The results are a gallimaufry of sensorial experience and meaning.
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LF: The hardest part was to get the sensorial experience right.
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Dipsea's sensorial audio storytelling sets the mood and sparks the listener's imagination.
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That's where people participate in the conversation in a very sensorial way.
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"Like sex tech and fleshlights, people want something multi-sensorial," she said.
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"I want people to have a sensorial journey well beyond France," he says.
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However, the seasonal gourd also possesses skin-care benefits that go far beyond sensorial.
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Styrofoam, celery, wicker: Something in these materials represents a sensorial crisis for certain human bodies.
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It figures more prominently in the registers of experience — aesthetic, temporal, sensorial — that the various pieces constellate.
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Through multi-sensorial installations, Michelson holds genocidal colonizers accountable and affirms the continued survival of Indigenous people.
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In conversation and in his book, Scott Kelly artfully evokes the sensorial assault of his home in space.
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The experience is a visceral roller-coaster that blends installation, cinema, and technology into a super-sensorial work.
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Through multi-sensorial installations, Alan Michelson holds genocidal colonizers accountable and affirms the continued survival of Indigenous people.
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"This Bridge" is an intimate spectacle: a mix of the untamed and the tactile, the sensorial and the formal.
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Because the images are so incredibly dark, I was compelled to close my eyes and rely on sensorial intuiting.
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There was a time when VR peripherals were so singular that each one opened up some totally new sensorial frontier.
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The answer is probably all of the above, but it makes for some heavy-handed messaging verging on sensorial overload.
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Koosha's experience of the world on the sensorial level is hard to describe, dictated by his experience as a synesthete.
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What is not widely known — even among racers — is how much a driver depends on those sensorial elements for racing.
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Here, in piece after piece, most no longer than a few minutes, his pictorial and sensorial powers were truly liberated.
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Claudia Hart's installation with a virtual reality headset activates this principle by putting you in a new, disorienting sensorial environment.
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So, why the standoff between the Yannys and Laurels all over social media, with people vociferously insisting on their sensorial superiority?
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Sometimes you catch a little bit more of one smell than another, but most often they swirl together in overwhelming sensorial delight.
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Dizzying and frantic, "Total Recall" is a deliberate assault on the senses — a warning about how technology is outpacing our sensorial capacities.
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For example, I decided to shave my arms in middle school, which proved to be a sensorial experience I did not enjoy.
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"It's not about gender fluidity, I'm just very sensorial," Khouri said, referring to the two male models wearing elaborate diamond ear cuffs.
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SMALL DAYS AND NIGHTSBy Tishani Doshi Tishani Doshi's third novel begins with a homecoming and the sensorial onslaught such a trip entails.
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With headlining musicians performing alongside immersive digital artworks, Day for Night creates a heightened sensorial experience that blurs boundaries between performance and installation.
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"The White House has come to life, gleaming with a dazzling, sensorial experience of eternal spring," the White House said in the statement.
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We saw the need for a line that had a welcoming sensorial experience in form and function: the texture, the feel, the smell.
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In the finished production, all three elements are treated equally with the hope that, together, they will produce an otherworldly, sensorial fourth element.
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The exhibition aims to evoke a meditative "sensorial" experience for visitors, Randy Fernando, one of the designers of the experience, said by email.
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Headphones that offer perfect sound are no longer enough; customers want a multi-sensorial product, complete with genuine leather and stainless steel, he says.
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"I wanted to try to find form and expression for this way-down non-sensorial experience of living inside of thought spirals," he said.
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As with "Cartazes," in this film de Andrade take his viewer on an exotic, sensorial journey that is as much about observation as participation.
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So on Saturday morning I decided to go and search for an alternative way to get high at Glastonbury, and elevate my sensorial experience.
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Skitters of synth lines reflect like blinding sunlight off a frozen tundra, with sensorial bursts that feel like warmth and light amidst more frosty environs.
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To get some perspective, I got in touch with Carles Casas—a specialist in sensorial marketing who is very familiar with the world of retail.
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That feeling and control of where we are in space is important right now; dancers, through years of training and sensorial alertness, grasp this inherently.
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Santana-Acuña added that the beauty of the story is also García Márquez's use of magical realism, as well as how sensorial the novel is.
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The art that strikes us, Gainza seems to be saying, also tends to spill out into the mnemonic, emotional, and sensorial welter of our personal experiences.
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It's a sensorial delight, a delicious morsel of court decadence, rivalry, and intrigue, with enough wit and rage to pierce your gut and leave you writhing.
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But the moments when you didn't have to shoot something, like being in the elevator, you notice the details and the sensorial effects a lot more.
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For Dunham, her vegan chocolate pudding — like her work — is as much about the final product as it is about the sensorial experience of making it.
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The company has developed a new scaffolding technology that mimics the texture, appearance, nutritional and sensorial properties of fibrous meats like beefsteaks, chicken breasts and fish filets.
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In this sensorial, meditative performance, Ms. Orihara and her Japanese collaborators contrast the human body with technology and encourage audience members to ponder the meaning of life.
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In 2009 Periférico Caracas at Centro de Arte los Galpones held exhibitions such as Meyer Vaisman / 503:1 and Carlos Cruz- Diez: La Experiencia Sensorial del Color.
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Sonically, the full-length is packed with environmental field recordings from their travels, all the way from subway noise to splashy waves, which makes for a sensorial delight.
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In the realm of live-action performances, PVR is about to launch a novel series of ASMR VR porn, with a gender-neutral design focused on sensorial experiences.
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The complete sensorial chaos engulfing Heron Arts in San Francisco is a hallmark of Marina Fini's creative oeuvre, which levitates somewhere between film, fashion, set design, and photography.
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"First of all, it's a slightly frightening sensorial encounter, when you get to see this gigantic beacon which announces something you can't control in any way," writes Grasso.
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In this sensorial, meditative performance, Ms. Orihara and her Japanese collaborators contrast the human body with technology and encourage audience members to ponder the meaning of life.inthebox-nyc.com
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When Starbucks announced the Chicago location in 2017, it said would be a "fully sensorial coffee environment" dedicated to roasting and brewing Starbucks' coffees from around the world.
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At its heart, Costa Brazil isn't so much about taking care of one's skin as it is the idea of rituals and the sensorial experience of humans in nature.
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It's also possible, however, that the fungus needs to leverage some of that existing ant brain power (and attendant sensorial capabilities) to "steer" the ant around the forest floor.
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On a sensorial level, the shopper's experience in the changing room depends on the lighting, the temperature, the volume of the music, or indeed the fragrance in the room.
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It was the contemporary artist's job (then, as now) to stage sensorial situations wherein members of high society may impress upon each other displays of cultural literacy and hermeneutical sophistication.
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They share Mr. Cruz-Diez's interest in "light and color as a sensorial experience," Estrellita Brodsky, a collector, philanthropist, curator and advocate of Latin American art, wrote in an email.
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They share Mr. Cruz-Diez's interest in "light and color as a sensorial experience," Estrellita Brodsky, a collector, philanthropist, curator and advocate of Latin American art, wrote in an email.
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Except for her portraits, Stettheimer's paintings are composed as sensorial stage settings with animated movement, thick, tactile paint, pure colors reflecting moods and temperatures, and implications of noise and music.
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They explore black as a material, a method, a mode, and/or a way of being in the world, necessitating complex thinking and sensorial engagement on the part of the viewer.
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With their noise, color, and smell, the contraptions titillate the senses, and as far as objectives for an art piece go, transformation and sensorial arousal are certainly more exciting than efficiency.
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"I wanted the night to be a total sensorial extravaganza," said Yi, who formulated the scents with the perfumer Barnabé Fillion, finding the process to be a natural extension of her practice.
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The symbolic complexity that the piece unfolds to the audience through a sensorial dispositive is key to understanding the artist's persistent critique to totalitarian thinking and the perversity of its attack against subjectivity.
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I honestly can't say that it's done a whole lot in terms of evening out my acne scars, but as for hydrating, soothing, and giving me a thoroughly enjoyable sensorial experience, if you will?
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However, as our work has grown to include other media – exhibitions, installations, audio-work, lecture-performances – the book's position has become more fragile within this ecosystem, ostensibly eclipsed by other more sensorial, seductive platforms.
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They project a fairy tale-like sensorial propensity to me that suggests the complex cross-weaves of vulnerability and culpability that exist between us and other animal species, yet they are sleek and mural-sized.
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One of them is where the Pacific gray whales come to greet you and one reaches out to touch them; it is akin to being confirmed by the Earth, a sensorial baptism unique on the planet.
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" He added: "The factors that drive calorie consumption are many-fold and include energy expenditure; the sensorial environment is potent with visual and olfactory triggers especially so; entrained behaviours like mealtimes or snacking; and so on.
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I am able to take from these experiences what I'm looking for—mind-expansion, self-exploration, empathetic connection, sensorial amplification—without the addiction and selfishness, and other types of ugliness that I associate with many non-psychedelic drugs.
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Hopinka, who first learned Chinuk Wawa — a nearly extinct indigenous language from the Pacific Northwest — in Portland, Oregon when he was in his 20s, is particularly attentive to how experience is embedded in the sensorial aspects of language.
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Mr. Naharin's movement language, Gaga, is as much sensorial as it is a physical act, requiring muscular strength and suppleness in the joints to suddenly spring into the air, wilt in a backbend or crash to the floor.
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The celebration, its participants and the tradition of firework-making are the subjects of Viktor Jakovleski's film, which is described as a "sensorial documentary" and has a score by Benh Zeitlin and Dan Romer ("Beasts of the Southern Wild").
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Comparing the sensorial function of a crocodile with a tyrannosaur may seem like a bit of a stretch, given their physical differences and distance on the evolutionary tree, but Carr says their facial anatomy is virtually identical from a functional perspective.
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But unless you're a very rich person with some spare rooms you would like to renovate as a VR funhouse, sensorial, immersive environments like the one we went through today are only going to come from projects like The Void.
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The sculpture occupies what the artists are calling, "a mixed/parallel reality," that produces, "new alternative, magic and hyper-sensorial landscapes"; a kinetic hybrid sculpture that bridges the gap between the physical world, the virtual, and all of the alternate possibilities between them.
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"It is a multilayered experience that combines visual imagery with sound elements that engage the viewer in more than one sensorial experience — more than just look and see and move quickly," says Campos-Pons, who has been dreaming about this project for 28 years.
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" According to the study, it's food that includes "substances not used in culinary preparations, in particular, flavours, colours, sweeteners, emulsifiers, and other additives used to imitate sensorial qualities of unprocessed or minimally processed foods and their culinary preparations or to disguise undesirable qualities of the final product.
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It includes Kayla Hamilton's "Nearly Sighted/Unearthing the Dark," a sensorial exploration of what it means to see and be seen, and Alice Sheppard's "Where Good Souls Fear," in which she explores the minimal and maximal effects of movement while challenging what propriety means for black women.
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Museum of Ice Cream — which, according to its website, provides "fun, multi-sensorial expressions of ice cream that cater to the appetites of our generation" — has in total welcomed more than 1.5 million guests to date across all of its locations from Los Angeles to New York.
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Museum of Ice Cream — which, according to its website, provides "fun, multi-sensorial expressions of ice cream that cater to the appetites of our generation" — has in total welcomed more than 1.5 million guests to date across all of its locations from Los Angeles to New York.
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And he's working with a fine crew to generate this insular, sensorial world: Maria von Hausswolff shot the film in 16mm with desaturated blues and whites; Lars Halvorsen crafted the varied and pronounced sound design; and Toke Brorson Odin provided an ambient and lightly synth score.
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The two work in tandem: At some point during a particularly woozy feast, the camera blurs the background into a swirl of colors, Bobby Krlic's spine-chilling score swells, and we're lost in this sensorial assault of fertility, decay and human feeling that threatens to swallow the characters whole.
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"Mónica es una joven brillante y ha sido una gran generadora de ideas en el campo de la biología sensorial de las plantas", afirmó Heidi Appel, una científica que descubrió que la arabis produce más químicos defensivos cuando se le expone al sonido estresante de la masticación de una oruga.
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Spanning four floors and 43,055 square feet, the center, which cost €20 million (around $523 million), is designed to be an interactive and sensorial experience for visitors: The smell of chicken bubbling away in a casserole pot wafts through the space dedicated to traditional Lyonnaise cuisine, while a virtual exhibit recreates the sights and sounds of an open-air farmer's market.
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After Fantasma, he distanced himself from the aesthetic it made popular, producing the albums Point (5.13) and Sensuous (2006), two CDs that stand out for their sonic eccentricity and their overflow of ideas that still sound new, as well as which served to cement his live shows as impressive spectacles in which the perfect synchronization of music with lights and visuals resulted in a sensorial overload that impacted concert-goers.
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Today, the Russian search giant — which, like its US counterpart Google, has extended into a myriad of other business lines, from mobile to maps and more — announced the launch of CatBoost, an open source machine learning library based on gradient boosting — the branch of ML that is specifically designed to help "teach" systems when you have a very sparse amount of data, and especially when the data may not all be sensorial (such as audio, text or imagery), but includes transactional or historical data, too.
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"Hacen de la danza un festin sensorial", El Norte, p. 4.
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Since human memory is largely dependent on sensorial experience, the use of images and props is a very effective tool to present new vocabulary, enabling students to directly associate a new word with a sensorial experience.
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As a multi-sensorial phenomenon, prosaics pays attention to the whole range of sensorial display for affecting participants' sensibility (body language, the visual, setting and props, intonation and styles of language) and not only sight and hearing as has been customary in aesthetics.
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Fundamental to ensuring that the sensorial experience is maximised is the management of malodours in the air or from the skin.
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The name Xerapoa comes from Tupi xerapoa (sharp-pointed), referring to the spiny aspect of the anterior end in species with sensorial papillae.
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The latter, in turn, depend on the context. The motivation for using virtual reality as a communication tool is based on the premise that one's perception of context is proportional to the sensorial information available. In a virtual reality communication setup, each of its participants is under sensorial immersion. This improves the perception of the context in which the actor is in, which in turn improves the communication experience itself.
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The Casa Curriculum makes use of 177 hands-on apparata for Practical Life activities, Sensorial Life activities, Language, Mathematics and Cultural Arts (divided into History, Botany, Geography, Science, Music and Arts).
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These methods usually include a combination of sensorial, biochemical, mechanical, and colorimetric (optical) measurements. A recent study attempted (and failed) to discover a biochemical marker and fingerprint methods as indices for freshness.
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Although he is small, he is nicknamed ' One Shot One Kill ' for his sensorial positioning and goal determination. Spotty and instantaneous running for space, while avoiding defense, is another advantage of Nadson.
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Environment and Planning B 28 (1): 103–121. and is applied with the help of a fuzzy system with a Mamdami inference system based on fuzzy logic within any architectural space. Fuzzy architectural spatial analysis model analyses the space by considering the perceivable architectural element by their boundary and stress characteristics and intensity properties. The method is capable of taking all sensorial factors into account during analyses in conformably with the perception process of architectural space which is a multi-sensorial act.
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58 The first concerns the time that vinegar spends inside the barrel set (age or residence time); the second accounts for all time-dependent changes in chemical, physical and sensorial properties (physical ripening time).
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The Ottawa Art Gallery, Ottawa, Ont., Museum London, 2010. Curator, Fibred Optics, group exhibition that explores the multi-sensorial nature of visual narration and perception. Frances Dorsey, Jerome Havre, Ed Pien and Michele Provost.
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The aging is related to two basic concepts.Giudici, P.; Gullo, M.; Solieri, L.; Falcone, P.M. (2009). Technological and Microbiological Aspects of Traditional Balsamic Vinegar and their influence on Quality and Sensorial Properties. Advances in Food and Nutrition Research, vol.
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Routledge, 2002, page 183. As such, the four great elements are conceptual abstractions drawn from the sensorium. They are sensorial typologies, and are not metaphysically materialistic.Dan Lusthaus, Buddhist Phenomenology: A Philosophical Investigation of Yogācāra Buddhism and the Chʼeng Wei-shih Lun.
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Similar to food that used to be regarded merely as an experience of taste, architecture in the past used to be subjected only to sense of vision, which is why much of architectural products relied on visual forms of photographs, or television. In contrast, architecture has become a multi-sensorial experience in which people visit the architectural sites and feel the various sensorial aspects such as the texture of the building, background noise and the scent of the surrounding area, and the overall look of the building in coordination with the nature and the area."Making Sense of Architecture." Blueprint, no.
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Through synthesizing words, images, public spaces, and technology, Kim has directed award-winning projects for her clients: environmental design for museum exhibitions; advertising campaigns for fashion and beauty; branded art installations; interactive sensorial spaces; direction and scriptwriting for audio-visual installations; editorial design.
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The Keren Works with people with physical, sensorial, emotional, mental and developmental disabilities, either from birth or of recent onset. The Keren also works with people with employment barriers, such as new immigrants, chronically unemployed individuals, single mothers and troubled or disabled youth.
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When the proper sensorial conditions aggregate, i.e., come into contact with each other, sensation occurs. These proper conditions include a properly functioning sense organ and a cognitive-sensory object, which already presuppose a linguistically-complex conscious body (nāma-rūpa).Buddhist Phenomenology, Dan Lusthaus, p.
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Photos and moving pictures have been used by ethnographers since soon after they were invented. The first ethnographic film occurred in 1895 by Felix-Louis Regnault who filmed a Senegalese woman making pots.Robbens, Antonius C.G.M. "Sensorial Fiedlwork." In Ethnographic Fieldwork: An Anthropological Reader,eds.
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Antonius C.G.M. Robbens and Jeffrey A. Suka. Malden: Blackwell Publishing, 2007, 385. Film was used among many researchers however it was Margaret Mead and Gregory Bateson who first used methods of visual ethnography such as photos and film as scientific instruments.Robbens, Antonius C.G.M. "Sensorial Fieldwork", 386.
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The notion of EID emphasizes the influence of the designed environments on human total experiences including sensorial, cognitive, emotional, social, and behavioral experiences triggered by environmental cues. One of the key promises of EID is to offer values beyond the functional or mechanical experiences afforded by the environment.
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After returning, in 1958 Le Parc received a grant from the French Cultural Service to go to Paris, France.Ruiz, A. & Museum of Contemporary Art (Los Angeles, Calif.). (2011). Supra sensorial: Experimentos en Luz Color, y Espacio = Experiments in Light, Color, and Space. Los Angeles: The Museum of Contemporary Art.
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Sensorial transposition is a technique used in remote reality to transfer the perception of one sense to another, or where a user receives feedback through a different sense unexpectedly. For example, a thermographic camera allows us to have a visual sensation of the temperature, which is atypical thermoception.
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Artur Barrio is seeking to create an experience. He uses both ephemeral and precarious materials that provoke an extreme sensorial reaction. Items such as coffee grinds overwhelm the nose while blood or meat produce a gut reaction. There is a concrete connection to the body and to food.
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It is critical that the companies are able to adapt with the rapid shifting of consumer trends. Many organizations are not aware of the changing trends in the consumer population, such as the growing number of multicultural races in the target market and the impact of feminism in our current generation, which is profoundly affecting consumer brand expectations. Researchers are yet to expound the depths of sensorial experience because it could potentially lead to deeper explanation as to how and why the use multisensory brand experience could trigger an emotional response from the consumer. Sensorial experience also explains how companies were able to apply and manipulate human emotions on the product to win the favour of consumers.
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Some of Montessori's many manipulatives Montessori sensorial materials are materials used in the Montessori classroom to help a child develop and refine his or her five senses. Use of these materials constitutes the next level of difficulty after those of practical life. Like many other materials in the Montessori classroom, sensorial materials have what is called "control of error", meaning that the child not only works with the material, but has a way to check their work rather than seeking out the teacher if they have a question on whether or not they did it right. This is done to help promote independence and problem solving on the part of the child.
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Light in Movement is another sensorial artwork as with all of Le Parc's works, which did not aim to be a narrative but experienced-based. The piece is made up of painted drywall, mirrors, stainless steel, nylon thread and two spotlights. Preciado, S. (2011). Suprasensorial: Emperiments in Light, Color, and Space.
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Similar to the Mobil Transparent theme, this piece was also a part of the Miami exhibition in 2011. The intention of Celule Avec Luminere un Vibration is to incorporate light and the sensorial experience of the viewer. This piece is from 1968 and is 150 x 157x 137 in.Salgado, G. (2005).
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250px Sivkov’s art is nurtured by the heavy, garish sumptuousness of his palette. His colours and application of, are powerfully expressive. The eloquence of his colours come to delineate the non-perspectival pictorial space. Combined with the impasto texture of his work, Sivkov's palette effectively creates a technically sensorial opus.
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Channel of brave waters This square symbolised the moment when a wave breaks on the beach. It was divided into two areas: the first was the sensorial area with 120 mobile seats where audiovisuals were projected; the second was the ideas area with interactive platforms, images and texts about water and its risks.
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Besides, many secondary products are formed in small amounts, such as organic acids, esters, aldehydes, etc. Z. bailii is noted for its strong production of secondary metabolites, e.g. acetic acid, ethyl acetate and acetaldehyde. In high enough concentrations, these substances can have a dominant effect on the sensorial quality of the products.
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National Jeweler: 40+. General OneFile. The process of Emotional Branding has an underlying concept based on four important factors which acts as a blueprint: Relationship, Sensorial Experience, Imagination and Vision. The relationship aspect of emotional branding establish a connection based on mutual respect for consumers by giving them an experience that touches them emotionally.
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Journal of Economic Entomology 100(2), 619-21. The adult louse has a short broad head, broad sensorial on segments 4 and 5 of its antennae. It has a hexagonal shaped sternal plate on the thorax and prominent abdominal spiracles. Its hind and middle legs are the same length while its front tarsal claws smaller.
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She also developed sets of Montessori sensorial materials, manipulatives for learning mathematics and other skills and concepts. Today, Montessori's methods are used in both homes and schools, and her manipulatives have been extensively studied. Her work was strongly motivated by slum conditions and the social and economic disadvantages facing poor women and their children.
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Business literature emphasizes the relationship between interior design and customer experience Schmitt, B. (2004). Visual Identity and Experience Dimensions in the International Luxury Hotel Industry. New York: Columbia Business School. For example, Schmitt's experiential marketing framework suggests that commercial environments should consider customers' experiential needs (functional, emotional, behavioral, social, and symbolic/lifestyle) in addition to sensorial experiences.
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He created and developed a new method of nonpharmacological analgesia called "sensorial saturation", based on the simultaneous administration of gentle stimuli (touch, taste and voice) to the baby during a painful procedure, reported among the most effective for pain in babies. Bellieni also performed studies on babies' crying, developing a pain scale based on the acoustical analysis of crying.
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At restaurants, many sensorial aspects such as the interior design (vision), texture of the chairs and tables (touch), background music and the noise level (sound), openness of the kitchen and cooking scene (smell and vision), and of course, the food itself (taste), all come together before a customer decides if he or she likes the experience and would want to revisit. Vestibular sense system, the "sixth sense" While multi-sensory experiences were only subjected to a few categories in the past, in modern day, the spectrum has expanded to acknowledge the importance of sensory design. Food used to be considered strictly as an experience for taste. Now, as the multi-sensorial trait of food has been known, marketers of food products and restaurants focus more on providing services that extend beyond the sense of taste.
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Cognitive scholars claim that the human mind has a modular structure (against one central processor) by which her evaluate and respond to environmental triggers. This evaluation of built environment leads to the a multifacet perception of that environment that renders Sensorial Experiences, Emotional Experiences, Intellectual Experiences, Pragmatic Experiences, and Social Experiences.Schmitt, B., & Rogers, D. (2009). Handbook on Brand and Experience Management.
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The subject of Oleson's art is questioning and confronting big ideas. Her interdisciplinary work is marked by an interest in the conflict between contemporary life, the sensorial, and material concerns. Thinking through research and hands-on making/craft, she creates complicated, intertwined bodies of work. These large-scale projects involve performative, complex tableaux that result in responses anywhere from confusion to pleasure.
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The Sushruta Samhita was composed after Charaka Samhita, and except for some topics and their emphasis, both discuss many similar subjects such as General Principles, Pathology, Diagnosis, Anatomy, Sensorial Prognosis, Therapeutics, Pharmaceutics and Toxicology. The Sushruta and Charaka texts differ in one major aspect, with Sushruta Samhita providing the foundation of surgery, while Charaka Samhita being primarily a foundation of medicine.
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In architecture and spatial design, atmosphere refers to the sensorial qualities that a space emits. Atmosphere is an immediate form of physical perception, and is recognised through emotional sensibility. Architects and designers use the notion of atmosphere to argue that architecture and space is designed and built for people to use and experience. Peter Zumthor in his book AtmospheresZumthor, Peter (2006). Atmospheres.
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P.O.) is about allowing consumers to create an experience that asserts and actualizes their individuality; to, in a world of seven billion people, feel and be unique. 4\. Relevant Sensorial Oddity (R.S.O.) is about challenging our senses with something extraordinary, marking an experience as unique. 5\. Icons are signs and symbols that clearly demarcate a consumption experience from any other. 6\.
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It is a recognized as an institute of national importance by the Ministero per la Università e la Ricerca Scientifica. There are collections of entomology, malacology, osteology, ornithology, herpetology, ichthyology and mammalology.There are five million specimens in total( molluscs, insects, birds and mammals and fossils). The displays are modern, with over 1000 square metres of multi- sensorial or interactive stations exhibitions and three-dimensional reconstructions.
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The exhibition features an immersive installation that centers around a cotton gin motor from Maplesville, Alabama and the history of his family's land in the American South. The installation focuses on the sensorial, through the visual and auditory distillation of the cotton gin throughout the space. In addition, a series of live performances (solo and collaborative) and talks are programmed throughout the run of the exhibition.
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New Zealand has sent delegations to the Summer Paralympics since 1968, and to the Winter Paralympics since 1980. The Paralympic Games are a multi-sport event for athletes with physical and sensorial disabilities. This includes athletes with mobility disabilities, amputations, blindness, and cerebral palsy. The Paralympic Games are held every four years, following the Olympic Games, and are governed by the International Paralympic Committee (IPC).
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The word comes from Italian, meaning "light and dark" is also one of the innovative techniques used in painting by Leonardo da Vinci, and is characterized by the contrast between light and shadow to represent an object, creating a three-dimensional effect, the name came in the recordings because the songs, which sometimes are more subtle and sensorial, now are more gloomy and dense.
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18 However, his powers are circumscribed by malas.Saivism Some Glimpses – G. V. Tagare, p. 12 In order to open Jivatman towards external objects it is placed within the subtle body, also known as the mental apparatus or puryastaka – the eight gated fortress of the soul. The eight gates are the five elements – earth, water, fire, air, aether plus the sensorial mental (manas), ego (ahamkara) and intellect (buddhi).
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A slow onset and a lack of pain or sensorial symptoms are arguments against a lesion of the spinal root or plexus brachialis. To an extent, these features can also be seen in normal aging (although technically, the apparent muscle wasting is sarcopenia rather than atrophy). The term split hand syndrome was first coined in 1994 by a researcher from the Cleveland Clinic called Asa J. Wilbourn.
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Phylloxerans have a three-segmented antenna in all forms (both adults and immature). The Wings held flat over the body at rest and the Cu1 and Cu2 of the front wings are stalked at the base. The flagellum always ends in a sensorium (or rhinaria) and adult females can have one or two additional sensorial on the flagellum. Egg laying females and males have vestigial mouthparts and are wingless.
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The experiments described were performed in the laboratory of Beaunis. They consist in studying cerebral physiology, which would today be called neurophysiology. The research performed during this period in the laboratory include works on pneumotherapy, the physiological effects of nicotine, diuretic agents, the effects of cognitive processes on pulse, aneurysms, respiration, muscle contractions and reaction time to sensorial stimuli. His works in physiology led him to gain interest in hypnosis.
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Italy has sent delegations to the Summer Paralympics since the first games in 1960, and to the Winter Paralympics since 1980. The Paralympic Games are a multi-sport event for athletes with physical and sensorial disabilities. This includes athletes with mobility disabilities, amputations, blindness, and cerebral palsy. The Paralympic Games are held every four years, following the Olympic Games, and are governed by the International Paralympic Committee (IPC).
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This interest in expansion has resulted in a series of projects that extend choreography to non-human materials. Together they form The Artificial Nature Series, a series of five productions that were created between 2009 and 2012. The Extra Sensorial Garden (2010) was presented in Copenhagen and The Light Forest (2010) could be visited during Szene Salzburg in July 2010 and 2011. In Speculations (2011), the spectator experienced a storytelling session.
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Their stereoacuity is often in the range of 3000 to 70 arcsecond, and a small central suppression scotoma of 2 to 5 deg. A rare condition, MFS is estimated to affect only 1% of the general population. There are three distinguishable forms of this condition: primary constant, primary decompensating, and consecutive MFS. It is believed that primary MFS is a result of a primary sensorial defect, predisposing to anomalous retinal correspondence.
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The passage is SN 2.77. In the Madhyamaka school of Mahayana Buddhism, the ultimate nature of the world is described as Śūnyatā or "emptiness", which is inseparable from sensorial objects or anything else. That appears to be a monist position, but the Madhyamaka views – including variations like rangtong and shentong – will refrain from asserting any ultimately existent entity. They instead deconstruct any detailed or conceptual assertions about ultimate existence as resulting in absurd consequences.
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Cabrera was born in the city of Monterrey in the state of Nuevo Leon, México. She moved to the U.S. at around the age of 10, when her family was in search of better opportunities. Her inspiration to become an artist began in childhood. She said she was raised as a "Montessori child", where she was taught different concepts through sensorial activities and tactile experiences that allowed her to communicate her expressions artistically.
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Candice Lin (born 1979) is an interdisciplinary artist who works in installation, sculpture, drawing, ceramics, and video. Her work is multi- sensorial and often includes living and organic materials and processes. Lin lives and works in Los Angeles, California. She is co-founder and co-director of the artist-run collective and space Monte Vista Projects and is an assistant professor in the Department of Art at the UCLA School of Arts and Architecture.
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He is also skilled in the art of kendo. His trademark is a spinning kick first used on Lelouch in the first episode, which he is able to replicate in his Knightmare. His sensorial perception is likewise above normal: he is able to detect Kallen trying to sneak up on him twice and stops a dagger in mid-air without even turning to face it. Suzaku's physical prowess has been shown to be almost superhuman.
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The aircraft had its landing gear down and the flaps were extended at 20 degrees. Thirty-five passengers and one hostess lost their lives, many becoming trapped inside the sinking fuselage. The remaining passengers and crew, including both pilots, were rescued by local fisherman and rescue teams, or swam to the nearby shore. The cause of the accident was attributed to pilot error, due to lack of coordination between the pilots, and to sensorial illusion.
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Dand's inventions range from sensorial interfaces, smart devices, display technologies, Alexa, social systems, prosthesis, bio-based architecture, educational toys, emotional robots. In SuperShoes, Dand created insoles that work on a tickling interface, they tickle the feet and guide the wearer across the city. The insoles talk to the smartphone for location, data and access to the users personality preferences. The insoles help with navigation, reminders, taking mindful breaks, discovering new places in a city.
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Immersion Exhibit in Mysuru Zoo An immersion exhibit is a naturalistic zoo environment that gives visitors the sense of being in the animals' habitats. Buildings and barriers are hidden. By recreating sights and other sensorial input from natural environments, immersion exhibits provide an indication about how animals live in the wild. The landscape immersion term and approach were developed in 1975 through the efforts of David Hancocks at Seattle's Woodland Park Zoo.
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For "it is better to marry than to burn" (1 Corinthians 7:9) and "it is not good for the human [haAdam] to be alone" (Genesis 2:18). Likewise the rite of Adelphopoiesis, with its historical variability of meaning in both the personal and public spheres, can find new application for the sanctification of creation for the sake of the Christian virtues of mutual love, intimate faithfulness, thanksgiving for sensorial beauty, pursuit of holiness, and communal joy.
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In research on sensorial perception it has been shown that invisibility is perceived in cycles. Invisibility is often considered to be the supreme form of camouflage, as it does not reveal to the viewer any kind of vital signs, visual effects, or any frequencies of the electromagnetic spectrum detectable to the human eye, instead making use of radio, infrared or ultraviolet wavelengths. In illusion optics, invisibility is a special case of illusion effects: the illusion of free space.
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Based on significant scientific developments over the last 15 years Artistic Director Kyle Page has established a daily practice for the company dancers, which incorporates several mind and body techniques designed to develop the cognitive processes and support the use of a full range of mental, emotional and sensorial processes in dance creation. Kyle seeks to involve the dancers in a much more thinking capacity within the creation of new work whilst simultaneously nurturing technical virtuosity.
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Sakti- vikasa is a method to dissolve duality (vikalpa ksaya) out of the stream of sensorial impressions. While being engaged in the sense activity, the yogi should remain centered in Atman (his heart), thus superposing the external perceptions onto the light of is revealed heart. This mental attitude is also called Bhairavi Mudra. Its effect is the realization of the nonduality of the external reality by recognizing the same essential nature (Atman, or Śiva) in all cognitions.
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It also creates a new, circular shaped plaza that opens up in a spectacular way in the medieval section. A pillar of light stands over the building. The chromatic changes of this luminous lighthouse symbolise the different colours of the shirts worn by the human tower groups and the plurality of their heritage. On the ground floor we find the reception area, the shop, the cafeteria and, as the zenith of the visit, the immersive and sensorial area.
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During this period, there seems to be an unprecedented focus on artistic form, which is a rather modern preoccupation. The injustice experienced on a personal level, of change and of loss, offers a different rendition of what is theorized on the plane of remote abstraction. This is perhaps one reason that can explain the anti-intellectual tone maintained throughout the poem. In the face of destruction and suffering, Gongora portrays life as being ultimately redeemed by the sensorial experience of life itself.
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He is Well-deserving and International Referee, Well-deserving Master. He receives a special motion from the University of Fighting Arts, the Yong In University Korea. In 2018 the FIJLKAM Chairman awards him with the 9th dan, one among the highest recognitions both National and International. He writes many technical books, which deal with judo teaching methods for kids, grading systems, judo’s pedagogy and psychology, judo’s culture, the kata, sensorial disabled athletes and their integration thanks to the practice of judo.
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The observer neglects to inquire expressly as to the side to which the sensation is referred. This is evident when patients with allochiria show no fault in sensorial perception and localization. However, even if the patient mentions the wrong side, it is sometimes being just regarded as a slip of the tongue and matter may not be pursued any further. Looking at the motor aspect of allochiria, the symptoms again are described in a misleading way because the symptoms are less obvious.
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The school community should offer learning opportunities which are interesting and meaningful and prepare individuals to live in a democratic society. Children learn through doing, cooperation, problem-solving and collaboration, with the teacher acting as a guide. Projects in Dewey's curriculum encourage exploration, self-discovery and sensorial experiences which provide a holistic approach, focuses on the children's interests, and are developmentally appropriate. Montessori education was developed by Maria Montessori, who believed that children go through sensitive periods known as "windows of opportunity".
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" In the development of Eutony, Gerda Alexander was deeply concerned with a pedagogical approach that could support the experience of tonus modulation. Eutony is based in a student-centered learning process, where the personal sensorial experience is the base for all knowledge. She postulated that "it is important, in treatment, not to give and do more than is necessary, so that the other can rely on himself. It is not that I am a great master who gives you help.
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Some Phyllomedusa species produce a waxy secretion that reduces the evaporative water loss of their bodies. If they begin to dry out, they move their limbs over their backs, where the secretory glands are, and spread the lipid secretion over their entire skin. Some indigenous groups from South America use the secretions of Phyllomedusa bicolor, the giant leaf frog, in shamanic hunting practices. The substance is said to intoxicate the hunters who ingest it, causing them to temporarily improve their sensorial capacities.
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Rafael Argullol Murgadas Rafael Argullol Murgadas (; Barcelona 1949) is a Spanish writer, philosopher, poet and professor of aesthetics at Pompeu Fabra University from Catalonia. The author of more than 30 books, he was granted the 1993 Nadal prize for his novel La razón del mal, the 2002 Fondo de Cultura Económica essay prize for Una educación sensorial, and the 2010 Cálamo prize and the Ciutat de Barcelona prize in the same year for his book Vision desde el fondo del mar.
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Amphizoidae share some plesiomorphic features with Carabidae, such as slender ambulatory legs, and other characteristics with Dytiscidae, such as large sensorial lobes on the epipharynx. In an analysis based on the genes 18S rRNA, 16S rRNA and cytochrome oxidase I, Amphizoidae was placed as a sister group of a clade comprising the newly described family Aspidytidae, Paelobiidae(=Hygrobiidae) and Dysticidae.Ribera, I., Hogan, J. H. & Vogler, A. P. 2002. Phylogeny of Hydradephagan water beetles inferred from 18S rDNA sequences. Mol. Phyl. Evol. 23, 43–62.
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The distinctive aroma was blended into the flight attendants' perfume, into the hot towels served before take off and even made sure the whole plane had a hint of the smell. Travelers who took several flights on Singapore Airlines and were asked about the smell reported they instantly recognized it upon entering the aircraft, it is a smell that has the capabilities to jump-start a chain of emotions and comfortable memories, which is exactly what companies are looking for when entering this type of sensorial branding.
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Neo-Concrete artists sought to create a multi-sensorial space which caused the spectator to feel more acutely their own body and existence. Clark also wrote of how Neo-Concretism sought to decipher the nature of humanity by creating a “medium of expression” which allowed people to “become aware of unity as an organic, living whole.”Clark, Lygia. “1960: Death of the Plane.” ‘’October’’ 69 (Summer 1994): 96. It was not just restoring an awareness of the spectator’s body but also of humanity’s communal existence.
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While Søndergaard primarily works as a poet, he has also branched out into numerous other media. He has thus created a series of exhibitions and installations, as well as having produced both musical and dramatic works. The sensorial nature of his poetry and the physical nature of some of his other works thus combine to bring poetry and world closer together. In the artist's own words: "I try to approach both poetry and world by making the two phenomena collide and then see what happens.".
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The Charaka Samhita is among the most important ancient medical treatises. It is one of the foundational texts of the medical tradition in India, alongside the Susruta Saṃhitā, the Bheḷa-Saṃhitā, and the medical portions of the Bower Manuscript. The Charaka Samhita is the oldest known Hindu text on Ayurveda (life sciences), and it was followed by the Sushruta Samhita. Except for some topics and their emphasis, both discuss many similar subjects such as General Principles, Pathology, Diagnosis, Anatomy, Sensorial Prognosis, Therapeutics, Pharmaceutics and Toxicology.
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TODDLER PROGRAM (18 months to 3 years old) Thacher's Toddler Community classroom embraces Dr. Maria Montessori's philosophy by providing safe, structured, indoor and outdoor spaces where toddlers explore and learn. The adults in the environment are the children's models. Through peaceful voices and calm interaction a serene environment in which children can pursue their work. CHILDREN'S HOUSE (3 to 6 years old) Thacher's three-year curriculum offers hands-on experiences in practical life, sensorial activities, language, Spanish, science, math, music and movement, and cultural studies.
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Autogenic training was popularized in North America and the English-speaking world by Wolfgang Luthe, who co-authored, with Schultz, a multi-volume tome on autogenic training. In 1963 Luthe discovered the significance of "autogenic discharges", paroxysmic phenomena of motor, sensorial, visual and emotional nature related to the traumatic history of the patient, and developed the method of "autogenic abreaction". His disciple Luis de Rivera, a McGill University-trained psychiatrist, introduced psychodynamic concepts into Luthe's approach, developing "autogenic analysis" as a new method for uncovering the unconscious.
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Customer experience implies customer involvement at different levels – such as rational, emotional, sensorial, physical, and spiritual. Customers respond diversely to direct and indirect contact with a company. Direct contact usually occurs when the purchase or use is initiated by the customer. Indirect contact often involves advertising, news reports, unplanned encounters with sales representatives, word-of-mouth recommendations or criticisms. Customer experience encompasses every aspect of a company’s offering—the quality of customer care, but also advertising, packaging, product and service features, ease of use, and reliability.
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In February 2020, researchers from Washington University in St. Louis announced they had engineered "cyborg grasshoppers" capable of accurately detecting explosives. In the project, funded by the US Office of Naval Research, researchers fitted grasshoppers with lightweight sensor backpacks that recorded and transmitted the electrical activity of their antennal lobes to a computer. According to the researchers, the grasshoppers were able to detect the location of the highest concentration of explosives. The researchers also tested the effect of combining sensorial information from several grasshoppers on detection accuracy.
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Josely Carvalho (born September 21, 1942) is a Brazilian artist who based in New York City and Rio de Janeiro. She works in a wide range of media including painting, sculpture, printmaking, book art, video, and installation. She currently works with blown glass and with smells to evoke memories and emotions in her project Diary of Smells. Is an on-going cross-disciplinary sensorial project considering the olfactory as protagonist among other typically dominant components in contemporary art such as video, sound, photography, bookart and installations.
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Conta was influenced by three sources: the evolutionist philosophy of Herbert Spencer, the positivism of August Compte, and the German materialism of Büchner, Vogt, and Moleschott. In his first work he defends a version of determinism, called "fatalism", and proposes a materialist theory of knowledge (or rather, a materialist model of cognition). Cognition is accounted for in terms of material modifications of the brain. He thought that sensorial input is transmitted through the nervous fibres under the form of "shakings", or vibrations, which provoke the apparition of physiological changes in the brain, called "imprintings".
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Instead of giving every piece an individual name, he categorized them under a single title, thus avoiding placing his sculptures in the realm of objectivity. By doing this, Santantonín hoped his audience would immerse themselves in these “things” with their own pleasure, distress and imagination. The "things" would provide a sensorial experience that could draw on self-destructive feelings, and prevent any contemplation of meaning or purpose. So Santantonín's investment in Existentialism led him to created art that explored the essential aspects of human existence, including the role of sensory perception and human thought processes.
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The response is modulated by sensorial experience. Dewey was elected president of the American Psychological Association in 1899. 30-cents stamp of the USA figuring John Dewey (21 October 21, 1968) In 1984, the American Psychological Association announced that Lillian Moller Gilbreth (1878–1972) had become the first psychologist to be commemorated on a United States postage stamp. However, psychologists Gary Brucato and John D. Hogan later made the case that this distinction actually belonged to John Dewey, who had been celebrated on an American stamp 17 years earlier.
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As digital media has now become more and more popular over the years, the perception of digital images and videos now are now lacking in legitimacy as these technologies have gradually intensified over the past few years. Digital performance is an expansion of a constantly progressing history of which embracing the adaptation of these new and already existing technologies, in which to amplify a performance and the visual art aesthetic effect, and to create the sense of a spectacle as well as capturing the emotional and the sensorial impact.
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Her true gender is only revealed to Riobaldo after her death. This points to a frequent theme of Riobaldo's mussings: the inconstancy of things. According to Walnice Galvão, Riobaldo seems to reason that nothing ever is nor remains, but inside everything is its potential negation, which might easily suppress its anterior positive form. This fact is recounted several times by Riobaldo, often in sensorial metaphors, such as his description of poisonous rocks lying in the bottom of a clear river, or the stories he recounts of good men becoming vile and vile men becoming good.
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And yet it is as if The Requiem belongs to a certain place and a certain time. This belonging is indicated through Berthold Brecht's poem and through Berlin itself – it is designated by the name of the world in which the death really occurs. The poem itself praises the transience – the moment when we actually separate ourselves from the things that do not mean anything to us, the moment when we can depart placidly. However, we almost cannot tell anything about this “placidity”, maybe only that it is almost light, cold – almost non-sensorial.
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Overall, the whole experience was complemented by actors portraying deck hands, rushing about, "ostensibly to help anyone who may suffer from mal de mer". Finally, to impact in all senses at once and obtain the most realistic effect possible, they also presented a symphony played by an orchestra that could not be seen while the images were represented in the Mareorama. In this way, the sensorial direction of the panorama was multiplied. This is how a technological march towards an increasingly perfectly realistic reproduction was created and eventually, towards the invention of cinema.
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The first, his conviction that cultural influences without succumbing to nostalgia, false narratives or traditionalism, have to be factored in. The second is his perception of the rational, the emotional and the multi- sensorial as being one. By reflecting upon and then synthesizing these two aspects, he has developed a concept of ‘social modernity’ rooted in social cohesion that is at the same time contemporary and forward-looking. In Satyendra Pakhalé’s view the project of ‘modernity’ is still a work in progress in most societies, to achieve diverse, equitable and inclusive social cohesion.
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In December 2006, he won the international interior design competition for the realization of a charming luxury hotel in a completely restructured 18th century building in the center of Saint Petersburg (Russia). His proposal was chosen for his "emotional and sensorial approach to the project." The hotel has 110 rooms in modern, minimal design, where the five senses and the customer's art sensibility will be exalted. Saint Petersburg's colours will be proposed in each floor and six emerging contemporary artists will be involved in interpreting the city's essence.
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The John M. Tobin Montessori School is a public Montessori school in Cambridge, Massachusetts. In February 2015 it was named the first district- level (non charter school), fully accredited, public Montessori school in the United States. This is significant because the administration, faculty and staff spent years rewriting much of the curriculum to comply with the rigorous Massachusetts state requirements while creating the distinct, hands-on, multi- sensorial learning environment required by the American Montessori Society. The mascot is the tiger and the school colors are royal blue and white.
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From 1994-2000, Bush was a principal player in the Omnisensorialist and Immersionist art movements which bridged the NY art boom of the 1980s to the dot-com boom of the 1990s. Bush participated in, designed and produced many multi-sensorial pop-up events largely in Williamsburg, Brooklyn and downtown Manhattan, often in collaboration with ambient or illbient musicians and DJs. Throughout this period Bush collaborated with hundreds of artists and entertainers in groups such as Vapor Action, Floating Point Unit, Soundlab, Ongolia, Ovni, Fakeshop, Unity Gain, and Artificial TV.
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BBC Music described the album as "a complex, schizophrenic work, verging on the overly sensorial at points, leaving the listener feeling as if they’ve been repeatedly bashed over the head with a really clever hammer. It’s marked by sudden shifts in tempo and disposition, propelled by unhinged rhythms: check the title track’s arabesque, Melechesh-like pummel." They also noted that keyboardist Herbrand Larsen's clean vocals "dominate" the album, "imbuing its eight tracks with a sheen of accessibility that may test the tolerance of some." Lyrically, the songs all draw to some extent on the theme of rituals, which the album title refers to.
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The restaurant's became an iconic symbol of the New York scene of the 80s. The project engaged food, sensorial experiences and installation art as vehicles and rituals for transmitting and subverting traditions and blending social practices of the time. El Internacional was seen as a point of convergence for the artistic community, and, at the same time, as a real place that engaged neighbors and celebrities alike in its culinary inventions and exotic allure. El Internacional was an ongoing process of the almost 3-year day-by-day creation of a work of installation and performance art.
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Adaptive Learning Division - Disability Resource Center Students who have documentation proving their disability status and the staff are trained to access or have knowledge of the necessary services according to the students' unique need. As the college level is different from the primary school system, the same services that a student may have received within a special education program in high school may not be required at the collegiate level. A wide variety of students with disabilities can be served, some examples are individuals with: learning disabilities, sensorial disabilities (hearing loss, vision loss, etc.), physical disabilities (cerebral palsy, etc.) and psychological disabilities.
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Later on in the 1960s and 1970s, Pape produced more videos and installations using sarcastic and critical metaphors against the Brazilian dictatorship. From the 1980s onward, these metaphors became more subtle. Her artwork worked as a vehicle for existential, sensorial, and psychological life experiences, much of it based in geometry and relying on both the intellectual and physical participation of the viewer. A 1967 work, O Ovo, had installation participants crawl inside a cube-shaped structure of wooden boards covered in plastic film, and then push through the film to simulate the act of being born.
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Throughout the world and on all continents, giant cities with over ten million inhabitants are taking form. In the 21st century, hundreds of millions of people will find themselves living in an exclusively urban environment, an artificial universe in which technology will be omnipresent. With the Sensual City, the intention is to develop an alternative approach, one in which technology is not obtrusive nor an end in itself. On the contrary, as technology is perfected it becomes invisible, it disappears from view and allows people to live in cities that can be construed as built landscapes, designed to offer a full sensorial experience.
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The first topics covered were: cyberpunk (both as a literally and political movement), electronic music, networks and BBS, virtual reality, media, science fiction and UFO. The magazine's mission was to be a magazine of ideas, becoming a node in a larger network of digital culture publishers.Bazzichelli, Tatiana, (2008), Networking - The Net as Artwork, Digital Aesthetics Research Center, Milano. The magazine was also committed to give its topics a proper visual frame: focusing on graphic design and how it could have expressed the electronic culture in a sort of printed 'interface', exploiting at the same time the "sensorial" possibilities of the printed page.
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James' metaphysical position however, leaves open the possibility that the ontological claims of religions may be true. As he observed in the end of the Varieties, his position does not amount to a denial of the existence of transcendent realities. Quite the contrary, he argued for the legitimate epistemic right to believe in such realities, since such beliefs do make a difference in an individual's life and refer to claims that cannot be verified or falsified either on intellectual or common sensorial grounds. Joseph Margolis in Historied Thought, Constructed World (California, 1995) makes a distinction between "existence" and "reality".
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Verner performing with Tetine In 1990 Bruno Verner moved to São Paulo to study Linguistics at Universidade de São Paulo, USP and music at Universidade Livre de Musica (ULM). In the early 1990s he founded the performance group "Um Ou Nao". As a poet & musician, he also conceived and wrote a number of experimental performances involving an unorthodox use of text, sound, improvisation and visuals from 1991-1994 in São Paulo. From this period pieces such as I Dada Happening Interdisciplinar, Pressupostos A Uma Sintaxe Sensorial, "O UM" were presented in art spaces, underground clubs, bookshops and small cinemas around São Paulo.
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Operas for which Duquette designed both costumes and settings include Der Rosenkavelier, The Magic Flute, and Salome. His designs for the original Broadway production of Camelot won Duquette the Tony Award for Best Costume Design. His monumental work of environmental art Our Lady Queen of the Angels was created as a gift to the people of Los Angeles in honor of that city's lyrical name and in celebration of the bicentennial. This hugely successful multi-sensorial exhibit was seen by hundreds of thousands of visitors over a three-year period at the California State Museum of Science and Industry at Exposition Park.
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The term Weltanschauung is often wrongly attributed to Wilhelm von Humboldt, the founder of German ethnolinguistics. However, as Jürgen Trabant points out, and as James W. Underhill reminds us, Humboldt's key concept was Weltansicht. Weltansicht was used by Humboldt to refer to the overarching conceptual and sensorial apprehension of reality shared by a linguistic community (Nation). On the other hand, Weltanschauung, first used by Kant and later popularized by Hegel, was always used in German and later in English to refer more to philosophies, ideologies and cultural or religious perspectives, than to linguistic communities and their mode of apprehending reality.
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Academic Press, London, pp. 435-516. Spoilage by Z. bailii often occurs in acidic shelf-stable foods, which rely upon the combined effects of acidity (e.g. vinegar), salt and sugar to suppress microbial growth. The spoiled foods usually display sensorial changes that can be easily recognized by consumers, thus resulting in significant economic losses due to consumers' complaints or product recalls Observable signs of spoilage include product leakage from containers, colour change, emission of unpleasant yeasty odours, emulsion separation (in mayonnaises, dressings), turbidity, flocculation or sediment formation (in wines, beverages) and visible colonies or brown film development on product surfaces.
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The Cranbrook Museum of Art review of her work for her "Bend" exhibit noted it "...is renowned for its diverse collections and challenges to the definitions of craft and jewelry; the result is an unconventional retrospective of her twenty-five-year career told through a body of new work." Of Eichenberg's art Dora Apel wrote that her works "convey a searching spirit that permeates Iris Eichenberg’s work, which often meditates on making home and finding our place in the world. Related in some way to the body, her constructions produce sensorial and emotional effects that stretch conventional boundaries to explore structures of feeling".
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The thematic aloofness of Góngora's verse contrasts sharply with his purely conceptista contemporaries who valued a verbal economy of correspondences and a less convoluted interplay between words (signs) and their meaning (signifiers) as the true testament of wit, which they in turn used to costume a thematic focus. Góngora recreates events by focusing on the sensual impressions granted by the narrative. This reluctance to appeal to or rely on preconceived abstractions and prosaic lexicon and expressions forces the reader to reconstruct meaning. Given his highly sensorial lyrics and his reluctance to directly engage or placate the reader's understanding, literary critics, such as Dámaso Alonso, have labeled Góngora's style as particularly impressionistic.
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Cranial endocast of N. mckinleyi In 2018, the holotype braincase of Nothronychus mckinleyi was re-examined by Smith and colleagues updating numerous basicranial and soft-tissues aspects. They noted that the braincase has particularly large pneumatic chambers on the sensorial areas, suggesting that the increased tympanic systems would result in optimal low frequency sound reception, possibly infrasound, and in complex social behavior. The enlarged cochlea and presence of enlarged pneumatic chambers near the middle ear also supports this insight. Smith and colleagues established an average hearing frequency of 1100 to 1450 Hz and upper limits of 3000 to 3700 Hz. They stated however, that these estimates could be slightly exaggerated.
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Skandha (स्कन्ध) is a Sanskrit word that means "multitude, quantity, aggregate", generally in the context of body, trunk, stem, empirically observed gross object or anything of bulk verifiable with senses. The term appears in the Vedic literature. The Pali equivalent word Khandha (sometimes spelled Kkhanda) appears extensively in the Pali canon where, state Rhys Davids and William Stede, it means "bulk of the body, aggregate, heap, material collected into bulk" in one context, "all that is comprised under, groupings" in some contexts, and particularly as "the elements or substrata of sensory existence, sensorial aggregates which condition the appearance of life in any form". Paul Williams et al.
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Architect Luis Miro Quesada brought into reality all his theories and ideas on Modern Architecture in a Peruvian context, with the design and construction of his own house: Huiracocha House. The house has the various architectural strategies, rehearsed in some of the greatest works of modern architecture, rethought to be inserted in the Peruvian context physically and culturally. This resulted in a house with a rich sensorial experience and a complex cultural significance. As a general concept, the house is planned as an introverted architecture inside a single volume of broad and fluid spaces, defined by the furniture and their use and not by their physical limits.
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07 Award Competition (Germany) and exhibited as a recording and presented as a live performance with a new video work created from Sugimoto's Seascapes at the Akademie der Kuenste (Berlin). In 2009, Richard Chartier presented a collaborative installation with visual artist Linn Meyers where optical and sonic patterns intersect. Untitled, exhibited at the Art Gallery of University of Maryland (US) two by walls meet in an enfolding chevron, creating both a sound chamber and a drawing surface. The swirling lines of Meyers' drawing, made directly on the surface of the walls, fuse together with the sound piece by Chartier, juxtaposing the organic and the digital into unified sensorial space.
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Due to syncretism, some variations of spiritism accept the perispirit as an actual "body" possessing power centres, defined more or less in the same way that Theosophy and Yoga define the Chakras, thus making the concept of perispirit similar to that of an astral body, a concept that was unknown to Kardec. According to this orientalizing view, the perispirit had the function of modelling the physical body ("soma" [in Greek; "deha" in Sanskrit]) after the design determined by the karma, with each chakra linking itself to a gland and to the nervous system. This perispirit would use the chakras to command the body and to receive sensorial impressions from it.
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In 1948, Norbert Wiener formulated the principles of cybernetics, the basis of practical robotics. Julian Bigelow at The Princeton Institute for Advanced Study (Left to right: Bigelow, Herman Goldstine, J. Robert Oppenheimer, and John von Neumann). In 1943 Arturo Rosenblueth, Norbert Wiener and Julian Bigelow adopted the human central nervous system as control paradigm for automatic weapons systems. In doing so they pioneered cybernetics (Greek for steersman) and modelled data processing on the assumption that an animal continually communicates its sensorial experience to its central nervous system as automatic and involuntary feedback, thus being able to regulate processes such as respiration, circulation and digestion.
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The second part is dedicated to good sense and balance that represent wisdom, experience and technique. It also presents the progress of this phenomenon in terms of historical consolidation, expansion, technique refinement and the role of the city of Valls as the human tower birthplace. At this point, five circular nodes that symbolise the base formation of the towers take the visitor along the route that includes dynamic and visual panels, creating an organic structure in movement. The last part, dedicated to strength, culminates with a multimedia system that shows the burst of joy, emotion and enthusiasm when the tower is completed, through an immersive and sensorial audiovisual.
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Pointillism, surrealism, all-over expressionism, all the principles of the great movements of the century are convoked, collected, in order to draw out the image of a digital labyrinth. Because, here, vision seems to me to be but an inductive threshold, "aperitif" if I may say so, of a sensorial space very rarely utilized in the history of painting, that of the Touch. This so rare sensation is discernable in the complementarity of the formal characteristic of the works and of the Story of these same works. This great proliferating vegetation screened framed in a series of sites, and details therefore of an infinite process, is first of all the product of a proliferation of marks, touches, streaks.
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The Traité du signe visuel (1992) (which Göran Sonesson said was to visual communication what Saussure's Cours de linguistique générale was to linguistics) sought to elaborate a general grammar of the image, independently of the type of corpus being considered. This semiotic of the visual contributed, in its turn, to semiotics in general: indeed, a question encountered by the group at this stage was that of the relationship between sensorial experience and signification, a question which certainly reveals something of this degree of generality since it comes up against the question of the origin of meaning itself. The group took its name from the metaphor, μ being the Greek initial for the term.
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Páll revisited his indie roots, orchestrating two songs of Iceland's leading band Sigur Rós, Takk... and Glósóli for the Reykjavík Festival in Los Angeles, April 2017, where Esa-Pekka Salonen conducted Sigur Rós and The LA Philharmonic Orchestra three consecutive evenings. Páll reaches out for touch points with other forms of art. For the opening ceremony of CYCLE Music and Art Festival in Kópavogur, August 2015 Páll built his string orchestra piece Spiegeltunnel on a mirror sculpture of the same title by Ólafur Elíasson, “a conceptual Danish-Icelandic artist concerned with sensorial experience and perception”. Páll's 6-part cycle for a string quartet and soprano, Nature Poems, builds upon the surrealist poetry of Sjón, “a mainstay in Icelandic culture” .
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On these bases, they proposed that the immune system acts as a sensorial receptor organ that, besides its peripheral effects, can communicate to the brain and associated neuro-endocrine structures its state of activity. These investigators also identified products from immune cells, later characterized as cytokines, that mediate this immune-brain communication (more references in ). In 1981, David L. Felten, then working at the Indiana University School of Medicine, discovered a network of nerves leading to blood vessels as well as cells of the immune system. The researcher, along with his team, also found nerves in the thymus and spleen terminating near clusters of lymphocytes, macrophages, and mast cells, all of which help control immune function.
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The Mahāyāna-samparigrahaśāshtra tells us that the mind of Reality is ever obstructed by āveṇkī avidyā which is manas, the seventh consciousness and the āśraya of mano-vijñāna and the five sensorial consciousnesses evolved from self-patterning of the Absolute; the attachment of manas to ātmagrāha (egohood) and dharmagrāha (thinghood) makes the perception of the multiplicity of forms possible. The Mahāyāna- abhidharmasutra tells us that the beginningless dhātu (locus) is the equal support (āśraya) of all phenomena (dharma) and rests in the body as seeds. According to the Yogacaras, ātmabhāva and āśraya basically mean – "body", and who also tell us that āśraya-paravritti can be of the mind or path or errant tendencies.
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Telese's workshop and participatory projects have included work with adults and children with profound mental and physical disabilities (Making Art Work, Hastings, and Interaction MK, Milton Keynes in 2011), participatory sensorial Olympic walks for the Cultural Olympiad (Four Senses, 2010 ), and Dreamland, a conceptual installation performance with Isidro Lopez-Aparicio and inhabitants of the Tifariti refugee camp for Art Tifariti 2009. The latter was an international event for the liberation of the Saharawi tribes of Western Sahara, later presented at The 28th State – European Borders in an Age of Anxiety symposium, Tate Britain, London. In 2007 she created The Rice Project, a public art installation with community participation and made in collaboration with Edoardo Malagigi, Guyan Porter and Chris Biddlecombe.
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"The three dimensions of sensorial volume", Gleizes would write in 1925, "left open the field for the introduction of the time factor".Albert Gleizes, "Cubisme", Vers une conscience plastique, Essai de généralisation, 1925, in Bulletin de l'Effort Moderne, 22–32, February 1926–Feb 1927. Also published in La Vie des Lettres et des Arts, May 1925 (written as part of the Bauhaus book, Kubismus). See too Peter Brooke, Albert Gleizes: For and Against the Twentieth Century, 2001, "The diversity of the relations of line to line must be indefinite;" write Gleizes and Metzinger, "on this condition it incorporates quality, the incommensurable sum of the affinities perceived between that which we discern and that which pre-exists within us: on this condition a work of art is able to move us".
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There are slight contrasts between rounded objects and objects that are deflated and flattened. This, argues art historian Amanda Boetzkes, is meant to convey “a broader stalemate between sensorial plenitude and economic exhaustion.” Orange Lush performs an aesthetic critique of Mexico’s consumerist economy and the overflowing need for “stuff”. Smith chose the chemical orange color because to her it always screamed “for sale”, which was fitting for the statement she is making about Mexican consumerism. Also, Boetzkes says the color orange “marked the invasion of Mexico City with cheap commodities in the 1990s, after inflation and bailouts from the United States and the Bank for International Settlements caused a devaluation of the peso.” This event describes the exhaustion of economics that Smith tries to bring into her Orange Lush piece.
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Along with this view, quantum mechanics is no longer considered as a physical theory in the ordinary sense, but rather as a background framework for physical theories, since it goes back to the most elementary conditions which allow us to formulate any physical theory whatsoever. Some reviewers suggested half- seriously to call this view of physics "Kantum physics". Indeed, Michel Bitbol often refers to the philosophy of I. Kant, according to whom one can understand the contents of knowledge only by analyzing the (sensorial, instrumental, and rational) conditions of possibility of such knowledge.M. Bitbol, “Some steps towards a transcendental deduction of quantum mechanics”, Philosophia naturalis, 35, 253-280, 1998 He was granted an award by the French "Académie des sciences morales et politiques" in 1997, for his work in the philosophy of quantum mechanics.
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Since 2017, it has its own 5-star hotel with 22 rooms with views of the Cantabrian Sea, and the Oteiza Restaurant, named after the famous sculptor that frequented the Akelarre Restaurant. In the words of Pedro Subijana himself, his main goal is "to make Akelarre's soul flow into its guests, customers and professionals, through the appreciation of excelency and a well-done job and the constant quest for improvement and sensorial surprises". In order to better appreciate Pedro Subijana's haute cuisine, it is recommended to opt for one of the proposed tasting menus, designed especifically to make you enjoy this form of art employing all your senses and from many points of view. Its wine cellar has more than 650 wines of reference from Spain and all around the world.
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Francesco Sondelli (born 8 December 1973) is an Italian rock musician, multi- instrumentalist, singer-songwriter, music producer, composer and entrepreneur. He is the founder, guitarist and vocalist for alternative rock band The Petalstones, of which Malin Åkerman, Swedish–Canadian actress, model and singer, was the lead vocalist, Mario Pagliarulo was the bassist, and Roberto Zincone was the drummer. He is the founder and chief designer of music instrument company F-Pedals™.F-Pedals Official Website He is also the founder of international music cultural project RocKramer,RocKramer Official Website about which is world tour of the multi-sensorial lecture and concert show featuring recording producer and engineer Eddie Kramer, who has worked with several artists in the Rock and Roll Hall of Fame, including The Beatles, David Bowie, Eric Clapton, Jimi Hendrix, The Kinks, Led Zeppelin, The Rolling Stones and Carlos Santana.
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Concrete art remained the basis of Neo-concrete art, but it was reformulated. Neo-Concrete artists adapted concrete art's geometric shapes and transformed them into organic three-dimensional objects to be manipulated by participants and to be experienced sensorially. The works intended to counteract the urban alienation created by a modern society and integrate both the intellect and the physical body for meditative experiences. In explaining her approach, Lygia Pape said: Pape specifically during her Neo-Concrete period was interested in the “proposal to ‘live the body.’”Rebollo Goncalvez, Lisbeth. “The Poetic Space by Lygia Pape.” ‘’Art Nexus’’ 10.81 (2011): 44-48. This phrase indicates Pape’s interest in how the physical body acts as our mediator for all sensual experiences. Pape sought to explore this idea of the body’s relation in space by creating multi-sensorial experiences in her artwork.
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Ancient Greek philosophy established a fundamental differentiation between logical "true" assumptions of the universe and irrational "false" statements or mere opinions based on emotion or sensorial experience. The German cultural historian Silvio Vietta has shown that Greek philosophy thus founded a dual cultural system based on rationality as the domain of philosophy and science versus "irrational" emotion and sensuality as domains of literature and art. Since the irrational emotions as stirred up in literature threaten the rationality of human beings, in The Republic Plato expelled poets from the state. In the later history of philosophy this opposition of rationality and the irrational was renewed as a methodological differentiation by Descartes, but reversed by Pascal in his statement: "Le coeur a ses raisons, que la raison ne connait point" ("The heart has its reasons which reason does not know").
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Perceptually, the problem of transparency is much more challenging: both the light rays coming from the transparent surface and those coming from the object behind it do reach the same retinal location, triggering a single sensorial process. The system somehow maps this information onto a perceptual representation of two different objects. Physical transparency was shown to be neither a sufficient nor a necessary condition for perceptual transparency. Click on the image to see the full-size version Click on the image to see the full-size version Click on the image to see the full-size version Fuchs (1923) showed that when a small portion of a transparent surface is observed, neither the surface colour, nor the fusion colour is perceived, but only the colour resulting from the fusion of that of the transparent surface and that of the background.
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TBV is produced in two different geographical areas of the Emilia Romagna Region so that two different designations were granted by the European Council, i.e. Traditional Balsamic Vinegar of Modena (TBVM) and Traditional Balsamico Vinegar of Reggio Emilia (TBVRE). The two special vinegars are very similar products as the overall making procedure is the same; but, from a legal point of view, they are obtained according to specific and official production regulationsDisciplinare di produzione, Aceto Balsamico Tradizionale di Modena, MiPAF, May 15, 2000 (G.U. Repubblica Italiana), No.124, May 30, 2000Disciplinare di produzione, Aceto Balsamico Tradizionale di Reggio Emilia, MiPAF, May 15, 2000 (G.U. Repubblica Italiana), No.124, May 30, 2000 defining (1) the basis of the vineyards ampelographic; (2) geographical area of production; (3) characteristics of starting materials; (4) making procedure; (5) the chemical, physical and sensorial requirements for sale; (6) bottling, labelling and presentation.
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The forebrain of therizinosaurids was fairly enlarged and developed with elongated olfactory bulbs. The adaptations to the inner-ear and forebrain of therizinosaurids likely served a number of functions, such as well-developed senses of smell, complex social behavior, increased alertness to the vocalizations of juveniles or even communicating with conspecifics, moreover, the large pneumatic chambers on the sensorial areas in the skulls of therizinosaurids (Erlikosaurus or Nothronychus mckinleyi) indicates that the tympanic systems would result in increased and optimal low frequency sound reception, possibly infrasound. Such is the case of N. mckinleyi, which had an average hearing frequency of 1100 to 1450 Hz and possible upper limits between 3000 and 3700 Hz. Features include not only extensive basicranial pneumaticity, but also the development of a basisphenoid bulla (hollow bony structure). In addition, the orientation of the horizontal semicircular canal relative to the horizontal orientation of the occipital condyle gave therizinosaurids a horizontal head posture that enabled binocular vision with overlapping visual fields.
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It had four editions in the USSR and was translated in a number of foreign countries. Kravkov’s wide range of scientific interests included: adaptation and interaction of the senses organs, contrast, successive images, synesthesia, bioelectricity of different levels of visual system (retina, cerebral subcortex and cortex), interaction of macular and peripheral spheres of the retina, induction of retina, electrophysiology of the eyesight (electric sensibility of the eye, lability, electroretinogram), colour eyesight and its anomalies, sensorial classical conditioning, glaucoma diagnosis methods (by colour sensation and by the reaction of a blind spot) and many other items. Kravkov is one of the founders of physiological optics, a scientific discipline representing a synthesis of knowledge about physiological, psychical and psychological regularities that characterize the function of the eyesight organ. He studied the regularities of the functioning of the vision system, central regulation of vision functions, interaction of senses organs, electrophysiology of vision, investigated colour vision and the hygienics of lightning.
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Because at Destilería Carúpano the barrels used for the aging process are of white oak and this wood, in addition to its hardiness that makes it suitable for this task, consists mainly of cellulose, hemicelluloses and lignin, which means it is a wood with a low sap content, so it does not hinder the sensory notes desired for the final product. But in addition, our American white oak barrels have had a previous use with Bourbon, which gives the rums of Carúpano woody notes and hints of vanilla. 8\. Because in Destilería Carúpano we have purposely maintained traditions since 1762 producing the best and most famous Old Rum from Venezuela; their manufacture requires, at the same time, a delicate and careful treatment from the genuine art and craft of a qualified distiller, together with the best technique of a good distillation. We are committed to balance the 50 years experience of our artisan rum blender with the knowledge of the most recent sensorial analysis techniques from Destilería's Carúpano rum master blender.
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Professor Albino Morando from the Oenological School of Alba and Professor Mannini of the University of Turin carried out the first scientific experiments with the Gamba di Pernice in 1990. Gamba di Pernice was found to be still growing around Calosso by local pioneering wine producers like Piero Bussi and Valter Bosticardo and grapes and wines were subjected to chemical and sensorial analysis at the then Experimental Institute for Oenology in Asti. In the early 2000s four vintages were evaluated for the agronomic and productive behavior of the vine by researchers both in the Calosso vineyard and in the field of grapevine germplasm of the C.N.R. in Grinzane Cavour. Further Anna Schneider and Stefano Raimondi collected historical information and identified the genetic profile of the grape variety by analyzing its micro-satellite markers. Finally in 2007 Gamba di Pernice was entered in the Italian National Register of Vine Varieties as “Gamba Rossa” and allowed its legal commercial cultivation. In 2011 it was awarded its own Denominazione di Origine Controllata as “Calosso DOC”.
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In 2014, Myrvold presented a second edition of “The Metamorphoses of the Virtual” exhibition as a group show “The Metamorphoses of the Virtual 5+5” at the K11 Art Foundation in Shanghai, China. The exhibition featured 5 artists from France such as Myrvold herself, Miguel Chevalier, ORLAN, Maurice Benayoun and Pascal Haudressy; as well as 5 Chinese artists, Aaajiao, Feng Membo, Miao Xiaochun, Tsang Kin-Wah and Zheng Da. A part of the official program of the 50th anniversary of Franco-Sino diplomatic relations, this multi-sensorial experience was specifically tailored for the K11 Art Foundation. Adrian Cheng, Founder and Chairman of the K11 Art Foundation, commented: 'We are very pleased to present this exhibition which we believe will strike a chord with many of us. Although new technologies and internet have taken a central place in our daily life and society, digital art remains in a paradoxical way quite confidential. These creators all belong to the same group of pioneers and visionary artists who share the certitude that the digital world offers new ways of making and perceiving art; a philosophy which is in tune with KAF’s vision of art'.
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