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"catchiest" Synonyms
snappiest most appealing most captivating most popular most attractive most memorable most unforgettable most addictive most beguiling most fetching most likeable(UK) most likable(US) mellowest pleasantest sweetest poppiest smoothest silveriest softest clearest richest prettiest purest fullest deepest silkiest roundest rotundest most melodic most melodious most tuneful most singable showiest boldest splashiest grabbiest noisiest strongest plainest flashiest brightest vividest greatest glitteriest liveliest loudest gaudiest powerfullest noteworthiest thickest broadest difficultest trickiest thorniest knottiest stickiest prickliest toughest hairiest touchiest dodgiest nastiest tricksiest spiniest awkwardest hardest riskiest diciest chanciest gnarliest fiddliest unsteadiest spottiest choppiest patchiest oddest scarcest uncommonest jerkiest shakiest fewest and farthest between sparsest scantest thinnest on the ground scantiest meagrest(UK) meagerest(US) paltriest thinnest skimpiest stingiest brashest fanciest glitziest kitschest ritziest tawdriest snazziest jazziest vulgarest swankiest supremest wonderfullest best-known weightiest biggest seriousest heaviest augustest grandest proudest splendidest sublimest best tidiest fairest succinctest briefest crispest wittiest neatest pithiest cleverest sharpest shortest tersest curtest most concise most incisive most laconic most condensed most short and sweet falsest most misleading most deceptive most fallacious most spurious most specious most delusive most delusory most deceitful most wrong most inaccurate most illusory most sophistical most disingenuous most ambiguous most confusing most evasive most unstraightforward craftiest sliest sneakiest bentest shadiest foxiest slipperiest subtlest fastest shiftiest slimmest bummest fakest fishiest obliquest phoniest(UK) slickest deadliest most infectious most contagious most catching most communicable most epidemic most infective most conveyable most polluting most spreadable most virulent most epizootic most pandemic most pestilential most mephitic most miasmic most pestilent most pestiferous most communicative most taking stagiest hammiest campiest most dramatic most melodramatic most theatrical most exaggerated most affected most ostentatious most actressy most farcical most actorly most animated most artificial most expressive most forced most mannered most overdone More
"catchiest" Antonyms
boringest dullest most forgettable most ignorable most ordinary most unremarkable most mediocre most undistinguished most unmemorable most uninteresting commonest normalest plainest most inconspicuous most unemphatic most unflamboyant most unnoticeable most unobtrusive most average most commonplace most unexceptional most routine most prosaic most standard most usual most workaday most humdrum steadiest most constant most regular most repeated

227 Sentences With "catchiest"

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They merely attempted to imitate the catchiest bits from television.
The origins of one of Trump's catchiest phrases are, well, murky.
It is the catchiest word, but fracking is just one part.
I think "Don't Live Up" is one of our catchiest songs.
But the hook has to be the catchiest thing in the world.
It's called The PHAB2 Pro — which, well, doesn't seem like the catchiest name.
Cadence of Hyrule: Crypt of the Necrodancer is the catchiest game I've ever played.
It's destined for schools, so its form is really the catchiest thing about it.
"Garden" is fuzzy, yearning guitar-pop, and it's probably the catchiest song on the record.
Frank Bruni One of the dippiest, catchiest commercials of my youth was for Campbell's soup.
But one of the catchiest slogans was actually coined by none other that Hillary Clinton. Whoops!
First of all, the Carling Cup was doubtlessly the catchiest name the competition has ever had.
A scene made of quiet dreams, soundtracked by what may be the catchiest song in the world.
"I Want It That Way" is arguably one of the catchiest pop songs of all time, after all.
GWEN STEFANI Even the No Doubt frontwoman isn't immune to getting down to one of her catchiest hits!
To this day, one of the catchiest TV cheese jingles remains the "Cheese Jerky" song from Hannah Montana.
Photo: Joe Leonard toyGuitar released one of last year's catchiest (and most underrated) albums with In This Mess.
But black metal isn't exactly the catchiest music, and therefore has limited ability to proselytize to the mainstream.
The chorus is also her rapping "Spooky!" repeatedly, which makes this the catchiest Halloween jam since "Monster Mash".
For Lady Gaga, it's a push for artistic expression wrapped in the catchiest hooks and most raw acting roles.
Here's an interactive story showing you how Ed Sheeran made "Shape of You," one of the year's catchiest songs.
This is the catchiest song here, lively and buzzy and held up by Corinne's raspy (if familiar) vocal attack.
The catchiest — and least necessary — announcement came from Nanoleaf, which debuted hexagonal tiles that can glow in any different color.
He's an adventurous songwriter who churns out short-and-sweet songs that occupy rock 'n' roll's catchiest and fuzziest fringes.
Ace of Base's' "All That She Wants" was one of the catchiest yet most slippery pop songs of the 90s.
The catchiest sequence of notes in "Frozen 2" may be the one based on a Latin hymn about Judgment Day.
Which doesn't stop me from devoutly hoping that Chuck's catchiest-in-show "Hello, I'm a Ghost" is nothing like autobiographical.
Carey's 1994 "All I Want For Christmas Is You" is the most successful (and catchiest) Christmas pop tune of all time.
Cheeky, self-referential, and bearer of the decade's catchiest song, there really wasn't any avoiding the movie when it came out.
I think their track "A Boy Brushed Red Living in Black and White" has one of the catchiest opening lines ever.
The record holds the band's catchiest and most thoughtful material to date, synthesizing sounds found on previous albums into one cohesive unit.
It does not cost much to use Facebook to spot sympathisers, ferret out potential converts and perfect the catchiest taglines (see article).
"The Heat" is somehow one of the hardest songs on Tha Carter, one of the catchiest, and one of the best rapped.
In Mr. Longstreth's 15 years of releasing Dirty Projectors albums, "Lamp Lit Prose" is his shiniest, airiest, even catchiest set of songs.
The Scottish government released a PSA for bowel cancer screening in 2013, with one of the catchiest songs about poo you'll ever hear.
Instead, Democrats should co-opt the Republicans' catchiest talking point and make the 2020 election the centerpiece of their post-game impeachment talk.
Her catchiest lines have popped up everywhere, from more than 500 shirts and stickers on Redbubble to baby onesies to inspirational Instagram captions.
Fleetwood Mac – "Everywhere" Continuing our creepy stalker theme, this Christine McVie penned MOR synth number is right up there with Fleetwood Mac's catchiest hits.
" The catchiest, most-upbeat track on the record, Radcliffe lends some optimism while chanting, "Hope, faith, knowing, fear/Time stops, we're in the clear.
And "I Shot an Arrow," also off Big Dark Love is probably the catchiest song ever written about an episode of The Twilight Zone.
The Talking Heads' pulsing backbeat is a weirdly perfect fit for Gomez's breathy pop, making for one of the catchiest songs I've commuted to in months.
And let's not forget, it was also responsible for releasing one of the catchiest soundtracks in musical history — quickly turning the franchise into a worldwide phenomenon. 
But I was like, 'Fuck it, I'mma just keep goin,' and I took the hardest, catchiest shit outta the verse and used that as the hook.
They wrote "Dancing Queen," perhaps the greatest song about dancing ever made, and "Waterloo," perhaps the catchiest song ever to use Napoleon as a central metaphor.
He nodded to hip hop's catchiest bops of this year, like "Suge" by DaBaby and Young Thug's "The London," which featured J. Cole and Travis Scott.
It's the catchiest song on Savages' new LP Adore Life, and you should check the rest of the album out if this song strikes something within you.
Beck, the eternal alt-rock chameleon, is also making his own bid for pop audiences this Friday with "Colors," his catchiest and most cheerful LP in years.
They were based in the famed Brill Building in New York, an office complex where some of the catchiest tunes of the era were written for vocal groups.
On My Woman, Olsen experiments with synth a little, delivers the catchiest song of her career and charges through some of the most searing guitar licks of 2016.
The critically-acclaimed musical is a sold-out smash on Broadway, drawing major celebrity fans (thanks, in part, to its rock-pop score — one of Broadway's catchiest since Rent).
"Thank U, Next" has become one of the catchiest breakup songs of the 21st century and led to Ariana Grande's debut at No. 1 on the Billboard Hot 100.
Recently, she dropped the video for "Chasing Shadows" on Tidal, featuring her in several different backdrops, environments, and outfits while she sings some of her catchiest work to date.
My first reaction to this song was "not a problem, guys," because it is a fabulous arrangement and all but not the catchiest thing I have heard this week.
That the album's catchiest song is named "Sorry" seemed like kismet — Bieber was in a constant cycle of screwing up, apologizing, and reminding us why he's a superstar all over again.
"Into You" is being given away as a promotional single to people who preorder the forthcoming Dangerous Woman, and it might be the catchiest song cut from the album to date.
The phrase "vacation video" isn't much more exciting, unless said video comes courtesy of Dax Shepard and Kristen Bell, and includes a tribute to one of the catchiest songs of the '80s.
It is not hard to understand, when even her catchiest slogan — "I'm With Her" — has been turned against her by Mr. Trump: Stung by his suggestion that the phrase demonstrated that Mrs.
The hypnotic drone of "Mi Gente," his biggest hit, is harshest of all, while "Ahora," which displays a throaty side to his singing over pounding drums and shiny electronic flutes, is catchiest.
Though the album doesn't focus solely on romantic relationships, its catchiest, punchiest songs—of which there are several—detail the singer's own experiences navigating these difficult dynamics, often with girls who can't quite commit.
Maroon 5 have long been practicing some dark magic that makes Adam Levine's falsetto the catchiest thing you hear when you turn on the radio — possibly because it's the only falsetto you will hear.
Near the end, we get to hear John Barry's "The Persuaders"—not only one of the catchiest TV themes ever composed, redolent of moneyed innocence, but a key to the tactics of this movie.
There's also arguably the most successful anthem, Wiz Khalifa's "Black and Yellow," with just about the catchiest hook of 2011—though it's more about Pittsburgh than any of their black-and-yellow clad teams.
I flipped throughout the pages of the latest issues and read whatever caught my eye; for a middle school student, this largely consisted of the articles that had the catchiest titles or flashiest pictures.
As health ministries across South and Central America scramble to educate the public about Zika, Jamaica has come up with what may be the catchiest approach: a dancehall tune about the mosquito-borne virus.
And that group will only continue to grow, as more children grow older and flock to social media platforms that hinge on finding a joke and building it up into its most absurd, catchiest form.
As recognized by Pitchfork's Chris Dahlen at the time, it was their "slickest, catchiest" to date, with handclaps and hypnotic hooks, not to mention some tracks funky enough for you to shake your ass to.
The theme song of Orange Is the New Black, "You've Got Time" by Regina Spektor, remains one of the catchiest opening themes in recent memory, helping to define the series as unique and singularly important.
Britney's back with a trendy new single; Katy's putting an end to her musical silence with an inspirational Olympic anthem for NBC; M.I.A. put out her catchiest single this decade with help from Skrillex and Blaqstarr.
"Things Can Only Get Better" is probably the catchiest artifact of his brief ascendence as a synth-pop hitmaker in the mid-80s, but he deserves more credit for bringing New Wave innovation to popular radio.
Hanson, the band behind one of the catchiest songs of all time (you're humming "MMMBop" right now, don't pretend otherwise), just dropped an adorably retro video for the title track of their Christmas album, Finally It's Christmas.
Sampled On: "Controlla" Following Rihanna's "Work" music video, which was shot at Toronto restaurant The Real Jerk, the album's catchiest tune—and Caribana anthem-in-the-making—emphasizes the city's rich Jamaican heritage with words from the dancehall veteran.
We've already suppressed our constant cravings for lasers, nihilism, and aliens, but pop culture-remixer extraordinaire Eclectic Method has just picked the scab back open with a nostalgia-inducing dance remix of the show's catchiest phrases and iconic moments.
" While the album featured some of the band's catchiest choruses and most pop-inflected material to date, there was also a healthy does of post-hardcore, reminiscent of acts like Archers Of Loaf or Pegboy on tracks like "Delirium" or "Hysteria.
The DJ/producer/Taylor Swift ex has been quietly churning out some of the season's best and catchiest jams, from the sizzling "Heatstroke" (featuring Pharrell, Young Thug, and Ariana Grande) to the smooth-as-hell "Slide" (featuring Migos and Frank Ocean).
Not surprisingly, this elitist name failed to connect with the masses that it was destined to feed, and soon it became the "Blue Ribbon Burger," though "I'll have a Blue Ribbon Burger with fries and a shake" just isn't the catchiest.
Not only is her imagery healthier and more humane, not only do her raunchiest rhymes ride her catchiest beats, but she's inserted a public service announcement, cheering on "boy-on-boy" action that'll leave both fellas free to fuck another day.
Ctrl, technically her third body of work out in the world, is full of some of the catchiest melodic moments of the year and her ability to weave complex narratives in sound bites that stick with you for days on end is incredible.
The name Richard D. Trentlage may not roll off the tongues of most Americans, but generations of them, for good or ill, can no doubt sing along with some of the catchiest advertising jingles that he wrote for companies like Oscar Mayer and McDonald's.
For a band that had made a name for themselves on their ability to craft catchy hooks, The Body… was the catchiest, hookiest thing they'd ever made, a top-to-bottom perfect record with each song trying to be more infectious than the last.
Their 21979 debut single, "Teenages Kicks," was not only one of the catchiest pieces of bubblegum punk ever written, it carried a conspicuous refusal to lapse into the chest-thumping or preaching that was expected of a Northern Irish punk band at the time.
"Thot Tactics," a compendium of stitched-together slivers of song delivered in a woman's voice, burbles over a warm, slippery jazz keyboard; the Auto-Tuned refrain ("I wanna rock your wor-or-orld/I wanna be your gir-ir-irl") is also the album's catchiest moment.
George M. Cohan's smash hit "Over There" (1917) was the catchiest American patriotic song ever, and when he wrote that "The Yanks are coming," he followed the British, not the American, use of the Civil War term to encompass all Americans, north and south of the Mason-Dixon Line.
Maybe I'd enjoy these songs if they were sung in Filipino (one exception, also the catchiest one, is), thus shielding myself from understanding lyrics that resemble literal greeting-card verse and might inspire the love letter's recipient to break up with the sender or perhaps produce a can of mace.
CW series are known for their catchy tunes and the palpable drama — let's not forget that this is the network that remixed Lorde's "Royals" via a string quartet for a royal wedding on Reign — but the network's latest teen soap, Riverdale, might just be giving us the catchiest tunes yet.
One of the unit's catchiest hooks is its ability to preprogram — like a television set automatically tuning to the news in the morning, or dimming lighting and jazz playing in the evening — to create what the company calls "instant ambiance" in any room with just the tap of a button or a voice command.
"Kids like the basics: They like simple and catchy because they're transitioning from nursery rhymes into modern music, so if I played him nine songs in a row, he will gravitate towards the one, without question, that is likely the biggest of those, or the catchiest – so he definitely has his favorites," Tedder, 37, adds.
The Grammy-nominated single "Float On" topped the Alternative Songs chart and stormed music television, while "Ocean Breathes Salty" was Modest Mouse at its catchiest, with willowy guitars and a hard-swung breakdown full of new-millennium moroseness: "For your sake I hope Heaven and Hell are really there, but I wouldn't hold my breath," Brock riffs.
If "Did You See" didn't exist, "Bouff Daddy" would easily be the catchiest song on J Hus' debut album Common Sense (Noisey's sixth fave LP of 2017, don't you know?) With its easy groove and endearingly cocky chorus—J Hus, after all, has earned it—it's a certifiable bop, and now a new remix featuring Popcaan has given it new life.
As well as slaying as hard and sardonically as ever with songs both fast and slow, the record sees the band expand its palate by including two of its longest ever songs, as well its catchiest composition to date ("Everything Sucks, And My Life Is A Lie"), alongside two instrumental pieces, the second of which proves unexpectedly tender ("You Owe Me, Iommi").
Learn more: How K-pop became a global phenomenon (Aja Romano) BTS Goes to No. 1 on Billboard's Album Chart, a First For K-Pop (Anastasia Tsioulcas, NPR) Meet the Fans of BTS: Profiles of American ARMY (Tamar Herman, whom we interviewed for this episode, Billboard) K-Pop Legend Seo Taiji Holds 25th Anniversary Concert, Passes Torch to BTS (Tamar Herman, Billboard) Primary and Suran Just Became South Korea's Catchiest Social Critics (Jakob Dorof interviews Primary, who we also interviewed in this episode, for Noisey) Epik High Reflects on 'We've Created Something Wonderful,' Channeling Groot & the 'Miracle' of K-Pop (Tamar Herman interviews hip-hop trio Epik High, whom we also interviewed for this episode) De-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop (Gyu Tag Lee, whom we also interviewed for this episode) How these 7 Korean 20-somethings became a pop music phenomenon bringing in millions (Ali Montag, CNBC) The $4.7 Billion K-Pop Industry Chases Its 'Michael Jackson Moment' (Sohee Kim, Bloomberg) Russian Figure Skater Evgenia Medvedeva Reveals K-Pop Stars EXO Pump Her Up Before Skating (Nina Braca, Billboard) Gangnam Style music video 'broke' YouTube view limit (BBC News) How BTS Are Breaking K-Pop's Biggest Taboos (Jae-Ha Kim, Rolling Stone)
The number one catchiest song was the Spice Girls' 'Wannabe'.
The Rusty Ps win the "Earwig Award" for catchiest song of the year.
The following is a list of Radio Disney Music Award winners and nominees for Catchiest New Song.
It is regarded as one of Squeeze's catchiest songs.Pareles, Jon. "Rock: Squeeze, At Garden". The New York Times.
Geir Rakvaag from Norwegian newspaper Dagsavisen called "Where I'm Headed", along with "Unforgivable Sinner" and "Sitting Down Here", one of the "catchiest" songs on the album.
Mike Neid of Idolator said it is "one of the catchiest songs we’ve heard from the project yet" and that it is an "irresistible and relatable bop".
Retrieved March 19, 2011. The song received a positive reaction from music critics. Chuck Eddy of Spin magazine called it one of the band's "catchiest" songs.Eddy, Chuck.
The cover was met with positive reviews from a variety of critics. Rolling Stone described the song as "the catchiest cut [on Charmbracelet]...a fascinatingly overblown orchestral remake."Walters, Barry. Mariah Carey — Charmbracelet.
We cannot know at this stage whether this was meant as a little joke, or whether Haydn had actually noticed that his catchiest tunes were somehow percolating from the concert hall to the countryside.
""SNAPPY POP TUNES WIN WITH REGGAE". Press-Telegram. 25 March 1994. Retrieved 24 March 2020. The Rolling Stone Album Guide described the song as "the wisest, catchiest, most triumphant kiss-off since 'I Will Survive'.
Cardi B and YG feature on the official remixes of the song, each with a music video. Billboard magazine ranked "Thotiana" as the 26th best song of 2019, calling it "one of the catchiest songs of the year".
"Third Eye Blind / Smash Mouth". Spin. May 1998, p. 142. Allmusic's Mike DeGagne agreed, writing that "its pop-friendly makeup of frolicking guitar and a welcoming tempo make it one of the band's most catchiest tunes."DeGagne, Mike.
"Paper Moon – Only During Thunderstorms", Chart. Retrieved September 27, 2011. The Edmonton Journal wrote that the band has "a mile-long track record for being one of the catchiest pop bands in Canada".Ash, Amanda (May 2, 2009).
This was set to music, and used as a theme in television advertising campaigns during these same decades. In 2012 the jingle was voted by a sample of British adults to be "the seventh catchiest jingle of all time".
Robert Christgau noted that the album includes "technocratic dance-kitsch as amusing as 'Electricity' and 'Enola Gay', and 'Talking Loud and Clear', their cutest and catchiest romantic medium-tempo [song]". He added that "the many others here included will certainly entertain the hookily inclined." Mike DeGagne in AllMusic also highlighted the band's knack for strong hooks, and referred to The Best of OMD as an "excellent compilation" from a group who "were responsible for some of the catchiest and brightest synth pop that the '80s had to offer". Trouser Press called it "a concise recapitulation of the band's artistic development".
Also the songs "Spanish Fly" has a dance-pop sound. The New York Times called "The Last", Aventura's surest, catchiest record. The group collaborated with reggaeton duo Wisin & Yandel, Akon, Wyclef Jean, and Ludacris. The album has become thus far the group's best album.
Jessica Goodman of Entertainment Weekly deemed it Del Rey's catchiest single yet, praising its "surprising" hip hop elements. Writing in Time, Nolan Feeney said that "High by the Beach" was Del Rey's "poppiest song in a while" and highlighted its "skittering beat and dizzying hook". Feeney's view was echoed by Constant Gardner of Pigeons & Planes who felt "High by the Beach" was "a pop song surely destined for radio play". Stereogum's Peter Helman found "High by the Beach" to be "positively fun" and "probably the straight-up catchiest thing she's done in a while", complimenting its "sultry keys" and the "refreshing independence" of its lyrics.
"Give Me Your Hand (Best Song Ever)" has been well received by music critics. MTV's Jenna Rubenstein described the song as "...the brightest, sunniest, catchiest, most radio-friendly pop song you've ever heard..." and compared it to Owl City and Carly Rae Jepsen's song Good Time.
At the 2010 Juventud Awards, the song was awarded My Ringtone and a nomination for Catchiest Tune which was awarded to Aventura for "Dile al Amor". At the American Society of Composers, Authors and Publishers Awards of 2010, "El Amor" was named Latin Song of the Year.
At the 2012 Premios Juventud, "Las Cosas Pequeñas" was awarded Catchiest Tune, Best Ballad, Best Ringtone and My Favorite Video. At the first annual Premios Tu Mundo award ceremony, the song won Song That Steals My Heart. It was nominated for Tropical Song of the Year at the Premio Lo Nuestro 2013.
In 2006, the song wong the award for "Catchiest Tune" at the 2006 Premios Juventud. The song debuted and peaked at No. 9 on the Billboard Latin Pop Songs chart and at No. 24 on Billboard Hot Latin Songs. The album's third single was "Tras de mí", which was released on January 23, 2006.
"Three Undiscovered Bands You Need to Hear Now!", Spin. Retrieved on 2009-08-07. The alternative newsweekly Now, in a favourable review of the band's EP Hunting Ghosts (& Other Collected Shorts), described the track "Step Off the Map & Float" as "the EP's clear standout, one of the year’s catchiest and cutest indie rock singles."Bimm, Jordan (July 2009).
Many believe that Mubarak's resignation was much attributed to the popularity, and the strong message that spread, due to a YouTube post that instantly went viral after its release. "Irhal" can be described as a chant, with simple acoustic guitar backing. The song itself was composed of the catchiest chants Essam heard while camping out at Tahrir Square.
Richard Harrington of The Washington Post dubbed it "nicely naughty." Ben Greenman, writing for The New Yorker, considered it the "second-catchiest song ever written about a girlfriend's parent," after "Mrs. Robinson". The song ranks No. 350 on Blender's 500 Greatest Songs Since You Were Born and No. 88 on VH1's 100 Greatest Songs of the '00s.
The song begins with a mellow acoustic, country music-style introduction before a transition to up-tempo hard rock. "Cowboy Song" has since been described as one of Thin Lizzy's great songs because it has "one of the catchiest, most memorable twin-guitar harmony leads ever".Melin, Eric (3 November 2010). The Great Songs: Thin Lizzy - The Cowboy Song.
Hakim Optical has promoted its optical chain with its trademark jingle "Your Eyes Can Have it All at Hakim Optical" since 2003, which has been named by Huffington Post Canada as one of Canada's most memorable jingles and is still used."Canadian Jingles: 25 Of The Catchiest Canadian Tunes". The Huffington Post Canada, 11/12/2012.
" Fletcher further highlighted the song's strong intro hook and said that the chorus is her catchiest since "Umbrella". Spence D of IGN felt that the track has an infectious "Bum-bum-be-dum-bum-bum" hook that sucks you into the detached electronic bounce of the track. Jaime Gill from Yahoo! Music highlighted the song's "insistent hook, sturdy beat and weaving, winding melody.
Brandon Yu of SFGate regarded the song as "a catchy electro-pop tune", and that it "sounds like a surefire summer radio staple". Mike Wass of Idolator referred the song as "one of the year's catchiest pop songs in early July", and felt that the "very on-trend" drop evokes Kiiara's debut single "Gold" and Kygo and Selena Gomez's collaboration "It Ain't Me".
On April 26, 2007, Yuridia won a Latin Billboard Award for Best Pop Female Album. In early May 2007, Yuridia also received four nominations for the Premios Juventud. She was nominated for Best Artist, Best Album, Catchiest Song and Most Heart- Breaking Song. By the end of 2008, Yuridia won a Premios Oye award as the best Female Artist of the year.
ND Medina of iDigitalTimes called the songs in the episode "some of the catchiest tunes this side of Hamilton", and singled out "It's Over, Isn't It?" as "the most magnificently gay thing Steven Universe has done since Ruby and Sapphire got their own episode". In 2017, the episode was nominated for a Primetime Emmy Award for Outstanding Short Form Animated Program.
At the 1st Latin Grammy Awards, the song received a nomination for "Best Pop Performance by a Duo/Group with Vocals". In 2000, the song received an award for Salsa Song of the Year at the American Society of Composers, Authors and Publishers Awards of 2000. At the inaugural Juventud Awards in 2004, "No Me Ames" was nominated in the category for "La Más Pegajosa" ("Catchiest Tune").
Described as being "driven by one of the catchiest guitar hooks in the history of rock & roll and a devastating vocal performance",John Bush, Review of "But It's Alright"; AllMusic. Retrieved 2017-09-22. the song was first released by Calla Records in 1966, as a single and on the album of the same name. Subsequent to acquiring the Calla Records catalogue, Warner Bros.
Idolator's Robbie Daw claimed the song as JoJo's "catchiest pop cut" since the release of "insanely underrated" Tringle cut "When Love Hurts" in 2015. Daw went on to compare the song's melody to Nico &. Vinz's "Am I Wrong". In a review for Clash Magazine, Shahzaib Hussain called the song a "gutsier, R&B-inflected; mid-tempo... which sees her go off on Instagram millennials and clones".
"What the Hell" has received positive reviews from music critics, who have noted similarities between "What the Hell" and Lavigne's previous single, "Girlfriend". Gil Kaufman of MTV.com stated "What the Hell" has "rousing cheerleader energy" and an "infectious groove and peppy vibe". Jody Rosen of Rolling Stone magazine said "the music is easily some of Avril's catchiest yet", describing it as "Avril in a nutshell".
'Revolutionaries wait/For my head on a silver plate!' The confident majesty of the music, however, belies how he and his bandmates have invigorated their rock-lite reign." Josh Hathaway from The Plain Dealer noted "Viva la Vida" as the "catchiest" song on the album. Chris Jones of the BBC noted: "The string/brass mutations that bolster a track like 'Viva La Vida' ... conjure tunes so sweetly melancholy.
The album charted in several best of the year lists from various critics. Pitchfork rated it the ninth best album of 2001, stating, "Energetic, smooth, and masterfully executed, Mass Romantic is the catchiest thing to come out in ages." The site later placed Mass Romantic at number 91 on their list of top 200 albums of the 2000s. Magnet magazine included the album in its "20 Best Albums of 2001" list.
Reviewing the album favourably in 1981, People magazine called it one of Harrison's best and highlighted the "moving" tribute to Lennon. Robert Christgau was less receptive in The Village Voice, dismissing the songs as "sappy plaints". He applauded "All Those Years Ago" as Harrison's "catchiest tune in years", however, although he said that Lennon had yet to comment from the grave on the album sleeve's Krishna-esque message of eternal life.
Collider deemed it a "standout" along with Ne-yo's closing theme Never Knew I Needed. the Chicago Tribune said the "kicky" Randy Newman song "end[s] up being just sort of ... all right". Rope Of Silicon deemed it "perhaps the catchiest of the bunch". TrackSounds described it as "equally fun" when comparing it to Bare Necessities from the Disney film The Jungle Book, and rated it 5/5 stars.
Hogsett found the song quickly "established she was different than your typical pop star". People called the song "sexy" and "pulsating". A writer for The New York Times "got" the song's youthful message and said "One of the summer's catchiest singles captures the moment's anxieties about teenage sex. 'Genie in a Bottle', sung by the blue-eyed former Mouseketeer Christina Aguilera, is a skittish dance hit propelled by indecision".
They released their debut single, "Left My Heart in Tokyo", in September 2009. Produced by Xenomania, the song was named "the catchiest single of 2009" by NME magazine. It reached number seven on the UK Singles Chart, becoming the highest-charting single of the duo's career. They have stated that they are inspired by Rihanna and Lady Gaga.BBC Radio 1 interview, The Radio 1 Chart Show, 13 December 2009.
Brady previously worked with British singer Charli XCX (pictured), whose guest appearance on "Ringtone (Remix)" was praised by critics. 100 Gecs released their debut album, 1000 Gecs, on May 31, 2019. Jillian Mapes of Pitchfork called the original version of "Ringtone" as a highlight from the album and "among 100 Gecs' catchiest songs." Brady produced on British singer Charli XCX's song "Click" featuring German singer Kim Petras and Estonian rapper Tommy Cash.
Despite the title, "Beyond the Matrix" isn't about the movie. It's basically about being able to see that you're in a matrix, to see that you're in a cage. It's hard to be able to see beyond your immediate surroundings when you're trapped so you have to project yourself outside the matrix to understand. Musically, the song has quite a simple structure and the catchiest chorus, but the middle is completely wild.
"New Song" was generally well received by critics, but noted for being different from Warpaint's past material. NME described the single as "the poppiest thing [Warpaint has] ever done and probably the catchiest too". The Los Angeles Times called the single a "striking departure" from the band's previous work, but stated the song had "easy-to-memorize lyrics and a happy earworm of a melody". The Guardian called the song a "disco charmer".
A Series of Sneaks was positively received by critics upon release, the songs being praised by critics for their brevity, intelligent lyrics and abundance of catchy hooks. Nick Mirov of Pitchfork called it "one of the catchiest albums of the year". Reviewing its 2002 reissue, David Peisner of Rolling Stone wrote that the album "hasn't lost any bite". Michael Chamy of The Austin Chronicle calls it one of the "great achievements of the late Nineties".
"That's What I Like" received mixed reviews from music critics. Andrew Unterberger, writing for Billboard, and Rob Arcand of Spin found the single to be one of the best on 24K Magic. Vulture Jenkins said the track is one of the best on the album and sonically one of the "most modern" songs due to "a killer vocal and tasteful trap drums". Peter Helman of Stereogum said the recording is one of the "catchiest" tracks on 24K Magic.
"Isolation" received positive feedback from several professional reviewers, including Rob Laing from MusicRadar, who praised it for its speed metal influence. He also praised the guitar work and the anthemic approach that the band took towards the dark lyrics. Rick Florino from Artistdirect said that the song "rolls from a thrash breakdown into one of the catchiest refrains that the band has committed to tape." It has received an average of five stars from users on the iTunes Store.
Thompson Square signed to Stoney Creek Records, a division of Broken Bow Records, in January 2010. The duo released their debut single "Let's Fight" in mid-2010. Matt Bjorke of Roughstock gave the single four-and-a-half-stars out of five, with his review calling it "one of the catchiest, best-written singles of the 2010 summer season so far." The song debuted on the Hot Country Songs chart for the week ending June 5, 2010.
The website of the UK branch of the mobile phone company Orange positively compared Lott to other female artists of the same genre, stating that the song is "a thoroughly enjoyable blast of handclapping, cymbal-crashing pop, and features some of the catchiest 'uh-oh- uh-oh'-ing since Beyoncé's 'Crazy In Love'. Pixie's undeniably impressive vocals still come off rather more Gabriella Cilmi than Amy Winehouse, but it's a sterling start from a definite one-to-watch".
He opined that the artists' personalities "are simply too distinct at this point to produce something compelling when shoved together on the same track". Pat King of Metro named it "one of the catchiest songs in recent memory about outrunning the cops". Adreon Patterson of Paste felt that "the track is a little underwhelming considering the collaborators' musical status". Serving as a follow-up to "Shining" and "I Got the Keys", he found the song "disappointing and anti-climactic".
Alex McCown felt that No Doubt "found a musical sweet spot" with "Spiderwebs", calling it one of the catchiest songs on the album. Partridge, from the same publication, acclaimed Stefani's "beautiful and slender voice" in the track. He also stated that the lyrics of the song made it "hard to call the nineties anything else but classic". In a 2016 readers' poll compiled by Rolling Stone magazine, "Spiderwebs" was voted as Stefani's fifth-best song of all time.
" In 2014, a study at the University of Amsterdam with the Museum of Science and Industry in Manchester, found that "Wannabe" is the most recognisable and catchiest pop song of the last 60 years. The study found that "Wannabe"’s simple and relentless melody was the key to its success, with lead musicologist Dr John Ashley Burgoyne concluding, "I would describe the song as truly relentlessly catchy. It's not that it has this one hook per se.
Stereogums Tom Breihan called the song "tastefully glimmering" and "about 80 bazillion times slicker and more confident than 'Only'". Breihan felt "Truffle Butter" was "the catchiest song without a chorus" since Bobby Shmurda's "Hot Nigga" (2014), and concluded, "someone at Cash Money is crazy if they don't make it a single". Alex Macpherson of The Guardian also preferred it over the "Only", and explained, "in relaxed, spontaneous mode all three [rappers] are so much less tiresome than on their official triple collaboration".
She has described Stevie Wonder and Phil Collins as inspirations, and has cited Bruno Mars as one of her biggest influences. Trainor considers doo-wop the "catchiest stuff" and has stated that she wants to write a song in the vein of The Chordettes' "Lollipop" (1958). She has credited Beyoncé as "the one performer [she] stud[ies] a lot". Trainor has cited artists like Ariana Grande, Jason Mraz, and T-Pain as influences on the "upbeat and happy" nature of her music.
Critics received the song very warmly; Popmatters' reviewer Spencer Tricker called "Jungle Drum" the "catchiest tune" on the album (alongside "Big Jumps"), "every bit as good as the singles from Fisherman's Woman". He also praised the song for boasting "an irresistible chorus that features some totally unexpected scatting". Matthew Allard from ARTISTdirect stated the song "should be an iPhone ad". Clickmusic reviewer Francis Jolley called the song "a sprightly, fun little gem, reminiscent of Nancy Sinatra in her heyday" and "infectious Scandinavian pop".
Mike Wass of the website Idolator described it as a "radio-ready anthem... [which] is impossible to beat". Vanity Fair writer Michelle Collins described it as "the most upbeat and catchiest song of the lot" on the album. Ryan Dennehy from the website AbsolutePunk opined that "XO" was a guaranteed, triumphant hit. Andrew Hampp and Erika Ramirez of Billboard magazine described "XO" as "magical" further calling it the most radio-friendly song on the entire album with its traditional pop structure.
Launched at the 2013 Manchester Science Festival with Ashley Burgoyne from the University of Amsterdam, audiences were encouraged to play a free, online game that produced results for scientific research. Researchers were looking for the hooks in music to help future research on Alzheimer's disease. By using catchy music, researchers hope to find ways to trigger therapeutic benefits for patients. Results presented at the 2014 Manchester Science Festival revealed the UK's top ten catchiest tunes, looking at just how memorable parts of songs can be.
The style of Pardon My French was intended by the band to center around the theme of bipolarity, with Poncet stating that the song "Bipolar Mind" epitomised their contrasting musical style well, having "the catchiest chorus placed right next to the nastiest breakdown". Rhythm guitarist Paul Wilson stated that "I Am Nothing Like You", also from Pardon My French, is the heaviest song they have ever written. Chunk! No, Captain Chunk! have been described by various critics as fusing pop punk, metalcore, melodic hardcore, and post-hardcore.
Lyrical themes on the album range through several topics, "from the passage of time to the power of advertising to friends dying". The song 'The Distance' is seen as continuing the album's theme as being "a driving rocker that speaks to making a connection" and has been claimed to feature one of the album's catchiest choruses and guitar licks. 'Best Friends and Hospital Beds' lyrically focuses on death and the "futility of life". Critics have used it as an example that is designed for live shows.
Stefani's aim at a male-centric world ended up being one of the most > prominent feminist anthems of the '90s—it's a song that stands out now as > the music industry's misogynistic outlook continues on.Stefani's sarcasm for > a lack of equality made "Just a Girl" one of the catchiest feminist anthems > of the '90s. In honor of the 20th anniversary of Tragic Kingdom, a group of critics from The A.V. Club reanalyzed the album. Marah Eakin noted that "Just a Girl" was able to "age [...] surprisingly well".
Robert Christgau was also lukewarm in The Village Voice, writing that "Gabriel's so smart he knows rhythm is what makes music go, which relieves him of humdrum melodic responsibilities but doesn't get him up on the one—smart guys do go for texture in a pinch." So has continued to perform well in most retrospective reviews. Stephen Thomas Erlewine of AllMusic commended So as the "catchiest, happiest record he ever cut". Erlewine particularly praised Gabriel's fusion of art rock with African music and soul.
Even if the narrative concepts don't always hold together, Willie hangs his most ambitious albums on some of his catchiest tunes." Author Michael Streissguth "tried to be a concept album, but it lacked a clear thread, despite Willie's claim to the contrary." Robert Oermann and Douglas B. Green, in their book The Listener's Guide to Country Music, compared the album with Nelson's later recordings for Columbia Records: "All of those are beautiful records. They're all on Columbia and are made just the way Willie wanted them.
Bernie Wilson, Associated Press (AP) sports writer, wrote in his book, San Diego Chargers, that the song is "perhaps one of the catchiest fight songs of all-time". The New York Times said the song "has a distinctly 1970’s roller disco vibe". AP referred to the song as a "dated disco smash", while The Standard-Times called it an "infamous piece of NFL kitsch". Mike Downey of the Chicago Tribune commented that the song "has tortured more eardrums than anything Simon Cowell or Paula Abdul ever judged" on American Idol.
Gouge Away began promoting Burnt Sugar with a pair of music videos for the tracks "Only Friend" and "Ghost" in August 2018. About the track "Ghost", John Hill of Revolver wrote: "It's the band's catchiest work to date, showing they have just as much of a talent for anthemic Nineties-harkening alt-rock as they do total rippers." To support the album, Gouge Away toured the US and Europe with Culture Abuse from September to October 2018, followed by a leg with Drug Church in the US from November to December 2018.
Rock Louder was very favourable stating that it was a "Godzilla-sized" track that is "one of the catchiest songs to be released this year". Q magazine described it as "an end-of-days anthem tailor-made for the closing credits of Roland Emmerich's next apocalyptic blockbuster".Q Magazine Review It was included in Kerrang's Playlist for the week starting 30 September 2009 who described it as a "stadium-sized singalong".Kerrang Playlist 30/09/09 Rock Sound magazine described the song as a "typical Prophets anthemic sing-alongs that’ll please the aficionados".
The album was ranked number one on Loudwire's "Top 11 Metal Albums of the 1990s" and their "Top 10 Albums of 1992" and the song "Walk" was ranked number seven in their "10 Catchiest Metal Songs". Loudwire also listed four of the album's songs in their list of the "10 Best Pantera songs", they placed "This Love" in seventh, "Mouth for War" in fifth, "Fucking Hostile" in third and "Walk" in first. IGN named Vulgar Display of Power the eleventh most influential heavy metal album ever on their list of the "Top 25 Metal Albums".
"Why So Lonely" received positive reviews from music critics. Mike Wass, writing for Idolator, said the single's reggae sound was a "major sound overhaul" and worked to "surprisingly great effect". He also said the song "shouldn't work at all, but it's actually one of the group's catchiest efforts to date". Jeff Benjamin of Fuse noted the song's 1970s-inspired rock band concept and reggae-rock sound, and said "the surging guitar riffs mixed with Wailers- and Sublime-like ska beats give the track a classic-rock vibe that the ladies successfully pull off".
Spin.com reviewed the song's unofficial video by stating: "The chorus loop may be a weirdly hypnotic, post-Vine marketing gimmick, but it seems like it worked. "rockstar" is both Post Malone's and 21 Savage's first-ever No. 1 single, meaning this probably won't be the last time an artist attempts to boost a track by distilling its catchiest section into a standalone product. Maybe, in the future, we'll all listen to seconds-long hooks on endless extended loops." Spin and Time both named the song one of the worst of 2017.
"The minute they banned it, the album started shooting up the charts." In a 2008 interview, Joel also pointed out one part of the lyrics that virtually all the song's critics missed – the boy in the song failed to get anywhere with the girl, and she kept her chastity.Interview with Oprah Winfrey, The Oprah Winfrey Show, 2008 Musically, the song begins with a piano introduction and builds in intensity with Joel's high tempo vocals. Billboard Magazine described "Only the Good Die Young" as one of Joel's "strongest and catchiest" songs.
Nichols told Country Standard Time that he considered it "one of the catchiest tunes on the new CD" and that he liked its "simplicity." Rhett Akins and Ben Hayslip began writing the song in 2008; Akins told The Boot that the two had "already been working on this idea of writing a song about telling the girl who's all dressed up because you're going out." They had originally decided to title the song "The You I Want to See" until Dallas Davidson added the line "gimmie that girl" to the chorus.
Bunny was met with "generally favorable" reviews from critics. At Metacritic, which assigns a weighted average rating out of 100 to reviews from mainstream publications, this release received an average score of 76, based on 14 reviews. Aggregator Album of the Year gave the release a 70 out of 100 based on a critical consensus of 14 reviews. Paul Simpson from AllMusic explained that the album is "as sprawling and ambitious as his other long-players", admiring that it "features some of [Dear's] most forthright songwriting and catchiest hooks".
Paste ranked "Mind Mischief" the third best Tame Impala song. They thought that it had the catchiest guitar riff written by Parker, as well as perhaps his most interesting percussion. In 2015, Ciara Knight, writing for the Irish website Joe, ranked "Mind Mischief" #22 on her ranking of every Tame Impala song. She wrote: "From the first guitar chord the tone is set for what is guaranteed to be a slow but punchy little jam that's best enjoyed late in the day, ideally with a beer and a cigarette".
Glamour reviewer and senior editor Anna Moeslein cited "Semi-Charmed Life" as the best song of the 1990s, commenting that the "easy-breezy guitar and "do do do!" intro still spark joy". Andrew Chow of Time designated "Semi-Charmed Life" as a classic karaoke song. Aidin Vaziri of the San Francisco Chronicle referred to "Semi-Charmed Life" as "possibly the catchiest song about casual sex and meth addiction ever". At the 1997 Billboard Music Awards, "Semi- Charmed Life" garnered Third Eye Blind a win in the Modern Rock Track category.
" "Call Me Maybe" had been first released in Canada only through 604 Records on September 20, 2011. In December 2011, dating pop singers Justin Bieber and Selena Gomez were in Canada and heard the track on the radio. After they tweeted about it on their personal profiles, Jepsen instantly gained international attention, and got signed by Scooter Braun to his Schoolboy Records. Bieber's tweet said the song "is possibly the catchiest song I've ever heard..." Braun revealed that Bieber has "never jumped out and promoted an artist like this before.
The song received critical acclaim. Jason Lipshutz of Billboard deemed it "perhaps the most radio-friendly song of [Del Rey's] entire career", and praised the "gloriously whiny bounce" of its chorus and "sparkling Lana wisdom" in its lyrics. Similarly, Slant Magazines Sal Cinquemani said, "Though it's an understated single by today's pop standards, [...], it's handily Del Rey's catchiest single since 'Summertime Sadness', or at least 'National Anthem'". Cinquemani also complimented Del Rey's "crisp" vocal and the track's "hypnotic" synth line, and quipped, "lazy, revenge- and smoke-filled summer days never sounded so sweet".
Otir Hard of NPR dubbed the song one of the catchiest to be released in 2018, adding that it "lives up to the grandeur on first listen". Kory Grow writing for the Rolling Stone described the beat as "hard-hitting". Simon Reynolds cited "Apeshit" as an example for the continuing "triumph" of Auto-Tune in contemporary music, with Beyoncé "jump[ing] on the trap bandwagon [in] a transparent attempt to compete on urban radio by adopting the prevailing template of commercial-yet-street rap". In December 2018, Billboard ranked "Apeshit" as the 27th best song of the year.
J.D. Considine of Rolling Stone magazine reviewed Joyride: "By emphasizing its sense of personality, Roxette delivers more than just well-constructed hooks; this music has heart, something that makes even the catchiest melody more appealing." The album's success brought the duo two Rockbjörnen awards for Best Swedish Album and Best Swedish Group, the second time they had achieved that feat. The single "Joyride" became Roxette's first No. 1 in their home country. It also topped the charts in more than 25 countries around the world, including Germany, Australia and the US; it was their fourth and last US No. 1.
After leaving the band, he came back from Kolkata and started working on his solo albums. In 2005, he got his breakthrough with his debut album, Chaina Bhabish, which featured some of the best songs composed by him: "Hariye Giyechi" and "She Je Boshe Ache", the Daily Star commented: "She Je Boshe Ache is undoubtedly the catchiest track of all. The tune itself, in the simplest of words, is beautiful!". His second album Hok Kolorob also matched the success of his debut album and after releasing the album he became one of the most successful musicians of the decade.
Premios Juventud (Youth Awards) is an awards show for Spanish-speaking celebrities in the areas of film, music, sports, fashion, and pop culture, presented by the television network Univision. Winners are determined by online vote at univision.com. Premios Juventud is set apart by their unique categories, including "Me muero sin ese CD" (Album I can't live without), "Mi concierto favorito" (My favorite concert), and "La más pegajosa" (Catchiest song). Past winners have included people such as Ricky Martin, Shakira, Prince Royce, Juanes, Enrique Iglesias, Daddy Yankee, Thalía, RBD, Romeo Santos, Antonio Banderas, Maná, Jennifer Lopez, Gloria Trevi and Fifth Harmony.
" Jay Soul of RapReviews.com also praised the song calling it, "a single that fits excellently within the structure of Born Sinner – the last verse of the previous song leads cleverly into it, and it's not by any means dumbed down." Francesca D'Arcy-Orga of PopMatters said, "It's one of the catchiest songs on the album. Interestingly, it’s a song that wouldn’t go amiss at all on Cole’s first album and is very similar in style to "Work Out", showing that Cole is still sticking to what he knows best regardless of whether Nas likes it or not.
' That said, the throbbing 'Love Connection,' released as a single several months prior to the album, is his best uptempo song, as well as one of his catchiest concoctions. It didn't gain traction with radio -- a major shame." Joe Warminsky of the Washington City Paper gave the album a positive review, saying "For anybody who was particularly jazzed by DeVaughn’s pre-election, let’s-march-then-ball-all-night vibe, the album might seem a little lightweight. But it’s a logical career move, a way to get back to basics while adjusting to the freedom that his new deal is said to offer him.
Storyboard artist Teddy Newton played an important role in shaping the film's story. Newton's first assignment on staff involved being asked by Bird to create a film within a film to reflect the "hygiene-type movies that everyone saw when the bomb scare was happening." Newton came to the conclusion that a musical number would be the catchiest alternative, and the "Duck and Cover" sequence came to become one of the crew members' favorites of the film. Nicknamed "The X-Factor" by story department head Jeffery Lynch, the producers gave him artistic freedom on various pieces of the film's script.
Charles Aaron from Spin described the song as "slinking through [Hall's] low-ridin', gum-smackin' groove, Maddy's hard-bitten ingenue expresses no regrets, but this time you feel for her." Aaron highlighted the lyrics "Would it sound better if I were a man?" as subversive and coy. Author Lucy O'Brien described in her book, Madonna: Like an Icon, that "Human Nature" was one of the "quirkiest" tracks on Bedtime Stories, "throbbing with a tightly restrained but devastating anger". For Barry Walters from Moscow-Pullman Daily News, the song had the catchiest chorus among all the other tracks from the album.
A Tophit editor wrote that the song was "full of freedom and desire", calling it suitable for night clubs. Reagan Gavin Rasquinh from The Times of India believed "In Your Eyes" was the catchiest track from Party Never Ends, although he found the chorus to be a "silly bit overdubbed". The recording received a nomination in the Pop/Dance Song of the Year category at the 2014 Radio România Actualități Awards. Commercially, the track debuted on Romania's Airplay 100 at number 78 on the week ending 3 November 2013, peaking at number 44 on 8 December 2013.
Upon its release, "The Weekend" received positive comments from music critics. Gerrick D. Kennedy from Los Angeles Times described it as the "standout jam" of the record. James Milton of NME appreciated its "glossy introspection" while Karas Lamb from Consequence of Sound observed that by "The Weekend" and "Go Gina"—another track from Ctrl—SZA's affection for the "slow-burning body roll classics popularized by artists like Guy and Keith Sweat and perfected by R. Kelly is pretty clear". New York Daily News's editor Amy Rowe listed "The Weekend" and "Love Galore" as the catchiest songs of the album.
Early American alternative rock bands like Sonic Youth, Yo La Tengo and Dinosaur Jr., who mixed pop song structures with extreme guitar distortion and feedback, were immediate forerunners. The Jesus and Mary Chain's 1985 debut, Psychocandy, is considered by AllMusic to be the archetype for the noise pop genre ("pretty much birthed the style"). Kareem Estefan of Stylus Magazine cited the album for "transforming the use of distortion in indie rock with its screeching abrasion, yet managing to feature some of the catchiest melodies of the 80s." Later in the 1980s, noise pop was a major inspiration for the British shoegazing movement.
Rob Harvilla from Spin criticized the song's "sensuality", which he described as being of "an off-kilter, grade-school goofy, beanie-propeller sort of sensuality". Evan Sawdey of PopMatters deemed "Birthday" the "catchiest thing" on Prism, but he also thought it was a "rewrite" of Jessie J's hit "Domino" and Perry's former song "Last Friday Night (T.G.I.F.)". Lewis Corner from Digital Spy classified it as a "flirty pop-gem", while HitFix's Melinda Newman awarded it a B+ grade, calling it a "delectable pop confection". James Reed from The Boston Globe called the song's double entendre lyrics "hilarious".
" Nicole James of MTV revealed that "Call Me Maybe" is probably the catchiest song she has ever heard, and added that "I don't even want to tell you what the play count is in my iTunes for that song, but the moment you press play you're sucked in." The Village Voices Maura Johnston deemed it as an "utterly earwormy" song. RedEyes Emily Van Zandt began her review of the track saying, "screw you, Internet. Thanks to a couple of posts on blogs that I refuse to own up to following, my afternoon has been dedicated to Carly Rae Jepsen's 'Call Me Maybe'.
" Gregory Robinson of The Guardian said that the track displayed significant evolution in Styles' sound and viewed the hook as his "catchiest [hook] to date." In her review for Time, Raisa Bruner listed "Adore You" as one of the five best songs of the week and deemed it as "timeless and friendly". MTV's Madeline Roth likened the song to Styles' previous single, "Watermelon Sugar" and wrote that the "funky, synthy new tune is a tale of lust and devotion." Mike Nied of Idolator commended the song's production and Styles' vocals while also appreciating the lyrical content, writing, "There's a stark beauty that shines through levels of desperation in the lyrics.
"Power Trip" was met with generally positive reviews from music critics. NMB of XXL praised the song, as one of the album's strongest tracks along with "Crooked Smile" and "Let Nas Down". Phillip Mlynar of Spin said, "there's a more appealing, mild- mannered side to Cole that shines when he writes songs about relationships: The Miguel-abetted "Power Trip," especially, teeters on the edge of blooming into a melancholic OutKast single. Joven Haye of DJBooth.net praised the song's production, also saying "The captivating production brings out some savvy-storytelling from Cole, which when paired alongside one of the catchiest hooks of the year, solidifies the pair’s flawless chemistry.
Kieron Tyler of Mojo called Commontime "possibly their strongest album yet" and said, in comparison to Plumb, it "opens things out and is more personal". Les Inrockuptibles writer Christopher Conte called it one of the catchiest and most beautiful albums Field Music ever made. Ferran Cano of MondoSonoro called it Field Music's best album yet, and said it married the intelligence of most Field Music albums with a more joyful sound as a result of the Brewis brothers becoming fathers. The Independent writer Kevin Harley called Commontime a "career best-turn" from Field Music and demonstrated them as "an uncommonly canny band warming to new possibilities".
" Rock on Request reviewer Anthony Avina furthered this comment by naming the songs "Welcome to the Family" and the title track as examples of the band showing off their "wide range of talent while producing a harmonious album" that the band's fans "will instantly fall in love with." Avina noted the album had "a unique sound that has elements" from other bands such as Chiodos. Petteri Pertola, for Rockfreaks.net, "appreciate[s] the way these guys fuse metalcore and pop punk seamlessly together", adding that "many songs are plagued by an overtly formulaic approach, but when it works, [...] Homesick is one of the catchiest listens you'll experience this year.
Paolo Quiazon of Titik Pilipino gave the album three and a half out of five stars, saying "Unless you’ve been living under a rock, you have probably already heard the (arguably) most overplayed song in the country for the past year: Kitchie Nadal’s "Huwag na Huwag Mong Sasabihin." He admits that the song is the catchiest in the album, but it doesn't really tell how the rest of the album sounds. He praised Nadal's songwriting skills, stating "Kitchie Nadal is a deeply personal songwriter, driven by faith and belief – at least on this album. Her reflective wordings play on the foreground of her straightforward musical backdrop.
In June 2018, Rolling Stone named the album to its list of 50 Best Albums of 2018 So Far. The publication also named Dirty Pictures (Part 2)’s single “Beverly” one of the 50 Best Songs of 2018, calling it “...the catchiest chorus of a career that’s produced more than a few and a song that could’ve been on the radio in the era it honors.” “Beverly” also received recognition from public radio stations around the US, and was named the #1 Most Played Song of 2018 by Philadelphia’s WXPN, WXPN’s #4 Listener’s Choice, and #24 in New York’s WFUV list of Top 90 Songs of 2018.
Moonspell at Kavarna Rock Fest 2011. In July 2010, vocalist Fernando Ribeiro revealed the band was working on a new album, which he described as "the most exciting, sexiest, darkest, heaviest and catchiest stuff we've written in ages!". In December 2011 Moonspell signed with Napalm Records, and Ribeiro released the following statement: Around the same time, Aires Pereira was admitted as a full member of the band, after playing live with them for eight years. In January 2012, Moonspell revealed the title of the new album to be Alpha Noir, with a release date of April 27, 2012 and a special edition set to include the album's "musical twin", Omega White.
" He states that the ending refrain featuring a little girl "is utterly powerful." He also stated that "Bullet" is "the kind of song that could save some kid in the crowd," and closed his review stating that the song is "heart-wrenching genius." In his official review, Florino again referenced "Bullet" stating it was one of "two moments that make [American Tragedy] a classic," stating that "After an acoustic intro, the song tells a potent and poignant tale of longing for suicide. However, it's the sunniest and catchiest tune on American Tragedy" and that the band's genius lies "in that dangerous space between unforgettable and unsettling.
It's comfortably the catchiest thing here too, sounds a bit like 'C'est La Vie' by Stereophonics, which itself sounded quite a lot like Bowie. It's the one that should hang around setlists for years to come." The Quietus in their review of the album by Patrick Clarke was less positive about the track; "'Bless This Acid House' is the record's particular nadir, and the starkest illustration of what's wrong with the new Kasabian album. Shooting for anthemic but landing in some unhappy medium between a limp imitation of Primal Scream's Give Out… and every 'summer anthem' a team of faceless major label songwriters could ever try to conjure.
In article for Afropunk Festival's website, Butler stated that he believes "Punk rock and hip-hop are one-in-the-same. They’re always flying the flag of channeling art from discord", echoing a similar sentiment in an article for Colorado Springs Independent, by saying "[Fever 333's music is] like the evolution of guitar- based music. Because currently, hip-hop is really pushing the envelope sonically, as well as ideologically". In a 2019 article for Kerrang!, writer Mischa Pearlman described their music as "a thrilling combination of post- hardcore and hip-hop with some of the catchiest melodies you’ll hear on any album from this year".
I say focus on getting the movie career back on track..." Becky Bain of Idolator was more positive of the song saying she "actually forgot Lopez is still considered a singer, what with her two-year hiatus to focus on all her fragrances and clothing lines and babies and such. It's nice to have her back—yes, not every J-Lo song was a hit, but we all danced to 'If You Had My Love' and 'Waiting for Tonight' back in the day. 'Louboutins' ... definitely has the catchiest chorus she's had in years. This could actually bring Jennifer out of the pit her last album Brave dug her into.
Music & Media stated that it is a "strong composition" where the lyrics "are done more than justice by Linda Perry's impressive vocal touch." R.S. Murthi from New Straits Times called it "anthemic" and noted that it "is probably one of the simplest and catchiest pop songs to be produced in recent times." Carmen von Rohr from Rome News-Tribune noted "the amazingly down-to earth common sense lyrics" of "What's Up?" and added that Linda Perry "sings in her rich, soulful voice about the frustrations she feels as she tries to adjust to her place in the universe." Sunday Life wrote in their review, that the song is "naggingly memorable".
Mumba sings contralto.Rock N Roll Gold Rush: A Singles Un-Cyclopedia, by Maury Dean Her first single, "Gotta Tell You", was released in 2000 and peaked at number one in Ireland and New Zealand, number two in the UK, number three in Australia, and number four in the US, as well as reaching the top twenty in several countries across Europe. "Gotta Tell You" has since been listed in Billboards 100 Catchiest Choruses of the 21st Century At the age of 17 Mumba released her debut album, Gotta Tell You, in late 2000. The album reached the top ten in both Ireland and the UK, and number 67 on the Billboard 200.
She wrote that it is one of the catchiest songs on The 20/20 Experience and commented that it "most certainly" would be his "second or third single". The Boston Globe reviewer James Reed wrote that "Pusher Love Girl" begins the album on a "blissed-out high". Nate Jones of Popdust stated that the album version of "Pusher Love Girl" improves on the live version that was performed at the 55th Annual Grammy Awards. He commented that the "instrumental thump, slightly plodding in the live versions, tightens up until it's propelling the song forward" with an "elephantine self-assurance", clearing "enough space" for Timberlake's Prince impersonation to work "out its sweet shimmy".
Popjustice writer Same Hine enjoyed the track and said that he liked it "when Christina gets a bit wobbly and the bubblegum melody sounds oddly good with the lyrics", although it wasn't "her finest pop moment". Mike Wass from Idolator wrote that the song "sounds like fluffiest Nine Inch Nails song ever recorded", also commenting it as "a total trainwreck, but there's something amusing about Xtina putting her haters in their place". Joseph R. Atilano of Inquirer Entertainment praised "Circles" as one of the catchiest songs of the album and compared the track to songs by Rihanna and Nicki Minaj. Kitty Empire of The Observer commented that the "sing-song verse is redolent of Rihanna".
" Norman Mayers of Prefix Magazine declared the song to be one of the album's best tracks, claiming that Timbaland's "fluttering grooves" and Furtado's and Timberlake's "boastful verses" merged perfectly. PopMatters writer Mike Schiller describes the song as "a combination of every single beat on the Nelly Furtado album (Loose)" while later commenting that, with Timberlake's and Timbaland's vocals, it is an infectious all-star cut. Steve "Flash" Juon of RapReviews labeled it as a "triumverate of hip-pop perfection" while Jody Rosen praised it as the catchiest song on the album. Evan McGarvey of Stylus Magazine wrote "The song never comes together though, all of its constituent parts resemble diluted tools from other, more inspired Mosley moments.
The song received generally positive reviews from critics, who noted her talent as both a guitarist and vocalist. Matt Collar of AllMusic praised Orianthi's guitar playing and "gutsy" vocal, describing the song as "one of the poppiest, catchiest radio-friendly" tracks since Kelly Clarkson's "Since U Been Gone" in 2004. Michael Menachem of Billboard wrote that the production, lyrics, and performance all complement one another and suggested that Orianthi's "combination of high-energy, emotive delivery and masterful fret work" could inspire more women to pursue the guitar. In a review of the song's parent album, Believe, Sputnikmusic's Davey Boy wrote that the song's instrumentals "put most radio-rock bands to shame" and called the song catchy.
Joe Levy of Rolling Stone suggested that the song "may be carving out a role for [Gomez] as a pop torch singer", describing it as "moody and catchy without being obvious". In a review of Revival, another Rolling Stone critic, Brittany Spanos, hailed "Good for You" as "a mold- breaker hit". Eric Diep of Complex wrote that it showcased "a more matured [Gomez] than her teenage years", while Justin Smith from the same magazine deemed it his favorite song by the singer, adding, "'Good for You' delivers one of the catchiest hooks of Selena Gomez's musical career and solidifies her transition from Disney star to three-dimensional celebrity." Four Billboard writers reviewed the track.
The composition "Song for My Father" is probably Silver's best known. As described in the liner notes, this album features the leader's quintet in transition as it features a mix of tracks featuring his old group and his new line-up after Blue Mitchell had left. Allmusic reviewer Steve Huey praised the album: > One of Blue Note's greatest mainstream hard bop dates, Song for My Father is > Horace Silver's signature LP and the peak of a discography already studded > with classics...it hangs together remarkably well, and Silver's writing is > at his tightest and catchiest. The album was identified by Scott Yanow in his Allmusic essay "Hard Bop" as one of the 17 Essential Hard Bop recordings.
The album was quickly met with overall praise from fans and music critics alike. Jesse Richman of Alternative Press writes "The result is an album that feels timeless, even on first impact. It’s the Maine’s best batch of songs since Pioneer, their catchiest material since Can’t Stop Won’t Stop and their most cohesive work to date". The Maine is constantly evolving and changing their sound ever so slightly and luckily fans continue to demand more music and tour dates. Amber Ainsworth of ClickonDetroit says "The guitars are more prominent and defining, while there’s a line between it being entirely a rock album and being something that doesn’t fit neatly into one genre".
Rolling Stone listed it as one of Bowie's 30 essential songs, writing "[the song] reveals Bowie at his catchiest and most nihilistic." Ultimate Classic Rock, in their list of Bowie's 10 greatest songs, listed it at number eight, labeling it the best "pop song" of Bowie's career, praising its spoken intro and its "infectious chorus". In 2018, the writers of NME listed "Modern Love" as Bowie's eighth greatest song. They noted the "tragic irony" to the track, in that it is not about how Bowie managed to "make a perfect song about his cynicism at the world", but rather that his "prescient observations" of the 1980s music industry exposed the "hollowness" of his 1980s works.
"Hey Ya!" received universal acclaim from music critics and fans alike. PopMatters described the track as "brilliantly rousing" and "spazzy with electrifying multiplicity". Entertainment Weekly highlighted it as the catchiest song on the double album, and Stylus Magazine identified it as one of the best songs in OutKast's history. "Hey Ya!" topped the 2003 Pazz & Jop list, a survey of several hundred music critics conducted by Robert Christgau, with 322 mentions, beating runner-up Beyoncé Knowles' "Crazy in Love" by 119. It was listed at number 15 on Blenders 2005 list of "The 500 Greatest Songs Since You Were Born", and Pitchfork Media included it in its collection of The Pitchfork 500.
George Starostin called it one of the "catchiest ditties the band ever did: the interplay between the bloozy guitar and the poppy harmonica is amazing and promptly digs itself into your memory". Despite the single not reaching the charts, New Musical Express wrote that it was "good enough to have made the Chart". "A Song for Jeffrey" was ranked the 25th best Jethro Tull song by Rock – Das Gesamtwerk der größten Rock-Acts im Check. The song was performed on the Rolling Stones Rock 'n' Roll Circus in December 1968, although only Ian Anderson's vocals and flute were actually amplified from the live performance; the rest of the band mimed their parts, but the sound was pre-recorded.
Bloody Disgusting's Brad Miska opined that "In retrospect, its level of cheese is of legend, but in 1994 Portrait was some dark and weird shit (see 'Cake and Sodomy', 'My Monkey', 'Get Your Gun' , etc.)." Gigwise said that the song has "brutal" lyrics which "set the precedent for the rest of the band's career". Writing for Metal Hammer, Alec Chillingworth said that "'Lunchbox', 'Get Your Gunn', 'Wrapped In Plastic' and 'Dope Hat' are the catchiest [songs on the album]". In a piece they wrote for Clash, the Astroid Boys deemed "Get Your Gunn" one of their "personal favourites" from Marilyn Manson's catalogue and praised its lyrics for capturing the hypocrisy in Gunn's murder.
The title track has been the recipient of many awards and nominations, including a Latin Grammy Award nomination for Song of the Year in 2007 and the Best Song award at the Premios Lo Nuestro 2008, where the band also won in the Group or Duo of the year field. For the Premios Juventud of 2008 the group received the following nominations: Red Hot Artist, Catchiest Tune ("Todo Cambió"), CD to die for (Todo Cambió: Special Edition), and won for Best Ballad ("Todo Cambió") and Favorite Pop Star. At the 2007 Latin Billboard Music Awards the band won for Duo or Group of the Year and Latin Pop Airplay Song of the Year ("Todo Cambió"). Also the album was nominated for Latin Album of the Year.
Kevin Joy of The Columbus Dispatch echoed this view; he felt Azalea had "no shortage of swagger" and in turn made the song "saucy, strong-willed" and "so much fun". Idolator's Mike Wass suggested that the song could lift Azalea "from mixtape favorite to genuine contender", and opined that it had the "gigantic pop hook [she] needed to conquer US airwaves". Wass lauded it as "the catchiest half-sung/half-spoken chorus of [Azalea's] career", and also complimented T.I.'s "blistering" verse. Nolan Feeney of Time praised Azalea's conviction and "rapid-fire" delivery, and named the track as one of three highlights on The New Classic—a view echoed by Andy Gill of The Independent and Luke Winkie of The Austin Chronicle.
Two other songs by Shakira, "Gypsy" and "Waka Waka (This Time for Africa)", were also nominated, and the award was won by the latter song. In the same year, at the Latin Billboard Music Awards, the Spanish version was nominated for "Hot Latin Song of the Year, Vocal Event" and "Latin Digital Download of the Year", but lost both. At the 2011 Premios 40 Principales awards ceremony, the Spanish version of the song was nominated for "Mejor Canción Internacional en Español" ("Best International Song in Spanish"). The Spanish version of the song was nominated for "La Más Pegajosa" ("Catchiest Tune") and "Mi Ringtone" ("My Ringtone") at the 2011 Premios Juventud awards, but lost both categories to American rapper Pitbull's song "Bon, Bon".
" He also explained that this CD has both the catchiest and most mature songs they've ever recorded and called it a "step forward." During a concert at the College of Saint Rose in Albany, New York on April 25, 2009, Max Bemis proclaimed to the crowd that the newest album titled "Say Anything" is complete, and will be released "early summer," after stating that he was married three weeks prior to the event on April 4, 2009. According to Say Anything's In Studio website, on May 21, 2009, Max posted a blog stating "I just wanted to let you guys know we’re done recording our new record, entitled "Say Anything", and we’re moving into the mixing phase. It should be out this fall.
Amy Mackelden of Marie Claire called it a "synth-pop masterpiece that will be stuck in your head from the second you hear it" and further wrote: "The lyrics are super uplifting and relatable, especially as the chorus features the positive refrain, 'No matter what you know, I'll fix you with my love.'" Ian Monroe from V praised the song for its lyrics and called it "the song of the summer". Negative reviews came from Entertainment Weeklys Nolan Feeney, who found "The Cure" to be "generic" and resemblance with other pop songs released concurrently. But he found potential in the release, due to it being "the catchiest, most immediate, and thankfully least self-serious songs [Gaga]'s put out in recent years".
In a review of the Lost Highway soundtrack, The Daily Aztec praised "Apple of Sodom" and the band's version of "I Put a Spell on You", saying that they "both make listeners feel like they're entering something dangerous. Manson's screaming and jungle drum beats give the songs a sarcastic, stereotypical horror film feeling, and at the same time the tunes are among the catchiest on the record." James P. Wisdom of Pitchfork described "Apple of Sodom" and "I Put a Spell on You" as "reasonably good" and superior to the Angelo Badalamenti instrumentals on the Lost Highway album. Katie Rife of The A.V. Club called "Apple of Sodom" a "grimy" song that "straddles the line between the erotic and the terrifying".
"All the Way" was described by MTV News's Jenna Hally Rubenstein as one of "the catchiest pop jam[s]" that she has ever heard, comparing it to the works of Capital Cities, Zedd, and Cash Cash. Equally positive was Kristin Harris from Seventeen, who called it awesome and warned that listeners of the song may leave it "on repeat for about 5 hours" because it is catchy. Stephanie Ironson, an editor for Elite Daily, wrote an article about Timeflies appearing at the "Billboard Hot 100 Fest" in August 2016 and referred to "All the Way" as her favorite song by the group. Agreeing, AndPop's Kalyna Taras found that "after only a couple listens", any individual will be "singing along" and "tapping [their] feet".
Marisol on the other hand is an amazing song and Emily's voice sounded beautiful. The songs “Double Talk” and “Truth or Dare” had the same beat to me but they work well with the over all sound of the album; and they are the typical club songs that party goes will jam too. The two tracks I believe has the catchiest beats and lyrics are “All the Boys Want” and “Gotta Believe in Something;” they are must listens. But the outcast song is “1-800 Clap Your Hands (The Water is Rising),” I don't really get the sound of the tune although it might fit with the album something is off with it and I would have preferred them to add another softer track instead.
In the annual year-end lists of "Top 10 Everything" compiled by Time magazine, "The Fox" was ranked number two on the "Top 10 Viral Videos" of 2013 for being "one of the catchiest songs of the year", only after "Gentleman", PSY's follow-up to "Gangnam Style". Ylvis were surprised by the international success of the song, intending only to target their Norwegian audience. Vegard described the success of the song as "definitely very shocking", while Bård said he was "quite surprised" and that it was "supposed to entertain a few Norwegians for three minutes — and that's all". Three months after the release of "The Fox", he further commented that "[their] lives will forever be defined as before and after the song now".
However, he acknowledged that Can't Be Tamed contained "the catchiest Top 40 hits money can buy." Referencing the lyrics in "Every Rose Has Its Thorn", Leah Greenblatt from Entertainment Weekly felt that Cyrus was "just not (yet) that thorny a girl" despite visible efforts of rebellion. Alexis Petridis of The Guardian thought that Cyrus lost sight of her target audience with the project, noting that "if you're old enough to stay up after 9:00 PM without asking permission, it's not intended for you" while also commenting that children that may be interested in the record had likely "transferred their affections" to the then-teenage Justin Bieber. Writing for Rolling Stone, Rob Sheffield opined that the production used throughout Can't Be Tamed felt too generic for its goal of rebellion.
They were also awarded as the Revelation Duo of the Year and Randy's performance on "Soy Una Gárgola" garnered him the Catchiest Chorus award. The success of "Agresivo" established the duo within the reggaeton genre, leading to guest features on Zion's "Cuarto Nivel" from The Perfect Melody, Hector El Father's "Hola Bebé" from The Bad Boy: The Most Wanted Edition, Julio Voltio's "Pónmela" from En Lo Claro, and the remix version of Tito El Bambino's "Siente El Boom". "Pónmela" was included on the 2008 video game Grand Theft Auto IV and peaked at number 41 on Billboards Hot Latin Songs on January 26, 2008. "Siente El Boom (Remix)" was also included on the video game, giving credit only to Tito El Bambino and Randy, performers of the original version.
'Hotel Mira Perfects Power Pop on New Album, Perfectionism' Barricade website, February 9, 2020 Early reviews of the album were consistently positive, both in mainstream publications and underground music blogs. Exclaim! gave the album a 4-star review, saying that ' Perfectionism is the catchiest and most consistent body of work from Hotel Mira to date' and that the album showed a clear evolution of the band's sound, concluding that the 'charm and earnestness of Kerr's lyrics are what elevate it beyond just sounding good sonically to being a career-defining step in Hotel Mira's artistic journey.''Hotel Mira Perfectionism' Exclaim! website, February 17, 2020, Retrieved February 23, 2020Barricade went on to say that 'Perfectionism is a wonderfully executed, curated, and produced collection of guitar driven pop songs, almost to the point of, dare I say it, perfection.
He declared that Forster's tracks "are the catchiest and most fetching tracks on the album, taking up surfing dreams, a fond and funny envoi to Patti Smith, and a life- swapping fable that when you think about it may be a love song after all". All Tomorrow's Parties, Mt Buller, Victoria, on 10 January 2009. The Go-Betweens line-up of Forster, McLennan, Pickvance and Thompson (he had rejoined in 2001) issued two more studio albums, Bright Yellow Bright Orange (2003) and Oceans Apart (2005), Allmusic's Stewart Mason described Forster as having "a knack for crafty pop songs along with the brooding ballads he contributed to the Go- Betweens' albums, and his solo career has shown a healthy mix of the two styles". Grant McLennan died on 6 May 2006 of a heart attack, aged 48.
Simon Vozick-Levinson of Entertainment Weekly reviewed the song saying it had been greeted by "a public and critical rush of adulation." Vozick-Levinson went on to say that the "great tune" and "one of the catchiest singles getting airplay at the moment" is "an uncannily Lauryn Hill-y slice of reggaefied soul." Jeff Harvey of Okayplayer reviewed "Need U Bad" in relation to its similarity to the rest of the tracks on Fearless, saying: "Fans of Sullivan's raw, reggae tinged single [...], may be a little put off by the prestine production and pop sensibilities of much of her album, and indeed, it is far from The Miseducation of Jazmine Sullivan that hungry L-boogie fans may have unfairly hoped for." Joey Guerra of the Houston Chronicle mentioned that "reggae-flavoured" "Need U Bad" is a sample of Sullivan's eclectic musical approach.
Jessica Molinari of Bustle praised Gilman for his passionate delivery, which she wrote, "was palpable in every line he sang." She also wrote that the song was very "authentic," and that it "was completely him." Perri Blumberg of Rolling Stone wrote that the song "showed his versatility as both performer and songwriter." Carter Matt, writing for his eponymous entertainment blog, mirrored Molinari's sentiments regarding the song's "fit" with Gilman's persona and also noted "Because of Me" is "easily the catchiest of the four winners' singles," and "could... be an adult-contemporary hit" Reviewing Gilman's performance of the song on The Voice, which he graded a 'B', Michael Slezak of TVLine wrote that the song "painted Billy as a vocalist who might have some radio relevance with the right material," but also described the track as unmemorable.
" She also analysed that the Joan of Arc metaphor is "a bit of a stretch", but it's "the sweetest and catchiest song on the album thus far." Music critic Alexis Petridis wrote in The Guardian that the song is one of the "indispensable moments" on the album, "on which the singer genuinely seems to be revealing her personal feelings and frailties", saying that it is "cut from the same emotional cloth as Like a Prayer's 'Promise to Try' or 'Ray of Light' 'Drowned World/Substitute for Love'." John Marrs of Gay Times agreed with the 'Like a Prayer'-style influence, noting that "[v]ocally and lyrically she could easily be channeling Eva Peron, so don’t cry for her too much." Digital Spy's Lewis Corner reflected on the song's lyrics that "[Madonna] is still very much a sensitive soul despite a hardened public persona.
From her dead pan delivery ('Please, this ain't even jealousy, she ain't got nothin' on me') to her screams of frustration peppered throughout the track, this has the potential to be an enormous global hit." Bradley Stern from "MuuMuse" commented: "It is one of the album’s catchiest, cutest moments–even if Lloyd’s gritting her teeth and clenching her fists with rage." He further wrote: > "Kicking off with a deliciously angry grunt that plays on loop (UHH!!!) the > Shellback-produced track finds Lloyd ruing the day she ever stepped out on > her man…who’s now being made all the happier by some other chick: 'Remember > all the things that you and I did first? And now you’re doing them with > her?!' Lloyd sings incredulously on the bouncing electro-pop beat, dissing > the chick’s jeans and denying all charges of jealousy in the process.
" The Atlantics Spencer Kornhaber found that "Majesty" is "a clunky show of force that leans hard on Eminem," and praised the outro stating that "It's one of a few times on Queen where the catchiest or most intriguing bits—the ones where she seems un-miffed and ready to riff— are relegated to interludes." Similarly, Rawiya Kameir from The Fader writes, "As usual, Nicki's best moments come through when she's experimenting, when it sounds like she's not overthinking things. [...] Towards the end of "Majesty", [she delivers a gently menacing lilt that is] for more inventive than much of the rest of the album." Sam Hockey-Smith from Vulture found that while the song "is not especially surprising," Minaj and Eminem "sound great together on 'Majesty'," and "have a lot of chemistry, mostly because they both enjoy modulating their voices mid-verse.
" He then explained that the new album would be "more concise and would be a bit more original, I want to say, and sort of pop out like ...Is a Real Boy did." He also explained that this CD has both the catchiest and most mature songs they've ever recorded and called it a "step forward." During a concert at the College of Saint Rose in Albany, New York, on April 25, 2009, Max Bemis proclaimed to the crowd that the newest album titled Say Anything was complete, and would be released "early summer", after stating that he was married two weeks prior to the event on April 4, 2009. According to Say Anything's In Studio website, on May 21, 2009, Bemis posted a blog entry stating "I just wanted to let you guys know we’re done recording our new record, entitled "Say Anything", and we’re moving into the mixing phase.
Edgardo Rodríguez of No Ripcord called the album challenging and artful, writing that the band "miraculously found a way to make the eternally uncool eighties sound relevant", but said "the Brewises' love for intricate harmonies will always go hand in hand with slick pop hooks". Ian King of PopMatters said Commontime dexterously bends rock, pop, funk, and R&B; to fit Field Music's distinct regional post punk dialect. He said the album emphasizes Field Music's "smoother side", a strength the Brewis brothers have been developing both together and separately since Field Music's 2010 album Measure. Allmusic writer Tim Sendra said Commontime had some of the catchiest Field Music songs to date, calling it one of their most interesting and rewarding albums to date, and writing that "the brothers remain masters of arranging and choosing exactly the right instrument for each part of each song".
Critical response to the single was generally very favourable. An article in The Scotsman singled out "Is There a Ghost" as one of the main reasons that Band of Horses have received significant international attention,Pollock, David "Colts on the trail" The Scotsman - February 16, 2008 however one reviewer disliked the "polished" sound of Cease to Begin, saying that, "In the switch from low to high fidelity, Band of Horses sacrifices a good deal of angst and quality."Herrmann, Zachary "Beginning of the end" The Diamondback - October 8, 2007 Others were more enthusiastic, with one reviewer claiming that, "'Is There A Ghost' is the catchiest song with only 14 words to its credit since Pearl Jam's 'Smile'."Hagen, Kelly "My top 10 album picks for the year" Bismarck Tribune - December 27, 2007 Rolling Stone ranked "Is There a Ghost" at #93 in its 100 best songs of 2007.
He praised each track individually, but especially commended single "Northern Soul" which he calls the "catchiest, deepest, and most intense in years", and "Sahara Love" which "intertwines elevating dance music with elements of rock, new wave, and synth-pop". Thomas Keulemans from We Rave You dubbed the track "Bittersweet & Blue" as the album's best highlight by praising Richard Bedford's ability to create a sense of sadness throughout its duration and noted its meaningful lyrical content. In a negative review, Will Hodgkinson of The Times described that the record "sounds like the kind of music that utilities companies use when they want to calm you down as they put you on hold for an hour: relentlessly slick, unfailingly melodic, impossible to remember the moment it finishes". The critic concluded by writing that Common Ground ultimately lacks "humour and character", even with the use of gentle vocals and the presence of a hypnotic mood throughout its listening experience.
" Drowned in Sounds David Renshaw called the album "brilliant", adding that "[t]he production throughout Don't Stop is noticeably strong. The sound is taught and modern but avoids the current pitfalls of sounding like a prime cut of Stock, Aitken and Waterman Eighties chart fodder or a Timbaland reject circa the year 2001". Christopher Muther of The Boston Globe viewed the album as "an electro-pop truffle—a tasty confection with a hard, glossy shell surrounding a smooth, melt-in-your-ear interior of cheeky, playful lyrics", while commending Annie for her "incredible knack for marrying Pat Benatar's lip-gloss feminist swagger with playful dance-club melodies." AllMusic critic Andy Kellman wrote, "As on Anniemal, Don't Stop contains some of the catchiest, most clever dance-pop in circulation, highlighted by the fizzy 'I Don't Like Your Band'", but argued that the collaborations with Xenomania, Timo Kaukolampi and Richard X "aren't as powerful, [...] with a good handful of their songs no match for Anniemals weaker moments.
" Neil Z. Yeung of AllMusic saying "More well-executed than his previous releases and undeniably catchy, Hollywood's Bleeding is a huge step forward for the guarded superstar, one that doesn't sacrifice the essential elements that made him such a surprise hitmaker, and pushes him even further into the pop-savvy landscape where he belongs." Writing for Los Angeles Times, Mikael Wood stated, "Unlike Stoney and Beerbongs & Bentleys, this album feels composed of discrete stylistic exercises; no longer is he boiling down rap and rock and a little bit of country into a kind of smearable paste." Rolling Stones critic Nick Catucci said, "Post Malone curates as much as he creates, and there's not a misplaced feature among the 10 spread across seven of these tracks." Dan Weiss of Consequence of Sound wrote, "Hollywood's Bleeding is immediately Post Malone's most listenable work and may well be the catchiest album you hear in 2019, and that includes Taylor Swift.
Danny Eccleston from Q magazine said its "ambitious title" was justified by "magnificent content: 17-track best of enhanced by the hard-faced sexiness of Lenny Kravitz-aided Justify My Love (and Rescue Me)". David Browne from Entertainment Weekly opined that the album was "as relentless as the woman herself", and "refocuses our attention on how brilliant her records have been over the years — and gives us a peek into the obstacles she might face as her career enters the '90s". Jim Farber of the same magazine gave the album an A rating, saying: "More than a mere greatest-hits set, it's hands down the catchiest collection of '80s singles." Ross Bennett from Mojo called the album "truly the best of best of's" and stated: "This has to be right up there with Abba Gold as a collection of singles so deeply ingrained in the collective consciousness [...] But there is no denying the pop nous behind Ms Ciccone's first 15 years of hits, here brilliantly packaged in, gasp, chronological order".
" Joachim Hiller of the Ox Fanzine rated the album five out of ten and said that despite the computer themed title track, "everything [else is] the same: hysterical fun punk, and yes, the Toy Dolls just always sound like the Toy Dolls sound. And of course there was the obligatory covers, among other things," commenting that the band's cover of "500 Miles (I'm Gonna Be)" "really succeeded." Captain Oi!'s "Jimmy", writing for Razorcake, said that "considering that the Dolls seem to have developed a template for songwriting over the years and have rarely, if ever, strayed from it, the songs contained here are quite exemplary, with some of them containing some of the catchiest hooks they’ve some up with in years. As per usual, a couple of cover songs (“(I’m Gonna Be) 500 Miles,” “The Devil Went Down to Scunthorpe”) are given the Toy Dolls treatment. When you take into account that the most run-of-the- mill Toy Dolls release is miles ahead of some other bands’ best work, the fact that this one is especially good makes it a rare gem, indeed.

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