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"craft union" Definitions
  1. a labor union with membership limited to workers of the same craft— compare INDUSTRIAL UNION

54 Sentences With "craft union"

How to use craft union in a sentence? Find typical usage patterns (collocations)/phrases/context for "craft union" and check conjugation/comparative form for "craft union". Mastering all the usages of "craft union" from sentence examples published by news publications.

In Hollywood, organized labor operates on the craft union model.
Plus the whole thing was shot on iPhone 5s, which doesn't endear such an enterprise to the craft union members who comprise most of the Academy voting blocs.
Employers find it easier to enforce one bad contract, then use that as a precedent. Employers could also show favoritism to a strategic group of workers. Employers also find it easier to outsource the struck work of a craft union. A craft union with critical skills may be able to shut down an entire industry.
She is an honorary member of the Kouvola Artists Association, Artists Association of Amazon, Nicaraguan Artists Union and Solentiname Art and Craft Union.
By 1934, the AFL had successfully organized 32,500 autoworkers using the federal labor union model. Most of the leadership of the craft union internationals that made up the federation, advocated for the FLU's to be absorbed into existing craft union internationals and for these internationals to have supremacy of jurisdiction. At the 1933 AFL convention in Washington, DC John Frey of the Molders and Metal Trades pushed for craft union internationals to have jurisdictional supremacy over the FLU's; the Carpenters headed by William Hutchenson and the IBEW also pushed for FLU's to turn over their members to the authority of the craft internationals between 1933 and 1935. In 1934, one hundred FLUs met separately and demanded that the AFL continue to issue charters to unions organizing on an industrial basis independent of the existing craft union internationals.
The regular General Assembly of the Knights of Labor met in Richmond, Virginia in October 1886. Once more, Powderly was unable to bring the Philadelphia agreement up for debate or a vote. Anti-craft union delegates passed a resolution ordering all members of the Cigar-Makers' International Union to leave that organization and join the Progressive Cigar-makers or forfeit their membership in the Knights. Another resolution set up new national assemblies of craft union members, a direct challenge to FOTLU's international unions.
Those efforts led in turn to the transformation of the Teamsters from a craft union, made up of locals with a parochial focus on their own craft and locality, into a truly national union.
Since its founding in 1886, the American Federation of Labor had pursued a highly conservative, pro-business, craft union approach to labor policy. It aligned itself with the pro-business National Civic Federation; largely excluded African Americans, women, and immigrants from its unions; and through the craft union system largely and purposefully excluded most workers from the benefits of union protection.Altenbaugh, p. 396-397. Brookwood's assumption that a new social order was not only needed but was quickly coming conflicted directly with the vision of the AFL.
In October 1943, the PWOC officially became the UPWA.Halpern, Down on the Killing Floor, pg. 190. Its headquarters was located in Chicago. The UPWA's rival union was the Amalgamated Meat Cutters and Butcher Workmen, an older AFL craft union.
American Can Co., 13 NLRB 1252 (1939). The rationale was that established labor relations should not be upset, and that craft union raids on industrial units should be avoided in the name of labor peace. In American Potash & Chemical Corp.,American Potash & Chemical Corp.
Brody, 1969, p. 130-132. Insistence on retaining its craft union identity kept it from establishing a stronger presence in the metals industries. The union was in crisis, however. The steel industry was growing quickly, and the skilled jobs in which AA members worked were disappearing.
The Hebrew Actors' Union (HAU) was a craft union for actors in Yiddish theater in the United States (primarily in New York City), and was the first actors' union in the United States. The union was affiliated with the Associated Actors and Artistes of America of the AFL.
Rainier Beer bottles, 1900. The Pacific Northwest economy during the nineteenth century was heavily rooted in extractive industries, mainly logging. Still, Seattle was becoming a city, and union organizing arrived first in the form of a skilled craft union. In 1882, Seattle printers formed the Seattle Typographical Union Local 202.
Negotiations between the two organizations continued for four months. Powderly pledged not to interfere in FOTLU affairs. But craft union members of the Knights were incensed at the treatment their fellow Knights had given them in Cleveland, and they continued to undermine the organization's leadership from within.Foner, 1955, p. 140.
The SPR hired the Pinkerton Agency to infiltrate and destroy the UBRE. One of the Pinkerton labor spy tactics was persuading workers to quit the industrial union and instead join a craft union. The defeat of the UBRE ended the last major attempt to organize North American railway workers into an industrial union.
Rather than simply organising the ditch diggers into one craft union and the dirt movers into another craft union, trade unionists sought to organise all people who moved earth into one union. Industrial unionism went one step further, claiming that all workers on one worksite, diggers, plasterers, engine drivers, cleaners, caterers, engineers, accountants and clerks should belong to one union, as part of a "construction industry." Industrial unionists sought to organise all workers into One Big Union which could then conduct a strike across the entire society and peacefully usher in socialism. The 1912 Brisbane General Strike showed the combined power of the labour movement, effectively operating as an alternative social administration for five weeks, undermining the power of the conservative government.
The streets were potholed, to the point where there was at least one fatal drowning. Union organizing first arrived in the form of a skilled craft union. In 1882, Seattle printers formed the Seattle Typographical Union Local 202. Dockworkers followed in 1886, cigarmakers in 1887, tailors in 1889, and both brewers and musicians in 1890.
As the craft union movement broadened, less skilled and rural workers began to organise. Australia was convulsed by a number of great strikes in the 1890s. The 1890 maritime strike saw the use of the military to combat protestors. The 1891 shearers' strike was broken after 13 union leaders were charged with sedition and conspiracy, and convicted.
ATDA operates mostly as a craft union representing railroad dispatchers. Specialized forms of dispatchers including trick train dispatchers, night chief dispatchers and assistant chief dispatchers are also members of the union. The organization also represents the crafts that provide power to electrified trains, mostly on commuter lines. The titles in this jurisdiction are power supervisors, power directors and load dispatchers.
The Directors and Editors Guild of New Zealand is not a union. Consideration of whether or not the Guild was to become a craft union was discussed in 2000 when the Labour Government passed the Employment Relations Act making collective bargaining possible. However, because the majority of Guild members continued to see themselves as freelance operators, there was never unified support for unionization.
The battle between the craft and industrial union philosophies led to a major membership loss for the AFL in 1935. In the first years of the Great Depression, a number of AFL member unions advocated for a relaxation of the strict "craft union only" membership policy but to no avail.Bernstein, Irving. The Turbulent Years: A History of the American Worker, 1933-1941.
The craft union itself was eventually defeated by mechanization, although a decade later only five immigrants remained in North Adams. Those that did move out eventually moved to Boston to found their Chinatown. The United States passed the Chinese Exclusion Act in 1882, further restricting immigration to the country and continuing the gender imbalance that started with the laborers for many years to come.
The government brought the strike to an end by exempting craft union members such as ASE engineers from military service. However when this policy was reversed in May 1917, this met by a strike involving 200,000 workers in 48 towns. The Shop Stewards Movement arose from organising this strike. In 1917, a National Administrative Committee was established for what was named the Shop Stewards' and Workers' Committees.
In the 1880s ASLEF's foundation as a craft union exclusively for one defined part of the railway workforce went against the industrial unionist trend of the New Unionism movement. In 1880, the ASRS denounced the enginemen's decision as "very selfish" and "an act of folly"Raynes, 1921, p. 40. and declared "the sooner our friends the enginemen... give up the idea of forming a separate Association the better".McKillop, 1950, p. 25.
Edward Ernest Friend (died 14 February 1948), also known as Teddy Friend, was a British trade union leader. Friend worked in London as a bookbinder, specialising in binding account books using vellum. This was a small but established trade, and he joined a craft union, the Vellum (Account Book) Binders' Trade Society. Friend was an early supporter of the Labour Representation Committee and its successor, the Labour Party, in which union president Frederick Rogers was prominent.
In 1865, cabinet makers in London went on strike and won a 10% increase in wages. This success inspired them to form the "Alliance Cabinet Makers' Association". This largely followed a craft union model, requiring high contributions from members, and insisting that members only took on apprentices who were closely related to union members. However, the union accepted all workers in the trade into membership, and was able to make high payments to members in need.
Plutarco Elías Calles at the American Federation of Labor Building, 1924. Calles's candidacy was supported by labor and peasant unions. The Laborist Party which supported his government in reality functioned as the political-electoral branch of the powerful Regional Confederation of Mexican Workers (CROM), led by Luis N. Morones. Morones had a national reputation as a labor leader and had forged an alliance with Samuel Gompers, head of the American Federation of Labor, a moderate craft union organization.
Many Greenback activists, including 1880 Presidential nominee James B. Weaver, later participated in the Populist Party. By the middle of the 1880s, Greenback Labor nationally was losing its labor-based support, in part as a result of craft union voluntarism and in part as a result of Irish defections back to the Democratic Party.Gwendolyn Mink, Old Labor and New Immigrants in American Political Development; Union, Party, and State, 1875-1920. Ithaca, NY: Cornell University Press, 1986; pg. 87.
Theoretically, after organizing in an industry was complete, the FLUs would be broken up and the workers parceled out to the appropriate craft union. Although a number of AFL affiliates protested the use of FLUs, Green put them off — declaring that the FLUs were but temporary organizing devices.Zieger, 22–23; Phelan, p. 79-81. The AFL seemed committed to organizing with FLUs, and to organizing the steel industry. Between 1932 and 1934, the number of FLUs had risen to 1,798 from 307.
In that film he even played a bit role as a television stage director. He also was a cinematographer, along with Morris Kellman, on the popular children's television show Diver Dan. Wilson continued as an active cinematographer well into his seventies, filming college football highlights for the United States Military Academy at West Point. Mr. Wilson was a lifelong member of IATSE, the International Alliance of Theatrical Stage Employees, Local 644 (now 600), the craft union of motion picture cameramen.
176-77; Foner, 1955, p. 138-39. Additionally, the collapse of the Southwest rail strike was putting pressure on Powderly to seek breathing room. Powderly not only agreed to the terms proposed by FOTLU, he left the Philadelphia meeting pledging to bring the proposal before a special convention of the Knights which would meet in Cleveland, Ohio on May 24, 1886. But delegates to the Cleveland convention, dominated by anti-craft union activists, never permitted the agreement to come up for discussion.
Other iron and steel unions had also formed in the post-Civil War period, and in 1873 merger of the largest unions was proposed. The Associated Brotherhood of Iron and Steel Heaters, Rollers, and Roughers had formed in Chicago, Illinois, in 1861. This craft union recruited the skilled workers who rolled steel in railroad track mills, but soon expanded its membership to rollers throughout the iron and steel industry. Another union, the Iron and Steel Roll Hands of the United States, formed in Chicago in 1870.
But what this meant is unclear. Labor historian Philip S. Foner argued that Brookwood's political leanings were radically left-wing, but historian Francis Ryan contends the leadership and faculty ran the gamut from center-left to Marxist. William Green biographer Craig Phelan describes the faculty as mostly progressives and labor reformers, few of whom supported the craft union and conservative trade union policies of the AFL. Any generalization is difficult since, as Ryan points out, no single political orthodoxy governed the college's faculty or students.
While Gompers extended his hand, AFL internationals prohibited affiliation of locals that were also connected to the WLU.David Brundage, The Making of Western Labor Radicalism: Denver's Organized Workers, 1878-1905, 1994, page 144. The AFL chose to make Denver, location of the headquarters of the WFM, a battleground to contest new unions with the WLU, using the Denver Trades Assembly (DTA) as a focal point in the struggle. In October 1901, the DTA voted narrowly to refuse admittance to any local that was not affiliated with their respective international craft union.
The jobs these workers had were stable, paid a living wage, provided pensions, and offered long-term employment. Within the last 20 years, the highly competitive and mobile nature of US firms has resulted in outsourcing and subcontracting practices. These widespread practices have negative impacts on workers: lower wages, little/no access to benefits, decreased hours, and no pension. Not only are unions being dismantled by neoliberal policies, but the precarious work that has risen out of the US economy no longer identifies with craft union practices as low wage workers are facing different challenges.
James Swift (1841 or 1842 - March 1904) was a British trade unionist. Swift was elected as general secretary of the Steam Engine Makers' Society in 1874. The craft union he headed, though fairly small, was one of the longest- established trade unions in the UK."Trade Unions: IV - the Steam-Engine Makers' Society", Manchester Guardian, 3 March 1881 Based in Manchester, Swift soon became one of the best-known trade unionists in the region. He represented the union at the Trades Union Congress (TUC), being elected to the Parliamentary Committee of the TUC in 1886, and as its Chairman in 1889.
As a union that seeks to organize an individual profession, rather than multiple professions across an industry, the DGA is a craft union. It represents directors and members of the directorial team (assistant directors, unit production managers, stage managers, associate directors, production associates, and location managers (in New York and Chicago)); that representation includes all sorts of media, such as film, television, documentaries, news, sports, commercials and new media. The guild has various training programs whereby successful applicants are placed in various productions and can gain experience working in the film or television industry. , the guild had more than 18,000 members.
Although the federation was birthed as the result of a violent struggle and had engaged in a militant action in the Cripple Creek District in which miners used gunfire and dynamite, the organization's disposition and its Preamble envisioned a future of arbitration and conciliation with employers. After the Leadville strike, WFM leaders and their followers adopted radical politics and were open to more militant policies, breaking with the conservative, craft union based American Federation of Labor in the East.There is a difference between union militancy and union radicalism. Some of the most conservative unions have been quite militant.
In addition, no fewer than three other unions were established in the next two years, each a craft union attempting to carve out a specific niche. These included the Poster Artists' Association of America (PAAA, established 1899), the Paper Cutters Union (established 1900), and the International Association of Stone and Plate Preparers of the United States and Canada (established 1900).Fink, "Lithographers and Photoengravers International Union (LPIU)," pg. 186. If the workers in the lithographic industry, largely concentrated in New York City, found themselves splintered into six tiny organizations, the major employers in the industry were not.
As a result of this defeat, in 1879, drivers and firemen from Griffithstown, Pontypool, South Wales, started to organise to form a craft union separate from the ASRS. At the time there were similar moves in parts of England towards founding an enginemen's union. A large number of drivers and firemen met in Birmingham met on 9 December 1879 and resolved to form a National Society of Drivers and Firemen. There was a similar move by Manchester, Sheffield and Lincolnshire Railway drivers and firemen at Sheffield, whom the Pontypool group called "the first founders of the Society".McKillop, 1950, p. 30.
In 1922, Marion Dutton Savage cataloged the disadvantages of craft unionism, as observed by industrial union advocates. These included "distressingly frequent disputes between different craft unions" over jurisdiction; modern industry results in a constant process of phasing out old skills; one trade doing the struck work of another entity is a frequent dilemma; expiration of contracts can be staggered, hindering coordination of strikes. Industrial unionists observe that craft union members are more often required by their contracts to cross the picket lines established by workers in other unions. Likewise, in a strike of (for example) coal miners, unionized railroad workers may be required by their contracts to haul "scab" coal.
The AIMPE official website recognises the conflict of interest it has, that marine engineers have, "endeavoured to find a commonality of interest with their employers" in "a world where capitalist efficiency could lead to excesses against which workers felt it necessary to protect themselves by combining for fair wages and conditions." The AIMPE has historically been divided between a professional organisation supporting the bosses (much like APESMA), while also having the anti-boss "Not for one but for all" mentality of a trade union. The AIMPE began as a craft union, using a monopoly on skill to bargain with employers. The general increase in the level of skill over the 20th century has broken this skill monopoly.
He also tried to arrange a merger between it, the National Amalgamated Furnishing Trades Association (NAFTA), the Amalgamated Union of Cabinetmakers and the Amalgamated Society of French Polishers, but discussions in both 1909 and 1913 failed as agreement could not be reached on levels of membership fees and benefits. The union became involved in demarcation disputes, but these were resolved by 1915, when it was permitted to rejoin the Trades Union Congress and affiliate to the Federation of Engineering and Shipbuilding Trades. From 1918, it ceased to act as a craft union by admitting all workers in the trade, regardless of their perceived level of skill. It also began admitting women for the first time.
The AFL continued to fight the CIO, forcing the NLRB to allow skilled trades employees in large industrial facilities the option to choose, in what came to be called "Globe elections," between representation by the CIO or separate representation by AFL craft unions. The CIO now also faced competition, moreover, from a number of AFL affiliates who now sought to organize industrial workers. The competition was particularly sharp in the aircraft industry, where the UAW went head-to-head against the International Association of Machinists, originally a craft union of railroad workers and skilled trade employees. The AFL organizing drives proved even more successful, and they gained new members as fast or faster than the CIO.
In the fall of 1945, Millis returned to the University of Chicago. He became senior adviser to the newly formed Industrial Relations Center, and (with former student Emily Clark Brown) began a major analysis of federal labor policy. Their co-authored work, From Wagner Act to Taft-Hartley: A Study of National Labor Policy and Labor Relations, had just been completed when he died. Millis was critical of the Board in his last years. The Madden Board had held in American Can Co., 13 NLRB 1252 (1939) that a smaller craft union should not be created if there was any history of industrial union bargaining with the employer.Gross, The Reshaping of the National Labor Relations Board: National Labor Policy in Transition, 1937-1947, 1981, p. 250.
Many companies prefer no union whatsoever. However, when given the choice of an industrial union or a craft union, companies appear to prefer organization by craft unions. As an example, after the American Railway Union was destroyed, Eugene Debs, who had read Marx while serving his sentence, turned to politics, seeking solutions to the problems of working people through socialism. Some railroad workers in Indiana, Kansas, and Illinois who had been a part of Debs' ARU in 1894 resented the fact that Debs turned to socialism for, > ...[Debs] had left them without a fighting industrial union and forced them > to enter the scab craft movements after he changed the ARU to a political > movement... There was an effort to establish a new industrial union to take the place of the railroad brotherhoods.
The earliest recorded local of the MMWIU was in Bridgeport, Connecticut in 1907. A number of machinists' locals were also active under the IWW around that time, which dated from a period when a large number of craft union locals were switching their affiliation to the IWW, and whose organizational structure did not fit the IWW's vision of industrial unionism. Machinist locals existed in Kansas, Illinois, Massachusetts, New York, Pennsylvania, Virginia, Connecticut, Ohio, and Hamilton, Ontario. However, these were for the most part simple descriptive labels attached to IWW branches, and it would be some time before an international MMWIU administration would be formed, which would allow the union to begin to operate as a subsidiary organization under the IWW, rather than as a direct part of it.
Workers and police battle in Minneapolis in June 1934. Roosevelt's first term saw a massive amount of labor upheaval. In 1934 alone, there was the 1934 West Coast waterfront strike that brought all of San Francisco into a four-day general strike, the Minneapolis Teamsters Strike of 1934 that brought the Teamsters and other unions out for a strike causing the governor to declare martial law, the 1934 textile workers strike that brought hundreds of thousands of textile workers on the East Coast out on strike, as well as other strikes. The Industrial Workers of the World (IWW) and the communists no longer being a force in the labor movement, the conservative American Federation of Labor, which organized along craft union lines and which preached labor/capital cooperation, dominated the U.S. labor movement until the 1930s.
The Aircraft Mechanics Fraternal Association (AMFA) is an independent craft union representing aircraft maintenance technicians and related employees (ground equipment technicians, maintenance controllers, plant maintenance technicians, facilities maintenance technicians, appearance technicians, maintenance instructors) in the United States. AMFA is committed to the principles of craft unionism. It only seeks to represent aircraft maintenance technicians and related employees, a "craft or class" recognized by the National Mediation Board under the Railway Labor Act applied to airlines. It believes that three characteristics in particular separate AMFA from all other unions: first, direct member control over their local and the finances of it; second, a democratic process where officers are elected instead of appointed, and those same officers can be recalled by the membership; and third, open negotiations where members are invited to attend and participate in collective bargaining sessions.
For example, in the building trades, all carpenters belong to the carpenters' union, the plasterers join the plasterers' union, and the painters belong to the painters' union. Each craft union has its own administration, its own policies, its own collective bargaining agreements and its own union halls. The primary goal of craft unionism is the betterment of the members of the particular group and the reservation of job opportunities to members of the union and those workers allowed to seek work through the union's hiring hall. This distinction between craft and industrial unionism was a hotly contested issue in the first four decades of the twentieth century, as the craft unions that held sway in the American Federation of Labor sought to block other unions from organizing on an industrial basis in the steel and other mass production industries.
In 1935 the FLUs representing autoworkers and rubber workers both held conventions independent of the craft union internationals. By the 1935 AFL convention, Green and the advocates of traditional craft unionism faced increasing dissension led by John L. Lewis of the coal miners, Sidney Hillman of the Amalgamated, David Dubinsky of the Garment Workers, Charles Howard of the ITU, Thomas McMahon of the Textile Workers, and Max Zaritsky of the Hat, Cap, and Millinery Workers, in addition to the members of the FLU's themselves. Lewis argued that the AFL was too heavily oriented toward traditional craftsmen, and was overlooking the opportunity to organize millions of semiskilled workers, especially those in industrial factories that made automobiles, rubber, glass and steel. In 1935 Lewis led the dissenting unions in forming a new Congress for Industrial Organization (CIO) within the AFL.
Dickinson worked as a film editor on such features as Love's Option (1928), Auld Lang Syne (1929), Loyalties (1933) and Sing As We Go! (1934). His first directorial experience was on Java Head (1934), when he took over after J. Walter Ruben became ill and was unable to continue. He became Vice-President of the Association of Cine-Technicians in 1936, observing the Soviet film industry for the craft union the following year,Peter Swaab "Turning up the wick on the Gaslight man", The Times, 18 September 2008 remaining in the post until 1953. Dickinson's first feature film, starring Lionel Atwill and Lucie Mannheim, was The High Command (1937), for which he formed the short-lived Fanfare Pictures with Gordon Wellesley. He visited Spain during the Civil War and made two documentary shorts, one of which Spanish ABC (1938) "is a sober advocacy of the educational policy of Republican Spain". At short notice, Dickinson took over direction of Gaslight (1940).
The American Federation of Labor (AFL) was a national federation of labor unions in the United States founded in Columbus, Ohio, in December 1886 by an alliance of craft unions disaffected from the Knights of Labor, a national labor union. Samuel Gompers of the Cigar Makers' International Union was elected president at its founding convention and reelected every year, except one, until his death in 1924. The AFL was the largest union grouping in the United States for the first half of the 20th century, even after the creation of the Congress of Industrial Organizations (CIO) by unions which were expelled by the AFL in 1935 over its opposition to industrial unionism. The Federation was founded and dominated by craft unions throughout its first fifty years, after which many craft union affiliates turned to organizing on an industrial union basis to meet the challenge from the Congress of Industrial Organizations (CIO) in the 1940s.
Although North American railroad workers were among the first to organize craft unions in the 19th century, by the mid-20th century they faced exceedingly challenging conditions. The shift from steam to diesel locomotives threatened the work of firemen who stoked the fireboxes and tended the boilers that produced steam power; the automatic handling and dispatching of freight cars jeopardized employment for yardmen; the increasing use of computers limited opportunities for railway clerks; and the development of air transportation and the interstate highway system significantly cut into private railroad transportation and the rail freight industry. As competition increased, and efficiency and productivity became industry watchwords, the craft union's power to counterbalance cost-cutting measures declined, an economic and political shift well-illustrated by government sanctioned decisions in Canada (in 1958) and the U.S. (in 1963) to eliminate firemen jobs on diesel engines in freight and yard service. In fact between 1950 and 1968, the number of U.S. railroad workers dropped from 1.2 million to around 600,000, a significant blow to craft union membership and influence.

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