"Look, it's living," Ms. Van den Hout said rhapsodically as she rubbed her fingers over the wood.
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In a way, this ardent, rhapsodically lyrical and daringly long scene poignantly humanizes the demon and his beloved mortal.
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" In the interlude "Can I Hold the Mic," Solange explains, rhapsodically: "I can't be a singular expression of myself.
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Mr. Skrowaczewski often recalled, rhapsodically, that as a boy he would sit beneath the piano at home and imagine that he was hearing an organ play.
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Opening it in what is perhaps his only moment of passion, he rhapsodically daydreams about their lives and deaths, revealing a narrative impulse that also colors his back story.
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While these ground rules make cheating a nonissue for Kaufman, the public embarrassment of having one's every fondle logged rhapsodically, even with an A-plus report card, can make a man somewhat self-conscious entering a restaurant.
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The summit between Kim and Moon last month appears to have reinvigorated talks between the Koreas and the US which were beginning to waver, with Moon later passing on a message from Kim to Trump that had the US President waxing rhapsodically about their relationship.
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In contrast to the collage forms employed by Carter in the 1970s, the Fourth Quartet (similar to the nearly contemporaneous Triple Duo and Penthode) begins with an opposition of instrumental forces and then moves toward a rhapsodically accelerating finale that draws these opposed instruments into a continuous melodic line.Schiff 2001, §5 "Late Works". The quartet can be heard as "an intensifying dispute, accompanied by a rising sense of intoxication".Schiff 1998, 89.
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When I hear music, I prefer to > lose myself in it, not drift outside in my own personal world with the music > as a decorative and distant background.Critical Entertainments pp. 1–2. In pursuing this goal, Rosen often appealed to technical aspects of musical description, including the theories of harmony and musical form. In a New Yorker blog post, Jeremy Denk rhapsodically describes this aspect of Rosen's work: > My favorite, life-changing parts of The Classical Style are the blow-by-blow > accounts of great passages of music in the wonkiest of terms.
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The third improvisation is a brilliant orchestral toccata; Howes calls it "a rumbustious affair with a good deal of percussion, glissandi for horns and harps, use of the piccolo and such excitements."Howes, p. 108 The fourth, for unaccompanied cello, is marked "rhapsodically" (rapsodicamente), and has wide fluctuations of speed; it ends with high trills, which merge into the coda. The coda refers back to themes from the first movement, first an upward-striving figure from its central section and then the opening melody, before the theme of the finale returns in compressed from, leading the movement towards a quiet, luminous ending, and a bottom C from the cello.
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