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"pasteboard" Definitions
  1. a type of thin board made by sticking sheets of paper together

72 Sentences With "pasteboard"

How to use pasteboard in a sentence? Find typical usage patterns (collocations)/phrases/context for "pasteboard" and check conjugation/comparative form for "pasteboard". Mastering all the usages of "pasteboard" from sentence examples published by news publications.

"To prevent apps from exploiting the pasteboard, Apple must act."
In February, the same app developer team published findings regarding a similar flaw with the iOS pasteboard.
On pieces of pasteboard slightly smaller than playing cards attached to key rings, are ranges of colors like points plucked out of colorspace.
The two developers found that Apple provides apps with the ability to read data stored in the system's clipboard, officially called Pasteboard on iOS devices.
"We have investigated many popular apps in the App Store and found that they frequently access the pasteboard without the user being aware," the developers wrote.
In those days of figuring things out, people will typically move apartments multiple times, and build and tear down countless pieces of shoddily thrown together pasteboard furniture.
Now it may sound absurd to cast a figure like Donald Trump, the much-married prince of tinsel and pasteboard, as a scourge of decadence rather than its embodiment.
Pasteboard invitations and  long cues have been replaced by digital seat assignments, expedited barcode check and an app organizing show schedule and allowing editors, buyers and bloggers to capture their favorite looks.
It was a pasteboard "C-suite" feminist look — pastel-toned sheath dresses; structured bags conjuring Céline or Prada, but often made of vinyl; pumps and flats that closely imitated higher-end shoes (including Chanels).
The film draws on Sayat Nova's imagery: angels with flat halos and wooden wings, a pasteboard cloud descending as a vision, the constant repetition of key props including books, silver balls and ornate rugs.
He is most effective when describing George III's hubris, which resulted in dangerous assumptions about British naval superiority, and he succeeds in lending an authentic voice to those pasteboard figures we learned about in history class, like John Adams and Benedict Arnold.
Oliver Wendell Holmes published a paean to the stereoscope in The Atlantic, rhapsodizing over the new technology with an enthusiasm that wouldn't have been out of place in an early issue of Mondo 21812 or Wired: Oh, infinite volumes of poems that I treasure in this small library of glass and pasteboard!
Today the process of making playing cards is highly automated. Large sheets of paper are glued together to create a sheet of pasteboard; the glue may be black or dyed another dark color to increase the card stock's opacity. In the industry, this black compound is sometimes known as "gick". Some card manufacturers may purchase pasteboard from various suppliers; large companies such as USPCC create their own proprietary pasteboard.
Retrieved 2 December 2015. Inspired, the twins released their own Show Off- like tape in 2001. Dubbed Pasteboard Animations, it was filmed as a low-fi home video with a tripod-held camcorder, edited on a dual VHS tape deck. Pasteboard Animations was printed by a local production company and sold for $25 per unit.
The game is played on a paper map with 518 one-inch hexagons using die-cut pasteboard counters representing various magical and non-magical units.
The clipboard is called "pasteboard" in iOS similar to OS X. Apps on this operating system can create additional pasteboards, called instances of the UIPasteboard class, which can be public or private. One instance can hold a single item or multiple items in different formats. The formats are identified by Uniform Type Identifiers (UTI). The data contained in the pasteboard can't be accessed via the GUI but only from the system and applications.
Patt Morrison applauded the book in the Los Angeles Times, but Kirkus Reviews wrote of its "attractive figures in living pasteboard", and would only concede that "as a genre work, this is better than many".
After the desired imagery is etched into printing plates, the art is printed onto each side of the pasteboard sheet, which is coated with a textured or smooth finish, sometimes called a varnish or print coating. These coatings can be water- or solvent-based, and different textures and visual effects can be achieved by adding certain dyes or foils, or using multiple varnish processes. The pasteboard is then split into individual uncut sheets, which are cut into single cards and sorted into decks. The corners are then rounded, after which the decks are packaged, commonly in tuck boxes wrapped in cellophane.
State History Publications, 2008. . Accessed August 31, 2015. For most of the nineteenth century, three water-powered mills produced lumber, calico, pasteboard boxes and brass fittings. A copper mine and a sandstone quarry were located on the north side of the brook.
The smaller wing section has bathrooms and a storage room, with the larger addition given over entirely to a classroom with pasteboard walls and simple woodwork. The flooring is carpeted fir. Walls and ceilings are plaster in a two-tone color scheme.
Three cards from the deck The Stuttgarter Kartenspiel (Stuttgart card game) is one of the most valuable collections of the Landesmuseum Württemberg. It is a hunting-themed deck of playing cards painted on gilded pasteboard dating to around 1430.Wintle, Adam. Stuttgart pack, c.
In 2001, twin brothers and Sybil enthusiasts Daniel and David Buck (known as Dan and Dave) released Pasteboard Animations, another flourish-only instructional VHS tape. Although produced as a low-fi home video and relatively short compared to Show Off, it sold hundreds of copies at hotel lobbies and magic conventions at a cost of $25. In a Genii magazine review of the Magic Live convention in August 2001, the twins flourishes and Pasteboard Animations tape received mixed responses. Renowned magic historian Jamy Ian Swiss remarked: In spite of the mixed responses from the traditional magic scene, Dan and Dave continued with their cardistry creations.
He acquired an old pair of spectacles, contrived a machine for grinding the lenses to the proper shape, mounted them in pasteboard tubes, and began celestial observations. His parents, at first afflicted by his eccentricities, let him choose his own lifestyle when he was sixteen years old.
These are usually stiffened with pasteboard, cardboard or layers of heavy canvas. For a brief period during the 1970s some deerstalkers were manufactured with bills stiffened by the steam-cooked and pressure-molded wood fiber construct called Masonite. The Masonite tended to crack and break into segments. Over time, the Masonite insert was also apt to crumble at the corners.
Patrizi owned two such relics: one of Saint Prosper, as well as part of the arm-bone of Saint Valeria. After much persuasion, the Cardinal agreed to relinquish the latter. The prized relic was placed in a box of pasteboard, and sealed with Cardinal Patrizi's coat of arms. The relic was then sealed in a waxen statue which represented a young woman.
A prominent feature of this version was the ability to type directly into the page and wrap inside or outside any shape. It also included drag-and-drop color imaging, a larger pasteboard, and a user interface that featured floating, rollup panels. The colors palette included a color mixer for adding new colors to the swatch list. Speed increases were made.
A blank N&CR; paper ticket printed in 1837 Originally paper tickets were written out by hand in a time-consuming process. With such as system it was difficult to keep accurate records, and Thomas Edmondson, the station master at Milton, introduced a system of printed numbered pasteboard tickets that were dated by a press; the system was first used in 1837.
A new temporary wooden building was hastily built by the state in 1921. It was derisively referred to as the "pasteboard capitol". It was built on Washington Street near the old site, with the expectation that the new building would be built on the old site. However, a riverside site in the eastern end of the city was chosen, and the downtown site was sold off.
His voice sounded constricted, and a histrionic laugh could not conceal that a climactic note had cracked. An excerpt "drained of human characters, offering pasteboard roles and posing voices" was partly redeemed by the force and personality of Nicolai Ghiaurov as Sparafucile. Matters improved with the third act of Otello, but only marginally. Justino Díaz was "curiously insubstantial" as Iago, and Plácido Domingo "stolid" as the Moor of Venice.
Gog and Magog at the Lord Mayor's Show: official website. Retrieved August 3, 2007. The effigies of two giants were recorded in 1558 at the coronation of Queen Elizabeth I and were described as "Gogmagot the Albion" and "Corineus the Britain". These, or similar figures, made of "wickerwork and pasteboard" made regular appearances in the Lord Mayor's Show thereafter, although they became known as Gog and Magog over the years.
The limb was initially wrapped in wool, especially over any bony prominences. Pasteboard was then cut into shape to provide a splint, and dampened so it could be molded to the limb. The limb was then wrapped in bandages before a starch coating was applied to the outer surface. Seutin's technique for the application of the starch apparatus formed the basis of the technique used with plaster of Paris dressings today.
The Brook in The Glen in Glen Ridge It then flows into Bloomfield and, in Watsessing Park, joins the Second River, a tributary of the Passaic River. Many roads have been built over the brook and in some places it is covered up completely, canalized or culvertised. In the 19th and early 20th century, Toney's Brook supported several mills, which produced lumber, beer, calico, brass fittings, and pasteboard boxes.
War Department Technical Manual TM-E 30-480 Handbook On Japanese Military Forces dated 15 September 1944 was the US Army's guide to the Japanese armed forces for the use of troops in the field. The "E" stands for "enemy." It was 8" × 10½", bound in two removable olive pasteboard covers to facilitate the addition and deletion of material. It was originally 401pp., with 412 illustrations including diagrams, photos, charts.
He said that he had to pay 18 shillings for book binding accessories (i.e. thread, glue, pasteboard, clasps) that cost only four shillings in England. Each Bible copy took a day's labour to bind. He told the Commissioners that the lowest price he could bind Eliot's Indian Bible for was three shillings four pence a book, because of the high price he had to pay for the English book binding accessories.
466-467 and by H.T. Lowe-Porter (New York: Alfred A Knopf, 1927), p. 394. He loans Hans Castorp a 'crumbling paperback edition' or 'crumbling pasteboard volume' (most likely the 1855 Achterfeldt edition) to Hans Castorp from his personal library.Thomas Mann, The Magic Mountain, translated by John E. Woods (London and New York 2005), 480 and by H.T. Lowe- Porter (New York: Alfred A Knopf, 1927), p. 406.
In the second half of the 19th century, many new industries came to town. The Water Witch Hose Company No. 2, local telephone and electricity companies, and newspapers were all founded. Factories in town made buttons, paint and varnish, hats, furniture, pottery, lime, dairy products and pasteboard, among other goods. Tobacco became the major crop in the area, and tobacco warehouses sprang up to handle its storage and processing before sales.
When sewn into a pasteboard backing, these may be called composition books, or in smaller signatures may be called "blue books" or exam books and used for essay exams. In contrast, journalists prefer small, hand-held notebooks for portability (reporters' notebooks), and sometimes use shorthand when taking notes. Scientists and other researchers use lab notebooks to document their experiments. The pages in lab notebooks are sometimes graph paper to plot data.
Willis's paintings are made form a variety of paper and materials. He tries to achieve subtle, three-dimensional shifts by painting on different kinds of paper with various thicknesses and collaging them together on the same canvas. Willis refers to this product as a "set-in" because the different materials are set together like puzzle pieces. Willis used primarily watercolors and acrylic paints on paper, pasteboard, cardboard, and plywood.
The museum's bicentennial exhibition, Blacks in the Western Movement, focused on the stories of African Americans who explored and settled the American west. The exhibition traveled nationwide and was made into a documentary film. These early exhibitions, which often consisted of panel displays, were called "pasteboard exhibits," by director John Kinard. Community members in the early years frequently helped put together the exhibitions, along with staff such as exhibit designer James E. Mayo.
He is the Paderewski of card manipulators, the Paganini of magicians, the virtuoso in whose hands the playing cards become not pasteboard but living creatures obedient to his commands. Whenever I see Leipzig with a pack in hand, I expect the cards to burst into song." John Scarne said of Leipzig, "Whatever I can do, is because Nate Leipzig showed me how to do it." Wilfred Johnson wrote, "The incomparable Leipzig was known as a magician's magician.
One of the most notable names in card magic, Marlo himself coined the term cardician,Biographies Page KLM a term which has since been used for performers who do card magic exclusively. His first publication in 1938, Pasteboard Presto, merely hinted at the bulk of work which was to follow. The many sleights he created have changed the face of card magic. One notable example is his snap change, used in David Blaine´s Street Magic Special.
Within Finder (software) each file will be identified with a UTI and open with the default application for that type. The user may also select from a list of other applications which support the type. Using this system, types are also associated with data for which there is no file name or the file extension is missing. This includes pasteboard data and data streaming over a protocol such as HTTP where a MIME type has been given.
At the beginning of Ratcliff's career, he did plain bookbinding using leather from domestic sheep and calves. He decorated the covers with fashions of blind tooling typical of the time period. Later Englishman Ratcliff departed from the normal bookbinding practices and used higher quality and more sophisticated methods, including pasteboard covers instead of wooden boards, and imported Morocco leather instead of domestic leather. He also used marbled end papers instead of plain end papers and did gold tooling instead of blind tooling.
Displays are common throughout the world and are the focal point of many cultural and religious celebrations. Fireworks are generally classified as to where they perform, either as a ground or aerial firework. In the latter case they may provide their own propulsion (skyrocket) or be shot into the air by a mortar (aerial shell). New Year fireworks The most common feature of fireworks is a paper or pasteboard tube or casing filled with the combustible material, often pyrotechnic stars.
The most common modern boards are rectangular in shape and made of plasticIn 1976, plastic boards were introduced at the American Contract Bridge League (ACBL) North American Bridge Championships (NABC). Plastic boards are now used exclusively by the ACBL and World Bridge Federation (WBF). Reference: replacing earlier models made of paper covered pasteboard, sheet metal, wood and more recently aluminum. Boards designed as foldable wallets, originally made of leather, primarily used in England, are now generally made of pliable plastic.
Jacquard loom on display in the Museum of Science and Industry in Manchester, England The Jacquard Loom is a mechanical loom that uses pasteboard cards with punched holes, each card corresponding to one row of the design. Multiple rows of holes are punched in the cards and the many cards that compose the design of the textile are strung together in order. It is based on earlier inventions by the Frenchmen Basile Bouchon (1725), Jean-Baptiste Falcon (1728) and Jacques Vaucanson (1740).Razy, C. (1913), p.120.
That line was extended twice, reaching Newcastle Central station in 1851. A branch line was built to reach lead mines around Alston, opening from Haltwhistle in 1852. For many years the line ran trains on the right-hand track on double line sections. In 1837 a station master on the line, Thomas Edmondson, introduced pre-printed numbered pasteboard tickets dated by a press, a huge advance on the former system of individual hand-written tickets; in time his system achieved near-universal adoption worldwide.
Hatboxes and their smaller relation the bandbox were made of thin sheets of bent wood or pasteboard and covered with decorative printed papers. Serving as an inexpensive form of luggage for men and women, the boxes carried and stored hats, collars, cuffs, and other finery. Their use increased in the 19th century as new roads, steamboats, and steam locomotives encouraged more people to travel. Shelburne Museum's collection of over two hundred hatboxes and bandboxes is one of the largest and most comprehensive on public display in the country.
The paper train came in a flat box containing several sheets of heavy cardstock measuring 11 x 15 inches, on which was printed the various pieces of the set. The finished set included a steam locomotive, tender, boxcar, gondola, and caboose; all decorated for the fictional Lionel Lines. There were also three railway employees, a crossing signal, a crossing gate, and enough ties and rails to create a circle of track measuring 16 feet, 4 inches in circumference. In total, there were over 250 paper parts, 21 wooden dowel axles, and 42 corresponding pasteboard wheels.
Flemish Hunting Deck The Flemish Hunting Deck, also known as the Cloisters set of fifty-two playing cards and Hofjaren Jachtpakket (in Dutch), is a set of fifty-two playing cards owned by the Metropolitan Museum of Art, New York, United States. It is significant in that it is the only complete set of ordinary playing cards from the fifteenth century. Estimate ranges of manufacture are between 1470 and 1480. The cards are hand-drawn and painted on pasteboard, with highlights of gold and silver, in the contemporary technique for illuminated manuscripts.
Card stock for craft use comes in a wide variety of textures and colors. An Oscar Friedheim card cutting and scoring machine from 1889 Card stock, also called cover stock and pasteboard, is paper that is thicker and more durable than normal writing and printing paper, but thinner and more flexible than other forms of paperboard. Card stock is often used for business cards, postcards, playing cards, catalogue covers, scrapbooking, and other applications requiring more durability than regular paper gives. The surface usually is smooth; it may be textured, metallic, or glossy.
Gentlemen talk and behave as crudely as the lowest of common laborers, while watermen and carmen comport themselves with grace and gentility. The play goes somewhat awry when Peregrine wanders into the players' "tiring house" and finds their properties. Thinking he's in "some enchanted castle," he slaughters their stage "Monsters, giants, furies, beasts, and bugbears," ::Kills monster after monster; takes the puppets ::Prisoners, knocks down the cyclops, tumbles all ::Our jigambobs and trinkets to the wall. By right of conquest, Peregrine crowns himself king of the Antipodes, with the players' pasteboard crown and sword of lath.
In 1206, the Arab engineer Al-Jazari invented a programmable drum machine where musical mechanical automaton could be made to play different rhythms and drum patterns, via pegs and cams.Noel Sharkey (2007), A 13th Century Programmable Robot, University of Sheffield In 1801, the Jacquard loom could produce entirely different weaves by changing the "program" – a series of pasteboard cards with holes punched in them. Code-breaking algorithms have also existed for centuries. In the 9th century, the Arab mathematician Al- Kindi described a cryptographic algorithm for deciphering encrypted code, in A Manuscript On Deciphering Cryptographic Messages.
An only child, Virginia Carpenter was tall, weighed , and had dark brown hair and brown eyes. She was last seen wearing a light white chambray dress with brown and green stripes (some descriptions include red stripes) and silver buttons down the front, a small white straw hat with the brim flipped up and a white feather stuck in the back, red leather platform high-heeled shoes, and a gold Wittnauer watch. Carpenter took with her a red purse, a black pasteboard hat box, and a brown steamer trunk with a matching cosmetics case. According to Mrs.
As it is, we have not heard of any attempt at a row. Two million tickets were ordered from McDoland and McIver in preparation for the opening; Edmondson's style of pasteboard tickets dated on issue by a press, appear to have been used from the start. The opening date had been envisaged to be 1 May 1846, but this was overrun, and General Pasley, the Inspecting Officer of the Board of Trade visited for a formal inspection on 15 May 1846. The line was not ready, and he refused the requested permission; even a partial opening from Edinburgh to Cockburnspath was declined.
The current building was designed by William Mason, and was completed in 1856 as one of the measures taken by Auckland to retain its status as New Zealand's capital. However, the house was used only sporadically after the seat of government was moved to Wellington in 1865. The wooden Italianate mansion endured criticism from architects and lay people alike, many disliked the flat, pasteboard effect of the façade and the dishonest imitation of stone masonry in wood. In the 1860s Governor Gore Browne lobbied for a new residence to be built in the nearby Auckland Domain.
Knights participating in the spectacle entered in pageant cars or on horseback, disguised as some heroic, romantic, or metaphorical figure, with their servants in fancy dress according to the theme of the entry. A squire presented a pasteboard pageant shield decorated with the character's device or impresa to the Queen and explained the significance of his disguise in prose or poetry.Strong 1977, p. 135 Entrants went to considerable expense to devise themes, order armour and costumes for their followers, and in some cases to hire poets or dramatists and even professional actors to carry out their programmes.
Surviving instruments from this period, tend to be made of durable metals such as brass, gold, or steel, although examples such as telescopes made of wood, pasteboard, or with leather components exist. Those instruments that exist in collections today tend to be robust examples, made by skilled craftspeople for and at the expense of wealthy patrons. These may have been commissioned as displays of wealth. In addition, the instruments preserved in collections may not have received heavy use in scientific work; instruments that had visibly received heavy use were typically destroyed, deemed unfit for display, or excluded from collections altogether.
The Huygenses contrived some ingenious arrangements for aiming these "aerial telescopes" at an object visible in the night sky. The telescope could be aimed at bright objects such as planets by looking for their image cast on a white pasteboard ring or oiled translucent paper screen and then centering them in the eyepiece. Fainter objects could be found by looking for the reflection of a lamp held in the observer's hand being bounced back by the objective and then centering that reflection on the object. Other contrivances for the same purpose are described by Philippe de la HireMém.
Some collections of loose prints were issued at this period in printed paper wrappings, again intended to be temporary. In the first two decades of the nineteenth century, publishers started issuing some smaller books in bindings of printed paper-covered boards, and throughout the 1820s and 1830s some small popular books, notably annual gift-books and almanacs, were issued in detachable printed pasteboard sheaths. These small boxes are sometimes loosely and erroneously referred to as the first dust jackets. True publisher's bindings in cloth and leather, in which all, or a substantial part of, an edition were bound, were also introduced shortly before 1820, by the innovative publisher William Pickering.
On the day of the disfranchisement election in August, one prominent black leader, Abe Middleton, a former Republican county chairman of Duplin County, was symbolically "killed" when his wife found a "pasteboard coffin" in their garden. During a post-election hearing, Middleton testified that there was an increase in shooting near his home. Though the incidents did not faze Middleton, members of the black community saw this activity and refrained from voting. The intimidation activities of the Red Shirts were so successful that many African Americans abandoned their homes, some seeking refuge in swamps, as recounted by Dave Kennedy, a black voter of Duplin County.
Macintosh-based systems continued to dominate the market into 1986, when the GEM-based Ventura Publisher was introduced for MS- DOS computers. PageMaker's pasteboard metaphor closely simulated the process of creating layouts manually, but Ventura Publisher automated the layout process through its use of tags and style sheets and automatically generated indices and other body matter. This made it particularly suitable for the creation manuals and other long-format documents. Desktop publishing moved into the home market in 1986 with Professional Page for the Amiga, Publishing Partner (now PageStream) for the Atari ST, GST's Timeworks Publisher on the PC and Atari ST, and Calamus for the Atari TT030.
He added that "care was taken, as nearly as could be, not to add to or diminish what the work consisted of, and appear'd to have been when first erected: And really, except changing the substance of the Architraves from alabaster to Marble; nothing has been chang'd, nothing alter'd, except supplying with original material, (sav'd for that purpose,) whatsoever was by accident broken off; reviving the Old Colouring, and renewing the Gilding that was lost". John Hall, the limner from Bristol hired to do the restoration, painted a picture of the monument on pasteboard before 1748.Spielmann 24; Fox 15, 145–46. Greene also had a plaster cast of the head made before the restoration began.
A cartoon (from and —words describing strong, heavy paper or pasteboard) is a full-size drawing made on sturdy paper as a study or modello for a painting, stained glass, or tapestry. Cartoons were typically used in the production of frescoes, to accurately link the component parts of the composition when painted on damp plaster over a series of days (giornate). Such cartoons often have pinpricks along the outlines of the design so that a bag of soot patted or "pounced" over a cartoon, held against the wall, would leave black dots on the plaster ("pouncing"). Cartoons by painters, such as the Raphael Cartoons in London, and examples by Leonardo da Vinci, are highly prized in their own right.
An annual account includes: ' Despite the cancellation of the mystery plays in 1575, (although they were performed again in 1578) and the banning of the midsummer parade in 1600 by the Protestant mayor, Henry Hardware, the tradition was revived by the next mayor Robert Brerewood, but without the devil in feathers and the naked boys. The parade continued for every year until the last quarter of the 17th century. The last Midsummer show was recorded in 1670, it was then moved to Whit Tuesday until 1678 and not revived until 1995. The most famous part of the performance was the family of giants; massive pasteboard models of people carried by several performers.
Applications communicate through the clipboard by providing either serialized representations of an object, or a promise (for larger objects). In some circumstances the transfer of certain common data formats may be achieved opaquely through the use of an abstract factory, for example Mac OS X uses a class called NSImage to provide access to image data stored on the clipboard, though the actual format of the image data backing the object is hidden. The sending and receiving application negotiate the formats which can be transferred in between them, oftentimes with the active GUI widget responsible for providing acceptable type transformations. The pasteboard allows for transfer of common items such as URLs, colors, images, strings, attributed strings (Rich text), and sounds.
Elizabeth Stewart, 2nd Countess of Moray suo jure (Late 1565 - 18 November 1591), was the daughter of James Stewart, 1st Earl of Moray and Agnes Keith. She was born at St Andrews while her father was in exile in England following the Chaseabout Raid, a rebellion against Mary, Queen of Scots. On 23 January 1581 she married James Stewart, son of James Stewart, 1st Lord Doune, and they had five children: The wedding was celebrated on 31 January in Fife with a tournament of "running at the ring" and James VI of Scotland took part. Two day after the party came to Leith, where a water pageant culminated with an assault on a pasteboard Papal Castel Sant'Angelo, built on boats on the water of Leith.
From its inception, Canvas differed from other graphics applications because it combined tools and file formats for both vector graphics (line art) and raster images (photographic and other pixel-based), along with word-processing and page-layout features such as multiple-page documents and master pages. The user works in a window, which is the familiar "page on a pasteboard" analog used by many DTP and vector graphics programs, but in that window, which might be a single illustration page or one page of a multi-page magazine, book, web site, animation or presentation, the user can create or edit and layout text, vector graphics and raster images. Canvas also emphasized technical drawing in addition to artistic illustration features. With Version 3.5, Deneba went cross-platform, releasing a version with file-format compatibility for Macintosh and Windows computers.
The initial phase of this evolution, the accordion-folded palm-leaf-style book, most likely came from India and was introduced to China via Buddhist missionaries and scriptures. With the arrival (from the East) of rag paper manufacturing in Europe in the late Middle Ages and the use of the printing press beginning in the mid-15th century, bookbinding began to standardize somewhat, but page sizes still varied considerably.. Paper leaves also meant that heavy wooden boards and metal furniture were no longer necessary to keep books closed, allowing for much lighter pasteboard covers. The practice of rounding and backing the spines of books to create a solid, smooth surface and "shoulders" supporting the textblock against its covers facilitated the upright storage of books and titling on spine. This became common practice by the close of the 16th century but was consistently practiced in Rome as early as the 1520s.
The Sydney Morning Herald wrote that: > [It] was an oddly contrived story produced in that stilted solemn atmosphere > to which "period" plays often conform. The fact that Charles Darwin once > brought a few sad and sorry natives from Terra del Fuego to England could > possibly be the basis for a seriously realistic glimpse of early colour > problems, or else, perhaps, be artificially brightened into a spirited > comedy... Morgan attempted to provide humour and also facile generalisations > in a play which neither illuminates nor 'sparkles. The native girl... > unconvincingly combined the antics of a savage monkey with an unlikely > capacity for sophisticated, fluent reasoning, and the reactions of the prim > nineteenth century vicarage were equally unconvincing and lacking in > continuity. The actors did not do much to enliven their pasteboard parts, > with the exception of Lola Brooks, who managed to bring a sensitive and > natural manner to her part.
In art history, the carton (pronounced the French way) was a drawing on heavy pasteboard or paperboard, used as life-size design for the manufacture in an atelier of a valuable tapestry, such as a gobelin. During the weaving it hung behind the tapestry in the making, a time-consuming process thus in a creative sense simplified to 'mechanical' painting-by-numbers. As these were extremely valuable, often commanded by the very richest art-buyers, including princes who hung them in their palaces and even took them on their travels as prestigious displays of wealth, often with a visual message, especially the world-famous Flemish ateliers were deemed worthy to have cartons made by some of the greatest graphic artists of the time, including such celebrated painters as Rubens. In the 1980s, milk cartons in the United States often printed photos of missing children with the hope that someone would recognize the photograph and provide information to police.
A pasteboard tag with full > names and full address must be attached to the keys by a wire or a lace. We > highly recommend the Jews to take with them all valuables and > cash...(excerpt) "Воззвание к еврейскому населению Таганрога" Ruins of the Taganrog school no.27 in 1943. This is the building where the Jews of Taganrog came to register prior to be taken to the Gully of Petrushino. On October 29, 1941 all Jews of Taganrog (around 2,500 people) were gathered on Vladimirskaya Plaza, promptly registered at the building of the school no.27 in front of Vladimirskaya Plaza and taken by trucks to the Gully of Petrushino near Beriev Aircraft Factory, where they were shot to death by Schutzmannschaft collaborationists under control of Otto Ohlendorf's Einsatzgruppe D. Of all the Jewish children who lived in Taganrog in 1941 only a 14-year-old boy Volodya Kobrin () managed to escape the certain death, thanks to the help of various people in Taganrog and especially Anna Mikhailovna Pokrovskaya, who was awarded the title of the Righteous among the Nations by the Professor Alisa Shenar, Ambassador of Israel in Russia on July 19, 1996.

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