We retired them after a while, because they were getting very, very manky.
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"The texture of the background has this manky surface at the bottom," he said, with satisfaction.
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Derek Manky, global security strategist at cyber security firm Fortinet, said he thinks WannaCry is probably the worst that will come from the Shadow Brokers' publicly dumped toolkit, though the group may have held back from public revealing everything it obtained "Out of that batch, it is probably a high-water mark," Manky said.
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Chuck in half an onion (skin etc still on), some garlic cloves in their skin (crushed completely with the base of your hand), any manky old spring onions you've got lying round, perhaps a gnarly bit of celery, definitely an unpeeled carrot chopped in half, a huge piece of ginger chopped into a few bits.
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Lanky appears in his spin-off debut, Donkey Kong Barrel Blast as one the unlockable characters. In Donkey Kong Country, enemy orangutans known as Manky Kong appeared, but it is unknown if they have any relation to Lanky. Lanky Kong makes cameo appearances as a trophy in Super Smash Bros. Brawl and Super Smash Bros.
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In 1995, Freedman curated the show Minky Manky at the South London Gallery. At the time Emin was relatively unknown. Freedman, concerned that he would be accused of nepotism, challenged Emin to make a great work. The result was Emin's famous "tent" Everyone I have Ever Slept With 1963–1995, which was first exhibited in the show.
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In 1995, Freedman curated the show Minky Manky at the South London Gallery. Emin has said, The result was her "tent" Everyone I Have Ever Slept With 1963–1995, which was first exhibited in the show. It was a blue tent, appliquéd with the names of everyone she has slept with. These included sexual partners, plus relatives she slept with as a child, her twin brother, and her two aborted children.
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The slang manky, meaning "inferior" or "dirty", is thought to be linked in some way to manqué, possibly from the Scots word mankSND: Mank (maimed or defective)John Ayto (1991) Making Sense of Foreign Words in English but maybe via Polari.Ayto, op. cit. The ancestor of all these words is the Latin mancus (maimed or crippled; and, by transference, imperfect or incomplete Cassell's New Latin-English English-Latin Dictionary (D. P. Simpson, 3rd ed 1964)).
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In 1995, she was interviewed in the Minky MankyMinky Manky show catalogue by Carl Freedman, who asked her, "Which person do you think has had the greatest influence on your life?" She replied, "Uhmm... It's not a person really. It was more a time, going to Maidstone College of Art, hanging around with Billy Childish, living by the River Medway". In 1987, Emin moved to London to study at the Royal College of Art, where in 1989 she obtained an MA in painting.
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There has been a negative response to Issue 6 - Hidden Horrors in the Home in the magazine adaption of the book series. The article named "Loony Lab" in this Horrible Science Collection had a section called "Grow your own manky microbes". A complainant, a biology teacher and parent, described it as "irresponsible in the extreme". A plastic petri dish and sachet of agar powder are provided as a "free gifts", and children are encouraged to sample areas which may harbour disease-causing organisms (pathogens), such as a toilet handle, a dog's ear, or a "bogey".
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In 1991, the Serpentine Gallery presented a survey of this group of artists with the exhibition Broken English. In 1992, Charles Saatchi staged a series of exhibitions of Young British Art, the first show included works by Sarah Lucas, Rachel Whiteread and Damien Hirst. A second wave of Young British Artists appeared in 1992–1993 through exhibitions such as 'New Contemporaries', 'New British Summertime' and 'Minky Manky' (curated by Carl Freedman). This included Douglas Gordon, Christine Borland, Fiona Banner, Tracey Emin, Tacita Dean, Georgina Starr and Jane and Louise Wilson.
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The appointment of David Thorp as Director in 1992 brought what then came to be known as the South London Gallery into its present phase, when it espoused Britart and staged significant "cutting edge" exhibitions. The Gallery was the first venue for the showing of Tracey Emin's "tent", Everyone I Have Ever Slept With 1963–1995, when Carl Freedman curated the Minky Manky show in 1995. The show catalogue includes an interview with Emin. Other artists in the show were Sarah Lucas, Gary Hume, Damien Hirst, Mat Collishaw, Gilbert and George, Critical Décor and Stephen Pippin.
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The tent was square and coloured blue; its shape was reminiscent of the Margate Shell Grotto, with which Emin was very familiar from childhood; inside on the floor of the tent was the text, "With myself, always myself, never forgetting".Brown, p.84. The work was created during a relationship she had in the mid-1990s with Carl Freedman, who had been an early friend of, and collaborator with, Damien Hirst and who had co-curated seminal Britart shows, such as Modern Medicine and Gambler. In 1995, Freedman curated the show Minky Manky at the South London Gallery, where the tent was first shown.
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Freedman said one of the show's themes was: > the artist as a subject, and (to) explore the relationship between the art > on the wall and its creator, to make the whole thing more humanistic. And in > there somewhere there is the beginnings of a thesis on the relationship and > similarities between madness and modernism, for example, defiance of > authority, nihilism, examples of extreme relativism, strange transformations > of the self, irrationality, and things like that. Minky Manky then went to the Arnolfini gallery, Bristol. Two years later Emin staged a solo show I Need Art Like I Need God, which included a debate with artist Billy Childish about their former relationship.
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Lansley's white paper on the NHS led to him being the subject of an unflattering hip hop track and video written by rapper NxtGen and poet Rob Gee, with the chorus "Andrew Lansley, greedy / Andrew Lansley, tosser / the NHS is not for sale, you grey-haired manky codger". It was picked up as one of the theme tunes to the anti-cuts movement and spawned placards at a March for the Alternative in March 2011. The video, partly paid for by Unison featured NxtGen rapping about Lansley's proposed GP commissioning policy, his part in the parliamentary expenses scandal, and a controversial donation he had received from private health company Care UK.. Lansley responded with a statement that he was "impressed that he's managed to get lyrics about GP commissioning into a rap", but stated "We will never privatise the NHS". Following the widespread criticism, on 4 April 2011, the Government announced a "pause" in the progress of the Health and Social Care Bill to allow the government to 'listen, reflect and improve' on the proposals.
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