With his chiseled jaw and coiffure, he looked suave, sexy and svelte.
|
|
It has a great location, surrounded by amenities, including the Jet Coiffure salon.
|
|
What makes The Donald Trump sandwich exceptional, though, is that it nails DT's coiffure.
|
|
Or maybe the honor should really go to Thomas Rhett and his babely brunette coiffure?
|
|
The images of hands praying over the President's distinctive coiffure caught fire on social media.
|
|
The evolution of Trump's coiffure over the decades has been widely noted and thoroughly documented.
|
|
Joan joins them, suddenly transformed into her former self—gorgeous red gown, diamond earrings, familiar dark brown coiffure.
|
|
A representative for Disney Animation told INSIDER Buck gave Ursula's hair the coiffure she has in the film.
|
|
It is the blond Jacko label featuring a little boy whose coiffure is made up of little bananas.
|
|
She lived a lavish Hollywood lifestyle and was rarely photographed without jewels as bright as her platinum coiffure.
|
|
With "Chez Jolie Coiffure," Mbakam turns her camera to the experiences of others who have left their families behind.
|
|
The over-all effect is lurid, nasty, and naggingly memorable, not least for the splendor of Eastwood's leonine coiffure.
|
|
And then there's Mr. Trudeau himself, a colossal disappointment for liberals and conservatives alike, despite his Superman-style coiffure.
|
|
Like his bizarre, pumpkin-colored coiffure, the President's complexion has been an unnatural phenomenon for at least a decade.
|
|
Is there a different man in private that we just never see, aside from the occasional joke about his coiffure?
|
|
Seeing her potential, he invested in a complete makeover — coiffure, teeth straightening, gowns — and ingeniously guided her into the spotlight.
|
|
Facing forward with his hands on his belly, the hair on the back of his head shows off his elaborate coiffure.
|
|
And her regal, immaculate, 1940s style of dress and coiffure doesn't lend itself to hugging a slobbering dog beside the chimney.
|
|
This spring, Mr. Lenglain, who said he had lost over 40 percent of his business, shut down the salon, Charelric Coiffure.
|
|
Critic's Pick 'The Two Faces of a Bamileke Woman' and 'Chez Jolie Coiffure' offer Cameroonian women the chance to speak for themselves.
|
|
As every artist and repertoire department knows, a well-trimmed and en-vogue coiffure is the first and most essential step to stardom.
|
|
He embodied the music by giving it physical language, from his signature duck walk to his coiffure, which was equal parts structure and flair.
|
|
There have always been muxes who wore women's clothes, he said, as he tucked gypsophila and yellow chrysanthemums into a young woman's coiffure in his salon.
|
|
Mariuccia Casadio, an actual Warhol Factory alum, writer and contemporary art curator, arrived in an Arbesser knit with an arrow motif and a lilac-tinged coiffure.
|
|
Mr. Butts and Mr. Trudeau seemed to make a Liberal Party dream team — Mr. Butts a rumpled id to Mr. Trudeau's tidy coiffure and themed socks.
|
|
In "Napily Ever After," Lathan plays Violet Jones, a woman with a seemingly perfect life and coiffure who transforms mightily as her world starts to crumble.
|
|
Steve, for example, continues to play against the high-school heartthrob type, even sharing the dark secret behind his perfect coiffure with one of the young protagonists.
|
|
"Kulthum Saqqa" (1968-72) depicts a middle class woman sporting an elegant Western coiffure and silk shirt, looking directly at the camera with a dark, accusatory gaze.
|
|
In the 19th century, the actor Joseph Jefferson portrayed Peter Pangloss in the comedy "The Heir at Law" with a coiffure that suggested a horizontal volcanic eruption.
|
|
His hair was allowed to grow out to a length where almost any coiffure was possible, although it was usually arranged in ringlets with bangs over the forehead.
|
|
Unlike the Trump dummy who has just taken up residence at London's Madame Tussauds, the Parisian version uses human rather than yak hair to reproduce his distinctive coiffure.
|
|
His coiffure may move in impossibly strange ways, but swears his hair isn't fake; it's just the elaborate result of a combing technique that he perfected, he says.
|
|
As he awoke this morning, the Iberian sun beaming through his shutters and illuminating his gleaming blonde coiffure, his first thought must have been of his brother's misfortune.
|
|
A bare-breasted, shellshocked woman emerges from a field of scruffy black; the painting is called "Coiffure Pour Dame," identifying the setting as the world's most depressing beauty salon.
|
|
For all his diminutive size (he is 5-foot-7), idiosyncratic coiffure, and penchant for self-deprecation, in person Moniz radiates an easy confidence and command of the issues.
|
|
The intense red of Degas's "La Coiffure" finds echoes in Matisse's expanses of rich colour; the thick limbs of Cézanne's bathers find their counterpart in his monumental sculpture "Back III".
|
|
Some breeds in the competition, and it's not clear exactly why it has turned out this way, are groomed to look like escapees from the Over-the-Top Coiffure Convention.
|
|
Leila, who was there with her older cousin, told Mashable that the customers in Mes Haires Coiffure hid in the basement when they heard gunshots and remained there for an hour.
|
|
In spite of the exact technique such cuts demanded, Mr. David described himself to The New York Times in 1977 as anti-coiffure, emphasizing his unfussy style's break from the past.
|
|
Ms. Garland (who appeared in several Roger Corman productions, including "It Conquered the World," but more steadily worked in television) cheerfully changes coiffure, and, in character as Casey, enjoys demonstrating her range.
|
|
" And disappointment with it Also in Opinion, Scaachi Koul, a culture writer for BuzzFeed, declared Prime Minister Justin Trudeau "a colossal disappointment for liberals and conservatives alike, despite his Superman-style coiffure.
|
|
On Wednesday, Vogue archive editor Laird Borrelli-Persson mused that Nyong'o was drawing from a 1963 photo shoot Audrey Hepburn did with Vogue, citing a similarity between Nyong'o's sculpted coiffure and Hepburn's beehive.
|
|
Also from 2012 (and a bit larger) is a more abstruse but no less engaging portrait of a youngish woman with oversized eyeglasses, an aqua blue swimsuit and a sculpted, coppery-orange coiffure.
|
|
That antagonist was played by the actress Selena Gomez, who appeared in a black wig and dark makeup that some said was quite similar to Ms. Perry's coiffure and look at the time.
|
|
Despite his disclaimer that "no character is a representation of anyone who has lived," Kajevic is plainly modeled on the real Karadzic, from his elaborate coiffure to his towering arrogance and blithe brutality.
|
|
Donald Trump has also complained that immigrants are keeping Americans from good jobs and has promised to do something about it (another parallel: not since Kennedy has America seen such an astonishing presidential coiffure).
|
|
In her 20s, Ms. Kahlo started wearing her own interpretation of traditional Tehuana dress: full skirts, embroidered blouses and regal coiffure associated with a matriarchal society from the Isthmus of Tehuantepec in Oaxaca, Mexico.
|
|
Written near the end of the George W. Bush administration, the sketch can also accommodate the worldview of Donald Trump, whom the impressionist Jon Culshaw evokes with the inevitable orange hue and blond coiffure.
|
|
From the workshop of the 16543th-century painter Pisanello comes a sheet with five drawn of heads of young boys, each with a distinctive coiffure, and each ready to be, basically, Photoshopped into a painting.
|
|
In addition to her famous serpentine coiffure, Medusa was said to have two kinds of blood coursing through her veins: on her left side, her blood was lethal; on her right side, it was life-giving.
|
|
By contrast, in "Chez Jolie Coiffure," Mbakam positions her camera inside the world that she films, watching and speaking with Sabine, a braider from Cameroon who tends to the hair and welfare of her community in Brussels.
|
|
Braving cold weather in lawn chairs and under tents, they waved "Trump 2020" flags, decorated their dogs in pro-Trump bandanas and sported versions of his red campaign hat decorated with hair that evoked the Republican's distinctive coiffure.
|
|
Advertise on Hyperallergic with Nectar Ads For the first three days of the Republican National Convention, a super-sized version of Donald Trump's signature coiffure swept its way across Cleveland, inviting anyone to enter its gleaming, golden locks.
|
|
A metaphor for how he views his rapping abilities, an accessory to complement his towering Basquiat coiffure, an archetypal rapper flex, or possibly all of the above—Watson is just happy that he has the funds for something frivolous.
|
|
On Belanger's table are a loose eyeball, crushed cigarettes, a wad of gum and a tongue emerging from a lipstick tube; in Smith's painting "Medusa Moderne," a disconsolate broomstick with a serpentine green coiffure hunches over a lineup of similar objects.
|
|
Even 21970 years later, parts of the show are still staples of pop culture: The upbeat theme song and Rubik's cube-style opening, "Marcia, Marcia, Marcia," the football moment and of course, Henderson herself -- with her big blue eyes and signature blonde coiffure.
|
|
Margaret Vinci Heldt, a Chicago beautician who, with the aid of hair spray and a favorite hat, redefined coiffure for women of the 1960s and the decades beyond when she created the sky-scraping hairdo known as the beehive, died on Friday in Elmhurst, Ill.
|
|
At the Mondial Coiffure et Beauté on September 11th-12th Bruno Le Maire, a centre-right would-be candidate on his way to a lesson in lissage brésilien (Brazilian hair-straightening), bumped into Emmanuel Macron, an aspirant from the left, fresh from a barber's shave.
|
|
With his air of disarrayed befuddlement, his crazy coiffure, his idiosyncratically imaginative P.G. Wodehousian locution, his habit of slipping into Latin and Greek, his foot-in-the-mouth self-deprecation and his obvious delight in himself, he oozes a charm rarely seen in politicians.
|
|
" L'enjeu est bien plus important pour la famille royale que pour nous — c'est toute une histoire qu'ils l'aient autorisé ", juge Theresa Ikolodo, 45 ans, secrétaire de direction qui patiente dans un salon de coiffure au sud de Londres pendant que son amie se fait tresser les cheveux.
|
|
Lila, the beautiful girl whom the provincial kid stumbles upon in the woods as a boy and can't ever forget, is a reference back to the princess in Alain-Fournier's "Le Grand Meaulnes," while her trimmed hair is a reference forward to the signature coiffure of Jean Seberg herself.
|
|
Wandering the grandstand's lowest level mid-race, I met Molly and her friend Johnny Angel, who'd driven up at from Sarasota at 6 AM. It can be fairly said that Molly's colorful coiffure and well-curated collection of punk pins distinguished her from the other fans in attendance.
|
|
You can see the influence in his still lifes from the 1960s: The watercolor "Nine Jelly Apples" (1964) depicts the candied fruits to advantage from a high angle, while the pencil drawing "Ice Cream Cone" (1964) places the titular treat front and center, its edges as carefully teased as a model's coiffure.
|
|
You can see the influence in his still lifes from the 1960s: The watercolor "Nine Jelly Apples" (19703) depicts the candied fruits to advantage from a high angle, while the pencil drawing "Ice Cream Cone" (1964) places the titular treat front and center, its edges as carefully teased as a model's coiffure.
|
|
You can see the influence in his still lifes from the 1960s: The watercolor "Nine Jelly Apples" (1964) depicts the candied fruits to advantage from a high angle, while the pencil drawing "Ice Cream Cone" (33) places the titular treat front and center, its edges as carefully teased as a model's coiffure.
|
|
You can see the influence in his still lifes from the 5703s: The watercolor "Nine Jelly Apples" (1964) depicts the candied fruits to advantage from a high angle, while the pencil drawing "Ice Cream Cone" (1964) places the titular treat front and center, its edges as carefully teased as a model's coiffure.
|
|
You can see the influence in his still lifes from the 1960s: The watercolor "Nine Jelly Apples" (18933) depicts the candied fruits to advantage from a high angle, while the pencil drawing "Ice Cream Cone" (1964) places the titular treat front and center, its edges as carefully teased as a model's coiffure.
|
|
You can see the influence in his still lifes of the 1960s: The watercolor "Nine Jelly Apples" (1964) depicts the candied fruits to advantage from a high angle, while the pencil drawing "Ice Cream Cone" (1964) places the titular treat front and center, its edges as carefully teased as a model's coiffure.
|
|
Freewheeling through references in his voracious desire to render his subjects truly visible, he retools Degas's existential mixture of boredom and desire in "La Coiffure" (circa 1896) so that a bored homey can get his braids freshened ("Gettin it Done," 2016), and borrows some of Barkley L. Hendricks's graphic flair and advertorial slickness for his portrait of the ice-cool drummer/rapper—and his fellow Oxnard native—Anderson .
|
|
The period was a difficult one financially for many German factories. The Coiffure, 5 inches high, c. 1770. One of the men inspects the top of the coiffure through a telescope.
|
|
In 2014, he became President of the Union Nationale des Entreprises de Coiffure. He was a part of the Union Nationale des Entreprises de Coiffure from 2015 to 2018. He was President of Beaute Diffusion Events, which earned €1,468,397 in 2015.
|
|
He was also an agent for Sarl la Coiffure, Coiffure Bernard, and Agiprim. The only candidate, Stalter was elected to the Alsace and Grand Est Chamber of Trades in November 2016. He was also President of the company Siagi and the Union des corporations artisanales du Bas-Rhin.
|
|
Bride (Tempe, Arizona: Muriel Magenta, 2000?). Club M (Tempe, Arizona: Muriel Magenta, 2009?). Coiffure Carnival Trilogy (Tempe, Ariz.: Muriel Magenta, 2000?).
|
|
Includes: Coiffure Carnival: A Permanent Wave of Hair—Salon Doo—In Defense of a Hairdo. The World's Women On-line!: Videowall. 1995 Times Square: 3D Animation (Arizona: Magenta Productions, 2002).
|
|
Muriel Magenta Coiffure Carnival, Video/Sculpture: Scottsdale Center for the Arts, Scottsdale, Arizona, March 29-May 30, 1990. Curated by Robert E. Knight; exhibition catalog essays by J. Gray Sweeney.
|
|
The hemba mask is exclusive to the Suku people. It is made from a cylindrical piece of wood carved into a helmet shape or bell shape, and is worked into a human face and coiffure and raffia fringe covers around the face. A superstructure is frequently present carved into a single animal and rarely a single human figure on top of the mask. The coiffure has triangular decoration bands on it and is painted black with some areas a dull red.
|
|
Camilla Antoinette Clifford (29 June 1885 - 28 June 1971) was a Belgian-born stage actress and the most famous model for the "Gibson Girl" illustrations. Her towering coiffure and hourglass figure defined the Gibson Girl style.
|
|
Kaxweka (Kashweka) meaning a hidden thing. 57\. Kaxukwe (Kashukwe) meaning August. 58\. Kathoka (Kasoka) meaning a person who loads the gun; rams the charge into the gun. 59\. Kathonda (Kasonda) (vuthampu - vusampu) meaning a kind of coiffure. 60\.
|
|
2 (London, Richard Bentley & Son, 1881), 207, According to some, this was the origin of the feminine hairstyle known as the "coiffure à la victime" or more popularly the "coiffure à la Titus",Octave Uzanne, The Frenchwoman of the Century (London, J.C. Nimmo, 1886), pp. 13-14. or (in England) "a la guillotine".The Times, 9 September 1796, p. 2: "The Ladies who turn up their hair behind, a la guillotine, wish, no doubt, to impress their suitors..." Some sources state that a woman sporting this hairstyle sometimes wore a red shawl or throat ribbon even when not attending a bal des victimes.
|
|
This promotes hair growth and protects hair from breakage and other damaging factors. ;CornRows:A style of braiding/plaiting hair into narrow strips to form geometric patterns on the scalp. A form of protective styling. ;Protective Style:Any coiffure configuration that keeps hair ends safely tucked away.
|
|
The meaning of the name Durocasses is unclear. The second element -casses may have meant 'hair, hairstyle', perhaps a particular warrior coiffure, or 'tin, bronze (helmet?)'. The city of Dreux, attested as Drocas ca. 930 CE (Drewes in the 12th c.), is named after the Gallic tribe.
|
|
Some of these businesses succeeded in making a name for themselves, and thus have clients from across the country. For example, "Coiffure Yessoug", a local barbier and beauty shop, is one of the most popular salons for soon-to-be married women, having commercial billboards as far as Beirut.
|
|
The statuette was discovered in October 1938 beside the Casa dei Quattro stili at Pompeii. Standing at 0.25 m. high the statuette is nearly naked apart from her narrow girdle and lavish jewels as well as an elaborate coiffure. She has two female attendants, one facing outward on each side, holding cosmetics containers.
|
|
Web blog Considering the enormous amount of money paid, it is not known whether this applied for styling her own hair or her wigs or both. Also it is not known how many employees Beaulard had in his shop. It is known that besides Rose Bertin, Le sieur Beaulard was among the following three top fashion merchants alongside Madame Eloffe and Mademoiselle Alexandre in the 1770s. Beaulard was praised as "a modiste without parallel, the creator and the poet ... because of his myriad inventions and delicious names for fripperies". As the coiffures got very high during the 1770s, Beaulard invented the coiffure à la grand-mére, a mechanical coiffure which could be lowered as much as one foot (30 cm) by touching a spring.
|
|
Like them, he became a well-known symbol of French elegance. In 1952, he opened a salon jointly with the Carita sisters. Five years later, in 1957, he opened his own salon on the Rue du Faubourg Saint Honoré in Paris. Jean Cocteau, his friend, designed his logo, nicknaming him "le Sphinx de la Coiffure".
|
|
Marie Antoinette was known to like to dress as a shepherdess. The elaborate coiffure, straw sun hat, and flower-trimmed gown imitate the attire at the French court in Versailles. This extravagant, foreign-influenced costume accentuates the marchioness’s tightly corseted waist, fashionable among Spanish noblewomen. Her erect, regal bearing and aloof gaze derive from Diego Velázquez' royal portraits.
|
|
Joe Cirello, a barber from Philadelphia, said he had invented the duck's ass in 1940. The duck's tail became an emblematic coiffure of disaffected young males across the English-speaking world during the 1950s. In Britain, it formed part of the visual identity of teddy boys and rockers, along with the quiff and the elephant's trunk.
|
|
The second is Private life which includes exhibits related to the occupations of the civilians, trade and workshops, building elements, pottery, weaving, beautification, dress-coiffure and jewellery. The third is related to burial customs which includes grave markers, clay sarcophagi, ash-containers, burial offerings and reconstructions of burials. These exhibits were found in ancient cemeteries of Abdera.
|
|
Her skin was fair and she possessed blonde hair. At > different times her coiffure had a somewhat "wild" appearance. The reviewer believed her hair was more effective when it was brushed down rather than when it was concealed by a small hat. As for her eyes, there was a close affinity in their appearance to those of Sarah Bernhardt.
|
|
The book was a best seller amongst Frenchwomen, and four years later de Rumigny opened a school for hairdressers: Academie de Coiffure. At the school he taught men and women to cut hair and create his special hair designs. By 1777, approximately 1,200 hairdressers were working in Paris. During this time, barbers formed unions, and demanded that hairdressers do the same.
|
|
In India, its leaves are widely used as an Ayurvedic herbal medicine and its flowers are used to adorn the coiffure of women. In Pakistan, it grows wild in the Salt Range and Rawalpindi District at 500–1500 m altitude.Flora of Pakistan: Jasminum grandiflorum It is closely related to, and sometimes treated as merely a form of, Jasminum officinale.Huxley, A., ed. (1992).
|
|
The hairstyle on one portrait shows long hair bound with a wide ribbon. This is identical with the coiffure of the Türkic Ashina clan, who were originally from the Hesi province. The Ashina belonged to the last Xiongnu princedom destroyed by Xianbei-Toba by AD 439. From Gansu, the Ashina retreated to the Altai, taking with them a number of distinctive ethnographic traits.
|
|
The Hindustani word sari (, ), described in Sanskrit शाटी which means 'strip of cloth' and शाडी or साडी in Pali, and which evolved to in modern Indian languages. The word 'Sattika' is mentioned as describing women's attire in ancient India in Sanskrit literature and Buddhist literature called Jatakas.Sachidanand, Sahay (1975) Indian costume, coiffure, and ornament. Chapter 2 'Female Dress', Munshiram Manoharlal publishers Pvt Ltd.
|
|
He was fond of horses and was a strong swimmer. His wife Sadhbh had blue eyes, black eyebrows and curly long blond hair which was braided and reached to her feet. Her hair was built up into a powdered coiffure. When her hair was being washed she wore a red robe and was attended by a line of kneeling maids.
|
|
The lower part of the throne is badly damaged, but the heads are preserved. The heads are human, and each bears a head-dress or coiffure that reaches down to the shoulders. They also have stylized beards. On our throne, what remains of the headdresses/coiffures and beards of the cherubs stylistically parallels those of the Umm el-'Amed cherubs.
|
|
Five Orders of Periwigs, 1761 Wig, 1780–1800. Wigs that had the back hair enclosed in a bag were called bag wigs. In the 18th century, men's wigs were powdered to give them their distinctive white or off-white color. Women in the 18th century did not wear wigs, but wore a coiffure supplemented by artificial hair or hair from other sources.
|
|
She was born Margaret Vinci in 1918 and grew up in Chicago, Illinois. When she was training at Columbia College of Hairdressing, she had to make her own practice hair by attaching her mother's hair, after a quick haircut, to a dummy. She married and became Margaret Heldt in the 1940s. "Margaret Vinci Coiffures" opened in 1950 and Heldt won the National Coiffure Championship four years later.
|
|
Bobbie Jo went from being book-smart (nicknamed "the walking encyclopedia") to more of a bubble-head used for comic relief. Kate Bradley's appearance also changed. In the first two seasons, Kate's wardrobe and hair style depicted her as a dowdy country farm woman. Beginning with the third year (in color), her clothing and coiffure were much more flattering and appealing, and she wore high heels.
|
|
They are mentioned as Tricasses by Pliny (1st c. AD),Pliny. Naturalis Historia, 4:107 and as Trikásioi (Τρικάσιοι) by Ptolemy (2nd c. AD).Ptolemy. Geōgraphikḕ Hyphḗgēsis, 2:8:10 The meaning of the name Tricasses is unclear. The Gaulish suffix tri- certainly means 'three', but the translation of the element -casses is less certain, possibly 'hair, hairstyle', perhaps a particular warrior coiffure, or 'tin, bronze (helmet?)'.
|
|
Minnelli later recalled: In particular, Minnelli drew upon Brooks' "Lulu makeup and helmet-like coiffure." For the meeting between Sally Bowles and Brian Roberts, Minnelli modeled her movements and demeanor upon Brooks; in particular, the scene in Pandora's Box (1929) where Brooks' carefree character of Lulu is first introduced. Ultimately, Minnelli would win the Academy Award for Best Actress for her portrayal of Sally Bowles.
|
|
When war broke out, Belle Poule was sent on a reconnaissance mission, along with the 26-gun frigate , the corvette , and the smaller Coureur, to locate the squadron of Admiral Keppel. They encountered the British squadron, which chased them. Coiffure Belle-Poule caught up with the French and a furious battle ensued. Eventually, Arethusa had to break off the fight, having lost her main mast.
|
|
Both Galvin's father and grandfather had been hair stylists in London, as had Galvin's elder brother Joshua. Galvin initially worked in his father's salon in Paddington before becoming an apprentice colourist at Olofson Haute Coiffure in the Brompton Road. In the 1960s he began working at Leonard of Mayfair, where he gave Twiggy the blonde hair colour that launched her career, using his method of "brickwork" highlights.Gibson, Rachel (3 January 2012).
|
|
A caricature of the Académie de Coiffure founded by Legros de Rumigny This is a list of notable hairdressers. "Hairdresser" is a term referring to anyone whose occupation is to cut or style hair in order to change or maintain a person's image. This is achieved using a combination of hair coloring, haircutting, and hair texturing techniques. Most hairdressers are professionally licensed as either a barber or a cosmetologist.
|
|
The lower hanging breasts are to represent a woman at her zenith state, who has birthed and nursed healthy children, and hair that could resemble their neighbors from their native land, prior to displacement from the Futa Jallon mountains. The coiffure serves as a reminder to the Baga of their origins in the Futa Jallon. (Lamp 1996)Lamp, Frederick. Art of the Baga: A Drama of Cultural Invention.
|
|
As a rule, the figures have heavy coiffure and wear elaborate apparel and jewellery concealing, to a certain extent, the beauty of the delicately-modelled body. The female wears an extremely elaborate headdress and is loaded with jewellery, while the male wears a turban round his head. The plaques have decorative borders and the background is stamped with floral and rosette pattern. The treatment of the drapery is also varied.
|
|
Important among his collections are objects of ivory, dolls, bangles, coins and such Other articles which throw valuable light on the reconstruction of the history of the region. Attention is particularly attracted by an excellent idol in his possession, the coiffure, dress and other general features of which bear the impress of Greco-Roman art and which indicates that the Greeks and Romans had some intercourse with Ter.
|
|
Utamaro had a profound influence on French Impressionists such as Mary Cassatt. The Coiffure, drypoint and aquatint, A wave of interest in Japanese art swept France from the mid-19th century, called Japonisme. Exhibitions in Paris of Japanese art began to be staged in the 1880s, include an Utamaro exhibition in 1888 by the German-French art dealer Siegfried Bing. The French Impressionists regarded Utamaro's work on a level akin with Hokusai and Hiroshige.
|
|
After moving to Paris, Cierplikowski worked in the salon at Galeries Lafayette. During the summer season, he worked in Deauville, following the high society of Paris who vacationed there. In 1904, he created a stylish coiffure for Lily de Moure when she lost her fashionable hat. Her appearance without a hat on the arm of a royal prince caused a sensation; other fashionable ladies soon decided to have their hair styled by Cierplikowski.
|
|
85 Other themes can include resilience and female independence, as in the case of Cameroon filmmaker Rosine Mbakam's Chez Jolie Coiffure. Some themes, such as education, health, childhood, or the fight for equality, are seen as traditionally feminine per Beatriz Leal Riesco, but are subjected to "the perennial authoritarian gaze, the cardinal characteristic of which is the erection of a hermetic symbolic order codifying the distance between the creator and the reality represented".
|
|
The construction of these figurines was as simple as their compact appearance. The women's body and head were formed by two coils, and then the larger details such as face, breasts, and arms were added with additional coils of clay. Gashes to mimic eyebrows, eyes, and a mouth were included while the clay was still wet. As a final step, the creators then waited for the material to dry and then added the coiffure hairdo.
|
|
Nishimoto worked as a hairdresser in her father's salon where she specialized in bridal and Japanese coiffure. After 4 years working as a hairdresser, Nishimoto attended cycling school and became licensed as a professional cyclist. From the age of 22 to 27, she competed nationally as a track cyclist with her younger 2 brothers. In 2001, Nishimoto began her career as an amateur photographer after taking a photography and image processing course taught by her eldest son.
|
|
Montand was born Ivo Livi in Monsummano Terme, Italy, to Giovanni Livi, a broom manufacturer, and Giuseppina Simoni, a devout Catholic, while her husband held strong Communist beliefs. Montand's family left for France in 1923 because of Italy's Fascist regime. He grew up in Marseille, where, as a young man, he worked in his sister's beauty salon (Salon de Coiffure), and later on the docks. He began a career in show business as a music-hall singer.
|
|
Yasmeen Ghauri was born in Montreal, Quebec to a German mother, Linda, and a Pakistani father, Moin Ghauri. Ghauri who was raised Muslim had a difficult childhood and was bullied by her classmates at school for her Pakistani heritage. Ghauri went with her parents for the Islamic Hajj pilgrimage to Mecca when she was 12. When she was 17, Ghauri was discovered while working at a McDonald's restaurant by Montreal hairdresser and artistic director of Platine Coiffure, Edward Zaccaria.
|
|
The symbolic parallelism of the gods being transported on barques in real life and in the afterlife worked for the New Kingdom Egyptians as a religious and ceremonial link to the gods. Evidence for the importance of the temples is discussed in a song from the tomb of Amenemhat, as well as the appearance of the god Amun in Karnak Temple. The song describes the temple as “a woman, drunk in religious ecstasy and attired in erotically Hathoric coiffure, awaiting with bed linens the arrival of the god” (Darnell, 2010). The Hathoric coiffure refers to Hathor, the Egyptian goddess of fertility. Egyptologist Marina Escolano-Poveda outlined the importance of a relief in the Red Chapel of Hatshepsut in depicting the celebratory nature of the festival, “The reliefs make a great effort to depict the grand spectacle: Many priests support the barks and statues, while a crowd makes a joyous din with sistrum rattles. The gods’ barks were brought alongside the jetty at the Temple of Luxor and were carried on the shoulders of the priests to the sacred precinct.
|
|
During the 1920s, the notion of keeping up with fashion trends and expressing oneself through material goods seized middle-class Americans as never before. Purchasing new clothes, new appliances, new automobiles, new anything indicated one's level of prosperity. Being considered old-fashioned, out-of- date, or—worse yet—unable to afford stylish new products was a fate many Americans went to great lengths to avoid. For women, face, figure, coiffure, posture, and grooming had become important fashion factors in addition to clothing.
|
|
Contessa Gayles of AOL described Porcelain Black's choreography as "racy," later complimenting Porcelain Black on her "two-toned, Cruella De Vil-inspired coiffure." Porcelain Black walked down the runway in a camouflage corset designed by Falguni and Shane Peacock at the 2012 Spring Fashion Week, as her song played in the background. Her appearance there was used to promote the single. "This Is What Rock n' Roll Looks Like" appeared in the tenth episode of the eighth season of Beavis and Butthead.
|
|
In profile, the repetition of strong diagonals in the coiffure, beard forearm and feet are forceful and aesthetically pleasing. The horizontal shoulders arm and legs helps gives the figure a sense of energy and movement 38. The Stance is meant to signify the mankishi's alertness and readiness to carry out his purpose whether it is protecting its owner from evil spirits or witches and sorcerers. Its head is usually elongated with sharp facial feature such as the eyes, chin, and rectangular nose.
|
|
Diana and Antoinette only had one work based on the expeditions published, an article entitled "Feminine Coiffure in Angola: Much Adorned Girls of West Africa", which displayed a number of photographs of adornments worn by women. It was published in the Illustrated London News in 1937. They were subsequently approached to write an account of their expeditions for a general audience, but they declined, as they wanted any published work to be academic. Despite this, their artefacts and images were sought after by other institutions.
|
|
Although attributed to Moctezuma and the Spanish conquest, the provenance of the piece is unattested, and it does not match Aztec illustrations of the headdress of their nobility. It became an object of interest to European researchers such as Ferdinand von Hochstetter and Eduard Seler at the end of the 19th century, and its identification as a quetzalapanecayotl is attributed to American anthropologist Zelia Nuttall.Zelia Nuttall:Sur le quetzal- apanecaiotl ou coiffure Mexicaine en plumes conservée à Vienne. En: Congrès International des Américanistes, Paris 1890.
|
|
Geōgraphikḕ Hyphḗgēsis, 2:8:2; 2:8:5 The meaning of the name Viducasses is unclear. The prefix stems from Gaulish uidu- ('tree, wood'), but the translation of the element -casses is less certain, possibly 'hair, hairstyle', perhaps a particular warrior coiffure, or 'tin, bronze (helmet?)'. From this interpretation, the meaning 'tangled-hair ones', 'those with the tangled hair (like a tree)' has been proposed. The city of Vieux, attested as Veiocae in 1180 (Vex in 1239, Vieux in 1294) is named after the Gallic tribe.
|
|
"She demonstrated certifiable proof of insanity," said Nicholson. His favorite illustration of this was the "parable of the hair". Robert Evans had flown in Ara Gallant from New York to streak Dunaway's coiffure for the movie, and in the course of one of Polanski's more complicated lighting setups, an errant hair escaped. During a scene set inside the Brown Derby restaurant, Polanski tried to shoot past the loose strand in what would otherwise have been a perfect 1930's marcel: tight, blonde, and lacquered against her skull à la Jean Harlow.
|
|
On January 28, 1962, with his brother Elombe Brath, Brathwaite staged the Naturally '62 pageant, the first of a series of pageants to feature only black models. The 1962 pageant has the title The Original African Coiffure and Fashion Extravaganza Designed to Restore Our Racial Pride & Standards. Held at the Harlem Purple Manor, a nightclub on East 125th Street, it helped to popularize the phrase "Black Is Beautiful" that was printed on the pageant's poster. The Naturally pageants ran for five years, with the last one held in 1966.
|
|
A caricature of a French hairdresser at the Académie de Coiffure, working on a large hairstyle, fashionable of the time, in the 18th century. The first appearance of the word "hairdresser" is in 17th century Europe, and hairdressing was considered a profession. Hair fashion of the period suggested that wealthy women wear large, complex and heavily adorned hairstyles, which would be maintained by their personal maids and other people, who would spend hours dressing the woman's hair. A wealthy man's hair would often be maintained by a valet.
|
|
The hairstyle, "the tower," was the trend with wealthy English and American women, who relied on hairdressers to style their hair as tall as possible. Tall piles of curls were pomaded, powdered and decorated with ribbons, flowers, lace, feathers and jewelry. The profession of hairdressing was launched as a genuine profession when Legros de Rumigny was declared the first official hairdresser of the French court. In 1765 de Rumigny published his book Art de la Coiffure des Dames, which discussed hairdressing and included pictures of hairstyles designed by him.
|
|
Ase o fuku onna (Woman Wiping Sweat), Ukiyo-e, 1798 Takashima Ohisa using two mirrors to observe her coiffure night of the Asakusa Marketing Festival Kitagawa Utamaro (, ;"Utamaro, Kitagawa" (US) and ; – 31 October 1806) was a Japanese artist. He is one of the most highly regarded designers of ukiyo-e woodblock prints and paintings, and is best known for his bijin ōkubi-e "large-headed pictures of beautiful women" of the 1790s. He also produced nature studies, particularly illustrated books of insects. Little is known of Utamaro's life.
|
|
First published in French 1862. Routledge, 2013 A coiffure was usually put together with clients own hair as a base, including metal wire and padded cushion supports, false hair (postiches), wheat starch, pomade made of lard and ornaments like flowers, feathers, jewelry, ribbons, gauze, lace and sometimes even with little objects like miniature ships.The Woman of the Eighteenth Century: Her Life, from Birth to Death, Her Love and Her Philosophy in the Worlds of Salon, Shop and Street, by Edmond de Goncourt, Jules de Goncourt, page 235. First published in French 1862.
|
|
After more confusion between the father and hairdresser, Sempronia rushes in, her hair a mess, complaining about the supposed hairdresser who has broken her tortoise-shell comb. Chilpéric volunteers to restore her coiffure and they go out. Boudinet and Plumoiseau have a furious argument, the father angry that his daughter's hair is not yet ready, the intended bridegroom for being treated so roughly by his father's old friend. Sempronia re-enters during the uproar, and after more confusion she intervenes: Chilpéric is the man she fell for while staying in the countryside.
|
|
A bobby pin (also known as a kirby grip or hair grip in the United Kingdom) is a type of hairpin, usually of metal or plastic, used in coiffure to hold hair in place. It is a small double-pronged hair pin or clip that slides into hair with the prongs open and then the flexible prongs close over the hair to hold it in place. They are typically plain and unobtrusively colored, but some are elaborately decorated or jeweled. Bobby pins became popular in the 1920s to hold the new bobbed hairstyles.
|
|
The publicity Cassini derived from his work for Mrs. Kennedy led women from 18 to 80 to copy the look of simple, geometric dresses in sumptuous fabrics and pillbox hats with an elegant coiffure. Meticulously tailored and featuring oversized buttons and boxy jackets, as well as occasionally dramatic décolletage. Cassini designed a reported 300 outfits for the First Lady, including a much-copied coat made of leopard pelts and a Swiss double satin white gown decorated by a single cocarde which she wore to the Inaugural Gala Ball in 1961.
|
|
Sally Spectra is a fictional character from the American soap opera The Bold and the Beautiful. Sally was played by actress Darlene Conley for almost twenty years, from January 17, 1989 until Conley's death on January 14, 2007, although the character appeared on the show until January 26 of the same year. Introduced in the show's early years, Sally owned and operated Spectra Creations, competing with (and copying from) the show's core family, the Forresters. She was known for her large figure, open and jovial personality, and her trademark red coiffure.
|
|
Cawthorne (2013), pp. 183-184. According to Bertie, her face takes on a purple tinge in moments of strong emotion.Wodehouse (2008) [1971], Much Obliged, Jeeves, chapter 10, p. 108. She wears tortoiseshell-rimmed spectacles for reading,Wodehouse (2008) [1971], Much Obliged, Jeeves, chapter 9, p. 87. and appears to style her hair carefully, as her hair is variously described as her "carefully fixed coiffure",Wodehouse (2008) [1934], Right Ho, Jeeves, chapter 17, p. 215. "her Marcel-wave",Wodehouse (2008) [1938], The Code of the Woosters, chapter 1, p. 11.
|
|
Esther is shown seated at the center of the canvas, arms above her head as she arranges her blond coiffure. Preparing to offer herself for the king's approval, she holds a pose that is "profoundly erotic in its pictorial treatment".Guégan 145 She is nude to the waist except for a necklace and bracelets on her arms; her legs are swathed in white- and rose-colored garments. At the left a servant woman dressed in rich blue brings accessories, and at the right Hegai, clad in bright red, offers a jewel box.
|
|
250-251 He further noted: "Here I saw an ancient rock-cut basin, many cut-stones built up in private houses or forming the enclosure of gardens and cisterns, and, on the surface of a block lying on the ground, figures carved, to the number of five, each in a different frame. Unfortunately they are much mutilated by time and rough usage. The best preserved has the head surmounted by the high Egyptian coiffure known under the name of pschent, and holds in one hand a sort of curved stick."Guérin, 1880, pp.
|
|
Initially, the character proved to be a little too scary for children, so Von Hoene altered the character to it more silly than scary. The Cool Ghoul's wig, a bright orange-reddish coiffure, became the trademark for the character. Many years later, Von Hoene was told that it was only the rear half of a wig that costumer Dana Bruce made for a customer who was subsequently killed in a car crash. After the woman's death, the wig had been cut in half - the front from the back - and the front part was reportedly placed on the woman's body in the coffin.
|
|
From time to time Vandendriessche also acts in short films - amongst others Saint James Infirmary (2010), directed by Leni Huyghe who received the award for Best Debut on the International Short Film Festival of Leuven, and Nkosi Coiffure (2015) from filmmaker and actress Frederike Migom, which was selected in the short film competition of the Montreal World Film Festival. Together with his brother, film director Benny Vandendriessche, he shot the short film Front (2014), commissioned by the Museum aan de Yzer. A drama set in the trenches and a tribute to the soldiers who experienced shell shock during World War I.
|
|
For her performance as Sally in the film, Liza Minnelli reinterpreted the character and — at the explicit suggestion of her father stage director Vincente Minnelli — she deliberately imitated film actress Louise Brooks, a flapper icon and sex symbol of the Jazz Age. Minnelli later recalled: : In particular, Minnelli drew upon Brooks' "Lulu makeup and helmet- like coiffure." Brooks, much like the character of Sally in the 1972 film, was an aspiring actress and American expat who temporarily moved to Weimar Berlin in search of stardom. Ultimately, Minnelli won the Academy Award for Best Actress for her portrayal of Sally.
|
|
Long a part of the school's history, the principle of in loco parentis continued throughout the ETSC era. Curfews, dress codes, and strict enforcement of student regulations were a fact of life for all students, but they disproportionately affected women. In 1955, "good grooming" was a requirement that consisted, in part, of students exhibiting "no missing buttons, run-down heels, unbrushed clothes, unpolished shoes, neglected nails, or straggling coiffure". When attending classes in 1963, male students were required to wear sports wear or dress suits while their female counterparts had to dress in sports wear or tailored clothes.
|
|
The Republican period and the nodus style was particularly common. In Imperial iconography the nodus coiffure was associated predominately with the women of Augustus' household. The nodus style saw the hair parted in three, with the hair from the sides of the head tied in a bun at the back while the middle section is looped back on itself, creating an effect not unlike the (comparably modern) Pompadour style.Examples of the Nodus style Livia, wife of Augustus, and Octavia, sister of Augustus, particularly favoured the nodus style, both continuing to use it well into the Imperial Period.
|
|
He was the president of the Organization Mondiale de la Coiffure from 1978 until 1993. At the exhibition "The Grace Kelly Years", in the summer of 2007 at the Grimaldi Forum in Monaco, Frédéric Mitterrand gave a tribute to Alexandre's long-lasting work for Princess Grace of Monaco by displaying a selection of original drawings by the master, pictures and letters. These exceptional pieces, all property of the Grimaldi family, showed the dedication and the great respect that he had for the Princess and for Monaco. He died on 3 January 2008 at the age of 85 with his wife and two children by his side.
|
|
Her shower bouquet oi white carnations and asparagus fern, and a pearl and ruby brooch were the bridegroom's gifts. Miss Florrie Cooper, who attended her sister as bridesmaid, wore a frock of pale blue paillette, trimmed with embroidered applique, and a silver butterfly in the coiffure. Her shower bouquet of roses and pearl and opal brooch pendant were the bridegroom's gifts. Captain C. W. H. Coulter, of the 3rd Mounted Infantry, was best man. During the wedding the choir sang “How Welcome was the Call," and Miss Ethel Hurley sang "God' Be With You Till We Meet Again” with organ accompaniment by her sister.
|
|
During these ceremonies, a group of up to seven figures, measuring from 80 to 130 cm in height, are removed from their sanctuaries by the elder members of the society. The sculptures are washed, re-oiled and sacrifices are offered to them at their shrines. These figures – some of which date from between the 14th and 16th centuries – usually display a typical crested coiffure, often adorned with a talisman. Two of these figures were ascribed great significance: a seated or standing maternity figure called Guandousou – known in the West as 'Bambara Queen' – and a male figure called Guantigui, who usually appears holding a knife.
|
|
On this instrument Gusikov developed an extraordinary virtuosity, and in 1834 gave concerts in Moscow, Kiev and Odessa.Conway (2011), 138-9 He was heard in a concert in Odessa by the Polish violinist Karol Lipinski, and with the support of Lipinski and the poet Lamartine undertook a concert tour of Western Europe, from 1835 onwards. The concerts, at which Gusikov appeared in traditional Jewish gabardine and was generally accompanied by his relatives on bass and violins, were an extraordinary success; in Paris he was so popular that a coiffure was named after him, imitating his payot.Conway (2011), 241 Gusikow played improvisations both on traditional Jewish and klezmer melodies and also on the popular opera tunes of the time.
|
|
Executive producer Rogelio Sandoval said: [Darino] renovates the "runway" into a broadcasting top show, changing the way we see fashion with La Moda al Dia/Fashion Next, hosted by Janene Sumampow. Pushing the envelope at all times, and looking for original interviews and exclusive images, in Paris Darino met Michele Lagarde, press attaché for Mondial Coiffure and Mondial Beaute, who allowed him to use multiple cameras and unlimited interactive lights, and, in another first, integrating multiple projections, for several high end specials. Thomas J. Ashley from Millennium Productions signed him for animation and editing on his popular minute series, This Day in Hollywood, This Day in New York and This Day in History.
|
|
It originated as one of a variety of elaborately teased and lacquered versions of "big hair" that developed from earlier pageboy and bouffant styles. It was developed in 1960 by Margaret Vinci Heldt of Elmhurst, Illinois, owner of the Margaret Vinci Coiffures in downtown Chicago, who won the National Coiffure Championship in 1954, and who had been asked by the editors of Modern Beauty Salon magazine to design a new hairstyle that would reflect the coming decade. She originally modeled it on a fez-like hat that she owned. In recognition of her achievement, Cosmetologists Chicago, a trade association with 60,000 members, created a scholarship in Heldt’s name for creativity in hairdressing.
|
|
In 1946, he became famous for his masterpiece, the coiffure of Begum Om Habibeh Aga Khan (Yvette Labrousse) for her wedding with Aga Khan III. That same year, he originated the chignon as art form, with different twists on the classic style. Later, for a 1961 dinner given at the Chateau de Versailles by Général de Gaulle in honour of the President of the USA John F. Kennedy, Alexandre would put diamonds in Jackie Kennedy's chignon. He worked for over 40 years with the masters of French haute couture: (Coco Chanel, Yves Saint-Laurent, Hubert de Givenchy, Christian Dior, Karl Lagerfeld, Madame Grès, Pierre Balmain, Gianfranco Ferré Jean-Paul Gaultier and Thierry Mugler).
|
|
Her coiffure, known as a coazone, confines her hair smoothly to her head with two bands of it bound on either side of her face and a long plait at the back. Her hair is held in place by a fine gauze veil with a woven border of gold-wound threads, a black band, and a sheath over the plait.Notes for a portrait: the Lady's dress and hairstyle , Grazietta Butazzi, Exhibition notes, 1998 As in many of Leonardo's paintings, the composition comprises a pyramidic spiral and the sitter is caught in the motion of turning to her left, reflecting Leonardo's lifelong preoccupation with the dynamics of movement. The three-quarter profile portrait was one of his many innovations.
|
|
Marie Antoinette, Queen of France, was one of the most influential figures in fashion during the 1770s and 1780s, especially when it came to hairstyles. The 1770s were notable for extreme hairstyles and wigs which were built up very high, and often incorporated decorative objects (sometimes symbolic, as in the case of the famous engraving depicting a lady wearing a large ship in her hair with masts and sails--called the "Coiffure à l'Indépendance ou le Triomphe de la liberté"--to celebrate naval victory in the American war of independence). These coiffures were parodied in several famous satirical caricatures of the period. By the 1780s, elaborate hats replaced the former elaborate hairstyles.
|
|
The capping parent was joined by another important ceremonial participant, either the Nokan (if an Emperor was undergoing the ceremony) or a Rihatsu, who "loosened the childhood coiffure, cut the ends of the hair, bound the head with a fillet, and otherwise prepared the boy to receive the cap". After the capping, the child retreated to a private room to exchange his ungendered wide-sleeved childhood robes for adult male robes. The transition from child to adult was complete, and feasting followed closely thereafter. Genpuku and adult status were accompanied by marriage eligibility, gendering, a removal from the male "erotic gaze" within court, the abandon of makeup use for males, and the opportunity to obtain court rank.
|
|
A bobby pin or hair grip, a type of hairpin Hairpins (around 600 BC) A golden double-spiral-headed pin from Georgia (3rd millennium BC) A hairpin or hair pin is a long device used to hold a person's hair in place. It may be used simply to secure long hair out of the way for convenience or as part of an elaborate hairstyle or coiffure. The earliest evidence for dressing the hair may be seen in carved "venus figurines" such as the Venus of Brassempouy and the Venus of Willendorf. The creation of different hairstyles, especially among women, seems to be common to all cultures and all periods and many past, and current, societies use hairpins.
|
|
Mary Cassatt, Woman Bathing, drypoint and aquatint, from three plates, 1890–91 After a period of several decades in the central 19th century when the technique was little used, and definitively superseded for commercial uses,Mayor, 612–614 it was revived near the end of the century in France, by Édouard Manet, Félicien Rops, Degas, Pissarro, Jacques Villon and other artists.Griffiths, 94 In 1891, Mary Cassatt, based in Paris, exhibited a series of highly original coloured drypoint and aquatint prints, including Woman Bathing and The Coiffure, inspired by an exhibition of Japanese woodblock prints shown there the year before. These used multiple blocks for the different colours. Cassatt was attracted to the simplicity and clarity of Japanese design, and the skillful use of blocks of colour.
|
|
Furthermore, the spelling of some words was changed to keep the pronunciation as close to the original as possible (e.g. leaven), whereas in other cases the French spelling was kept and resulted in totally different pronunciation than French (e.g. leopard, levee)Leading some to say that . Terms that most recently entered the English language have kept French pronunciation and spelling (ambiance, aplomb, arbitrage, armoire, barrage, bonhomie, bourgeoisie, brochure, bureau, café, camaraderie, catalogue, chandelier, chauffeur, coiffure, collage, cortège, crèche, critique, debris, décor, dénouement, depot, dossier, élite, entourage, ennui, entrepreneur, espionage, expertise, exposé, financier, garage, genre, glacier, intrigue, liaison, lingerie, machine, massage, millionaire, mirage, montage, panache, penchant, personnel, plaque, promenade, rapport, repertoire, reservoir, routine, sabotage, sachet, souvenir, tableau, terrain, tranche), though this may change with time (e.g.
|
|
Bertin used and exaggerated the leading modes of the day, and created poufs for Marie Antoinette with heights up to three feet. The pouf fashion reached such extremes that it became a period trademark, along with decorating the hair with ornaments and objects which showcased current events. Working with Léonard Autié, the queen's hairdresser, Bertin created a coiffure that became the rage all over Europe: hair would be accessorized, stylized, cut into defining scenes, and modeled into shapes and objects—ranging from recent gossip to nativities to husbands' infidelities, to French naval vessels such as the Belle Poule, to the pouf aux insurgents in honor of the American Revolutionary War. The queen's most famous coif was the "inoculation" pouf that she wore to publicize her success in persuading the king to be vaccinated against smallpox.
|
|
112, "Best known as the face of the original 'Gibson Girl', Clark appeared in Charles Dana Gibson's famous and widely emulated illustrations of fashionable, young, middle-class women, images that set the standard for feminine beauty in that period"; p. 115, "It is believed that Minnie Clark (life dates unknown) ... served as the original model for the Gibson Girl." The most famous Gibson Girl was probably the Belgian-American stage actress, Camille Clifford, whose high coiffure and long, elegant gowns that wrapped around her hourglass figure and tightly corseted wasp waist defined the style. Among the many "Gibson Girl" illustrators were Howard Chandler Christy whose work celebrating American "beauties" was similar to Gibson's, and Harry G. Peter, who was most famous for his art on Wonder Woman comics.
|
|
" The press noted her attire—a long-sleeved, floor-length black dress—and one noted that she "dressed well without aiming at spectacular effect, and her lipstick, though generously applied, is the right shade for her coloring". The BSO announced her hiring with a press release that described her as "young, with a dimpled chin, careful coiffure, smallish stature, and an absence of the Domineering Female suggestion". The Boston Globe called October 18, 1952 "Ladies’ Day" since the performance also featured French pianist Lélia Gousseau. Warren Storey Smith's review noted that Dwyer "handled her part in the Bach’s charming Suite deftly and musically and in the final Badinerie with a degree of virtuosity that elicited from her fellow-players something midway between a gasp of astonishment and a shout of approval, while the audience expressed its appreciation in no uncertain terms.
|
|
Prachya Pratibha, 1978 "Prachya Pratibha, Volume 6", p. 121 This consisted of the antriya lower garment; the uttariya veil worn over shoulder or head; and the stanapatta, a chestband, which is mentioned in Sanskrit literature and Buddhist Pali literature during the 6th century BC.Agam Kala Prakashan, 1991 "Costume, coiffure, and ornaments in the temple sculpture of northern Andhra", p. 118 Paintings from Maharashtra and Gujarat from the first millennium BCE are considered the first recorded examples of the choli.Prachya Pratibha, 1978 "Prachya Pratibha, Volume 6", p. 121 Poetic references from works such as Silapadikkaram indicate that during the Sangam period (third-century BCE to fourth-century CE in ancient South India), a single piece of clothing served as both lower garment and upper shawl.Linda Lynton, Sanjay K. Singh (2002) "The Sari: Styles, Patterns, History, Techniques.", p.
|
|
One of the leading milliners of New York, Daché had realised that hats were going out of fashion, and had added an extravagant pink-and-white salon to her building in order to attract a different type of customer. Kenneth was employed to head up the salon, which became the most important hairdressing venue in New York. Among the clients who came to Lilly Daché for hairdos were Lucille Ball, who called Kenneth "God", and the actress Kay Kendall, who in 1957, was steered towards Kenneth by Lilly Daché's house model, Gillis McGil. Kenneth rescued her overdyed red hair, which Kendall said made her "look like Danny Kaye in drag", cutting it short and tinting it back to the original color, creating a coiffure that became an international sensation, with many women queueing outside the salon to have their hair done the same way.
|
|
11 July 2012 France Coiffure et Confidences, the French- language adaptation by Didier Caron directed by Dominique Guillo, premiered in Paris at the Théâtre Michel in October 2014. After three successful runs in Paris and multiple nationwide tours, its final performance, attended by Robert Harling, was filmed on June 12, 2017 and released on the French channel C8 a few months later. Cast: Thérèse (Truvy) - Marie-Hélène Lentini / Isabelle Ferron Jeanne (M'Lynn) - Astrid Veillon / Élisabeth Vitali / Anne Richard Magalie (Shelby) - Léa François Agnès (Annelle) - Sandrine Le Berre Claire (Clairee) - Isabelle Tanakil / Isabelle Ferron / Élisabeth Buffet Odette (Ouiser) - Brigitte Faure Japan Staged by the Haiyuza Theatre Company on November 14–25, 2007, in Tokyo, translated and directed by Hajime Mori. Cast: Mayuko Aoyama as Truvy, Kaoru Inoue as Annelle, Mayumi Katayam as Clairee, Midori Ando as Shelby, Atsuko Kawaguchi as M'Lynn and Minae as Ouiser.
|
|
The head, with its stylish coiffure, and the models facial features are simply constructed with only a few surface planes juxtaposed at seemingly right angles. Even the vase, upon close examination, appears treated in geometric terms, its sphericity broken by an angular cut to the right, barely visible in the photograph. The treatment of Csaky's Danseuse, as other works by the artist executed between 1910 and 1913, suggests, as Albert Edward Elsen notes, that Csaky had looked not only at Picasso's earlier painting and sculpture, but also at African tribal masks whose exaggerated features and simplified design accommodated the need to be seen at a distance and to evoke strong feeling.Albert Edward Elsen, Origins of modern sculpture: pioneers and premises, G. Braziller, 1974 Just as in Csaky's Groupe de femmes (1911–12), Danseuse already showed a new way of representing the human figure, an unwillingness to revert to classical, academic or traditional methods of representation.
|
|