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"preludial" Definitions
  1. relating to or having the form or position of a prelude : INTRODUCTORY

6 Sentences With "preludial"

How to use preludial in a sentence? Find typical usage patterns (collocations)/phrases/context for "preludial" and check conjugation/comparative form for "preludial". Mastering all the usages of "preludial" from sentence examples published by news publications.

This forty-minute work's four-movement structure opens with a preludial, expository movement which presents the basic material.
If we could hear music only after an exhausting sequence of preludial actions I am sure it would suffer neglect.
A young Vixen, in this preludial scene played by a child, frisks in, startling a frog, who leaping to safety, lands on the forester's nose.
A ricercar (also spelled ricercare, ) is a type of late Renaissance and mostly early Baroque instrumental composition. The term ricercar means to search out, and many ricercars serve a preludial function to "search out" the key or mode of a following piece. A ricercar may explore the permutations of a given motif, and in that regard may follow the piece used as illustration. The term is also used to designate an etude or study that explores a technical device in playing an instrument, or singing.
Nevertheless, Pachelbel's fugues display a tendency towards a more unified, subject-dependent structure which was to become the key element of late Baroque fugues. Given the number of fugues he composed and the extraordinary variety of subjects he used, Pachelbel is regarded as one of the key composers in the evolution of the form. He was also the first major composer to pair a fugue with a preludial movement (a toccata or a prelude) – this technique was adopted by later composers and was used extensively by J.S. Bach. The Magnificat Fugues were all composed during Pachelbel's final years in Nuremberg.
The improvisatory element, present to some degree in most lute pieces, is particularly evident in the early ricercares (not imitative as their later namesakes, but completely free), as well as in numerous preludial forms: preludes, tastar de corde ("testing the strings"), etc. During the 17th century keyboard and lute music went hand in hand, and by 1700 lutenists were writing suites of dances quite akin to those of keyboard composers. The lute was also used throughout its history as an ensemble instrument—most frequently in songs for voice and lute, which were particularly popular in Italy (see frottola) and England. The earliest surviving lute music is Italian, from a late 15th-century manuscript.

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