"Reince is a fucking paranoid schizophrenic, a paranoiac," Scaramucci said.
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"Reince is a fucking paranoid schizophrenic, a paranoiac," he said.
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Spyscape's experience is mildly paranoiac, but it is never deadly dark.
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"Reince is a f------ paranoid schizophrenic, a paranoiac," Scaramucci told Lizza.
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Scaramucci called Priebus a "paranoid schizophrenic, a paranoiac," and offered no apology.
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His entire career has been conducted in shout-driven, near-paranoiac overdrive.
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How the old term paranoiac entered Mr. Scaramucci's personal vocabulary is not clear.
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"Reince is a f------ paranoid schizophrenic, a paranoiac," Scaramucci said in the interview.
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The theme of isolated paranoiac psychological breakdown is a common one for horror.
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The organic/inorganic dialectic of the dystopian future has motivated countless paranoiac cyber-fantasies.
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She's a troublemaker, pushing the others into paranoiac corners and the play into overdrive.
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"Reince is a f------ paranoid schizophrenic, a paranoiac," Scaramucci told the New Yorker's Ryan Lizza.
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"Reince is a f------ paranoid schizophrenic, a paranoiac," Scaramucci told New Yorker writer Ryan Lizza.
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I'll show you a full-blown narcissist or full-throttle paranoiac or some combination of both.
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His name was Vladimir Mikhailovich Bekhterev and the person he described as "paranoiac" was Joseph Stalin.
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Mr Palmer heightens this paranoiac tension with his brilliantly conceived account of how time travel might work.
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This strategy only inflamed the right's paranoiac ravings and helped move the goal posts to new extremes.
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The secular guard dogs at Charlie Hebdo would almost certainly start going on some paranoiac rant about taqiyyah.
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Who knows what it really is: Homecoming is a paranoiac thriller, and it could all be a lie.
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She got her break with Never Take Sweets from a Stranger (1960) and my favorite, 1963's Paranoiac.
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We won't belabor anything about this except to say: WikiLeaks seem increasingly like a fringe paranoiac Putin propaganda wing.
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Don't take anybody's word for anything ever, basically, without being a cynic or without being some kind of paranoiac.
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Every good paranoiac sees an always-listening device like an Amazon Echo as a potential spy sitting in plain sight.
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"There is totalitarian rubbish and paranoiac rubbish, but in each case it is rubbish," he wrote in the New Statesman.
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Among other items, Scaramucci called Priebus "a f------ paranoid schizophrenic, a paranoiac" and claimed he would be asked to resign.
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"Reince is a f---ing paranoid schizophrenic, a paranoiac," Scaramucci told New Yorker writer Ryan Lizza in a Wednesday phone call.
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Among the subjects the Boson addresses, with wild eyes and paranoiac conviction, are the ways in which the world might end.
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And in the minds of his fanatics—absolutely blitzed on a decade or three of antimedia, antiacademia, paranoiac propaganda— it becomes true.
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That dissonance between paranoiac militarization and peaceful routine is the exhibition's unifying theme, especially in images from early on in The Troubles.
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Any self-respecting paranoiac long ago taped over the webcam on their laptop—and for good measure, the cameras on their smartphone too.
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To be more precise, Mr Scaramucci called him "a fucking paranoid schizophrenic, a paranoiac", and predicted his imminent departure as chief of staff.
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Reince Priebus — if you want to leak something — he'll be asked to resign very shortly… Reince is a fucking paranoid schizophrenic, a paranoiac.
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The best emotional laborers have a sensitivity to and awareness of other people's feelings and motives that score paranoiac compared to past generations.
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Amazon's Homecoming — all 210 episodes of which dropped Friday — is a witty, paranoiac thriller adapted from the 2016 scripted podcast of the same name.
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He called Mr. Priebus a "paranoid schizophrenic, a paranoiac," who had leaked information against him, and vowed to get the chief of staff fired.
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The Lost Cat Podcast is a modern homage to Edgar Allen Poe's obsessive, paranoiac narrators and the endlessly disturbing worlds in which they live.
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But it does take a paranoiac imagination to turn those dots into a constellation that shows how one man is plotting to take over the world.
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There was plenty of space for self-made conspiracy theories and paranoiac narratives to circulate in abandon—to be picked up, believed, dropped, reexamined and reworked.
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It was a match made in heaven: Jones's fact-free but immensely entertaining rants were a perfect fit with Drudge's gossipy, right-wing paranoiac approach to news.
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Well, everyone who's become a "paranoiac" since becoming a This Is Us fan, rest assured, we're really and truly getting details on Jack's death at long last.
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On Tuesday evening, Jack Dorsey announced that ranking far-right paranoiac Alex Jones, while freshly shunned by platforms like iTunes, Spotify, and Facebook, would still be welcome on Twitter.
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The music was augmented by a highly textural visual backdrop, consisting of fragments of cut-up text that created a paranoiac diorama suggesting a sinister interference, hacking, and alien technologies.
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The recent rise in Islamophobia in India and a more aggressive stance against Pakistan by Prime Minister Narendra Modi should not detract from recognizing the paranoiac nature of Pakistan's fears.
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And shortly after Mr. Scaramucci called Mr. Priebus a "paranoid schizophrenic, a paranoiac" — adding a more vulgar term to the beginning of the phrase — Mr. Priebus, too, offered his resignation.
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The brutal slayings by Manson's teenage hippie followers put a cap on the already-faltering love generation and helped usher in the paranoiac hangover that was the early 70s in California.
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That tirade, in which he called Priebus a "f---ing paranoid schizophrenic, a paranoiac," was Scaramucci's clearest indication yet that he is trying to get rid of the chief of staff.
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Zim, the invader; Dib, the paranoiac; and GIR, the defective —the heroes of Invader Zim were fractured reflections of post-9/11 America's schizoid identity crisis: suspicious, jingoistic, violent, and dumb.
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At the heart of many paranoiac ideologies is the firm belief that a small group of elites is trying to build a New World Order, a global governance that could enslave most of humanity.
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But when the anxiety spreads, and when dozens of people look to each other for reassurance—something that will not be forthcoming from the mind of a fellow paranoiac—a tipping point is reached.
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" Scaramucci posited that Priebus -- seeming less and less like family as the days go by -- was likely "to resign very shortly" before armchair-diagnosing the chief of staff as a "paranoid schizophrenic, a paranoiac.
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" In the interview published Thursday, White House communications director Anthony Scaramucci railed against White House leaks and attacked White House chief of staff Reince Priebus, calling him "a f---ing paranoid schizophrenic, a paranoiac.
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BE3K's whispery paranoiac rapping—or anxious pitch-fucked singing, as on the creeping breakup ballad "WHY (Over M3)"— set is to slow-moving club beats, a reminder of the dancefloor's properties of rebirth and renewal.
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It sometimes seems like the fear of hellfire and last judgment has been replaced by, oh I don't know, the prospect of getting mowed down at the mall by a jittery 18-year-old paranoiac.
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More, the exhibition tries to make a beeline from the paranoiac 1960s to 2016, linking how artists have rendered "alternative facts" right up until the election of President Donald Trump, America's greatest tycoon of misinformation.
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Though the production plies the paranoiac distortions of Expressionism, it also uses the bright, mechanistic figures of Constructivism — including oversize three-dimensional letters spelling out brand and place names — rendered in eye-searing swaths of color.
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What follows is a sampling of quotes from the article, quotes that most journalists will never come close to hearing in any interview they have: "Reince is a fucking paranoid schizophrenic, a paranoiac," he said, referring to Priebus.
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One wonders what the maker of dystopian and cyber-paranoiac science-fiction films like La Jetée (22004) and Level Five (21997) would've thought about NSA surveillance, the continuing imbroglio between the Trump administration and Russia, or even Black Mirror.
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With the new funding the company will look to accelerate its global expansion so WHOOP can dominate still-more sporting events, and become the new accessory that the high-powered quantified executive (or health-obsessed paranoiac) won't want to live without.
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He threatened to fire the Trump administration's entire communications staff, called then-White House Chief of Staff Reince Priebus "a fucking paranoid schizophrenic, a paranoiac," and accused Priebus — who was ousted two days later — of leaking damaging information to the media.
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Ross Douthat Opinion Columnist The first time I ever heard the truth about Cardinal Theodore McCarrick, the former archbishop of Washington, D.C., finally exposed as a sexual predator years into his retirement, I thought I was listening to a paranoiac rant.
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Seberg was that most benighted of creatures, the paranoiac who is dead right, and her fears are enshrined in Stewart's performance, at once twitchy and refined; notice how she touches her hairline, as if to check the lid of her head.
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"Reince is a f---ing paranoid schizophrenic, a paranoiac," he said, mimicking Priebus when he added, '''Let me leak the f---ing thing and see if I can c--k block these people the way I c--k blocked Scaramucci for six months.
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Far from DC's biopolitical espionage, LA's flashgun feeding frenzy, or the Big Apple's paranoiac jungle vision, the spray painted eyes found on a wall in every district makes it feel like Miami's watching your back through every drug deal, even when it isn't.
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The law-and-order, paranoiac US President Richard Nixon had defeated a splintered Democratic Party in the '68 election and, by the time Genet returned in '70, Nixon had secretly escalated the war in Vietnam and begun blacklisting members of the press.
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Even if George Soros is the most commonly named architect behind some larger conspiracy, make no mistake: It's a fear of these women taking action, rather than the actions of the men they've accused, that has prompted the most paranoiac attempts to discredit their message.
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Edgerton's grim resignation as Paul shoots and burns the corpse immediately introduces viewers to the paranoiac domain over which Paul is now ruler: one in which family members are terrified that prolonged exposure to the world outside will cause them to become sick as well.
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It Comes at Night could just as easily have been titled Democracy Dies in Darkness; without access to information about what's happening in the world outside, every family member is held hostage by Paul's paranoiac vision, even at the expense of their own freedom.
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As out-of-control fires and panic cause social institutions to break down, Harper catches Dragonscale even as she contends with two other dangerous circumstances: She gets pregnant, and her husband turns into a violent paranoiac obsessed with taking her out in a murder-suicide pact.
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The exclamation point of Scaramucci's brief reign came in a New Yorker story published last Thursday that featured an angry tirade from Scaramucci, who called Priebus "a fucking paranoid schizophrenic, a paranoiac," and said that he — unlike Trump's top adviser Steve Bannon — was not seeking publicity for himself.
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One of the founders of the NHF was a woman named Maureen Kennedy Salaman, a professionally beautiful natural health guru and political activist who once ran for vice president on the Populist party ticket; she and the NHF had strong ties to the paranoiac, anti-Communist John Birch Society.
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So if that's the case, Mooch, maybe next time you after you say things like "I'm not Steve Bannon, I'm not trying to suck my own cock" or "Reince is a fucking paranoid schizophrenic, a paranoiac," consider adding a "JK LOL" so people know you are just a humorous jokester.
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French director Alexandre Moors's low-key 2013 exploration into the DC sniper attacks of 2002 is terrifying in its banality, in the way it captures the paranoiac feeling that at any moment, seemingly out of nowhere, your life could be ended by a single bullet fired from a ways away.
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The genius of Karyn Kusama's ever-so-slightly satirical Invitation is that you don't know, at first, whether its hero (excellently played by Logan Marshall-Green) is correct in his growing paranoiac suspicion that his old friends have joined a cult, or whether their pretentious dinner parties are just inherently cult-like.
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Mr. Brooks — a cheerful, enthusiastic paranoiac who is obsessed with survival strategies, zombies, apocalyptic scenarios and plagues — wrote the story as a first-person, Robinson Crusoe-esque narrative, featuring an initially hapless character who is stranded on a strange island and has to build shelter, find food and fight off zombies and giant spiders, all features that exist in the game.
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Mediator Friday night, the Facebook co-founder Mark Zuckerberg went on his vast social network to convince an expanding chorus of critics — including the departing president of the United States — that he honest-to-goodness wants to combat the "fake news" that is running wild across his site and others, and turning our politics into a paranoiac fantasy come to life.
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One answer is that the internet and its progeny — Foursquare, Facebook, Instagram, Airbnb — is to us today what television was in the last century, with "a certain ability to transmit and receive and then apply layers of affection and longing and doubt," as George W.S. Trow wrote in his paranoiac masterpiece of media criticism, "Within the Context of No Context," originally published in The New Yorker in 1980.
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In his autobiography Righteous Indignation, Breitbart describes the discovery of cultural Marxism as his "awakening"—redolent of the "red pill" that all conspiracy cranks feel when the vast, anxiety-inducing complexity of the universe becomes pacified in the paranoiac, pattern-seeking mind, reduced to the imaginary order of some joined-up plot (the irony of "red pill," of course, being that it's taken from The Matrix, whose makers, the Wachowski Brothers, are now the Wachowski sisters—trans politics being another plank of cultural Marxism).
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His attitude toward them is that of the paranoiac, vindictive, rather than that of the melancholiac, humiliated.
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He argues that we have evolved to believe moral propositions because our believing the same enhances our genetic fitness (makes it more likely that we will reproduce successfully). However, our believing these propositions would enhance our fitness even if they were all false (they would make us more cooperative, etc.). Thus, our moral beliefs are unresponsive to evidence; they are analogous to the beliefs of a paranoiac. As a paranoiac is plainly unjustified in believing his conspiracy theories, so too are we unjustified in believing moral propositions.
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His paranoiac wife doesn't believe him and starts a quarrel. She accuses her husband of infidelity and promises to divorce him. The detective spitefully answers "I'll be home in a moment, my dear", and an exceptionally long blue beard grows on his face.
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Paranoiac is a 1963 British thriller film from Hammer Films. Directed by Freddie Francis, it stars Janette Scott, Oliver Reed, Sheila Burrell, and Alexander Davion. The screenplay was written by Jimmy Sangster, based loosely on the 1949 crime novel Brat Farrar by Josephine Tey.
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However, he was included when the Academy Award winners were invited to a celebratory lunch with the British royal family at Buckingham Palace. His first film was Paranoiac in 1963, and his last credited work was Lost in Space in 1998. He retired in the early 2000s.
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In the same year, Dalí officially joined the Surrealist group in the Montparnasse quarter of Paris. The Surrealists hailed what Dalí was later to call his paranoiac-critical method of accessing the subconscious for greater artistic creativity. Meanwhile, Dalí's relationship with his father was close to rupture.
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Jean Ferré was a supporter of Algérie française. On this point he was in disagreement with de Gaulle. He had demanded that his team avoid polemics; however, Jean-François Chiappe wrote an article aggressively calling de Gaulle into question, describing him as a "paranoiac" with "intermittent delirium". The magazine was seized.
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Paranoiac-critical method is a technique invented by Salvador Dalí which consists of the artist invoking a paranoid state (fear that the self is being manipulated, targeted or controlled by others). The result is a deconstruction of the psychological concept of identity, such that subjectivity becomes the primary aspect of the artwork.
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Swans Reflecting Elephants (1937) is a painting by the Spanish surrealist Salvador Dalí. This painting is from Dalí's Paranoiac-critical period. Painted using oil on canvas, it contains one of Dalí's famous double images. The double images were a major part of Dalí's "paranoia-critical method", which he put forward in his 1935 essay "The Conquest of the Irrational".
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Il fauche 10 personnes au marché de Noël, 'Ouest France', 23 December 2014. After tending his wounds, he was transferred to a psychiatric hospital on 31 December. In January 2015 he was transferred to prison. He was described as a loner, an alcoholic and paranoiac, but was declared by a psychiatrist as responsible enough to be tried.
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Singers, painters, writers, theorists and other individuals employing a number of means of action have attempted to oppose or undermine consensus reality while others have declared that they are "ignoring" it. For example, Salvador Dalí intended by his paranoiac-critical method to "systematize confusion thanks to a paranoia and active process of thought and so assist in discrediting completely the world of reality".
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About 3 hours later he came back to the Congress for a meeting and said to some colleagues there: "I have just examined a paranoiac with a short, dry hand." The day after, Bekhterev suddenly died, causing speculation that he was poisoned by Stalin as revenge for the diagnosis. Moreover, after Bekhterev's death, Stalin had Bekhterev's name and all of his works removed from Soviet textbooks.
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As he gets increasingly paranoiac about intruders, Kazik ties him up and takes charge. The two Germans have no desire to stay, but when Walter goes to his abandoned car it will not start. Then Micky obtains the keys to Berger's car, but Kazik shoots him dead. After burying Micky, Walter trudges off through the snow and is last seen working as a gardener in a place that looks like Mexico.
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Foaly is a centaur, technical genius, and computer geek. He works for the LEP, the fairy authorities, and is in charge of preventing humankind from discovering the fairy civilization. His intelligence makes him paranoiac, which causes him to wear a foil hat to "protect him from human mind-probing technology". He designs most of the weaponry, wings, and other technical gadgets that the LEP use, such as the 'Iris Cam'.
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According to Dalí, these objects have a minimum of mechanical meaning, but when viewed the mind evokes phantom images which are the result of unconscious acts. The paranoiac-critical arose from similar surrealistic experiments with psychology and the creation of images such as Max Ernst's frottage or Óscar Domínguez's decalcomania, two surrealist techniques, which involved rubbing pencil or chalk on paper over a textured surface and interpreting the phantom images visible in the texture on the paper.
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This notice drew bankable movie stars to horror films. Joan Crawford starred in William Castle's Strait-Jacket (1964) and in Jim O'Connolly's Berserk! (1967), while Albert Finney starred in MGM's Night Must Fall (1964) (a remake of the 1937 British film) and Peter Cushing starred in Corruption (1968). Hammer Studios, a London-based company, followed Psycho's success with Taste of Fear (1961), Maniac (1963), Paranoiac (1963), Nightmare (1964), Fanatic (1965), The Nanny (1965), Hysteria (1965), and Crescendo (1970).
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The paranoiac-critical method is a surrealist technique developed by Salvador Dalí in the early 1930s. He employed it in the production of paintings and other artworks, especially those that involved optical illusions and other multiple images. The technique consists of the artist invoking a paranoid state (fear that the self is being manipulated, targeted or controlled by others). The result is a deconstruction of the psychological concept of identity, such that subjectivity becomes the primary aspect of the artwork.
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In 1927, white supremacist Thomas Dixon Jr. published a screenplay entitled The Torch; A story of the paranoiac who caused a great war. It was never produced. The two most noted screen portrayals of Brown were both given by actor Raymond Massey. The 1940 film Santa Fe Trail, starring Errol Flynn and Olivia de Havilland, depicted Brown completely unsympathetically as an out-and-out villainous madman; Massey added to that impression by playing him with a constant, wild-eyed stare.
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After serving as assistant editor of The American Mercury, he earned a doctorate at the University of Wisconsin–Madison in 1949, working with Merle Curti. He taught at the University of California, Los Angeles, Rutgers University, Columbia University and the University of Michigan before returning to Johns Hopkins in 1971. He is noted for having described anti-Catholicism in the United States as "the most luxuriant, tenacious tradition of paranoiac agitation in American history". Higham died of a cerebral aneurysm in Baltimore, Maryland on July 26, 2003.
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Spomenka Hribar turned against Janša in 1996, denouncing his "right wing turn" and accusing him of a sectarian and paranoiac conception of politics. She later intensified her criticism, accusing him of authoritarianism and demagoguery. Differently from her husband Tine Hribar, who became more conciliatory towards Janša after 2004, seeing him as an essentially positive figure in Slovenian conservativism and implicitly supporting him in the 2004 elections, She maintained her position against the conservative politician. In 2007, she accused him of corruption and anti-democratic attitudes.
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He was inspired to create his paranoiac-critical paintings The Architectural Angelus of Millet and Gala and the Angelus of Millet Preceding the Imminent Arrival of the Conical Anamorphoses in 1933. These were followed two years later by a similar pair of paintings which included a partial reproduction of Millet's The Angelus, called The Angelus of Gala and Archaeological Reminiscence of Millet's Angelus. In 1938, he published a book Le Mythe tragique de l'Angélus de Millet.Le Mythe tragique de l'Angélus de Millet, by Jean-Jacques Pauvert with plates by Salvador Dalí, 1963, .
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The Hallucinogenic Toreador is a 1969–1970 multi-leveled oil painting by Salvador Dalí which employs the canons of his particular interpretation of surrealist thought. It is currently being exhibited at the Salvador Dalí Museum in St. Petersburg, Florida. In The Hallucinogenic Toreador Dalí transmits his wife's dislike for bullfighting by combining symbolism, optical illusions, and estranging yet familiar motifs. Dali used his paranoiac- critical method to create his own visual language within the painting, and combined versatile images as an instructive example of his artistic ability and vision.
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In a Blabbermouth article published prior to the album's release, the magazine stated "...the band sounds together — really together. The last three years of touring, writing and rehearsing have honed and moulded a new sound that has truly distilled the ELECTRIC WIZARD brew. In forty-three brain-damaging minutes, the band delivers a varied, challenging and breath-taking LP, from crushing blues stomp through savage Detroit sleaze rock, paranoiac passages of droning drug rock and creepy funereal proto-metal/acidrock." Discussing the album's lyrical content in the October 2017 issue of Metal Hammer.
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Claire Tomalin, Mrs Jordan's Profession, Penguin 1994 (2012), p. 315 His suicide came as no surprise to his family who had long been concerned about his mental condition; his father's biographer attributes it to "a paranoiac sense of persecution."Ziegler, p. 270. At his inquest, his doctor and a surgeon told the coroner that they believed he was going mad, and in recent years there has been speculation that he suffered from the probably hereditary malady of porphyria which had afflicted his grandfather and several other members of the family.
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Le Mani Destre Recise Degli Ultimi Uomini (The Severed Right Hands of the Last Men) is the sixth album by the heavily conceptual American band Secret Chiefs 3 (operating here as Traditionalists, one of the seven satellite bands introduced on Secret Chiefs 3’s album Book of Horizons). The album is a paranoiac soundtrack to an imaginary Giallo horror film. The album contains 30 tracks of original music inspired by Italian film composers including Bruno Nicolai, Stelvio Cipriani, Ennio Morricone, Goblin and Piero Piccioni. The album marks the first full-length release by one of the Secret Chiefs 3 satellite bands.
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When literary critics had a negative reaction to Spillane's writing, citing the high content of sex and violence, Spillane answered with a few terse comments: "Those big- shot writers could never dig the fact that there are more salted peanuts consumed than caviar... If the public likes you, you're good." Early reaction to Spillane's work was generally hostile: Malcolm Cowley dismissed the Mike Hammer character as "a homicidal paranoiac",Robert L. Gale, A Mickey Spillane companion Westport, Conn. : Greenwood Press, 2003. (ix) John G. Cawelti called Spillane's writing "atrocious", and Julian Symons called Spillane's work "nauseating".
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Stevens is later run down by a car, and following his recovery, two men in dark try to kill him in his office. To prove his innocence and track down the real killer, Stevens hires a private investigator by the name of Norman Z. Moody. He also suspects some of his patients: Harrison Burke (a homicidal paranoiac), Anne Blake (a mysterious patient with whom Stevens is in love) and Teri Washburn (a sex addict and former Hollywood actress). Influenced by Angeli (the one who is somewhat friendly and helpful to him), Stevens begins to consider Moody as a suspect.
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Following his Academy Award win for Sons and Lovers, Francis began his career as director of feature films. His first feature as director was Two and Two Make Six (1962). For the next 20-plus years, Francis worked continuously as a director of low- budget films, most of them in the genres of horror or psycho-thriller. Beginning with Paranoiac (1963), Francis made numerous films for Hammer throughout the 1960s and 1970s. These films included thrillers like Nightmare (1964) and Hysteria (1965), as well as monster films such as The Evil of Frankenstein (1964) and Dracula Has Risen from the Grave (1968).
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Side one primarily consists of short, direct avant-pop song-fragments; side two comprises longer, mostly instrumental tracks. In 1977, Bowie stated that side one was about himself and his "prevailing moods" at the time while side two was about his musical observations living in Berlin. Chris O'Leary writes that the instrumental pieces all share a theme: "a tour of an imaginary Eastern Europe by the isolate, paranoiac character of Lows manic side." Some of the songs, including "Speed of Life" and "A New Career in a New Town", were originally going to have lyrics, until Bowie decided to keep them as instrumentals.
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Fear of the Unknown is the debut solo album by British musician Martin Briley. It was released in 1981 on Mercury Records. Though most of the album features the same brand of pop that he would play throughout his solo career, the title track is a final salute to Briley's progressive rock background, featuring menacing distorted vocals and paranoiac violin riffs reminiscent of King Crimson. Fear of the Unknown is more self-contained than most of Briley's solo albums, being the only one on which he played all the guitars himself, and the only one which he co-produced.
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Deleuze demonstrates how Proust's book, because of the multiplication of signs, becomes a literary machine, or rather three literary machines: of partial objects or impulses, of resources, and of forced moments. Deleuze understands Proust (or the narrator) as the "universal schizophrenic" whose signs weave a spider web by sending out threads to the paranoiac Charlus and the erotomaniac Albertine, all "marionettes of his own delirium" or "profiles of his own madness." These thematic links between signs, events and love are taken up elsewhere in Deleuze's work, most notably in his Capitalism and Schizophrenia collaborations with Félix Guattari.
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For example, how Goodman extended the "paranoiac dream" of The Trial into one of "repressed homosexuality", and turned "The Burrow" into a story of the mother's body and the threat of the father's penis. These arguments, in Widmer's eyes, dampened Goodman's argument that the "natural theology" in Kafka was more allegorical of his self and psychosis than of bureaucracy. Simon O. Lesser in Modern Fiction Studies faults Goodman with over-conflating the story with the author. Goodman, says Lesser, judges The Trial by an "extrinsic philosophical standard" despite the novel being a projection of the author's thought and not necessarily a profession of the author's beliefs.
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The text of the documentation is salted with just a few jokes, which reinforces their humor by the stark contrast with the serious and paranoiac tone of the surrounding text- the very name pokes fun at itself, as Tinfoil Hats are commonly ascribed to paranoiacs as a method of protecting oneself from mind-control waves. Tinfoil Hat Linux requires one to work in a text-only environment in Linux, i.e. starting straight off with a Bourne shell and the editor vi, not a graphical user interface. It uses BusyBox instead of the normal util-linux, the GNU coreutils (formerly known as fileutils, shellutils and textutils) and other common Unix tools.
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The following year he was awarded his (roughly equivalent to an M.D. degree) for his thesis "On Paranoiac Psychosis in its Relations to the Personality" ("De la Psychose paranoïaque dans ses rapports avec la personnalité". Its publication had little immediate impact on French psychoanalysis but it did meet with acclaim amongst Lacan's circle of surrealist writers and artists. In their only recorded instance of direct communication, Lacan sent a copy of his thesis to Sigmund Freud who acknowledged its receipt with a postcard. Lacan's thesis was based on observations of several patients with a primary focus on one female patient whom he called Aimée.
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Thameside Radio was an unlicensed radio station based in London UK. It launched in the winter of 1977 offering "very slick pop rock with competitions", according to Time Out. According to the Richmond and Twickenham Times, they broadcast from "a certain Notting Hill tower block" – a reference to Trellick Tower. The station received 30-40 letters each week"Sounds", "Touch That Dial", 15 January 1983 and had an estimated listenership of around 20,000. It pioneered new music and is noted by the New Musical Express for giving airplay to "Win a Night Out with a Well-Known Paranoiac" by Barry Andrews which was subsequently picked up by BBC Radio 1.
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A version was produced in 1950 and shown on television, as of a series called "The Philco- Goodyear Television Playhouse". The novel was loosely adapted in 1963 by Hammer Films as Paranoiac, with some of the details changed: the Ashbys are wealthy by other means with no money problems, and no need to raise horses; the impostor who plays Tony is not a long-lost cousin; nor does the character of Uncle Charles appear in the film. In 1986, the BBC and A&E; Television Networks adapted Brat Farrar for television as a three-part miniseries. The setting of the story was shifted from the 1940s to the 1980s.
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Diagnostic approaches of conception of sluggish schizophrenia and paranoiac states with delusion of reformism were used only in the Soviet Union and several Eastern European countries. On the covert orders of the KGB, thousands of social and political reformers—Soviet "dissidents"—were incarcerated in mental hospitals after being labelled with diagnoses of "sluggish schizophrenia", a disease fabricated by Snezhnevsky and "Moscow school" of psychiatry. American psychiatrist Alan A. Stone stated that Western criticism of Soviet psychiatry aimed at Snezhnevsky personally, because he was essentially responsible for the Soviet concept of schizophrenia with a "sluggish type" manifestation by "reformerism" including other symptoms. One can readily apply this diagnostic scheme to dissenters.
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According to author Andy Gill, by starting his new album with what sounded like "a demented marching-band ... staffed by crazy people out of their mind on loco-weed", Dylan delivered his biggest shock yet for his former folkie fans. The elaborate puns on getting stoned combine a sense of paranoiac persecution with "nudge-nudge wink-wink bohemian hedonism". Heylin points out that the Old Testament connotations of getting stoned made the Salvation Army- style musical backing seem like a good joke. The enigmatic title came about, Heylin suggests, because Dylan knew a song called "Everybody Must Get Stoned" would be kept off the airwaves.
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When Virolet meets with his co-conspirators, however, he is appalled to find that they've accepted Ronvere, the commander of Ferrant's guard, as a member. Ronvere tells them that he has lost his post and is disaffected with Ferrant, but Virolet disbelieves his story; and when he learns that Ronvere has brought others into the rebels' plot, Virolet realises that their plan is hopeless. He accepts Juliana's advice to hide in a cave under their house when the would-be rebels are arrested; but Juliana and her father Pandulpho are rounded up with the others. Ferrant is shown in his court; he is paranoiac and ruthless.
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Some of the notable features of the exhibitions were the proliferation of images and references to Dalí's muse Gala and the inclusion of Surrealist Objects such as Hypnagogic Clock and Clock Based on the Decomposition of Bodies.Gibson, Ian (1997) pp 279-283, 299-300 Dalí's last, and largest, exhibition at the Pierre Colle Gallery was held in June 1933 and included twenty-two paintings, ten drawings and two objects. One critic noted Dalí's precise draftsmanship and attention to detail, describing him as a "paranoiac of geometrical temperament".Gibson, Ian (1997) pp 314-15 Dalí's first New York exhibition was held at Julien Levy's gallery in November–December 1933.
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The aspect of paranoia that Dalí was interested in and which helped inspire the method was the ability of the brain to perceive links between things which rationally are not linked. Dalí described the paranoiac- critical method as a "spontaneous method of irrational knowledge based on the critical and systematic objectivity of the associations and interpretations of delirious phenomena". Employing the method when creating a work of art uses an active process of the mind to visualize images in the work and incorporate these into the final product. An example of the resulting work is a double image or multiple image in which an ambiguous image can be interpreted in different ways.
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Adrenaline was praised for its new, innovative sound, with critics initially comparing it to a diverse range of acts such as Helmet, Nine Inch Nails, the Cure, Korn, Pantera, Red Hot Chili Peppers, Nirvana, and the Smashing Pumpkins. In 1995, Jon Wiederhorn of Pulse stated that "Adrenaline pitches between gloom-saturated melodies and explosive riffs, lashing out like a sleep-deprived paranoiac awakened by noisy neighbors. The rhythms are crisp and crafty and the vocals resonate both fury and sensitivity in a way that's similar to, but far more blatantly metallic than Nirvana". Critic Katherine Turman wrote in January 1996, "If this is what heavy metal is evolving into, it's a damn good thing".
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They realize the Excalibur is being guarded in the School for Old Evil, and thus Agatha sets to recover the sword while Tedros sets out to rescue Sophie and attempt to convince her to give up her engagement with Rafal. Aided by Sophie's former friends Hester, Anadil, Dot, and Hort, they manage to infiltrate the School and perform both tasks as they then run away, with Rafal mysteriously allowing them to escape. Merlin guides Agatha, Sophie and Tedros to Avalon, where Tedros discovers Guinevere and Lancelot still alive. Despite his initial grudges against both, he slowly and painfully comes to forgive them as he learns further of Arthur's previous paranoiac behaviour and domineering issues.
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Three of Campbell's novels have been filmed to date, all in Spain. Jaume Balagueró's The Nameless (in Spanish Los Sin Nombre; in Catalan Els sense nom), based on the novel of the same name, takes some liberties with the source material's plot but captures its pungent atmosphere. Paco Plaza's Second Name (El Segundo Nombre in Spanish) based on the novel The Pact of the Fathers, similarly evokes Campbell's paranoiac fictional world, its story rooted in the world of arcane religious practices. Denis Rovira van Boekholt's The Influence (La Influencia in Spanish), based on the Campbell novel of the same name and quite faithful (except for changes in the final third), was released in 2019 and was later picked up by Netflix to stream.
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Polish philosopher Leszek Kołakowski criticized Khrushchev in 1978 for failing to make any analysis of the system Stalin presided over, stating: "Stalin had simply been a criminal and a maniac, personally to blame for all the nation's defeats and misfortunes. As to how, and in what social conditions, a bloodthirsty paranoiac could for twenty-five years exercise unlimited despotic power over a country of two hundred million inhabitants, which throughout that period had been blessed with the most progressive and democratic system of government in human history—to this enigma the speech offered no clue whatever. All that was certain was that the Soviet system and the party itself remained impeccably pure and bore no responsibility for the tyrant's atrocities".Kołakowski, Leszek.
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He was involved with the ISCM and other contemporary music promotional organisations, but always in an unpaid capacity. Lutyens paid the bills by composing film scores for Hammer's horror movies and also for their rivals Amicus Productions. She was the first female British composer to score a feature film, her first foray into the genre being Penny and the Pownall Case (1948).Huckvale, p. 54 Her other scores included Never Take Sweets from a Stranger (1960), Don't Bother to Knock (1961), Paranoiac (1963), Dr. Terror's House of Horrors (1965), The Earth Dies Screaming (1965), The Skull (1965) (a suite from this was issued on CD in 2004), Spaceflight IC-1 (1965), The Psychopath (1966), Theatre of Death (1967), and The Terrornauts (1967).
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The Bees were an American garage rock and psychedelic band from Covina, California who were active in the mid-1960s, and are best known for the 1966 paranoiac anthem "Voices Green and Purple". The song has been mentioned as an innovative example of early protopunk and has become highly prized by various garage rock collectors and enthusiasts. The Bees, who recorded "Voices Green and Purple" are not to be confused with another band of the same name who were also active in the Los Angeles area at the time, who recorded on the Mira and Mirwood labels. The group who recorded "Voices Green and Purple" released it as a single on the Liverpool label backed with "Trip to New Orleans" in October, 1966.
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He later became the political correspondent for The Sunday Times, retiring in 1976. In a career spanning more than 40 years Margach knew 11 Prime Ministers and his unopinionated journalism helped generations of politicians from all parties to entrust him with their confidences; he was friends both with the far-left MP James Maxton and the Conservative peer Lord Swinton. Shortly before he died he wrote his memoirs The Abuse of Power which, as Ferdinand Mount noted, "portrays most of the prime ministers he was intimate with as vain, bullying, deceitful, paranoiac, unscrupulous and vengeful. But what is so strange is that for virtually half his life he lived with these monsters and never wrote a thing in his newspaper about what they were really like".
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Ethiopian victims of the Addis Ababa massacre Ethiopian victims Despite having unquestioned control over the new Italian East Africa at the beginning of February 1937, Graziani still mistrusted its inhabitants. During the previous year, following the capture of Jijiga by his men, he was inspecting an Ethiopian Orthodox church when he fell through a concealed hole in the floor, which he was convinced had been prepared as a mantrap for him. "From that incident," writes Anthony Mockler, "it is possible to date his paranoiac hatred of and suspicion towards the Coptic clergy." Despite this, to celebrate the birth of the Prince of Naples, Graziani announced he would personally distribute alms to the poor on Friday, 19 February, at the Genete Leul Palace (also known as the Little Gebbi).
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Carl Jung credited Gross with having described two general types – "inferiority with shallow consciousness" and "inferiority with contracted consciousness" – that very closely resemble what Jung described as the extraverted feeling and introverted thinking types a decade later. Despite having issues with Gross's theoretical assumptions of a secondary cell function and the "individual" nature of a person's passion, Jung credited Gross with major advances in typological and psychological theory. In his 1913 work A Contribution to the Study of Psychological Types, Jung devoted a paragraph to Otto Gross's contributions. > The relation he [Gross] established between manic-depressive insanity and > the type with a shallow consciousness shows that we are dealing with > extraversion, while the relation between the psychology of the paranoiac and > the type with a contracted consciousness indicates the identity with > introversion (Jung, [1921] 1971: par. 879).
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Tieck's transition to Romanticism is seen in the series of plays and stories published under the title Volksmärchen von Peter Lebrecht (3 vols., 1797), a collection containing the fairy tale Der blonde Eckbert, which blends exploration of the paranoiac mind with the realm of the supernatural, and a witty dramatic satire on Berlin literary taste, Der gestiefelte Kater. With his school and college friend Wilhelm Heinrich Wackenroder (1773–1798), he planned the novel Franz Sternbalds Wanderungen (vols. i–ii. 1798), which with Wackenroder's Herzensergiessungen (1796), was the first expression of the Romantic enthusiasm for old German art. In 1798 Tieck married and in the following year settled in Jena, where he, the two brothers August and Friedrich Schlegel, and Novalis were the leaders of the early Romantic school (also known as Jena Romanticism). His writings between 1798 and 1804 include the satirical drama, Prinz Zerbino (1799), and Romantische Dichtungen (2 vols.
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Reed's first starring role came when Hammer cast him as the central character in Terence Fisher’s The Curse of the Werewolf (1961). Hammer liked Reed and gave him good supporting roles in the swashbuckler The Pirates of Blood River (1962), directed by John Gilling; Captain Clegg (1962), a smugglers tale with Peter Cushing; The Damned (1963), a science fiction film, as a Teddy Boy, directed by Joseph Losey; Paranoiac (1963), a psycho thriller for director Freddie Francis; and The Scarlet Blade (1963); a swashbuckler set during the Civil War, directed by Gilling, with Reed as a Roundhead. During this time he appeared in some ITV Playhouse productions, "Murder in Shorthand" (1962) and "The Second Chef" (1962), and guest-starred in episodes of The Saint. He also had the lead in a non-Hammer horror, The Party's Over (made 1963, released 1965), directed by Guy Hamilton.
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Metamorphosis of Narcissus differs from Dalí's other double-image paintings, in which there are multiple images hidden in one, because Narcissus's figure is doubled in the stone hand. Dalí composed a poem that he exhibited alongside his painting in 1937, which begins: Under the split in the retreating black cloud the invisible scale of spring is oscillating in the fresh April sky. On the highest mountain, the god of the snow, his dazzling head bent over the dizzy space of reflections, starts melting with desire in the vertical cataracts of the thaw annihilating himself loudly among the excremental cries of minerals, or between [sic] the silences of mosses towards the distant mirror of the lake in which, the veils of winter having disappeared, he has newly discovered the lightning flash of his faithful image. Metamorphosis of Narcissus and the poem, which was published by Éditions surréalistes, that accompanied it were the first works of Dalí's to be completed by utilizing his paranoiac-critical method.
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The British historian D.C. Watt described Metaxas as living "in a paranoiac world" as he was convinced that Britain was seeking his overthrow, seeing plots against him everywhere.Watt, D.C. How War Came, London: Heinemann, 1989 p. 209. The emergence of the "Rome-Berlin Axis" in 1936 greatly upset Metaxas's calculations and forced him to reevaluate Greece's foreign policy alignments, through he continued to hope for a long time that Germany would restrain Italy in the Balkans. In the late 1930s, as with the other Balkan countries, Germany became Greece's largest trading partner. To break the German dominance of the Balkans, the British agreed to launch an "economic offensive" into the Balkans in November 1938, through the question of whatever Britain should buy the Greek tobacco crop led to much debate within the British government as objections were made that British smokers, accustomed to Canadian and American tobacco, should not have to smoke Greek tobacco.Watt, D.C. How War Came, London: Heinemann, 1989 pp. 89-90.
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More than mere "monster movies," these films were frightening new takes on familiar tales, complete with chilling scares, startling violence and the one-of-a-kind visual style that became a worldwide Hammer trademark. Films included: Blood From The Mummy’s Tomb (1971) / Captain Clegg (1962) / The Curse Of The Mummy’s Tomb (1964) / Curse Of The Werewolf (1961) / The Legend Of The 7 Golden Vampires (1974) / The Mummy’s Shroud (1967) / The Mummy (1959) / The Plague Of The Zombies (1965) 9\. CHILLER Initial Broadcast Date: 7 October 1994 Through the 1950s and 1960s, and running alongside production of the gothic horror films, Hammer made a series of what were known as "mini-Hitchcocks" mostly scripted by Jimmy Sangster, and directed by Freddie Francis and Seth Holt. These low- budget suspense thrillers, often in black-and-white, typically had a twist at the end of the tale. Films included: Czech Mate (1984) (from Hammer House of Mystery and Suspense) / Hell is a City (1960) / The Last Page (1952) / Maniac (1963) / Paranoiac (1963) / Shatter (1974) / Whispering Smith Hits London (1952) / Straight On Till Morning (1972) 10\.
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When he asked how she had performed this extraordinary feat, she related that it was based on her clinical experience in other cases. According to Langer's introduction to the 1972 publication, he and his fellow investigators made a preliminary conclusion from a "survey of the raw material" and "knowledge of Hitler's actions as reported in the news" that Hitler "was, in all probability, a neurotic psychopath" (page 17) (the term "psychopath" was applied prior to the popularization of its modern definition in The Mask of Sanity and likely just refers to being mentally ill, with "neurotic" being the key descriptor). On page 126 the claim is slightly different, and in turn different from the statement in the scan of the original 1943/44 OSS report (page 127-128): "There was general [OSS: unanimous] agreement among the collaborators [OSS: four psychoanalysts who have studied the material] that Hitler is probably a neurotic psychopath [OSS:is an hysteric] bordering on schizophrenia [OSS adds: and not a paranoiac as is so frequently supposed]."Hitler and Psychohistory Hans W. Gatzke, The American Historical Review, Vol.
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His reign was the outstanding creative period of the Safavid era. But the civil wars and troubles of his childhood (when many of his relatives were murdered) left him with a dark twist of suspicion and brutality at the centre of his personality." Donald Rayfield described him as "exceptionally perspicacious and active," but also "a murderous paranoiac when aroused." The Cambridge History of Iran rejects the view that the death of Abbas marked the beginning of the decline of the Safavid dynasty as Iran continued to prosper throughout the 17th century, but blames him for the poor statesmanship of the later Safavid shahs: "The elimination of royal princes, whether by blinding or immuring them in the harem, their exclusion from the affairs of state and from contact with the leading aristocracy of the empire and the generals, all the abuses of the princes' education, which were nothing new but which became the normal practice with Abbas at the court of Isfahan, effectively put a stop to the training of competent successors, that is to say, efficient princes prepared to meet the demands of ruling as kings.
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Adam Silverstein of Digital Spy wrote that Evil Eye' soldiers on with the short, snappy stomp and delves into the psyche of a paranoiac ('It looks so clean but I can see the crawling, crawling creatures'), all via a groove that pays homage to Queen's 'Another One Bites the Dust'." AllMusic's Heather Phares noted that "Evil Eye" is one of the songs on the album that "feel like direct descendants of the band's debut", and said that it "gives the gut- punching beats of 'Take Me Out' a campy twist with mischievous keyboards destined to make it the coolest song on the Halloween party playlist." According to Dan Stubbs of NME magazine, "there's a freshness to the sound" on "Evil Eye", and the song is "essentially Snoop Dogg's 'What's My Name?' via Rockwell's 'Somebody's Watching Me' – creepy, jumpy and as funky as James Brown's ghost." Pitchfork's Ian Cohen wrote that "The chorus of 'Evil Eye' slinks and skulks enough to recall a time when Franz Ferdinand sounded sleazier and more dancefloor-oriented than your average rock band, but it has to fight through a verse filled with bothersome vocal filters (an indulgent byproduct of their self-production) to do so.
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