You switch back to the channel, and do your best to pick up the threads.
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" And, he said, "if we die for it, someone else will pick up the threads, and report on the holiday decorations at the Governor's house.
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The film didn't even pick up the threads of her romance with Finn, opting for the kind of this-never-happened dynamic one would adopt with a one-night stand.
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And in the "media frenzy," there is little room for either side to initiate dialogue, "on the fringes of a meeting, to pick up the threads and talk," Ms. MacDonald said.
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Joshua Reynolds, of the British Secret Service, briefs Lucifer Box to pick up the threads of an investigation started by the recently murdered Jocelyn Utterson Poop of the Diplomatic Service. The only surviving clues were the names of two scientists who died within a day of each other. The investigation leads to the "Superior Funerals" undertakers run by Tom Bowler. Mr Bowler seems more interested in shipping boxes to and from Naples than burying the dead.
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Cement Cement (Russian: Цемент) is a Soviet novel by Fyodor Gladkov (1883-1958). Published in 1925, the book is arguably the first in Soviet Socialist Realist literature to depict the struggles of post-Revolutionary reconstruction in the Soviet Union. The protagonist, Gleb Chumalov, is a returning Red Army soldier hero who after the Russian Civil War comes back to a hometown in painful transition and to its cement factory being reorganized for the massive new Soviet effort. His wife, Dasha, plays the role of the Soviet "new woman," and Gleb finds he cannot easily pick up the threads of their old relationship.
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Surrounded by impending danger, Juan starts to pick up the threads of his life and begins to rebuild his home, the dilapidated house abandoned since the death of his mother many years ago. Convinced that his enemies will not kill him as long as he does not yield to their provocations, Juan endures, with incredible calmness, the insults and humiliations of Julián Moscote, the oldest of the two sons bent on revenge. Although restless in his hate for Sayago, under a mask of bravado and machisimo, Julián harbors doubts. Even for Julián, to avenge his father's death is a burden dictated by honor.
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In 1860 he published, with the photographer Hartmann, a series of sixteen lithographs entitled Album of Demerara, and in that same year contributed one of the scenes in Album Martiniquais, published by Hartmann and the lithographer, Eugène Cicéri. In 1862, Cazabon moved with his family to Saint Pierre in Martinique. He hoped that Saint Pierre, described then as the Paris of the New World, would offer a metropolitan spirit that Trinidad lacked, and provide a greater appreciation for his art. Finding much the same attitudes prevailing, he returned to Trinidad about 1870 and attempted to pick up the threads of his former life.
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After leaving Eynsford, Moeran returned to his parents' home and began to pick up the threads of his compositional career. He had not been entirely forgotten by the musical establishment; in January 1930, the critic Hubert Foss wrote a reappraisal of Moeran's earlier works, referring to the composer's "over-long silence", but saw hope for the future: "One hopes that out of this corpus of early works a symphonic mind may grow, one that with intensity of form as well as intensity of utterance, will give us real music on a big scale". An accident early in 1930 led to a period of convalescence which provided an opportunity for Moeran to reconsider his style. Gradually, new works were forthcoming: the Sonata for two violins (1930), the String Trio (1931), two orchestral pieces – Wythorne's Shadow (1931), and Lonely Waters (1932).
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