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"signature tune" Definitions
  1. a short tune played at the beginning and end of a particular television or radio programme, or one that is connected with a particular performer
"signature tune" Synonyms
theme tune theme song leitmotif melody music refrain theme motif air tune strain song piece lay warble descant line measure aria jingle

396 Sentences With "signature tune"

How to use signature tune in a sentence? Find typical usage patterns (collocations)/phrases/context for "signature tune" and check conjugation/comparative form for "signature tune". Mastering all the usages of "signature tune" from sentence examples published by news publications.

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That leaves the Beatles' most celebrated album without a signature tune for the Spotify generation.
" Later, folk icon Judy Collins came out to perform Mitchell's signature tune "Both Sides Now.
Don't knock a signature tune, even if we've all heard it way too many times before.
So if you say "Serenade Me" to Google Assistant, John Legend will sing you a signature tune.
Their EDM-laced signature tune, "Jopping," sounds like something from a Marvel soundtrack — in other words, like dollar signs.
She had just launched into "Sheila's Blues," her signature tune, a half-spoken paean to the powers and infatuations of bebop.
" As expected, Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt won best song for the signature tune from "A Star Is Born.
She debuted the look on her self-titled talk show and even sang the sorceress's signature tune, "I Put a Spell on You" in character.
The show's signature tune, "You Made Me Love You," has been covered by everyone from Judy Garland to Patsy Cline to Aretha Franklin and Gloria Estefan.
"Maybe the best song I've ever sung," Campbell once said of his signature tune, a depiction of a road-hardened journeyman singer proudly carrying on to the next show.
And if its lilting bounce reminds you of "Poinciana," a signature tune for Ahmad Jamal, that's purely intentional: Mr. Wendel wrote his piece in a spirit of fond tribute.
Mark Carney made forward guidance his signature tune when he took over as governor at the Bank of England in the summer of 2013, but it soon went off-key.
At one point, she says that she wishes that the song "Pata Pata," about a dance, hadn't become such a signature tune; she would have preferred another song with more meaningful lyrics.
His audacious take on Bernstein's "The Man with the Golden Arm" (1988) makes the cut; so does "Jazz Devil" (1998), his droll signature tune, with its walking bass and its comic supernatural narrative.
During her career and retirement, Day always seemed to adhere to the philosophy of her biggest hit, "Que Sera, Sera," which she initially opposed as a "kiddie song" but which became her signature tune.
Lady Gaga and Bradley Cooper's performance of A Star Is Born's signature tune "Shallow" at Sunday's Oscars may have delighted fans watching at home, but the electrifying chemistry between the two stars left Mel B unsettled.
Tveit's Christian is adorable, a Disney prince come to life, but the Duke, louche and slinky—"Sympathy for the Devil" is his signature tune—steals the show; if I were Satine, I'd throw my lot in with him.
Lorna Luft, daughter of the late Judy Garland, gave an emotional performance of her mother's signature tune "Over the Rainbow" at New York City's Feinstein's/54 Below on Wednesday night – the first she's ever given of the song, she says.
But the live TV broadcast was cut before the second act, in which Vereen performed Bert Williams's signature tune "Nobody" and removed the makeup, as a repudiation of segregation and a celebration of Williams's legacy as a pioneering black performer.
In a sweet mother-daughter video the Keeping Up with the Kardashians star shared to her Instagram Story Thursday, she threw it back to the '90s and '00s kids' show Barney & Friends, belting out the titular purple dinosaur's signature tune for True's entertainment.
One of the inflatable displays is a reference to Elmo & Patsy's 1979 novelty hit, "Grandma Got Run over by a Reindeer," and Mathieu got a Christmas memory for the ages when the song's original singer, Elmo Shropshire, called him on the telephone and sang a bit of his signature tune.
The 25-year-old actor — known for roles on TV's The Fosters, the indie film King Cobra and in the Disney Channel's Teen Beach movie franchise — first chose Larkin's signature tune, "It Takes Two," as his audition song while studying to get his B.F.A. in musical theater at Oakland University in Rochester, Michigan.
Elsa's powers lend themselves to an array of eye-popping sequences, whether she's tumbling into the unknown (while singing her new signature tune, "Into the Unknown") or gliding through glaciers or confronting horses made of pure water, while Olaf's naiveté and flair for the dramatic offer comic relief any time the goings threaten to get too serious.
The show's signature tune was composed by Ronan Johnston."BIOG: Rojo". Rojomusic. Accessed 1 February 2009.
The song, "Breezin' Along with the Breeze" was used as a signature tune by Fred Waring.
Carlos's telling signature tune is Um Dia Mau (A Bad Day).Lyrics of Um Dia Mau (in Portuguese).
Maccasio realized his music talent at the age of 14. He raps mainly in his native language Dagbani with a blend of English, Hausa and Twi. His signature tune 'Anye kan laraa' is one of the most popular signature tune in the northern region. Maccasio has three albums to his credit.
Lydia is probably a reference to the song Lydia the Tattooed Lady, a signature tune of comedian Groucho Marx.
The Communards version of the song was used as the signature tune to the 2013 British comedy series Vicious.
CityBeat described the song as "the show’s greatest emotional wallop". The Davis Enterprise dubbed it the show's "signature tune".
It became the young singer and actress's signature tune. McHugh died in Beverly Hills, California, at the age of 74.
"Camptown Races" essentially became Foghorn's signature tune and one of the most widely familiar uses of the song in popular culture.
"Take the 'A' Train" is a jazz standard by Billy Strayhorn that was the signature tune of the Duke Ellington orchestra.
Monro's complete commercial recording was released on the film's soundtrack album and became the singer's signature tune for the remainder of his career.
Philip Lane, notes for British Light Miniatures, Naxos 8.570332 (released 2007) In the 1950s it was used as the signature tune for BBC television series Billy Bunter.
Kuya Cesar. The song was also the signature tune of Suzette Tarri, a British actress and comedian popular on stage and radio in the 1930s and 1940s.
It was, for a long time, used as a signature tune by Reginald Dixon MBE, who was the resident organist at the Tower Ballroom, Blackpool between 1930-70.
The signature tune Alley Cat quickly won international success in the same class as Gade's tango.Stig Mervild, "Light Music in Denmark 1800–1960", DanishMusic.info. Retrieved 14 March 2010.
Sir James Shand (28 January 1908 – 23 December 2000) was a Scottish musician who played traditional Scottish dance music on the accordion. His signature tune was "The Bluebell Polka".
Slomowicz, Ron. "Dannii Minogue Interview". About.com. Retrieved 4 November 2008. Minogue considers the track to be her "signature tune" and is one of her favourite songs to perform live.
An Italian version was written in 1954 by . There are also versions in German and other languages. The song has been covered many times. It is José Carreras's signature tune.
Bobo has composed various signature tunes such as Colors TV's Flute Tune, BSNL's Signature Tune, Godrej's Whistle Mnemonic, Pepperfry's Brand Tune, etc. He is currently working on his independent music.
Shortly afterwards, the design was taken over by the then newly founded British branch of the TMF pop channel. The station's signature tune is based on Weave Your Web by Luke Slater.
On January 13, 2017, Gidge released their first studio EP, LNLNN. In October 2018, Norrland was chosen as the signature tune for the advertisement of the Huawei Mate 20 line of smartphones.
Dick Barton has also been adapted into a tongue-in-cheek stage play and a spoof radio comedy. Each version has featured the original's memorable signature tune, "Devil's Galop" by Charles Williams.
There was also a popular 1948 record by Art Mooney and his Orchestra. Other singers have covered the song, but it remains Jan Peerce's signature tune and is firmly associated with him.
Celtic rock band Wolfstone wrote a signature tune for BBC Radio Orkney. However, it was ultimately unused and appeared on their second album The Chase (1992) as its first track, "Tinnie Run".
"ARIA Charts - Accreditations - 2003 Singles". Australian Recording Industry Association. Retrieved 3 November 2008. "I Begin to Wonder" received positive reviews from music critics, and is considered by Minogue to be her "signature tune".
91 The film follows a farcical plot based on the 1928 Russian satirical novel The Twelve Chairs by Ilya Ilf and Yevgeni Petrov. The film features Formby's signature tune, "When I'm Cleaning Windows".
A previous BBC World Service signature tune and an example of a top-of-the-hour announcement. The World Service uses several tunes and sounds to represent the station. A previous signature tune of the station was a five note motif, composed by David Arnold and which comprises a variety of voices declaim "This is the BBC in..." before going on to name various cities (e.g. Kampala, Milan, Delhi, Johannesburg), followed by the station's slogan and the Greenwich Time Signal.
Spiral Staircase is British folk musician Ralph McTell's second album."Spiral Staircase" LP sleeve, 1969. Produced by Gus Dudgeon and released in the UK in 1969, its opening track, "Streets of London", has become McTell's signature tune.
The Last Man Out is a British television drama series written, produced and directed by Shaun Sutton. The six-part black and white series was first aired on BBC One in 1962. The signature tune was Lillibullero.
The last South edition closed with a montage of presenters and reporters while the last South East edition closed with a live performance of the programme's signature tune by the Band of the Royal Marines in Deal, Kent.
Inspired by the sunshine and the live music scene in Melbourne, their time away proved to be an inspiration for Supafly's signature tune, "Let's Get Down". It was written on one of the hottest days in Australia's history.
His song Out in the Wide World serves as the signature tune for Radio Sweden International broadcasts. During the 1950s Ralph Lundsten built his own electronic musical instruments and was one of the first pioneers in this field.
He sometimes sings a parody of Lucky Luke's signature tune. Instead of "I'm a poor lonesome cowboy and a long, long way from home," he sings, "I'm a rich lonesome outlaw and a long, long way from home".
Aside from their numerous 78rpm singles, there have been three albums collecting recordings by Bob and Alf Pearson – all titled My Brother and I after the opening of their Ray's a Laugh signature tune. They recorded no studio albums.
McFarlane, . Archived from the original on 28 June 2004. Retrieved 5 August 2013. Moss wrote "Bow River" about a sheep station in the Northern Territory where his brother, Peter, had once worked; it has since become Moss' signature tune.
The prelude to his Te Deum, H. 146, a rondo, is the signature tune for the European Broadcasting Union, heard in the opening credits of Eurovision events. This theme was also the intro to The Olympiad films of Bud Greenspan.
Brian Michael Fahey (25 April 1919 – 4 April 2007) was a British musical director and arranger, best known for composing "At the Sign of the Swingin' Cymbal", the signature tune to BBC Radio's long running programme Pick of the Pops.
Cab Calloway initially wanted to do a disco variation on his signature tune, "Minnie the Moocher", having done the song in several styles in the past, but Landis insisted that the song be done faithful to the original big-band version.
To many people, Coke and Westbury are most firmly identified with Paul and Steve. Durbridge's grave at Putney Vale Cemetery, London, in 2015 The original signature tune was taken from Scheherazade by Rimsky- Korsakov, with incidental music taken from the works of other composers, including Tintagel by Sir Arnold Bax. The signature tune was later changed to Coronation Scot by Vivian Ellis. The BBC licensed the serials to broadcasters in Commonwealth countries, where they were transmitted long after their original runs in the UK. Repeating the recordings on the BBC7 digital speech channel revived interest in the serials in the early 2000s.
The song has since become the signature tune of Warner Bros. and used as such in the production logos at the beginning of many Warner Bros. films since 1999, as well as the closing logos to most Warner Bros. Television shows since 2003.
Whatever Happened to Love? is a 1982 live album by the American jazz singer Betty Carter. It is her only live album to include a string section on some tracks. "Abre la Puerta" is a wordless version of Carter's signature tune "Open the Door".
The television comical advertisements have been parodied in other shows. One example was in a Dave Allen comedy sketch showing a scene depicting the assassination of President Lincoln immediately followed by his wife consoling herself by smoking a Hamlet cigar accompanied by its signature tune.
Homer Louis "Boots" Randolph III (June 3, 1927 – July 3, 2007) was an American musician best known for his 1963 saxophone hit "Yakety Sax" (which became Benny Hill's signature tune). Randolph was a major part of the "Nashville sound" for most of his professional career.
It is used as the introduction to episode one of season two of American TV series Castle. The theme was also the signature tune of the Spanish cultural program "Miradas 2", which was broadcast by the public channel "La 2" (Radiotelevisión Española -RTVE-) until 2013.
We'll do the hailing On the Crest of a Wave has become the signature tune throughout the world and is usually performed at the end. It may be sung as just the chorus (traditionally twice, the first time with gusto, the second part-quiet and staccato, part with gusto once more) but there are also two verses. A Touch of Silver (sometimes referred to as "Silver on the Scarlet"), written by Reader and Brisbane Gang Show producer Hugh "Kirra" McKee, is the signature tune of the Brisbane Gang Show and may be sung by any show that has performed for at least 25 seasons.
The song was a spinoff of Pruett's 1973 signature tune, "Satin Sheets". Other Nashville songwriters were chosen for the project, including Sonny Throckmorton, who wrote four of the album's songs. Also included on the album was a cover of Hank Thompson's "The Wild Side of Life".
"You'll Never Walk Alone" had been a favourite of Marsden's since seeing Carousel when he was growing up. It quickly became the signature tune of Liverpool Football Club and, later, other sports teams around the world.Nik Brumsack. The story of 'You'll Never Walk Alone', Independent, April 14, 2014.
Brasseur is also famous for his 1965 instrumental single "Early Bird" (named after the Intelsat I satellite launched the same year), which sold over 6 million copies worldwide. His 1967 single Waiting For You was used as the signature tune to the 1970s Yorkshire Television series Indoor League.
1 on the Spanish singles chart (AFYVE). Though the single did not chart in the US Hot 100, it did reach no. 18 on Billboard's Club Play Singles chart. "Johnny and Mary" was used as the signature tune in advertisements promoting Renault cars throughout the 1980s and 1990s.
McFadden and Whitehead were an American R&B; duo, best known for their signature tune "Ain't No Stoppin' Us Now". They wrote and produced some of the most popular R&B; hits of the 1970s, and were primarily associated with the Gamble and Huff record label, Philadelphia International Records.
Musicalen Matador from ruo.dk. Retrieved 23 December 2008. The production was closely associated with the Danish National Chamber Orchestra. It was Bent Fabricius-Bjerre who 30 years earlier wrote the catchy signature tune for the TV series and went on to write the full score of the musical.
By the end of year, Jack Jackson and his Orchestra started a five-year residency at the Dorchester Hotel in London. His signature tune was Make Those People Sway, and his regular closing theme tune was Dancing in the Dark. By 1939, he had a regular radio show on Radio Luxembourg.
This was followed by a guest-star performance, often a singer. Musical accompaniment was generally provided by the show's orchestra and led by its well-known bandleader, David Rose. He was also the composer of the show's familiar signature tune, "Holiday for Strings"(U.S. Copyright Registration Date 26-3-1942).
Vision is a jazz instrumental composed by McCoy Tyner which first appeared on Tyner's 1969 album Expansions. It was the signature tune for guitarist Lenny Breau who recorded it several times, including on his albums The Legendary Lenny Breau... Now!, Live at Bourbon St., and The Living Room Tapes, Vol. 2.
"Bojro Kontho" was the program where speech of Sheikh Mujibur Rahman were presented. A group of young singers used to sing inspiring songs. Many poems and songs were written for this broadcasting. One of those songs Joy Bangla Banglar Joy (Victory of Bengal) was the signature tune of the radio.
An ode to assisted suicide, "Pulse", from the album was issued as a CD EP of the same name and became their signature tune. It received high rotation on national radio, including on Triple J. "Pulse" was listed at No. 72 on that network's Hottest 100 poll for the year.
Shibani Kashyap is an Indian singer, who is actively working in Bollywood film industry. She has Judged a reality singing show named Bathroom Singer. Kashyap achieved fame by singing the signature tune of the AIR FM channel of All India Radio and Amul India. Shibani mostly composes music in the Sufi-western blend.
His first two recordings with King, "Pan American" and "Dog House Boogie", were top ten country hits. A minor hit, and the song that become his signature tune, was "The Sunny Side of the Mountain." "Slow Poke", recorded in 1951, was another notable King recording. He stayed with the label until 1953.
Land of Song was broadcast monthly, initially for forty minutes, at 6.15pm on a Sunday evenings. Later it was extended to an hour. It opened with its signature tune, the traditional Welsh folk-melody Llwyn Onn (‘The Ash Grove’).The surviving HTV archive footage, a single ten-minute opening sequence, preserves this.
Oldfield's music was used for the score of The Space Movie (1980), a Virgin Films production that celebrated the tenth anniversary of the Apollo 11 mission. In 1979, he recorded a version of the signature tune for the BBC children's television programme Blue Peter, which was used by the show for 10 years.
One of the pieces of music chosen was a recording of I'm Forever Blowing Bubbles sung by the children of Pillowell County Primary School, which had been the signature tune of the 1973 BBC serialisation.Author's introduction to A Child..., p. 10. She was survived by three sons and by a daughter.Telegraph obituary.
It has since gone on a tour of the UK. It is famous for the song "Love Changes Everything", which was performed by Michael Ball in both the West End and Broadway casts. It stayed in the UK singles chart for 14 weeks, peaking at number 2 and becoming Ball's signature tune.
The melody has been used as a signature tune for the Norwegian Broadcasting Corporation's weekly radio program Ønskekonserten since its start in 1950. It is used as incidental music in the play by August Strindberg, The Dance of Death, in which Edgar asks Alice to play it for him on the piano.
"I Don't Want to Talk About It" is a song written by Danny Whitten. It was first recorded by Crazy Horse and issued as the final track on side one of their 1971 eponymous album. It was Whitten's signature tune, but gained more fame via its numerous cover versions, especially that by Rod Stewart.
Matthews subsequently adopted "Dancing on the Ceiling" (also known as "He dances overhead") as her signature tune. The show was Matthews' biggest stage success and led to her renowned film career.Nolan, Frederick. Lorenz Hart: A Poet on Broadway (1994) Oxford University Press The musical garnered critical and box office success, running for 254 performances.
Born in Delhi, India, she is a graduate in English literature from the University of Delhi. She specializes in western and Indian classical music. She was a member of the band Black Slade in Delhi. In 1996, the signature tune of A.I.R. F.M., a channel of the All India Radio was launched in Shibani’s voice.
The song has become Loren's signature tune. He has also scored over 30 films over the years. These include Ski Party (1965), Thunder Alley (1967), The Savage Seven, (1968), The Devil's 8 (1969), The Cycle Savages (1969), The Sidehackers (1969), ...tick...tick...tick... (1970), Corky (1972), Cycle Psycho (1973), Mitchell (1975) and Dixie Dynamite (1976).
With Don on stage hoisting a mai tai glass and encouraging the crowd to "Suck 'em up, everybody!", the promotional "Suck 'em Up"-themed mai tai glasses became souvenirs among Don Ho fandom. It was McVay who in 1967 talked Don Ho into recording the song Tiny Bubbles, written by Leon Pober, Ho's signature tune.
The song proved very successful for Bowes, and it just made the country top 10 that year. "Poor Old Heartsick Me" remained her signature tune. In 1959, she released her follow-up, "My Love and Little Me". The song made the country top 20 and demonstrated she was more than a one-hit wonder.
Between 1981 and 1983 and since 1986, Vremya has used the theme song from Time, Forward! as its signature tune and opening sequence. In a two-week test that lasted from 12 to 26 February 1990 more than 100 PBS member stations across the United States broadcast Vremya. The test was coordinated by WGBH- TV.
Ross Edwin Ryan (born 13 December 1950) is an American-born Australian singer- songwriter and producer. His signature tune, "I Am Pegasus", was released in September 1973, which peaked at No. 2 on the Australian Singles. Its parent album, My Name Means Horse, was released in February 1974, which reached No. 3 on the Australian Album chart.
A short signature tune would herald a change of scene to the Glums' front room, where Ron and Eth would be sitting on the sofa. Eth would say, "Oh, Ron…!" – her catchphrase – and Ron would vacantly reply something like, "Yes, Eth?" and the week's story would begin in earnest. This opening formula was constantly varied slightly.
"Macushla" became the signature tune in the 1912 musical Macushla by Chauncey Olcott.Axel Klein: "Olcott, Chauncey", in: The Encyclopaedia of Music in Ireland, ed. by Harry White & Barra Boydell (Dublin: UCD Press, 2013), p. 775–776. The song was recorded by a number of operatic tenors including John McCormack, James McCracken, Christian Ketter,Kenneth McKellar and Josef Locke.
The show began with Finucane's signature tune. She spoke over the music saying: > Hello there, and a very good-morning to you! When the tune stopped she previewed the newspapers of that day. The programme continued on with interviews, human interest stories, consumer and lifestyle news as well as panel discussions on issues of the week.
In 1928, Payne became the BBC Director of Dance Music and the leader of the BBC's first official dance band. In 1929 the band was featured in the first ever BBC television broadcast, also appearing in the short film Jazz Time that same year. His signature tune was Say it With Music written by Irving Berlin.
The Typewriter was used as the theme song for Esto no tiene nombre, a Puerto Rican television comedy program – loosely based on the TV series Rowan & Martin's Laugh-In – produced by Tommy Muñiz between the late 1960s and late 1970s. It is also the signature tune for the BBC Radio 4 series The News Quiz, running since 1977.
"Gotta Get Me Moose B'y" would become their early career signature tune, and remains one of their more popular songs today. Next was the album Nods'N'Winks, mostly notable for Blackmore's "My Old Wooden Shack", which features Johnson on accordion and vocals. At this point in the group's history that they began to be known outside their local area.
Hoots Mon! is a 1940 British comedy film directed by Roy William Neill and starring Max Miller, Florence Desmond and Hal Walters.BFI.org It follows an English comedian who attempts his luck on the Scottish stage, and develops a rivalry with a local performer. Miller sings "The Charabanc Song" and his signature tune "Mary from the Dairy".
Old Crow Medicine Show, or sometimes known as O.C.M.S., is the first studio album released by the acoustic quintet, Old Crow Medicine Show. Songs include obscure traditional tunes and original compositions by group members. The album features their signature tune, "Wagon Wheel", written by frontman Ketch Secor using a Bob Dylan chorus. The album was produced by David Rawlings.
Video clip contains no storyline, this is just a different incarnation Naty from Baroque through ladies player of American football to the seductive sexy vixen. "Cambio Dolor" second single in Argentina has become a signature tune telenovela Muneca Brava "Cambio Dolor". Song was deployed to 52.místo to Argentine TOP 100 chart on 24 January 1999.
Retrieved 19 October 2010. Pillowell Community Primary School, founded in the 19th century,Retrieved 19 October 2010. briefly became nationally known in 1973, when its pupils under their music teacher Mrs Davies, sang "I'm Forever Blowing Bubbles" as the signature tune for Winifred Foley's A Child of the Forest, when it was serialized on BBC Woman's Hour.Winifred Foley: Introduction.
Many of the early stories were adapted as radio drama for Children's Hour on the BBC Home Service in the 50s and 60s. The signature tune was The Old Clockmaker by Charles Williams. Notably, Jeremy Clarkson provided the voice of Atkinson in these adaptations. "Jennings Goes to School" and "Jennings Again!" were adapted for radio by Anthony Buckeridge, and read by Stephen Fry.
Patrick Flannery (died 1855, New York) was an Irish piper. Flannery was a native of Aughrim, County Galway, four miles west of Ballinasloe town. Being blind, he was given the uilleann pipes as a means of earning a living. The lament The Battle of Aughrim (commemorating the Battle of Aughrim which occurred in his home village in July 1691, was his signature tune.
His contemporary John Foulds, known for banning the harmonium from Indian radio, worked in New Delhi. He founded the Bombay Chamber Music Society along with others like Mehli Mehta (Kaufmann also taught the Mehli's son Zubin Mehta). He also researched Indian and Asian music, writing about them in journals. He composed the signature tune for All India Radio in 1936.
The series was a BBC Radio 4 and BBC World Service co-production. The first two series were adapted from E. W. Hornung's stories by David Buck, and the last series was adapted by Olwen Wymark. The director was Gordon House, and the signature tune was composed by Jim Parker. Jeremy Clyde played A. J. Raffles, and Michael Cochrane played Bunny Manders.
Down Beat, October 31, > 1968. Throughout late 1968, the Orchestra returned to the studio several times to record songs for what would become "Autumn". The album contained the 20-minute opus "Variations for Trumpet" that showcased Ellis's virtuosic trumpet playing. Also on the record was "Pussy Wiggle Stomp", the song that would succeed "Indian Lady" as the Orchestra's signature tune.
In Australia, the Helen Hayes version was superseded when Gay Kayler (Gay Kahler) recorded her version of The White Magnolia Tree with a lush 32-piece orchestral backing. This became Gay's signature tune and remained in EMI and Reader's Digest catalogues (appearing on the Family Favourites box set) for more than 33 years. Helen Deutsch died in New York City of natural causes.
His version began: "I'm forever blowing ballgames." The song also became a hit with the public in British music halls and theatres during the early 1920s. Dorothy Ward was especially renowned for making the song famous with her appearances at these venues. The song was also used by English comedian "Professor" Jimmy Edwards as his signature tune—played on the trombone.
Larry Flick from Billboard wrote that Dion "is at home within an arrangement of delicate rhythms and sweeping orchestration." He also noted that Griffin's voice "is a pure thrill." Christopher Smith from TalkAboutPopMusic said that Dion and Griffin "do credible justice to Nat’s signature tune as she remains in subdued and romantic mood for the entire length" of the song.
The signature tune was The Land of the Mountain and the Flood, by Hamish MacCunn.Questions of Music By Norman Edwards, Lulu (2006), p.109 Series creator Lindsay Galloway released a novel based on the series in 1974. The DVD of selected episodes from Sutherland's Law Series 1 was released on Region 2 by Acorn Media UK in the UK on 1 June 2009.
The lyrics in the signature tune repeated the words ridgey didge several times which became a catchphrase amongst the target audience. This was accompanied with a hand gesture. The three middle fingers of the right hand were closed, leaving the thumb and little finger extended; the hand was then twisted from side to side in time with the rhythm of the music.
By 1936, she had joined Louise Akeo's Royal Hawaiian Girls Glee Club singing at venues around Oahu. The group got $25 per appearance to distribute among the 25 members. The Don McDiarmid Sr-Johnny Noble song When Hilo Hattie Does the Hilo Hop became her signature tune. McDiarmid intended the 1935 song to be danced by the typical beautifully smooth hula dancer.
Majestic Fanfare is a short piece of music written by the British composer Charles Williams in 1935. It was first recorded in 1943 by the Queen's Hall Light Orchestra conducted by the composer. In an abridged form, it came to prominence in Australia: first as the signature tune for radio broadcasts of proceedings from the Parliament of Australia; and then as the signature tune for radio and television news broadcasts by the Australian Broadcasting Commission (ABC). It was first used for this purpose on 1 January 1952. The Majestic Fanfare replaced a short version of Advance Australia Fair that had been in use throughout World War II. Further shortening of what was already regarded as a significant national song (it would in 1984 become Australia’s official National Anthem) was regarded as somewhat sacrilegious, while shortening the apolitical Majestic Fanfare was deemed less contentious.
Both shows aired in the same time slot and both had around 1-2 million viewers. The signature tune was written by Lasse Holm. The spin-off movie ' was based on two of the characters; Reine and Mimmi. The series ended with the majority of the cast being unceremoniously killed off in a suicide bombing at the Tre Kronor restaurant, perpetrated by Sten Frisk.
The signature tune, "Eye Level", was composed by Jack Trombey (a pseudonym of a Dutch composer, Jan Stoeckart) and was performed by the Simon Park Orchestra. It reached number one in the UK singles charts in 1973. Also that year Matt Monro charted with a vocal version titled "And You Smiled". In the final TV series the theme was played at a slightly faster tempo than previously.
The signature tune of Airtel is composed by Indian musician A. R. Rahman. The tune became hugely popular and is the world's most downloaded mobile music, with over 150 million downloads. Rahman along with Anu Malik re-used the same tune in a 2004 Kannada movie Love. A new version of the song was released on 18 November 2010, as part of the rebranding of the company.
He also owns his own studio, PK Studios. In 1973, Fourth Dimension, a compilation of his early signature tune work for the Radiophonic Workshop, was released and in 2002 his incidental scores for the Doctor Who serials "Meglos" and "Full Circle" featured as part of the Doctor Who at the BBC Radiophonic Workshop compilation series. Eight albums of his library music work have been issued by KPM.
In 1947, he played guitar with Sunnyland Slim on piano on the cuts "Gypsy Woman" and "Little Anna Mae". These were also shelved, but in 1948, "I Can't Be Satisfied" and "I Feel Like Going Home" became hits, and his popularity in clubs began to take off. Soon after, Aristocrat changed its name to Chess Records. Waters's signature tune "Rollin' Stone" also became a hit that year.
Buss loved the excitement of the club's famous opening act, which included a dimming of the lights followed by a dramatic singing of their signature tune, "It's Showtime". After he purchased the Lakers and The Forum from Cooke, Buss embarked on creating a grand-scale version of The Horn.Ostler, Springer 1988, p.225. Like a night club act, he believed a basketball game should be entertaining.
In 1992, The Water Rats produced an all star variety show in his memory, at the Churchill Theatre Bromley, the proceeds of which went to the home where he had spent his last years. His signature tune was "Spread a Little Happiness" and his catchphrase "Be Lucky". In April 2012, the biography of his life and career, written by his youngest son, Mike Martin, was published.
In the original series Parsley did not actually speak (although he did have his own signature tune: "I'm a very friendly lion called Parsley....") but his thoughts were voiced by the narrator. Rollings' dead-pan style became a feature of the programme, and was similar to that used by Eric Thompson in his characterisation of Dougal the dog in the English version of The Magic Roundabout.
During his final years, Payne ran a hotel, The Middle House, in Mayfield, East Sussex, which was not a successful financial venture. Payne was married twice – his first wife having died after sixteen years of marriage. He had an adopted daughter with his second wife, the pianist and composer Peggy Cochrane. He wrote two autobiographies, This is Jack Payne (1932) and Signature Tune (1947).
The song was sung in various recordings by Ella Fitzgerald, becoming (with the Gershwins' "Oh, Lady Be Good!") Ella's signature tune. She first performed the song at Carnegie Hall on September 29, 1947. Her first recording, backed by the Daydreamers, was recorded December 20, 1947, and released by Decca Records as catalog number 24387, with the flip side "You Turned the Tables on Me".
Francis recorded the song on October 18, 1960 in a New York City recording session with Stan Applebaum arranging and conducting. Although it only peaked at #4 in the U.S., the theme song of "Where the Boys Are" became Connie Francis's signature tune, followed by several cover versions. Besides the theme song, Francis sang "Turn on the Sunshine", another Sedaka-Greenfield composition, in the film.
"Way Out West" is the debut single by Australian band The Dingoes. It was released in October 1973 and peaked in the top 40 of the Australian Kent Music Report singles chart NOTE: Used for Australian Singles and Albums charting from 1970 until ARIA created their own charts in mid-1988 and reached number 26 in Melbourne. The song became the band's signature tune.
He opened the programme each week with the introduction "With a box full of records and a bag full of post, it's radio Soapbox and Charlie your host!" The programme was transmitted on Sunday afternoons until Chester suffered a stroke in November 1995, after which he could not walk or talk. Its opening and signature tune was called Music To Drive By by Alan Moorhouse.
During its run, the program's presenters included Ludovic Kennedy, James Cameron, Jonathan Dimbleby, Robert Kee, Dan Farson, Jeremy Thorpe (who became leader of the Liberal Party), Kenneth Harris, Desmond Wilcox, Llew Gardner, Bryan Magee, Peter Taylor (noted for his coverage of Northern Ireland), Denis Tuohy, John Morgan, Peter Williams, Yvonne Roberts and John Edwards. The programme used the Intermezzo from Sibelius's Karelia Suite as a signature tune.
Sammy Kaye (born Samuel Zarnocay Jr., March 13, 1910 - June 2, 1987) was an American bandleader and songwriter, whose tag line, "Swing and Sway with Sammy Kaye", became one of the most famous of the Big Band Era. The expression springs from his first hit single in 1937, "Swing and Sway" (U.S. #15). His signature tune was "Harbor Lights," a number-one hit from late 1950.
The cast included Marie Kean, T. P. McKenna, Vincent Dowling, Angela Newman, and Philip O'Flynn. Each fifteen-minute episode was transmitted at lunchtime on Tuesdays and Thursdays. The programme's signature tune was the second movement of Hamilton Harty's An Irish Symphony, sub-titled The Fair Day. During its long run, various other scriptwriters worked on The Kennedys of Castleross, including playwright Hugh Leonard and broadcaster David Hanly.
The first single from the album, "Walk on the Wild Side", became an international success, despite its controversial subject matter. The song's lyrics mention transgender issues, sex acts, and drugs, causing it to be edited in some countries and banned in others. It is now generally regarded by fans and critics as Reed's signature tune. "Satellite of Love" was issued as the second single in February 1973.
Crook also fronts a band, Juliet the Sun, as lead vocalist. Tabloids told that they provided inspiration for England during the 2005 Ashes and even became brief tabloid darlings when it emerged that former team-mates James Anderson and Monty Panesar were blasting out their signature tune, "Time for Heroes", in the dressing room in between sessions. Crook plays at the Cricketers Arms. in Northampton.
To prove his identity to Marian's friends and to a police patrolman who holds the car keys and Bing's five dollar stake, Bing sings his signature tune 'Where the Blue of the Night (Meets the Gold of the Day)', finishing the song as he and Marian drive off in the car leaving Gilbert floundering in the swimming pool after resisting the loss of his automobile.
It was later used as the signature tune for BBC Switch's The Cut. Signing a deal with A&M;, his debut album UN was released on 13 July 2009. The album was preceded by a single, "Symphonies", which was released after a successful performance at Glastonbury 2009 in the John Peel Tent. Black also performed on the Freeze:Freesports on 4 main stage at London Battersea Power Station in November that year.
The waitress was called Mary. He started writing the song on a cigarette packet, took it to an orchestrator Arthur Parry and rushed to the Mile End Empire where he met Miller. He said to him that this song will do for you what ‘’Sally’’Gracie Fields’ signature tune did for Gracie Fields. Miller told him that he would meet him the next day outside the Express Dairies.
Despite such setbacks, "Khe Sanh" reached No. 41 on the Kent Music Report singles chart. It became Cold Chisel's signature tune and was popular among their fans. They later remixed the track, with re- recorded vocals, for inclusion on the international version of their third album, East (June 1980). The band's next release was a live five-track extended play, You're Thirteen, You're Beautiful, and You're Mine, in November 1978.
There was at least one Pebble Mill spin-off during the 1970s, when BBC1 rested its main Saturday chat show, Parkinson. BBC Birmingham was commissioned to produce a late night chat show. Saturday Night at the Mill, was the result and Kenny Ball and his Jazzmen were the regular house band; they performed the show's signature tune. The programme was directed and produced in Birmingham by Roy Norton and Roy Ronnie.
Website contains genuine video recordings of Tyne Tees Idents and continuity announcements, retrieved from old video recordings. This ident was accompanied by a shortened version of the station's signature tune "Three Rivers Fantasy", a specially commissioned work by composer and arranger Arthur Wilkinson. The musical overture merged several regional folk tunes, such as "Water of Tyne", ending in The "Blaydon Races". Part of the medley was based upon "The Sailor's Hornpipe".
Their signature tune was "Somebody Stole My Gal", and they made numerous commercial recordings for Decca. During the Second World War Cotton and his band toured France with the Entertainments National Service Association (ENSA). After the war, he started his successful Sunday lunchtime radio show on BBC, the Billy Cotton Band Show, which ran from 1949 to 1968. In the 1950s, composer Lionel Bart contributed comedy songs to the show.
Serro started writing music in 2014 and released her first single, "Rongai", in 2016. "Rongai" became her signature tune until her 2019 single "Kasyoki Wa Mitumba", which she released in an acoustic version and a benga version. "Kasyoki Wa Mitumba" gained popularity since Serro performed an acoustic version of it live at East Africa's Got Talent in 2019. That same year her fifth single, "Ya Dunia", was released.
Perhaps his best known song became his signature tune, "When Johnny Comes Marching Home"."Mr Harry Liston at the Royal Public Rooms", Western Times, 15 January 1887, p. 4 By 1888 and with the Lion comique becoming out of date, Liston developed a new entertainment, "Merry Moments", with which he toured concert halls throughout the country."Mr Harry Liston at Alfreton", Derbyshire Times and Chesterfield Herald, 4 March 1893, p.
The system's name was proposed by Acart Communications, an Ottawa advertising agency. The name "O-Train" was based on the classic Duke Ellington signature tune "Take the 'A' Train", which refers to the New York City Subway's A train. Because Ottawa is a bilingual city, the name had to work in both English and French. In French, it is pronounced similarly to au train, as in to travel "by train".
Paddy's rendition of the traditional song "Trim the Velvet" was the signature tune of the long-running radio program A Job of Journeywork. By the mid-1960s, however, Canny decided the band's demands were too much of a distraction from his farm (which he considered his primary occupation), and he left the band in 1965.Champion fiddle player whose style was critically acclaimed. The Irish Times, 5 July 2008.
The song earned Colter a Grammy award nomination in the category of Best Female Country Vocal Performance and a Country Music Association Awards nomination. Colter's follow-up single "What's Happened to Blue Eyes" became a Top 10 country hit. However, none of her subsequent releases for Capitol in the 1970s came close to the success of "I'm Not Lisa", which became Colter's signature tune and her only #1 single.
A talented guitarist, Idle composed many of the group's most famous musical numbers, most notably "Always Look on the Bright Side of Life", the closing number of Life of Brian, which has grown to become a Python signature tune. He was responsible for the "Galaxy Song" from The Meaning of Life and "Eric the Half-a-Bee", a whimsical tune that first appeared on the Previous Record album.
Lead guitar was the work of Billy Harrison. It was released in November with "Gloria" as its B-side. In December 1964, Them made their television debut, joining The Rolling Stones, on Ready Steady Go!Turner, p. 51 Their manager, Phil Solomon got the track used as the show's signature tune and within two weeks it was at No. 19 on the UK Singles Chart, eventually peaking at No. 10.
The song became the signature tune of Richard Tauber,Symonette & Kowalke p.221 and Bing Crosby also later sang an English version, in The Emperor Waltz (1948) Erwin was a Jew and, following the Nazi rise to power in 1933, he went into exile in France. There, he continued to work on film scores. Erwin was still in the country during Nazi Occupation of France and was eventually arrested.
Zucca's trademark sign-off was "a sweet kiss from Sally", and she was often mistaken for Gillars. According to one account, Zucca signed onto each show by uttering "Hello Suckers!" and her signature tune was "Between the Devil and the Deep Blue Sea".Byrd Stuart Leavell (1970) The 8th Evac: a history of the University of Virginia hospital unit in World War II. p. 213. Richmond: Dietz Press.
There was a Pebble Mill spin-off during the 1970s, when BBC 1 rested its main Saturday chat show, Parkinson. BBC Birmingham was commissioned to produce a late night replacement. The result was Saturday Night at the Mill with Kenny Ball and his Jazzmen as the regular house band, who also performed the show's signature tune. The programme was directed and produced by Roy Norton and Roy Ronnie.
2 hit in the UK Singles Chart in March 1967. It was to become his signature tune for the rest of his career, which saw him top the bill at the London Palladium and Talk of the Town. His album Edelweiss was also a hit album for EMI Columbia. Although known mainly for his voice, Hill was also a songwriter, and composed many songs with his musical director Ernie Dunstall.
In 1933 Gonella published Modern Style Trumpet Playing – A Comprehensive Course. He made uncredited appearances with Lew Stone and Al Bowlly in the films Bitter Sweet and The King's Cup. Gonella's reputation grew he formed The Georgians in 1935. The band took its name from a popular version of the song "Georgia on My Mind" that he recorded for Lew Stone in 1932 and which became the trumpeter's signature tune.
His piece "Komic Kapers" was used in the 1950s by the Commonwealth cartoon distribution company. They put it as the opening music when adding sound to many of Paul Terry's silent Farmer Alfalfa cartoons from the 1920s (also known as Farmer Grey). Although never chosen by Terry, Rogers's piece was indelibly imprinted on a whole generation of children as the signature tune for these strange, eerie, frantic cartoons.
Gabriele Anzaloni) named his first and long-running TV show after the song, also using Vincent's performance in the film The Girl Can't Help It as the signature tune of the show (accompanied by cartoonist Bonvi's Sturmtruppen-inspired animations). The song features in the soundtrack of Jack Smith's infamous avant-garde film, Flaming Creatures (1963). A cover version of the song by Chris Cawte appears in the animated film Planet 51.
It was the eleventh best-selling song of 1973 in Japan. It has since become her signature tune. She made an appearance on the 24th edition of Kohaku Uta Gassen with this song, and won the popularity award for it at the 15th edition of the Japan Record Awards. The song's popularity was so immense, that manufacturers and businesses capitalised on its success by producing products especially for left-handed people.
After having raised her own children, Langbo started writing humorous articles for the newspaper Drammens Tidende. Appearing in the children's radio show ' from the mid 1950s, she performed her own songs and told stories from her rural childhood. Her signature tune was a vocal imitation of a trombone solo (a version of "Bavarian polka" played with her lips). She also appeared in television shows for NRK, as ventriloquist with hand puppets.
His song Ek Sagor Rokter Binimoye was popular during war and later was adopted as a signature tune of Bangladesh TV in the 1990s. Though his songs were popular during war and his other songs were aired on All India Radio and Doordarshan, he never got the acknowledgement. His first book Door Digonte was published with only five hundred copies in 1989 and were sold out but he could not manage to reprint.
Ambrose's signature tune was "When Day is Done". After a short period back at the May Fair Hotel, Ambrose retired from performing in 1940, although he and his orchestra continued to make records for Decca until 1947. Several members of his band became part of the Royal Air Force band, the Squadronaires, during the war. Ambrose's retirement was not permanent, however, and he formed and toured with the Ambrose Octet, and dabbled in management.
Skinner appeared as Angelos Epithemiou on series 6 of Shooting StarsShooting Stars: Matt Lucas introduces Angelos Epithemiou BBC Comedy, 15 July 2009 as a permanent member of Team B, replacing Johnny Vegas. In series 7 and 8, he replaced George Dawes as the score keeper. The character's signature tune is "Drop the Pressure (Jack Beats 'Rinsed Out Rave' Remix)" by Project Bassline. He is (apparently) of Greek origin and resides in Neasden.
His signature tune was The Mocking Bird, an 1855 song by Richard Milburn. AtLee recorded prolifically for Columbia through 1897, and in 1898 went on to record for the Berliner Gramophone Company, singing 'The Whistling Coon' and 'The Laughing Song', signatures of George W. Johnson, another prominent whistler. His final recordings were for the Victor Talking Machine Company in May 1900. AtLee married Ann Jennette Klock in 1883 in Prince George's County, Maryland.
In the following year, she married Mungo Campbell, the shipping magnate. She went on to introduce the BBC radio variety programme Wot Cheor Geordie, which ran from 1940 to 1956. The signature tune was the very popular "Wherever ye gaan, you're sure to meet a Geordie". She also wrote more serious plays in her later career, including Living Room in 1943, No Medals in 1944 (filmed as The Weaker Sex), and Cry Liberty in 1950.
In 1938, together with fellow saxophonist Harry Hayes he joined Geraldo and between 1938 and 1942 was arranging, singing and playing tenor for the orchestra. He was the composer of Geraldo’s signature tune "Hello Again". From 1940 to 1946, he was a member of the Welsh Guards Band, although like many servicemen at the time, he carried on playing with civilian bands as well as appearing on broadcasts with George Melachrino’s combined Forces Orchestra.
"Take the 'A' Train" is a jazz standard by Billy Strayhorn, referring to the A train, going at that time from eastern Brooklyn up into Harlem and northern Manhattan, using the express tracks in Manhattan. It became the signature tune of Duke Ellington and often opened the shows of Ella Fitzgerald. Part of the significance of this is sociological; it connected Harlem and Bedford–Stuyvesant, the two largest African-American neighborhoods in New York City.
It's Arbor Day, Charlie Brown was the last Peanuts special to feature original music composed by Vince Guaraldi (except where noted), who was best known for the Peanuts' signature tune, "Linus and Lucy." 47-year-old Guaraldi died suddenly several hours after completing the soundtrack for this special. The end credits include a dedication: "For Vince!!!" With the untimely death of Guaraldi, later Peanuts animated specials lack the same jazzy musical score as previous entries.
Green also used the song in a Broadway show in 1927. The recording by Harris - the first widely-known white singer to sing blues songs - for Victor Records was released in February 1919. Other popular early recordings were made by Wilbur Sweatman's Original Jazz Band (1919), Ernest Hare (1919), Ted Lewis (1928), and Bessie Smith (1928). The song became the signature tune of Sophie Tucker, who also first sang it in 1919.
The band first recorded together as the backing musicians for David Ackles debut album, released in 1968. Rhinoceros' self-titled debut album, produced by Paul Rothchild, was also released in 1968. Despite heavy promotion and critical acclaim it did not sell well. However, the instrumental "Apricot Brandy", written by Weis and Fonfara, reached #46 on the Billboard Charts and was later used as a signature tune by BBC radio,Joynson, Vernon (1995).
"Just An Old Fashioned Girl" became a cornerstone of Eartha Kitt's stage act, as her popularity developed around the world at the same time as her novel and provocative image became less of an attraction to US audiences. It became her signature tune in Britain,Adrian Jack, "Obituary: Eartha Kitt", The Guardian, December 29, 2008. Retrieved February 23, 2015.Phil Hardy, The Da Capo Companion to 20th-century Popular Music, 1995, p. 526.
They recorded extensively for the Parlophone label throughout the 1930s, scoring hits such as "Tiger Rag", "Nagasaki", "I Can't Dance I've Got Ants In My Pants", "How'm I Doing?" "The Sheik of Araby", "Oh Monah!", "Ol' Man Mose" and Gonella's signature tune "Georgia On My Mind". In these recordings, he brought jazz, and particularly the stylings of his hero Louis Armstrong, to national prominence through radio broadcasts and tours of the variety circuit.
According to Levinson, the catchphrase "one more thing" was conceived when he and Link were writing the play: "we had a scene that was too short, and we had already had Columbo make his exit. We were too lazy to retype the scene, so we had him come back and say, 'Oh, just one more thing . . .' It was never planned." Columbo featured an unofficial signature tune, the children's song "This Old Man".
He would return to score further Emmanuelle films, such as Emmanuelle 5 (1987) and Emmanuelle 7 (1992). He also did the score for the French film Un crime au paradis (2001), which was another success for him. His signature tune, Les corons, released in 1982, is notably used as the supporters' anthem for the football club RC Lens. Bachelet bore a physical and voice resemblance to Jacques Brel, and had a similar onstage demeanor.
In 1938, Kalama played steel guitar substituting for Sam Kaʻapuni with the Malcolm Beelby Orchestra. Kalama worked with the Don McDiarmid Sr band at the Royal Hawaiian Hotel, the Kewalo Inn and La Hula Rhumba on Lulalilo Street. McDiarmid, along with Johnny Noble, had penned Hilo Hattie's signature tune When Hilo Hattie Does the Hilo Hop. During this period of his career, Kalama worked with Alfred Apaka, George Kainapau, Alvin Isaacs Sr and Tommy Castro.
Gervide was born in Småland and graduated from Åkrahällskola in Nybro in 1999. When young, she was a musician and participated n a music show on TV, and wrote the signature tune for the documentary Tille's resa TV4 in Sweden. She then worked for Nyheter24, Sveriges Television, Nyhetsmorgon, Digster Magazine, VeckoRevyn, Frida, Maybelline and Tunigo. She started blogging in 1999 and in 2010, she began to blog seriously about music, interviewing a number of celebrities.
Her U.S. postal stamp was released on May 15, 2013. Mendoza was too young to attend school when she first began mimicking the singing of her mother and grandmother. It was during this time that Lydia first learned the song "Mal Hombre" (Bad Man) that would become her signature tune. Mendoza always said that she first saw the words to the song on a gum wrapper, when her family briefly lived in Ennis, Texas.
In the same year in MTV3's organized carol competition he reached a special mention with the tune "Santa Claus' Sleighride." MTV3's competition rules determined that both text and lyrics were to be created, but Katter sent only an instrumental composition. The exception was approved, and the melody was recorded in two different versions later published on the "Joululaulu 90" sound disc (MTVLP 026). The composition also became the competition's signature tune.
The 100th edition was transmitted on 4 January 1967. Many editions of the show were junked by the BBC in the early 1990s when they were assumed to be of no further use. Recent documentaries such as The Way We Went Wild have had to resort to using clips from off-air recordings of some shows. The signature tune, "Las Vegas", performed by Group Forty Orchestra, was written by Laurie Johnson for KPM in 1960.
Neil Ocampo (March 3, 1958 - August 10, 2020), was a Filipino anchorman, self- styled as the 'Total News-Tertainer' (a portmanteau of "newscaster" and "entertainer") in the Philippine radio broadcast industry. He is known for his long morning introduction of "Magandang magandang magandang... umaga po!" and popularized the theme from Hawaii Five O which became his radio program's signature tune. His radio program, Todo Arangkada Balita was one of the longest running morning drive-time programs in the Philippines.
The Billy Cotton Band Show was a Sunday lunchtime radio programme broadcast in the BBC Light Programme from 1949 until 1968. The band leader, Billy Cotton, was a larger-than-life Cockney character who started each show with the cry “Wakey-Wake-aaaay!”, followed by the band's signature tune “Somebody Stole My Gal” (which was also featured in the video game Pop'n Music 9). The show transferred to BBC Television in 1956, usually on Saturday evenings at 7.00 pm.
Coudrille is also a multi-instrumentalist; he plays and composes for guitar, 7-string banjo, piano, organ and trumpet. His musical interests and influences are principally jazz, Russian and gypsy music. During the 1960s, Coudrille played in Soho strip-clubs. During his broadcasting career, he composed and arranged for television and radio; his guitar performance and arrangement of Francisco Tárrega's Recuerdos de la Alhambra was the signature tune for Jack Hargreaves' long-running Out of Town.
Released during the Indian independence movement, Janmabhoomi was the first patriotic movie in the history of Hindi cinema. It was also the first ever Hindi movie to have an explicitly nationalistic song: "Jai Jai Janani Janmabhoomi" (Hail the land of our birth), written by Jamuna Swarup Cassyap. The song was an extremely popular song in its era. A tune from the film was utilised by the BBC as a signature tune for its "Indian News Service".
National Wake played punk, reggae, and tropical funk, but also incorporating two-tone ska and African rhythms. The band's signature tune "International News" decries state censorship and the atrocities of the Angolan War of Independence.National Wake's existence was a subversive threat to the South African status quo, a policeman cynically suggested that they could make more money as a band playing in exile. The music has a hint of third wave ska with influences of the Clash.
Grace Jones covered "La Vie en rose" in 1977 for her debut studio album Portfolio. It was the third and the last single off that album, and at the same time, her first single release on Island Records after having signed with the label. The single version was heavily edited from its original album version. Jones' fairly radical bossa nova interpretation of Édith Piaf's signature tune became her first international hit single and a staple of her repertoire.
"A Place to Stand, a Place to Grow" (Ontari-ari-ari-o!) is an unofficial regional anthem of the Canadian province of Ontario. It was written as the signature tune for a movie of the same name that was featured at the Expo 67 Ontario pavilion. The song was written by Dolores Claman, who also wrote "The Hockey Theme", with lyrics by Richard Morris and orchestrations by Jerry Toth. Lyrics for a French version were written by Larry Trudel.
It was first released on the band's 1969 eponymous debut album It's a Beautiful Day by Columbia Records. The song quickly became the band's signature tune and a staple of FM Album-oriented rock radio. The album rose to Number 47 on the Billboard 200 album chart. Following the popularity of the album track, a single version was edited and remixed for radio play, with a running time of 3:02, and released on October 4, 1969.
The hymn remains a popular favourite with American churchgoers who have grown up with it. In a 2003 survey of 'desert island' hymns run by the website Anglicans Online, the hymn was voted 14th. The hymn was used as the signature tune of the BBC Scotland radio programme Fireside Sunday School in the 1960s running through until December 1970 when the programme ended. It was sung by the Scottish Junior Singers who participated in the programme.
He taught how to play the instrument, shehnai, at Sangeet Research Academy, Calcutta beginning in 1974. He was regularly featured on All India Radio and Indian Television. He holds the distinction of composing the signature tune for Indian Television with Pandit Ravi Shankar in 1973. He played jugalbandhi both commercially and in live performances with artists such as Vilayat Khan, Pandit Manilal Nag on sitar, V. G. Jog on violin and Munawar Ali Khan with vocals.
Lonnen's signature tune, "Killaloe" Lonnen in Frankenstein Edwin Jesse "E. J." Lonnen (1860 – 31 October 1901)"Edwin Jesse ('E.J.') Lonnen as a policeman", National Portrait Gallery, accessed 27 August 2012 was an English actor, comedian and singer known for his performances in musical burlesques, operettas and musical comedies, particularly at the Gaiety Theatre, London at the end of the Victorian era. Lonnen began acting as a child in pantomime and other theatre in the British provinces.
Peerce's best-selling record was his 1945 RCA Victor recording of "Bluebird of Happiness" (music by Sandor Harmati, lyrics by Edward Heyman and Harry Parr- Davies). It became his "signature tune" and he recorded it at least three times for RCA Victor. As of the late 1970s, it remained among the all-time best selling recordings by opera and concert singers. Bluebird was second in sales only to Enrico Caruso's 1918 recording of George M. Cohan's "Over There".
William Corlett, The Door in The Tree, Pocket Books, page 298. The signature tune of the series, "Back Home Once Again", was performed by progressive rock band Renaissance, and it appears (re-recorded) as a full-length song on their 1978 album A Song For All Seasons. The full series was released on DVD by Network in July 2013. Two novels by William Humble based on the series were released by children's paperback publisher Target Books.
Lavishly produced, the show was built largely around the performance of the tenor Richard Tauber, a close friend of Lehár, for whom he customarily wrote a ' – a signature tune exploiting the exceptional qualities of his voice – in each of his later operettas. On this occasion it was "Dein ist mein ganzes Herz" ("You are my heart's delight"), probably the most famous of all the '. Tauber also appeared in the show in London, singing many encores of his song.
After this incident, Roselli was blackballed from singing in clubs and venues owned or controlled by Mafia associates. At times, he was relegated to selling his music out of the trunk of his car parked in Little Italy in Manhattan (he was the founder and owner of M&R; Records). Jimmy Roselli is a favorite among Italian-Americans and his signature tune "Mala Femmina" is featured twice in Martin Scorsese's Mean Streets. Roselli sang in perfect Neapolitan dialect.
The theme tune, "Cocoon", was performed by Timerider, a pseudonym of the German singer Fancy. The track also appeared in the film The Fruit Machine, and Waterman also used it as the signature tune for his Saturday morning Radio City show. It is still today used as the theme tune for Barnsley F.C. and is played as the team comes out onto the pitch at every home game. Latterly, the show's theme tune changed to "Rofo's theme" by Rofo.
"Foot Tapper" is an instrumental by the British guitar group The Shadows. It went to number one in the UK Singles Chart, and was The Shadows' last UK number-one hit (not including those where they performed as Cliff Richard's backing group). It is also known for being the signature tune and closing theme for the BBC Radio 2 programme Sounds of the 60s, from when it started in 1983 until Brian Matthew left the show in 2017.
Pearl & Dean's signature tune is one of the most famous tracks played in British movie houses.discogs.com The Pearl & Dean anthem "Asteroid" is just 28 seconds long. The original screen titles featured graphics intended to emulate advertising panels flashing past as if the viewer was being sucked into the very screen. By the early 1990s, commercials and trailers were given the full stereo treatment, but the original "Asteroid" was only ever produced purely as a mono track.
"Garden Party" was later covered by Herb Alpert, at a slower speed than the original, apparently as he had learned the track from the single played at the wrong speed. Another single, "Rockall" spent one week at number 75 in the same listing in June that year, and was used as a signature tune by several European radio chart shows. The band was named after the traditional musical term mezzo forte, an instruction to play literally "moderately loud".
Yip hit international fame with her signature tune, The Bund from the TVB drama of the same title. After she recorded The Bund, she returned to Hong Kong. In her 45-year career, Yip has released more than 80 albums, mostly of songs in American English, Indonesian, Thai, Malay, Mexican Spanish, Japanese, Tagalog, Hong Kong Cantonese, and Taiwanese Mandarin. She has performed on television, and in films, concerts and cabarets in more than 30 countries on five continents.
Rabin co-wrote the song with Supertramp vocalist Roger Hodgson, who declined an offer to be Yes's lead singer following Anderson's departure in 1988 following the Big Generator tour. The pair recorded a demo in 1990 which was included on Rabin's demo compilation album 90124, released in 2003. "Where Will You Be" is a song written by Rabin, originally as the signature tune to an Australian film. He thought Anderson's lyrics were some of the best on Talk.
The band recorded their signature tune "The Theme From Starsky and Hutch" featuring Fred Wesley and Pee Wee Ellis of The JBs in 1988 and this was included on their next album Wait A Minute (1988). Their popularity as a live act led to the release of the live album Absolute – JTQ Live in 1991, which attempted to capture the experience of the band in concert (even though it was recorded 'live' in the studio, the audience cheering being overdubbed later).
"My Baby Just Cares for Me" is a jazz standard written by Walter Donaldson with lyrics by Gus Kahn. Written for the film version of the musical comedy Whoopee! (1930), the song became a signature tune for Eddie Cantor who sang it in the movie. A stylized version of the song by Nina Simone, recorded in 1957, was a top 10 hit in the United Kingdom after it was used in a 1987 perfume commercial and resulted in a renaissance for Simone.
After a couple of months they decided to expand the line-up, adding a rhythm section and rehearsing more seriously. They recruited Andrew "Chip" Carpenter on drums and Mark "Miff" Smith on bass, both old school friends of Johnstone's, and former members of their previous band Hardware. It was at these jam sessions that "Papa's Got a Brand New Pigbag" was developed from an idea Chris Hamlin had had before the band was formed. The song would become their signature tune.
La yumba (zhoóm-ba) is a tango created by Osvaldo Pugliese in 1946. The term yumba - despite its indigenous origin - was not chosen by Pugliese for its etymology but for its onomatopoeic similarity with the profound gasping from a bandoneón - and the resulting mixture of that sound with other orchestra arrangements. LA YUMBA - Tangos y milongas; Pugliese declared that the unrelenting rhythm was inspired by the noises of metalworking. The tango has been a dance favorite, and remains Pugliese's signature tune.
He was chosen to play the President's Birthday Ball in Washington in 1942, and also that his has been the only record of "Back Up the Red, White and Blue with God," official song of the Treasury's War Bond Dept. Under management of Decca, Long released a hit single, "In a Shanty in Old Shanty Town", that resulted in over one million sales. It was awarded a gold disc by the RIAA. This song quickly became the band's signature tune.
During her childhood Erma and her sisters Aretha and Carolyn sang at New Bethel Baptist Church. Later, when Aretha became a recording artist, Erma provided backing vocals and toured with her. Among her more notable back-up performances for her sister was on Aretha's signature tune "Respect". Erma Franklin sang the original version of "Piece of My Heart", which was a top 10 soul hit in the U.S. and rose to number 62 on the U.S. Billboard Hot 100 chart.
The album, released in 1978, was titled Physical Attraction. Barrow's biggest hit and signature tune was "You Know You Want to be Loved" which went to No. 26 R&B; on Billboard's chart in summer 1978. This track, along with several others on the album, was penned by the songwriter Ronn Matlock. The song "Turn Me Up" also reached the charts the following year and remains a favorite among dancefloor aficionados, reaching No. 79 on the R&B; chart in early 1979.
"Moonlight Serenade" is an American swing ballad composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when released in May 1939 as an instrumental arrangement, though it had been adopted and performed as Miller's signature tune as early as 1938, even before it had been given the name "Moonlight Serenade." In 1991, Miller's recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame. The song was recorded on April 4, 1939 for on RCA Bluebird.
The duo's famous signature tune, known variously as "The Cuckoo Song", "Ku-Ku" or "The Dance of the Cuckoos", was composed by Roach musical director Marvin Hatley as the on- the-hour chime for the Roach studio radio station.Louvish 2001, p. 267. Laurel heard the tune on the station and asked Hatley if they could use it as the Laurel and Hardy theme song. The original theme, recorded by two clarinets in 1930, was recorded again with a full orchestra in 1935.
From 1945 to 1947, he conducted for Richard Tauber in most of his Parlophone recordings and BBC broadcasts. In 1956, his orchestra's track "Autumn Concerto" reached number 18 in the UK Singles Chart, and remained in the chart for nine weeks. Melachrino frequently performed on BBC and American Armed Forces Radio. The "Starlight Roof Waltz", as performed by the George Melachrino Strings, was the signature tune of the radio programme Moeders wil is wet (1949–1974), the Dutch equivalent of Housewives' Choice.
Horton noted that Seely's signature tune, "Don't Touch", was controversial due to its lyric. "'Don't Touch Me' caused quite a stir upon its release as one of the first country songs featuring a woman expressing sexual desire. Proving that women can sing about sex too..." Horton also explained that her material could be considered classic country. Songs such as "Can I Sleep in Your Arms" and "A Wanderin' Man" fused "honky tonk" and "traditional country" with modern arrangements, according to Horton.
The song now remains Lear's signature tune. "Enigma (Give a Bit of Mmh to Me)" was also met with a commercial success, reaching the Top 10 in certain territories, and "Gold" became a minor hit in Belgium. "Run Baby Run" received a single release, but did not match the chart success of other singles from the album. The 1977 hit single "Queen of Chinatown", previously available on Lear's debut album, was released as a bonus track on Italian editions of Sweet Revenge.
During his career Edmund Blampied produced some 200 etchings and drypoints, and more than 80 lithographs and lithographic prints, many of which depicted rural life in his beloved island of Jersey. His scenes of collecting seaweed, called vraic, from the beaches of the island using a horse and cart were, he said, his signature tune. Besides his work in the visual arts, he also amused himself and his friends by writing poetry in Jèrriais,Blampied, Edmund (1997). Lé Niolîn Biampi.
After the loss of Fern Britton from ITV This Morning in 2009, it was announced Holly Willoughby would take over her position along with a full graphic, logo and music rebrand. Baker was approached to rearrange the familiar signature tune, which needed updating after sixteen years on air. His rendition remained until 2013 when a new version premiered to celebrate the 25th Anniversary year, though this rendition was short lived and Baker's arrangement was reinstated for another year between 2014 and 2015.
Rosie was preceded by an earlier series of seven episodes, broadcast in 1975, called The Growing Pains of PC Penrose which was set in the fictitious Yorkshire town of Slagcaster and filmed in Clarke's native South Yorkshire, with the majority of the opening scenes of series one filmed in the village of New Rossington, although the colliery shown in episode one is possibly Hatfield Colliery. The series then underwent a revamp with a new title (Rosie), setting and signature tune.
During this time the Urban Guerillas played regularly at the Sandringham (Sando) and until Roaring Jack entered the scene, had held the over-the-bar record of takings at the famous inner west hotel. (The Roaring Jack crowd consistently managed to out-drink the Urban Guerillas punters). The band toured nationally in 1986 mostly headlining but also playing some notable supports with The Saints, The Hitmen, the New Christs and Spy vs Spy. In 1987 the band released their signature tune Here Come the Americans.
The band self-produced two EPs that drew attention on the underground circuit before signing to Vanguard Records in 1966. Their debut album, Electric Music for the Mind and Body, followed in 1967. It contained their only nationally charting single, "Not So Sweet Martha Lorraine", and their most experimental arrangements. Their second album, I-Feel-Like-I'm-Fixin'-to-Die, was released in late 1967; its title track, with its dark humor and satire, became their signature tune and is among the era's most recognizable protest songs.
Loy Mendonsa is an Indian music director and part of the Shankar-Ehsaan-Loy trio which consist of himself, Shankar Mahadevan and Ehsaan Noorani. Before becoming a music composer, he played piano and keyboards for famous Indian music composers such as A. R. Rahman and Nadeem-Shravan. His daughter, Alyssa Mendonsa, made her singing debut with the song Uff Teri Adaa from the movie Karthik Calling Karthik. Loy Mendonsa started his career by composing the signature tune for 'The World This Week' show on Doordarshan.
Van Zandt also wrote three songs for the album including "How Come You Treat Me So Bad?", which featured guest vocals from Lee Dorsey and the title track, which effectively became the band's signature tune. Other highlights on the album are two songs donated by Springsteen – "The Fever" and "You Mean So Much To Me". Clarence Clemons provided bass vocal on the former but is credited under the pseudonym Selmon T. Sachs while the latter was performed as a duet by Southside Johnny and Ronnie Spector.
"When Do I Get to Sing 'My Way'" is a 1994 electronic dance music song by American rock band Sparks. It makes reference to the Frank Sinatra signature- tune "My Way". The single was released as the lead single from their 1994 album, Gratuitous Sax & Senseless Violins and peaked on number 38 in the UK and number 9 on Billboards Hot Dance Club Play chart in the US. In 1995 it was re-released and this time the song peaked at number 32 in the UK.
It regularly opened with the band's signature tune and Cotton's call of "Wakey Wakey". From 1957, it was also broadcast on BBC television. Cotton often also provided vocals on many of his band's recordings, in addition to work as a vocalist on recordings that didn't feature his band. As a racing driver, he raced at Brooklands between the wars but his finest moment came in 1949 when he finished eighth in the 1949 British Grand Prix, sharing an English Racing Automobiles with David Hampshire.
Although conventionally spelled Woyaya the album's title is actually Wɔyaya (with an open-o), which comes from the Ghanaian Ga language and translates as "We are going"."Osibisa – Wɔyaya" at Discogs. The title song was covered in 1973 by Art Garfunkel on his debut solo album Angel Clare and by the group The 5th Dimension on their 1973 album Living Together, Growing Together. "Woyaya" was also used as the signature tune for the popular Ghanaian television drama series Osofo Dadzie, which was broadcast between 1972 and 1981.
All but one of the advertisements used Renault's 1980s to 1990s signature tune, Robert Palmer's "Johnny And Mary". Each used a variation of the song, including Martin Taylor's acoustic interpretation, an alternative version of which he released on his album Spirit of Django and Renault's promotional compilation, Miles More Music.Miles More Music track listingSpirit of Django at Allmusic The advert that did not use "Johnny And Mary" was Le Changement (Moved On) from 1996, where the song by Soul II Soul, "Keep On Movin'", was used.
The famous opening signature tune was taken from a short orchestral piece called Pastorale by the British composer Ronald Hanmer. National Film and Sound Archive Until Hanmer moved to Australia in 1975, he had no idea that his work had been used by the ABC and had become so famous in Australia (although few Australians could have identified its composer). He later re-worked this short piece into a longer orchestral work titled Blue Hills Rhapsody, which he recorded with the Queensland Symphony Orchestra.
Following her triumphant comeback, she became one of the first gospel artists to sign with Columbia Records when she released To A Higher Place in 1994. Following this album's release, Hawkins took an extended hiatus from recording. New music would not surface until Hawkins' 2000 cameo appearance on gospel trio Trin-i-tee 5:7's recorded cover of her signature tune "Highway". Following this foreshadowing, Hawkins delivered the tour-de-force studio recording Still Tramaine in 2001 after signing a new contract with GospoCentric Records.
Master of Salsa Africana (Laba Sosseh 1943 - 2007), by John Child, (obituary) – Descarga Sosseh remained connected to the New York salsa scene for thirty years. He recorded repeatedly with Orquesta Aragón in Paris, and his song "Diamoule Mawo" was covered by Joe Arroyo (as "Yamulemau", with Arroyo singing in Wolof language by means of a phonetics sheet). In 1998, Sosseh was tapped by famed Afro-salsa band Africando for their album Baloba! where he sang two tunes: "Ayo Nene" and his signature tune "Aminata".
French lyrics were added in the 1970s and it became Distel's signature tune. During the 1960s, he had a variety show on French television. His only British hit single came in 1970 with a cover of "Raindrops Keep Falling on My Head", the Oscar-winning Burt Bacharach/Hal David song from the movie Butch Cassidy and the Sundance Kid. Distel's version reached No. 10 in the UK. In the 1970s, he became popular outside France and hosted the Miss World contest in London in 1977.
A 1938 recital at the RCM, at which they performed three of them, was their breakthrough. Other composers wrote works for them, too, including Jamaican Rumba by Arthur Benjamin, which became a signature tune for the duo. Trimble's Phantasy Trio (1940) won the Cobbett Prize for chamber music. The sisters also performed modern music, including works by Stravinsky, Dallapiccola, Arthur Bliss and Lennox Berkeley and continued to perform in public until 1970. Trimble married in 1942 and had children, which restricted her compositional output.
Magic Touch is a live album by Chicago blues guitarist and vocalist Magic Sam, with harmonica player Shakey Jake. The set list only included one Magic Sam original, "All Your Love", his signature tune first recorded for Cobra Records in 1957. Four feature Shakey Jake on vocal and/or harmonica, including his composition "Sawed Off Shotgun". Several of the songs are contemporary 1965–1966 R&B; blues-style songs popularized by Junior Parker, Little Joe Blue, Jimmy Robins, and Jimmy McCracklin performed in Magic Sam's distinctive style.
Some of the chorus girls who performed alongside her onstage, such as Chichay, Etang Discher, and Mary Walter, later become prominent entertainers in their own right. De la Cruz was acknowledged as a proficient performer of torch songs who drew comparisons to Sophie Tucker. Initially, her signature tune was the bluesy ballad St. Louis Blues. After jazz became popular in the Philippines in the 1920s, de la Cruz adapted her singing style and soon mastered the art of scat singing, which became a trademark of hers.
It was from Gleneagles that the BBC took him in 1932 to succeed Jack Payne as band leader of the BBC Dance Orchestra. At 5.15pm each weekday, Hall's radio programme from Broadcasting House gathered a huge following across the nation. His signature tune was "It's Just the Time for Dancing", and he usually concluded with "Here's to the Next Time". In 1932 he recorded the songs "Here Comes the Bogeyman" and "Teddy Bears' Picnic" with his BBC Orchestra, featuring singer Val Rosing on vocals.
Mills was born and grew up in Toowoomba, Queensland, and went to Nudgee College in Brisbane. He studied in London at the Guildhall School of Music and Drama and worked as a percussionist in England and for the Tasmanian Symphony Orchestra. Mills started conducting and composing in the 1980s. In 1988, to celebrate the Australian Bicentenary, the Australian Broadcasting Corporation (ABC) commissioned Mills to re-orchestrate Charles Williams's Majestic Fanfare, the signature tune of ABC news and television broadcasts, in a more modern, Australian idiom.
TsuShiMaMiRe's musical style can be broadly classified as punk rock, with eclectic influences of noise and Japanese pop music. Several of their songs begin with strong bass lines by Yayoi, but Mari's guitar and Mizue's drums finally make equal contributions. Several songs combine sweet female vocal harmonies with hard drum playing and punk guitar riffs, for a deliberately ironic effect, for example in their signature tune, "Tea Time Ska". The lyrics are consistently quirky and idiosyncratic, with the most common themes being sex, food, and death, and sometimes all three at once.
He also confirmed that there would be a houseband which would feature some of the same members as the Camembert Quartet from Tubridy Tonight. A new version of the theme tune was arranged by Brian Byrne. Terry Prone later commented in the Evening Herald that "the updated signature tune sounded as if someone who had heard the original once was trying to remember it through a hangover". The set, which features a desk of walnut, leather chairs and a backdrop with a pink/purple theme, was designed by Darragh Treacy.
On every Project album, Woolfson would sing a guide vocal track for each song, which the album's eventual lead vocalists would use as a reference. Some of these tracks can be heard on the new remastered editions of various Project albums released in 2007. Woolfson himself was the actual singer on many of the Project's biggest hits, such as "Time", "Don't Answer Me", "Prime Time" and the band's signature tune "Eye in the Sky", which peaked at No. 3 on the Billboard Hot 100 on 16–30 October 1982.
The Austrian entry "Warum nur warum?", performed by songwriter Udo Jürgens, caught Monro's ear, despite its sixth- place finish, and he recorded an English version titled "Walk Away" (lyric by Monro's manager Don Black), earning him another hit single late in 1964. He also had a hit with the Beatles' "Yesterday" in 1965, releasing the first single of the most recorded song of all time, predating even the Beatles' own. The following year, Monro sang the Oscar-winning title song for the film, Born Free, which became his signature tune.
The Pied Piper (Van Johnson) is first spotted working magic in Hamelin by a disabled boy, Paul, and playing his signature tune In the Hall of the Mountain King. Paul tells his best friend, the schoolteacher Truson (=true son), also played by Johnson, but Truson is skeptical. The town of Hamelin has entered a competition in order to win a banner from the King. To this end, the Mayor (Claude Rains) exhorts the people to work incessantly, even the children, to the extent that they are denied school and play.
At a subsequent screening of Watch the K Foundation Burn a Million Quid for Bradford anarchists, Drummond and Cauty were challenged to reconcile their contribution to a charity record with their burning of a million pounds. Cauty's response was that "The Magnificent" "was a mistake; we should never have done that." Drummond agreed, elaborating: Irrespective of the duo's regrets, "The Magnificent" was, by 1996, not just a jingle of B92 but the station's signature tune. From this use, the song ultimately became recognised as a protest anthem of Serbia's discontented anti-Milošević resistance.
Occasionally, he also led his own band and appeared regularly at Preservation Hall in his later years. Robinson's widely recognized, individualistic sound was influential with many later traditional and New Orleans-style jazz trombonists in the United States and Europe. These included two protégés whom Robinson tutored personally—Frank Demond and Big Bill Bissonnette; Robinson's influence is more evident in the former. Big Jim's signature tune, "Ice Cream", was requested at almost all personal appearances after his virtuoso performance of the number in an American Music Records recording made in the 1940s.
Billy Smart occasionally appeared in these shows. At one of the Mammoth Christmas Circuses, he spray-painted five of his elephants white, yellow, blue, cream and pink.Billy Smart Junior – Obituary, The Independent, 24 May 2005 The 1952 circus included an elephant act with Sabu, the young Indian actor made famous by his appearance in films such as The Thief of Baghdad.Sabu, Philip Leibfried, Films in Review, October 1989 The resident band for the circuses was led by Charles Shadwell; the signature tune "Down with the Curtain" always introduced the proceedings.
2 No.4, p.11 Their first EP, Shakin' At The Stadium, included JOK's signature tune "Wild One", co- written by O'Keefe with Greenan, Owens and top Sydney DJ Tony Withers. This became his first hit in March 1958, peaking at No. 20 on the newly established Sydney Top 40 (at this time there was no national pop chart in Australia). Although it was claimed that it was recorded live at the Stadium, it was in fact a studio recording, overdubbed with the sound of a real Stadium audience.
In 1838, the people of Mainz founded the Mainzer Carneval-Verein ("Carnival Club of Mainz") and were searching for a lead melody for the local carnival. One of the founding members was the Austrian bandmaster Karl Zulehner (1805–1847), who got inspired by the 1840 performance in Mainz of Adolphe Adam's opera Le brasseur de Preston (1838) () and used some of its musical motives to create the "Mainzer Narrhallamarsch". The new tune was presented at the opening of the campaign in 1844 and became the signature tune of the Meenzer Fassenacht.
Evans, who had disappeared from the music scene more than three decades prior, also didn't appear. Since Lord had died in 2012, his wife Vickie accepted his award on his behalf. The current members of the band played "Highway Star" for the opening performance. After a brief interlude playing the Booker T. & the M.G.'s song "Green Onions" while photos of the late Jon Lord flashed on the screen behind them, the current Deep Purple members played two more songs: "Hush" and their signature tune "Smoke on the Water".
Grand Daddy I.U. was raised in Hempstead, Long Island, and was encouraged to begin performing by his brother DJ Kay Cee. He recorded a demo tape and gave it to Biz Markie, who signed him to the label Cold Chillin' Records in 1989. In 1990 he released his debut, Smooth Assassin, which spawned his one and only hit "Something New" (which sampled James & Bobby Purify's only hit—their signature tune "I'm Your Puppet"). He became noted for his high-end tailored attire, always appearing in public wearing a suit and tie.
Jean-Joseph Mouret Jean-Joseph Mouret (11 April 1682 in Avignon – 22 December 1738 in Charenton-le-Pont) was a French composer whose dramatic works made him one of the leading exponents of Baroque music in his country. Even though most of his works are no longer performed, Mouret's name survives today thanks to the popularity of the Fanfare-Rondeau from his first Suite de symphonies, which has been adopted as the signature tune of the PBS program Masterpiece and is a popular musical choice in many modern weddings.
Before long, Campbell (now using the DJ name Mikey Dread) had the most popular program on the JBC. Well known for its fun and adventurous sonic style, Dread at the Controls became a hit all over Jamaica. Examples of Mikey Dread's distinctive radio chatter can be heard on the US release of the RAS label LP African Anthem Dubwise. He also began working as a recording artist, Lee "Scratch" Perry producing his signature tune "Dread at the Controls", also recording for Sonia Pottinger and Joe Gibbs, and performing with the Socialist Roots sound system.
In the early 1960s, after the Cuban Revolution caused the nationalization of the music industry, Cruz left her native country, becoming one of the symbols and spokespersons of the Cuban community in exile. Cruz continued her career, first in Mexico, and then in the United States, the country that she took as her definitive residence. In the 1960s, she collaborated with Tito Puente, recording her signature tune "Bemba colorá". In the 1970s, she signed for Fania Records and became strongly associated with the salsa genre, releasing hits such as "Quimbara".
Widely regarded as one of the strongest entries in his discography (rivaled by 2008's And I Love H.E.R.), Charm helped Danny! achieve a moderate buzz in the underground hip- hop community and become South Carolina's most heralded hip-hop artist to date. The song "Cafe Surreal" from this album would go on to become a signature tune in commercial bumpers for the MTV early morning video countdown program aMTV, being played since its pilot in early 2009, and was also featured in a 2013 ad campaign for Crown Royal.
"Cygnet Twitch" was a working of Tchaikovsky's "Swan Lake", and they subsequently signed to British Decca in 1963. Their first single, "Summertime, Summertime", was credited to the Fortunes and the Cliftones. However, the vocalists picked up guitars, jettisoned the Cliftones, and added Andy Brown on drums, and Dave Carr on keyboards. The follow-up disc "Caroline", co-written by the singer-songwriter and future Ivy League member Perry Ford and songwriter Tony Hiller, is still in use as the signature tune for the pirate radio station, Radio Caroline.
Also in New York, the Fletcher Henderson Orchestra featured the new style at the Roseland Ballroom and the swing powerhouse Chick Webb Orchestra started its extended stay at the Savoy Ballroom in 1931. Bennie Moten and the Kansas City Orchestra showcased the riff-propelled, solo- oriented form of swing that had been developing in the hothouse of Kansas City. Emblematic of the evolving music was the change in the name of Moten's signature tune, from "Moten Stomp" to "Moten Swing." Moten's orchestra had a highly successful tour in late 1932.
It was subsequently reinstated, after a storm of popular protest. From 1987 until its demise in 1992 it had a different celebrity host every week, who would visit a place of significance in their own liveseffectively turning it into 'Down My Way' and blending it into the then- emerging celebrity culture. Its well-remembered signature tune was "Horse Guards, Whitehall" by Haydn Wood. In the 1980s the show was satirised on the Kenny Everett Television Show as "Up Your Way", a saccharine television version presented by "Verity Treacle".
In celebration, Mick has Rita sing her signature tune ("Lovebird") as the scene flashes back to her act at the Trenton Air Show where Bill first saw her. The scene shifts back to the Steel Pier where, in order to knock out some of the competition, Mick announces that it's time to run "The Sprints." Rita falls, but Bill somehow manages to stop and rewind time so that she won't be disqualified before his 'time is up.' On her second chance, she doesn't fall and the marathon continues.
The mood was captured on camera by a BBC Panorama camera crew in 1964. One year later, when Liverpool faced Leeds in the FA Cup final, the travelling Kop sang the same song and match commentator Kenneth Wolstenholme commended the "Liverpool signature tune"."Liverpool vs Leeds United", British Broadcasting Corporation, F.A. Cup Final, 1965. Fans of West Ham United were said to have adopted the song "I'm Forever Blowing Bubbles" at Upton Park in the mid-1920s,, although no record of West Ham fans singing the song existed until 1940.
How Irish-born lyricist and composer Jimmy Kennedy became one of the twentieth century's finest songwriters. 2011 146788569X "More unconventionally, the British comedienne Suzette Tarri, who became well known on the BBC's ITMA radio shows during World War II, adopted it as her signature tune." She was a president of the Concert Artistes Association.The Stage Year Book - Page 25 1956 "The death of Suzette Tarri, a former President, was a sad loss, and among prominent members who died during the year were " She also appeared in the film Somewhere in Civvies (1943).
Duncan made the decision to concentrate on composing full-time and left the BBC in 1956. In 1959, he composed his two most famous works The Girl From Corsica and the Little Suite. The first of these was used as the theme music for the BBC Television serial of Francis Durbridge's The Scarf; the opening March from the second was used as the signature tune for Dr. Finlay's Casebook. However, after light music began to be heard less in the UK, he turned his attention to more serious orchestral works.
The album was arranged and conducted by Bill Shepherd of Bee Gees fame, and backed by Australian band The Twilights, led by guitarist Terry Britten, who would later write global hits for Cliff Richard, Tina Turner and Michael Jackson. One outstanding track was a reworking of Steve Winwood's "Gimme Some Lovin'" which became Radio Luxembourg's hit pick of the week and top DJ Tony Blackburn's opening signature tune. They were also invited to perform "Gimme Some Lovin'" on Top of the Pops, hosted by Jimmy Savile. The single was released in America and Europe.
Robin continued to collaborate with many other composers over the years, including Vincent Youmans, Sam Coslow, Richard A. Whiting, Jule Styne, and Nacio Herb Brown. Leo Robin collaborated with Rainger on the 1938 Oscar-winning song "Thanks for the Memory," sung by Bob Hope in the film The Big Broadcast of 1938, which was to become Hope's signature tune."Leo Robin", Michael Feinstein's Great American Songbook. Robin and Styne wrote the 1949 score for Gentlemen Prefer Blondes, including "Diamonds Are a Girl's Best Friend", a signature song for Carol Channing and later Marilyn Monroe.
Special editions of the Primary and Secondary Phases were released in November 2008. These have, according to the BBC, been given "a thorough clean-up and remaster" by Dirk Maggs. This includes using the new Philip Pope signature tune, so the material can be released worldwide, which has required John Marsh to re-record his announcements so they could be mixed in. Cleaning up the recordings aims to reduce the hiss produced by the overdubbing in the original and also re-levelling the episodes to produce a greater clarity in the sound.
Lora graduated from Sfânta Maria high school in Galati and applied for Prima TV's Star Factory in 2004, she studied Sociology at college but her music career didn't allow her to finish it. In 2006, she became a founding member of Wassabi with a launching song named "Have Some Fun with Radio 21" becoming the signature tune of Radio 21 that year and taking part in the Selecţia Naţională Eurovision 2007 to represent Romania in the Eurovision Song Contest. The songs were "Do the Tango with Me" and "Crazy", the latter with band Morandi.
The band Merzedes Club took part with the song "Ho, Ho, Ho, We say Hey, Hey, Hey" coming runner-up to eventual winner "This Is My Life" by Eurobandið. A series of singles followed in 2008 notably with "Meira frelsi" which was adopted as a signature tune for publicity campaign for Síminn, (previously named Landssíminn), an Icelandic telecommunications company. The song created controversy with some alleging great similarities in the music video to that of "Now You're Gone" from Basshunter. Other Merzedes Club hits included "I Wanna Touch You", "See Me Now" and "Basscop".
It became a minor hit on the US Pop Charts, reaching No. 68, and made the Top 30 on the R&B; Charts, peaking at No. 27. It was also released as a single in Britain, by Tamla Motown, but failed to chart. Ruffin would, however, find considerably more success on the UK Charts, and would amass a total of 6 UK Top Ten hits over his career. His signature tune, "What Becomes of the Brokenhearted", made No. 8 in 1966, and performed even better upon its rerelease in 1974, reaching No. 4.
In 1971, Pride released what would become his biggest hit, "Kiss an Angel Good Mornin'", a million-selling crossover single that helped him land the Country Music Association's prestigious Entertainer of the Year award, as well as Top Male Vocalist. He won CMA's Top Male Vocalist award again in 1972. "Kiss an Angel Good Mornin'" became Pride's signature tune. Besides being a five-week country number one in late 1971 and early 1972, the song was also his only pop top-40 hit, hitting number 21, and reaching the top 10 of the Adult Contemporary charts, as well.
The series included music by many composers and performers including Peanuts regular Ed Bogas, Dave Brubeck, David Benoit (who would later take over scoring the specials starting with It's Christmastime Again, Charlie Brown), George Winston, Wynton Marsalis and Dave Grusin. This continued a tradition of using jazz musicians for the musical score; original composer Vince Guaraldi had died in 1976, though several of his music scores were reused, notably his signature tune, "Linus and Lucy". This miniseries featured The Winans, Desirée Goyette, and Lou Rawls as the singing vocals (Goyette and Rawls had previously worked with Melendez on the Garfield TV specials).
The majority of the album comprises standards of the trova and filin repertoire, namely sones, guajiras and boleros typically played by small guitar-led ensembles. A foremost example of the son tradition on the album is "Chan Chan", the group's signature tune and the album opener. Written in the 1980s, it is one of Compay Segundo's most famous songs, and one he had recorded several times, most notably with Eliades Ochoa and his Cuarteto Patria. The same formula is followed in this recording, with Ochoa singing lead and Segundo on second voice as his artistic name indicates.
He first took to the stage, in short trousers and skull-cap in Dublin's St. Francis Xavier Hall which was also the place which first rang to his signature tune, "The School Around The Corner". In 1953 he stepped into a major place in Radio Éireann, compère of his own show, a new show conceived and conducted by himself. Starting with his own school the C.B.S. in North Brunswick Street, he launched The School Around The Corner.RTÉ GUIDE 1 June 1973 The programme began at Easter 1954, when producer Michael O h-Aodha gave the initial go-ahead.
Although credited previously as co-producer with Ron Bledsoe, Family Album was the first Coe record with Billy Sherrill at the helm. The LP is best remembered for containing Coe's own version of "Take This Job and Shove It" and "Divers Do It Deeper". The former was released by Johnny Paycheck in October 1977 and became his signature tune. The song is a first person account of a man who has worked for fifteen years with no apparent reward, and it struck a chord with the public, even inspiring a 1981 film of the same name.
Edward George White (21 August 1910 – 1994) was a British composer of light music, whose compositions including The Runaway Rocking-Horse (1946), Paris Interlude (1952), Puffin' Billy (1952) and the signature tune for The Telegoons (1963), became familiar as radio and television theme tunes. White was born in London, England, and was largely self-taught. He became a violinist in a trio and various dance bands, performing also on saxophone and clarinet. He became known as an arranger of music and, after service in the RAF during World War II, he ran a ballroom orchestra at the Grand Spa Hotel in Bristol.
Puffin' Billy (1952) is perhaps his most familiar composition, especially in the original recording by the "Melodi Light Orchestra". The piece was inspired by an old steam locomotive called "Puffing Billy", (not the locomotive in the London Science Museum) seen by the composer while on holiday on the Isle of Wight. The piece was used as the signature tune for the BBC Light Programme's 'Children's Favourites', a radio request programme, from 1952 to 1966. In the United States it was used for an even longer period of time (1955–1974) as the theme music to Captain Kangaroo on the CBS TV network.
Deffès was born in Toulouse and admitted to the Paris Conservatory in 1839, where he studied with Fromental Halévy and Henri Montan Berton (composition), François Bazin (harmony), Auguste Barbereau (counterpoint and fugue), and Théodore Mozin (piano). In 1844, he composed La Toulousaine. The piece gained great popularity and became a signature tune of his home town. In 1847, he won second prize at the "Concours de Chants Historiques" with his composition Les Charmes de la Paix, and in the same year the Grand Prix de Rome with the cantata L'Ange et Tobie, based on a poem by Léon Halévy.
In need of a steady gig, he joined the Doobie Brothers as third lead guitarist in the middle of their current tour. He had previously worked with the band in the studio, adding pedal steel guitar to both Captain ("South City Midnight Lady") and Vices ("Black Water", "Tell Me What You Want") and was already playing with the band as a special guest during that year's tour. Vices included the band's first No. 1 single, Simmons' signature tune "Black Water". It topped the charts in March 1975 and eventually propelled the album to multi-platinum status.
They had released six multi-platinum albums and had won many awards from the Country Music Association and Academy of Country Music. Alabama's first greatest hits album includes eight of their hit singles; seven of those reached No. 1 on the Billboard magazine Hot Country Singles chart between 1980 and 1985. The eighth song of that group was "My Home's in Alabama", widely considered by fans to be their signature tune (despite only reaching No. 17). Extended live concert versions of "My Home's in Alabama" and "Tennessee River", recorded at June Jam in 1985, are presented on this album.
Mick Groves and Hughie Jones still occasionally perform, although Cliff Hall retired to Australia, where he died in 2008, and Tony Davis died in 2017. Their version of the Ewan MacColl song, "Dirty Old Town", was included in the Terence Davies' 2008 memoir/documentary of Liverpool, Of Time and the City. A biography of the group Fried Bread and Brandy-O (the title of their signature tune) was written by Liverpool journalist David Stuckey (with a foreword by Pete Seeger and an introduction from Deryck Guyler) to coincide with their 25th anniversary. It was published by Robson Books.
Ellis as a composer was "rediscovered" in the 1980s when his 1929 musical Mr. Cinders (featuring the hit song, "Spread a Little Happiness") was revived at the King's Head Theatre in London. The song also charted in a version by Sting, following its ironic use in the film Brimstone and Treacle. His song "This is My Lovely Day" also appeared in the John Cleese comedy Clockwise in 1987. Ellis's composition "Alpine Pastures" was used as the theme song for the long-running BBC radio series My Word and another light music composition, Coronation Scot, was the signature tune for the series Paul Temple.
WorldSpace audio advertisements in 2006 highlighted the company's ability to provide communication and data-transmission services to remote areas of the world, particularly in a disaster-relief context. The promotions also mentioned WorldSpace's facilitation of long-distance educational projects in Africa. The ads, broadcast on Washington D.C. radio stations, appeared aimed at government procurement officials and possibly NGOs. WorldSpace named noted Indian composer A.R. Rahman as its brand ambassador in India where 90% of its customers are located, and unveiled an integrated marketing communication campaign across print and visual media featuring an exclusive signature tune composed by Mr. Rahman.
The format is a revue or variety show; song, dance and short comedy sketches are the most common. The number of items varies between 12 and 25, some stand-alone, others a series of songs to a chosen theme or a running gag. The format was created by Ralph Reader, who wrote material including the signature tune, Crest of a Wave. Other "standards" Reader wrote include Strolling, Great Great Game, Gee, It's A Wonderful life, Gee, It's Great To Be Young, A Touch of Silver, Three Cheers, Show Time, Together, These are the Times and The Scout Hymn.
By the 1990s, Monk was ready to begin his solo career, in which he has taken a decidedly more jazz-oriented direction. For two consecutive seasons, December 1996 and January 1998, on ABC, jazz returned to network television after a twenty-five-year absence. Sponsored by Nissan and the Thelonious Monk Institute, under the guidance of Monk, a historic assemblage of artists gathered for 'A Celebration of America's Music' hosted by Bill Cosby and featuring Natalie Cole, Jon Secada, Tony Bennett, k.d. lang, as well as Thelonious performing his father's signature tune, "'Round Midnight", with Herbie Hancock, Pat Metheny, and Nnenna Freelon.
Sullivan still recorded for Arnold throughout 1947, but at the end of the year, Arnold let Lonzo and Oscar go. Besides persuading Steve Sholes of RCA Victor to get them a contract and landing them a spot on the Grand Ole Opry, he also hired Johnny Sullivan to manage a record store Arnold owned in Murfreesboro, Tennessee. Lonzo and Oscar with their Winston County Pea Pickers recorded 16 songs for RCA. Their best selling song was released in 1948. Written by Dwight Latham and Moe Jaffe, "I’m My Own Grandpa" became their signature tune and was recorded by many others.
According to Metz, he wrote the tune after seeing children starting a fire in a place called "Old Town", although it has also been suggested that he may have first heard the tune played by musicians in Babe Connor's well-known brothel in St. Louis, Missouri. Jeannette Cooperman, "Babe & Priscilla", St Louis, September 19, 2014. Retrieved 13 April 2017 John Aaron Wright, Discovering African American St. Louis: A Guide to Historic Sites, Missouri History Museum, 2002, pp.11-12 It became his company's signature tune in their street parades, and words were added by one of the company's singers, Joe Hayden.
This show was adapted for television as The Charlie Chester Show in 1949 and became a standup and sketch show for the next 11 years. Frequent cast members included Edwina Carroll, Henry Lytton, Jr., Eric 'Jeeves' Grier, Len Lowe, Deryck Guyler, Len Marten, Arthur Haynes and Frederick Ferrari. A later recurring mini-serial in the show was "Whippit Kwik the Cat Burglar", whose whistled signature tune made Chester a national favourite. Tenor St Clair was replaced by Ferrari, known as "The Voice", and for whom Chester wrote the signature song "When Love Descended like an Angel".
Entrance music (also known as an entry theme or walk-on music) is a musical piece or song that is played for athletes or entertainers when they first appear in front of the spectators before beginning a performance. Popular music acts may have recorded intro and/or outro music played before and after a concert performance, which is often of a different genre from that of the act's own live music. Acts often retain a single signature tune throughout their career; music acts typically retain the same intro/outro at least for a whole concert tour.
A total of 59 episodes were made, including a Christmas special in 1995 and a special in 2016. Marks and Gran, the creators, wrote the first series; many later episodes were written by other writers. As in Marks and Gran's sitcom Get Back, most episodes of Goodnight Sweetheart — and the programme itself – were named after popular song titles, others being derived from film titles. The show is named after the song "Goodnight, Sweetheart", a popular song of the 1930s and 1940s, popularised by Al Bowlly in 1931; it was later sung by Nick Curtis as the series signature tune.
Shabalala described this as a beautiful sound, and one not yet achieved by his group of the time. As a result, he reformed the group, bringing on board newer (younger) relatives but keeping the group name. He strove to teach them the harmonies from his dreams, creating what was to become a signature tune for the group: "Nomathemba" (a girl's name, meaning "hope"). After deciding that this group well replicated the beautiful, soft sounds from his dreams, Shabalala entered the group into isicathamiya competitions, held on Saturday nights in the halls of hostels in Durban and Johannesburg.
It was also recorded by Tab Hunter in 1957. A rock-and-roll reworking of the song was often sung by the Beatles during their early years of night club engagements. Vaughn Monroe also recorded this song in the late 1940s Another version was released in 1954 on MGM 11977 by Sam "The Man" Taylor and His Orchestra, with Sam on tenor saxophone. An instrumental version of the song became the signature tune of the Philippine radio drama series Dear Kuya Cesar, broadcast on DZMM radio (ABS-CBN) in the sixties and hosted by Cesar Lacbu Nucum, a.k.a.
In her prime she was reputed to have earned in excess of £100 per week and her name was always sufficient to ensure a full house. Her music hall repertoire included "A Schoolgirl's Holiday", "We've been chums for fifty years", "When the Harvest Moon is Shining", "Silver Bell", "You do Look Well in Your Old Dutch Bonnet", "Queen of the Cannibal Isles", "Never Mind", "When I see the Lovelight Gleaming", and especially "Nellie Dean" - written by Henry W. Armstrong - which an audience first heard her sing in 1907. "Nellie Dean" was an instant success and became her 'signature tune'.
Strachey scored another success in 1940 (this time with Eric Maschwitz and Manning Sherwin) with the song "A Nightingale Sang in Berkeley Square". In the 1940s Strachey began to compose popular light music pieces for orchestra, and is best remembered in Britain as the composer of "Theatreland", "Pink Champagne", and especially "In Party Mood" (1944), which was the signature tune of Housewives' Choice, a popular radio show on the BBC Light Programme which ran until 1967. Jack Strachey moved to Brighton in 1958 and died there on 27 May 1972.The Argus (Brighton), 31 May 1972.
His first son Gary was born in 1933 with twin boys following in 1934. By 1936, he replaced his former boss, Paul Whiteman, as host of the weekly NBC radio program Kraft Music Hall, where he remained for the next ten years. "Where the Blue of the Night (Meets the Gold of the Day)," with his trademark whistling, became his theme song and signature tune. Crosby's vocal style helped take popular singing beyond the "belting" associated with Al Jolson and Billy Murray, who had been obligated to reach the back seats in New York theaters without the aid of the microphone.
Other programs included Introducing You To Albania, Leafing Through Our Listeners' Letters, Culture and Art in Socialist Albania and The Song of Our Life. Radio Tirana also presented irregular programs of revolutionary music from around the world, while the programme What We Saw in Socialist Albania offered interviews with foreign visitors to Albania. The interval signal of Radio Tirana during this period was the first few bars of the Albanian revolutionary song With a Pickaxe in One Hand and a Rifle in the Other (). This song also served as the signature tune of Radio Tirana's foreign language broadcasts.
A lifelong Guaraldi fan, Winston ultimately provided David Guaraldi with the concert recording, who, along with producer Dawn Atkinson, assembled the tapes for remastering and "sweetening" to make the concert more presentable for a mainstream release. The suite itself is divided into seven separate movements, connecting the Peanuts songs into an integrated whole. The release also features a big band rendition of "Linus and Lucy" that was included on the 1973 holiday television special A Charlie Brown Thanksgiving. Also included is an undated live nightclub recording of Guaraldi's non-Peanuts signature tune, "Cast Your Fate to the Wind".
When My Baby Smiles at Me is the name of a popular song with music by Bill Munro and words by Andrew B. Sterling and Ted Lewis, that was published by Harry Von Tilzer Music Publishing in 1920. It was interpolated into the Broadway show The Greenwich Village Follies (1919) and was the first big hit for clarinettist, vocalist and comedian Ted Lewis (1892–1971). Ted Lewis's jazz band recording in 1920 for Columbia Records, became his signature tune, and spent 18 weeks on the charts (seven weeks at No. 1).CD liner notes: Chart- Toppers of the Twenties, 1998 ASV Ltd.
Most famously, in the big- band genre, the ubiquitous "Boogie Woogie Bugle Boy", which was revamped by Christina Aguilera as her 2006 hit, "Candyman". In the many styles of blues, especially Chicago blues and (more recently) West Coast blues, some pianists and guitarists were influenced by, and employed, the traditional boogie-woogie styles. Some of the earliest and most influential were Big Maceo Merriweather and Sunnyland Slim. Otis Spann and Pinetop Perkins, two of the best known blues pianists, are heavily boogie-woogie influenced, with the latter taking both his name and signature tune from Pinetop Smith.
Theme music is a musical composition that is often written specifically for a radio programming, television show, video game, or film and is usually played during the title sequence, opening credits, closing credits, and in some instances at some point during the program. The phrase theme song or signature tune may also be used to refer to a list of signature songs that has become especially associated with a particular performer or dignitary, often used as they make an entrance. The purpose of a theme song is often similar to that of a leitmotif. Such songs can also be used in other ways.
He rapidly honed his act, and settled on a style which would vary little over his career, although his ability to update the content of his act ensured his career was both long and successful, lasting well into his eighties. Whelan was acknowledged as one of the first entertainers to have a signature tune, appearing on-stage (and exiting at the end of his act) whistling Robert Vollstedt's waltz from Die Lustige Brüder (The Jolly Brothers). Immaculately dressed in bow-tie and tails, he sang, danced and played the piano. He was an excellent mimic, and adapted easily to changing vocal styles.
He also had a brief stint as the narrator/old man in the Broadway production of Stephen Sondheim's Into The Woods. Cavett is featured in the 2003 documentary From the Ashes: The Life and Times of Tick Hall about the fire that destroyed his home in Montauk, New York and his effort to rebuild it. Cavett's signature tune has long been a trumpet version of the vocalise "Glitter and Be Gay" from Leonard Bernstein's Candide. The tune was first played at the midpoint of his ABC show, and later became the theme of his PBS show.
The song was listed at #1 in Behindwoods Best Songs of the year, and also topped in popular FM Charts. Behindwoods gave the album 3.5 stars out of 5 and wrote, "Yuvan Shankar Raja has again delivered his best for Ram and you will have plenty of hair-raising moments as he weaves magic with his instruments, for the movie's BGM score." Indiaglitz wrote, "Yuvan's BGM is spot on and delivers quite well. The signature tune that echoes through the movie dwells well with the movie's pace" and rated 3.25 out of 5, to the album.
With its distinctive horn section, thumping piano and dramatic drum snares, this theme is heavily influenced by the disco sound of the era. The second version was introduced along with a brand new opening sequence focusing on the main cast performing an operation in the hospital theatre. A new, 5 note, dramatic build which gives way to a re-recording of the established signature tune. In 1980 an ambulance siren is heard at the start of the opening theme, replaced by a beeping heart monitor effect in 1982, which was used until the final episode in 1983.
Three decades later, in 1980, the province re-adopted the song as an official provincial anthem. "A Place to Stand, a Place to Grow (Ontari-ari-ari-o!)" is an unofficial anthem of Ontario. The song was written by Dolores Claman, with English lyrics by Richard Morris, French lyrics by Larry Trudel, and orchestrations by Jerry Toth. It was commissioned by the Progressive Conservative government of John Robarts as the signature tune for a movie of the same name that was featured at the Ontario pavilion at Expo 67, the World's Fair held in Montreal, Quebec, in Canada's Centennial year.
This was heard throughout the network with a few variations – in the UK the full service name was spoken, whereas just the name of the BBC was used outside the UK. The phrase "This is London" was used previously in place of a station slogan. The tune "Lillibullero" was another well known signature tune of the network following its broadcast previously as part of the top-of-the-hour sequence. This piece of music is no longer heard before news bulletins. The use of the tune gained minor controversy because of its background as a Protestant marching song in Northern Ireland.
Freeman began his British career as a summer relief disc jockey on Radio Luxembourg and continued to present late evening programmes on the station until the early 1970s. He gained his nickname "Fluff" as a result of a fluffy jumper that he was fond of wearing."Obituary: Alan 'Fluff' Freeman", BBC News, 28 November 2006 In 1960 he moved to the BBC Light Programme as presenter of the Records Around Five show, which was introduced by his signature tune, "At the Sign of the Swingin' Cymbal", written by Brian Fahey. The more upbeat version performed by 'Brass Incorporated' was introduced in April 1970.
"Tumbling Tumbleweeds" became their signature tune and a Western standard, and was one of the first songs the group recorded when it signed with Decca in 1934. In the coming years, The Sons of the Pioneers recorded many other Nolan songs, including "Way Out There", "There's a Roundup in the Sky", "One More Ride", and "Cool Water", which became one of the group's most famous recordings. In 1937, Leonard Slye took the name Roy Rogers and was forced by his new employers, Republic Pictures, to leave the group. The Pioneers continued to function as a cooperative partnership, with no formal leader, until they rejoined Rogers at Republic in 1941.
"Home" is an autobiographical song describing life in the Jackson family and the closeness once shared among Jackson and her siblings. A press release describes the song as being "written with affection about her childhood memories and based on the premise that no matter where you are or what you are going through in your life, you can always go Home." It is notable for a bursting refrain reminiscent of the achingly climactic verse heard in Simon and Garfunkel's signature tune "Homeward Bound." The lyrics hint at Jackson's exile from the family in the early 1990s when she was under the control of abusive manager Jack Gordon.
Ronnie Ronalde made In a Monastery Garden his signature tune from 1958, while Serge Gainsbourg used the theme of In a Persian Market for his 1977 song "My Lady Héroïne". Dempsey, writing in 2001, considered that Ketèlbey's "late- Romantic tone miniatures ... are deserving of reappraisal". The composer's reputation has improved over time, and the cultural historian Andrew Blake identifies a "form of 'cult following'" for him. In the 21st century, Ketèlbey's music is still frequently heard on radio and in a 2003 poll by the BBC radio programme Your Hundred Best Tunes, Bells across the Meadows was voted thirty-sixth most popular tune of all time.
Jeanmaire appeared in film again in 1956, in Cole Porter's Anything Goes with Bing Crosby, but otherwise focused on dance, including Petit's La Rose des vents in 1958 and Cyrano de Bergerac in 1959. Beginning in 1961, she made a career in revues at the Alhambra Theatre, with hits such as "Mon truc en plumes". She performed the song in a dress by Yves Saint Laurent, who became her chief designer for stage and private clothes, and a friend. The number, with twelve young men carrying pink feather fans, became a signature tune and was repeated in other revues by Petit, who produced more than 60 shows with her.
Soundarya also announced that a second trailer would be released, which would feature Padukone prominently, and unlike the first trailer, it would have sound and dialogues. The trailer was released in Tamil, Telugu and Hindi on 9 March 2014, the same day of the audio launch. In 2012, the producers struck a deal with Karbonn Mobiles, an Indian telecommunication firm that will involve Kochadaiiyaan merchandise worth with screen savers and images from the film along with the trailer, behind the scenes shots, signature tune of the film and lead actor's signature on back cover of phones. However, delays in the film caused the clause to be modified.
In June 2001, ITV secured a three- year deal with the soft drink corporation Coca-Cola to help sponsor their new programme. At a fee of £50 million, it was the biggest sports sponsorship deal in British television history and was enough to overcome competition from rivals Pepsi and Budweiser. A remixed version of U2's Grammy Award-winning track, "Beautiful Day" was selected as the show's signature tune. To reflect the supplementary changes on the network, ITV extended their lunchtime football show, On The Ball to an hour and introduced The Goal Rush, which was billed as the fastest and most comprehensive results service in the country.
98, Books.google.com In 1986, the Seven Network produced the successful 'docu- drama' mini-series based on his life, Shout! The Story of Johnny O'Keefe, which starred actor-singer Terry Serio as O'Keefe. In 1986 punk legend Iggy Pop recorded a cover version of O'Keefe's signature tune "Wild One" under the title "Real Wild Child", which was included on his album Blah Blah Blah and released as a single. Samples from the Iggy Pop version were incorporated into the theme music for the ABC's long-running late-night music video show Rage, which premiered in 1987, and the opening credits of the show include footage of O'Keefe on stage.
After her marriage Anna-Lisa Öst continued her spiritual work and toured Sweden and the other Nordic countries as a singing evangelist. She was not the first gospel singer known as “Lapp-Lisa”, but she was the most famous one. Lisa Thomasson (1878-1932) had previously gone by that name. Lapp-Lisa had a repertoire of hundreds of songs, many of which she had learned from her mother. She made her first recordings in 1929 and over the years released more than 400 songs in both Sweden and America. Her signature tune “Barnatro” (Childhood Faith) was a hit on both sides of the Atlantic and sold over 100,000 copies.
Vance returned to the UK in 1965 just before Christmas with British musician Ian Whitcomb who lent him the fare. Tommy knocked on the door of Caroline House in London, no programme controller was going to pass up on the opportunity to employ a KHJ boss jock and Caroline's Bill Hearne was no exception. He was hired by Radio Caroline South, where his colleagues included Johnnie Walker, Dave Lee Travis, Tony Blackburn and Emperor Rosko. On 3 January 1966 Vance presented his first show on Caroline South, his slogan was "TV on radio" and used Jack Costanzo's version of the "Naked City Theme" as his signature tune.
24 Star Hotel was released on Camcor Records, a label Mundy himself set up, primarily funded by his royalties from the Romeo and Juliet soundtrack. Camcor Records is named for the River Camcor, a popular fishing spot, which runs through the town of Birr. The album contained the song "July", an ode to the joys of the Irish summer, which gained heavy airplay throughout the summer months, and is, for Irish audiences at least, Mundy's signature tune. Along with "July" the album contained "Mexico" and with both receiving extensive radio play and some huge Irish festival appearances, 24 Star Hotel has gone on to triple platinum status in Ireland.
Nils Lofgren recorded Goin'Back on his first eponymous solo album in 1975 and it has been a signature tune for his live shows ever since. Bruce Springsteen and the E Street Band covered "Goin' Back" in concert during a four night stint at The Roxy in Los Angeles on October 15–19, 1975. It can be heard on the recording of the October 18 early show that was released as part of Springsteen's live archive series on December 7, 2018. "Goin' Back" was also recorded by Elkie Brooks on her 1982 album Pearls II, and by Diana Ross on her Love & Life: The Very Best of Diana Ross album in 2001.
Rob Hoeke's most successful period was in the second half of the 1960s and early 1970s with his Rob Hoeke's Rhythm & Blues Group. He scored hits with "Margio" (number 12 on the Dutch Top 40 in 1966), "Drinking on My Bed" (number 11 in 1966) and "Down South" which would become Hoeke's signature tune and biggest hit reaching number 6 in 1970. His sole charting album was Four Hands Up, a collaboration with fellow Boogie-woogie artist Hein van der Gaag which charted at number 7 in 1971. In 1974, Rob Hoeke lost two fingers in a gardening accident and his career all but seemed to be over.
Commemorative plaque at 160 Marine Parade, Brighton (2006) Miller's act on a variety bill usually lasted between 20 and 30 minutes. It would begin with the orchestra playing his signature tune, Mary from the Dairy. A spotlight aimed on the curtain by the wings would anticipate his appearance. There would be excitement in the audience. He would sometimes wait for up to 10 seconds until he appeared leading to resounding applause, walk to the microphone and just stand there in his costume, a gloriously colourful suit with plus-fours, a kipper tie, trilby and co-respondent shoes and wait for the laughter to begin.
The B-side, "Swing Shift (Souixante-Neuf)" also featured vocals, and was co-composed with lyricist Toby Dammit, with whom Nash further collaborated over the next few years. Music videos were made for both songs. Nash the Slash performing at The Venue in London in 1981 Nash also played on three songs by Toronto group Drastic Measures for their self-titled album, including violins on their signature tune, a cover version of the children's song, "The Teddy Bears' Picnic". Nash's label, Cut-throat Records, later issued a single by the group, the only other artist to appear on his label, although Nash was not involved in its recording.
Fog on the Tyne is a 1971 album by English rock band Lindisfarne. Bob Johnston produced the album, which was recorded at Trident Studios in the mid-1971 and released in October that year on Charisma Records in the United Kingdom and Elektra Records in the U.S.. It gave the group their breakthrough in the UK, topping the album charts early in 1972 for four weeks and remaining on the chart for 56 weeks in total. "Meet Me on the Corner", one of two songs written by bassist Rod Clements, reached No. 5 as a single. The title track became the band's signature tune.
All new inductees to the Officer Cadet's Mess (named in honour of Lieutenant David Sabben, MG) were required to denounce any allegiance to the sister unit. The regiment's mascot was a black sheep (ram) indicative of the status and culture of the Regiment as a historical formation within MUR. The unofficial mascot of MONUR's Cadet Company was a comical orange stuffed toy known as "The Muppet", with the worthiest Officer Cadet guarding this revered figure at all times. MONUR's regimental quick march is "Imperial Echoes", which was composed by Arnold Safroni in 1913 and used as the signature tune of the BBC Newsreel feature during World War II.
"Love Changes Everything" is a song from the musical Aspects of Love, composed by Andrew Lloyd Webber, with a lyric written by Charles Hart and Don Black.Review/Theater; Lloyd Webber's 'Aspects of Love' It is first sung in the musical by the character Alex Dillingham, which was originated by Michael Ball in both the London and Broadway casts. The song was released as a single in 1989, also sung by Ball,Bosanquet, Theo. "Nunn Revives Aspects of Love at Menier, 15 Jul" , whatsonstage.com, 18 February 2010 and stayed in the UK singles chart for 14 weeks, peaking at #2 and becoming Ball's signature tune.
Stolen Kisses () is a 1968 French romantic comedy-drama film directed by François Truffaut starring Jean-Pierre Léaud and Claude Jade. It continues the story of the character Antoine Doinel, whom Truffaut had previously depicted in The 400 Blows and the short film Antoine and Colette. In this film, Antoine begins his relationship with Christine Darbon, which is depicted further in the last two films in the series, Bed & Board and Love on the Run. The original French title of the film comes from a line in Charles Trenet's song "Que reste-t-il de nos amours ?" which is also used as the film's signature tune.
On May 18, 2007, the Oakland East Bay Symphony launched "American Masterworks Series." With its May 18, 2007, performance of George Gershwin's "Porgy and Bess" was sold out, with over 3000 patrons in attendance.Oakland East Bay SymphonyThe Gershwins' Porgy and Bess (2007) One outstanding feature of the production was the appearance by the 120-voice Oakland Symphony Chorus directed by Lynne Morrow. The Porgy’s signature tune were performed, "Summertime," "Oh, I Got Plenty o' Nuttin'," and "It Ain't Necessarily So." Casting included bass (Porgy) James Monroe Iglehart, soprano (Bess) Dara Rahming, tenor Trente Morant, tenor Kalil Wilson, baritone Milton Williams, and baritone Joseph Wright.
The four- piece band was formed in Los Angeles in 1979 when singer/songwriter/guitarist Steve Barton linked up with Larry Dekker on bass and Dave Scheff on drums. A second singer/songwriter/guitarist, Robert Darlington, joined soon after and completed the lineup. The combination of 2 talented songwriters and a powerful energetic rhythm section became the key to their success. Translator then relocated to San Francisco where they were signed to Howie Klein's independent label, 415 Records, on the strength of the demo tape they sent to college radio station KUSF: the loose and rambling yet laconic "Everywhere That I'm Not" has remained the band's signature tune.
The same year, they sang as backing singers on the Mood Mosaic track "A Touch of Velvet – A Sting of Brass" – later to become Radio Caroline disc jockey Dave Lee Travis' (DLT) signature tune. The Ladybirds sang backing vocals on Sandie Shaw's 1967 British number one hit "Puppet on a String", joining Shaw for live performances in Vienna, Austria, when the song won the Eurovision Song Contest, as well as on records by Rolf Harris, Des O'Connor and many other hits and misses. In 1969, when Benny Hill joined Thames Television, he recruited them to The Benny Hill Show. The Ladybirds' first number was "Goin' Out of My Head".
Fox became one of the regular conductors of the Radio Orchestra, writing thousands of arrangements for them, as well as producing original compositions. His close association with the orchestra carried on until it was disbanded in 1991. The John Fox Singers, made up of London session singers, were often added to the BBC Radio Orchestra sessions, as well as broadcasting in their own right in BBC programmes including Friday Night Is Music Night. John Fox was a regular contributor to the main BBC Radio Orchestra Show and also to String Sound, showcasing the strings of the Radio Orchestra, for which he wrote the signature tune, "String Magic".
Frankie Byrne is remembered as an influential force during the time of her radio show, and it has been said that ‘whole generation’ can ‘hum the signature tune to Frankie Byrne’s radio program’. When Frankie Byrne passed away in 1993 there was an outburst of support. Gay Byrne described her as having been “A national institution who had been loved by everyone”. Dear Frankie, is often credited as the first 'agony aunt’ radio show program format in Ireland. Frankie’s talk show and life inspired numerous pieces of literature including a stage production in 2012 by the Five Lamps Theater Company, which told the story of her ‘tragic and secretive life’.
"American Jerusalem" is a song written by singer-songwriter and guitarist Rod MacDonald in 1978. Considered his "signature tune",The Daily Freeman: Rod MacDonald performs tonight in Hyde Park the nearly-six-minute long song first appeared on MacDonald’s 1983 debut album No Commercial Traffic (originally on Cinemagic Records, reissued by Blue Flute Music). MacDonald re-recorded the song for his 2009 CD After the War, with Gary Burke (drums), Pete Levin (keyboards), Mark Dann (bass), JP Bowersock (guitar) and Tracy Grammer (harmony vocals). The publishing rights to "American Jerusalem" were acquired in 1985 by Dick James Music, which later sold its entire catalogue to PolyGram International; it is currently the property of Universal Music.
Mary From the Dairy is a comic song made famous by British comedian Max Miller, The Cheeky Chappie, in the 1930s and 1940s. With words by Max Miller, Sam Kern & James Walsh and music by Sam Kern, it became Miller's signature tune, played by the orchestra when he walked on stage. It was a mildly risqué song about Max Miller falling for Mary from the dairy and includes the lines "I don't do things by halves / I'll let you see my calves / and they're not the same shaped calves as Nellie Dean's." Sam Kern, the composer, said that the idea for the song came to him as he was sitting in the Express Dairies in Charing Cross Road.
Scott's signature tune was "He's Only Singing for One", and his songs, of which from more than 100 he composed, 30 were published, included "I've Got a Girlfriend", "You Go On With Your Show" and "What Is the Good of a Good Girl?" He liked light-hearted songs about topical activities and subjects such as "A Nice Prefabricated Home" and "BINGO". In the 1950s, many variety theatres were being converted to Granada bingo halls and Scott mourned their closure in "Pro's Lament", sung to the tune of "Granada", His preferred choice of instrument was the traditional wooden ukulele because of its sweet sound, rather than the more strident banjolele favoured by George Formby - though he played both.
Irving Kahal (March 5, 1903, Houtzdale, Pennsylvania – February 7, 1942, New York City) was a popular American Jewish song lyricist active in the 1920s and 1930s. He is best remembered for his collaborations with composer Sammy Fain which started in 1926 when Kahal was working in vaudeville sketches written by Gus Edwards. Their collaboration lasted 16 years, until Kahal's death in 1942. Among many fine songs, the stand-out was "You Brought a New Kind of Love to Me" on which Pierre Norman lent a hand, which was sung by Maurice Chevalier in the film The Big Pond (1930) effectively becoming his signature tune, and featured by Frank Sinatra on his magisterial album Songs For Swingin' Lovers.
"Dream a Little Dream of Me" was recorded by Ozzie Nelson and his Orchestra, with vocal by Nelson, on February 16, 1931, for Brunswick Records. Two days later, Wayne King and His Orchestra, with vocal by Ernie Birchill, recorded the song for Victor Records. "Dream a Little Dream of Me" was also an early signature tune of Kate Smith. In summer 1950, seven recordings of "Dream a Little Dream of Me" were in release, with the versions by Frankie Laine and Jack Owens reaching the US top 20 at respectively numbers 18 and 14: the other versions were by Cathy Mastice, Ella Fitzgerald, Louis Jordan, Vaughn Monroe, Dinah Shore and a duet by Bob Crosby and Georgia Gibbs.
The album and several of the songs it contains have been influential. According to 2006's Encyclopedia of the Blues, the song "Hide Away" has become "[o]ne of the most popular blues instrumentals of all time", a "mandatory staple of blues bands" at its time and "a standard for countless blues and rock musicians performing today." All Music Guide to the Blues indicates that in addition to "Hide Away", which it describes as "Freddie King's signature tune and most influential recording", several of the other songs on the album also became blues classics, including "San-Ho-Zay" and "The Stumble". Encyclopedia of the Blues adds that "Sen-Sa-Shun", too, became a favorite songs for instrumental bands.
According to Lou Casch, on one occasion, while O'Keefe and the Dee Jays played at an upstairs dance venue in Newtown, an "Italian wedding" reception was also taking place downstairs. Some of the dance patrons came to blows with wedding guests in the men's toilets, and within minutes the fight had erupted into a full-scale riot that spilled out into the street, with police eventually calling in the Navy Shore Patrol to help restore order. It was this incident, according to Lou Casch, that inspired O'Keefe's signature tune, "Wild One".Cox (1996) While the song is credited officially to Johnny Greenan, Johnny O'Keefe, and Dave Owens, some sources suggest that O'Keefe was not directly involved in the composition.
6 After the change of time, the lyrics of the signature tune at the beginning of the show were: ::It's Monday night at eight o'clock, oh can't you hear the chimes? ::They're telling you to take an easy chair, ::To settle by the fireside, take out your Radio Times, ::For Monday Night at Eight is on the air.Frank Williams, Chris Gidney, Vicar to Dad's Army: The Frank Williams Story (Hymns Ancient and Modern Ltd, 2003), p. 20 At the end of every programme: ::Produced by Harry Pepper, and Ronnie Waldman too, ::We hope the programme hasn't caused a frown ::So goodbye everybody, it's time to say goodnight, ::For Monday Night at Eight is closing down.
She subsequently took the song as her signature tune. Welch's show- stopping performance in Nymph Errant was seen by Ivor Novello, and in 1935, he gave her a part in his show Glamorous Night, in which she stood out again singing his blues song "Far Away in Shanty Town". In 1931, she had included in her cabaret act the new song "As Time Goes By", almost a dozen years before it achieved screen fame in Casablanca. In the late 1930s, Welch entered two media: she appeared in films – usually as a singer, including two with Paul Robeson – and was also one of the first artists to perform on television, appearing on the BBC's new TV service from Alexandra Palace.
Raymond Stanley Noble (17 December 1903 – 2 April 1978) was an English bandleader, composer, arranger, radio comedian, and actor. Noble wrote both lyrics and music for many popular songs during the British dance band era, known as the "Golden Age of British music", notably for his longtime friend and associate Al Bowlly, including "Love Is the Sweetest Thing", "Cherokee", "The Touch of Your Lips", "I Hadn't Anyone Till You", and his signature tune, "The Very Thought of You". Noble also played a radio comedian opposite American ventriloquist Edgar Bergen's stage act of Mortimer Snerd and Charlie McCarthy, and American comedy duo Burns and Allen, later transferring these roles from radio to TV and popular films.
Billy Strayhorn The use of the Strayhorn composition as the signature tune was made necessary by a ruling in 1940 by the American Society of Composers, Authors and Publishers (ASCAP). When ASCAP raised its licensing fees for broadcast use, many ASCAP members, including Ellington, could no longer play their compositions over radio, as most music was played live on radio at the time. Ellington turned to Billy Strayhorn and son Mercer Ellington, who were registered with ASCAP competitor BMI to "write a whole new book for the band," Mercer recalled. "'A' Train" was one of many tunes written by Strayhorn, and was picked to replace "Sepia Panorama" as the band's signature song.
Cassidy became the first recording artist to have a hit with "I Write the Songs", peaking at #11 in the Top 40 in Great Britain before the song became Barry Manilow's signature tune. Cassidy co-produced the recording with the song's author- composer, Bruce Johnston of The Beach Boys. The two artists collaborated on 2 of David's mid-70s RCA Records albums The Higher They Climb and Home Is Where the Heart Is. In 1978, Cassidy starred in an episode of Police Story titled "A Chance to Live", for which he was nominated for an Emmy Award. NBC created a series based on it, called David Cassidy: Man Undercover, but it was cancelled after one season.
During the album's recording sessions, an updated dance version of Lear's signature tune "Follow Me" was recorded, and subsequently released as a single to promote Secret Passion, although it was not included on the album. Despite frequent television performances, none of the singles managed to chart. The album was not only intended to be a European comeback for Amanda Lear, after a few years of working primarily as a successful TV presenter, but also a serious attempt to launch her career in English-speaking countries like the USA, Canada and the United Kingdom as well. However, as she was getting ready to start promoting Secret Passion, Lear was seriously injured in a near fatal car crash.
Chris Bishop in Garage Hangover states, "Danny and the Counts 'You Need Love' is a signature tune of the mid-60s, with its unforgettable buzzing guitar riff and opening 'Oh, yeah!'". Cosmic Mind at Play ranks "You Need Love" b/w "Ode to the Wind" as a classic garage rock single. According to Danny Parra: :"Ironically, I am astounded and flattered that our music seems to somehow endured through other band’s interpretations on their albums and through some compilation albums that you can still buy today that showcased much of the music happening in those days in Texas. There have even been some interesting video efforts (YouTube) made to fit our music".
In the third Matt Helm film The Ambushers (1967), Helm, about to be executed, receives a last cigarette and tells the provider, "I'll remember you from the great beyond," continuing sotto voce, "somewhere around Steubenville, I hope." In Rio Bravo (1959) As a singer, Martin copied the styles of Harry Mills (of the Mills Brothers), Bing Crosby, and Perry Como until he developed his own and could hold his own in duets with Sinatra and Crosby. Like Sinatra, he could not read music, but he recorded more than 100 albums and 600 songs. His signature tune, "Everybody Loves Somebody", knocked the Beatles' "A Hard Day's Night" off number one in the United States in 1964.
The song was soon launched as a record. He also provided the words and music for Su Pollard's number two hit single, "Starting Together" which featured as the signature tune for the BBC Television documentary The Marriage in 1986 Beginning in 1997, Buckley was senior continuity announcer for Channel 5 Television from its launch for five-and-a-half years. He became well known for his commentary over the closing credits of the channel's late-night/early- morning run of Prisoner: Cell Block H, on which he read out viewers' letters and made comments about the episode just broadcast. Buckley regularly reviews the national press on BBC Breakfast, the BBC News Channel and Sky News.
It was for Nights of Gladness, written in 1912, that Ancliffe became most famous. The waltz became so popular all over the world that in later years the BBC named a long-running series of light music programmes after it, using it as the signature tune Musicweb international History of Broadcasting : Asa Briggs More than a hundred years after it was written it is still to be found included on many CD compilations of light music, played by notable orchestras such as the Royal Philharmonic Orchestra. Presto classical After leaving the services Charles Ancliffe was a regular conductor of the Scarborough Military Band, and was also a frequent guest conductor of his own works on BBC Radio.
In the very first concert of Berlioz's work, on 26 May 1828, the overture was performed along with the Opus 1 Waverley overture, a further indication of Berlioz's debt to Scott's fiction. The Les francs-juges overture later became the signature tune for Face to Face, the early series of British television interviews presented by John Freeman. In William Makepeace Thackeray's novel Vanity Fair "Was Rebecca guilty or not?" the Vehmgericht of the servants' hall had pronounced against her. A character in the Dorothy L. Sayers novel Murder Must Advertise appears at a fancy-dress party as a member of the Vehmgericht, which allows him to wear a hooded costume to disguise his identity.
His complex and often politically charged lyrics gave the band a strong intellectual appeal, but frequently landed them in trouble with the censors, who demanded changes before allowing a song to be performed. With the West German album a fait accompli, Amiga was forced to issue it domestically, as Tanzt keiner Boogie? (Isn't Anyone Going to Boogie?), where it was immensely popular; the revised version dropped two songs in favor of two new recordings with lyrics by Karma, one of which, the atypical Der letzte Kunde (The Last Customer), a paean to alcoholism sung by drummer Schafmeier, became the early band's signature tune. In 1982, Danz's then-boyfriend Rüdiger "Ritchie" Barton joined the band, replacing its two keyboardists.
Through their television appearances, Joe and Eddie were introduced to Gene Norman, president of GNP Crescendo Records, and then co-owner of the Crescendo and Interlude nightclubs, who assisted in launching their career. It was through Norman that Joe and Eddie recorded their first single and, by 1962, their first album, Exciting Folk Duo: Joe & Eddie (re-released after Gilbert's death as Down to Earth). After the release of their first album, Joe and Eddie appeared on more television shows, including The Tonight Show, The Lively Ones, Hootenanny, and The Jackie Gleason Show. During this time, they recorded their second album, There's a Meetin' Here Tonite, and adapted that song as their signature tune.
Trained under Italian maestro Manlio di Veroli, he emerged as a bel canto tenor (characteristically, he insisted that in his case this meant "can belto") and had a long list of best-selling record albums to his credit. In 1958 he appeared in the film Jet Storm, which starred Dame Sybil Thorndike and Richard Attenborough and in the same year Secombe starred in the title role in Davy, one of Ealing Studios' last films. The power of his voice allowed Secombe to appear in many stage musicals. This included 1963's Pickwick, based on Charles Dickens' The Pickwick Papers, which gave him the number 18 hit single "If I Ruled the World" – his later signature tune.
The Fairey Band is a brass band based in Heaton Chapel in Stockport, Greater Manchester. The band has achieved fame in modern music circles with its appearances playing Acid Brass although they still play traditional brass band music and participate each year in the Whit Friday Brass Band contests. Its name comes from Sir Richard Fairey and the Fairey Aviation Company, famous in later years for the Fairey Delta 2 aircraft - the first aircraft in level flight to exceed 1,000 mph, and had an important contribution to the shape of Concorde and its drooped nose. An early signature tune for the band was Beaufighters, after a fighter aircraft Bristol Beaufighter made at Fairey in Heaton Chapel (and elsewhere) for "Ministry of Aircraft Production".
In Nikolai Kulikov's musical Gypsy Songs in Characters, produced by Palm, Vyaltseva received a small part of Katya. Her rendition of "I Fall in and out of Love at Will" () brought the young singer her first success and became her signature tune for years to come. After that Vyaltseva received the role of Boulotta in Jacques Offenbach's Barbe-bleue but in 1897 left the Palm Theatre, which by now started to lose its position as the leading force of the Saint Petersburg operetta. In the mid-1890s Vyaltseva became a protégée of Nikolai Kholeva, an affluent Saint Petersburg barrister, whose financial support enabled her first to take lessons from Stanislav Sonka, the chairman of the Saint Petersburg's Vocal Society, then visit Italy to study with professor Marti.
The first voice heard on Channel 4's opening day of Tuesday 2 November 1982 was that of continuity announcer Paul Coia who said: Following the announcement, the channel headed into a montage of clips from its programmes set to the station's signature tune, "Fourscore", written by David Dundas, which would form the basis of the station's jingles for its first decade. The first programme to air on the channel was the teatime game show Countdown, at 16:45 produced by Yorkshire Television. The first person to be seen on Channel 4 was Richard Whiteley with Ted Moult being the second. The first woman on the channel, contrary to popular belief, was not Whiteley's Countdown co-host Carol Vorderman but a lexicographer only ever identified as Mary.
He later moved on to work with both Coxsone Dodd and Duke Reid, recording as a member of both The Virtues and The Sheiks, and recorded "Loving Pauper" with Reid, which became his signature tune. Despite his musical success, Dobson kept his job as a salesman and proof-reader for The Jamaica Gleaner. In 1971, he recorded "That Wonderful Sound" for Rupie Edwards, which sold over 40,000 copies in the Caribbean, and was followed up by the equally successful "Endlessly", which was also a minor hit on the UK Singles Chart. Disappointing album sales led Dobson to move into production, including The Meditations' late 1970s albums Message From The Meditations and Wake Up, as well as early work by Barrington Levy.
In 1978, the Brighouse and Rastrick Brass Band issued "The Lincolnshire Poacher" as its follow-up single to their successful "The Floral Dance", and it was included on the 1978 album The Floral Dance. The first two bars of the tune were used as an interval signal on the numbers station known as Lincolnshire Poacher. Radio Lincolnshire used the melody from the end of the song's chorus as the signature tune for its news jingle when it commenced service in 1980 and in 1988 commissioned UK jingle company Alfasound to write a package of jingles based on the song. Variations on this theme continued until early 2006, and today the station still uses a version with a less pronounced melody from the folk song.
US hip hop star Coolio (pictured in 2002) had the second best selling single of 1995 with his signature tune "Gangsta's Paradise", which spent two weeks at number-one and lasted 12 weeks in the top 10 altogether. Michael Jackson achieved three top 10 singles this year, including two number-ones, "You Are Not Alone" and "Earth Song", the latter becoming the year's Christmas number- one single. Mick Hucknall (pictured in 2003) and his band Simply Red scored their first and only UK number-one single in September 1995 with "Fairground", which topped the chart for four weeks. Shaggy (pictured in 2018) achieved two entries in the UK top 10 this year, including "Boombastic", which reached number-one in September, becoming his second chart topper in Britain.
This record became well known in the UK as the signature tune of the Saturday afternoon programme Professional Wrestling, introduced by Kent Walton, although few knew the name of the tune or the artist. The song has a strong resemblance to 1957's "Love Is Strange" by Mickey & Sylvia, since it used the same guitar riff. After changing his focus to vocals and recording the minor hit, "Unaddressed Letter", he had his final pop hit in 1973, with "Someone Has Taken Your Place", on the All Platinum label. In 2011, after a 38-year hiatus from recording, Cortez returned with a new album on Norton Records backed by Lonnie Youngblood and His Bloodhounds, including underground luminary Mick Collins of the Dirtbombs and the Gories.
A moderate hit, it displayed the musical diversity of Thorpe and his colleagues at this time. In early 1972 the Aztecs released what became their biggest hit, and Thorpe's signature tune – "Most People I Know (Think That I'm Crazy)", a song now widely regarded as one of the classics of Australian rock. It was a huge hit for the new Aztecs, peaking in the Go-Set National Top 40 Singles Chart at number 3 in May 1972; propelled to the top of charts by the band's triumphant appearance at the 1972 Sunbury Music Festival. Thorpe himself claimed this as a pivotal moment in the development of Australian music, thanks to the promoters' decision to feature an all-Australian line-up, rather than relying on imported stars.
Having had a lifelong love of birds and nature, it was decided he should try and develop programmes of this type. What followed eventually became the BBC Natural History Unit (known as Desmond's baby), having its origins in radio early in 1946 when Desmond designed a programme called The Naturalist, with the curlew's song as a signature tune. This was followed by Birds In Britain, Birdsong of the Month and many more. Early in the 1950s, when television became able to attract a national audience, Desmond went to Lime Grove to learn the new trade, and with Peter Scott planned the long-running series of wildlife programmes, which Desmond named Look, because he felt television was about the opportunity to "look".
Bob and Alf Pearson were an English musical variety act, composed of brothers Robert Alexander 'Bob' Pearson (15 August 1907 – 30 December 1985) and Alfred Vernon 'Alf' Pearson (15 June 1910 – 7 July 2012), who were mainly known for singing songs in close-harmony as a duo. Their career lasted over 50 years, spanning stage, radio, television and gramophone records. During the 1930s and 40s, they became one of the most popular acts in Britain, and their fame continued into the post-war period when they regularly appeared on the BBC Radio show Ray's a Laugh with comedian Ted Ray. Introducing themselves with their signature tune, "My Brother and I", audiences heard the brothers performing well-known songs, with Bob accompanying on piano.
Early in his solo career, Barnes was determined to break into the United States market - he signed to Geffen Records for release there. His second album For the Working Class Man (1985) was tailored in this direction, featuring remixed songs from Bodyswerve plus five new tracks including "Working Class Man" that was written by Journey musician Jonathan Cain and would become Barnes' signature tune. Several US musicians worked on the album, including Cain, Charlie Sexton, and singer Kim Carnes, as did British drummer Mick Fleetwood of Fleetwood Mac. The album was released as a double-vinyl set and shifted 250,000 copies in twelve months in Australia. Like its predecessor, For the Working Class Man debuted on the Australian national chart at No. 1 (on 16 December 1985).
At times, a cliffhanger involving the death of a major character or a disaster was marked by the traditional closing theme being replaced by the final dramatic section of Barwick Green involving trombones, cymbals and the closing bars of the signature tune – known as the "doom music" to some fan groups.See 'doom music' in 'Archers phrases' This tradition has been dropped more recently, with events such as the death of Nigel Pargetter being followed by the normal closing music despite the gravity of the incident. This has irritated some followers, who consider the jollity of the normal segment inappropriate in such circumstances.Seek 'doom music' in this A brief extract from The Dream of Gerontius was played following the death of Phil Archer.
While the song is considered a signature tune for Streisand, during the mid-1960s, it was also associated with Florence Ballard of the Supremes. A regular part of the Supremes' nightclub appearances, the Supremes' version of "People" has more of a jazz flavor than Streisand's version, and was essentially a group effort, performed in three-part harmony with Ballard on the lead vocal and Diana Ross leading the song's bridge. Notably, it is also one of the few songs on which Ballard sang lead vocals after the Supremes achieved commercial success, since Motown head Berry Gordy favored Ross. The Supremes recorded a studio version of "People" for the unreleased 1965 album, There's A Place For Us, which was finally released on The Supremes box set in 2000.
On 16 November 2012 it was announced ITV News would rebrand in January 2013.ITV reveals first details of major rebrand David Pidgeon, Media Tel, 16 November 2012 On 27 November 2012 it was understood the ITV News at 5:30 would be axed, in favour of delivering content for itv.com and creating a new foreign affairs unit.ITV axes Morning News bulletin Mark Sweney, The Guardian, 27 November 2012 The new look brought forth another rearrangement of signature tune The Awakening, more direct than its predecessors, and a new opening sequence featuring "Big Ben" marking the time for its respective news programmes; it also saw the ITN logo removed entirely, the production slide instead being the ITV News logo with "ITN year" in small type underneath.
13 and 20 The work transformed Coates's status from moderate prominence to national celebrity when the BBC chose the "Knightsbridge" march from the suite as the signature tune for its new and prodigiously popular radio programme In Town Tonight, which ran from 1933 to 1960.Payne, p. 110 Another work written at the Baker Street flat that enhanced the composer's fame was By the Sleepy Lagoon (1930), an orchestral piece that made little initial impression, but with an added lyric became a hit song in the US in 1940, and in its original instrumental version became familiar in Britain as the title music of the BBC radio series Desert Island Discs which began in 1942 and (2020) is still running.Payne, p.
During the early part of the Second World War, Coates composed little until his wife suggested he might write something for the staff at the Red Cross depot where she was a volunteer worker. The result, the march "Calling All Workers" became one of his best known pieces, benefiting from use as another BBC signature tune, this time for the popular series Music While You Work. At the BBC's request he wrote a report on light music on radio, completed in 1943. Some of his findings and recommendations were accepted but, according to a biographical sketch by Tim McDonald, Coates "failed to bring about any significant lessening of the inherent snobbery within the Corporation which tended to take a rather dismissive view of light music".
Author John Blaney calls "Nobody Loves You (When You're Down and Out)" the "signature tune" of the lost weekend. Bielen and Urish claim that it "captures the essence of a three o'clock in the morning, bleary-eyed, self pitying, booze-drenched interior monologue," and that it contains "a certain bravado and grandeur...that makes the weary emptiness of the verses and the impotent rage of the refrains eloquent and poignant..." Journalist Paul Du Noyer calls it a "colossal ballad" which "sounds nothing but sincere" despite being "a sprawling testament to John's cynicism and self- pity." According to Chip Madinger and Mark Easter, Lennon had "rarely penned more honest words in his life." Pop historian Robert Rodriguez praises Jesse Ed Davis' "incredibly fluid" guitar lead.
The Prince of Denmark's March (commonly known as the Trumpet Voluntary) was often broadcast by the BBC Radio during World War II, especially when programming was directed to occupied Denmark, as the march symbolised a connection between the two countries. It remained for many years the signature tune of the BBC European Service. The BBC World Service announcement and time signal at midnight GMT, 1 January 2009 In addition to these tunes, the BBC World Service also uses several interval signals. The English service uses a recording of Bow Bells, made in 1926 and used a symbol of hope during the Second World War, only replaced for a brief time during the 1970s with the tune to the nursery rhyme "Oranges and Lemons".
London was born in Northern California to an English mother and an American father. When he was a young boy he moved with his mother to England where he went to school, but they continued to travel back and forth between England and California. As a child he played the trumpet with his grandfather in the Salvation Army's local brass band, and later played first chair trumpet in the California Youth Symphony. Greg is the godson of English trumpeter Ronnie Hunt, whose claims to fame include the Coronation Street signature tune,Stan Roderick, A tribute by Ron Simmonds , Jazz Professional, 1994 London taught himself to play several musical instruments, and regularly performs the trumpet, guitar, piano, harmonica and percussion instruments in his shows.
300px In 2016, the Urban Guerillas teamed up with Spy V Spy (Australian Band) and toured around Sydney suburbs and regional towns in NSW. In 2017 the Urban Guerillas released a single "No Walls" inspired in part by the newly elected President of the USA boasting about building a wall between Mexico and the United States. Toward the end of the year the band released a song "Guerilla Radio" as an EP. The song had become their signature tune and explained what to expect from the Urban Guerillas in style and substance. The band was taking their music to the streets and played on the docks for the Maritime Union in support of sailors and dockers fighting for their jobs while their union was under attack by Australia's anti-union conservative government.
That year, former President Gerald Ford awarded Sinatra the International Man of the Year Award, and he performed in front of the Egyptian pyramids for Anwar Sadat, which raised more than $500,000 for Sadat's wife's charities. In 1980, Sinatra's first album in six years was released, Trilogy: Past Present Future, a highly ambitious triple album that features an array of songs from both the pre-rock era and rock era. It was the first studio album of Sinatra's to feature his touring pianist at the time, Vinnie Falcone, and was based on an idea by Sonny Burke. The album garnered six Grammy nominations – winning for best liner notes – and peaked at number 17 on Billboard's album chart, and spawned yet another song that would become a signature tune, "Theme from New York, New York".
The musical score for The Karate Kid Part II was composed by Bill Conti, who wrote the score for the previous installment, and features the pan flute of Gheorghe Zamfir. The film's signature tune was Peter Cetera's song "Glory of Love", which was a No. 1 hit in the United States and received an Academy Award nomination for Best Song. When Daniel and Miyagi are being driven by Chozen and his crony Toshio after they arrive in Okinawa, Chozen tunes in the radio of the car until he reaches a station playing "Fascination", the same song to which Ali and Johnny were slow dancing at the high-end country club in the original film. The soundtrack is notable as being the final album released by United Artists Records.
Alongside his 200 or so individual songs and seven song cycles, Haydn Wood was a prolific composer of orchestral music, including 15 suites, nine rhapsodies, eight overtures, three concertante pieces and nearly 50 other works scored for a variety of forces. His orchestral pieces were primarily of the "light music" style; a well known piece of his is the three-movement Fantasy-Concerto. Another is his London Landmarks Suite, particularly "Horse Guards, Whitehall", which was used for many years as the signature tune for the BBC Radio Series Down Your Way. In 2018 the BBC Concert Orchestra issued a new recording of the Snapshots of London Suite (1948) and premiere recordings of five other suites: Egypta (1929), Three Famous Cinema Stars (1929), Cities of Romance (1937), Manx Countryside Sketches (1943), and Royal Castles (1952).
Gilliam, McKeown, and Stoppard collaborated on further drafts. Brazil was developed under the titles The Ministry and 1984 ½, the latter a nod not only to Orwell's original Nineteen Eighty-Four but also to 8½ directed by Federico Fellini; Gilliam often cites Fellini as one of the defining influences on his visual style. During the film's production, other working titles floated about, including The Ministry of Torture, How I Learned to Live with the System—So Far, and So That's Why the Bourgeoisie Sucks, before settling with Brazil, relating to the name of its escapist signature tune. In an interview with Salman Rushdie, Gilliam stated: Gilliam sometimes refers to this film as the second in his "Trilogy of Imagination" films, starting with Time Bandits (1981) and ending with The Adventures of Baron Munchausen (1988).
"Pushin' Too Hard", originally titled "You're Pushing Too Hard", is a song by American rock group The Seeds, written by vocalist Sky Saxon and produced by Saxon with Marcus Tybalt. It was released as a single in 1965, re-issued the following year, and peaked at number 36 on the U.S. Billboard Hot 100 chart in February 1967, and number 44 in Canada in March. The song became the signature tune for the group and a template for their musical style – so much so that Creem magazine later wrote, not disapprovingly, that "the Seeds, of course, managed to work 'Pushin' Too Hard' into every song they ever did." It was included on the influential Nuggets compilation in the 1970s, and earned a reputation as a protopunk garage rock classic.
Replica of the titular shoes, created for the Chez Panisse 40th anniversary celebration Werner Herzog Eats His Shoe is a short documentary film directed by Les Blank in 1980 which depicts director Werner Herzog living up to his promise that he would eat his shoe if Errol Morris ever completed the film Gates of Heaven. The film includes clips from both Gates of Heaven and Herzog's 1970 feature Even Dwarfs Started Small. Comic song "Old Whisky Shoes", played by the Walt Solek Band, is the signature tune over the opening and closing credits. Filmed in April 1979, the film features Herzog cooking his shoes (the ones he claims to have been wearing when he made the bet) at the Berkeley, California restaurant Chez Panisse, with the help of chef Alice Waters.
A soundtrack album was released in 2018, consisting of all music cues minus dialogue but with sound effects remaining intact The score was performed by the Vince Guaraldi Sextet, featuring Guaraldi on piano, Monty Budwig on bass, Colin Bailey on drums, John Gray on guitar, Ronald Lang on woodwinds and Emmanuel Klein on trumpet. It was orchestrated by John Scott Trotter, arranged by Guaraldi and Robert G. Hartley. All the music was recorded on October 4, 1966, at Desilu's Gower Street Studio in Hollywood. The Peanuts franchise signature tune, "Linus and Lucy", is used at the beginning as Linus and Lucy prepare a pumpkin to be a jack-o-lantern, as Linus mails his letter to the Great Pumpkin, and when Lucy wakes up at 4 AM to take Linus home from the pumpkin patch.
Broken Blossom is the fourth studio album by American singer Bette Midler, her second album release in 1977 and her fifth on the Atlantic Records label. Just as Midler's three previous studio albums Broken Blossom includes songs from a wide variety of genres, ranging from Edith Piaf's signature tune "La vie en rose", Phil Spector-esque covers of Billy Joel's "Say Goodbye to Hollywood" and Harry Nilsson's "Paradise" and hard rock like Sammy Hagar's "Red", to a jazzy duet with Tom Waits, "I Never Talk to Strangers", and a rendition of "A Dream Is a Wish Your Heart Makes", originally from Walt Disney's 1950 film version of Cinderella. The album reached #51 on Billboard's album chart. The album was released on CD for the first time in 1993.
While performing as a teenager at San Antonio's Plaza del Zacate in Milam Park, Mendoza was discovered by WOAI radio station's "La Voz Latina" Spanish-language host Manuel J. Cortez who gave her a slot on his show, where she won an amateur competition. She was paid $3.50 a week, and signed to record on Bluebird Records, a subsidiary of RCA Victor. It was during these sessions in 1937 that she recorded her signature tune "Mal Hombre", which instantly became a hit on both sides of the United States–Mexico border. Mendoza had never learned to either speak or read English, nor did she or the family have an attorney representing her, when she signed a contract giving up her royalty rights in exchange for a cash payment of $15 per recording.
He took over those duties at the Silver Jubilee Service for Queen Elizabeth II on 3 June 1977, for which he wrote a setting of Psalm 121. Alt URL He subsequently directed the choir in their daily worship services, several state occasions, as well as a visit to the USA and Canada in June 1980. Under Rose's direction, the choir explored popular music and made a gold-selling recording of "My Way" and on the Chris Squire and Alan White Christmas single "Run with the Fox"; Squire was a former Kingsbury choirboy. Soloists from the choir also provided the original recordings of "Walking in the Air" from The Snowman (Peter Auty), and the closing signature tune – Geoffrey Burgon's setting of the Nunc Dimittis – for the TV series Tinker, Tailor, Soldier, Spy (Paul Phoenix).
"Supergold" was put off the air for a whole night on one occasion when a cow chewed the ISDN line somewhere outside Clacton in Rural Essex UK. TSMN offered the remaining daytime broadcast time for Satellite audio distribution (commercials and news distribution) and a private radio user group (shop chains) a European first. TSMN was planning a second radio format "Country" Gold \- This was also a European first. On the first night on air, Supergold was opened by CEO Graham Kentsley, followed by the first show presented by Tony Gillham the programme director. (Gillham later went on to work for Chiltern Radios, who later acquired the European Supergold format.) Telstar by the Tornados was the stations signature tune (played at the top of every hour during the station optout).
On 30 September 1972 Radio Veronica changed its frequency from 1562 kHz (192 metres) to 557 kHz (539 metres, announced as 538), announcing that it would close at 12:30 PM and reopen on its new frequency at 1:00 PM. A moment after the station closed listeners were surprised to hear "Man of Action," RNI's signature tune, on 1562 kHz. This was followed by announcements in both English and Dutch by RNI DJ Tony Allan acknowledging Veronica's 12-year history and welcoming listeners to the new sound of "RNI 2". At 1:00 RNI 2 relayed part of Veronica's reopening broadcast. That day RNI 2 carried separate programming from the main AM and FM service on 1562 kHz and on SW but then closed without warning the following morning, never to return.
In September 1961, he introduced Pick of the Pops as part of Saturday evening show Trad Tavern. Pick of the Pops became a permanent show in its own right in 1962, with Freeman presenting it until 24 September 1972, continuing with his 'Swingin' Cymbal' signature tune. At the same time he was one of the original team of presenters of BBC TV's Top of the Pops, a regular member of the Juke Box Jury panel, and had a brief stint as compere of the lunchtime pop music show Go Man Go on the BBC Light Programme in 1963. He presented a music magazine-style television show for the BBC in 1968, All Systems Freeman, which aired for several weeks on Friday evening, but despite good reviews did not return for a second series.
They began in the British pub rock scene, often augmented at times by a four-man horn section known as The Rumour Horns: John "Irish" Earle (saxophone), Chris Gower (trombone), Dick Hanson (trumpet), and Ray Beavis (saxophone). The band's first album, Howlin' Wind, was released to acclaim in April 1976 and was rapidly followed by the stylistically similar Heat Treatment. A mixture of rock, ballads, and reggae-influenced numbers, these albums reflected Parker's early influences and contained the songs which formed the core of Parker's live shows – "Black Honey", "Soul Shoes", "Lady Doctor", "Fool's Gold", and his early signature tune "Don't Ask Me Questions", which hit the Top 40 in the UK Singles Chart. Establishing a recording career in early 1976, Parker preceded two other new wave English singer-songwriters with whom he is often compared: Elvis Costello and Joe Jackson.
It has been said that one of his pieces was used as the signature-tune for the original Maigret series for BBC Television in 1960, although the credit for the theme tune and background music goes to composer Ron Grainer. He joined London music publisher Francis, Day and Hunter and later rose to become head of their light orchestral department, where in addition to composing gave advice to other composers in this field. It was during this period he composed numerous short orchestral pieces include "Frankfurt Polka", "Bavarian Polka", "Budgerigar Polka", "Pas de Trois", "Pizzicato Playtime", "Waltz for a Bride", "September Woods" and his most famous work "Siciliano" in 1953. He also wrote vocal pieces for schools, ballads for choral ensembles and a number of religious anthems, as well as large quantity of simplified arrangements of famous classical works for use in teaching.
In the past each player may embellish their parts at will, but in this new orchestra, Zheng wrote specific music for each instruments or sections. One early signature tune of the music club was Spring Flowers on Moonlit River (春江花月夜), arranged for the ensemble by Liu Raozhang (柳堯章) in 1925 based on an older tune for pipa. Another important figure of this period was Liu Tianhua who also formed a sizhu ensemble as part of the activity of the Society for Improving National Music he established at Peking University in 1927, and a periodical, the Music Magazine (音樂雜誌, Yīnyuè Zázhì), was founded. In a break from tradition whereby one instrument is played by only one player, more than one player per instrument may play together in the ensemble he formed.
A Scottish Country Dance ("Schiehallion") and figure, the Schiehallion Reel are both named after the mountain. Song "Schiehallion" featured on the 1994 album Time For A New Day by the independent band King Rizla. Pipe Major Donald Shaw Ramsay composed a 3/4 march entitled "Schiehallion". The England-based band "Schiehallion Pipes and Drums" (named for the Munro) led by Drum Major Jim (Jaimie) Gibb, has adopted the march as their signature tune, and is indeed the lead-in tune on their album Hail! Schiehallion. The Anglo-Swiss power metal band Gloryhammer features a fictional alternate-universe version of Schiehallion in the song “The Fires of Ancient Cosmic Destiny” from the album Legends from Beyond the Galactic Terrorvortex. In the song it is described as having “raging volcanic fires” in reference to the popular misconception of the mountain being a volcano.
She won her first recording contract, with De Luxe Records, in February 1949, and recorded several singles for the record label. The first, "Rock and Roll Blues", was one of the first jump blues songs to use that phrase in its secular context, with the lyrics "I'll turn out the lights, we'll rock and roll all night" The song was already her signature tune; the label credited her as Erline "Rock and Roll" Harris, and she was also credited as the writer of the song. The song is thought to have been recorded at Cosimo Matassa's studio in New Orleans, and became a regional hit. Her next record, "Jump and Shout", was another strong contender as one of the first rock and roll records, featuring a strong walking bass line, and honking saxophone by Plas Johnson of the Johnson Brothers from New Orleans.
He spent 1934 touring Europe again, and adopted "The Soldiers in the Park" (more commonly known as "Oh Listen to the Band") as his signature tune. In 1935 he appeared in his first feature film, the musical comedy She Shall Have Music, which starred June Clyde and Claude Dampier. That same year, Hylton finally was able to perform in the United States; he had repeatedly attempted this for almost a decade, but had been opposed by the musicians' unions (a 1929 tour was cancelled at the last minute). Standard Oil signed Hylton for a radio show on CBS, not only paying him and his star players, but also paying all expenses for those band members unable to play in the US. Whilst in Chicago, Hylton made a number of records with his radio band for Victor.
A Charlie Brown Valentine was the first Peanuts special to be produced after the 2000 death of Peanuts creator Charles M. Schulz. It also marked the third time a Peanuts special was animated with digital ink and paint as opposed to traditional cel animation (the first one to do so was It Was My Best Birthday Ever, Charlie Brown in 1997.) It also utilized the drawing style similar to the comic strip, with a white outline around Lucy's short hair and Snoopy's long ears (this was dropped in future specials). The bulk of the music score consists of classic melodies composed by Vince Guaraldi, some tunes which had only been utilized once ("Heartburn Waltz"). Other more notable tunes, such as "Charlie Brown Theme", "Peppermint Patty" and a jazz/rock version of the franchise signature tune, "Linus and Lucy", were used as well.
Nevertheless, Francis continued to record singles aimed at the youth-oriented market. Among her top-ten hits on the Hot 100 were "Breakin' in a Brand New Broken Heart" (1961, number 7), "When the Boy in Your Arms (Is the Boy in Your Heart)" (1961, number 10), "Second Hand Love" (1962, number 9), and "Where the Boys Are" (1961, number 4). The last became her signature tune and was also the theme song of Francis' first motion picture of the same name. The movie also introduced the concept of spring break, as the once sleepy town of Fort Lauderdale became the hotspot for college students on their spring vacation in the wake of the movie's success. Although she appeared in three further motion pictures, Francis was never satisfied with herself as an actress, and after appearing in a made-for-television movie in 1966, she declined further offers.
The show ran on NBC from October 1956 to June 1963. Starting in 1964, Harnell worked with Grey Advertising as a jingle writer, and from 1967 to 1973, he worked as musical director of The Mike Douglas Show. In 1973, Harnell moved to Hollywood and worked in film score and television composition, composing for The Bionic Woman, The Incredible Hulk including "The Lonely Man Theme" with which all episodes of The Incredible Hulk ended, playing over David Bruce Banner walking down yet another lonely road, Alien Nation, and V, for which he received an Emmy nomination in 1983. In May 1982, with the release of "Rocky III", Harnell also wrote the famous signature tune for the United Artists logo introducing United Artists movies in the early 1980s, during the MGM merger with United Artists, as well as the theme music for the NBC daytime soap Santa Barbara.
Although it wasn't originally one of the singles cut for radio promotion (an honour reserved to the title track and "Donde las aguilas se atreven"), the mid-tempo ballad "Hacelo por mi" was a smash hit on its own in early 1991, and Attaque 77 actually became a crossover band for a while (there was even a TV show named after the song). This first great upsurge of popularity lasted about a year, and the band actually stopped playing the song for years, being sick of it (and their hardcore fans were wary of it because it was a commercial hit). Since then they've make peace with their old hit and they're playing it again. The song "Espadas y serpientes", written from the point of view of a jailed man giving hope to his girlfriend who's waiting for him to be released, is particularly cherished by the fans and has become a live classic, and it can be considered Attaque's signature tune.
Schock recalled that when she and Segal brought a demo of the song to Gordy's home "he [initially] said [the film] didn't need a love song [but once] he [had] heard it [he] called the head of TriStar Pictures at 3 am and told him they were reshooting the end of the film [to accommodate] the song." "First Time on a Ferris Wheel" became a signature tune for Carl Anderson, the singer of the demo (music)}demo played for Berry Gordy. Besides recording "First Time on a Ferris Wheel" as a duet with Gloria Loring for his eponymous 1986 album for Epic Records, Anderson performed the song with Nancy Wilson at Wilson's Carnegie Hall concert of June 25, 1987, which was taped as the 1990 video release Nancy Wilson at Carnegie Hall. The song was also recorded by Rebecca Parris for her 1993 album Spring,Lincoln Journal Starl February 11, 1993 "Slew of CDs Helps Get You in the Mood" by Tom Ineck p.
The programme regularly featured recordings by Matt Monro, Frank Sinatra, Judy Garland, Ella Fitzgerald, Sammy Davis, Jr., Vic Damone and Robert Preston among others and its signature tune was an instrumental version of Cole Porter's "I Love You, Samantha" from High Society. On television, Jacobs was a regular Dictionary Corner guest on Channel 4's popular quiz show Countdown between 1993 and 2001, making 62 guest appearances in all on the programme. In a revival of the 1950s show Journey Into Space, he played the lead role of Jet Morgan in Frozen In Time on BBC Radio 4 on 12 April 2008,BBC Audio in January 2009. and he played The Host in The Host on BBC Radio 4 on 27 June 2009. DJs Stuart Maconie and Mark Radcliffe recruited Jacobs in 2008 to introduce album tracks from Cream on their weekday evening Radio 2 show under the rubric "Jacobs's Cream Crackers", an allusion to a brand of biscuit.
When the BBC briefly switched to broadcasting only light music in September 1939, MacPherson played up to twelve hours per day, also filling in with announcements and programme-notes whilst the organisation hastily evacuated its staff from London to various locations around the British Isles. Pressure from listeners and the press, who quickly tired of this seemingly unending diet of theatre organ day after day, soon caused the BBC to resume broadcasting a wider range of music. In the dark days of late 1939 - early 1940, Sandy's original signature tune, "Happy Days Are Here Again" was decidedly inappropriate to the times and he replaced it with his own composition, "I'll Play To You", a slow waltz which he used throughout the rest of his career (written with Harry S Pepper, a BBC producer). He played the opening music to the radio programme called London After Dark, on the theatre organ in St. George's Hall, London, broadcast 24 August 1940.
He joined a dance band as a singer and continued his day job as a painter. His first BBC Radio broadcast took place on 17 December 1927, with the popular comedy duo, Clapham and Dwyer. One of the songs he sang was, "In a Shady Nook by a Babbling Brook", which became his most requested song and, later, his signature tune. His London debut took place in a revue at the Bedford Theatre in 1929. He struggled on until 1933 when, after an appearance on the BBC Music Hall programme, he got a recording contract with HMV Records. In 1940 Peers enlisted in the Royal Army Service Corps as a clerk, where he served until D-Day in 1944, when he was invalided out. When in service, he entertained his fellow troops in shows. In 1944 he recorded "In a Shady Nook by a Babbling Brook", written by E.G. Nelson and Harry Pease in 1927.
The series’ signature tune was the "Trumpet Hornpipe", a folk dance that dates to at least the early nineteenth century. Some early versions of the tune refer to it as "Lascelles Hornpipe" and "Baloon Hornpipe". The composer and country of origin are unknown. The original black and white episodes of Captain Pugwash used a solo rendition by accordionist Tom Edmondson, who had learned the tune from watching Jimmy Shand's band in Northumberland as a teenager. Edmondson’s version was recorded in the front room of his home in Harbottle, Northumberland, on 12 July 1954. The recording was made by folklorist Peter Kennedy as part of the BBC's ‘Folk Music and Dialect Recording Scheme’ and Edmondson was paid £1.50 (30s) for his efforts. The track was transferred to disc for the BBC Sound Library and, according to John Ryan, it was later chosen as the Captain Pugwash theme by “a genius at the BBC”, whose name he could not remember. The full recording was issued by Peter Kennedy on his Folktrax label as part of a collection entitled "Scottish Accordion Music".
Billy Boys originated in the 1920s as the signature tune of the Brigton Boys, also called The Billy Boys of Brigton Cross, who were a Protestant street gang in Bridgeton (an area of Glasgow historically associated with the city's Protestant population, and with Scottish unionism - Brigton is the Scots form of Bridgeton) led by Billy Fullerton. The gang often clashed with Roman Catholic gangs such as the Norman Conks and the Calton Tongs.Petrol bomb pensioner shows old gang hatreds die hard, Janey Godley, The Scotsman, 6 January 2008 Fullerton was a member of the British Fascists who was awarded a medal for strike-breaking during the 1926 General Strike and formed a Glasgow branch of the British Union of Fascists with the onset of World War II.Razor gangs ruled the streets but even in the violence of pre-war years, one man stood out, Daily Record, 19 October 2007 The Billy Boys song was often sung loudly when the gang performed it. They regularly sang it when they marched through primarily Catholic areas of Glasgow on Catholic holy days.
The album, "heavier and more mature progressive rock with classical overtones in Kravetz's organ ([and] occasionally mellotron) work," repeated the success of the first, and gave the band a hit single with "How the Gipsy Was Born", which would become their "signature tune." The German music magazine Musikexpress dubbed Frumpy as the best German rock act of the year, while Inga Rumpf, variously described as "smoky", "demonic" and "roaring," was declared by national newspaper Frankfurter Allgemeine Zeitung to be the "greatest individual vocal talent" of the German rock scene so far. Due to "musical differences" Kravetz left the band in early 1972 to work with Lindenberg and his Das Panik Orchester and also to record a solo album, Kravetz (1972) which featured both Rumpf and Lindenberg. He was replaced in Frumpy by Erwin Kama, who had previously played in Murphy Blend, and Kama appears on several of the tracks on Frumpy's third album By The Way, being ousted halfway through recording in March 1972 when Kravetz rejoined the band.
"Pincus the Peddler" became Bell's signature tune, despite the title character's disreputable violent tendencies, and it concludes with his deportation to Petrograd (now Saint Petersburg, Russia). Each verse in "Shaving Cream" ends with a mind rhyme of shit, the initial sh- segueing into the refrain, "Shaving Cream, be nice and clean..." The same technique was used in "Sweet Violets" and many other songs that he recorded—the category is known among folklorists as "teasing songs".Traditional Ballad Index Other songs written by Bell include "Without Pants", "My Grandfather Had a Long One", "The Girl From Chicago", "The Ballad of Ikey and Mikey", "My Condominium", "I'm Gonna Give My Girl a Goose for Thanksgiving", "There Ain't No Santa Claus", and "Everybody Wants My Fanny". He continued recording and releasing records into the 1980s, but he remained little-known beyond New York City until the 1970s when "Shaving Cream" was played regularly on the Dr. Demento radio program, leading to its re-issue as a single in 1975 on the Vanguard Records label, along with a similarly titled album.
Retrieved on February 28, 2008. It also won Grammys for Record of the Year and Song of the Year at the Grammy Awards of 1990, and remains Midler's signature tune to this day. The recording of the song appearing in the film is notably different from the one released on the soundtrack, and the movie also includes an orchestral version over the end credits. The remainder of the soundtrack musically follows C.C. Bloom's rise to fame as an artist, from doing Cole Porter standards like "I've Still Got My Health" to moderately appreciative audiences in dive bars, appearing in burlesque shows singing about the supposed German inventor of the brassiere ("Otto Titsling", a song Midler herself had co-written and which had already appeared on her 1985 album Mud Will Be Flung Tonight), joining an experimental theater group ("Oh Industry"), to becoming a successful pop star ("I Know You by Heart", a duet with David Pack, only briefly heard in the movie) with the right to record material of her own choosing (Randy Newman's "I Think It's Going to Rain Today").
At the age of sixteen, Saunders became exposed to Chicago's night club scene, enthralled by the sounds of Frankie Knuckles and others in the scene. It wasn't long before he became a nightclub headliner, and in 1982, he opened up his own nightclub, the Playground. Attendance figures soon outnumbered those of the Warehouse and Saunders used the opportunity to incorporate his original material into his sets. By 1983 he was producing his own music and in early 1984 he released the first official house music record along with Vince Lawrence, "On & On", on the label they made together, Jes Say Records. Saunders composed the track with Lawrence in order to replace a record which had been stolen from Saunders' collection, the "On & On" bootleg disco megamix by Mach (1980). That megamix, a pastiche of loops from several disco records, particularly the bassline from Player One's "Space Invaders" (1979) and Lipps Inc's "Funkytown" (1980), had been Saunders' "signature" tune as a DJ; it was one that other DJs in the city didn't have or didn't play.
Zoysia (zoy-zhuh), a metaphor for tolerance and centered values and common ground, is a hardy grass, plentiful in Festus/Crystal City and Saint Louis, Missouri, where these hardworking musicians grew up. After years of misleading portrayals of the band's music as "hillbilly", the band's catalog proves otherwise with themes of maturity, generosity of spirit, neighborliness, insightful self-reflection, personal roots and modern society, individualism, pride of place, slow-mending hearts, and post-9/11 reality through the filter of a couple's romance. After more than their share of hard knocks, the Bottle Rockets continued with their trailblazing edge intact with Zoysia: > It would be a mistake to claim that Missouri's answer to Neil Young's Crazy > Horse has gone soft but their first release in more than three years shows > greater range and reflection than is typical for the rock-solid quartet. The > opening "Better Than Broken", the brooding "Happy Anniversary", and the > acoustic wistful "Where I Come From" all evoke the aftermath of romantic > upheaval.... "Middle Man" could be the band's signature tune defining a > sensibility that is Middle American in more than geography.
The theme of satirizing Canadian clichés continued with Michael Bublé dressed as a Mountie performing "The Maple Leaf Forever" first straight, followed by four scantily clad singer/dancers dressed as Mounties stripping his Mountie uniform to reveal a tuxedo leading to a whimsical Vegas-style arrangement of the song as a procession of giant Mounties, dancing Mounties, hockey players, giant table hockey players wearing gold medals (as Canada won both the men's and women's tournaments), complete with a child dressed as a puck for said game, followed by voyageurs and lumberjacks in dancing canoes, bare-midriff dancing and ceiling hung maple leaves, and last but not least, several giant inflatable beavers and flying moose. "The Maple Leaf Forever" was sung using a modern version rather than its traditional lyrics and was arranged in a medley with other pieces. Hockey Night in Canada's former, but still iconic, signature tune, "The Hockey Theme", was played during the giant-sized hockey match. The entrance of the voyageurs was accompanied by the traditional French-Canadian song "Envoyons d'l'avant nos gens" performed by La Bottine Souriante, while the cultural section ended with Bublé singing the last line of "O Canada".
Among the songs on the album are the Dowd/Clapton-produced signature tune "It's in the Way That You Use It" (co-written with Robbie Robertson, and featured in the Paul Newman-Tom Cruise film The Color of Money in October 1986, a month before the album's release, subsequently reaching No. 1 on the Mainstream Rock Tracks chart for one week) and three Collins-produced numbers—the up-tempo, horn-laden "Run" and the guitar-laden rockers "Tearing Us Apart" (with Tina Turner), "Holy Mother", a tribute to Richard Manuel of The Band, and "Miss You". The album's only UK top 20 hit, "Behind the Mask", was recorded at the suggestion of Greg Phillinganes. Legend has it that upon hearing Yellow Magic Orchestra's original track, around 1980–82, producer Quincy Jones fell in love with the track, and he and Michael Jackson recorded their own version with new lyrics by Jackson during his Thriller sessions. The track never made the Thriller album but Phillinganes, at the time keyboard player for Jackson, later released his own version of the song on his 1984 Pulse album, which resembles the Clapton version that became August's lead single in the UK. Jackson's version was finally released in 2010 on the posthumous album Michael.
Sydney Devine (born Cleland, Lanarkshire 1940) is a Scottish singer whose career began with a television appearance in 1953 at the age of thirteen, developed during eight years touring with the White Heather Group. When visiting Hawaii with Andy Stewart's band, he heard the Hawaiian singer Don Ho perform Tiny Bubbles; this became Devine's signature tune and he went on to sell fifteen million albums. His record sales were revived in December 2005 when a frothy drink making machine was advertised on television using Don Ho's version of Tiny Bubbles. Other songs that Devine made his own include The Answer To Everything, Legend In My Time, Crying Time, When You & I Were Young, Maggie and one that was written for him by his good friend Tommy Scott, Scotland Forever. He is one of "Scotland’s most successful performers" of all time (Evening Times, 17 October 2007), and "Scotland's most successful crooner" who is an "ever-present part of the Scottish entertainment industry," ("Sydney Devine and the jingle that rings a bell with his fans" The Herald, 22 December 2005). The entertainer has sold around 15 million albums (Sydney Devine 2011, Artistes International Management Ltd) - and has recorded and released almost 50 albums, 10 DVDs and more than 20 singles.

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