91 Sentences With "mature woman" | Random Sentence Generator

This is a fully mature woman, an entrepreneur -- PERINO: And she&aposs working at the White House.

Also, the best-selling dresses that sold from Jason's collection at Saks were black, geared toward that more mature woman.

I prefer a mature woman who has been around, who knows how to behave, who is confident, and can carry themselves.

When Gandhi was involved with Sarala, he was 50 and she was 47, a mature woman exercising her own free will.

The visitor encounters the locked door to the basement — the home of subterranean (read: subconscious) desires of the now physically mature woman.

She must inspire young women to accomplish their goals, as well, rather than simply position herself as a smart, mature woman, he added.

"The pictures she sent back weren't of a mature woman walking on the beach but of a middle aged kid dancing in the surf," Ashby said.

" Then Sigmund Freud came along and proclaimed, "a mature woman must find her pleasure exclusively through penetration," relegating the clitoris to what Malepart-Traversy calls "clitoral obscurantism.

Susanah Robinson was a mature woman who had had some business success and was well equipped to create a cushioned environment in which her writer husband could flourish.

I have become a respectable, responsible, selfless, compassionate, humbled and mature woman who is always conscious of the people I have hurt and the damage I have done.

I decided to do it because I don't feel capable of being a mature woman, or being strong, or old enough to be able to take care of it.

If songs for women in K-pop break down along the "virgin/mature woman" divide, songs for men tend to break down along a "bad boy/sophisticated man" line.

The most prominent part of Spears's personal brand has always been that she is like a virgin, vacillating absolutely inconsistently between performing as an adolescent girl and as a sexually mature woman.

And because she wants so much to have genitals, the pussy, to be a woman, a mature woman because she wants to be with a man, you know—she thinks this is the most important value, and she lost herself because she loses her own nature.

Japanese AV columnist Kemuta Otsubo marks this as one of the earliest adult videos in the "mature woman" (熟女) genre although older women had previously appeared in theatrical porn films. Tameike was to take the "Beautiful Mature Woman" (美熟女) genre as his own. He has said in an interview that a Mature Woman is not the same as an "old woman", the Mature Woman has become beautiful through her life experiences. When SOD director Tohjiro left that company to form his own studio Dogma in February 2001, Tameike started working for the new company as a director.

The Moodyz studio used a special "Goro Tameike" label for videos directed by Tameike which used product codes of the type "MDYD-xxx", with MDYD-001, Beautiful Mature Woman Illustrated starring Reona Azabu, being released in December 2003. The Moodyz video Long Legged Mature Woman with Mayumi Kusunoki was coded MDYD-032 and when Tameike founded his own company, its videos continued using the same sequence starting with MDYD-033 for A Friend's Mother starring Risa Kaneko. The Goro Tameike studio entered videos in the 2008 and 2009 AV Grand Prix competitions. Their 2008 entry Sayuri Shiraishi, Stepmother Slave won the Best Mature Video award, and their 2009 nominee, Slave Mother- in-Law, won a Special Award in the Mature Woman Video category.

A wife and mother, she is quite a mature woman now - but her features are unchanged. The face appears familiar to the hermit and he tries to place it. Eventually he succeeds. The shock of recognition dazes him - and changes him.

His line of defense was that he claimed he was persuaded to participate online in a ritualized sexual role-playing exercise, dealing with a mature woman acting as a girl. His then-novel defense, became known as the fantasy defense for pedophiles.

Beauty and the Beast, by Anne Anderson Beauty and the Beast has been interpreted as a young woman's coming- of-age, in which she changes from being repulsed by sexual activity and regarding a husband therefore bestial, to a mature woman who can marry.

In 1997, Flanagan made a one-off return to nude modeling as a mature woman, posing fully nude in the magazine Men's World. In the accompanying interview she said her second husband had recently died after a heart transplant operation, and that she was busy raising a 16-year-old son.

Isabel "Grand-Mère" Lilac :Voiced by (Japanese): Keiko Aizawa :Voiced by (English): Juli Erickson The owner of Chattes Noires and the commander of the Paris Combat Revue. She has channels to the French government. She is a very calm mature woman, yet has a sharp tongue. She has a black cat named Napoleon.

She is loyal to her friends and is always there to heal their wounds, especially Sanosuke, whom she often cautions about fighting. At the end of the series she leaves Tokyo to open a clinic in Aizu. Nobuhiro Watsuki created Megumi as a "mature woman," but had no specific model in mind.Watsuki, Nobuhiro.

The novelisation of Lover Boy was written by Jocelyn Harewood and published by Text Publishing in 1994. It explores the conflicting worlds of a teenager and a mature woman as they discover the full force of their sexuality. The joy this brings soon turns to torment and violence. Harewood follows the film closely.

In the cast, Luiza Brunet interpreted the mature woman, and Alessandra Maestrini, the young woman. The adolescent is Cintia Dicker, an international model whose acting career was launched in the mini-series. In the opinion of critic Patricia Kogut, the series is "inspired, pleasant, in good taste and unpretentious, like Clarice's texts as Helen Palmer".

Director Mamoru Watanabe made his debut with the now lost film Hussy in 1965. Virgin Rope Makeover is a remake of that film.Sharp, p. 60 Watanabe also made other films at this time working with actresses Mayuko Hino and Naomi Oka with Oka usually playing the mature woman luring the innocent Hino into sadistic adventures.

The story revolves around a family man Salman, who is happily living with his wife Sania, and two daughters. Salman’s sister living in the same house, whose one daughter is married to Sania’s brother. Salman’s life changes, when a graceful lady enters her office. Sabahat is a mature woman, who didn’t marry because of her younger brother’s responsibility.

Ayame's character changes from a laid-back girl into a more mature woman. Deep down within her cold and distant exterior remains a broken heart. She lies in question towards Tatsumaru, the man who she vowed at youth to marry under a blossom tree. She would call him due to her deep infatuation of the elder student.

Pallarcocha or Pallacocha (possibly from Quechua palla, dame, lady, mature woman of the Inca nobility, and qucha, lake,Teofilo Laime Acopa, Diccionario Bilingüe, Iskay simipi yuyay k'ancha, QuechuaCastellano, CastellanoQuechua: palla''s.Dama. Mujer madura de la nobleza incaica. qucha, qhucha. s.Lago. Gran masa de agua en una depresión.) is a small lake in Peru located in the Arequipa Region, Condesuyos Province, Andaray District.lib.utexas.

The work was a progression from her earlier, less serious recordings as Fox sought to apply her experiences as a mature woman to the album. As a result, she says, this album comes the closest to reflecting who she really is. Fox describes the album as a "blend of rock with electronic sounds." She recorded it in Montreal for Canadian label La Chapelle.

In the 11th volume, she's an instructor and works together with Glenn. She shows some affections for Glenn, but tries to hide them. ; :She is the ruler of the Alzano Empire and the biological mother of Rumia Tingel. She is a beautiful mature woman with long daffodil blonde hair and eyebrows that is usually tied up in a bun and aqua blue eyes.

She is a mature woman who seems to spend most of her time being quite serious. However, she has a sadistic side to her, which is shown when she "brain-washes" Ken and Kurimu. Also, she makes a lot of references to her sadism in the anime. She loves to cuddle and "abuse" the President (Kurimu) in a little sister way, and is an avid reader.

The film begins in 1980's Spain during Spain's transition to democracy. An old single woman (Elisita) sits alone in ‘The Retiro’ park in central Madrid remembering her only love story during the post civil war in Spain. Flashback takes us back to Francisco Franco's Francoist State. Elisita is an intelligent young but mature woman who lives with her rich widower and extremely Catholic mother Dona Elisa.

He usually swears profoundly when things go wrong. Raven - A smart person taught how to fly spaceships by Shido Corporation as part of their plan to unseat the Guild monopoly. Verina - The smartest person residing in Jamisia's body, she knows a lot, and gives the impression of being a more mature woman. Katlyn - A female who enjoys seducing men and pleasures of the flesh.

In 2006 Tameike started his own adult video production company, named Goro Tameike, which released its first productions in February 2006. The company is part of the large Japanese porn conglomerate, the Hokuto Corporation, and it markets its products through Hokuto's sales outlet, the DMM website. The studio releases about seven to eight original videos per month, mostly directed by Tameike. Their works are primarily in the Mature Woman genre.

Diana (María Félix) is a mature woman with a life full of romantic adventures, living a life of prostitution and drugs in Mexico's high society. Diana falls in love with Raul (Julio Alemán), a man 10 years younger than her. Diana harbours a big secret in the form of a former lover, whom she visits in prison every week. Soon, Diana's life and her past become a torment for Raúl.

The show covered previous taboo issues in Latin American TV, such as homosexuality and adultery. The role of Barbara was also the first time Buenfil played a mature woman who committed infidelity. Due to the success of the novela, the cast of Tres Mujeres was asked to continue working on the novela, even though filming had ended. Eventually the novela lasted over eight months (most last a little over four months).

The song features electronic blips, string movements, and upbeat percussion breaks. Mesfin Fekadu of Times Colonist wrote that the song is "smooth, airy and full of sexual innuendoes, and it transitions into something that's heaven-like." Timberlake sings in a falsetto voice and refers to a mature woman as his strawberry bubblegum in the song's lyrics. Joey Guerra of The Houston Chronicle remarked that the eccentric song recalls the work of Prince.

With the director gone, Kimiko becomes a female wrestling star while the artificial nurses are taken in at a nurse themed hostess bar. Deconstruction of the dome over Tokyo begins and real food as well as the integration of the brain creatures and the various plants and animals become mainstream. Yuriko raises Yuka and teaches her to hunt on the surface. She grows up suddenly by shedding her skin and emerging as a mature woman.

It was her first solo studio album in 9 years. The exposure encouraged Geyer to move back to Australia and following the release of Difficult Woman, Geyer spent time reestablishing herself on the live circuit across Australia. These performances showed her more relaxed on stage than at her peak when her innate shyness was often cleverly disguised. Now a confident, mature woman she showed off a hitherto hidden wicked sense of humour.

Staniford and Dunham decide to stay at a hotel in Messina while the Captain makes some repairs to the ship. Staniford is upset and does not understand why Lydia is mad at him instead of being congratulatory. He feels as if Lydia has begun to develop from an innocent girl into a mature woman because of the incident. Lydia had been a wilding rose bud in South Bradfield, now she was blossoming into a flower.

All That Heaven Allows inspired Rainer Werner Fassbinder's Ali: Fear Eats the Soul (1974) in which a mature woman falls in love with an Arab man. The Sirk film was spoofed by John Waters with his film Polyester (1981). Todd Haynes' Far from Heaven (2002) is an homage to Sirk's work, in particular All That Heaven Allows and Imitation of Life. François Ozon's 8 Women (8 Femmes, 2002) featured the winter scenes and the deer from the film.

See Schultz, pp. 75–78: also Schultz, Celia E., Harvey, Paul, (Eds), Religion in Republican Italy, Yale Classical Studies, 2006, pp. 52–53: googlebooks preview The process of their selection and their relationship to Ceres' older, entirely male priesthood is unknown; but they far outnumbered her few male priests, and would have been highly respected and influential figures in their own communities.A Roman matron was any mature woman, married or unmarried, usually but not exclusively of the upper class.

Clarkson then commissioned material that showcases her current state of mind—such as dealing with the rewards and complications that come with connecting with someone emotionally, mentally, physically in a marriage; as well as a mature woman feeling completely comfortable in her own skin after years of withering sexist criticism about her appearance. To discuss these concepts, she invited several collaborators, including Harlœ, whose conversations with Clarkson were used to create some of the album's lyrical content.

The story then shifted to the young couple with Ken and Ceci trying to put the event behind them and restart their life. Niki went from this immature girl to a more mature woman who was consumed with worries, especially with her murderous father set free. Tiffany (Flora Chan) was married to the murderous father, Leung Pak-yeen, and had a baby. To continue the feud, the father, Leung Pak-yeen would compete with Ken in their jade business.

The card depicts a mature woman of fair-complexion and golden hair who holds a lidded cup or chalice. She is described as a model of loving virtue, one who is purer of heart than most, a loving mother, and a loyal friend. The inverted card may warn the querent of a false lover or a deceitful friend or companion who may have a secret; someone who pretends to be pure of heart but is actually treacherous and manipulative.

Madonna entered the 2008 AV Grand Prix competition with the 3-hour video MADONNA BOOTCAMP ELITE [AVGL-025] directed by [Jo]Style and starring Ryoko Murakami, Chisato Shouda, Sayaka Kawase, Rina Uozumi, Mami Todo, Asami Kitamura, Shino Kodama and Rie Sato. In the 2009 AV Grand Prix, the Madonna entry Raped Female Teacher (犯された女教師) [AVGL-136], starring Reiko Makihara and directed by Eitaro Haga, won one of the Special Awards for Mature Woman Videos.

However, in contemporary meda, mature women usually appear invisible compared their young and beautiful counterparts, while their experiences and values are also underestimated by society. From viewing the thought provoking portraits, one could reduce the misunderstanding of the mature woman from who they truly are. Echo, 2010These works are representing different types of hand-mirrors as a traditional female object. People would use the mirrors to see their reflection make the adjustments to their makeup/hair that they felt they needed.

His 2015 play, Love and Money, is about a mature woman making plans to dispose of her fortune, and the twists that ensue. The world premiere was at New York's Signature Theatre in August 2015. Before that, The Grand Manner, a play about his real life encounter with famed actress Katharine Cornell in her production of Shakespeare's Antony and Cleopatra, was produced and performed by Lincoln Center for the summer of 2010. It was also produced in Buffalo by the Kavinoky Theatre.

She survived, however Ryan was believed to have shot Nina, who later regained her memory and told the police the truth. Nina evolved into a more mature woman; she continued writing novels and began a friendship with a man named Tomas Del Cerro, a world-renowned novelist. Their friendship soon evolved into a relationship. Nina's career took an upswing when Tomas' publisher became interested in her novel "A Cry in Thin Air", which involved her story regarding her long-lost child.

The Birth of Venus () is one of the most famous paintings by 19th-century painter William-Adolphe Bouguereau. It depicts not the actual birth of Venus from the sea, but her transportation in a shell as a fully mature woman from the sea to Paphos in Cyprus. She is considered the epitome of the Classical Greek and Roman ideal of the female form and beauty, on par with Venus de Milo. For Bouguereau, it is considered a tour de force.

In her interviews, the singer emphasized her wish to be seen as a more mature woman and leave behind the childlike image people had of her. In 2016, she recalled: > I remember that time because I find it very funny. When I started to record > the album Corazón de poeta, production told me that it was time to become a > woman and leave the childish side that everyone knew. I laughed so much when > they said my voice was sexy [laughs].

Over ten years after her debut, Kobayashi was by now a "mature woman" model, and her videos began to reflect the new niche for mature models in AVs which began to appear in the mid-1990s. Kobayashi teamed up with Japan's first hardcore pornographic actress, Kyoko Aizome, in the February 2001 theatrical release, . Aizome both starred in and directed the film, which was released by Nikkatsu's post-Roman porn distributor of theatrical pornography, Excess films. The same year, Kobayashi and her husband opened a nightclub in Roppongi.

Ali Ki Ammi is based on a true story of an unconditional love of a mother for her son. The story revolves around Maryam, a strong and mature woman from a respectable family somehow gets manipulated as she falls in love with Nadir. Nadir is a middle aged businessman who is already married with two grown up kids, He lies to Maryam about her past and marries her. Maryam's marriage is not well received by her family and they break all the ties with her.

In September 1999 at the age of thirty-one, Kawana entered the adult video (AV) industry with her release, 34 Year Old Mother Mariko from Soft On Demand (SOD), one of the largest porn conglomerates in Japan. Her age made her one of the earliest AV actresses in the "mature woman" or "madame" (熟女 or jukujo) category of performers, whose popularity in Japanese porn began in the mid-1990s. She appeared in two early videos for Kuki Inc., one in the bukkake genre (Mrs.

The mature woman surrounded by the small children symbolizes the virtue of charity while the young couple holding hands represent conjugal love. The painting includes a self-portrait of the artist who is leaning out of a window in the background to the right. A slightly different version of the work, painted in the same year as the Prado version, is in the National Museum in Warsaw.Portrait of a family in a garden at the Prado Museum He was also known as a painter of small portraits.

As the season progresses, Ariel's transformation from a young girl into a mature woman was shown in the episode "Time Keeps on Slippin'", where she solves a crime in the future. In the season finale, Allison receives a letter from her neurologist that she needs to be seen about her brain tumor. Meanwhile, Ariel also receives an acceptance letter from a university away from home. The episode begins when Joe awakens to Allison dead in their bed, having died from her tumor during the night.

When they reach Memphis, Boon and Lucius stay in the brothel where Miss Corrie lives and works, while Ned disappears into the black part of town. Soon Ned returns, having traded the car for a racehorse. The brothel life is turned upside down with their coming to stay, at the same time as Miss Corrie's nephew that has come there to get some finesse. The brothel is run by Miss Reba, a beautiful and stern mature woman who employs Mr Binford as pimp and general manager.

While Buffy the Vampire Slayer was built around the angst of adolescence, Angel chronicles the different stages of adulthood after one leaves home and begins working. Cordelia Chase, who had been the most popular and superficial girl in Sunnydale High on Buffy, develops over the course of the series from an insecure young woman struggling in a daunting real world into an unexpectedly mature woman. Similarly, Wesley, the once uptight and bookish Watcher, becomes a man of quiet confidence and often ruthless action. noir detective genre that influenced the show.

She then runs home and wants to crawl back into the womb. She has not evolved into a mature woman although she is in her mid-30s, she would rather go home to her parents and reclaim the room in which she grew up. Her energies are used in fighting for her right to return home rather than in fighting for a life of her own. Harry and Edna are the most obvious escapees as they run from their own home and set up camp in the home of Agnes and Tobias.

In ancient Rome and throughout Italy, the ancient sanctuaries of Ceres and Proserpina were invariably led by female sacerdotes, drawn from women of local and Roman elites. It was the only public priesthood attainable by Roman matrons and was held in great honor. A Roman matron was any mature woman of the upper class, married or unmarried. Females could serve public cult as Vestal Virgins but few were chosen, and then only from young maidens of the upper class.Barbette Stanley Spaeth, The Roman goddess Ceres, University of Texas Press, 1996, pp.

The music video for the song premiered on 17 March 2012, during a special programme from SMRTV, who presented the song. The video was then made available on YouTube, on Monetta's official channel. In the video, Monetta, styled more like a teenager than a mature woman, "can be seen dancing around her computer in a bedroom with cheesy thought bubbles popping up above her head." Following a re-submission of the song, a new music video for the song was released on 23 March 2012, which featured the new version of the song.

The second work, which was said to be one of the nicer works in the Salon, was called "A Life"; it was a representation of a beautiful, mature woman sitting on a stone sphinx, looking backwards. Le Figaro describes the artist as a fine talent from the young Latin American school of art and noted her ease and control over the execution of these works. It notes that she studied under Denys Puech and a Monsieur Dubois. The piece commissioned for the International Court of Justice was installed in 1914; it was called The War.

In 1997, the company Argos Comunicación, offers Aragón the starring role of the telenovela Mirada de mujer, Mexican adaptation of the Colombian novel Señora Isabel by Bernardo Romero Pereiro. The telenovela was produced by TV Azteca. The story of María Inés Domínguez, a mature woman in love with a younger man, brings to Aragón the greatest success of her television career, in a telenovela that breaks schemas at the time in Mexico. Aragón shared a scene with Ari Telch, Fernando Luján, Margarita Gralia, Evangelina Elizondo and another important cast of actors.

The father throws him out of the house and on the way out Slobodan takes his own Volkswagen and drives off. His reckless behaviour continues as he shows up to Maša's apartment late one night, but gets informed by her mother that she went to Greece with her father for a holiday. Without missing a beat Slobodan puts the moves on his girlfriend's mother and soon ends up sleeping with her. The mature woman initially somewhat objects, but eventually submits herself gladly to the young man's physical advances.

Reviewing the album for AllMusic, Scott Yanow wrote that McRae "...had what was at the time a rare opportunity to record a live, spontaneous, jazz-oriented set. She sounds quite enthusiastic about both her accompaniment and the strong repertoire". Phyl Garland, reviewing the album for Ebony magazine, wrote that "this is one of the finest heaping portions of McRae in ages...it captures her banter between song all the wit of a mature woman rapping about how to make it in any situation." Garland described "If the Moon Turns Green" and "I Thought About You" as "masterpieces of delicacy and phrasing".

The Queen of Hearts appears in the Once Upon a Time episode "Hat Trick", played by Jennifer Koenig. In the show's second season, it is revealed that the Queen of Hearts is, in fact, Cora (Barbara Hershey) a boy loving mature woman, with misgiving behavioral attitudes towards them, the mother of the Wicked Witch of the West and the Evil Queen. In her earlier life, Cora (portrayed by Rose McGowan) was also the miller's daughter (the heroine of the Rumpelstiltskin story). Cora abandons her first born, Zelena, after realising that the father is not royalty as she believed.

To entice Louis to stay with him, Lestat turns the dying girl, Claudia, into a vampire. Together they raise her as a daughter—Louis has a pure love for Claudia, while Lestat treats her more as a student, training her to become a merciless killer. As thirty years pass, Claudia matures psychologically but still remains a little girl in appearance, and she is treated as such by Lestat. When she finally realizes that she will never grow any older or become a mature woman, she is furious with Lestat and tells Louis that they should leave him.

Lunch Box released as Tamamono / Bowling Ball on DVD Typical of modern pink films, the film has been given various titles in various releases. Originally release theatrically as Lunchbox ("Obento") or Mature Woman: Rutting Ball-Play, on 2 April 2005 the film was released in Japan on DVD under the title Tamamono or "Bowling Ball". The film was also released on DVD in the UK by Salvation. The film has also been seen in international film festivals such as the fourth "Nippon Connection" in Frankfurt in 2004, and the Jeonju International Film Festival in South Korea.

Now a stunning, rich and mature woman, Luisa/Victoria returns to Florida from California (the series was not really shot there) with her lovely adopted daughter, in search of revenge. She begins by getting a job at the Montero ranch, where Gonzalo, Gladis and Don Gregorio are all immediately intrigued by her, as she uncannily reminds them of someone they would rather forget. However, vengeance doesn’t come as easily as Victoria thought, since she never expected love to interfere with her plans. When she meets Diego, a landowner neighbor of the Monteros, it's love at first sight for both.

Józef Łobodowski had a relationship with a Jewish poet Zuzanna Ginczanka. That was opposed by his mother and his sister. Łobodowski first met Zuzanna Ginczanka in his words, "a precociously mature woman... with eyes scintillating like the vast expanse of the sea shimmering in the sun" at the multicultural Polish locality of Równe in Volhynia (now within the borders of the Ukraine), where he had the uncommon good fortune to have been performing his military service in the autumn of 1933, when Ginczanka was 16 and he 24. When Józef married Jadwiga Kuryłło, Zuzanna ended the relationship.

In 1971 Carole King, the co-writer of the song, recorded a version of "Will You Love Me Tomorrow" for her landmark studio album Tapestry, with Joni Mitchell and James Taylor performing background vocals on separate audio channels. King's version of the song was taken at a considerably slower tempo. David Hepworth analyzed it as "less like the pleas for gentleness on the part of a trembling virgin and more like a mature woman requiring parity in a relationship." It gained considerable album-oriented rock airplay due to the large-scale commercial success of the album.

The skeletal remains were highly fragmented, with natural and human-inflicted fractures. They had been deposited on the floor of the mine, without interment, and have been affected by animals (worms and rodents) and water that leaked into the mine. The bone fragments of individual 1, a mature adult man, where scattered over a couple of meters; they seem to have been pushed out of room r1 to clear the place for burial of individual 2, a taller but more gracile mature woman. The few teeth that were preserved had their crowns completely worn off, indicating an abrasive diet or their use as tools.

As Daddy-Long-Legs traced Judy Abbott's growth from a young girl into an adult, Dear Enemy shows how Sallie McBride grows from a frivolous socialite to a mature woman and an able executive. It also follows the development of Sallie's relationships with Gordon Hallock, a wealthy politician, and Dr. Robin MacRae, the orphanage's physician. Both relationships are affected by Sallie's initial reluctance to commit herself to her job, and by her gradual realization of how happy the work makes her and how incomplete she'd feel without it. The daily calamities and triumphs of an orphanage superintendent are wittily described, often accompanied by the author's own stick-figure illustrations.

Dana Carvey created the character of the Church Lady, a mature woman named Enid Strict who is the uptight, smug, and pious host of her talk show Church Chat. Her show includes guests, usually celebrities whom she interviews, played by other cast members of SNL or by the celebrities themselves. However, the interviews are only a guise for her to call out the guests on their various alleged sins, which are often publicly known news events of the day. They initially receive sarcastic praise from her, until the interview degrades into a tirade against their apparent lack of piety and their secular lifestyles, culminating with her judgmental admonishments and condemnation.

After releasing the single "Where the Wild Roses Grow" with Australian rock band Nick Cave and the Bad Seeds on 2 October 1995, Minogue received acclaim from critics for her experimentation with rock music, who praised her transition from being the once-dubbed "singing budgie" to a mature woman. Because of this, Minogue, with the support of her then boyfriend Stephane Sednaoui, decided to experiment with her music for the upcoming album. Welsh musician James Dean Bradfield contacted Minogue's A&R; Pete Hadfield, asking him what their current project was where Hadfield replied "Kylie Minogue's new album". He asked Hadfield if he could work with Minogue and was approved.

A quiet, beautiful and mature woman herself, Kaoruko shows no bounds in helping Terumi to grow accustomed to the opposite sex, to the point of using her own body to it, despite the fact that they are aunt and nephew, and even takes his first kiss. At a young age she chose not to be with a man, but changed her mind in adulthood. There have been hints that she might have feelings for Terumi, though she is instead encouraging Terumi to be his own man. She is later revealed to be the fourteenth and final target, taking on the role of Fujitsubo from the Tale of Genji.

As described above, Ayla is the second and true love of Jondalar's life. Having saved his life and healed him so well that no one would expect that he had been mauled by a cave lion, Ayla won Jondalar's heart with a potent mix of experience and innocence, strength and vulnerability. She is a mature woman who had lived a lifetime before they met, yet approached life with the innocent qualities of a young woman at First Rites. Mamut, Ayla's adoptive father and the most powerful holy man among the Mamutoi, hinted more than once that Jondalar is a necessary part of whatever fate the Great Mother has in store for Ayla.

Still others postulate that the number "three" is symbolic, meant to indicate a magnified karmic result for one's actions. Some people in the Goddess movement honor the Triple Goddess of Maiden, Mother, and Crone. The Maiden aspect of the Goddess is the archetype of a young woman or a child, representing independence and strength; the Mother aspect is the archetype of a nurturing mature woman; and the Crone aspect is the archetype of an old woman that represents wisdom, change, and transformation. Because the Crone aspect of the Goddess is understood by some to be destructive at times, some consider it to contain both positive and negative imagery and to present an ethical quandary.

Her claim was also strengthened by the fact that she was living in Portugal, and was a mature woman of forty. However, Portugal had not yet had a generally recognized queen regnant, but only males on the throne. Moreover, she was a younger daughter, thus there was a genealogically senior claimant, her nephew Ranuccio. Philip II of Spain tried to bribe Catherine's husband, the Duke of Braganza, to abandon his wife's pretensions, offering him the Vice-Kingdom of Brazil, the post of Grand-Master of the Order of Christ, a license to send a personal ship to India every year, and the marriage of one of his daughters to Diego, Prince of Asturias, Philip's heir at that time.

This musical comedy with Ladynina as singer Natasha Malinina pretended to raise serious ethical and moral questions but Sergey Eisenstein, for one, dismissed it as "Russian lubok imported from Czechoslovakia" (that was where the film had been shot). Cossacks of the Kuban (1949) saw Ladynina for the first time playing a mature woman, not some starry-eyed, naïve ingénue. The role of the Kolkhoz chairman Galina Peresvetova, a woman of tough character and tender heart, proved to be so difficult to handle that the actress for a time being was on the verge of quitting. Some argued that when it came to verve and charms, young Klara Luchko stole the show, but it was this hit that earned Ladynina the prestigious People's Artist of the USSR title.

While Coward was generally supportive, suggesting only small alterations to his character's dialogue, Lillie had a manager who demanded that she play herself, in addition to numerous script changes that enlarged her role. Wise then asked Fairchild to find the name of another female performer Lawrence had worked with who was already dead. Billie Carleton became the composite character that replaced Lillie in the film. When Lawrence reconnects with her wayward father in the film, he is performing in music halls with a mature woman who joins him when he departs for a job in South Africa. In reality Lawrence’s father’s girlfriend was a chorus girl not much older than Lawrence, and she remained in the United Kingdom while he went overseas.

Acquired by the Louvre in 1927 and since 1986 exhibited at the Musée d'Orsay,Cf. Overview on Musée d'Orsay website this painting has another two versions, currently housed at the Metropolitan Museum of Art and at the Albright-Knox Art Gallery of Buffalo, New York. Daumier lived on the Quai d'Anjou on the Île Saint-Louis, and had plenty of opportunities for observing the attitudes of the washerwomen returning from the lavoir on the Seine, as they wearily climbed the stone steps, bent beneath the weight of their bundles of washing. Nevertheless, there is a strength as well as fatigue expressed in the body of this mature woman, accompanied by her child, whom there is evidently nobody to mind at home.

Corazón de poeta was Jeanette's return to the soft and melodic sentimental ballad-led style she had been famous for during the 1970s. In a 1981 interview with Heraldo de Aragón, Jeanette explained: "... it can be said that [on the album] there is a bit of everything, although what predominates are the soft songs, which is my usual style and where I am most comfortable." Unlike her previous works, however, the album presented a more erotic tone and less naive lyrics, that corresponded to a more mature woman. The organizers of Festival Europa Sur stated in 2014 that with tracks like "Corazón de poeta" and "Frente a frente", Jeanette "demonstrated that a canción melódica song can be approached from a pop optic".

When Kapadia made her comeback to movies, she faced constant comparison to her Bobby days, and struggled to be taken seriously as an actress. According to Jyotika Virdi, the author of the book The Cinematic Imagination, while Kapadia's trajectory is different from that of other female Hindi film stars, she "turned every disadvantage to her advantage". Virdi mentioned Kapadia's forthright manner as having a major contribution to her career: "Speaking candidly to the press, she and the reporters plotted her life's narrative from the innocent teenager snared into an impossible marriage to the emergence of a mature 'woman with experience.'" Kapadia is known for her assertive and moody nature; during the making of Janbaaz (1986), the director Feroz Khan remarked that he had never met a woman with her levels of "pent-up aggression".

After seeing the play on Broadway, deHavilland called Wyler and urged him to fly to New York to see what she felt would be a perfect role for her. Wyler obliged, loved the play, and with deHavilland's help arranged for Paramount to secure the film rights. Adapted for the screen by Ruth and Augustus Goetz and based on the 1880 novel Washington Square by Henry James, the film is about a young naïve woman who falls in love with a young man (Montgomery Clift), over the objections of her cruel and emotionally abusive father, who suspects the young man of being a fortune seeker. As she had done in Hold Back the Dawn, deHavilland portrayed her character's transformation from a shy, trusting innocent to a guarded, mature woman over a period of years.

Like an aniseed ball, the > mix of pop tunes and ballads are pleasant and consistent throughout, but at > the same time never too adventurous. The French lyrics may spoil the album > for some but the catchy tunes and lyrics (even though they may mean little > to the average English speaker) highlight the universal language of pop... > ...Sixteen-year-old Alizée is France's answer to the teen queen phenomenon. > With one notable exception: Alizée has real talent... In recent years, critics have commented upon the maturing of Alizée's image and style, and her being a growing artist full of "classy" sounds, and having a strong voice. They have observed how "Lolita", who had begun her career at the beginning of the new century, has transformed into a mature woman and accomplished singer throughout the years.

The Lady of the Aroostook is a novel about the passage of innocence to experience for a young girl and also about the breaking of old customs and traditions. At the beginning of the novel Lydia is a young innocent girl who has had little to no interactions with men. Throughout her journey on the Aroostook and her interactions with Staniford in particular, she begins to fall in love and pass from an innocent young girl to an experience mature woman. The love between Lydia and Staniford is considered to be very taboo at the time, not only because of how they came to be in love, during a journey in which Lydia was the only female on board the ship, but also because of the difference in their age and their status in society.

Among those Dark Gods whose identities have been discussed in the Order's publicly available material are a goddess named Baphomet who is depicted as a mature woman carrying a severed head, with the ONA stating that the name is of ancient Greek origin. In addition, there are entities whose names, according to Monette, are borrowed from or influenced by figures from Classical sources and astronomy, such as Kthunae, Nemicu, and Atazoth. Another of these acausal figures is termed Vindex, after the Latin word for "avenger". The ONA believe that Vindex will eventually incarnate as a human - although the gender and ethnicity of this individual is unknown - through the successful "presencing" of acausal energies within the causal realm, and that they will act as a messianic figure by overthrowing the Magian forces and leading the ONA to prominence in the establishment of a new society.

She was on hiatus for two years without work, during which she studied voice and piano. In late 2005, Luiza received invitations to record a new album and sign major labels in the country, but the record that she did was an album for a teenage audience as in her previous albums, but it hit the foot is turned down several contracts. Possi and her father opened their own label LGK Music, with distribution by EMI / Som Livre. That same year, she released the CD Listening Luiza, in the production of her father, marked the debut of Luiza MPB style centered on the theme of love and critically acclaimed, and considered her best work by launching the first of many watersheds in career of the singer with this album she left the image of teen pop singer, to be become a mature woman of the MPB.

Slovenská dokumentaristka získala Cenu Andreja Stankoviča (Prize for Susan Piussi. Slovak documentarist was awarded the Andrej Stankovič prize)” in: SME, June 27, 2013. Two years later, her documentary feature “Anjeli plačú (Angels Cry) (2005) was the favorite of cineasts at the International Documentary Film Festival in Jihlava (Czech Republic) and earned her the “Audience Award.”kul (i.e., culture page editor), “Cena pre Zuzanu Piussi. Slovenská dokumentaristka získala Cenu Andreja Stankoviča (Prize for Susan Piussi. Slovak documentarist was awarded the Andrej Stankovič prize)” in: SME, June 27, 2013. In 2008, Piussi's semi-documentary Babička (Grandmother) received media attention because it told the story “of an aging woman” who does not “want to give up love life.”kk, “Zuzana Piussi predstaví voyerský dokument o zrelej žene a mladíkoch (Susan Piussi presents a voyeuristic documentary about a mature woman and young men),” in: SME, March 8, 2010.

" Film maker and actor Terry Gilliam listed the film's Queen among his eight favourite villains, commenting how "truly strange" is that "vanity and beauty are what she's all about, yet the identity she assumes when she becomes the old beggar woman is practically the ugliest in all the kingdom."An interview in the February 1982 issue of Heavy Metal. Fairy tale lecturer Jack Zipes alike noted that "it is somewhat strange that the queen believes the mirror, for the picture of Snow White reveals that she is a pretty pubescent red-cheeked ordinary girl while the queen is a stunning beautiful mature woman who might easily win a beauty contest." Jim Lentz, Director of Animation Art at Heritage Auctions, said in 2015: "The Evil Queen is, to this day, one of the great villains of cinema, and she was at her terrifying best when she became the Old Hag and set off to destroy Snow White.