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"overemotional" Definitions
  1. unusually or excessively emotional

36 Sentences With "overemotional"

How to use overemotional in a sentence? Find typical usage patterns (collocations)/phrases/context for "overemotional" and check conjugation/comparative form for "overemotional". Mastering all the usages of "overemotional" from sentence examples published by news publications.

Vegans might also be accused of being overemotional or holier-than-thou, she noted.
There's an overemotional side to "Night Boat to Tangier," and Barry sometimes lays it on fairly thick.
The overemotional and highly dramatic Winny doesn't take kindly to being blackmailed, but hands the money over to Jamie, anyway.
Overemotional, melodramatic, hormonal—in 2017, these are the words leveled at girls and women to shrink them from feeling (and then expressing) their emotions.
Look up old videos of Leonard Bernstein conducting Mahler, and you'll see how an approach like this can go wrong: Bernstein looks mannered, overemotional, performatively in search of transcendence.
According to former members interviewed by The Times, Mr. Raniere told recruits that they had to overcome weaknesses common to women: an overemotional nature, a failure to keep promises and an embrace of the role of victim.
To become effective, members had to overcome weaknesses that Mr. Raniere taught were common to women — an overemotional nature, a failure to keep promises and an embrace of the role of victim, according to Ms. Edmondson and other members.
Heading toward Mexico in his SUV, Casey becomes increasingly reckless and overemotional. They crash and abandon the vehicle. They hitchhike, accepting a lift from a salesman (Liev Schreiber). He puts his hand on her crotch and Casey puts her lit cigarette on his face.
Rather than the usual setup of rebels running from oppression, the movie portrays the detectives chasing them as clever jokers. Al and Nikki are often shown to be flawed, overemotional people. Throughout the movie there are also traces of black humour, usually shown by the detectives.
The installment was also inspired by Ken Burns' eponymous Civil War documentary. "The Field Where I Died" received mixed to positive reviews from television critics, with many praising the episode's exploration of loss and grief as well as Cloke's acting. Others, however, felt that the episode was bogged down by its overemotional nature.
Carl reveals that it has been tough to interest buyers in the house. That night, Alice has some friends over for dinner, including Jennie (Anna Paquin). Alice confides in Jennie that her ex-husband Josh (Stephen Moyer) thinks she is being overemotional by selling their house. Alice falls asleep and wakes up in the middle of the night.
Faye's sharp mannerisms make her the most difficult of all the patients, reluctant to cooperate when it comes to examinations. Constantly bickering with Umi & Nami, or arguing with Jack, her overemotional nature is a consequence of low self-esteem, anxious to be included by the others. ; : Voiced by Suzumori Chisato. The oldest patient in the clinic.
Some roles that have been portrayed in recent films have worked against this norm, such as Katniss in Hunger Games and Furiosa in Mad Max: Fury Road. These roles break the norm, as women typically are portrayed as dependent on other characters, overemotional, and confined to low-status jobs compared to enterprising and ambitious male characters (Bussey & Bandura, 1999). Women in cinema are grossly misrepresented and underrepresented.
Howard is sensitive and neurotic, often getting overemotional while watching Clyde grow up. Harold's parenting style contrasts with Howard's; he is calm, collected, and concerned with Clyde's safety and health above everything else. The McBrides serve as foils to Lincoln's less worrisome parents. The characters have been met with praise from television critics and fans for being a positive representation of an interracial gay married couple.
Paige worries that some people are put off attending Blaze because of its connection to the church. She clashes with Jack over her plans to display material about sex education and LGBT issues. A council meeting gives control of Blaze to the church, and Paige and Jack fall out. After feeling overemotional, Paige takes a pregnancy test and learns she is pregnant with Jack's child.
Howard and Harold are helicopter parents to Clyde and tend to be overprotective of him. Howard feels the need to protect Clyde at all times and never lets him out of sight, unless he is with Lincoln or at school. Howard is also sensitive and overemotional, often needing Harold to get him to chill out when he gets worked up. Harold's demeanor is the opposite; he is straightforward and even-tempered.
Early in his career, Gigli possessed a beautiful, soft and honey-like lyric voice, with incredible mezza-voice, allowing him to sing light, lyrical roles. As he grew older, his voice developed some dramatic qualities, enabling him to sing heavier roles like Ràdames in Aida and Cavaradossi in Tosca. Some critics say that he was overemotional during his performances, often resolving to sobbing and, in some cases, exaggerations.
The whole place > erupted, they all stood and they cheered and they yelled, and screamed, and > they put their arms up, and they embraced. Then as one unit they put their > arms into the air and gave peace signs. Without being silly, or > overemotional, it was one of the most memorable moments of my life. It all > meant something, it meant more than just rock n' roll, it was something > bigger, something more valid than just that.
While Daffy's looney days were over, McKimson continued to make him as bad or good as his various roles required him to be. McKimson would use this Daffy from 1946 to 1961. Friz Freleng's version took a hint from Chuck Jones to make the duck more sympathetic, as in the 1957 Show Biz Bugs. Here, Daffy is overemotional and jealous of Bugs, yet he has real talent that is ignored by the theater manager and the crowd.
As the night wears on, Zoe begins to lose consciousness, and Kelly becomes frantic, fearing that Zoe is dying. Kelly becomes tearful and overemotional, as does Zoe, and in the heat of the moment, they kiss. The following day the stranded teenagers are rescued, but Zoe is reluctant to discuss the kiss with Kelly. Zoe spends a few days in hospital and upon her release, she becomes distant from Kelly, refusing to spend any time alone with her.
Typically women are portrayed as dependent on other characters, overemotional, and confined to low status jobs when compared to enterprising and ambitious male characters (Bussey & Bandura, 1999). Women in cinema are grossly misrepresented and definitely under represented. The roles that men play are the superhero, the wealthy business man or the all-powerful villain. When it comes to the roles females play they tend to be the housewife, the woman who can't obtain a man, the slut, or the secretary.
In the same respect, Jerry has helped Kramer out of good will and always seems to forgive and ultimately accept Kramer's mooching tendencies. At times, Jerry is clearly quite entertained by Kramer's antics, which may also be a factor in the friendship's endurance. In "The Serenity Now", overemotional Jerry declares a near-brotherly love for Kramer, to which Kramer easily responds, "I love you, too, buddy." His relationship with Newman is defined from the start in "The Suicide", where they get along very well.
In December 2003, EastEnders made headlines in the UK press, after they screened a lesbian kiss between Kelly and Zoe. The storyline was featured in a special New Year's Eve episode that was filmed on-location in Scotland. In the storyline, a group of teenagers had travelled from London to Scotland for New Year's Eve; however, the minibus they were driving crashed, leaving them stranded and injured on the freezing cold Scottish moors. While stranded, Kelly cared for an injured Zoe, they became overemotional, and kissed.
Nausea permeated all Abdel Rahman's activities: sex, voraciously eating a tender steak and washing it down with red wine, smoking expensive cigarettes, even looking at a pair of patent leather shoes - all these things made him nauseous. Nausea became permanent and contagious. Dalal Masabni's night club, where he lovingly hung the portrait of his Existential idol and had his reserved "philosopher’s table" exuded overemotional nausea. Patting a well-endowed bosom, the dancer of the evening would proclaim the seat of her nausea to be lodged on her "Existential breasts".
In congregational and Presbyterian churches which profess a traditionally Calvinist or Reformed theology, there are differing views regarding present-day continuation or cessation of the gifts (charismata) of the Spirit. Generally, however, Reformed charismatics distance themselves from renewal movements with tendencies which could be perceived as overemotional, such as Word of Faith, Toronto Blessing, Brownsville Revival and Lakeland Revival. Prominent Reformed charismatic denominations are the Sovereign Grace Churches and the Every Nation Churches in the United States, in Great Britain there is the Newfrontiers churches and movement, founded by Terry Virgo.
Though a genuinely upbeat genki girl, Sekai does occasionally show a more serious side, and when sufficiently frustrated can be loud, selfish, overemotional and even manipulative. She lives with her mother Yōko in the fictional area of Motehara-Sakashita and works part-time as a waitress at the family restaurant Radish. :In the anime, she attempts to set up Makoto and Kotonoha in a relationship, but ultimately ends up falling in love with Makoto. Makoto, bored with Kotonoha, decides to go after Sekai, who he supposedly impregnates after making love to her.
Annie is 29 and works in the graphics department. She considers herself rather 'New Age' and sometimes talks about past-life experiences. She will accept theories from anywhere, including a souvenir mug with a picture of Vishnu on it, and a self- help CD she listened to, but didn't buy, in the middle of HMV. She can be very overemotional and attention-seeking and is always telling dramatic stories about herself which seem unlikely, although when Sally challenges her about her claim to have been trapped in a photo booth for three hours Annie is easily able to provide photographic evidence.
In revisiting the film recently critics give the film mixed reviews; although its historical value within the History of Spanish cinema is universally recognized, they find it old-fashioned, sexist and overemotional. Guillermo Altares wrote in 1994 for El País that it's cinematographic value nowadays is almost non-existent. Cristina Veganzones wrote in 2016 for ABC that one of the most sexist phrases in History is sang by Montiel in "Es mi hombre". Fernando Méndez-Leite stated in 2018 in Televisión Española that the film is not exactly a musical film, it is a melodrama with songs.
Besides, her passionate, overemotional manner of playing was considered provincial and old-fashioned among the Petersburg theatrical society. She had more than thirty parts in Alexandrinka between 1881 and 1890, but of the 22 new ones only three were later recognized as consistent with the level of her scenic gift: Kruchinina (Guilty Without Fault, Ostrovsky), Stepanida (Close to the Money, Viktor Krylov) and Sarra (Ivanov, Anton Chekhov). In 1886 Ostrovsky, who invariably supported Strepetova in her feuds with the theatre administration, died. Unpopular with the troupe, she found herself in isolation, and in 1890 had to leave Alexandrinka.
Howard and Harold McBride (voiced by Michael McDonald and Wayne Brady) are Clyde's overprotective fathers who care deeply about their son's well-being. While they shower Clyde with attention, they rarely let him do anything unsupervised as Howard tends to get overemotional while watching his son grow up. Harold and Howard wear brown slacks, a pair of jeans, white sneakers, brown loafer shoes, a red collared shirt, a blue/teal sweater vest, a black bow tie, and a light blue shirt. The McBrides, who are also an interracial couple, are the first married gay couple to be featured in a Nickelodeon animated series.
There is considerable charismatic activity among young Lutheran leaders in California centered around an annual gathering at Robinwood Church in Huntington Beach. Richard A. Jensen's Touched by the Spirit published in 1974, played a major role of the Lutheran understanding to the charismatic movement. In Congregational and Presbyterian churches which profess a traditionally Calvinist or Reformed theology there are differing views regarding present-day continuation or cessation of the gifts (') of the Spirit. Generally, however, Reformed charismatics distance themselves from renewal movements with tendencies which could be perceived as overemotional, such as Word of Faith, Toronto Blessing, Brownsville Revival and Lakeland Revival.
The third book introduces her son, Mr. Gorf, who could steal voices through a third nostril, alongside Mrs. Drazil, Louis's old teacher who remembers students that forgot homework assignments from decades ago, and Ms. Wendy Nogard, who could read thoughts with a third ear on the top of her head. The thirtieth story has had thirty students taught throughout the course of the books, such as Todd, an unfavored student of Mrs. Jewls who she sends home on the kindergarten bus after slight misdemeanors; Maurecia, a sweet and sensitive girl who loves ice cream; Dana, a girl with glasses who has a tendency to be overemotional; and Myron, a trustworthy and loyal student who was class president for one day.
West drew a semi-weekly one-panel comic in the Avalanche-Journal's sports section where he would lampoon college mascots and coaches alike, as well as the stereotypes of various universities. Thus there was the dim-witted Texas A&M; Aggie, the devout but overemotional Baylor Bear, the arrogant University of Texas at Austin Longhorn and of course Raider Red, whose bullet-riddled Stetson showed by the number of holes the number of game losses for Texas Tech so far that season. West would alter the image of his characters over the course of a sports season. A winning team's mascot would gradually get larger and tougher, the fans of losing teams would find their mascots growing thinner as the weeks went by.
Pulttibois featured characters that had been modified from those originated in Petelius and Kalliala's previous shows, such as the jolly drunk Laplanders, the overemotional gentlemen, the pair of gypsy boys and the unnecessarily loud pair of army officers but also emphasized original characters. The show's breakout character was the bizarre James Potkukelkka (played by Petelius) who would find himself panicking for some reason or another (such as getting stuck in a stopped escalator) and would require "rescuing" by the character played by Kalliala. In addition, impersonations of celebrities, specifically musicians, were included in the form of lip-synching in front of a computer-generated background. The singers chosen for these impersonations ranged from popular Finnish artists of various eras to foreign (particularly American) artists and from the second season onwards would always be used as the bumper for the commercial breaks with the featured song usually reappearing over the credits.
While stranded, Kelly cares for an injured Zoe and they become overemotional – and kiss. The episode featuring their kiss attracted 9.5 million viewers, and the precise moment that they kissed was watched by 44% of the available viewing audience. One of Zoe's subsequent major storylines was when she became romantically involved with local hardman Dennis Rickman (Nigel Harman), which soon ended after Zoe ended up being entrapped in an affair with Dennis' father Den Watts (Leslie Grantham) – though not before he pressured her into claiming that she is pregnant with Dennis' baby, as part of his last- ditch attempt to stop his devoted adopted daughter Sharon (Letitia Dean) from leaving Albert Square; Dennis and Sharon had embarked on a forbidden romance during the former's relationship with Zoe. When Zoe starts to worry that Dennis will discover her secret, Den persuades Zoe to sleep with him so she can get pregnant – up to the point where he blackmails her with the threat of exposing her secret to Dennis.
However, this Daffy can do nothing that does not backfire on him, more likely to singe his tail feathers as well as his ego and pride than anything. It is thought that Chuck Jones based Daffy Duck's new personality on his fellow animator Bob Clampett, who, like Daffy, was known as a loud self- promoter. In Beanstalk Bunny Daffy, Bugs and Elmer are once again teamed up in a parody of Jack and the Beanstalk (with Elmer as the giant); in A Star Is Bored Daffy tries to upstage Bugs Bunny; while in the spoofs of the TV shows The Millionaire and This Is Your Life, The Million Hare Daffy tries to defeat his arch-rival Bugs Bunny for a $1,000,000.00 prize given out by his favorite TV show and This Is a Life? Daffy tries to upstage Bugs Bunny in order to be the guest of honor on the show; in all four of these cartoons Daffy ends up a loser because of his own overemotional personality (which impairs Daffy's common sense and reasoning ability) and his craving for attention.

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