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"moppet" Definitions
  1. an attractive small child, especially a girl

89 Sentences With "moppet"

How to use moppet in a sentence? Find typical usage patterns (collocations)/phrases/context for "moppet" and check conjugation/comparative form for "moppet". Mastering all the usages of "moppet" from sentence examples published by news publications.

My sister had a dog named Moppet, which had epilepsy.
Senate Minority Leader Chuck Schumer welcomed this moppet to an event about health care.
With Alex Wolff, Ann Dowd, Gabriel Byrne and Milly Shapiro as the requisite creepy moppet.
Mr. Colting and Ms. Medina began publishing KinderGuides last year, through their company Moppet Books.
The decision is a blow to Fredrik Colting and Melissa Medina, the co-founders of Moppet Books.
Attack the Block garnered similar comparisons, too, even though it came with a rougher, less moppet-friendly edge.
But that doesn't change the fact that this ostensibly adorable moppet looks like the most terrifying hellbeast ever conjured onscreen. 
If you've only known Jacob Tremblay as the angelic little moppet from Room, prepare to feel really old and mildly scandalized.
As Ted and Joanna Kramer, the unhappily married parents of a moppet named Billy (Justin Henry), Hoffman and Streep played relatable, complicated people.
" Citing the young performer's studied manner and flawless footwork, Mr. Nugent concluded, "Such perfection in a moppet is to be marveled at, and hissed.
The adorable blond moppet, she tells Jean-Baptiste, is the son of a film actor who refuses to acknowledge paternity, even though his mother is raising the child.
A floppy-haired moppet of a child actor with a chain-smoker's rasp, JTT reached a stratospheric level of teen idoldom usually reserved for pop stars and boy bands.
Also turns out that Josie, as fresh and lovely as ever, has an adorably precocious moppet of a daughter, Billy, whom she has named after Liam's long-deceased mother.
Moppet died of a seizure on the night of December 23, but we lived in Oshkosh, Wisconsin, where vet offices are closed for Christmas from the 23rd until the 27th.
The judge rejected the argument that the books were educational and therefore legal under fair use, and ruled against Moppet Books, which publishes KinderGuides, on nine counts of copyright infringement.
Payau's doll is not a toy but a luk thep, or "child angel" —a factory-moulded moppet which some believe can be imbued, through a blessing, with the spirit of a child.
In the intervening time, we learned that Miley Cyrus can twerk, that she really likes to get high and that, all told, she's got a lot more to her than her beginnings as a Disney moppet would've suggested.
Michael's transition from manicured pop moppet to more serious singer also benefited modern musicians, who have more license in today's world to explore sexual fluidity, as well as being able to produce slick, hook-filled pop music for adults.
After the quickie with his spouse, Conway goofs around with one of his adorable moppet children; meanwhile, a subdued Frank and Claire discuss the importance of staying focused on their political agenda instead of worrying about their personal relationship.
How to obsess: Though McCabe is just kicking off his Hollywood career he's played Moppet in the 2017 horror/fantasy film Stephanie and is set to star in the upcoming film Hold On.   Storm Reid who plays Meg in 'A Wrinkle In Time.
"Next Door" anticipates the curmudgeon-moppet bonding of Mr. Docter's great Oscar-winning film "Up" (2009), but it also finds this artist — known for his computer animation — working in a delightful hand-drawn style, with characters whose eyebrows are as expressive as their smiles.
His nickname growing up was Billy Moon, and his friends as an adult knew him as Christopher, but he was identified so closely with the dungaree-wearing moppet in his father's books that he could never say goodbye to Christopher Robin, however much he wanted to.
One of them, a feral-looking little girl moppet with adamantium claws not unlike Logan's makes her way to our heroes, who have to protect her from Rice's henchman (Boyd Holbrook, very good at being very bad) and get her to a mutant amnesty rendez-vous near the Canadian border.
"The Mouse comes very close." Miss Moppet jumps and snags him by the tail. "And because the Mouse has teased Miss Moppet—Miss Moppet thinks she will tease the Mouse; which is not at all nice of Miss Moppet." The kitten ties the mouse up in the duster then tosses it about like a ball.
Miss Moppet catches the mouse. James M. Redfield, a classics professor at the University of Chicago, in his article "An Aristotelian Analysis of Miss Moppet", finds the story follows the tenets of Aristotle's Poetics, with a definite beginning (the unsuccessful attempt to catch the mouse), middle (Miss Moppet pretending to be hurt and catching the mouse), and end (Miss Moppet teasing the mouse and his escape). Redfield notes that Potter makes the outcome of the plot uncertain and creates parity between the characters, which are naturally predator and prey; Potter makes Miss Moppet "young, inexperienced, female, and a pet", while the mouse is "mature, courageous, male, and independent".Redfield 1985, p.
While pursuing him she bumps her head on a cupboard. She then wraps a duster about her head, and sits before the fire "looking very ill". The curious mouse creeps closer, is captured, "and because the Mouse has teased Miss Moppet—Miss Moppet thinks she will tease the Mouse; which is not at all nice of Miss Moppet". She ties him up in the duster and tosses him about.
The mouse's curiosity is piqued; he thinks she looks very ill, and comes sliding down the bell-pull. "Miss Moppet looks worse and worse." The mouse creeps nearer. Miss Moppet holds her head in her paws and peeks at the mouse through a hole in the duster.
The Story of Miss Moppet was a fold-up book also written and illustrated by Beatrix Potter, in which the titular kitten has problems with a mouse. In her next book, The Tale of Tom Kitten, published the following year, Moppet was shown to be one of Tabitha Twitchit's children.
The Story of Miss Moppet is a tale about teasing, featuring a kitten and a mouse, that was written and illustrated by Beatrix Potter, and published by Frederick Warne & Co for the 1906 Christmas season. Potter was born in London in 1866, and between 1902 and 1905 published a series of small-format children's books with Warne. In 1906, she experimented with an atypical panorama design for Miss Moppet, which booksellers disliked; the story was reprinted in 1916 in small book format. Miss Moppet, the story's eponymous main character, is a kitten teased by a mouse.
Tom Kitten, Moppet and Mittens with the Puddle-ducks The tale begins with three feline siblings - Tom Kitten and his sisters Moppet and Mittens - tumbling about the doorstep and playing in the dust. Their mother, Mrs. Tabitha Twitchit, expects "fine company" for tea so she fetches the children indoors to wash and dress them before her friends arrive. Tom is "very naughty" and scratches his mother while she grooms him.
183 MacDonald points out that the fragile panorama format was inappropriate for very young children. Panorama section of Miss Moppet (left to right): tossing the mouse in the duster, a text page, and discovering the mouse has escaped Twenty thousand copies of The Story of a Fierce Bad Rabbit were published in panorama format in November and December 1906 in exactly the same measurements as Miss Moppet. Both were later published in a small-book format.Linder 1971, p.
Murali started writing a blog for The Moppet Show about the life and times of her daughter with special needs for The Mint, a collaboration between Hindustan Times and The Wall Street Journal.
Philip K. Scheuer of the Los Angeles Times wrote that the film "falls somewhere between the moppet trade and not-too-discriminating adults."Scheuer, Philip K. (December 21, 1964). "Emil and the Detectives". Los Angeles Times'.
However, the mouse makes his escape, and once safely out of reach, dances a jig atop the cupboard. Although, critically, The Story of Miss Moppet is considered one of Potter's lesser efforts, for young children it is valued as an introduction to books in general, and to the world of Peter Rabbit. The character of Miss Moppet was released as a porcelain figurine in 1954 and a plush toy in 1973. The book has been published in a Braille version, translated into seven languages, and was released in an electronic format in 2005.
At , the book's dimensions were smaller than other Peter Rabbit books.Taylor 1987, p. 130Lear 2008, pp. 279–80 In 1917, she suggested to her publisher that Appley Dapply's Nursery Rhymes be published in the smaller Miss Moppet format.
Filming started July 1956. It was also known as The Living End before being titled Rock Pretty Baby.Drama: 'Song of South' Moppet Becomes Grown-Up Star; Nielsen Turns Writer Schallert, Edwin. Los Angeles Times 4 July 1956: B5.
"The story is so dark and hate filled—I was shocked", said head writer Todd Hanson. "It's like an Onion joke. I mean, what are they going to do? Add a sickly-but-adorable moppet?" added editor Robert Siegel.
41 In her essay "Thoroughly Post-Victorian, Pre-Modern Beatrix" professor of English Katherine Chandler points out that Potter, unlike most Victorian writers of children's books, wrote original stories based on the realism of animal behaviour. Chandler notes that Potter avoids moralizing in her tales, making Miss Moppet nothing more than a story describing the natural behaviour of kittens. Potter's anthropomorphized animals are in fact slightly naughty, yet in their naughtiness the punishment is never the moral of the tale. At the end of Miss Moppet, the kitten is not punished and the mouse dances on the cupboard.
Miss Moppet is a vignette, she indicates, rather than the typical Potter tale of causality, extended plot, and variety of character, and depends upon the archetypal animosity between cat and mouse with the cat being the dominant character. Miss Moppet was more successful than its companion piece The Story of a Fierce Bad Rabbit according to M. Daphne Kutzer, an English professor at the State University of New York at Plattsburgh and author of Beatrix Potter: Writing in Code (2003). Kutzer writes: "the illustrations are more fluid and the storyline more humorous and less moralistic".Kutzer 2003, pp.
In a brief film review of the film the weekly news magazine Time wrote, "Stowaway in the Sky will enchant moppet, matron and greybeard with its breath-catching, balloonist's-eye view of the fair land of France."Time, film review, July 13, 1962.
The theme of the tale is the childhood sin of disobedience.Taylor 137 Tom Kitten is a young cat who lives with his mother, Mrs. Tabitha Twitchit, and sisters, Moppet and Mittens, in a house overrun with rats. Her children being an unruly bunch, Mrs.
The New York Times. 8. Variety called the film "an interesting project" with "the customary distinguishable Disney mark to give it class," but without the same appeal to adults as "say, Disney's previous moppet classic, 'Mary Poppins.'""Film Review: Emil and the Detectives". Variety. October 14, 1964. 6.
The mouse peeks from the hole in the duster. In the last illustration but one, Miss Moppet is seated upright on her rump and staring at the reader. The duster lies opened and empty in her paws. "She forgot about that hole in the duster", and the mouse has escaped.
After Buell's retirement in 1972 she signed the rights to Western Publishing. Marge's was dropped from the title, and the series continued until 1984. In 1995 stories from the comic book were adapted for The Little Lulu Show, an HBO animated series with the voices of Tracey Ullman (Season 1) and Jane Woods (Seasons 2–3) as Lulu Moppet.
At age 12, Crabapple remembers herself as a "snotty goth moppet in a pair of Doc Martens, who blared Hole on her Walkman, drew headless cheerleaders, and read the Marquis de Sade in class".Crabapple, Molly (2012). "Rebels and Muses (or why I draw what I draw)". Art of Molly Crabapple, Volume 2: Devil in the Details.
The kittens lose the rest of their clothing descending the wall. Moppet invites Mr. Drake Puddle-duck to help dress Tom. He picks up various articles of Tom's clothing and "he put[s] them on himself!" The three ducks set off up the road just as Tabitha approaches and discovers her three children with no clothes on.
A positive review from Dale Pollock in Variety stated, "Hardly anyone can resist a cute kid, and with Ricky Schroder, 'The Champ' has the most irresistible moppet seen on the screen in decades. Franco Zeffirelli makes an auspicious debut on these shores with his first American film, bolstered by earnest performances from Jon Voight and Faye Dunaway."Pollock, Dale (March 28, 1979).
Born in Oak Park, Illinois, Mansfield was a moppet radio star in Chicago, Illinois. Her father gave her the nickname "Sally". As a youth she joined the Actors Company of Chicago and the Children's Summer Theatre and studied at the Sherwood Music School. Coming to New York City in 1945, she voiced several radio roles for commercials and on soap operas and dramas.
Sam and Ben recruit cats Moppet and Poppet, and the dog Fido, to aid them in their work ("The single creature lives a partial life"). It is bedtime. Paul introduces a "dream of warning", sung by a quartet of the defeated ("Gold in the North came the blizzard to say"). Inkslinger, equally defeated, returns and accepts the job of book-keeper.
296-300 He then changed his name from Shukotoff to Shaw, and worked as a pianist and composer. His best-known compositions include "Mobiles", "The Mod Moppet: Seven Nursery Rip-offs", and "Sing a Song of Americans", for which Rosemary and Stephen Vincent Benét wrote the lyrics. In the early 1940s he was also the popular music editor for Swank magazine.
Lear explains that the format "although popular with readers was ultimately unsuccessful, because shopkeepers found them difficult to keep folded".Lear 2008, p. 213 Potter referred to this fact late in life when she said, "Bad Rabbit and Moppet were originally printed on long strips—The shops sensibly refused to stock them because they got unrolled and so bad to fold up again".Linder 1971, p.
Ribby, who has come for a visit, helps Tabitha rescue Tom Kitten, who, as a result of his experience, develops a phobia for rats, though his sisters Moppet and Mittens become well-paid rat-catchers. The last illustration to feature Tabitha has her sitting by the fire, happy at the fact that there have not been any rats in her home for some time.
Charles Champlin of the Los Angeles Times wrote, "The moppet audience for which 'The Gnome-Mobile' is intended will obviously find it a delight, funny and ingenious. The full-sized among us will find a few laughs, too, but cannot rank the film with Disney's best by a long shot, or a gnome shot."Champlin, Charles (August 11, 1967). "In Putts Disney 'Gnome-Mobile'".
He sends them away, but the voices of a Heron, the Moon, the Wind, a Beetle and a Squirrel tell him that he is a failure ("Heron, heron, winging by"). Fido attempts to console him ("Won't you tell me what's the matter?"), but Hel kicks him out. Moppet and Poppet rejoice that they are not sentimental, like dogs ("Let Man the romantic in vision espy").
Tabitha Twitchit, Mr. Drake Puddle-Duck, Rebeccah Puddle-Duck, and Mittens and Moppet were released either as single figurines or in combination with other characters. A Tom Kitten mug, plaque, and tableau were issued. In sum, 12 Tom Kitten figurines were released by Beswick between 1948 and 2000.Dubay 2006, pp. 30,35 Crummles of Poole, Dorset began producing small enamelled boxes beginning in 1975.
It is not included in the standard 23-volume Peter Rabbit library.MacDonald 1986, p. 50 By 1916 Frederick Warne & Co had discontinued Miss Moppet in its panorama format, and republished the story in a book format that year. Potter illustrated a frontispiece of the kitten and mouse seated in profile, and a title page vignette of a mouse on all fours facing the reader for the book format.
Arnold Jackson was portrayed by Gary Coleman. He was the younger brother of Willis Jackson (Todd Bridges), and was born in Harlem, New York City on July 19, 1970. Arnold is a "precocious moppet," who was practically known for his catch phrase, "Whatchoo talkin' 'bout Willis?", which became a part of popular culture and in 2006 was included in TV Land's "The 100 Greatest TV Quotes and Catch Phrases" special.
Moppet and Mittens soon have their pinafores smeared with grass stains. They climb upon the garden wall and lose some of their clothing in the ascent. Tom has a more difficult time gaining the top of the wall "breaking the ferns, and shedding buttons right and left". He is disheveled when he reaches the top of the wall, and loses his hat, but his sisters try to pull him together.
The school's newspaper has run an advice column "Dear Moppet" since the 1920s. The school's alma mater, written in 1925, originally had as many as seven verses which can be found in several copies of the "Omicron" (the school year book) from the 1970s. Today, however, only one verse is widely known and is sung each day during morning announcements. The school is home to the Zeta Rho Chapter of the National Honor Society.
Lulu Moppet is a bright and active 7 year-old girl who lives in Peekskill. In a medium-sized home, Lulu is having fun all day with her parents. Lulu's friends are the timid young girl Annie Inch, the fat and friendly Tubby Tompkins, the rich sergeant Wilbur van Snobbe, and the fighting commoner Iggy (Annie's brother), An everyday comedic commoner where a variety of his friends come together and develop different turmoils.
In later years, Gillingwater generally played curmudgeonly character roles. His best-known role is probably Jarvis Lorry in A Tale of Two Cities (1935). He also appeared in Mississippi (1935) and The Prisoner of Shark Island (1936). He proved to be an excellent crabapple foil for 20th Century-Fox moppet star Shirley Temple in Poor Little Rich Girl (1936) and subsequently appeared in Just Around the Corner (1938) and Little Miss Broadway (1938).
Scott released a song entitled, "Girl I Used to Know" in the same year. The official music video for the song premiered on October 26, the music video features an appearance by Orlando based band Before You Exit portraying as her band. In 2013 Scott was a guest star on the fifteenth season of Law & Order: Special Victims Unit as Clare Wilson. Scott provided the voice of Moppet Girl in Wreck-It Ralph.
She was the namesake of her paternal aunt, Grand Duchess Alexandra Pavlovna, who died in childbirth along with her stillborn daughter in 1801, but in the family she was known by her affectionate nickname, "Adini". According to her sister Olga's memoirs, Alexandra had inherited her mother's "Prussian look". It was also said that she resembled her late maternal grandmother, Queen Louise of Prussia. Nicholas affectionately spoke of Adini as "... a little moppet, but very sweet".
Buell has said the tough little girl with corkscrew curls in her hair resembles herself when she was young. Buell herself ceased drawing the comic strip in 1947, and in 1950 Little Lulu became a daily syndicated by Chicago Tribune–New York News Syndicate and ran until 1969. The characters in Little Lulu in the 1980s comics. First row: Wilbur, Annie, Gloria, Alvin, Tubby, Little Lulu, Jeannie, Joannie and Margie; second row: Eddie, Iggy, Willy, Mr. and Mrs. Moppet.
Mrs. Tabitha Twitchit is a fictional anthropomorphic cat who features in the books of Beatrix Potter. She is a shopkeeper and the long-suffering mother of three unruly kittens, Moppet, Mittens and Tom Kitten. In the books, she is shown as standing on her hind legs and wearing fashionable clothes. She and her kittens live in a house based on the Hill Top farmhouse while her shop is based on one in Hawkshead, a market town nearby.
Wallet interior shows (left to right) the flap, title page, and first illustration In 1906, as Potter was finishing The Tale of Mr. Jeremy Fisher, she considered developing books for a younger audience. Three stories were the result: The Story of Miss Moppet, The Story of a Fierce Bad Rabbit and The Sly Old Cat. Inspired by George Cruikshank's illustrations, she intended to have the stories published in "panoramic format in the style of Cruikshank's Comic Alphabet", as explained by Taylor.Taylor 1987, p.
218 Potter used the same drawings of the kitten as a model for her next book, The Tale of Tom Kitten,Taylor 1986, p. 111 which she dedicated in 1907 "to all Pickles—especially those that get upon my garden wall". Miss Moppet is one of Tom Kitten's sisters,Dubay 2006, p. 22 and appears as a character in both books featuring him: The Tale of Tom Kitten and The Tale of Samuel Whiskers or The Roly-Poly Pudding (1908).
Children's literature scholar Peter Hunt writes that Potter was careful to protect her young audience from graphic details and she refused to depict death in her stories.Hunt, p. 286 Ten thousand copies of The Story of Miss Moppet were released in a panorama format priced at a shilling in November 1906, and another 10,000 copies in December 1906. There were no subsequent printings in the panorama format.Linder 1971, p. 426 The strip folded accordion-fashion into a grey cloth wallet measuring .
Little Lulu is a comic strip created in 1935 by Marjorie Henderson Buell. The character, Lulu Moppet, debuted in The Saturday Evening Post on February 23, 1935, in a single panel, appearing as a flower girl at a wedding and mischievously strewing the aisle with banana peels. Little Lulu replaced Carl Anderson's Henry, which had been picked up for distribution by King Features Syndicate. The Little Lulu panel continued to run weekly in The Saturday Evening Post until December 30, 1944.
Twitchit puts Moppet and Mittens in a cupboard in order to keep them under control, but Tom Kitten escapes up the chimney. As he makes his way to the top of the house, he comes across a crack in the wall and, squeezing through it, finds himself under the attic's floorboards. There he meets the rats, Mr. Samuel Whiskers and his wife Anna Maria. They catch him and proceed to cover him with butter and dough they have stolen in order to eat him as a pudding.
In a rural village in Ireland, Molly Martin, an adorable young moppet has been ordered to live with her Aunt Hannah. Molly prefers to live with her other Aunt, the kind widow Mrs O'Shea, the sister of Hannah. Mrs O'Shea's daughter Eileen is in love with Sonny Gallagher who seeks his fortune in New York City as a taxi driver. An American writer named Bob and his photographer Chuck are guests of the O'Sheas as they write travel stories on Ireland illustrated with Chuck's photographs.
Another music box featuring Tom and playing "My Favorite Things" was issued in 1990, and a music box featuring Tabitha Twitchit and playing "Lara's Theme" was released the same year. In 1983, Tom Kitten was one of the first six flat ceramic Christmas ornaments issued by Schmid. Drake Puddle-duck, Rebeccah Puddle-duck, and Tom with the Butterfly were released in 1984. Scenes from the tales were produced as flat ornaments in 1987 featuring Tom and Moppet, and Drake Puddle-duck in Tom's clothes.
The Tale of Tom Kitten showed Tabitha and her kittens, Moppet, Mittens and Tom Kitten, living in Potter's own home at Hill Top. Tabitha has invited some friends for tea (maybe even Ribby) and washes and dresses her children for the occasion. She then unwisely allows them to play outside, but they then lose their clothes to some passing ducks, including Jemima Puddle- Duck. Their angry mother sends them to their room, telling her friends that they are ill, when in fact they are just getting up to further mischief.
"Quebec moppet makes film debut". Vancouver Sun, July 5, 1988. The film's cast also includes Denis Forest, Marina Orsini, Félix-Antoine Leroux, Jean Lajeunesse, Lise Thouin, Louise Richer, Thomas Donohue, Roland Laroche, Pierre-Olivier Gagnon, Jean-Pierre Leduc, Jean Lafontaine, Jean Lemire, André Doyle, Claude Grisé and Alie Lavoie Gray. The film garnered three Genie Award nominations at the 10th Genie Awards in 1989, including Best Original Screenplay, Best Cinematography (Thomas Burstyn) and Best Original Song for "We Are One (Sous la mer)" (Normand Dubé, Guy Trépanier and Nathalie Carson).
Tabitha dresses Moppet and Mittens in clean pinafores and tuckers, and Tom in "all sorts of elegant uncomfortable clothes" taken from a chest of drawers. Tom is fat and bursts several buttons, but his mother sews them back on again. Tabitha turns her kittens into the garden to keep them out of the way while she makes hot buttered toast for the party. She tells them to keep their frocks clean and keep away from the pigsty, the dirty ash pit, Sally Henny Penny, and the Puddle-Ducks, and then returns to her work.
Robby soon uses the dial to protect Littleville under the guises of numerous superheroes. The wide array of Robby's superhero identities included the Squid, Quake-Master, King Coil, Hornet-Man, Shadow-Man, Mighty Moppet, King Kandy, Future-Man, Human Bullet, Super-Charge, the Mole, Mr. Echo, Hypno-Man, the Cometeer and the Human Starfish, among others. The H-Dial came with certain limitations. Typically, Robby could transform from one hero to another immediately, but occasionally he would have to wait an unspecified length of time after being one hero before using the dial again to become another.
The verse is accompanied by three illustrations depicting the guinea pig in various stages of coiffing and dressing. Guinea pigs would have their own story told in the tale of Tupenny in Potter's The Fairy Caravan of 1929. Ruth K. MacDonald of the New Mexico State University observes in Beatrix Potter (1986) that Potter recommended to Warne that Appley Dapply be printed in a format similar to Miss Moppet, which had originally been printed in a panorama style but, in 1916, had been reprinted in a format slightly smaller than the other books in the Peter Rabbit collection.Taylor 1987, p.
Potter wrote the book in 1906 for her publisher's daughter, Nellie Warne. Publication was intended for 1907 as a companion piece to the panorama books, The Story of A Fierce Bad Rabbit and The Story of Miss Moppet, but booksellers objected to the panorama format which was nothing more than a long paper strip of illustrations and text that folded accordion-fashion into a wallet and was tied with a ribbon. It was difficult to keep such a book folded and enclosed in its wallet after curious customers opened it for examination. The story was set aside.
Poppets In folk magic and witchcraft, a poppet (also known as poppit, moppet, mommet or pippy) is a doll made to represent a person, for casting spells on that person or to aid that person through magic. They are occasionally found lodged in chimneys. These dolls may be fashioned from such materials as a carved root, grain or corn shafts, a fruit, paper, wax, a potato, clay, branches, or cloth stuffed with herbs with the intent that any actions performed upon the effigy will be transferred to the subject based on sympathetic magic. Poppets are also used as kitchen witch figures.
Potter was an admirer of American author Joel Chandler Harris and created a series of plates in the 1890s for his Uncle Remus stories, possibly in an attempt to find career direction. So deep was her admiration, Lear speculates the scene of Miss Moppet wrapping her head in the duster comes from a similar scene in an Uncle Remus tale in which Br'er Fox "feigns illness in a rocking chair, wrapped up with flannel".Taylor 1987, p. 69 Potter was modeling her sketches from a young kitten and, wanting not to show cruelty, she wrote of the kitten: "She should catch him by the tail / less unpleasant".
Austin Chronicle editor Marc Savlov described the two of them as "vaguely equine", as well as looking similar to "poorly realized Ultraman foes". He also describes the transformation of Latias into a "sexy, short-skirted schoolgirl" as both creepy and "straight out of the popular Japanese hentai series La Blue Girl." Critic Doctor editor Peter Sobczynski described the befriending of Latias and series protagonist Ash Ketchum as a "moppet version of Mandingo." While reception for their role in the film was mostly negative, San Francisco Gate editor Mick LaSelle stated that the improved animation of the film worked best with the two of them.
Potter was the company's greatest creditor and artistic property, and, when asked to do what she could to save the firm, she agreed to provide a book for Christmas: "I hope Appley Dapply will be in time to be useful, and that it will be as good a season as can be had during this war."Taylor 1996, p. 140 She had other interests and concerns at the time, and did not look forward to the intense labour necessary to prepare a book for publication. She suggested instead the company raid the dummy book of 1904 for material and publish their choices in a small format book similar to The Story of Miss Moppet from 1906.
This leads Chandler to quote literary scholar of modernism Humphrey Carpenter, "there is nothing in [Potter's] work that resembles the moral tale. In fact if might be argued that she is writing something pretty close to a series of immoral tales". In addition Chandler notes that Potter's economic use of prose presages modernism, comparing her writing to that of Ernest Hemingway. Ruth K. MacDonald, English and children's literature professor at New Mexico State University, agrees, writing in Beatrix Potter that Miss Moppet demonstrates Potter's ability to pare text and illustrations to essentials noting that she worked best with more complicated plots, more complicated characters, and stories with specific settings rather than generalized backgrounds.
The review commented on the cast as "like most science-fiction, [the film] is on the whole serviceably rather than excitingly cast" and the crew was noted, stating the direction was "smoothly machined" and the film has "decent writing" though "more short cuts might have been [taken]", finding that the start of the film was too slow. A. H. Weiler's review in The New York Times noted "... from the moment James Whitmore, playing a New Mexico state trooper, discovers a six-year-old moppet wandering around the desert in a state of shock, to the time when the cause of that mental trauma is traced and destroyed, Them! is taut science fiction".Weiler, A. H. (A.W.).
The Children's Theatre Company (formerly known as The Moppet Players from 1961 to 1965) is a regional theatre established in 1965 in Minneapolis, Minnesota, specializing in plays for families, young audiences and the very young. The theatre is the largest theatre for multigenerational audiences in the United States and is the recipient of 2003 Tony Award for Outstanding Regional Theatre. The founding is credited to John Clark Donahue and Beth Linnerson. Many productions are adaptations from children's literature including Pippi Longstocking, The 500 Hats of Bartholomew Cubbins, Cinderella, How The Grinch Stole Christmas, A Year with Frog and Toad and Alice in Wonderland that have been in the company's repertoire for many seasons.
Inspired by the real Tabitha and a kitten Potter borrowed for the 1906 production of The Story of Miss Moppet, The Tale of Tom Kitten is about how children react to manners. Tom Kitten's very name suggest carefree, mischievous boyishness in the manner of the 19th century's exemplars of boyhood, Tom Sawyer, Ton Aldrich, and Tom Brown. He is unusually defiant of parental strictures and taboos. Tom's mother tries to dignify the rascal by calling him Thomas, dressing him in elegant clothes, and by issuing taboos once he is groomed and dressed to walk upon his hind legs and to stay away from the pig sty, the ash pit and other animals.
36 Redfield praises Potter's skill as an author; she uses the hole in the duster twice—to allow Miss Moppet to catch the mouse, but then for him to escape her—and uses phrases particularly suited for a parent to read aloud to a child ("This is the mouse ..."). Redfield concludes that while teasing is bad in the story—dangerous for the mouse, and cruel for the cat—Potter herself teases the reader in a good way, showing "us that teasing is a kind of loving when it is a kind of teaching. The poet plays with us, and by taking us through an unreal experience, teaches us what it is to live in the real world."Redfield 1985, p.
This battle of the sexes was highlighted by the boys' club celebrating the first Monday of each month as "mumday", when members were forbidden to speak to any of the girls (or even their own mothers). Shaenon Garrity notes "When not plotting against the girls, Tubby and his gang [would] mix it up with the much tougher West Side Gang"."All the Comics #12: Little Lulu" by Shaenon Garrity Other stories related Tubby's exploits as The Spider, a detective who invariably accused Lulu's father as being the culprit of whatever he was investigating (and nearly invariably Mr. Moppet proved to be guilty). On occasion Lulu would be forced to avoid recurrent foil Truant Officer McNabbem, by means of "straight-up slapstick chases".
A Fierce Bad Rabbit takes a carrot from the good rabbit Potter's three panorama books of 1906 – The Story of A Fierce Bad Rabbit, The Story of Miss Moppet, and The Sly Old Cat – are vignettes rather than the typical tales she produced of causality, extended plot, and variety of character. Each story has a very limited cast of characters with one dominant character (the title character), and each is dependent upon an archetypal animosity: rabbit versus hunter and cat versus rodent. In their simplicity and unusual format, these stories were intended for babies and very young children, but Potter was never at her best when writing for a clearly defined audience. A Fierce Bad Rabbit fails for this reason, and for its overt moralizing and stiff illustrations.

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