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"sensile" Definitions
  1. capable of sensation : SENTIENT
  2. felt or sensed but not registered by an ordinary dry-bulb thermometer
"sensile" Antonyms

10 Sentences With "sensile"

How to use sensile in a sentence? Find typical usage patterns (collocations)/phrases/context for "sensile" and check conjugation/comparative form for "sensile". Mastering all the usages of "sensile" from sentence examples published by news publications.

Sensile Medical makes drug devices for diabetics and patients with heart complaints and Parkinson's disease and other illnesses and collaborates with pharmaceutical firms such as Sanofi.
Gerresheimer will make an upfront payment of 13 million euros to Sensile Medical and could pay a maximum price of 350 million euros depending on certain milestones being reached, it said in a statement.
Bulbophyllum sensile is a species of orchid in the genus Bulbophyllum.
Guilmartin (1974), pp. 109–112 Venice was one of few major naval powers that used almost only free rowers, a result of their reliance on alla sensile rowing which required skilled professional rowers. The Knights of Saint John used slaves extensively, as did the Papal States, Florence, and Genoa. North African ghazi corsairs relied almost entirely on Christian slaves for rowers.
55–56 A Venetian galea sottila from the late 15th century from Vittore Carpaccio's Return of the Ambassadors in the series Legend of Saint Ursula (1497–1498). Note the oars arranged in groups of three according to the alla sensile rowing method. The traditional two side rudders were complemented with a stern rudder sometime after c. 1400 and eventually the side rudders disappeared altogether.
The bireme Italian-style galleys remained the mainstay of Mediterranean fleets until the late 13th century, although again, contemporary descriptions provide little detail on their construction. From that point on, the galleys universally became trireme ships, i.e. with three men on a single bank located above deck, each rowing a different oar; the so-called alla sensile system. The Venetians also developed the so-called "great galley", which was an enlarged galley capable of carrying more cargo for trade.
It became increasingly common to man galleys with convicts or slaves, which required a simpler method of rowing. The older method of employing professional rowers using the alla sensile method (one oar per man, with two to three sharing the same bench) was gradually phased out in favor of rowing a scaloccio, which required less skill.From Italian remo di scaloccio from scala, "ladder; staircase"; Anderson (1962), p. 69 A single large oar was used for each bench, with several rowers working it together and the number of oarsmen per oar rose from three up to five.
Writing for Allmusic, music critic Thom Jurek wrote of the album" "This is a tough recording; it flies in the face of the conventions Evans himself has set, and yet retrains the deep, nearly profound lyricism that was the pianist's trademark." On All About Jazz C. Michael Bailey said "After the ballad-laden Moon Beams, producer Orrin Keepnews wanted a slightly more up-tempo recording that resulted in How My Heart Sings. Fifty years later, the recording remains painfully introspective, up-tempo or not. Evans was the Van Gogh of jazz: sensile and troubled, characteristics that expressed themselves in his playing his entire career.
Model of a Venetian three-banked galley rowed alla sensile, with three rowers sharing a bench but handling one oar each Contrary to the popular image of rowers chained to the oars, conveyed by movies such as Ben Hur, there is no evidence that ancient navies ever made use of condemned criminals or slaves as oarsmen, with the possible exception of Ptolemaic Egypt.Casson (1995), pp. 325–26 Literary evidence indicates that Greek and Roman navies relied on paid labor or ordinary soldiers to man their galleys.Rachel L. Sargent, "The Use of Slaves by the Athenians in Warfare", Classical Philology, Vol. 22, No. 3 (Jul. 1927), pp. 264–279Lionel Casson, "Galley Slaves", Transactions and Proceedings of the American Philological Association, Vol. 97 (1966), pp.
The fact that the trireme had three levels of oars (trikrotos naus) led medieval historians, long after the specifics of their construction had been lost, to speculate that the design of the "four", the "five" and the other later ships would proceed logically, i.e. that the quadrireme would have four rows of oars, the quinquereme five, etc. However, the eventual appearance of bigger polyremes ("sixes" and later "sevens", "eights", "nines", "tens", and even a massive "forty"), made this theory implausible. Consequently, during the Renaissance and until the 19th century, it came to be believed that the rowing system of the trireme and its descendants was similar to the alla sensile system of the contemporary galleys, comprising multiple oars on each level, rowed by one oarsman each.

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