on flowers — a fitting simile, considering the film discusses the birds and the bees.
Simon was critiquing a contestant when he began using a simile, comparing his performance to Mel B's honeymoon ... lots of anticipation, but no delivery.
You should look for: Descriptive phrases and adjectives Key verbs and actions Key nouns, facts and items Writing features such as simile, alliteration, etc.
Even at her most physically free, she is as immaterial as a simile, "like" the only thing she has ever thought herself to be.
It's a decent range, but not as expansive as Amazon's, which has simile devices alongside the alarm clock-sized Echo Spot and larger Echo Show.
Kitty, the youngest (Anna Cathcart), announces "I hate when Dad makes Korean food," and uses an amusing vulgar simile mocking what his cooking tastes like.
"Fast fashion is designed to expire — and that's what we want to highlight with our ephemeral jewelry — it's a kind of visual simile," she said.
In apparent homage to this simile, the parade's delivery drivers wore yellow and black hats topped with bee antennae, like heroes in a children's book.
There's a decent chance sometime next year "move like Giannis" will permanently replace "move like a gazelle" as the go-to simile that describes graceful gallivanting.
Gabriel deftly describes the actions of Edward Snowden, the former CIA employee turned NSA whistleblower, using a seamless combination of metaphor, simile, and statement of fact.
The grammar of existence includes all figures of language itself: simile, metaphor, metonymy, synecdoche — so that each thing encountered in the world is actually many things.
Analogy is relatively rare in poetry next to the usual strategies of comparison, like metaphor, simile, and juxtaposition, and yet it's central to Scenters-Zapico's work.
We watch her discover her style: ultra-long complex sentences, intentionally awkward rhymes, embedded quotations and multiple changes of subject, each with its own quirky simile.
" In a rather infelicitous simile, Lebrecht goes on to say that anxiety has acted on the Jews "like an Egyptian taskmaster in the Book of Exodus.
"The picture slides from my mind, slippery as wet spaghetti," Zoe exclaims at one point, which is a simile with as much literary merit as wet spaghetti.
But if it takes you 41 words to explain your simile (it wasn't a metaphor, and I counted), I hereby submit that you may be doing it wrong.
The only simile I can draw is that Daley is like the slightly smelly middle-school loner that classmates are unintentionally mean to, because he makes them uncomfortable.
On every other page, it seems, there is something remarkable—an immaculate phrase, a boldly modifying adverb, a metaphor or simile that makes a sudden, electric connection between its poles.
But if you happen to know more about Harry Potter than about pundits' theories of how the primaries will unfold, it becomes clear how deeply, hilariously bizarre the Rubio simile is.
"Some of it was absolutely terrible," she told me of her early writing, still shamed by a simile in which she had likened the sky to the underside of a duck.
" There are also a few suspect occurrences of "as"; however, that may not matter, since the simile itself may be precisely what it says, "as insignificant / as bluish flowerets or tea.
The stylus of Caselli's device then scanned each line of text, transmitting the signal via telegraph lines to a second machine, which would scrawl out a "fac simile" of the letter.
For concentrated ingenuity and handcrafted uniqueness, its closest simile, I think, is the Wright brothers' first biplane, the Flyer, now on display in the National Air and Space Museum, in Washington.
The funding for Tinggal comes from VC firms Mangrove Capital and Simile Venture Partners and Nimbuzz CEO/angel investor Vikas Saxena — all three backed Wudstay last summer — and Wudstay CEO Prafulla Mathur.
Severus is likened to "a new C.E.O., brought in to effect a restructuring," while the Colosseum was "as revolutionary as Facebook or Twitter," a simile no less baffling than it is anachronistic.
" One chorus, though — "V'ha dunque un loco simile," in the prologue — caught my attention because I suddenly felt like I was hearing "Macbeth," a far superior opera that came only two years after "Giovanna.
" Commenting on the funding in a statement, Tatiana Kim, managing partner at Simile Venture Partners added: "Mobile has become the primary channel of communication and messaging is an essential part of our user experience.
And when the thunder returns, they cross the stage in lines and in perfect classical jumps (sauts de basque), windswept, fragile and yet as formally poetic as an epic simile in Homer or Virgil.
The material hasn't been tested for food products yet, but Bayat and Bartynski say they haven't seen any indications that it isn't edible, so reverse chocolate may one day be more than just a simile.
Brandon Brown: I keep telling people that The Good Life is like a "mixtape," a predictable simile, I'm afraid, to contrast this collection with my other books, which were all larger-scale works written over a sustained period of writing.
Word of the Day : a figure of speech that expresses a resemblance between things of different kinds (usually formed with like or as) _________ The word "simile" has appeared in 13 New York Times articles in the past year, including on Jan.
In prose at once lucid, lyrical and rich in simile, Pardlo historicizes his grandfathers' migration to the East Coast, his family's middle-class life in suburban New Jersey, episodes of adolescent strife and his hasty enlistment in the Marine Corps Reserve.
The simile is inexact, but I can't help but think of a thief breaking into Christie's house, stealing all his money -- and Christie declaring afterward that he owes the thief a thank-you note for proving that his burglar alarm is ineffective.
Or, to use a simile more appropriate to this author, it was like the moment you realize you're having fun at a party you previously thought was ho-hum, the drink, the conversation, the attractiveness of the company all kicking in at once.
You can almost see Maren — like Raymond Chandler — cutting each typed page into three strips and requiring each strip to contain something delightful (startling simile, clever dialogue, brilliant description) offered to the reader as recompense for a world that presses up against you all raw and aggressive and dangerous.
His brain, says his wife Melinda, is "total chaos," but then she explains that there's a method by which Gates can organize his thoughts, merge them with huge amounts of information that he Dysons up (Hoovers are too flimsy for this simile), and then puts them to work.
" Then he issued another, pretty unspeakable Tweet that has since been deleted; you can read it in the mentions of Jubilee's tweets above, though an apology he subsequently issued paints an approximate picture: "I made a simile between her and false rape victims and I admit that was dumb and inappropriate and I'm sorry.
I'm employing a simile better and first utilized by the artist Onajide Shabaka, who, with artist and forest therapy guide Fereshteh Toosi, led a walk through one of these womblike, canopied forests on November 3rd, part of the Creative Time Summit in Miami, called Creative Time Summit on Archipelagos and Other Imagines: Collective Strategies to Inhabit the World.
I must have tacitly understood that those elevated to classical protagonist must be white, as white was not a color but the absence of it; that in narratives, whiteness performs as a sort of blankness, a canvas to paint metaphor and simile on; that it lends neutrality to fraught topics, and allows the story to enter the mainstream.
" A passage near the beginning of the book's long title poem (unfortunately the volume's weak point, it reads like a gathering of all the random passages the poet couldn't quite resolve) gives a good example of why Geoffrey Nutter probably should have been even more stringent in avoiding simile: "Purple apples snapping / under hailstones / are as logical / and cavernous as summer.
The lyrics are really something special: I see you like that spot above Crawling through the liquid love You're cute and you're tweeting me Baby you go "beep beep beep" Everybody's partying Obsessing over crazy things I just want serenity While living it up It's not the best bird simile song by a female solo artist in recent memory, but we can't all be Nelly Furtado.
For example, from the beginning of the third poem in the sequence: Language is a victim of its own success while into the carriage comes a louder lyric me of which the Cockscomb Mountains are like apples rotting in the dust that none of us would be content to leave unlifted […] This happens in 16 of the 52 sections—always at the beginning of a line and always followed by a simile—and invites speculation into the language of comparison and difference.
Brachynarthron simile is a species of beetle in the family Cerambycidae. It was described by Stephan von Breuning in 1964. It is known from Uganda.BioLib.cz - Brachynarthron simile.
Declarative modeling languages and environments include Analytica, Modelica and Simile.
Bulbophyllum simile is a species of orchid in the genus Bulbophyllum.
Roepera similis (synonym Zygophyllum simile) is a succulent annual herb native to Australia.
The Exhibit code base is currently being developed by members of the SIMILE Project at MIT.
Eosentomon simile is a species of proturan in the family Eosentomidae. It is found in Africa.
This phrase appeared at the end of the speech's fifth paragraph.Booker T. Washington, Up from Slavery (Lexington: Tribeca Books, 2013), p. 107. It is commonly referred to as the "Hand simile." Certain historians, like Louis Harlan, saw this simile as Washington's personal embrace of racial segregation.
This would be simile, tamely stating a fact. If, however, he said, “You are a beast” that would be metaphor. But, if he said simply, “Beast!” that would be hypocatastasis, for the other part of the simile or metaphor (“you”), would be implied and not stated.
Some poets concentrate on simile while others on style. But “Magh” was one great poet who used simile with great effect, had great felicity with the language, used meaningful words and was the master of ornate and exotic style. So it has been aptly said about him: “Maghe” santi trayo Guna It has been acknowledged by scholars that he combined in his persona, Kalidas's mastery over simile, Bharvi” flair for drawing word-pictures and dandi” elegant style of writing.
The following is a list of SIMILE projects. The SIMILE tools assist in the storage, querying, transformation and mapping of very large collections of RDF data. The tools developed within SIMILE are meant to allow people who are not Semantic Web developers to create ontologies which describe their specialized metadata, create RDF and convert other types of metadata into RDF. These open source tools are designed to be scalable and provide for cross-community sharing of metadata at low cost.
Cloeon simile is a species of small minnow mayfly in the family Baetidae. It is found in Europe.
Caenocara simile is a species of anobiid beetle in the family Anobiidae. It is found in North America.
SIMILE: Stud. Media Infor. Literacy Educ, 8(4), 1-13. and motivated by curiosity or creative inquiry,Jordan, S. (2016).
Eucorpulentosoma is a genus of parasitic flies in the family Tachinidae. There is one described species in Eucorpulentosoma, E. simile.
Dianthidium simile is a species of leafcutter, mason, and resin bees in the family Megachilidae. It is found in North America.
Carenum simile is a species of ground beetle in the subfamily Scaritinae. It was described by William John Macleay in 1865.
Louis R. Harlan, Booker T. Washington: The Making of a Black Leader, 1856-1901 (New York: Oxford University Press, 1972) The entire simile reads as follows: Ultimately, many Southern whites (Porter King, William Yates Atkinson, etc.) praised Washington for including such a simile, because it effectively disarmed any immediate threat posed by blacks toward segregation (accommodationism).
For example, W32/Simile consisted of over 14,000 lines of assembly language code, 90% of which is part of the metamorphic engine.
Imagery is employed sparingly but often with impressive and beautiful results, such as in the simile of the eagle in Ode 5 below.
This poem extends the debate of the Rival Poet group of sonnets: Is the young man praised best in the simple, true and straightforward manner of the speaker, or in the more rhetorically flamboyant style of other poets? The first quatrain asks: Which of the poets can say more to the young man than “You are uniquely you? Inside of you is stored all that can offer the example (or simile) worthy (or equal) of you?” The suggestion is that there is no simile worthy, and without a simile or metaphor there will be no poetry.
It is characterised among his works for its dependence on bestiaries for creating simile and image. He alludes to a deer and a unicorn.
Hippopsicon simile is a species of beetle in the family Cerambycidae. It was described by Breuning in 1956.BioLib.cz - Hippopsicon. Retrieved on 8 September 2014.
However, he truly does wish to have fun with his teammates and with his work. His music symbol is Simile and he represents the tiger.
An inspiration from Gospel simile (Luke 22:44), details of Jesus's blood sweat can be observed in both his paintings at Pigna and at Peillon.
In Japan, the proverb is used as a simile of circumstance that ordinary men often fail to understand a great man or his great work.
The tangibility here of both the metaphor and the simile is typical of Thomas's tropology, as he resets the poem's tone and, figuratively, its location.
In literature, an author uses contrast when they describe the difference(s) between two or more entities. For example, in the first four lines of William Shakespeare's Sonnet 130, Shakespeare contrasts a mistress to the sun, coral, snow, and wire. Contrast is the antonym of simile. In poetic compositions, it is common for poets to set out an elaborate contrast or elaborate simile as the argument.
The simile also relates to other strands within Buddhist thought which are explored further in the Milindapanha such as the idea of dependent origination and impermanence.
Latisternum simile is a species of beetle in the family Cerambycidae. It was described by Báguena and Breuning in 1958.BioLib.cz - Latisternum. Retrieved on 8 September 2014.
Simile is the Black township on the northern side of the forestry town Sabie. It falls under the Thaba Chweu Local Municipality of Mpumalanga province, South Africa.
Further, the account allows for the open- endedness of metaphor without succumbing to the view that metaphor is non- cognitive. In later work, Tirrell decisively undermines the view that metaphor should be understood as elliptical simile (“Reductive and Non-Reductive Simile Theories of Metaphor”(J. Phil, 1991). Her work brings inferential role semantics, as developed in the Pittsburgh School, to bear on alternative theories of metaphor, and shows the importance of interpretive practices.
The easiest stylistic device to identify is a simile, signaled by the use of the words "like" or "as". A simile is a comparison used to attract the reader's attention and describe something in descriptive terms. :Example: " From up here on the fourteenth floor, my brother Charley looks like an insect scurrying among other insects." (from "Sweet Potato Pie," Eugenia Collier) :Example: The beast had eyes as big as baseballs and teeth as long as knives.
Most of the main characters featured in the Pharsalia are terribly flawed and unattractive. Caesar, for instance, is presented as a successful military leader, but he strikes fear into the hearts of people and is extremely destructive. Lucan conveys this by using a simile (book 1, lines 1517) that compares Caesar to a thunderbolt: Throughout the Pharsalia, this simile holds, and Caesar is continuously depicted as an active force, who strikes with great power.Rosner-Siegel, Judith (2010), p. 187.
Every single line is worth attention. That proves how sincere you have been. A steel knife, as it were, its sharp-edged simile dazzles. Nowhere do sobs choke or shadows dim it.
It refers to the strength of women which can enable them to do things better than men, even when they are wearing broken heels which contrasts as a simile for the song meaning.
Topically his poetry is in the Sicilian and Occitan traditions. The chief poets whose influence can be detected are the troubadour Rigaut de Berbezilh and of the Sicilians Giacomo da Lentini, Guido delle Colonne, and Stefano Protonotaro. His style is light and easy (trobar leu), and rich in simile. His use of simile, much of it drawn from the Occitan troubadours and medieval bestiaries,Kenneth McKenzie (1905), "Unpublished Manuscripts of Italian Bestiaries", Periodical of the Modern Languages Association, 20:2, pp. 384-86\.
Some fake books extend this slash rhythm notation further by indicating chords that are held as a whole note with a diamond, and indicating unison rhythm section rhythmic figures with the appropriate note heads and stems. Simile marksA simile mark in the middle of an otherwise empty measure tells the musician to repeat the chord or chords of the preceding measure. When seen with two slashes instead of one it indicates that the previous measure's chords should be repeated for two further measures, called a double simile, and is placed on the measure line between the two empty bars. It simplifies the job of both the music reader (who can quickly scan ahead to the next chord change) and the copyist (who doesn't need to repeat every chord symbol).
Prior to Neurath's simile, Charles Sanders Peirce had used with similar purpose the metaphor of walking on a bog: one only takes another step when the ground beneath one's feet begins to give way.
A Study of Race, Gender, and Social Vulnerability in Disney Animated Films.” Simile: Studies in Media & Information Literacy Education, vol. 1, no. 3, 2001, pp. 1–8. doi:10.3138/sim.1.3.001. Accessed 2 Oct. 2019.
Lucifuga simile is a species of cavefish in the family Bythitidae. It is endemic to Cuba. It is a demersal species found in freshwater and brackish water. It can reach a length of 8.8 centimeters.
His house journal, Il-Fac-simile, went through at least nineteen editions between 1920 and 1922.Tyler, Varro E. Philatelic Forgers: Their Lives and Works. Revised edition. Sidney, Ohio: Linn's Stamp News, 1991, pp.57-58.
Tulsidas also gives the simile of a lake – the Nirguna Brahman is like the lake with just water, while the Saguna Brahman is a lake resplendent with blooming lotuses.Prasad 2008, pp. 520–521.Rambhadracharya 2008, p.
Nesozineus simile is a species of beetle in the family Cerambycidae. It was described by Galileo and Martins in 2006.Bezark, Larry G. A Photographic Catalog of the Cerambycidae the World . Retrieved on 22 May 2012.
Donna non vidi mai, simile a questa! A dirle: "io t'amo," a nuova vita l'alma mia si desta. "Manon Lescaut mi chiamo" Come queste parole profumate, mi vagan nello spirto. e ascose fibre vanno a carezzare.
This can include idioms, metaphor, and simile, like, "white as a ghost." With the availability of enough material to analyze, semantic analysis can be used to catalog and trace the style of writing of specific authors.
""Epistolarum, VII". Oxford, 1928, 376, no. 1985. Basel, 29 March 1528, to H. Botteus: "... Unde statuarius iste nactus sit effigiem mei demiror, nisi fortasse habet eam quam Quintinus Antuerpiae fudit aere. Pinxit me Durerius, sed nihil simile.
Wolfy's pet tag, which Adrian accidentally drops after his first encounter with Lawrence, is kept as blackmail by the boy. Wolfy's eyes are used as a simile; they are described as emotionless and then compared to Lawrence's.
Hypocatastasis is a figure of speech that declares or implies a resemblance, representation or comparison. It differs from a metaphor, because in a metaphor the two nouns are both named and given; while, in hypocatastasis, only one is named and the other is implied, or as it were, is put down underneath out of sight. Hence hypocatastasis is an implied resemblance or representation: that is an implied simile or metaphor. A hypocatastasis has more force than a metaphor or simile, and expresses as it were a superlative degree of resemblance.
As with other classical Latin poetry, the meter is based on the length of syllables rather than the stress, though the interplay of meter and stress is also important. Virgil also incorporated such poetic devices as alliteration, onomatopoeia, synecdoche, and assonance. Furthermore, he uses personification, metaphor and simile in his work, usually to add drama and tension to the scene. An example of a simile can be found in book II when Aeneas is compared to a shepherd who stood on the high top of a rock unaware of what is going on around him.
63–66 :Curst be the Man who first a Simile made! :Curst, ev'ry Bard who writes! – So have I seen :Those whose Comparisons are just and true, :And those who liken things not like at all.Hillhouse 1918 p.
Panicum simile, known by the common name two colour panic, is a species of grass found in eastern Australia.Les Robinson - Field Guide to the Native Plants of Sydney, page 273 It was described by Karel Domin in 1915.
Description uses tools such as denotative language, connotative language, figurative language, metaphor, and simile to arrive at a dominant impression.Chapter 2: Description in Glenn, Cheryl. Making Sense: A Real-World Rhetorical Reader. Ed. Denise B. Wydra, et al.
A metaphor is a comparison that does not use the words "like" or "as". Metaphors can span over multiple sentences. Example: "That boy is like a machine." is a simile but "That boy is a machine!" is a metaphor.
Ophtalmoplon simile is a species of beetle in the family Cerambycidae. It was described by Martins, Galileo and de-Oliveira in 2009.Bezark, Larry G. A Photographic Catalog of the Cerambycidae of the World . Retrieved on 22 May 2012.
Both works regularly describe animals by way of simile or colorful analogy, and although God is praised, other passages suggest on the contrary a humanism which places man above God: "Elohim is made in man's image." Knight, p. 278.
Kenocymbium is a genus of Southeast Asian dwarf spiders that was first described by Alfred Frank Millidge & A. Russell-Smith in 1992. it contains only two species, both found in Indonesia, Malaysia, and Thailand: K. deelemanae and K. simile.
Noirs is a fac-simile of the original edition of Les Schroumpfs Noirs, with all printed colors replaced with blue. The book has been compared to certain appropriations from Carmelo Bene's, specifically Romeo e Giulietta : storia di Shakespeare secondo Carmelo Bene.
The Assyrians did not simply choose shiny metal; they worked to make it so. The word hints at a military machine. Other tropes that may be used to increase the level of allusion include irony, litotes, simile, and metonymy (particularly synecdoche).
Trillium simile, the jeweled wakerobin, is a spring-flowering perennial plant which is native to southern parts of the Appalachian Mountains in southeastern United States (Tennessee, Georgia, North and South Carolina).Kew World Checklist of Selected Plant FamiliesBiota of North America Program 2014 county distribution map It is also known as sweet white wake-robin, sweet white trillium and confusing trillium. Trillium simile prefers to grow in moist humus-rich soils in mature forests at the edges of Rhododendron thickets and at edges of the forest. It is found at elevations of 500 – 700 meters (1,640 - 2,300 feet).
Engraving of a pond barrow by Richard Colt Hoare Possible pond barrow at Old Winchester Hill hillfort A possibleMaciñeira, Federico; Bares. Puerto Hispánico de la Primitiva Navegación Occidental, CSIC - Instituto Padre Sarmiento de Estudios Gallegos. Santiago de Compostela, 1947 (ed. fac-simile ).
The Faculty publishes Homeopathy (formerly the British Homoeopathic Journal -BHJ). This journal was first published in 1844, as the British Journal of Homoeopathy (BJH), which became the BHJ in 1911. Simile is a regular Newsletter-type publication, for the service of members.
Hammond critiques that the experience of reading this sonnet is almost to fall into collusion with the poet, "for everything about it, from its poetic and syntactic structures to its use of metaphor and pun, invites acceptance." M. P. Tilley describes the sonnet as playing on the proverb 'the morning sun never lasts the day'.Tilley, M. P. A Dictionary of the Proverbs of England in the Sixteenth and Seventeenth Centuries. 1950. p. S978. Hilton Landry notes that the poem is an extended simile with metaphors in each branch of the simile; he also called it the "simplest and sweetest" of the group.Landry, Hilton (1963).
Campbell argues that Dido's people are hardworking, strong, unfailingly loyal, organised, and self-regulating: just the sort of world that the hero Aeneas would like to create. But, Campbell argues, the simile also suggests that Carthage's civilisation is fragile and insignificant, and could readily be destroyed.
The poems contain numerous literary devices including metaphor, simile, etc. and contain fantastical elements and archaic concepts. They are thought to originate from times when the ancestors of the Yakuts lived further south. Oral performance of an Olonho contains both spoken (descriptions) and sung (dialogue) parts.
The same studio also produced kits of Morinas and Limone, which were sold at Wonder Festival on 25 February 2007. A garage kit of 1/48 scale Simulacrum's Simoun was created under license by . He manufactured Aer's Simile Simoun 1/48 Odonata was created under license by .
A philosopher aims to understand and perceive the higher levels of reality. However, the other inmates of the cave do not even desire to leave their prison, for they know no better life.Ferguson, A. S. "Plato's Simile of Light. (Part II.) The Allegory of the Cave (Continued)".
Roepera similis was first described in 1990 by Hansjörg Eichler as Zygophyllum simile, based on a specimen has collected from the Musgrave Ranges in South Australia in 1963. It was transferred to the genus Roepera in 2003, when Zygophyllum as then circumscribed was found not to be monophyletic.
70 f. The "adapter" simile is even more apt in the case of transcendental schemata. This is because pure concepts of the understanding (Categories) are totally unrelated to perceptions. The pure concepts or Categories are original constituent components of the understanding and are not derived from empirical sense perceptions.
Synaesthesia is a rhetorical device or figure of speech where one sense is described in terms of another. This may often take the form of a simile. One can distinguish the literary joining of terms derived from the vocabularies of sensory domains from synaesthesia as a neuropsychological phenomenon.
Brin was comparing Google's ambitions of building an artificial intelligence to HAL, while dismissing the possibility that a bug like the one that led HAL to murder the occupants of the fictional spacecraft Discovery One could occur in a Google-based artificial intelligence.Spencer Michaels, "The Search Engine that Could", The NewsHour with Jim Lehrer, November 29, 2002. Carr observed in his essay that throughout history technological advances have often necessitated new metaphors, such as the mechanical clock engendering the simile "like clockwork" and the age of the computer engendering the simile "like computers". Carr concluded his essay with an explanation as to why he believed HAL was an appropriate metaphor for his essay's argument.
A humorous simile of foods was introduced to help people get an image easily. He compared the human being as vegetables. In this way, there are a lot of kinds of vegetables, therefore there are various kinds of personalities for the same blood type. Type O people are fresh vegetables.
In their original form, Olonkho was an orally presented epic 'sung' by a narrator. Difference characters, male/female, good/evil etc. were distinguished only by the performer's voice using intonation and melody. They contain archaic language, complex grammar, fantastic and symbolic imagery, as well as metaphor, simile, epithets, and hyperbole.
Croesus was the son and heir of Alyattes and the most important Lydian king concerning the Bible. He was fabulously wealthy, spawning the simile: "as rich as Croesus." The undoing of Croesus and the Lydian Empire came when they attacked Cyrus the Great. Victorious over Cappadocians, Croesus was filled with confidence.
Simile compares two different things that resemble each other in at least one way. It uses the as… as construction as compared to metaphor which is direct equivalence. In the following example, the nurse compares Romeo’s manners and behaviour to a lamb. I’ll warrant him, as gentle as a lamb.
Exhibit (part of the SIMILE Project) is a lightweight, structured-data publishing framework that allows developers to create web pages with support for sorting, filtering and rich visualizations. Oriented towards semantic web- type problems, Exhibit can be implemented by writing rich data out to HTML then configuring some CSS and JavaScript code.
A simile given is that "It was like seeing an owl with no feathers". A vegetative wilderness has been created, which has resulted in the coastal forest. 333 Vascular plant species of individual taxa have been recorded in the Glacier Bay. Dense thickets of Sitka alder and devil's club abound along the shoreline.
The variegatum subspecies has buff forehead with a brownish gray crown. Trochalopteron variegatum simile is similar to Trochalopteron variegatum variegatum except has gray primary and secondary feathers along with gray outer rectrices. The area around the lower mandible is whiter in this subspecies and the buff on the forehead is more dull.
Like: winter; the three hot 10-day periods [following the summer solstice]. # Weather; climate. # Day, time of one day and night, or especially the time from sunrise to sunset. Like: today; yesterday; busy all day; go fishing for three days and dry the nets for two [a xiehouyu simile for "unable to finish anything"].
The number ends with two poems: 'Moor-Burn: A Simile' by Miss Lockhart Gillespie, and Hogg's 'Border Song' ('Lock the door, Lariston …'). No. 32 (by Mary Gray): In a letter to the editor 'C. D.' tells of how he accompanied his daughter to Edinburgh and was unimpressed by the fashionable influences to which she was exposed there.
Brian Kiely, who was to give the ordination sermon, was told (partly in jest) he must define Canadian Unitarianism, as Rev. Channing had at that New England ordination sermon of 1819. The simile Rev. Kiely chose was that Canadian Unitarianism is like a doughnut, the richness is in the circle of fellowship, not a creedal centre.
Another part of the same codex is housed at the Saint Catherine's Monastery (Gr. 218) in Sinai. Tischendorf described fragment housed in Petersburg: > Etiam hoc fragmentum sexti saeculi videtur; litterarum forma inprimis simile > est fragmentins illis tribus evangeliorum purpureis, Romae, Londini et > Vindobonae servatis, quae anno 1846 in priore collectione Monumentorum > Sacrorum publicavi. In apparatu critico editionis meae VII.
Pathos (plural: pathea) is an appeal to the audience's emotions. The terms sympathy, pathetic, and empathy are derived from it. It can be in the form of metaphor, simile, a passionate delivery, or even a simple claim that a matter is unjust. Pathos can be particularly powerful if used well, but most speeches do not solely rely on pathos.
It was also a war between conservatives and modernist in Odia Literature. Upendra Bhanja was also criticised for his obscure words. Once a modern poet Guru Prasad (See Odia literature) wrote "Upendra Bhanja means a woman and a Dictionary". Though he was criticised by the modernists, he can be comparable with Kalidas in using simile (Upama) in his kabyas.
"Chocolate" is a song by Australian recording artist Kylie Minogue, taken from her ninth studio album Body Language (2003). It was written by its producer Johnny Douglas and Karen Poole. The song is a ballad which uses chocolate simile to describe Minogue's obsession with love. It contains elements of disco and funk and employs breathy and whispery vocals.
That was how Nitra's upper town managed to survive the first Ottoman attack. The statue of Corgoň would embody the invincible power of this local metalworker forever. There is a simile applied to someone who shows great power in the area surrounding Nitra which says to be as mighty as Corgoň. In the statue, Corgoň is depicted as Atlas.
Kukkutasana (Rooster pose) is mentioned in the text. The Upanishad makes mention of eleven asanas (Yogic postures), of which two pertain to physiological postures: the Peacock and the Rooster. It describes squatting with folded legs known as Sukhasana, a meditative pose. Varaha gives a simile of an artist practicing dance to an orchestra, balancing a vessel on her head.
When Telemachus returns, he visits Eumaeus as soon as he gets off his boat, as Athena directed him. In Eumaeus's hut is Odysseus in disguise. Eumaeus greets Telemachus as a father, expressing his deep worry while Telemachus was gone and his relief now that is safely back. Homer even uses a simile to reiterate the father–son relationship between Telemachus and Eumaeus.
On the Creation, XLIV, 129 Logos resembles a book with creature paradigms.Allegorical Interpretation, I, VIII, 19 An Architect's design before the construction of a city serves to Philo as another simile of Logos.On the Creation, VI, 24 Since creation, Logos binds things together.On Flight and Finding, XX, 112 As the receptacle and holder of ideas, Logos is distinct from the material world.
The creation of Le Fac-Simile in 1910 was one way of obtaining publicity for his business, and it was said that up to 25,000 copies of each edition were distributed. The journal was also Fournier's personal platform through which to air his grievances and to rail against his treatment by the mainstream stamp trade and particular individuals in it.
III, including quotation John Milton uses the metaphor in an extended simile to describe Satan harassing Christ in Paradise Regained (1671, Book IV, lines 5-17).Hillier, s. III and generally, including quotation Satan is: :[...] as a swarm of flies in vintage time, :About the wine-press where sweet moust is powrd, :[which,] Beat off, returns as oft with humming sound.
The painterly print: Monotypes from the seventeenth to the twentieth century [exhibition], p. 84. The work is unusual, as it is a literal illustration of a double simile from Macbeth, found in the lines: :And pity, like a naked new-born babe, :Striding the blast, or heaven's cherubim, hors'd :Upon the sightless couriers of the air. :- Macbeth (1.7.21–23) p. 106.
Gianni Togni (born 24 July 1956 in Rome) is an Italian singer. He begins his musical experience with the album In una simile circostanza (1975), he obtained a notable success in 1980 with the single "Luna", from the album ... E in quel momento, which ranked first in the Italian hit parade. Other top-ten singles included the songs "Semplice" and "Vivi".
Maurice collected Welsh literature. He had so many books and manuscripts that he built a three- storey library near his home in Cefn-y-Braich called "the Study" in which to store them. He spent much of his time there. His collection of books was a fac simile of Friar Baeon's Study, because his library was similar to Roger Bacon's books and manuscripts.
Herbert W. Armstrong in Chapter 5 of his Mystery of Ages (1985), "The Assyrians settled in central Europe, and the Germans, undoubtedly, are, in part, the descendents of the ancient Assyrians." (p. 183). In this, Armstrong draws upon the opinions of Herman L. Hoeh, published in his 1963 Compendium of World History. Such suggestions are informed by Jerome's simile with Psalms 83:8.
Carson's penchant for the long line found a perfect focus in the 12-syllable alexandrine line. He also published The Twelfth of Never (1999), sonnets on fanciful themes: :'This is the land of the green rose and the lion lily, / :Ruled by Zeno's eternal tortoises and hares, / :where everything is metaphor and simile'. The Ballad of HMS Belfast (1999) collected his Belfast poems.
Win32/Simile (also known as Etap and MetaPHOR) is a metamorphic computer virus written in assembly language for Microsoft Windows. The virus was released in the most recent version in early March 2002. It was written by the virus writer "Mental Driller". Some of his previous viruses, such as Win95/Drill (which used the TUAREG polymorphic engine), have proved very challenging to detect.
Use a floating line with greased sunken leader, retrieve the fly very slowly just below the surface. Pay particular attention to shallow areas near weed beds In the UK, Sawyer's Pheasant Tail Nymph is an excellent imitation of "agile darter" nymphs, specifically Lake Olive (Cloëon simile) and Pond Olive (Cloëon dipterum) at any time of day, and can even be used during a midge (chironomidae) hatch.
Minerva then sent sea-serpents to strangle Laocoön and his two sons, Antiphantes and Thymbraeus, for his actions. "Laocoön, ostensibly sacrificing a bull to Neptune on behalf of the city (lines 201ff.), becomes himself the tragic victim, as the simile (lines 223–24) makes clear. In some sense, his death must be symbolic of the city as a whole," S. V. Tracy notes.S. V. Tracy, "Laocoon's Guilt".
The portion of the song composed entirely by Berlin and published as sheet music contained the first verse and refrain of the original stage number. The refrain begins, "A pretty girl is like a melody / That haunts you night and day", a summary of the song's extended simile. The refrain is better known than the introductory verse, which critic Josh Rubins called "mercifully little-known".
Neurath's boat (or Neurath's ship) is a simile used in anti-foundational accounts of knowledge, especially in the philosophy of science. It was first formulated by Otto Neurath. It is based in part on the Ship of Theseus which, however, is standardly used to illustrate other philosophical questions, to do with problems of identity. It was popularised by Willard Van Orman Quine in Word and Object (1960).
" The lyrics were inspired in part by Miguel's occasional use of MDMA (shown in capsule form). The song references drugs both metaphorically and literally, and innocently delivers a transgressive message through the use of simile: "I'm going to do you like drugs tonight". Miguel said of the song's lyrics, "I have this propensity to just come out and say things. That's how I am in real life.
The play expresses the pain in loss of war. When the late father Atsumori, describes his son, he talks about him with such joy. He uses simile to compare his son to a flower. He compares his son to an earthly object in order to allow audiences to feel privileged that they lived in a generation in which they could feel grateful that they weren't in war.
Metaphors We Live By. Chicago: Chicago UP, 1980. Later in the first century A.D., the Roman rhetorician Quintilian builds upon Aristotle's earlier work of metaphor by focusing more on the comparative function of metaphorical language. In his work Institutio Oratoria, Quintilian states," In totum autem metaphora brevior est similitudo" or "on the whole, metaphor is a shorter form of simile".Quintilian. Institutio Oratoria. Trans.
From June 3, 1864, Dom Jausions was in Angers. This time, he returned to Paris, before returning to Solesmes on July 20. Above all, he found at the Bibliothèque nationale de France an important fac-simile of the Antiphonary of St. Benigne in double notation, copied by Théodore Nisard in 1851.p. 58 - 59 He was in charge of the manuscripts of Angers, again in 1865.
The ironic form of simile, used in sarcasm, and some forms of litotes can emphasize one's meaning by the deliberate use of language which states the opposite of the truth, denies the contrary of the truth, or drastically and obviously understates a factual connection.Muecke, DC., The Compass of Irony, Routledge, 1969. p. 80 Other forms, as identified by historian Connop Thirlwall, include dialectic and practical irony.
Example of a metaphor: "She was an ape." Example of a simile: "Felt like a tiger-fur blanket." The computational study of these phenomena has mainly focused on interpretation as a knowledge-based process. Computationalists such as Yorick Wilks, James Martin, Dan Fass, John Barnden, and Mark Lee have developed knowledge-based approaches to the processing of metaphors, either at a linguistic level or a logical level.
74-77 The song features a slide guitar solo by Ry Cooder.Mills. Hymns to the Silence, p.325 In the lyrics Morrison describes the feeling of encounters with "the Lord". Biographer Peter Mills said that "It is a physical effect – he is "lifted up again" as if by a natural force, the full-force gale being a simile for this: 'Like a full force gale'".
It may refer to a lost Upanishad, or Schrader suggests that the chaotic movements of a crab that is difficult to follow, might be implied in the crab simile here. The Atman is the higher and lower brahman, the one inspiring the principle of non-harm (Ahimsa), imbuing consciousness into the gods that are sensory organs, he is the swan, he is the self.
Two other chapters figuratively use the legendary gems. One as a simile for someone who has attained the Tiandao (天道, Way of Heaven), "It is like the pearl of Marquis Sui [隨侯之珠] / or the jade disk of Mr. He [和氏之璧] / Those who achieved it became rich / those who lost it became poor." (6, tr. Major et al.
For the wise Boyan, if he wished to devote to someone [his] song, would wander like a squirrel over a tree, like a grey wolf over land, like a bluish eagle beneath the clouds.' Illustrates the sung epics. Yers generally given full voicing, unlike in the first printed edition of 1800, which was copied from the same destroyed prototype as the Catherine manuscript. Typical use of metaphor and simile.
Veith 1949: 173). The c. 2nd century CE Nan Jing explains this langgan bead simile: "[If the qi in] the vessels comes tied together like rings, or as if they were following [in their movement a chain of] lang gan stones [如循琅玕], that implies a normal state." Commentaries elaborate that langgan stones "resemble pearls" and their movement is like a "string of jade- or pearl-like beads" (tr.
He cannot have died: The scholar gipsy, having renounced such a life, is and is therefore not subject to ageing and death. Arnold describes and implores the scholar gipsy to avoid all who suffer from it, in case he too should be infected and die. Arnold ends with an extended simile of a Tyrian merchant seaman who flees from the irruption of Greek competitors to seek a new world in Iberia.
The original buildings were built between 1886 and 1930 and are primarily shingled or novelty styled with simile design and limited ornamentation. Common features include shingled sides, steeply pitched roofs, overhanging unboxed eaves, and brick fireplaces. They are incorporated harmoniously on the landscape. The studio buildings largely have large, multi-pane windows to provide views of the landscape and the interior space primarily devoted to a large, high-ceiling room.
Wand volunteered for the army chaplaincy in July, 1915. He was Anglo- Catholic in a Chaplaincy in which ‘low church’ predominated.'What Did You Do in the Great War, Bishop' by Tom Scherb, Stand To, no 95, September, 2012 He was posted to Gallipoli, and would write vividly of his experience there. For example, his simile of Sulva Bay conveys the fearsome context of British positions on a narrow beach.
The tree is to pose as a simile for the tree under which Hester took his life in 2005. In November 2007, a special edition of Time on Earth was released featuring a colour altered cover. The cover's main background area, which was previously a sandy-wheat colour, was converted into an aqua-teal colour, while the tree in the image had a bird in a nest added to it.
A. E. Housman speaks of a man "Crossing alone the nighted ferry / With the one coin for fee," to "the just city / And free land of the grave." Irish Nobel laureate Seamus Heaney makes a less direct allusion with a simile — "words imposing on my tongue like obols" — in the "Fosterage" section of his long poem Singing School:Published in North (Oxford University Press, 1976). Text of Singing School online.
Blind monks examining an elephant, an ukiyo-e print by Hanabusa Itchō (1652–1724). The Buddha twice uses the simile of blind men led astray. The earliest known version occurs in the text Udana 6.4. In the Canki Sutta he describes a row of blind men holding on to each other as an example of those who follow an old text that has passed down from generation to generation.Accesstoinsight.
The use of figures of speech is a significant feature of this poem. When he presents comparison between love and melody or love and a red rose, he uses simile. In the 3rd stanza of the poem, the poet says if rocks melt with the sun in the future and the sea dries, his love for his beloved will not end. He wishes to love her continuously until his death.
This Pancharatna Kriti was composed in Telugu and has been set to Arabhi raga. It is written in a playful tone, rich with metaphor and simile without a surfeit of adjectives - all the while arresting the attention of the singers. In this kriti, Tyagaraja sings the greatness of the lord Krishna in a lucid manner. The style adopted in this kriti is very sweet in comparison with the other four.
McLeod, "The "Epic Canon" of the Borgia Table: Hellenistic Lore or Roman Fraud?" Transactions of the American Philological Association 115 (1985:161f). as "Danaides". A U.S. federal judge used the version of the legend in which the Danaides are forced to perform an impossible task as a simile for the judge's task of determining whether a case "arises under" the Constitution, laws or treaties of the United States.
Jackson Mead's character is partially based on Joseph Strauss, the engineer of the Golden Gate Bridge. Hardesty Marratta recognizes Jackson Mead's face in the face of the monument to Joseph Strauss at the Golden Gate. The inscription on the monument refers to the bridge as the "eternal rainbow", a simile used by Jackson Mead. However, despite being a main character in the novel, he does not make an appearance in the movie.
The vernacular description, pig-footed bandicoot, was given by Ogilby in his first description, a name ascribed by Mitchell's party. Europeans settlers reported the species as resembling "small antelopes", a simile that was reported by Bernard Woodward as persisting until their disappearance around 1900. The names recorded from the Noongar language are boda, woda, and boodal. According to Indigenous Australian trackers, the pig-footed bandicoot was known as "Landwang" and "Tubaija" in their culture.
Porter's use of religious symbolism can be seen in the vision Granny has of Hapsy holding her infant son. And when Granny remembers the fateful day of her jilting, she is overcome by images of dark smoke and hellfire. Additionally, Porter uses simile and metaphor to describe the process of dying. Early in the story, Porter uses images of floating to convey Granny's state of mind as she wavers in and out of consciousness.
By describing the harmonious relationship of man and nature as a tune, Wordsworth evokes a sensuous experience of nature. Collective pronouns Wordsworth uses the words "we" and "us." This includes the reader, once again positioning the reader to engage with the poem. Imagery In the simile "and are up gathered now like sleeping flowers," sleeping flowers suggest that man is numb and unaware of the beauty and power of the natural world.
The sutta is composed of 17 stanzas. The first part of each stanza mentions something that is given up or overcome—anger, lust, conceit, etc.—and the second part is always the couplet "...that bhikkhu gives up the here and the beyond / as a serpent sheds it old worn-out skin," which is a simile for the first part.Bhikkhu Bodhi, The Suttanipāta: An Ancient Collection of the Buddha's Discourses (Wisdom Publications, 2017), pg.
Xiehouyu () is a kind of Chinese proverb consisting of two elements: the former segment presents a novel scenario while the latter provides the rationale thereof. One would often only state the first part, expecting the listener to know the second. Compare English "an apple a day (keeps the doctor away)" or "speak of the devil (and he doth/shall appear)". Xiēhòuyǔ is translated as "enigmatic folk simile; truncated witticism; pun" (Wenlin 2016).
The people are as famous, if not more than their kellim > [bananas], so famous indeed that they have passed into simile and proverb > and legend. They are among the most industrious people of Goa. Blessed as > they are with fertile land, they have used Nature's gift to raise many crops > - rice, chillies, vegetables, bananas. Every Friday will see them wending > their way with their produce on their head to the weekly fair at Mapuga.
The aria has been cited as an example of a "simile aria", because the words and the music both reflect, in metaphor, the situation of the character.Westrup, (n.d.); Monelle (2006), p. 76. Caesar, at Tolomeo's palace in Alexandria, compares himself to a stealthy hunter carefully tracking his prey; the prey in this case is Tolomeo, king of Egypt, who has just given Caesar a cool reception and whom Caesar views with suspicion.
Shortly after, his poems began to appear in different literary periodicals and literary sections of the daily newspapers. His first book of poems Ahongkar, Tomar Shabdo ("Pride, Your Words") was published in 1982. His style changed and he sought new perspectives from one volume to another. The imagery, simile, metaphors and symbolism that Guha applies in his poems imply the probabilities of his speciality in creating an individualistic style in the poetic world of Bangladesh.
He feels threatened by the frogs and flees. His interest in nature has gone – this is the death of a "naturalist" suggested in the poem's title. The poem makes extensive use of onomatopoeia and a simile that compares the behaviour of the amphibians to warfare ("Some sat poised like mud grenades") amongst other techniques. "Mid-Term Break" is a reflection on the death of Heaney's younger brother, Christopher, while Heaney was at school.
Individual interpretation occurs within the church and is informed by the church. It is rational and reasoned, but is not arrived at only by means of deductive reasoning. Scriptures are understood to contain historical fact, poetry, idiom, metaphor, simile, moral fable, parable, prophecy and wisdom literature, and each bears its own consideration in its interpretation. While divinely inspired, the text stills consists of words in human languages, arranged in humanly recognisable forms.
A political cartoon by illustrator S.D. Ehrhart in an 1894 Puck magazine shows a farm woman labeled "Democratic Party" sheltering from a tornado of political change. A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another.Compare: It may provide (or obscure) clarity or identify hidden similarities between two ideas. Metaphors are often compared with other types of figurative language, such as antithesis, hyperbole, metonymy and simile.
The sentence was: I bomme, as a bombyll bee dothe. He also translated William Fullonius's Latin play, The Comedy of Acolastus, which he published in 1540 and dedicated to the King. The first simile of the English phrase "as deaf as a post" appears to originate from Acolastus: "How deaf an ear I intended to give him ... he were as good to tell his tale to a post." and may be attributed to Palsgrave.
In the preface of one of the volumes, Marr writes of the sources from which she drew inspiration. A religious sentiment is dominant with nothing of the doubts and vagaries of skepticism. In a time of theological unrest and innovating beliefs, she preferred to follow the old paths. In" A Simile", Marr gives expression to St. Augustine's thought that the human soul was made for God, and is never entirely at peace till it finds Him.
Dance Parade website, March 25, 2016. He encouraged students to see their bodies as complex instruments — using the simile of an orchestra — and to strive for clarity and expressiveness of movement without tension. He paid particular attention to proper breathing because it enabled continuously flowing motion. Limón technique was disseminated during his life and after his death by teachers such as Aaron Osborne, a former member of the Limón company who taught his technique in the 1980s.
Ledbetter connects the way that Achilles and his mother Thetis communicate to the communication between Achilles and Patroclus. Ledbetter does so by comparing how Thetis comforts the weeping Achilles in Book 1 of the Iliad to how Achilles comforts Patroclus as he weeps in Book 16. Achilles uses a simile containing a young girl tearfully looking at her mother to complete the comparison. Ledbetter believes this puts Patroclus into a subordinate role to that of Achilles.
Fournier did not become involved with the philatelic business until later life. In about 1903 he returned to Switzerland and settled in Geneva, where in May 1904 he bought the stock of Louis-Henri Mercier, real name Henri Goegg, who had gone bankrupt. It is at about this time that Fournier began his business producing facsimile stamps. The business grew rapidly, and from 1910 to 1913 Fournier produced his own journal and price list, Le Fac-Simile.
Club Deportivo Alcoyano, S.A.D. is a Spanish football team based in Alcoy, in the autonomous community of Valencia. Founded in 1928 it plays in Segunda División B – Group 3, holding home games in Estadio El Collao, with a 4,850-seat capacity. The team is also known by its name in Valencian, Alcoià. A simile exists in Spanish which includes the name of this football club, "Tener más moral que el Alcoyano" ("To have more morale than Alcoyano").
The film received positive reviews from critics, particularly for the work of its technical crew. In 2006, W. Chandrakanth of The Hindu wrote: > The greatness of the director lies here – he successfully reduces all > characters to ordinary mortals displaying all the follies of human beings > except Ghatothkacha or Krishna. And then he injects into the Yadava > household a Telugu atmosphere, full with its simile, imagery, adage, sarcasm > and wit. The result – a feast for the eyes and soul.
African-American Proverbs in Context. Jackson: University Press of Mississippi. Based on Persian proverbs, Zolfaghari and Ameri propose the following definition: "A proverb is a short sentence, which is well-known and at times rhythmic, including advice, sage themes and ethnic experiences, comprising simile, metaphor or irony which is well-known among people for its fluent wording, clarity of expression, simplicity, expansiveness and generality and is used either with or without change."p. 107, Hassan Zolfaghari & Hayat Ameri.
The first to be shown were digitizer software ProPaint (in early beta). Both were used by Andy Warhol to produce a black-and-white photo of Debbie Harry at the Launch Gala at Lincoln Center, New York City in July 1985. In 1985 Commodore licensed the software called Transformer from Simile Research and put it on the market in January 1986, bundled with an external A1020 5.25-inch floppy drive. It emulated 8086 Intel-based PC-XT hardware.
A Complete collection of English proverbs: also the most celebrated proverbs of the Scotch, Italian, French, Spanish, and other languages. : The whole methodically digested and illustrated with annotations and proper explications. Printed for T. and J. Allman, 1817. Pg. 168 The pipes were often noted in period literature as a simile for unpleasant noise, and an 1875 commentator noted that in his time the term "Lincolnshire bagpipes" was a local colloquialism for the croaking of frogs.
Marie José Nzengou-Tayo's article 'Literature and Digossia: The Poetics of French and Creole' argues that the novel is significant in providing an expression of Creolization through its use of simile and metaphorical terms to express abstract ideas and give voice to oral stories, beliefs and myths. In 2009 Wasafiri magazine included Texaco on its list of 25 Most Influential Books published in the previous quarter-century."Twenty-Five Most Influential Books", Wasafiri, 19 January 2009.
Dharmaraja is the title of a Buddha, often mentioned in the Buddhist scriptures. For example, in the "Simile and Parable" (third) chapter of the Lotus Sutra, Shakyamuni says, "I am the Dharma King, free to do as I will with the Dharma. To bring peace and safety to living beings—that is the reason I appear in the world." Also, according to Mahayana Buddhism, each Buddha presides over his Pure Land, and hence this could explain the possible origin of the name Dharmaraja.
Middleton & Monyrak 589 was collected on March 7, 2001, on Mount Bokor at an altitude of 944 m. It consists of two rosette plants and is deposited at the Museum National d'Histoire Naturelle (P). :e.The original Latin description of N. bokorensis reads: > N. thorelii Lecomte simile, sed foliis longioris latioris oblongis > sessilibus vel subpetiolatis basaliter amplexicaulibus peristomio robusto > cylindrico pedicellis interdum 2-floribus differt. :f.Aug. Chevalier 36411 was collected on December 15, 1917, from the Dâmrei Mountains of Kampot province.
Figurative language can take multiple forms, such as simile or metaphor. Merriam-Webster's Encyclopedia Of Literature says that figurative language can be classified in five categories: resemblance or relationship, emphasis or understatement, figures of sound, verbal games, and errors. A simileOrigin: 1350–1400; Middle English < Latin: image, likeness, comparison, noun use of neuter of similis similar. is a comparison of two things, indicated by some connective, usually "like", "as", "than", or a verb such as "resembles" to show how they are similar.
As a poet he was influenced by Marcabru. One of his works, Atressi com l'orifans, achieved lasting fame and its melody survives in at least three manuscripts, its text in a late thirteenth-century Italian novellino. As his vida states, he sought to be novel through the incorporation of natural images--such as birds, beasts, stars, and the Sun--in his poems and they contain learned references to Ovid and the legend of Perceval. His use of simile was heavy.
The word buggery today also serves as a general expletive (mild, moderate or severe depending on the context and company), and can be used to replace the word bugger as a simple expletive or as a simile in phrases which do not actually refer literally in any sense to buggery itself, but just use the word for its informal strength of impact, e.g., Run like buggery, which is equivalent to Run like hell but would be regarded by most listeners as more obscene.
It is also not mentioned in the Ragmala. According to the Guru Granth Sahib, raga Jaijavanti (ਜੈਜਾਵੰਤੀ) expresses the feeling of happiness and satisfaction of achievement, however it simultaneously conveys the sadness of losing. An apt simile for this Raag is that of a king winning a battle, however he is then told that his son has perished on the battlefield. This Raag conveys a sense of having to put your duty first, no matter what your inner feelings may be.
It seems that many of these events are limited to the phenomenon of war, merely because war in and of itself foments not only hostilities amongst men, but also severely transposes the character of a society in general. The poetry of Walt Whitman, for instance, reflects scenes of the American Civil War which occurred during his lifetime. In addition, figurative devices such as alliteration, assonance, metaphor, and simile are invariably used to layer these historical poems with expanding, enriching meanings.
Darwin jotted comments in his copy of this volume: "Laws of Geograph. Distrib. nothing very new", and "Uses my simile of tree— It seems all creation with him", but "he puts the facts in striking point of view". He noted Wallace's point that geological knowledge was imperfect, and commented "put generation for creation & I quite agree". In December 1857 Darwin still thought Wallace was proposing creation as an explanation, and told him "I believe I go much further than you".
However his translation uses standard, modern language, rather than following the original text's pattern of coining and borrowing words. Since the 500th anniversary in 1999, several other modern translations have been published. These include a translation into modern Italian as part of the (volume 1: fac-simile; volume 2: translation, introductory essays and more than 700 pages of commentary) edition by Marco Ariani and Mino Gabriele;Marco Ariani, Mino Gabriel (edd., transl., comm.) (1998sqq.), Francesco Colonna: Hypnerotomachia Poliphili, Milan: Adelphi (Classici 66) .
In this case, they are wrapped in tin foil to preserve them during baking. The word "banitsa" is used as a simile for something (mainly documents and paperwork) creased, or badly maintained. For example, a police officer can make a remark to someone about letting his or her passport "become like a banitsa" (станал е на баница); a teacher might say this about a pupil's notebook. The same can be said about a very badly crushed car after an accident.
Attribution for the creation of the term is given derisively to a Mr. Lord by G. Bush in 1850. The latter accuses the former of inventing this category of Biblical comparisons which do not seem to fit into the standard categories of metaphor or simile. Since then the term has mostly been confined to analysis of Biblical rhetoric, and it has never migrated to general public usage. It does not appear in the 2009 version of the Oxford English Dictionary.
The Guardian: 'Marina is one of those books that are meant to be devoured in one sitting; feasted upon quickly, as it will truly curb any hunger you might have had for a good read. It is a story, and an excellent one at that.'. Publishers Weekly: 'Starred Review. Zafón is a master of both the subtle simile and the outrageous image... Unlikely discoveries in mysterious, half-ruined mansions alternate with spine-tingling action sequences to create a grotesquerie that will delight horror fans.
An apt simile for this Raag is that of a king winning a battle, however he is then told that his son has perished on the battlefield. This Raag conveys a sense of having to put your duty first, no matter what your inner feelings may be. The duality of the emotions of joy and sorrow help to keep you stable and prevent you reveling in your own achievement. In addition to raag names, there exists an indication in the titles of hymns called ghar.
Such traditions of mysticism and syncretism continued in Balkh, which was the birthplace of the medieval Persian poet Rumi, founder of the Mevlevi Sufi Order. The many Buddhist references in Persian literature of the period also provide evidence of Islamic–Buddhist cultural contact. Persian poetry often used the simile for palaces that they were "as beautiful as a Nowbahar [Nava Vihāra]." Further, at Nava Vihāra and Bamiyan, Buddha images, particularly of Maitreya, the future Buddha, had 'moon discs' or halo iconographically represented behind or around their heads.
Maier writes that the names of the main characters imply Student Hidjo should be read allegorically, with the names Hidjo (green), Woengoe (violet), and Biroe (blue) showing an interconnection between the characters. Kartodikromo described it as an extended simile. The novel depicts a younger generation of Indonesians () as being "those who understand Dutch". Maier writes that this understanding is not limited to the language used, but also actions; this includes holding hands in public and drinking lemonade, activities which traditional Indonesian society does not involve.
This helps readers to understand the physical as well as the psychological aspects of the novel. According to Knightly, "few of Asturias's characters have much psychological depth; their inner conflicts tend to be externalized and played out at the archetypal level".Knightly, 76 More significantly, Asturias was the first Latin American novelist to combine stream of consciousness writing and figurative language.Shaw, 972 Hughes Davies argues that from the outset of , the gap between words and reality is exemplified through onomatopoeia, simile and repetition of phrases.
Pictland probably had no such structure, and if it did, it was unknown to the author of dSA, except perhaps through Bishop Andreas. Other matters of interest are the man-simile, the linguistic discussions, and the light the document sheds on the relationship between the Gaelic language (Scottica) and Scottish national identity. On matters such as these, the dSA is in fact a wonderfully useful historical document. David Howlett has recently put a case forward that the structure of the text is based on a biblical paradigm.
The Buddha clarified that were he to answer Śreṇika's questions, it would "entangle" him. The Buddha explains the Dharma with Agni as a metaphor, stating that just like fire is extinguished and no longer exists after it is extinguished, in the same way all skandha that constitute a human being are extinguished after death. Different versions of this debate appear throughout scripture across traditions, such as the Mahāparinibbāṇa Sutta, and the Mahāprajñāpāramitōpadeśa. In some versions, Śreṇika offers his own simile of Agni to further his views.
Unfortunately she is a strong personality and plays it well, otherwise I would of course have had her out of the cast weeks ago."Payn (1982), p. 235 He was still more forthright to his friends Alfred Lunt and Lynn Fontanne: "I have been having a terrible time with After the Ball, mainly on account of Mary Ellis's singing voice which, to coin a phrase, sounds like someone fucking the cat. I know that your sense of the urbane, sophisticated Coward wit will appreciate this simile.
As well as being influenced by notable modernists, including Gertrude Stein and Ezra Pound, Cummings in his early work drew upon the imagist experiments of Amy Lowell. Later, his visits to Paris exposed him to Dada and Surrealism, which he reflected in his work. He began to rely on symbolism and allegory, where he once had used simile and metaphor. In his later work, he rarely used comparisons that required objects that were not previously mentioned in the poem, choosing to use a symbol instead.
The Best American Short Stories 2019. New York: Houghton Mifflin, 2019. p. xviii. In a commentary on the care required to balance this clarity with more figurative language, the narrator of Alcott’s story “Natural Light,” a professor of creative writing, wonders > how close a simile should get to the character’s actual life and > circumstances: in comparing her inner sadness to the color of her dress, > weren’t we depriving the reader of some useful speculative distance?Alcott, > Kathleen. “Natural Light.” In Anthony Doerr and Heidi Pitlor, eds.
Kātyāyana figures frequently in Mahāyāna texts. In the Vimalakīrti Nideśa, he is one of the disciples who refuses to visit the lay bodhisattva (Buddha-to-be) Vimalakīrti. In Chapter 3 of the Lotus Sutra entitled "Simile and Parable", Kātyāyana is one of four disciples to understand the Buddha's intention to his sermon about the burning house, and who rejoice in the idea of the united vehicle (ekayāna). In Chapter 6 entitled "Bestowal of Prophecy", the Buddha bestows prophecies of enlightenment on numerous disciples, including Kātyāyana.
Thomas Jefferson designed and had built two brick octagons at his vacation home. Such outhouses are sometimes considered to be overbuilt, impractical and ostentatious, giving rise to the simile "built like a brick shithouse." That phrase's meaning and application is subject to some debate; but (depending upon the country) it has been applied to men, women, or inanimate objects. With regards to anal cleansing, old newspapers and mail order catalogs, such as those from Montgomery Ward or Sears Roebuck, were common before toilet paper was widely available.
During his time at Canton, he developed and nurtured a positive relationship between the Westerners and the Chinese. The perspective he shared and practiced was that a foreigner's ways cannot survive in China unless they adapt to the Chinese customs and culture. Using the simile of a tree, he said that foreigners need to adapt to Chinese soil in order to thrive with the tree of China. Chinese and Western doctors admired and shared in his efforts to attain a healthy balance between Chinese and foreign influences.
These included run-on lines, irregular pauses and stops, and extreme variations in sentence structure and length. In Macbeth, for example, the language darts from one unrelated metaphor or simile to another in one of Lady Macbeth's well-known speeches: Pity (1795) by William Blake, is an illustration of two similes in Macbeth: "And Pity, like a naked new-born babe, / Striding the blast, or heaven's Cherubins, hors'd / Upon the sightless couriers of the air,".Macbeth I.VII.21–3. And in Macbeth's preceding speech: The audience is challenged to complete the sense.
In his essay "Politics and the English Language" (1946), Orwell wrote about the importance of precise and clear language, arguing that vague writing can be used as a powerful tool of political manipulation because it shapes the way we think. In that essay, Orwell provides six rules for writers: > # Never use a metaphor, simile or other figure of speech which you are used > to seeing in print. # Never use a long word where a short one will do. # If > it is possible to cut a word out, always cut it out.
139 BCE Huainanzi (Philosophers of Huainan) philosophical compendium has five occurrences of Mr. He's jade-disk, three with the Marquis of Sui's pearl, and one with the Xiahou clan's jade. The "Surveying Obscurities" chapter figuratively uses these legendary gems as a simile for someone who has attained the Tiandao (天道, Way of Heaven), "It is like the pearl of Marquis Sui [隨侯之珠] / or the jade disk of Mr. He [和氏之璧] / Those who achieved it became rich / those who lost it became poor." (6.3, tr. Major et al.
Simile - "Our first week in the house was spent scraping, finding some of the house's secrets, like wallpaper underneath wallpaper" The discovery of the houses secrets is compared to finding wallpaper under wallpaper. "The day of the big snow, when you had to shovel the walk and could not find your cap and asked me how to wind a towel so that it would stay on your head, you in the white towel turban like a crazy king of snow." The narrator compares her lover, with a towel wrapped around his head, to a king.
Until that Friday 21 May 1802, Wordsworth had shunned the sonnet form, but his sister Dorothy's recital of Milton's sonnets had "fired him" and he went on to write some 415 in all.Gill (1989) pp. 209, 390 "It is a beauteous evening" is the only "personal" sonnet he wrote at this time; others written in 1802 were political in nature and "Dedicated to Liberty" in the 1807 collection. The simile "quiet as a nun / Breathless with adoration" is often cited as an example of how a poet achieves effects.
When asking her father to grant her perpetual virginity, her physical description of "patris. . . harens. . . cervice (485)" clinging to the neck of her father conveys to the reader both her dependence on her father as well as her sense of comfort in her current situation. Compared through a simile to a crimen (crime), in the same line Daphne is said to be "taedas exosa iugales (483)" or hateful of nuptial marriage. These intense words convey not only her overall exosa towards iugales but also her fear to stray from such.
The early Christians in Rome incorporated into their funerary art the image of a dove carrying an olive branch, often accompanied by the word "Peace". It seems that they derived this image from the simile in the Gospels, combining it with the symbol of the olive branch, which had been used to represent peace by the Greeks and Romans. The dove and olive branch also appeared in Christian images of Noah's ark. The fourth century Vulgate translated the Hebrew alay zayit (leaf of olive) in Genesis 8:11 as Latin ramum olivae (branch of olive).
The most common among all tonaries was also used by Guido of Arezzo in his treatise Micrologus: "Primum querite regnum dei", "Secundum autem simile est huic" etc. Another characteristic was that melodic melisms called neumae followed the intonation formulas or mnemic verses. Usually they differed more among different tonaries than the preceding intonations or verses, but they all demonstrated the generative and creative aspect within chant transmission.It was Jørgen Raasted (1988) who draw the first time a parallel between Byzantine kallopismoi or teretismoi and the abstract syllables in Western and Eastern intonations.
In retrospect, Homer's "pure serene" has prepared the reader for the Pacific, and so the analogy now expressed in the simile that identifies the wide expanse of Homer's demesne with the vast Pacific, which stuns its discoverers into silence, is felt to be the more just. Keats altered "wondr'ing eyes" (in the original manuscript) to "eagle eyes", and "Yet could I never judge what Men could mean" (which was the seventh line even in the first publication in The Examiner) to "Yet did I never breathe its pure serene".
A detailed summary and commentary [www2.ups.edu/faculty/velez/Comedia/html/unit3/dogsum.doc] De Vega's title relates to the parallel European idiom current in Dutch, Danish, German, French, Portuguese, Polish and Italian as well. It refers to a variant story in which a gardener sets his dog to guard his cabbages (or lettuces). After the gardener's death the dog continues to forbid people access to the beds, giving rise to the simile "he's like the gardener's dog that eats no cabbage and won't let others either" or, for short, "playing the gardener's dog" (, , etc.).
Summanus is another name for Pluto as the "highest" (summus) of the Manes. This identification is taken up by later writers such as Camões ("If in Summanus' gloomy realm / Severest punishment you now endure ...")Os Lusíadas, IV, 33, translated as The Lusiad by Thomas Moore Musgrave (1826). and Milton, in a simile to describe Satan visiting Rome: "Just so Summanus, wrapped in a smoking whirlwind of blue flame, falls upon people and cities".In the Latin poem "In Quintum Novembris" (lines 23–24): Talibus infestat populos Summanus et urbes / cinctus caeruleae fumanti turbine flammae.
Salter has been praised for his descriptions of flight in this novel, including comparisons to Antoine de Saint-Exupéry (New York Times Book Review),The Hunters (1997), title page but until the next-to-last chapter, scenes involving flying are few and brief. Most of the progress of the narrative takes place in dialogue or in Cleve's impressions, where the journey is more through his soul than the combat missions. Salter's prose has been characterized as "spare... but also lush",Dowie, p. 85 and relies heavily on simile in descriptions of surroundings and impressions.
Carl Linnaeus in his work Systema Naturae in 1758 assigned to the Indian peafowl the technical name of Pavo cristatus (means "crested peafowl" in classical Latin). The earliest usage of the word in written English is from around 1300 and spelling variants include pecok, pekok, pecokk, peacocke, peocock, pyckock, poucock, pocok, pokok, pokokke, and poocok among others. The current spelling was established in the late 17th century. Chaucer (1343–1400) used the word to refer to a proud and ostentatious person in his simile "proud a pekok" in Troilus and Criseyde (Book I, line 210).
His model was Xenophon, whom he has imitated with a tolerable measure of success; he abstained from an excessive use of simile and metaphor, and his style is concise and simple. He died in 1137 before finishing the work. His wife Anna, at the age of 55, took it upon herself to finish the work, calling the completed work the Alexiad, today the main source of Byzantine political history from the end of the 11th century to the beginning of the 12th century.Frankopan, Introduction to the Alexiad, x–xi.
Anglo-Saxon poetry is marked by the comparative rarity of similes. This is a particular feature of Anglo-Saxon verse style, and is a consequence both of its structure and of the rapidity with which images are deployed, to be unable to effectively support the expanded simile. As an example of this, Beowulf contains at best five similes, and these are of the short variety. This can be contrasted sharply with the strong and extensive dependence that Anglo-Saxon poetry has upon metaphor, particularly that afforded by the use of kennings.
Similarly, figures of speech such as metaphor, simile, and metonymy establish a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between individual verses, in their patterns of rhyme or rhythm. Some poetry types are unique to particular cultures and genres and respond to characteristics of the language in which the poet writes. Readers accustomed to identifying poetry with Dante, Goethe, Mickiewicz, or Rumi may think of it as written in lines based on rhyme and regular meter.
A similar sentiment was expressed by the Cambridge classicist Arthur Woollgar Verrall, who wrote that while the episode was meant to be a "show piece", it comes across as "a poor mixture of childish rhetoric and utter commonplace".Verrall (1913), p. 630. Between lines 5.709–10, there is a large lacuna, meaning that at least some of the work is missing, and then the last few lines of the book concern stars and other stellar phenomena. The book ends with a simile about the "res publica of stars".
Born at Windsor, was the eldest son of John Sewell, treasurer and chapter-clerk to the dean and canons of Windsor. He was educated at Eton College: his poem of The Favorite, a simile embodies reminiscences of his Eton life. He then went to Peterhouse, Cambridge, and graduated B.A. in 1709; for a time he studied medicine under Hermann Boerhaave at the University of Leiden, and about July 1725 he took the degree of M.D. at the University of Edinburgh. Sewell practised at first in London, but little success.
Puck (1904) hopes the Russo-Japanese War in Manchuria will debilitate both Japan and Russia The Kilkenny cats are a fabled pair of cats from County Kilkenny (or Kilkenny city in particular) in Ireland, who fought each other so ferociously that only their tails remained at the end of the battle. Often the absurd implication is that they have eaten each other. In the nineteenth century the Kilkenny cats were a common simile for any conflict likely to ruin both combatants. Kilkenny cat is also used more generally for a fierce fighter or quarrelsome person.
This masterpiece is one of the first built with the style of Neo-Renaissance, with the objective of maintaining the style of the Cabildo, very trendy in big cities in the early twentieth century. It consists of a basement, a ground floor and first floor. It is organized around a central space with imperial staircase, illuminated by vertical and overhead windows, which together with the carpentry side express a theatrical management of the space. The facade, with plaster of Paris simile stones, occurs in three levels with arcades of Renaissance proportions.
There is also a contemporary translation, The Cock and the Jasp, on the STELLA Teaching Resources website of the University of Glasgow. His own moral conclusion follows the standard verse Romulus closure, making the rejected jasp an unambiguous figure for wisdom and condemning the consequent materialism of the cockerel. This is in line with the Biblical simile of the uselessness of casting pearls before swine, to which Henryson alludes in the poem. For him the state of nature is limited by brute appetite; it requires wisdom to discern the way of learning and virtue.
The text resurfaced in J. Pinkerton, Scotish poems (sic.), volume III, (1792), but "negligently reprinted" according to Madden. A facsimile edition was published by David Laing (1827), though this was not a literal replica but a proofed and corrected version. This 1827 facsimile was the base text later employed by Madden in his edition of the work, included in the anthology Syr Gawaine. though Madden does not mention Laing, only that it was the scarce 1827 "fac- simile impression" Golagros and Gawane is the spelling employed by many past commentators.
The vocalisation of the spotted hyena resembling hysterical human laughter has been alluded to in numerous works of literature: "to laugh like a hyæna" was a common simile, and is featured in The Cobbler's Prophecy (1594), Webster's Duchess of Malfy (1623) and Shakespeares As You Like It, Act IV. Sc.1. Die Strandjutwolf (The brown hyena) is an allegorical poem by the renowned South African poet, N. P. van Wyk Louw, which evokes a sinister and ominous presence. Bud and Lou, from the DC Comics, are also hyenas and are pets of Harley Quinn.
For example, Homer uses animal similes in the Iliad and the Odyssey, where the lion symbolises qualities such as bravery. This leads up to the lion simile at the end of the Odyssey, where in Book 22 Odysseus kills all Penelope's suitors. In the Iliad, Homer compares the Trojans to stridulating grasshoppers, which the classicist Gordon Lindsay Campbell believes to imply that they make a lot of noise but are weaker and less determined than they think. In the Aeneid, Book 4, Virgil compares the world of Dido, queen of Carthage, with a colony of ants.
Two Greek poems from the 2nd century CE seem to have contributed to the making of the modern fable. One is the four-line poem of Babrius about a fox who asks an ass how it can eat thorns with such a soft mouth, which is listed as 360 in the Perry Index.Aesopica site The other is a simile in a short poem by Lucian in the Greek Anthology (XI.397) in which he likens the behaviour of a miser to 'the life of mules, who often, carrying on their backs a heavy and precious load of gold, only eat hay'.
Booty's Aids to Stamp Collectors, being a list of British and Foreign Postage Stamps in Circulation since 1840 - by a Stamp Collector, was published in April 1862, just weeks before Mount Brown issued his more successful work, and when Booty was in his early twenties.The Stamp Lover, Vol.1, No.1, June 1908, pp.5. The catalogue was partly based on earlier works produced in Belgium and France. Later in 1862, Booty was also the first to issue an illustrated catalogue, titled The Stamp Collector’s Guide; being a list of English and Foreign Postage Stamps, with 200 fac-simile drawings.
Adolf Jülicher, Die Gleichnisreden Jesu, 2nd ed. (Tübingen: J. C. B. Mohr, 1910); James L. Resseguie, Narrative Criticism of the New Testament: An Introduction (Grand Rapids: Baker Academic, 2005), 63-64. According to Jülicher, a parable or similitude (extended simile or metaphor) has three parts: a picture part (Bildhälfte), a reality part (Sachhälfte), and the point of comparison (tertium comparationis) between the picture part and the reality part. "The kingdom of heaven is like treasure hidden in a field, which someone found and hid; then in his joy he goes and sells all that he has and buys that field" (Matthew 13:44).
Filippo Bonaffino is thought to have been born in Messina. In 1623 he published a book of 18 Madrigali concertati for two to four voices with continuo, titled Madrigali concertati a due, tre e quattro Voci per cantar, e sonar nel Clauecimbalo, Chitarrone, ò altro simile Instrumento. The collection includes a setting of Ancidetemi pur, made popular by Arcadelt in the 16th- century, and also two solo songs for bass and continuo dedicated to "Signor Gio[v]anni Watchin (John Watkin), English gentleman." The other songs include settings of text by Luigi Groto, Angelo Grillo, Maurizio Moro, Giambattista Marino and Ottavio Rinuccini.
Leiden, Brill, 1974. In her article On Homer's Similes, Eleanor Rambo agrees with Scott that the similes are intentional, also noting that Homer's use of similes deepen the reader's understanding of the individual or action taking place through a word-picture association that the reader is able to relate to. She states that "the point of the simile is the verb which makes the common ground for the nouns involved." According to Rambo, Homer uses similes in two different ways: those that stress physical motion"Apollo came like the night" – Iliad 1.47 and those that stress emotional disturbance.
It has the reputed ability to kill people by either looking at them—"the death-darting eye of Cockatrice"Romeo and Juliet, iii.ii.47. The idea of vision in an "eye-beam", a stream emanating from the eye was inherited by the Renaissance from Antiquity; it forms an elaborately-worked-out simile in John Donne's "The Exstacie": "Our eye-beames twisted and did thred/ Our eyes, upon one double string."—touching them, or sometimes breathing on them. It was repeated in the late-medieval bestiaries that the weasel is the only animal that is immune to the glance of a cockatrice.
At the start of the Civil War Upham began marketing patriotic items to support the Union, and novelty items mocking the Confederacy, such as cards depicting the head of Confederate President Jefferson Davis on the body of a jackass. In February 1862, he acquired a sample of Confederate money and quickly started producing his own counterfeits. His first printing consisted of 3,000 five-dollar notes, each stamped at the bottom with the words, "Fac-simile Confederate Note - Sold wholesale and retail by S.C. Upham 403 Chestnut Street, Philadelphia." He sold his first batch for a penny per copy.
Statius emulates Vergil's Odyssean and Iliadic book division, concentrating aetiological material and traveling in the first six books and focusing on battle narratives in the second six, and many episodes allude to sections in the Aeneid (such as the correspondence of the Dymas and Hopleus episode to Nisus and Euryalus).Theb. 10.448, where a striking mythological simile connects the two sets of heroes. Ovid's considerable influence can be traced in Statius's handling of cosmic structure, description, style, and verse; Ovid in some ways seems to be more a model for Statius than Vergil at times.Feeney, p. 1439.
38 The Oxford English Dictionary gives the first recorded use of the phrase, as a simile, in The New York Times on June 20, 1959: "Financing schools has become a problem about equal to having an elephant in the living room. It's so big you just can't ignore it." According to the website the Phrase Finder, the first known use in print is from 1952. This idiomatic expression may have been in general use much earlier than 1959. For example, the phrase appears 44 years earlier in the pages of the British Journal of Education in 1915.
Jeff VanderMeer has described The Infernal Desire Machines of Doctor Hoffman as "the finest surrealist novel of the past 30 years. It perfectly captures the ideas and ideals of surrealist beauty".Scriptorium – Angela Carter In the New York Times, William Hjortsberg recommended Carter's novel, noting its attention to detail and maintaining that while reading "We soon forget that the terrain she observes with such care is the interior of her own imagination, for the world she describes becomes as real as any naturalist's report."Fancy Fantasy However, he criticised Carter's wordiness and her overuse of abstraction, simile, and metaphors.
C. Knox Pooler notes that line 4 echoes a simile in The Two Gentlemen of Verona that was derived from Plutarch; Stephen Booth notes several adaptations of proverbs, applied against one another in a manner that tends to reinforce the contradictory emotions of the speaker. Fleay perceived an allusion to Elizabeth in the "moon" of line 3, and to Southampton in the "bud" of line 4. The poem is among the better-known and more frequently anthologized of the sonnets. It is commonly regarded as exemplary of Shakespeare's skill at evoking ambivalence and at creating complex personae.
Orhan Veli shunned everything old in order to be able to bring about a new 'taste', refusing to use syllable and aruz meters. He professed to regarding the rhyme primitive, literary rhetoric techniques such as metaphor, simile, hyperbole unnecessary. Set out "to do away with all tradition, everything that bygone literatures taught", although this desire of Kanık limits the technical possibilities in his poetry, the poet broke new grounds for himself with the themes and personalities he covered and the vocabulary he employed. He brought the poetic language closer to the spoken language by adopting a plain phraseology.
Socrates, using the Simile of the Sun as a foundation, continues with the Analogy of the Divided Line (509d–513e) after which follows the Allegory of the Cave (514a–520a). In relation to the other metaphors, the intelligible method can help one to understand the Good, symbolized by the sun. The divided line gives the details of the four stage process of moving from opinions, or shadows, all the way up to mathematics, logic, deduction, and the dialectical method. The Good can be defined as the right relation between all that exists, from humans, nature, to the First Cause.
The painting is set in a case; it had originally been installed on a paper backing which had the date "1828" on the reverse. The work is a watercolor painting on ivory, thin enough for light to shine through and thus allow the depicted breasts to "glow". This medium was common for American miniatures, but in this case also served as a simile for the flesh presented upon it. Beauty Revealed was completed during a period of popularity of portrait miniatures, a medium which had been introduced in the United States in the late 18th century.
During his reign, Tuscany revived and regained the independence his brother had given up. Ferdinando fostered commerce and gained great wealth through the Medici banks, which were established in all the major cities of Europe. He enacted an edict of tolerance for Jews and heretics,Ferdinando I De Medici, Document Inviting Jewish Merchants to Settle in Livorno and Pisa, in Italian, Manuscript on Vellum, Florence, Italy, 10 June 1593 (fac-simile) and Livorno became a haven for Spanish Jews as well as other persecuted foreigners. He established the Medici Oriental Press (Typographia Medicea), which published numerous books in the Arabic script.
After the gardener's death the dog continues to forbid people access to the beds, giving rise to the simile "He's like the gardener's dog that eats no cabbage and won't let others either" or, for short, "playing the gardener's dog" (faire le chien du jardinier).Emanuel Strauss: Concise Dictionary of European Proverbs, London, 1998, proverb 1036 In the Martinique Creole there is also the similar-sounding proverb, "The dog doesn’t like the banana and he doesn’t want the hen to eat it."Funk, Henry Elwell. 1953. The French Creole Dialect of Martinique: Its Historical Background, Vocabulary, Syntax, Proverbs and Literature, with a Glossary.
2 of the Aitareya Aranyaka of Hinduism.Max Muller, Aitareya Aranyaka, The Upanishads: Part I, Oxford University Press, page 170 The second theme, famous in the literature of Hinduism, is a discussion between his wife Lopamudra and him about the human tension between the monastic solitary pursuit of spirituality, versus the responsibility of a householder's life and raising a family. Agastya argues that there are many ways to happiness and liberation, while Lopamudra presents her arguments about the nature of life, time and the possibility of both. She successfully seduces Agastya, in the simile filled Rigvedic hymn 1.179.
Sensuality is also compared to a torch held against the wind, since it burns the person holding on to it. According to the Buddha, there is "a delight apart from sensual pleasures, apart from unwholesome states, which surpasses even divine bliss." The Buddha thus taught that one should take delight in the higher spiritual pleasures instead of sensual pleasure. This is explained with the simile the leper, who cauterizes his skin with fire to get relief from the pain of leprosy, but after he is cured, avoids the same flames he used to enjoy before (see MN 75, Magandiya Sutta).
Stage 3 images become iconic, relating to themes from the subjects life and become linked to powerful emotional experiences.Lewis-Williams 2002, p. 129. Metaphor and simile give way to the belief that objects are exactly what they appear to be "subject losing insight into the differences between literal and analogical meanings" These stages may not always be sequential, and all stages may not be experienced depending on the subject and of course the type of psychotropic being used. Lewis-Williams notes that altered states are and their resulting impact on human consciousness is often marginalized within state, scientific, and religious realms.
Paul Fuller has rejected the arguments of Gomez and Vetter. He finds that Fuller states that in the Nikayas, right-view includes non-dependence on knowledge and views, and mentions the Buddha's simile of his dhamma as a raft that must be abandoned. He finds that the Atthakavagga's treatment of knowledge and wisdom is parallel to the later Patthana's apparent criticism of giving, holding the precepts, the duty of observance, and practicing the jhanas. In his view, both texts exhibit this particular approach not as an attack on practice or knowledge, but to point out that attachment to the path is destructive.
Specifically, Milton reduces his use of simile and deploys a simpler syntax in Paradise Regained than he does in Paradise Lost, and this is consistent with Biblical descriptions of Jesus's plainness in his life and teachings (in the epic, he prefers Hebrew psalms to Greek poetry). Modern editors believe the simpler style of Paradise Regained evinces Milton's poetic maturity. This is not to say that the poem bears no affinities with Milton's earlier work, but scholars continue to agree with Northrop Frye's suggestion that Paradise Regained is "practically sui generis" in its poetic execution.Frye, Return to Eden, 135.
Luis Cernuda could say: "Your verse is like nothing else." And in effect his style brings unpublished stylistic novelties such as the inverted simile (Swords like Lips) or the equivalent disjunctive nexus (Destruction or Love), the hyperbole adds, the uncoded dream symbol, enriching without question the stylistic possibilities of the Spanish poetic language, just as Garcilaso, Góngora and Rubén Darío, each one a great renovator of lyric language, did in the past. The poet celebrates love as a natural, ungovernable force that breaks down all human limitations and criticizes the conventionalism with which society attempts to conquer it.
The playwright William Congreve mentioned Shrewsbury cakes in his play The Way of the World in 1700 as a simile (Witwoud – "Why, brother Wilfull of Salop, you may be as short as a Shrewsbury cake, if you please. But I tell you 'tis not modish to know relations in town"). The recipe is also included in several early cookbooks including The Compleat Cook of 1658. A final reference to the cakes can be seen to this day as the subject of a plaque affixed to a building close to Shrewsbury's town library by the junction of Castle Street and School Gardens.
Although she published only a single collection of poetry in her lifetime, the book O centaurach ("About the Centaurs"), it created a sensation.Piotr Kuncewicz, Agonia i nadzieja (vol. 1 of Literatura polska od 1918), Warsaw, Polska Oficyna Wydawnicza BGW, 1993, p. 112\. . She explained the title by pointing to the dual nature of the centaur, a mythological creature that was part man, part horse here adopted as a simile for her poetical project of uniting in verse the disparate qualities of sagacity and sensuality, "tightly conjoined at the waist like a centaur".Araszkiewicz (see Bibliography), p. 9.
Fishelov's topics of research include genre theory, poetic simile, biblical characters in modern literature, the role of literary and artistic dialogues in canon formation, 18th-century English literature, and modern Hebrew poetry. His book Metaphors of Genre made a significant impact on the field of genre studies. In it, Fishelov described the role played by conceptual metaphors in modern theories of literary genre: Literary genres have been compared to biological species, to families, to social institutions, and to speech acts. Unlike post- structuralist and deconstructionist criticism, the book argues that generic categories still play an important role in the process of the production, reception, and interpretation of literary texts.
The etymological root of grace is the Latin word gratia from gratus, meaning pleasing.Little, William; Fowler H.W.; Coulson J.; Onions, C.T. (Ed.): "Shorter Oxford English Dictionary on Historical Principals". Pub.: Oxford at the Clarendon Press (1968) Gracefulness has been described by reference to its being aesthetically pleasing. For example, Edmund Burke wrote: The difficulty in defining exactly what constitutes gracefulness is described in this analysis of Henri Bergson's use of the term: Gracefulness is often referenced by simile, with people often being described as being "as graceful as a swan",Robert Allen Palmatier, Speaking of Animals: A Dictionary of Animal Metaphors (1995), p. 174.
The Homeric poems were composed in unrhymed dactylic hexameter; ancient Greek metre was quantity-based rather than stress-based. Homer frequently uses set phrases such as epithets ('crafty Odysseus', 'rosy-fingered Dawn', 'owl-eyed Athena', etc.), Homeric formulae ('and then answered [him/her], Agamemnon, king of men', 'when the early-born rose-fingered Dawn came to light', 'thus he/she spoke'), simile, type scenes, ring composition and repetition. These habits aid the extemporizing bard, and are characteristic of oral poetry. For instance, the main words of a Homeric sentence are generally placed towards the beginning, whereas literate poets like Virgil or Milton use longer and more complicated syntactical structures.
Written in Malay, the novel was one of several by Javanese authors which helped popularise the word "saya" as a first-person personal pronoun. Described by Kartodikromo as an extended simile, Student Hidjo has been noted as depicting a new Indonesian youth culture which has adopted Western cultural and lingual facets. Traditional Javanese and Dutch cultural values are contrasted; from this contrast, Kartodikromo advocates a view that the two are incompatible. This includes love, which is described in the novel as something only those with a Dutch education would attempt to find; the traditional view being that marriage is to be used for social mobility.
Hammond states, "The words 'love', 'lover', and 'friend' in the Sonnets have no single or unambiguous meanings, but are continually being redefined, refelt, reimagined." He also states, "Sometimes indications of sexual desire are present not in the form of metaphor or simile, but as a cross-hatching of sexually charged vocabulary across the surface of a poem whose attention seems to lie elsewhere." ;Misinterpretation of love Carl D. Atkins argues that readers are misinterpreting the type of love depicted in the sonnets as homosexual. He believes that we must look at it with an eye that considers the concepts of love in Shakespeare's time.
The statutes of the 14th-century order are preserved as BNF Fr 4274. An elaborate facsimile of this manuscript was produced under Louis XVII.« Statuts de l'Ordre du Saint-Esprit au droit désir ou du Noeud, étably par Louis d'Anjou, roy de Naples et de Sicile, en 1352, 1353 et 1354 » (Reproduction fac-simile, exécutée sous Louis XIV, de l'original conservé sous le n° 4274 du fonds français gallica.bnf.fr) During the French Revolution, the Order of the Holy Spirit was officially abolished by the French government, along with all other chivalric orders of the Ancien Régime, although the exiled Louis XVIII continued to acknowledge it.
The central hall of Goldney Grotto, an ornate feature of the 18th-century gardens at Goldney House, Clifton, contains columns covered with the crystals. The diamonds were often referred to "as examples of worthless but deceptive brilliance." Thomas Carlyle, in a letter dated 1828, used them in a simile disparaging the latest work of the poet Thomas Moore, as being "resplendent with gold-leaf and Bristol diamonds, and inwardly made of mere Potter's-clay." Bristol Diamonds became popular souvenirs for visitors to the spa at Hotwells in the early nineteenth century, and were also used for jewellery, although Benjamin Silliman, a nineteenth-century American traveller, considered them overpriced.
Stanford: Stanford University Press, 1992. Stesichorus adapted the simile to restore Death's ugliness while still retaining the poignancy of the moment:Charles Segal, 'Archaic Choral Lyric' – P. Easterling and E. Kenney (eds), The Cambridge History of Classical Literature I: Greek Literature, Cambridge University Press (1985), page 190 :::Then Geryon rested his neck to one side ::::As might a poppy when it mars :::The tenderness of its body shedding ::::Suddenly all of its petals... (Geryoneis)Geryoneis, P.Oxy.2617 fr.5, cited by D.Campbell, Greek Lyric III page 76 The mutual self-reflection of the two passages is part of the novel aesthetic experience that Stesichorus here puts into play.
The speech of the new, Bremen-engineered Ambassador intoxicates the Hosts and results in the entire Ariekei population becoming addicted to the Ambassador's speech regardless of content, to the extent that they cannot live without it. The situation deteriorates, and Avice is drawn into a search for a solution, having a special relationship with the Hosts as a human simile. With assistance from sympathetic Ambassadors, she trains a small group of Hosts to be able to use metaphors and eventually utter lies. Due to the interconnectedness of thought and Language, this has the effect of altering their minds and now the words of lose their addictive properties.
This parable is part of a pair,Ben Witherington III 1987, Women in the Ministry of Jesus: A study of Jesus' attitudes to women and their roles as reflected in his earthly life, Cambridge University Press, , pp. 40–41. and shares the meaning of the preceding Parable of the Mustard Seed, namely the powerful growth of the Kingdom of God from small beginnings. The final outcome is inevitable once the natural process of growth has begun.Adolf Jülicher identifies three parts to a parable or similitude (extended simile or metaphor): a picture part (Bildhälfte), a reality part (Sachhälfte), and a tertium comparationis.Adolf Jülicher 1910, Die Gleichnisreden Jesu, 2nd ed.
In Turkish the Pleiades are known as Ülker. According to the Middle Turkic lexicographer Kaşgarlı Mahmud, writing in the 11th century, ülker çerig refers to a military ambush (çerig meaning 'troops in battle formation'): "The army is broken up into detachments posted in various places," and when one detachment falls back the others follow after it, and by this device "(the enemy) is often routed." Thus ülker çerig literally means 'an army made up of a group of detachments', which forms an apt simile for a star cluster. Ülker is also a unisex given name, a surname and the name of a food company best known for its chocolates.
Desire engendered by the Will is the source of all the sorrow in the world; each satisfied desire leaves us either with boredom, or with some new desire to take its place. A world in thrall to Will is necessarily a world of suffering. Since the Will is the source of life, and our very bodies are stamped with its image and designed to serve its purpose, the human intellect is, in Schopenhauer's simile, like a lame man who can see, but who rides on the shoulders of a blind giant. Schopenhauer's aesthetics is an attempt to break out of the pessimism that naturally comes from this world view.
WD Whitney, Translation of the Katha-Upanishad, Transactions of the American Philological Association, Vol. 21, page 103 Madhvacharya, the Dvaita Vedanta scholar interprets this term differently, and bases his theistic interpretation of Katha Upanishad by stating that the term refers to the deity Vishnu.BNK Sharma (2008), A History of the Dvaita School of Vedānta and Its Literature, Motilal Banarsidass, , pages 8, 160-169 This metaphorical parable of chariot is found in multiple ancient Indian texts, and is called the Ratha Kalpana. A similar simile is found in ancient Greek literature, such as the Parmenides, Xenophon's prologue of Prodikos, and in the Platonic dialogue Phaedrus.
Poetic diction treats the manner in which language is used, and refers not only to the sound but also to the underlying meaning and its interaction with sound and form. Many languages and poetic forms have very specific poetic dictions, to the point where distinct grammars and dialects are used specifically for poetry. Registers in poetry can range from strict employment of ordinary speech patterns, as favoured in much late-20th-century prosody, through to highly ornate uses of language, as in medieval and Renaissance poetry. Poetic diction can include rhetorical devices such as simile and metaphor, as well as tones of voice, such as irony.
Virgil responds to Lucretius with a retrospective simile of Tityos in the Aeneid (6.595ff), which compares his torment of desire with the unrest of Dido, whose flame of love is eating her marrow.Colin I. M. Hamilton, "Dido, Tityos and Prometheus", The Classical Quarterly, New Series, 43.1 (1993:249-254), p. 251f. The traveler Pausanias (2nd century A.D.) reports seeing a painting by Polygnotus at Delphi that depicts Tityos among other figures being tormented in Hades for sacrilege: "Tityos too is in the picture; he is no longer being punished, but has been reduced to nothing by continuous torture, an indistinct and mutilated phantom."Pausanias, Descriptions of Greece, 10.29.
In the Supreme Court of India in December 2018, K. K. Venugopal, the Attorney General, justified the government's suspension of Alok Verma and Rakesh Asthana from the Central Bureau of Investigation by saying, "The government was watching with amazement the director and his deputy fight like Kilkenny cats." Indian media explained the simile in their reports on the case. It was invoked in 1837 for political gridlock in divided legislatures: by Thomas Corwin in the 24th Congress, and by Thomas Carlyle in The French Revolution: A History. James Grant (1837, 1843) and S. Gerlis (2001) draw analogy with litigants who are both ruined by legal costs.
This made guarded comments about evolution, and in the spring of 1856 it was noticed by Lyell who drew it to the attention of Darwin who was then working out a strategy for presenting his theory. Darwin apparently mistook Wallace's meaning, writing "nothing very new ... Uses my simile of tree, [but] it seems all creation with him". However, he spelt out the details of Natural Selection to Lyell, who found the idea hard to accept but urged Darwin to publish to establish priority.. On 14 May 1856 Darwin began what became his draft for a book titled Natural Selection. Wallace collected specimens and corresponded with Darwin from Borneo.
In the Roman period, the giant bronze pigna that gives the name to the rione once decorated a fountain and the water flowed copiously from the top of the pine cone. The Pigna was moved first to the Old Basilica of Saint Peter, where Dante saw it and employed it in the Divina Commedia as a simile for the giant proportions of the face of Nimrod.Dante, Inferno xxxi. 58f In the 15th century it was moved to its current location, the upper end of Bramante's Cortile del Belvedere, which is now usually called in its honour the Cortile della Pigna, linking the Vatican and the Palazzo del Belvedere.
Chaplin fights with his coworker and punches at him once. Their boss walks in mid-swing and Chaplin changes the motion to act like he was dropping to his knees to scrub the floor. Noel Carroll established the most influential taxonomy of sight gags, breaking down the varieties into six types, two of which are enumerated below. Mutual Interference: The audience is fully aware of the on-screen situation, but a character comically misunderstands Mimed Metaphor: A variety of virtual simile an object may be treated as if it is a different object or be used in an unconventional way, such as acting like a doughnut is a barbell or using a tuba as an umbrella holder.
In lines 15–18, the poet transitions to a description his band of brigands and their raiding lifestyle: "Many a fighting band, their bows red from wear, did I call forth" (line 15). He explains how he travels far afield on his raids, "to strike a foe or meet up with my doom" (line 17). He then begins to praise umm 'iyal, (mother of the hearth and home) in lines 19–27, beginning with the line "A mother of many children I have seen feeding them." Scholars believe that umm 'iyal is Shanfara's compainion, Ta'abbata Sharran, and that this section is an extended simile describing how Ta'abbata Sharran took care of his companions.
"As a dog returns to his vomit, so a fool repeats his folly" is an aphorism which appears in the Book of Proverbs in the Bible — Proverbs 26:11 ( Kəḵeleḇ šāḇ ‘al-qê’ōw; kəsîl, šōwneh ḇə’iwwaltōw.), also partially quoted in the New Testament, 2 Peter 2:22. It means that fools are stubbornly inflexible and this is illustrated with the repulsive simile of the dog that eats its vomit again, even though this may be poisonous. Dogs were considered unclean in Biblical times as they were commonly scavengers of the dead and they appear in the Bible as repugnant creatures, symbolising evil. The reference to vomit indicates excessive indulgence and so also symbolises revulsion.
Neurath used the simile in several occasions, the first being in Neurath's text "Problems in War Economics" (1913). In "Anti- Spengler" (1921) Neurath wrote: Neurath's non-foundational analogy of reconstructing piecemeal a ship at sea contrasts with Descartes' much earlier foundationalist analogy—in Discourse on the Method (1637) and Meditations on First Philosophy (1641)—of demolishing a building all at once and rebuilding from the ground up. On such epistemological analogies in general, from Descartes and Neurath and others, see: Neurath himself pointed out this contrast. The boat was replaced by a raft in discussions by some philosophers, such as Paul Lorenzen in 1968, Susan Haack in 1974, and Ernest Sosa in 1980.
Nightingale reveals Dr Walid has found chimeric cells on the body of the young woman buried near Robert Weil's 'accident'. While Peter's theory fails to convince Nightingale and Lesley (possibly because he uses the simile of a Terry's Chocolate Orange), Peter remains convinced the Stadkrone or 'city crown' is intended to act as a magical relief valve. Lesley (and Zach) retire for the night while Peter watches TV (with the sound up) until they are all roused by a piercing scream. Donning their Metvests and grabbing collapsible batons, Peter and Lesley rush down to the garden and discover a biker trying to restart a chainsaw to finish ring-barking an ornamental cherry.
Arthur Machen's 1894 novella The Great God Pan uses the god's name in a simile about the whole world being revealed as it really is: "seeing the Great God Pan". The novella is considered by many (including Stephen King) as being one of the greatest horror stories ever written. Pan entices villagers to listen to his pipes as if in a trance in Lord Dunsany's novel The Blessing of Pan published in 1927. Although the god does not appear within the story, his energy certainly invokes the younger folk of the village to revel in the summer twilight, and the vicar of the village is the only person worried about the revival of worship for the old pagan god.
Raag Gujari (ਗੂਜਰੀ) – If there is a perfect simile for Raag Gujari, it would be that of a person isolated in the desert, who has their hands cupped, holding water. However, it is only when the water begins to slowly seep through their joined hands that the person comes to realise the real value and importance of the water. Similarly Raag Gujari leads the listener to realise and become aware of passing time and in this way comes to value the precious nature of time itself. The revelation brings the listener to an awareness and admission of their own death and mortality, making them utilize their remaining ‘life time’ more wisely. 3\.
And we can > hardly doubt that the striking simile of the embers which glow when brought > near the fire is genuine (cf. fr. 77). The true doctrine doubtless was, that > sleep was produced by the encroachment of moist, dark exhalations from the > water in the body, which cause the fire to burn low. In sleep, we lose > contact with the fire in the world which is common to all, and retire to a > world of our own (fr. 95). In a soul where the fire and water are evenly > balanced, the equilibrium is restored in the morning by an equal advance of > the bright exhalation." > "Sextus quotes “Ainesidemos according to Herakleitos.” Natorp holds > (Forschungen, p.
A number of simile in the Rigveda, states Doniger, a woman's emotional eagerness to meet her lover is described, and one hymn prays to the gods that they protect the embryo of a pregnant wife as she sleeps with her husband and other lovers. Mandagadde Rama Jois translates verse 4.134 of Manusmriti as declaring adultery to be a heinous offense, and prescribes severe punishments. The verse 8.362 of Manusmriti exempts the rules on adultery for women who earn their own livelihood or are wives of traveling performances, where the woman enters into sexual liaisons on her own volition or with the encouragement of the husband. The Manusmriti, states Doniger offers two views on adultery.
Although does not explicitly identify its setting as early twentieth-century Guatemala, the novel's title character was inspired by the 1898–1920 presidency of Manuel Estrada Cabrera. Asturias began writing the novel in the 1920s and finished it in 1933, but the strict censorship policies of Guatemalan dictatorial governments delayed its publication for thirteen years. The character of the President rarely appears in the story but Asturias creates a number of other characters to show the terrible effects of living under a dictatorship. His use of dream imagery, onomatopoeia, simile, and repetition of particular phrases, combined with a discontinuous structure, which consists of abrupt changes of style and viewpoint, springs from surrealist and ultraist influences.
The analogy of the sun (or simile of the sun or metaphor of the sun) is found in the sixth book of The Republic (507b–509c), written by the Greek philosopher Plato as a dialogue between Glaucon (Plato's elder brother) and Socrates (narrated by the latter). Upon being urged by Glaucon to define goodness, a cautious Socrates professes himself incapable of doing so. Instead he draws an analogy and offers to talk about "the child of goodness" (). Socrates reveals this "child of goodness" to be the sun, proposing that just as the sun illuminates, bestowing the ability to see and be seen by the eye, with its light so the idea of goodness illumines the intelligible with truth.
Or che il dover m'astringe, In scelte e corte rime Grato mostrarmi a qual onor sublime, Di cui ci ricolmaste, o prence eccelso, Ne' miei pensieri immerso Ricerco un buon concetto. Rumino colla mente, Penso, ripenso, e poi non trovo niente. Febo e le Muse in mio soccorso imploro; Compariscono tutte a me dinanzi, Confuse in volto e colle cetre infrante. D'un simile scompiglio Le chiedo la ragion, tacer le miro, E dopo mille al più sospir cocenti Una così ripose: Riverendo pastor, t'accheta, e in simil Giorno non obbligarci a dire il nostro Scorno; sulle rive della Salza ogni Nostro potere, ogni saper fu crine Da quella luce onde il suo prence è cinto.
Synecdoche, in which a specific part of something is used to refer to the whole, is usually understood as a specific kind of metonymy. Sometimes an absolute distinction is made between a metonymy and a synecdoche, treating metonymy as different from, rather than inclusive of, synecdoche. There is a similar problem with the terms simile and metaphor. When the distinction is made, it is the following: when "A" is used to refer to "B", it is a synecdoche if A is a component of B or if B is a component of A, and a metonym if A is commonly associated with B but not part of its whole or a whole of its part.
Besides the Sack of Troy, the entries of the Suda (T 1111 and 1112) attribute to Triphiodorus two more poems: Marathoniaca ('), probably narrating how Theseus defeated the bull of Marathon; a Story of Hippodamea ('), on one of the females of this name (e.g. the daughter of King Oenomaus, who killed all her suitors in a chariot race until Pelops defeated him). The Suda also mentions two grammatical works: the Lipogrammatic Odyssey (probably a re-writing of the Odyssey suppressing a letter in each of the books: a in book 1, b in book 2 and so on) and a Paraphrase of Homer’s Comparisons ('), a study of the long comparisons in the Homeric poems (since is a long simile).
Though he published only four books of poetry, "his tone, alliteration, images and the use of simile made him a unique contributor of Bengali verse."Shabdaguchha, Special Translated Issue, Issue 9, Hassanal Abdullah (editor), 2000, New York Quadri became friends with poet Shamsur Rahman. At the age of fourteen, he was first published in Kabita, edited by Buddhadeb Bosu, who is also a major poet of the 1930s; Qadri subsequently became a well-known figure among the poets of Dhaka and Kolkata.Shaheed Quaderi: Somoyer Sampanna Swar (Shaheed Quaderi:The Perfect Voice of Time), by Hassanal Abdullah Labu Bhai Foundation, Dhaka & New York, 2005 After the publication of his third book, Quadri stopped writing and started living in London and Germany.
Our debut was fast and rough, punk pop, Without You I'm > Nothing showed our melancholy, depressed side and Black Market shows a > perfect combination of both sides. The singer would later become more reserved towards Black Market Music, describing it in 2016 as "real somber", and expressing the regret of not having been involved enough during the production phase. Placebo encountered resistance from the British music industry upon release of the single "Special K" due to its reference of a ketamine high as a simile for love. Due to this metaphor, the song was censored in the UK. In spite of the controversy, Black Market Music reached number 1 in France and number 6 in the UK.
The Vedic texts, including the Rigveda, the Atharvaveda and the Upanishads, also acknowledge the existence of male lovers and female lovers as a basic fact of human life, followed by the recommendation that one should avoid such extra marital sex during certain ritual occasions (yajna). A number of simile in the Rigveda, a woman's emotional eagerness to meet her lover is described, and one hymn prays to the gods that they protect the embryo of a pregnant wife as she sleeps with her husband and other lovers. Adultery and similar offenses are discussed under one of the eighteen vivādapadas (titles of laws) in the Dharma literature of Hinduism. Adultery is termed as Strisangrahana in dharmasastra texts.
427 According to Kenyon, Pindar's idiosyncratic genius entitles him to the benefit of a doubt in all such cases: "... if there be actual imitation at all, it is fairly safe to conclude that it is on the part of Bacchylides." In fact one modern scholarMaehler 2004, p. 22 has observed in Bacchylides a general tendency towards imitation, sometimes approaching the level of quotation: in this case, the eagle simile in Ode 5 may be thought to imitate a passage in the Homeric Hymn to Demeter (375–83), and the countless leaves fluttering in the wind on "the gleaming headlands of Ida", mentioned later in the ode, recall a passage in Iliad (6.146–9).
He taught at Reed College, Indiana University and University of Michigan. A dedicated, accessible teacher, he took part in many aspects of university life, including by giving public lectures and organizing conferences. Proffer's first books were The Simile in Gogol’s "Dead Souls" (1968), a study of Nikolai Gogol's style, Letters of Nikolai Gogol (a translation) (1968), and Keys to "Lolita" (1968), the first study of Nabokov’s novel as serious literature. A reviewer in the TLS referred to these works as “profferized”: 'that is, exciting, energetic with the critic's own liveliness and enthusiasm pulsing through a scholarly apparatus formidable.... To have published these three studies within the space of a year is an astonishing achievement for a previously unknown scholar.
Orwell said it was easy for his contemporaries to slip into bad writing of the sort he had described and that the temptation to use meaningless or hackneyed phrases was like a "packet of aspirins always at one's elbow". In particular, such phrases are always ready to form the writer's thoughts for him, to save him the bother of thinkingor writingclearly. However, he concluded that the progressive decline of the English language was reversible and suggested six rules which, he claimed, would prevent many of these faults, although "one could keep all of them and still write bad English". # Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
Paula Findlen (born 1964) is the Ubaldo Pierotti Professor of Italian History, the director of the Suppes Center for the History and Philosophy of Science and Technology, and the director of the SIMILE Program, all at Stanford University. Findlen received a bachelor's degree in Medieval/Renaissance Studies from Wellesley College in 1984, and from the University of California, Berkeley earned a master's in History in 1985 and a PhD in 1989. Her book, 'Possessing Nature: Museums, Collecting, and Scientific Culture in Early Modern Italy' was given the Pfizer Award in 1996 by the History of Science Society. In 2016, Findlen gave the inaugural Rosalinde and Arthur Gilbert Lecture on the history of collecting, at London V&A.
Whereas the stream-entrant has seen nibbāna and, thus has verified confidence in it, the arahant can drink fully of its waters, so to speak, to use a simile from the Kosambi Sutta (SN 12.68) — of a "well", encountered along a desert road. The sotapanna "may state this about himself: 'Hell is ended; animal wombs are ended; the state of the hungry shades is ended; states of deprivation, destitution, the bad bourns are ended! I am a stream-winner, steadfast, never again destined for states of woe, headed for self-awakening!'". However, the remaining three paths, namely: once-return (sakadāgāmin), non-return (anāgāmin), and sainthood (arahatta) become 'destined' (sammatta niyāma) for the stream-entrant.
In Daoist cosmology, Taihe 太和 "Great/Supreme Harmony" is the beginning state before Hundun "primordial chaos". Chapter six contrasts two pairs of mythological charioteers (the minimum crew of a Chinese chariot included a driver and an archer). Although Wang Liang 王良 and Zaofu 造父 were famously skillful equestrians, Qian Qie 鉗且 and Da Bing 大丙 controlled their horses through mutual resonance – a simile for how a sage ruler should be attuned to his people (Le Blanc 1985: 36). > In ancient times, when Wang Liang and Zaofu went driving, [as soon as] they > mounted their chariots and took hold of the reins, the horses set themselves > in order and wanted to work together.
The University of Leipzig was the first to create an experimental laboratory of psychology and inspired professors Mann and Schneider to create the first university simile in Chile under the tutelage of Wilhelm Wundt himself. With the twentieth century, Experimental Psychology began in Chile. This had a magnificent boom thanks to professors Guillermo Mann and J.E. Schnider who created the Laboratory of Experimental Psychology, which inaugurated the experimental movement in the country. Although, since 1889 both professors were teaching psychology, it was not until 1908 that Mann was appointed to buy modern instruments and bibliographical material in Europe, establishing in a solid manner the laboratory that aimed to have the characteristics that Wilhelm Wundt used in his University of Leipzig.
"Good Goes the Bye" is a '80s-inspired mid-tempo synthpop track. Sonically inspired by music of the British musical duo Eurythmics, Clarkson revealed that the song's driving source is very much its beats. Written in the key of Db major, the song is about the end of a failing relationship, utilizing the adage "Rome wasn't built in a day" and a simile of pulling the fuse out of grenades in its lyrical content, while its chorus features the idioms such as slam the door and "break the heart" in its structure. On March 2, 2015, the day before Piece by Pieces street date, RCA Records, The Hershey Company and Viacom Media Networks premiered the track on three of Viacom's music channels: MTV, VH1, and CMT.
Catullus 2 is addressed directly to the bird ("with you") and describes its loving, playful relationship with the poet's girlfriend. By contrast, Catullus 2b mentions neither bird nor girlfriend, introducing a simile to the story of Atalanta, and seems to be written in the third person ("it is as welcome to me"), although some scholars have suggested that the text was corrupted from the second person ("you are as welcome to me"). The disjunction between Catullus 2 and 2b was first noted by Aquiles Estaço (Achilles Statius) in 1566; however, the first printed edition to show a lacuna between poems 2 and 2b (by the editor Karl Lachmann) appeared quite late, in 1829. Lachmann's separation of 2 and 2b has been followed by most subsequent editors.
There are two examples of pteleogenesis (:birth from elms) in world myths. In Germanic and Scandinavian mythology the first woman, Embla, was fashioned from an elm,Heybroek, H. M., 'Resistant Elms for Europe' (1982) in Research on Dutch Elm Disease in Europe, HMSO, London 1983 while in Japanese mythology Kamuy Fuchi, the chief goddess of the Ainu people, "was born from an elm impregnated by the Possessor of the Heavens".Wilkinson, Gerald, Epitaph for the Elm (London, 1978), p.87 Under the elm, Brighton, 2006 The elm occurs frequently in English literature, one of the best known instances being in Shakespeare's A Midsummer Night's Dream, where Titania, Queen of the Fairies, addresses her beloved Nick Bottom using an elm-simile.
Historical accounts report it as flourishing as an important centre of Buddhism between the seventh and eleventh centuries CE. It may have been founded considerably earlier, perhaps in or after the reign of Kaniṣka, in the second century CE.Historical reports referring to the monastery span from Xuanzang to Al Biruni.History of Buddhism in Afghanistan, Last accessed 15 July 2016 The many Buddhist references in the Persian literature of the period also provide evidence of Islamic–Buddhist cultural contact. Persian poetry, for example, often used the simile for palaces that they were "as beautiful as a Nowbahar (Nava Vihāra)." Further, at Nava Vihāra and Bamiyan, Buddha images, particularly of Maitreya, the future Buddha, had 'moon discs' or halo iconographically represented behind or around their heads.
In the mid-1960s and early 1970s this genre was further explored by the Beat Generation poets Lawrence Ferlinghetti, Allen Ginsberg, and Herman Berlandt, and developed into a festival held annually at the Fort Mason Center in San Francisco, California. Poetry film is characterized by its nonlinear narrative style of editing, and stream of consciousness flow of images and spoken words, although linear narration and editing have been used to good effect in the creation of some poetry films (see Narrative). Generally, poetry film is created as a noncommercial production, but some attempts have been made to produce commercial films. Some poetry films have been used as instructional aids in literature classes to illustrate concepts such as allusion, simile, and metaphor.
Music for the People released on July 23, 1991 to mixed reviews. Despite being lauded more for Mark's physique, and charisma than musicality, the album still managed to receive a Platinum certification from the Recording Industry Association of America. MTV's Jason Ankeny says“Rap purists were appalled by Wahlberg's mediocre lyrical skills, lame samples, and tired beats.” In an interview with Oral Tradition, DJ Romeo says that he believes Marky Mark’s disjointed rhythm and rap cadence comes primarily from reading the rap from paper while recording, and that while some rappers use “poets tools,” (simile, hyperbole, and alliteration) Marky Mark “just raps.” The album was the only real successful thing that the group accomplished with its two big hits "Good Vibrations" and "Wildside".
The opening track, "The 1", is driven by a danceable, "bouncy" arrangement of trickling piano, minimal percussion, and electronic accents. Written in the perspective of Swift's friend, the song describes their new-found positive approach to life and past love, confessing they could have been soulmates. The slow- burning "Cardigan" is a folk and soft rock ballad driven by a moody, stripped- down arrangement of clopping drum sample and tender piano; Swift sings from the perspective of a fictional character named Betty, who recalls the separation and enduring optimism of a relationship with a boy named James. She mentions Peter Pan and High Line in the song, and uses cardigan as a simile for a "lingering physical memento" of the relationship.
California Invasive Plant Council, University of California @ DavisWeeds Australia, Capeweed Arctotheca calendula Flora of New Zealand Arctotheca calendula (L.) LevynsFlora Vascular de Andalucía Occidental, Arctotheca calendula (L.) Levyns in SpanishFlora Catalana, Arctotheca calendula in Catalan with color photosAltervista Flora Italiana, Arctoteca simile alla calendola, Arctotheca calendula (L.) Levyns numerous photos Arctotheca calendula is a squat perennial or annual which grows in rosettes and sends out stolons and can spread across the ground quickly. The leaves are covered with white woolly hairs, especially on their undersides. The leaves are lobed or deeply toothed. Hairy stems bear daisy-like flowers with small yellow petals that sometimes have a green or purple tint surrounded by white or yellow ray petals extending further out from the flower centers.
Some critics argue that political poetry can not exist, stating that politics do not belong with and can not be incorporated with traditional definitions of poetry. One of the most vivid examples of this comes from a 1968 essay, "Studies in English Literature: Restoration and Eighteenth Century", written by A.L. French. In this work, French provides criticism of the influential 17th century poet John Dryden's work, claiming that the majority of praise Dryden receives is due to his political messages rather than the quality of his poetry, which French believes is mediocre. For example, French believes Dryden relies too heavily on excessive allusion to get his messages and themes across; French describes Dryden's work and "his treatment of the body politic in the epic simile".
The marauders may have included more than just Saracens, perhaps local enemies of Farfa took part in the assault. Hugh refers only to "the evil destruction of the properties of our monastery, which were given mercifully by the pious, [being] dispersed cruelly by the impious" (Costambeys 2007, 346). Hugh castigates the monks for their decadence and corruption following their return to the abbey after the Saracen occupation, but by the time he had taken up the post of abbot, he wrote, "there was not found in all the Kingdom of Italy a similar monastery in any respect, save the monastery called Nonantola."Costambeys 2007, 6n: in toto regno Italico non inveniebatur simile illi monasterio in cunctis bonis, excepto monasterio quod vocatur Nonantule.
Later ecologists developed this idea that the ecological community is a "superorganism" and even sometimes claimed that communities could be homologous to complex organisms and sought to define a single climax-type for each area. The English botanist Arthur Tansley developed this idea with the "polyclimax"—multiple steady-state end-points, determined by edaphic factors, in a given climatic zone. Clements had called these end-points other terms, not climaxes, and had thought they were not stable because by definition, climax vegetation is best-adapted to the climate of a given area. Henry Gleason's early challenges to Clements's organism simile, and other strategies of his for describing vegetation were largely disregarded for several decades until substantially vindicated by research in the 1950s and 1960s (below).
347–349 Although claiming to represent, above all, the local interest of the Romanians, the new party also functioned as a Bukovinian simile of Austria's Christian Social Party (CS), fully adopting its antisemitic theses.Cocuz, pp. 350–359; Corbea-Hoișie, passim As noted by Corbea-Hoișie, Onciul initially denied the connection, stating that he and the CS had no common ideological ground; however, Onciul ended up with a "decisive role" in the "brutal enforcement of antisemitic commonplaces and slogans in public discourse."Corbea-Hoișie, pp. 15, 24 In particular, Onciul expanded his polemic with Straucher and other local Jews to an imperial scale, arguing that "vampire" Jews had taken hold of the Austro-Hungarian press, and would eventually subjugate the economy.
The theme and story for the game, featuring a protagonist suffering from a terminal disease, is meant as a simile for his own health. Preston originally set out to make the game for Windows, OS X, and Linux computers and started a Kickstarter campaign in September 2013 to secure in funding to complete the title. Prior to starting the campaign, Preston had secured the help of programmer Beau Blyth who created titles like Samurai Gunn, and musician Disasterpeace, who worked on the music for Fez. He opted to develop the game under the studio name Heart Machine as an allegory for the various medical devices he often needs to track his own health, and to use for future projects following Hyper Light Drifter.
Most modern scholars such as Rupert Gethin, Richard Gombrich and Paul Williams hold that the goal of early Buddhism, nirvāṇa (nibbana in Pali, also called nibbanadhatu, the property of nibbana), means the 'blowing out' or 'extinguishing' of greed, aversion, and delusion (the simile used in texts is that of a flame going out), and that this signifies the permanent cessation of samsara and rebirth.Williams, Paul (2002), Buddhist Thought (Kindle ed.), Taylor & Francis, p 47-48.Gethin, Rupert (1998), Foundations of Buddhism, Oxford University Press, p. 75.Keown, Damien (2000), Buddhism: A Very Short Introduction (Kindle ed.), Oxford University PressHamilton, Sue, Early Buddhism: A New Approach : the I of the Beholder, p. 58.see Samyutta Nikaya IV 251 and SN IV 261.
The principles that Lord Diplock offered in the Catnic case were summarized by Lord Hoffmann in Improver Corporation v Remington Consumer Products Ltd [1990] FSR 181, 189 in terms of the three Improver principles or test procedures. Lord Hoffmann in that same decision observed that a patentee may have intended a word or phrase to have not a literal but rather a figurative meaning, the figure being a form of synecdoche - (a form of the metaphor in which the part mentioned signifies the whole); or metonymy (a form of metaphor denoting the relation between two objects. Metonymy is to synecdoche what a metaphor is to a simile). The Catnic decision established the "Catnic principle": the principle of purposive construction, but it also provided guidelines for applying that principle to equivalents.
These stages, as well as the symbols one encounters throughout the story, provide the necessary metaphors to express the spiritual truths the story is trying to convey. Metaphor for Campbell, in contrast with simile which make use of the word like, pretend to a literal interpretation of what they are referring to, as in the sentence "Jesus is the Son of God" rather than "the relationship of man to God is like that of a son to a father".Campbell J. [1999] Mythos: The shaping of our mythic tradition In the 2000 documentary Joseph Campbell: A Hero's Journey, he explains God in terms of a metaphor: > God is a metaphor for a mystery that absolutely transcends all human > categories of thought, even the categories of being and non-being. Those are > categories of thought.
The poem Tears of the Prodigal Son draws on the well-known biblical Parable of the Prodigal Son found in Luke 15:11-32, the basis of which forms a story on a father forgiving his son's spendthriftness and greed, after the son comes back home remorseful of his actions. Gundulić adapts and heavily elaborates the original storyline, but still leaves clearly recognizable traits of the biblical template. Parable as a literary form represents an elaborated simile or a metaphor, inserted into a larger literary works -- the Bible in this case. Biblical parable on the prodigal son has but merely two dozen lines, while Gundulić's poetical cultivation extends to 1332 verses, being permeated with numerous son's contemplations on the meaning of life and death, the sin, and numerous verses dedicated to his repentance.
The Step was named after Sir Edmund Hillary, who was the first known person, along with Tenzing Norgay, to scale it on the way to the summit during the 1953 British Mount Everest Expedition. Hillary and Tenzing first climbed the Hillary Step on 29 May 1953 by climbing the crack between the snow and the rock. Hillary reported that the snow on the step was harder than at lower elevation. Hillary wrote in 1953 (the reference to Tenzing being hauled up like a fish rankled with Tenzing, and the "fish" simile disappeared from later accounts): The Summit (Chapter 16, pp 197-209) is by Hillary. :After an hour’s steady going we reached the foot of the most formidable- looking problem on the ridge – a rock step some forty feet [12m] high.
The before-mentioned Writer of a "Journey > through Scotland, " has borrowed a Thought from the Tatler or Spectator, I > do not remember which of them. Speaking of the Ladies' Plaids, he says — > "They are striped with Green, Scarlet, and other Colours, which, in the > Middle of a Church on a Sunday, look like a Parterre de Fleurs.'" Instead of > striped he should have said chequered, but that would not so well agree with > his Flowers ; and I must ask Leave to differ from him in the Simile, for at > first I thought it a very odd sight ; and as to outward Appearance, more fit > to be compared with an Assembly of Harlequins than a Bed of Tulips. The > Plaid is the Undress of the Ladies; and to a genteel Woman, who adjusts it > with a good Air, it is a becoming Veil.
Satirical use of braying in a political cartoon The Thomas Nast political cartoon that introduced the donkey as the mascot of the Democratic Party In keeping with their widespread cultural references, donkeys feature in political systems, symbols and terminology in many areas of the world. A "donkey vote" is a vote that simply writes down preferences in the order of the candidates (1 at the top, then 2, and so on), and is most often seen in countries with ranked voting systems and compulsory voting, such as Australia. The donkey is a common symbol of the Democratic Party of the United States, originating in the 1830s and became popularised from a cartoon by Thomas Nast of Harper's Weekly in 1870. The bray of the donkey may be used as a simile for loud and foolish speech in political mockery.
Les Très Riches Heures du duc de Berry, a famous illuminated manuscript, is on view to both the public and to scholars only in the form of a high-quality facsimile A facsimile (from Latin fac simile, "to make alike") is a copy or reproduction of an old book, manuscript, map, art print, or other item of historical value that is as true to the original source as possible. It differs from other forms of reproduction by attempting to replicate the source as accurately as possible in scale, color, condition, and other material qualities. For books and manuscripts, this also entails a complete copy of all pages; hence, an incomplete copy is a "partial facsimile". Facsimiles are sometimes used by scholars to research a source that they do not have access to otherwise, and by museums and archives for media preservation and conservation.
The Chandogya Upanishad presents the Madhu Vidya (honey knowledge) in first eleven volumes of the third chapter.Klaus Witz (1998), The Supreme Wisdom of the Upaniṣads: An Introduction, Motilal Banarsidass, , page 218 Sun is praised as source of all light and life, and stated as worthy of meditation in a symbolic representation of Sun as "honey" of all Vedas.Chandogya Upanishad with Shankara Bhashya Ganganath Jha (Translator), pages 122-138 The Brahman is stated in these volume of verses to be the sun of the universe, and the 'natural sun' is a phenomenal manifestation of the Brahman, states Paul Deussen.Paul Deussen, Sixty Upanishads of the Veda, Volume 1, Motilal Banarsidass, , pages 101-106 with preface and footnotes The simile of "honey" is extensively developed, with Vedas, the Itihasa and mythological stories, and the Upanishads are described as flowers.
In the Anglo-American tradition of analytic philosophy (in particular, in the philosophy of language), metaphor has attracted interest because it does not conform to accepted truth-conditional semantics, the conditions which determine whether or not a statement is true. Taken literally, the statement "Juliet is the sun" (from Romeo and Juliet) is false, if not nonsensical, yet, taken metaphorically, it is meaningful and may be true, but in a sense which is far from clear. The comparison theory of metaphor asserts that one can express the truth value of a metaphor by listing all the respects in which the two terms are alike or similar; for example: Juliet is like the sun because she shares with it qualities such as radiance, brilliance, the fact that she makes the day and that she gets up every morning. However, this results in re- casting metaphor as simile.
Catacombs of Domitilla, Rome The olive branch appears with a dove in early Christian art. The dove derives from the simile of the Holy Spirit in the Gospels and the olive branch from classical symbolism. The early Christians, according to Winckelmann, often allegorized peace on their sepulchers by the figure of a dove bearing an olive branch in its beak.James Elmes, A General and Bibliographical Dictionary of the Fine Arts, London: Thomas Tegg, 1826 For example, in the Catacomb of Priscilla in Rome (2nd – 5th centuries AD) there is a depiction of three men (traditionally taken to be Shadrach, Meshach, and Abednego of the Book of DanielParrochia di Santa Melania ) over whom hovers a dove with a branch; and in another of the Roman catacombs there is a shallow relief sculpture showing a dove with a branch flying to a figure marked in Greek ΕΙΡΗΝΗ (Eirene, or Peace).
On this matter, gives evidence that Machiavelli may have seen himself as having learned something from Democritus, Epicurus and classical materialism, which was however not associated with political realism, or even any interest in politics. On the topic of rhetoric Machiavelli, in his introduction, stated that "I have not embellished or crammed this book with rounded periods or big, impressive words, or with any blandishment or superfluous decoration of the kind which many are in the habit of using to describe or adorn what they have produced". This has been interpreted as showing a distancing from traditional rhetoric styles, but there are echoes of classical rhetoric in several areas. In Chapter 18, for example, he uses a metaphor of a lion and a fox, examples of force and cunning; according to , "the Roman author from whom Machiavelli in all likelihood drew the simile of the lion and the fox" was Cicero.
Having developed the photozincographic process, in a meeting arranged between James and William Ewart Gladstone, then Chancellor of the Exchequer, Sir Henry expressed his ability to produce photozincographic copies of ancient documents at "a very trifling cost".H. James, Domesday Book, or The Great Survey of England of William the Conqueror...Fac-Simile of the Part Relating to Cornwall, (Southampton: by H.M. Command, 1860), pp. 1-2 James outlined for his superiors the cost of a complete reproduction of Domesday Book (an estimate of £1575 for 500 copies or £3.3s per copy) using his process. In addition to this James further outlined the cost of a single county to demonstrate the affordability of the process, using Cornwall as an example of one of the shorter entries in the volumes (eleven folio pages) and estimated the cost of 500 copies to be £11. 2s. 4d.
The work contains several pieces of verse, and on their account Joseph Ritson numbered Alday among the English poets of the sixteenth century (Bibliographia Poetica, p. 114). The longest piece is entitled ‘A complaint of the pore husbandmen in meter.’ A second edition of the work appeared in 1574, printed by H. Bynneman for Thomas Hacket. From his address to the reader there, we gather that Alday claimed to be the first to use the word theatre in an English book, or to introduce into England the simile comparing human life to the stage. A third edition of the work was published in 1581, and there it was stated that John Alday had ‘perused, corrected, and amended’ the English rendering, ‘the old translation being corrupted.’ The latter part of the book—‘Of the Excellencie of Mankinde’—is frequently referred to by Robert Burton in his Anatomy of Melancholie.
So unadorned--"bleak" in the words of Fletcher, 94--is the Historia that only one figure of speech (a simile, "still as a stone") is ever used, twice. Modern editors have divided the work into seventy-seven chapters (not in the original). The author apparently knew little of Rodrigo's life before his marriage to Jimena, and the whole of it is narrated in the first six chapters. The details of Rodrigo's career leading up to and including his exile in Zaragoza (1081-86) are related with more confidence (chapters 7-24). The period of Rodrigo's return to the court of Alfonso VI of León and to Castile (1086-88) are passed over quickly (chapters 25-27), as are the years 1095-96, during which Rodrigo ruled Valencia. The largest portion of the history (chapters 28-64) is devoted to his second exile and conquest of Valencia (1089-95).
The Lotus is the product of heat (fire) and water (vapour or Ether); fire standing in every philosophical and religious system as a representation of the Spirit of Deity, the active, male, generative principle; and Ether, or the Soul of matter, the light of the fire, for the receptive female principle from which everything in this Universe emanated. Hence, Ether or Water is the Mother, and Fire is the Father. Sir W. Jones (and before him archaic botany) showed that the seeds of the Lotus contain — even before they germinate — perfectly formed leaves, the miniature shape of what one day, as perfect plants, they will become: nature thus giving us a specimen of the preformation of its production ...the seed of all phanerogamous plants bearing proper flowers containing an embryo plantlet ready formed. :The Lotus, or Padma, is, moreover, a very ancient and favourite simile for the Kosmos itself, and also for man.
Upon development of the vociferating words Sadda Haq, Kamil stated that the situation needed a politically charged number that Jordan performs before a surging crowd at the height of his artistic angst. The slogan was used by students during Kamil's college days in Punjab to protest against the administration's arbitrary announcement of exams. On writing lyrics of "Phir Se Udd Chala", the analogies, he stated on introduction of offtrack lines like "Banu Raavan, Jiyoon Mar Marke" ("I become Raavan by continuing to live each time I die"), "The line was a metaphor for character Jordan who like the demon Ravan from the mythology Ramayana, dies a number of times and yet goes on with his life and that is why I used the Ravan simile." As per Rahman two songs Jo Bhi Mein and Sadda Haq aspire to be in the tradition of song Satisfaction by The Rolling Stones and song Another Brick in the Wall by Pink Floyd.
"Jack in the Box", written by David Myers and composed by John Worsley, was the United Kingdom's entry at the Eurovision Song Contest 1971, performed by the Northern Irish singer Clodagh Rodgers. The singer expresses her strong feelings of love to a man who treats her like a toy, thus providing the "jack in the box" simile, as she feels that in exchange of his love, she would gladly "bounce on a spring" like the aforementioned toy (but isn't so thrilled to do it without reciprocation). At the end of the song, however, she lets this man know that one day she will be fed up enough to leave, so she hopes he will tell her he loves her, as she will do anything (within a reasonable time frame) to hear those words. On 20 February 1971 Rodgers sang six songs at the UK National Final, A Song for Europe, which was aired on the television series It's Cliff Richard!.
The Old Testament writers also distinguished the two trees: zayit designates the cultivated olive, the wild-olive being designated in the seventh century BCE Nehemiah 8:15 as 'eẓ shemen; some modern scholars take this latter term to apply to Elaeagnus angustifolia, the "Russian- olive".Jewish Encyclopedia: "Olive" Paul used the practice common in his day of grafting cultivated olive scions to the hardy rootstock of the wild-olive in an extended simile in Romans , contrasting the wild-olive tree (Gentiles) and the good "natural" olive tree (Israel): For if you were cut from what is by nature a wild-olive tree, and grafted, contrary to nature, into a cultivated olive tree, how much more will these, the natural branches, be grafted back into their own olive tree. In the Koine Greek of the New Testament the wild-olive has become agrielaios, "of the fields", and the cultivated tree kallielaios, the "fine" one.
Another important meditation in the early sources are the four Brahmavihāra (divine abodes) which are said to lead to cetovimutti, a “liberation of the mind”.Anālayo, Early Buddhist Meditation Studies, Barre Center for Buddhist Studies Barre, Massachusetts USA 2017, p 185. The four Brahmavihāra are: # Loving-kindness (Pāli: mettā, Sanskrit: maitrī) is active good will towards all; # Compassion (Pāli and Sanskrit: karuṇā) results from metta, it is identifying the suffering of others as one's own; # Empathetic joy (Pāli and Sanskrit: muditā): is the feeling of joy because others are happy, even if one did not contribute to it, it is a form of sympathetic joy; # Equanimity (Pāli: upekkhā, Sanskrit: upekṣā): is even- mindedness and serenity, treating everyone impartially. According to Anālayo: > The effect of cultivating the brahmavihāras as a liberation of the mind > finds illustration in a simile which describes a conch blower who is able to > make himself heard in all directions.
Open source software initiatives supported by the Andrew W. Mellon Foundation include Sakai, uPortal, Kuali, Sophie, Chandler, Zotero, Open Knowledge Initiative, Bamboo,Bamboo CollectionSpace, ConservationSpace, DecaPod, Fedora, SIMILE, DSpace, FLUID, OpenCast, SEASR, Visual Understanding Environment, and the Open Library Environment (OLE). From 2010 until 2012 he was Executive Director of Next Generation Learning Challenges where he was responsible for the development and day-to-day operations of the program which provides grants, builds evidence, and develops an active community committed to identifying and scaling technology-enabled approaches that dramatically improve college readiness and completion. Mr. Fuchs is currently a Director/Trustee of The Seeing Eye, The Philadelphia Contributionship (the oldest property insurer in the US) and Ithaka Harbors Inc. He was also a Founding Trustee of JSTOR, USENIX, the Internet Society and a former Trustee of Mills College, Sarah Lawrence College, Princeton University Press, the Open Source Applications Foundation, Princeton Public Library (Princeton, NJ) (Treasurer), and the Global Education Learning Community.
A similar metaphor is Spanish defined in a 1740 dictionary as "to eat up one another; to be always quarrelling". One context for the simile was advocating isolationism, allowing one's enemies to defeat each other, or divide and conquer policy. A report in Niles' Register of Spanish church opposition to the 1817 tax reform of wished 'the fate of the "Kilkenny cats"' on "Ferdinand and his priests". Similarly Charles Napier in 1823 hoped "the French and Spaniards [would] war like Kilkenny cats"; likewise Figaro in London in 1832 urging British neutrality after the Ten Days' Campaign and Charles Darwin in 1833 in Buenos Aires during the Revolution of the Restorers. J. S. Pughe in a 1904 political cartoon in Puck depicted Japan and Russia as Kilkenny cats fighting the Russo-Japanese War in Manchuria. Similarly in 1941, after Germany invaded the Soviet Union, Clifford Berryman depicted Adolf Hitler and Joseph Stalin as "a modern version of the Kilkenny Cats".
The song uses the roller coaster, a common theme park attraction, as a simile for the ups and downs of dating and romantic relationships. The roller coaster metaphor is also suggested musically as the guitarist plays a funk riff which slides up and back down repeatedly throughout the song, from the key of C down to the key of A and back up to the key of C. Consistent with Casey Kasem's notes at the time, the song's Hot 100 top 40 run 34-16-12-6-5-4-4-4-4-3-1-6-7-33, with its rapid ascent, leveling off at number four, short climb to number one, steep descent to number six, slower descent to number seven, and its final, very steep, descent to number 33 before falling off, plotted as a moving function of chart date, resembles a rollercoaster's motion on its track, viewed from the side.
Translations of lines from Dante abound in Imperial, though they are often placed in very different contexts. To take one example, the Dezir al nacimiento de Juan II expresses the hope that the prince Juan will prove to be the “maestro de los que ssaben” (the master of those who know). This is a direct translation of Dante’s description of Aristotle as “il maestro di color che sanno.” (Inferno IV.) In addition to translating single lines, in the Dezir a las syete virtudes Imperial also frequently translates longer passages from Dante, incorporating passages of as many as six lines into his text. Imperial’s poetry also contains thematic allusions to Dante’s poetry; one of these is the Dantesque simile, examples of which appear throughout the Dezir a las syete virtudes, and another is the employment of a poetic predecessor as a guide on a visionary journey (in Dante, this guide was Virgil; in Imperial, the guide is Dante).
" Ted Anthony of The Associated Press states that "Under the Dome is one of those works of fiction that manages to be both pulp and high art, that successfully—and very improbably—captures the national zeitgeist at this particularly strange and breathless period in American history." On November 9, 2009, the author Neil Gaiman in his blog stated that "Under the Dome was one of [his] favourite books of the year so far." James Parker of the New York Times noted in his review of Under the Dome that the novel contains lines that are "stinkers", which made him feel "the clutch of sorrow." Regarding King's "pulp speed" output, James Parker noted: "We shouldn’t be too squeamish about the odd half-baked simile or lapse into B-movie dialogue." The review in the New York Post states that Under the Dome "shares some of The Stand’s faults, like a left-field disaster [...] that works almost as a Diabolus Ex Machina, randomly wiping out half the cast.
A scratch will create an audible tick or pop once each revolution when the stylus encounters it. A deep scratch can throw the stylus out of the groove; if it jumps to a place farther inward, part of the recording is skipped; if it jumps outward to a part of the groove it just finished playing, it can get stuck in an infinite loop, playing the same bit over and over until someone stops it. This last type of mishap, which in the era of brittle shellac records was more commonly caused by a crack, spawned the simile "like a broken record" to refer to annoying and seemingly endless repetition. Records used in radio stations can suffer cue burn, which results from disc jockeys placing the needle at the beginning of a track, turning the record back and forth to find the exact start of the music, then backing up about a quarter turn, so that when it is released the music will start immediately after the fraction of a second needed for the disc to come up to full speed.
He offered a striking cricket simile for British negotiations on EMU in Europe: He ended his speech with an appeal to cabinet colleagues: A few days later, Cledwyn Hughes, the Labour leader in the Lords remarked with thinly-disguised pleasure, Although Howe wrote subsequently in his memoir Conflict of Loyalty that his intention was only to constrain any shift in European policy by the Cabinet under the existing prime minister, his dramatic speech is widely seen as the key catalyst for the leadership challenge mounted by Michael Heseltine a few days later. Although Thatcher won most votes in the leadership election, she did not win by a large enough margin to win outright and subsequently withdrew from the contest on 22 November. Five days later, Chancellor of the Exchequer John Major was elected party leader and thus became prime minister. The change proved to be a positive one for the Tories, who had trailed Labour in most opinion polls by a double-digit margin throughout 1990 but soon returned to the top of the polls and won the general election in April 1992.
Stipe later said that his previous lyrics never really had any literal meanings, and that by this time he had begun to write lyrics that told stories. The song "Green Grow the Rushes" is a prime example, which contains the line "the amber waves of gain", is thought (by biographer Marcus Gray) to be about migrant farm laborers and also alludes to the folk song "Green Grow the Rushes, O". Natalie Merchant has stated that this song was written as part of a pact she made with Stipe to write songs about the genocide of Native Americans; her song, "Among the Americans", appeared on the 1985 10,000 Maniacs album The Wishing Chair. "Kohoutek" (misspelled as "Kahoetek" in the album's liner notes) referenced the comet Kohoutek, and is perhaps one of the earliest R.E.M. songs about a romantic relationship, using the comet as a simile for a lover: "like Kohoutek, you were gone." The song "Auctioneer (Another Engine)" deviated from the typical R.E.M. sound of the time, with jagged guitar riffs and more references to old rural ways of life.
The Australian Sheep-Goat Scale (ASGS) is a questionnaire conceived by Michael Thalbourne to determine the extent to which the respondent believes in the paranormal. The description "Australian" is given because the test was devised in Adelaide, South Australia, and to distinguish it from other nations' instruments (such as the Icelandic Sheep-Goat Scale). A person who believes in some aspect of the paranormal is termed a "sheep", and a disbeliever a "goat" (after the New Testament simile about Christ separating the [nations (error)] /people (correction)/ as a shepherd separates the sheep from the goats ). The version of the scale most commonly used in research (Thalbourne, 1995) has 18 items, such as "I believe in the existence of ESP", "I have had at least one dream that came true and which (I believe) was not just a coincidence", "I believe in life after death" and "I believe in the existence of psychokinesis (or PK)—that is, the direct influence of mind on a physical system, without the mediation of any known physical energy".
The Atthasālinī uses a simile in order to illustrate that feeling experiences the taste of an object and that citta and the other cetasikas which arise together with feeling experience the taste only partially. A cook who has prepared a meal for the king merely tests the food and then offers it to the king who enjoys the taste of it: :: ...and the king, being lord, expert, and master, eats whatever he likes, even so the mere testing of the food by the cook is like the partial enjoyment of the object by the remaining dhammas (the citta and the other cetasikas), and as the cook tests a portion of the food, so the remaining dhammas enjoy a portion of the object, and as the king, being lord, expert and master, eats the meal according to his pleasure, so feeling, being lord, expert and master, enjoys the taste of the object, and therefore it is said that enjoyment or experience is its function. :Thus, all feelings have in common that they experience the 'taste' of an object. Citta and the other accompanying cetasikas also experience the object, but feeling experiences it in its own characteristic way.
Quoting the W. A. Pickard-Cambridge text: "For it may be that in everything, as the saying is 'the first start is the main part'... This is in fact what has happened in regard to rhetorical speeches and to practically all the other arts: for those who discovered the beginnings of them advanced them in all only a little way, whereas the celebrities of to-day are the heirs (so to speak) of a long succession of men who have advanced them bit by bit, and so have developed them to their present form, Tisias coming next after the first founders, then Thrasymachus after Tisias, and Theodorus next to him, while several people have made their several contributions to it: and therefore it is not to be wondered at that the art has attained considerable dimensions."Aristotle, Sophistical Refutations 183b22-34. In Dillon and Gergel are cautious not to read this as stating that this makes Thrasymachus a student of Tisias, just as it does not make Theodorus a student of Thrasymachus. Writing more specifically in the Rhetoric, Aristotle attributes to Thrasymachus a witty simile.

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