" Dr. Trump says exultantly, to a thunderclap outside. "Tremendous!
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Wilder celebrated, screaming "I told you" exultantly to the crowd.
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It contains broken bricks, household debris and also — "scattered across the rubble exultantly" — 148 notebooks.
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But also here is Hanson's hefty, exultantly banal "Housewife," slouching in her housecoat among cigarette stubs and magazines.
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Leading the throng in a hastily composed anti-Catholic refrain, the two have never seemed so exultantly alive.
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As the shooter put his hands to his face, the goalkeeper for Satri Angthong raced toward his teammates, punching the air exultantly.
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Though a slender fellow, Mr. Urie reads so exultantly big in this production that you almost forget the man who indelibly created Arnold.
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When he exultantly raises his arms above his head, full of joy and confidence, I know the decision to quit was the right one.
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BARBARA HAMMER I've admired this trailblazing artist's exultantly erotic "dyke tactic" films, as she calls them, for years, without knowing the rest of her output.
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David Dewhurst exultantly tweeted a map showing how many abortion clinics would have to close because of the inability of doctors to get the necessary admitting privileges.
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It was morally inconsistent to bow to an illegitimate system, so he went on the run instead, living exultantly for four months in "felonious vagrancy", the first-ever priest on the FBI's most-wanted list.
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The crowd of 65,133 exultantly exited the stadium Saturday chanting Lar-ry, Lar-ry, but Fitzgerald sang the praises of Palmer, whose 2014 season ended when he sustained a torn anterior cruciate ligament in his left knee and who rebounded Saturday from two interceptions, including one in the end zone.
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Here is the breakthrough. Exultantly dramatic, this it the most thrilling piece of theater on Broadway."Barnes, Clive. The New York Post, May 11, 1994 The New York Times review of the original Broadway production described it as an "unalloyed love story . . .
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When the prying Mrs. Travers arrives, Disraeli allows her to learn of the purchase, and she exultantly admits to her key part in sabotaging Myers. Thinking quickly, Disraeli summons Probert. Though the banker initially refuses to help, Disraeli forces him to sign a paper giving unlimited credit to Myers by threatening to have Parliament revoke the bank's charter.
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Indeed, the hearing, the sight and the heart - all those will be questioned. () And do not walk upon the earth exultantly. Indeed, you will never tear the earth [apart], and you will never reach the mountains in height. () Many Muslim theologians see the Golden Rule implicit in some verses of the Qur'an and in the Hadith.
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As Jesus and his followers arrive exultantly in Jerusalem, they are confronted by Caiaphas, who demands that Jesus disperse the crowd. Jesus instead greets the happy crowd ("Hosanna"). Then Simon the Zealot suggests that Jesus lead his mob in a war against Rome and gain absolute power. Jesus rejects this, stating that none of his followers understand what true power is ("Simon Zealotes/Poor Jerusalem").
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Meanwhile, Rufio, eating dates and resting after the day's battle, hears Caesar speaking somberly of his personal misgivings and predicting they will lose the battle because age has rendered him inept. Rufio diagnoses Caesar's woes as signs of hunger and gives him dates to eat. Caesar's outlook brightens as he eats them. He is himself again when Britannus exultantly approaches bearing a heavy bag containing incriminating letters that have passed between Pompey's associates and their army, now occupying Egypt.
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Brought in by guards, Raymond envisages his own doom, while the Baron exultantly announces that he will take Agnes to the chapel within the hour. However, Antoni reveals himself as the Baron's recent assailant in the forest and the one-time assistant of Inigo. He recalls how he carried off the Baron's lady-love, Ravella, who was thereupon struck dumb. The Baron silences him by offering a thousand ducats for Antoni to shoot dead the man who now stands in the Baron's way.
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The third movement, "His childhood years passed" (), is named again Chorus, marked "Moderato", set for mezzo-soprano and choir. The fourth movement, "From the cares of the dreary world" (), is named Aria (Ария), for the solo tenor, marked "Andante", an "aria of praise". The last movement, "Ever glorious and without compare" (), is named Hymn (Гимн) and marked "Moderato assai", set for all voices. It has been regarded as "a hymn, in which the two soloists join, exultantly taken up by the chorus, with a burst of joy at the close".
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Page gained international recognition in 1987 when she created the role of Pat Nixon in John Adams' opera Nixon in China, directed by Peter Sellars. She is on the Grammy Award-winning recording (Nonesuch) and the Emmy Award-winning PBS telecast on DVD. As published in The Guardian (London), "Carolann Page's lyric soprano exultantly ravishes the ear." Page also created the roles of Celia in the revised version of Carlisle Floyd's The Passion of Jonathan Wade, Mamah Cheney in Daron Hagen's Shining Brow, Doll in Hagen's Vera of Las Vegas, and Gayle in Michael Tippett's The Ice Break (in concert).
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The play begins on the first anniversary of their father's death, but it is also Irina's name-day, and everyone, including the soldiers (led by the gallant Vershinin) bringing with them a sense of noble idealism, comes together to celebrate it. At the very close of the act, Andrei exultantly confesses his feelings to Natasha in private and fatefully asks her to marry him. Act two begins almost a year later with Andrei and Natasha married with their first child (offstage), a baby boy named Bobik. Natasha is having an affair with Protopopov, Andrei's superior, a character who is mentioned but never seen onstage.
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The von Faninals' palace The next day, Herr von Faninal exultantly and Sophie nervously await the arrival of the Rosenkavalier ("Ein ernster Tag, ein grosser Tag!"). Following tradition, Faninal departs before the Knight appears, saying that he will return with the bridegroom. Sophie prays to keep her sense of humility through all the rapid changes happening in her life, but she is repeatedly interrupted by her duenna, Marianne, who reports from the window on the Rosenkavalier's elaborate entourage ("In dieser feierlichen Stunde der Prüfung"). Octavian arrives with great pomp, dressed all in silver, and presents the silver rose to Sophie ("Mir ist die Ehre widerfahren...").
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1994, p. 100. Ben Brantley of The New York Times described The Secretaries as a "sometimes very funny, exercise in subverting American images of womanhood" that "plays on anxious male fantasies of what women do when they’re alone together; straight women's fantasies of lesbians (they're predatory)". Reviewers also agreed that the show was too long for a plot that is forecast from the opening scene: "What [Director Kate Stafford] doesn’t do is edit…the last half hour of the play drags, in part because the climax has been foretold but mostly because of repetition". While the show was not without its critiques, most reviewers also noted that the show had an enthusiastic audience: "Judging from the exultantly knowing audience reactions the night I saw the play, this cult of man-sawing office girls seems destined to find a cult of its own".
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Steerpike might be called the antagonist of the Gormenghast trilogy, but in truth he is more of an anti-hero; the first book for example is largely focused on him, only covering the first year of the eponymous hero Titus's life. Steerpike could also be considered an archetypal Machiavellian schemer: a highly intelligent, ruthless character willing to justify any and all means to reach his end. In the books, Mervyn Peake describes his personality as follows: > if ever he had harboured a conscience in his tough narrow breast he had by > now dug out and flung away the awkward thing — flung it so far away that > were he ever to need it again he could never find it. High-shouldered to a > degree little short of malformation, slender and adroit of limb and frame, > his eyes close-set and the colour of dried blood, he is climbing the spiral > staircase of the soul of Gormenghast, bound for some pinnacle of the itching > fancy — some wild, invulnerable eyrie best known to himself; where he can > watch the world spread out below him, and shake exultantly his clotted > wings.
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