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"cash box" Definitions
  1. a box with a lock for keeping money in, usually made of metal
"cash box" Synonyms
strongbox coffer safe safe-deposit box bank depository locker repository safebox vault money box safety-deposit box money chest casket piggy bank collecting box strongroom deposit box safe-deposit vault bank vault till checkout counter box drawer tray cashbox kitty treasury sales register cash desk cash drawer cash register point of sale pay desk register More

1000 Sentences With "cash box"

How to use cash box in a sentence? Find typical usage patterns (collocations)/phrases/context for "cash box" and check conjugation/comparative form for "cash box". Mastering all the usages of "cash box" from sentence examples published by news publications.

type: All Declarative Interrogative Exclamative

structure: All Simple Compound Complex Compound-Complex

length: All <=10 words 10-20 words 20-30 words 30-50 words

But in one older set, an employee recently came across a cash box.
The money was found inside a cash box, stashed into the TV console.
That creates an irregular pattern of inflows and outflows from the federal cash box.
Today, "tender" means money (as in legal tender), and the spot where you might put it, which is a CASH BOX.
There were reviews in Billboard and Cash Box, but they were by professional critics and they rarely reflect the opinions of the public.
I made change from the cash box, noted the titles and prices in a spiral notebook left for that purpose, and my day had commenced.
Harpagon, meanwhile, upgrades to surveillance technology to keep an eye on the cash box he has buried in the garden, with a camera trained on the spot.
The final image — Mr. Poitrenaux dipping into his oversize cash box and emerging covered in gold glitter — is striking, yet this "Miser" takes detours to get there.
A decade ago, the crispy wings and deep dish pizza were so popular among his northern neighbors that he bought a second cash box for Canadian dollars.
Only Sally-Mae, from a slightly more "saddidy" background, can see value in a choice that feeds the soul and the future instead of the cash box today.
He said a camouflage hat and BB pistol found along with a metal cash box was found in some nearby woods and could be checked for fingerprints and DNA.
Customers can pick up products and deposit the money at the cash box placed in the front, or pay in installments, if they're not carrying enough cash in hand.
The thieves had apparently pulled a Qui-Gon with a blowtorch to get at the machine's cash box, but lit all the bills on fire instead, fleeing without any money.
Have your door people, set and trained, small bills for the cash box, any flyers/merch/materials, your "hat"/jar for random donations, etc preset before people walk in the room.
No witnesses could definitively link the brothers to the crime, but on an empty cash box investigators discovered a greasy thumbprint that turned out to be a match for Alfred Stratton.
The rockers' long-awaited induction into the Hall of Fame fell on the 50th anniversary of their classic hit "Time of the Season" reaching No. 1 on the US Cash Box Top 100.
They'd collect cash for the lessons, order pizza out of the proceeds, then turn over whatever was left in the cash box to the Urbana Park District every couple of weeks, Mr. Flygare told me.
He was still talking while in the car they pried open the cash box and saw the tightly bound stacks of green, neatly arranged, with tags on them that named the years they were earned.
Most of the people in the long line donated much more than the suggested 229 Canadian dollars, or $25, for the buffet to Ruth and Bob Kienlen, who were managing the cash box at the door.
Because it's made of Lego, it's easy to bust into the dispenser's cash box the next time you need five bucks for a pie, and this contraption even dispenses the proper change to match the pizza's real price.
The 9-year-old lemonade vendor said a teenager wearing a similar hat and a black shirt pointed a black handgun at him and took his cash box Saturday afternoon in Monroe, about 30 miles (50 kilometers) southeast of Charlotte.
In South Central, the reps sometimes set up a game called Cash Box, in which contestants who agree to a rapid test enter a plexiglass booth where they try to grab cash as it is blown around at high speeds.
Cosmic forces wouldn't save him from the kind of fate his uncle had faced, and she felt sure he'd be there, one day, husky-voiced after telling his tale in the same way, going on and on about it for days on end after some fuckups came in to loot his cash box.
Ms. Reese had been under contract to Jubilee Records for three years when, in 1957, she had her first big hit record, the romantic ballad "And That Reminds Me." Named the year's most promising "girl singer" by Billboard, Variety and Cash Box, she was soon making regular appearances on the leading television variety shows of the day.
When a locked tin cash box rattled intriguingly, Pippa levered it open with a screwdriver, and they were perplexed by what was inside until she recognized the club's Sacred Objects: a bone, a screwed-up page from a prayer book ("We spat on it," she said), a wrapped razor blade, their father's bronze medal for swimming, a gold ring set flashily with a green stone.
Retrieved June 4, 2018. and the Cash Box Top 100."Cash Box Top 100", Cash Box, June 27, 1964. p. 4. Accessed July 26, 2016.
Retrieved March 23, 2018. while reaching No. 41 on the Cash Box Top 100,"The Cash Box Top 100", Cash Box, November 21, 1959. p. 4.
Retrieved April 1, 2018. No. 73 on the Cash Box Top 100 Country chart,"Cash Box Top 100 Country", Cash Box, September 2, 1978. p. 34.
Accessed September 21, 2015 and No. 60 on the Cash Box Top 100.Cash Box Top 100, Cash Box, February 2, 1963. p. 4. Retrieved April 18, 2017.
It peaked #62 in the 1971's Year-end chart of the Cash Box magazine.. Cash Box magazine.
Retrieved March 11, 2018. No. 103 on Cash Boxs "Looking Ahead" chart,"Looking Ahead", Cash Box, January 28, 1978. p. 54. Retrieved March 11, 2018. and No. 15 on "Cash Box Top 100 R&B;"."Cash Box Top 100 R&B;", Cash Box, January 28, 1978. p. 51. Retrieved March 11, 2018.
Accessed July 14, 2016. while reaching No. 3 on Billboard's Middle-Road Singles chart,Bobby Goldsboro - Chart History - Adult Contemporary, Billboard.com. Accessed July 27, 2015 No. 10 on the Cash Box Top 100,Cash Box Top 100, Cash Box, March 14, 1964. p. 4. Accessed July 14, 2016. and No. 30 on Canada's CHUM Hit Parade."CHUM Hit Parade", CHUM, Week of March 16, 1964 The song was ranked No. 90 on the Cash Box "Top 100 Chart Hits of 1964.""Cash Box Top 100", Cash Box, December 26, 1964. p. 14.
Retrieved April 22, 2018. while reaching No. 36 on the Cash Box Top 100,"The Cash Box Top 100", Cash Box, August 29, 1959. p. 4. Retrieved April 22, 2018. and No. 31 on Canada's CHUM Hit Parade.
Wright's father was choir conductor and composer Don Wright,"The Cash Box Canadian Capers", Cash Box, April 30, 1955. p. 18.
S. Billboard #45, Cash Box #28; AC #19),Cash Box Top 100 Singles, April 26, 1969 performing somewhat better in Canada (#24).
Accessed September 14, 2016. No. 38 on "The Cash Box Top 75","The Cash Box Top 75", The Cash Box, Volume XIX, Number 44, July 19, 1958. p. 4. Accessed September 14, 2016. and No. 23 on Canada's CHUM Hit Parade.
The various versions of the song (combined, as was normal for Cash Box magazine) reached #4 on the Cash Box Best-Selling Records chart.
35 Despite Cash Box improved statistics for Brown's "Love Really Hurts..." as opposed to the single's Billboard stats, the Billy Ocean original was ranked significantly higher on the Cash Box Top 100 than on the Billboard Hot 100 as the Cash Box Top 100 afforded the single a #16 peak,Cash Box 22 May 1976 p. 4 six positions above its best Hot 100 ranking.
"The Cash Box Round the Wax Circle", The Cash Box. October 16, 1954. p. 16. Retrieved April 27, 2020."Radio and Television Programs", The Hammond Times.
Retrieved March 4, 2018. while reaching No. 28 on Billboards Easy Listening chart,Adult Contemporary - Bobby Goldsboro With Pen In Hand Chart History, Billboard.com. Retrieved March 4, 2018. No. 87 on the Cash Box Top 100,Cash Box Top 100, Cash Box, October 14, 1972. p. 4.
The Cash Box, Album Reviews, Cash Box Publishing Co., New York, December 8, 1956, Vol.XVIII No. 12, p. 38 Review of album "Squeeze Play" in Cash Box magazine, Pg. 38 on americanradiohistory.comThe Billboard - Review and Ratings of New Popular Albums - Squeeze Play, December 1, 1956 p.
Retrieved July 1, 2019. No. 12 on the Cash Box Country Top 50,"Cash Box Country Top 50", Cash Box, June 22, 1968. p. 46. Retrieved July 1, 2019. and No. 19 on Canada's RPM Country Chart."RPM Country Chart", RPM Weekly. Volume 9, No. 19.
In a tandem ranking of Jane Morgan, Raymond Lefèvre, and Dalida's recordings, with Morgan and Lefèvre's versions marked as bestsellers, the song reached No. 17 on the Cash Box Top 100 in November 1958."Cash Box Top 100", Cash Box, November 8, 1958. p. 4. Retrieved February 27, 2018.
Cash Box, April 17, 1971 - Page 20 cash box / singles reviews Picks of the Week The same year they had a hit with "It's Gonna Take a Miracle".
Serry's performances were noted for establishing a variety of musical moods with grace while also emphasizing a relaxed performance style. The Cash Box, Album Reviews, Cash Box Publishing, New York, 8 December 1956, Vol.XVIII, No. 12, P. 38 Review in Cash Box magazine Vol. XVIII, No. 12, Pg. 38 of "Squeeze Play" on americanradiohistory.
Retrieved May 1, 2018. The Teen Queens version was ranked No. 17 in Cash Boxs ranking of "1956's Top R&B; Records as Voted in the Cash Box Poll"."1956's Top R&B; Records as Voted in the Cash Box Poll", Cash Box, December 29, 1956. p. 40. Retrieved May 1, 2018.
The Cash Box, Album Reviews, Cash Box Publishing Co., New York, 8 December 1956, Vol.XVIII No. 12, p. 38 Review of album "Squeeze Play" in Cash Box magazine, Pg. 38 on americanradiohistory.com In 1958 several songs from the album were released once again in France by Versailles records (# 90 M 178) as Chicago Musette - John Serry et son Accordéon.
Retrieved February 28, 2018."Middle- Road Singles", Billboard, March 28, 1964. p. 15. Retrieved February 28, 2018. No. 8 on the Cash Box Top 100,"Cash Box Top 100", Cash Box, March 28, 1964. p. 4. Retrieved March 20, 2018. No. 8 on the Music Vendor Top 100 Pop chart,"Top 100 Pop", Music Vendor, April 11, 1964.
Accessed October 12, 2015 while reaching number three on Billboard's Pop-Standards Singles chart,Bobby Vinton - Chart History - Adult Contemporary, Billboard.com. Accessed October 12, 2015"Pop-Standard Singles", Billboard, June 27, 1964. p. 17. Accessed October 12, 2015 and number 11 on the Cash Box Top 100."Cash Box Top 100", Cash Box, June 27, 1964. p. 4.
On the U.S. Cash Box Top 100, it peaked at number nine. Cash Box ranked it as the 71st biggest hit of 1981. The song was also a minor hit in Australia and Canada.
"Cash Box Top 100", Cash Box, May 15, 1971. p. 4. Accessed August 3, 2016. Floyd Cramer recorded an instrumental cover of the song, which was released on his 1971 album Class of '71.
Plough Broadcasting was a subsidiary of the large pharmaceutical company Schering-Plough. WJJD featured both pop"The Cash Box Disk Jockeys Regional Record Reports", The Cash Box. June 5, 1954. p. 18. Retrieved April 27, 2020.
Retrieved January 27, 2018. The song spent eight weeks on the Billboard Hot 100 chart, reaching No. 15,The Hot 100 - Week of February 22, 1964, Billboard.com. Retrieved January 27, 2018. while reaching No. 20 on the Cash Box Top 100,"Cash Box Top 100", Cash Box, February 15, 1964. p. 4. Retrieved January 27, 2018. and No. 18 on Canada's CHUM Hit Parade.
Retrieved March 28, 2018. No. 7 in Malaysia,"Hits of the World", Billboard, October 28, 1967. p. 86. Retrieved March 28, 2018. No. 5 on the Cash Box Top 100,"Cash Box Top 100", Cash Box, October 28, 1968. p. 4. Retrieved March 28, 2018. and No. 9 on Record Worlds 100 Top Pops."100 Top Pops", Record World, October 28, 1967. Retrieved March 28, 2018.
"Precious and Few" is a song recorded by American group Climax which became a major North American hit in early 1972. Written by the band's guitarist, Walter D. Nims, it spent three weeks at number three on the U.S. Billboard Hot 100 and hit number one on the Cash Box Top 100.Cash Box Top 100, Cash Box, February 26, 1972. p. 4. Retrieved November 16, 2016.
The flip side "The Kangaroo" reached no. 23 on the Cash Box chart.
Accessed December 23, 2015. It also peaked at No. 46 on the Cash Box Top 100Cash Box Top 100 Singles, Cash Box, March 31, 1979. p. 4. Accessed July 14, 2016. and No. 54 on the Record World Singles chart.
Retrieved March 24, 2018. while reaching No. 12 on Record Worlds "100 Top Pops","100 Top Pops", Record World, April 10, 1965. Retrieved March 25, 2018. No. 14 on the Cash Box Top 100,"Cash Box Top 100", Cash Box, April 10, 1965. p. 4. Retrieved March 24, 2018. No. 5 on Billboards Middle-Road Singles chart,Adult Contemporary - Bobby Vinton Long Lonely Nights Chart History, Billboard.com. Retrieved March 24, 2018.
The song reached No. 13 on the Cash Box Top 50 Best Selling Records chart, in a tandem ranking of the Teen Queens, the Chordettes, the Fontane Sisters, and Lillian Briggs's versions, with the Teen Queens, the Chordettes, and the Fontane Sisters' versions marked as bestsellers,"The Cash Box Top 50 Best Selling Records", Cash Box, April 7, 1956. p. 14. Retrieved April 30, 2018. while reaching No. 8 on Cash Boxs chart of "The Ten Records Disk Jockeys Played Most This Week","The Ten Records Disk Jockeys Played Most This Week", Cash Box, March 31, 1954. p. 7. Retrieved April 30, 2018.
1 that December. The track became Warwick's first Top Ten single in January 1964, peaking at no. 8 on the Billboard Hot 100 and the Cash Box Pop 100 that February, also reaching no. 6 on the Cash Box R&B; chart.
Cash Box said Newton transformed "The Letter" from a fan favorite to a religious awakening.
Cash Box Top 100 Singles, October 6, 1973 It also reached number 80 in Canada.
Billboard, May 26, 1958, p. 47. 12\. Interview with Wayne Moss. 13\. Cash Box, Sept.
On the Cash Box charts, where all versions were combined, the song reached No. 1\.
Released in 1959 on the Challenge label, it was backed with a Robert Hafner composition, "Rendezvous". It was given a B+ rating by The Cash Box in its October 17 issue.45Cat - Billy Watkins - Discography, USA, You're Unforgettable (After You've Been Kissed)The Cash Box, October 17, 1959 - Page 14 The Cash Box Best Bets It was also a prediction that month by Billboard to do well, and became a local hit year.
In 1970, a cover of was released by Hank Williams, Jr. and Lois Johnson as a single and on the album Removing the Shadow. Their version reached No. 12 on Billboards Hot Country Singles chart,"Hot Country Singles", Billboard, November 28, 1970. p. 46. Retrieved April 1, 2018. No. 8 on the Cash Box Country Top 65,"Cash Box Country Top 65", Cash Box, November 28, 1970. p. 52. Retrieved April 2, 2018.
Cash Box Top 100 Singles, July 31, 1971 It was a more modest hit in Canada.
The song reached No. 12 on the Cash Box Top 50 Best Selling Records chart, in a tandem ranking of Priscilla Wright, Marion Marlowe, Karen Chandler, and Lita Roza's versions, with Priscilla Wright and Marion Marlowe's versions marked as bestsellers,"The Cash Box Top 50 Best Selling Records", Cash Box, August 13, 1955. p. 20. Retrieved April 17, 2018. while reaching No. 10 on Cash Boxs chart of records disk jockeys played most, in a tandem ranking of Priscilla Wright and Marion Marlowe's versions,"The Ten Records Disk Jockeys Played Most This Week", Cash Box, August 13, 1955. p. 10. Retrieved April 17, 2018.
Retrieved March 24, 2018. No. 32 on the Cash Box chart of "The Records Disc Jockeys Played Most","The Records Disc Jockeys Played Most", Cash Box, December 26, 1959. p. 32. Retrieved March 24, 2018. and No. 19 on Canada's CHUM Hit Parade. Chart No. 133. CHUM.
Cash Box described "Joi Bangla" as "Intriguing raga sparkling with the George Harrison production touch". The reviewer said that the chorus singing added a degree of commercial appeal and the song was sure to gain extensive play on FM and underground radio."Cash Box Singles Reviews", Cash Box, 21 August 1971, p. 14. In January 1972, Billboard listed "Joi Bangla" and "Oh Bhaugowan" together at number 4 in a chart compiled by Poland's Music Clubs' Co-Ordination Council.
"We Got Love" is a song written by Bernie Lowe and Kal Mann. It was released as a single by Bobby Rydell in 1959. The song became a hit, spending 17 weeks on the Billboard Hot 100, peaking at No. 6,Hot 100 - Bobby Rydell We Got Love Chart History, Billboard.com. Retrieved March 30, 2018. while reaching No. 4 on the Cash Box Top 100,"The Cash Box Top 100", Cash Box, December 12, 1959. p. 4.
Accessed February 19, 2016. and Billboards Hot R&B; Singles chart."Hot R&B; Singles", Billboard, May 25, 1963. p. 22. Accessed February 19, 2016. The song also reached No. 1 on the Cash Box Top 100, in a tandem ranking of Little Peggy March, Franck Pourcel, Petula Clark, Rosemary Clooney, Betty Curtis, Jackie Kannon, Joe Sentieri, and Georgia Gibbs' versions, with March's version marked as a bestseller."Cash Box Top 100", Cash Box, May 4, 1963. p. 4.
Retrieved April 24, 2018. selling over one million copies and receiving a gold disc. The song also reached No. 21 on the Cash Box Top 100,"Cash Box Top 100", Cash Box, April 26, 1969. p. 4. Retrieved April 24, 2018. and in Canada it peaked at No. 19. The group made an appearance on the 2 May 1969 episode of The Generation Gap television quiz show from which the promotional clip of the song originates.
On its subsequent charts Cash Box only listed the Tab Hunter version which peaked at No. 60.
It reached No. 76 on the Billboard Pop chart and No. 96 on the Cash Box chart.
"Top 100 Chart Hits of 1964", Cash Box, December 26, 1964. p. 12. Retrieved March 20, 2018.
Retrieved February 25, 2018."Middle-Road Singles", Billboard, December 12, 1964. p. 30. Retrieved February 25, 2018. No. 29 on the Cash Box Top 100,"Cash Box Top 100", Cash Box, January 2, 1965. p. 4. Retrieved February 25, 2018. No. 25 on Canada's RPM "Top 40 & 5","R.P.M. Play Sheet", RPM Weekly, Volume 2, No. 16, December 14, 1964. Retrieved February 25, 2018. and No. 5 in Malaysia."Hits of the World", Billboard, January 2, 1965. p. 19. Retrieved February 25, 2018.
In 1967, Bobby Vinton released the most successful version of "Please Love Me Forever" as a single and on his album of the same name. Vinton's version spent 13 weeks on the Billboard Hot 100 chart, peaking at No. 6,Hot 100 - Bobby Vinton Please Love Me Forever Chart History, Billboard.com. Retrieved March 4, 2018. while reaching No. 5 on the Cash Box Top 100,"Cash Box Top 100", Cash Box, December 2, 1967. p. 4. Retrieved March 23, 2018.
The song also spent five weeks atop the Billboard Middle-Road Singles chart."Middle-Road Singles", Billboard, January 25, 1964. p. 60. Accessed October 13, 2015 It was Vinton's third number-one song on both charts, following "Roses Are Red (My Love)" and "Blue Velvet".Bobby Vinton - Chart History - Adult Contemporary, Billboard.com. Accessed October 13, 2015 Vinton's version also reached No. 1 on the Cash Box Top 100,"Cash Box Top 100", Cash Box, January 4, 1964. p. 4. Retrieved March 24, 2018.
Retrieved June 27, 2018. also reaching No. 7 on the Cash Box Top 100,Cash Box Top 100, Cash Box, October 10, 1964. p. 4. Retrieved June 27, 2018. and No. 6 on Record Worlds "100 Top Pops"."100 Top Pops", Record World, October 17, 1964. Retrieved June 27, 2018. The song also reached No. 2 on Canada's RPM Top 40-5s and No. 36 on the UK's Record Retailer chart.Gene Pitney - Full Official Chart History, Official Charts Company. Retrieved June 27, 2018.
Cash Box praised "You and Me Instead" as "sweet", and hailed "Choo Choo Ch'Boogie" as "an infectious shuffle".
On the Cash Box magazine best-selling record charts, where both versions were combined, the song reached No. 1.
The single reached no. 25 on the Billboard chart and no. 23 on the Cash Box chart in 1953.
Part 1, p. 16."Round the Wax Circle", Cash Box. February 2, 1957. p. 14. Retrieved May 2, 2020.
"Unsquare Dance" is a musical piece written by the American jazz composer Dave Brubeck in 1961 and released as a single in the U.S. the same year (and in 1962 in the U.K.)."Unsquare Dance" / "Camptown Races" at rateyourmusic.com The piece, featured on Brubeck's album Time Further Out, peaked at No. 93 on the U.S. Cash Box chart on December 16, 1961,Cash Box Top 100, 12/16/61, Cash Box and reached No. 14 on the U.K. singles chart in the summer of 1962.
Retrieved June 27, 2018. while reaching No. 5 on Billboards Easy Listening chart,Adult Contemporary - The Cuff Links Tracy Chart History, Billboard.com. Retrieved June 27, 2018. No. 4 on Record Worlds "100 Top Pops","100 Top Pops", Record World, November 15, 1969. p. 33. Retrieved March 6, 2018. No. 5 on the Cash Box Top 100,Cash Box Top 100, Cash Box, November 8, 1969. p. 4. Accessed July 13, 2016. No. 1 on Canada's RPM 100,"RPM 100", RPM Weekly, November 8, 1969. p. 7.
Accessed July 13, 2016. while reaching No. 9 on Billboards Easy Listening chart,Bobby Sherman - Chart History - Adult Contemporary, Billboard.com. Accessed July 13, 2016."Billboard Top 40 Easy Listening", Billboard, March 20, 1971. p. 48. Accessed July 13, 2016. No. 10 on the Cash Box Top 100,Cash Box Top 100, Cash Box, March 27, 1971. p. 4. Accessed July 13, 2016. and No. 10 on Canada's "RPM 100"."RPM 100 Singles", RPM, Volume 15, No. 7, April 03, 1971. Accessed July 13, 2016.
"Donna the Prima Donna" is a song written by Dion DiMucci and Ernie Maresca and performed by Dion. It reached No. 6 on the Billboard Hot 100, No. 9 on the Cash Box Top 100,"Cash Box Top 100", Cash Box. October 26, 1963. p. 5. Retrieved April 18, 2020. and No. 17 on Billboards R&B; chart in 1963,Dion, "Donna the Prima Donna" Chart Positions Retrieved February 13, 2014 while reaching No. 17 on Canada's CHUM Hit Parade, and No. 2 in Hong Kong.
The song reached No. 8 on the U.S. Cash Box Top 50 Best Selling Records chart, in a tandem ranking of Don Cornell, Nick Noble, Kay Armen, and Roy Rogers & Dale Evans's versions, with Don Cornell and Nick Noble's versions marked as bestsellers."Cash Box Top 50 Best Selling Records", Cash Box, October 1, 1955. p. 28. Retrieved April 14, 2018. The song also reached No. 7 on Billboards Honor Roll of Hits, with Don Cornell and Nick Noble's versions listed as best sellers.
On the Cash Box magazine Best-Selling Record chart, where all versions were combined, the song reached #6 in 1955.
"Morning Girl" is a 1969 hit song by Neon Philharmonic. The song was a hit in Canada and the United States. The song featured a chamber-sized orchestra of Nashville Symphony Orchestra musicians. The project was headed by composer Tupper Saussy and vocalist Don Gant.Joel Whitburn's Top Pop Singles 1955-1990 - The song reached number 17 on the US Billboard Hot 100 during the spring of the year. It peaked at number 15 on the Cash Box Top 100.Cash Box Top 100, Cash Box, June 14, 1969. p. 4.
Retrieved February 25, 2018. while reaching No. 24 on Billboards Middle-Road Singles chart,Adult Contemporary - Bobby Vinton Dum-De-Da Chart History, Billboard.com. Retrieved February 25, 2018."Easy Listening", Billboard, May 21, 1966. p. 20. Retrieved February 25, 2018. No. 32 on the Cash Box Top 100,"Cash Box Top 100", Cash Box, May 28, 1966. p. 4. Retrieved February 25, 2018. No. 35 on Record Worlds "100 Top Pops","100 Top Pops", Record World, May 28, 1966. Retrieved March 24, 2018. and No. 29 on Canada's RPM 100.
Retrieved April 3, 2018."Hot Country Singles", Billboard, May 3, 1980. p. 34. Retrieved April 3, 2018. No. 17 on the Record World Country Singles chart,"Record World Country Singles", Record World, May 17, 1980. p. 56. Retrieved April 3, 2018. No. 20 on the Cash Box Top 100 Country chart,"Cash Box Top 100 Country", Cash Box, May 10, 1980. p. 26. Retrieved April 3, 2018. and No. 52 on Canada's RPM Country 75 Singles chart."Country 75 Singles", RPM, Volume 33, No. 8, May 17, 1980. Retrieved April 3, 2018.
In the Cash Box survey, where all versions were combined at one position, the song reached number 4 for the year.
The song charted in the United States, reaching No. 43 on the Billboard Hot 100Joel Whitburn's Top Pop Singles 1955–1990. . and number 42 on Cash Box."Cash Box Top 100 Singles", October 24, 1981 It spent four months on the pop charts. On the Mainstream Rock chart, "Heavy Metal (Takin' a Ride)" peaked at number five.
Playing guitar and singing vocals for the Cash Box Kings, Paterson has toured and recorded with Wanda Jackson and David "Honeyboy" Edwards, among others. He is currently a member of not only the Cash Box Kings, but other Chicago bands such as the Modern Sounds and the Western Elstons. He also played with Kim Wilson's Blues All-Stars.
A Place Like This is Robbie Nevil's second album, released in 1988. The album contains two tracks that became hit singles in the US. The first was "Back on Holiday" (US Billboard #34, Cash Box #30)Joel Whitburn's Top Pop Singles 1955–1990 - Cash Box Top 100 Singles, January 14, 1989 followed by "Somebody Like You" (US Billboard #63).
Castleman & Podrazik, p. 352.Spizer, p. 211. On the Cash Box chart, which listed single sides separately, it peaked at number 46.
In 1989, Holden was recognized as both New Independent Artist and New Independent Female at the first Cash Box magazine Nashville Music Awards.
"Clinging Vine" is a song released by Bobby Vinton in 1964. The song spent 8 weeks on the Billboard Hot 100 chart, peaking at No. 17,Hot 100 - Bobby Vinton Clinging Vine Chart History, Billboard.com. Retrieved March 25, 2018. while reaching No. 2 on Billboards Pop-Standards Singles chart,Adult Contemporary - Bobby Vinton Clinging Vine Chart History, Billboard.com. Retrieved March 25, 2018."Pop-Standard Singles", Billboard, September 19, 1964. p. 33. Accessed October 12, 2015 No. 14 on the Cash Box Top 100,"Cash Box Top 100", Cash Box, September 12, 1964. p. 4. Accessed July 28, 2016.
Cash Box also printed shorter jukebox charts that included specific artist data beginning in Spring 1950. Separate charts were presented for jukebox popularity, record sales and radio airplay. This was similar to Billboards methodology prior to August 1958, when Billboard debuted its "Hot 100", which attempted to combine all measures of popularity into one all-encompassing chart. In addition, Cash Box published chart data for specific genres, such as country music and R&B; music. In 1960, Cash Box discontinued its R&B; chart after the March 5 issue; it was reinstated in the December 17 issue due to popular demand.
Retrieved March 23, 2018. No. 14 on the Cash Box Top 100,"Cash Box Top 100", Cash Box, February 10, 1968. p. 4. Retrieved March 23, 2018. No. 13 on Record Worlds "100 Top Pops","100 Top Pops", Record World, February 24, 1968. Retrieved March 23, 2018. No. 6 on Record Worlds "Top Non-Rock" chart,"Top Non-Rock", Record World, February 17, 1968. p. 37. Retrieved March 23, 2018. No. 3 on Record Worlds "Juke Box Top 25","Juke Box Top 25", Record World, February 3, 1968. p. 6. Retrieved March 23, 2018. and No. 11 on Canada's RPM 100.
"I'm a Drifter" is a song written and sung by Bobby Goldsboro, which he released in 1969. The song spent 10 weeks on the Billboard Hot 100 chart, peaking at No. 46,Bobby Goldsboro - Chart History - The Hot 100, Billboard.com. Accessed September 21, 2015 while reaching No. 14 on Billboard's Easy Listening chart,Bobby Goldsboro - Chart History - Adult Contemporary, Billboard.com. Accessed September 21, 2015 No. 22 of Billboard's Hot Country Singles chart,"Hot Country Singles", Billboard, July 5, 1969. p. 45 No. 44 on the Cash Box Top 100,Cash Box Top 100, Cash Box, June 7, 1969. p. 4.
"Whenever He Holds You" is a song written and sung by Bobby Goldsboro, which he released in 1964. The song spent 8 weeks on the Billboard Hot 100 chart, peaking at No. 39,Bobby Goldsboro - Chart History - The Hot 100, Billboard.com. Accessed September 22, 2015 while reaching No. 13 on Billboard's Pop-Standard Singles chart,Bobby Goldsboro - Chart History - Adult Contemporary, Billboard.com. Accessed September 22, 2015"Pop-Standard Singles", Billboard, May 23, 1964. p. 22. Accessed September 22, 2015 No. 41 on the Cash Box Top 100,Cash Box Top 100, Cash Box, May 30, 1964. p. 4.
In addition, "Time" spent two weeks at #14 on Cash Box, making it the group's second most successful single ("Don't Answer Me" from 1984 also reached No. 15 on the Hot 100, but reached No. 17 on Cash Box). Cash Box ranked it as the 94th biggest hit of 1981. Outside the US, the song peaked at #30 in Canada. The song was the first Alan Parsons Project song (and single) to feature Eric Woolfson as lead vocalist, and one of the group's few songs in which Alan Parsons's own voice can be heard singing (background/counterpoint vocals).
Priscilla Wright's original version was recorded at the studios of CFPL, where Don Wright was station manager.Hawthorn, Tom. "Singer lowered her voice, and raised her profile", The Globe and Mail, March 28, 2007. Retrieved April 18, 2018. The song was originally recorded for the Canadian Sparton label,"The Cash Box Canadian Capers", Cash Box, April 16, 1955. p. 31. Retrieved April 18, 2018.
It spent a total of 15 weeks on the chart, just one week less than their number- one hit, "Brandy." On the U.S. Cash Box Top 100, it peaked at number 31.Cash Box Top 100 Singles, September 2, 1973 It was a bigger hit in Canada, reaching number 21. The lyrics speak of hard-knock life in the inner city.
It also reached number 57 in the Cash Box Top 100 Singles and peaked at number 53 on the Record World 100 Pop Chart.
It reached number 43 on Billboard and number 40 on Cash Box. It was one of several singles taken from the album In Your Eyes.
A version by The Traits from the fall of 1966 reached number 94 on the US Billboard Hot 100 and number 91 on Cash Box.
It peaked at number 2 on the Billboard 200, but spent one week at number 1 on the Cash Box, and Record World album charts.
The single was Cash Box magazine's Pick of the Week. Cash Box (June 23, 1962): > Ike & Tina Turner should soon be represented on the hit lists with this new > Sue stand. It's an infectious twist'er, tabbed "You Should'a Treated Me > Right," that has Tina brightly belting against a sock femme and Ike Turner- > led instrumental support. Another pop-r&b; triumph for the artists.
The record was selected for Cash Box magazine's Pick of the Week. Cash Box (November 1, 1960): > Team's follow-up to their big pop-r&b; dual-mart'er, "A Fool In Love," can > also come thru in winning style. Tune, "I Idolize You," is set to an > enticing middle beat rhythm and wailed with conviction by Tina. Ike's ork > and vocal group supply the tantalizing background sounds.
A 45 rpm single of "Theme from Adventures in Paradise" by Jerry Byrd and his Steel Guitar charted in the United States, peaking in August 1960 at No. 97 in Billboard magazine Pop chart data 1890-2011, spreadsheet from Billboard magazine sources, downloadable from Bullfrogspond.com, retrieved November 14, 2014. and No. 80 in Cash Box Cash Box chart for August 20, 1960 retrieved November 14, 2014.
No. 8 on New Zealand's "Lever Hit Parade","Lever Hit Parade" 28-May-1964, Flavour of New Zealand. Accessed December 24, 2015. and No. 1 on Canada's CHUM Hit Parade. Chart No. 335. CHUM. The song also charted at No. 9 on the Cash Box Top 100, in a tandem ranking with the version by Andy and the Marglows, with Troy's version marked as a bestseller."Cash Box Top 100", Cash Box, August 3, 1963. p. 4. Retrieved April 19, 2017. The song was ranked No. 70 on Billboards end of year ranking "Top Records of 1963","Top Records of 1963", Billboard, Section II, December 28, 1963. p. 31.
Keepin' Me Up Nights registered at number 73 on the US Billboard Top Country Albums chart and number 52 on the Cash Box Country Albums chart.
Cash Box Top 100 Singles. It was very successful in Australia, where it reached no. 4 on the charts.Elvis Presley: The Australian Singles Chart: 1956-2006.
It reached 2 on the Cash Box chart staying on the charts for nineteen weeks and made Blane the top selling female singer in the US.
A less secure version (only suitable for petty cash) is usually called a cash-box. A safe can be found in hotel rooms, offices and houses.
Retrieved August 8, 2017. while reaching No. 6 on the Cash Box Top 100,Cash Box Top 100, Cash Box, July 27, 1968. p. 4. Retrieved August 8, 2017. and No. 3 on Canada's RPM 100."RPM 100", RPM Weekly, Volume 9, No. 21, July 20, 1968. p. 5. Retrieved August 8, 2017. The song was ranked as the No. 51 Single of 1968 by Cashbox magazine in its year-ending December 28, 1968 issue.Top 100 Chart Hits of 1968, Cash Box, December 28, 1968. p. 14. Retrieved August 8, 2017. The single eventually sold over 1 million copies, and was later licensed for use in commercials for the Dodge Charger.(No author.) "Romeo racks up 'de Bois'," Billboard magazine, May 17, 1969, page 26: ... Romeo's 'Indian Lake' tune, which became a million-seller for MGM Records' Cowsills, has been acquired for use on Dodge's 'Charger' commercials.
The single reached no. 22 on the Cash Box pop singles chart. The single reached no. 33 on the Record World pop singles chart the same year.
The song also reached number one on the Cash Box chart, which combined all versions, in 1953. Both Faith's and Mantovani's versions sold over a million copies.
Chapter five is titled "Politicking in the Grass". It starts with the Cash Box talking to each other. The scene changes to Ms. Cardigan talking about how Kingsley is receiving political delegations while he is making his "sex movie." She says that she saw one girl undress another while they were filming on the lawn of the estate, with the Cash Box to be seen in the open.
The song was released as the first single from their third album, Talk Show, and was the most successful of the album's three singles, peaking at #11 on the U.S. Billboard Hot 100.[Joel Whitburn's Top Pop Singles 1955-2002] It also spent three weeks at #10 on the U.S. Cash Box Top 100.Cash Box Top 100 Singles, May 26, 1984 The song was also a hit in the Philippines .
Kehoe put her body in a wheelbarrow at the rear of the farm's chicken coop, where it was found in a heavily charred condition after the farm explosions and fire. Piled around the cart were silverware and a metal cash box. The ashes of several banknotes could be seen through a slit in the cash box. Kehoe placed and wired homemade pyrotol firebombs in the house and throughout the farm buildings.
The album reached #11 on the Billboard Pop Albums chart and was certified Gold by the RIAA. The album peaked #25 in Canada.. Collectionscanada.gc.ca. It peaked #99 in the 1971's Year-end chart of the Cash Box magazine.. Cash Box magazine. According to the liner notes of Barbra's retrospective box set: Just for the Record, the album also received a record certification in Belgium and in Sweden.
"Cash Box Top 100 Country", Cash Box, July 31, 1976. p. 35. Retrieved April 2, 2018. In 1977, Don Everly released a solo version of the song on the album Brother Juke-Box. A cover was released by Steve Wariner in 1978, which reached No. 76 on the Billboards Hot Country Singles chart,Hot Country Songs - Steve Wariner So Sad (To Watch Good Love Go Bad) Chart History, Billboard.com.
Talking Machine World at GetCited.org. Retrieved 24 May 2013 Its reports on recording sales were superseded and developed by those in Variety, and later Billboard and Cash Box.
Chicago Review Press. page 46. The single reached no. 2 on the Cash Box Country singles chart on the March 10, 1956 Top 15 Country Best Sellers Chart.
"Keep the Customer Satisfied" reached No. 71 on Billboard in the winter of 1971. It reached No. 50 on the Cash Box chart, and No. 38 in Canada.
Upon release, Cash Box listed the song as one of their feature picks during August 1985 and commented: "With moderate success from its first two singles, this versatile and astute British group's latest release is an R&B; tinged song which shows soul and heart. A nice crossover effort." In a review of the 12" single, Cash Box said: "Go West's most R&B; flavored cut is here remixed by the System and the result is a Hall & Oates-ish version guaranteed to be a strong urban player."Cash Box newspaper - Dance: 12" reviews - August 17, 1985 - page 21 Billboard recommended the song and described the song as "blue-eyed synth-soul" and "Doobie-ish".
Retrieved March 31, 2018. while reaching No. 25 on Billboards Easy Listening chart,Adult Contemporary - Billy Vera With Pen in Hand Chart History, Billboard.com. Retrieved March 31, 2018. No. 25 on the Cash Box Top 100,Cash Box Top 100, Cash Box, July 27, 1968. p. 4. Retrieved March 11, 2018. No. 29 on Record Worlds "100 Top Pops","100 Top Pops", Record World, July 27, 1968. Retrieved March 4, 2018. No. 21 on Record Worlds "Top Non-Rock" chart,"Record World's Top Non-Rock", Record World, July 20, 1968. p. 14. Retrieved March 4, 2018. No. 12 on Canada's RPM 100,"The RPM 100", RPM Weekly, Volume 9, No. 22–23 August 3, 1968. p. 5.
Side 3 is the third album from the Raspberries, released in 1973 (see 1973 in music). The album cover is diecut like a basket of Raspberries, with the group's name placed on top of the LP sleeve. Three singles were released from the album: "Tonight" / "Hard to Get Over a Heartbreak", which reached number 69 on the US Billboard Hot 100 and number 37 on the Cash Box chart; "I'm a Rocker", which reached number 94 on Billboard and number 75 on Cash Box; and a third single, "Ecstasy", which did not chart on Billboard but reached number 116 on Cash Box. The album itself reached number 138 on the US albums chart.
The song (in all its versions, combined) reached #1 on the Cash Box magazine best-seller chart. Numerous folk versions exist in which the implied lyrics are more risqué.
Retrieved April 18, 2017. and No. 8 on Cash Boxs "Top 100 Chart Hits of 1964"."Top 100 Chart Hits of 1964," Cash Box, December 26, 1964. p. 12.
I rather like it."Number One magazine - Singles - Sunie - 24 November 1984 - page 52 Cash Box commented: "Big Country delivers a pounding slice of tragic political rock which is given its edge in Adamson's biting delivery. Trademark guitar riffs and a no-nonsense beat should help [it] become another anthemic classic from the band."Cash Box newspaper - December 8, 1984 - Reviews: singles - page 11 Billboard stated: "Group's stirring strength is sadly buried in muddy sound.
"Ariel" is a hit single written and performed by Dean Friedman, released in April 1977. It was the first of two hits from Friedman's eponymous debut LP. "Ariel," however, was his only hit in North America. It reached number 26 on the U.S. Billboard Hot 100 chart, number 17 on the Cash Box Top 100, and number 19 in Canada. The song spent 22 weeks on the Billboard chart and 24 weeks on Cash Box.
"When I Die" is a 1969 hit single by Motherlode. It is the title track of their debut LP and was their only charting single. In the US, the song reached number 18 on the Billboard Hot 100 and number 12 on the Cash Box Top 100.Cash Box Top 100 Singles, September 27, 1969 "When I Die" was a major hit in Canada, reaching number one in August of the year.
Wayne Newton recorded "Husbands and Wives" in 1968. It was a minor hit for him, reaching #28 on the U.S. Adult Contemporary chart, as well as #97 on Cash Box.
Billboard therefore uses Cash Box magazine's stat in their place. "A Fool For A Fool" was reissued on the compilation album The Ike & Tina Turner Story: 1960–1975 in 2007.
Cash Box (February 15, 1964): The vet r&b; singers could create a sales stir with this top-flight medium- paced tear-jerker with commercial rhythmic, teen-angled beat. Eye it.
Cash Box, 1992/08/22. Retrieved 2007/01/29; Melchoir, Mark. "Patsy Moore: Getting Down to the Art of the Matter". Release Magazine, Fall 1992. Retrieved 2007/01/29; Ervin, Kathy.
"You Can't Blame the Train" was later covered by American Nashville music group The Hollanders in 1991, who released their version as a single from their album Family Ties. Their version was also produced by Dave Burgess. Released by VCA Records, the single reached No. 36 on the Cash Box Country Singles chart.Cash Box newspaper - May 25, 1991 - Cash Box Country Singles - page 20 A music video was filmed to promote the single which won the People's Choice Award.
In 1989, "Shoe String and a Prayer" charted Top 5 in the USA IRC (independent) country singles, as well as in the Cash Box Top 100 USA National commercial radio programming charts.
The movie's theme song, "He's My Girl," sung by Hallyday, was released as a single in August 1987. It reached #79 on the US Billboard Hot 100 and #72 on Cash Box.
It peaked at number 87 on the Billboard Hot 100 singles chart and at number 62 on the Cash Box Top 100 singles chart, on which it was credited to Bill Wyman.
It peaked at #103 US Billboard and #68 on Cash Box, but more successfully reached 3 on Swedish Charts. The single version was later included on Zappa's posthumously released The Lost Episodes.
The song "Uno tranquillo" had been also covered by The Tremeloes as "Suddenly You Love Me" in 1967. The song reached #6 in the UK, #44 U.S Billboard and #40 Cash Box.
Accessed May 20, 2016. No. 2 on the Cash Box Top 100,"Cash Box Top 100", Cash Box, July 1, 1967. p. 4. Retrieved March 3, 2018. No. 3 in Denmark,"Billboard Hits of the World", Billboard, September 9, 1967. p. 62. Accessed May 20, 2016. and No. 3 on the Irish Singles Chart. The song also spent 15 weeks on the UK's Record Retailer chart, peaking at No. 4, making it The Turtles' biggest hit in the United Kingdom.Turtles - Full Official Chart History, Official Charts Company. Accessed May 19, 2016 The song was a major hit in many other nations as well. The song was ranked No. 78 on Billboards end of year ranking "Top Records of 1967: Hot 100 – 1967","Top Records of 1967 (Based on Billboard Charts)", Billboard, December 30, 1967. p. 42. Retrieved March 3, 2018. while being ranked No. 24 on Cash Boxs "Top 100 Chart Hits of 1967","Top 100 Chart Hits of 1967", Cash Box, December 23, 1967. p. 16. Retrieved March 30, 2018.
On the Cash Box chart, "Thank You for Being a Friend" spent two weeks at number 11. A cover by Cynthia Fee was the theme song for the NBC sitcom The Golden Girls.
Retrieved March 12, 2018. and No. 35 on Cash Boxs "Top 100 Chart Hits of 1961"."Top 100 Chart Hits of 1961", Cash Box, December 30, 1961. p. 11. Retrieved March 12, 2018.
The song is a country pop ballad, described by Wendy Newcomer of Cash Box magazine as having a sound similar to England Dan & John Ford Coley. It features a harmony vocal from Wynonna.
Served Live was released by Capitol Records on June 11, 1979. The album did not register on the official US Billboard charts, although it did reach number 10 on the Record World Country Albums chart, number 57 on the Cash Box Top Country Albums chart, and number 166 on the Cash Box Top Albums chart. The performance of "Choo Choo Ch'Boogie", originally recorded for the band's second album Asleep at the Wheel, was released as the album's only single in June 1979.
With Marlon demanding rent, he decided to rob the cash box from the B&B.; He made so much noise that he woke up a drunken Eric Pollard (Chris Chittell), who fell down the stairs and knocked himself unconscious. Horrified, Eli tried to wake him and then struggled with his conscience before greed got the better of him and he took the cash box and ran. As Sam had been the one to find Eric, he was blamed for the theft.
"Wiggle Wiggle" is a song by Ronnie Sessions from his eponymous debut album, released in the fall of 1976. It was the first of four charting singles from the LP. "Wiggle Wiggle" reached number 16 on the U.S. Billboard Country chart. On the Cash Box Country chart it spent two weeks at number 10.Cash Box Top 100 Singles, February 19, 1977 It did somewhat better in Canada, where it spent six months on the charts, peaking at number 9 for two weeks.
Retrieved March 22, 2018. In 1971, the song was released on the album Liz Damon's Orient Express. The song spent 12 weeks on the Billboard Hot 100 chart, peaking at No. 33,Hot 100 - Liz Damon's Orient Express 1900 Yesterday Chart History, Billboard.com. Retrieved March 22, 2018. while reaching No. 4 on Billboards Easy Listening chart,Adult Contemporary - Liz Damon's Orient Express 1900 Yesterday Chart History, Billboard.com. Retrieved March 22, 2018."Easy Listening", Billboard, February 13, 1971. p. 29. Retrieved March 22, 2018. No. 29 on the Cash Box Top 100,Cash Box Top 100, Cash Box, February 20, 1971. p. 4. Accessed July 13, 2016. No. 15 on Canada's RPM 100,"RPM 100 Singles", RPM Weekly, Volume 14, Ed. 26, February 13, 1971. Accessed September 23, 2015 and No. 16 on RPMs "MOR Playlist".
The new Record World is geared solely to independent artists and labels. Bruce Elrod and Sandy Graham (CEO of Cash Box) aim to make a difference in the music industry for years to come.
It peaked at number 13 on the Billboard Hot 100 and number 10 on the Cash Box Top 100 singles charts. In 1973, Anderson and Howe won a BMI Award for writing the song.
On the Disk Jockey chart, it peaked at #17; on the Best Seller chart, at #20; on the Juke Box chart, at #16; on the composite chart of the top 100 songs, it reached #16.Artist 111 - Patti Page A United Kingdom version, recorded by Joan Regan, was also issued in the United States by London Records as catalog number 1605.Cash Box Top Singles 12/17 1955 On Cash Box magazine's charts, the song (in all versions combined) reached a peak position of #15.
Upon release, Cash Box listed the single as one of their "feature picks" during June 1987. They described the song as a "danceable, feverish single".Cash Box newspaper - June, 13 1987 - Single releases - page 9 Billboard wrote: "Some must have been listening to a few Chic records; R&B; dance base is complemented with lyrical and vocal insolence." In a review of Belouis Some, Ernie Long of The Morning Call described the song as a "sensuous R&B; cut which retain[s] a funky, jazzy feel".
Upon release, The Sun felt that the album marked the beginning of Slade becoming a "true album band". The reviewer commented that the songs were "toughening up" and the album was "expertly produced". American magazine Cash Box described the album as "another powerful collection of 'Toons'", with "raw power" being "the most immediate sensation you feel from the LP".Cash Box magazine - Album Reviews - 23 February 1974 - page 26 At the Disc Music Awards 1974, the album was voted the tenth "best album of the year".
The song debuted on Billboard's Top 40 at number 35 on November 14, moved a week later to number two and topped the chart by November 28 (replacing Maurice Williams and the Zodiacs' "Stay"). Presley's 15th chart-topping single, it held the top position until January 9, 1961. "Are You Lonesome Tonight?" peaked at number three on the R&B; chart, remaining on it for ten weeks. The song topped the Cash Box singles chart and reached number 45 on the Cash Box country singles chart.
The single peaked at #12 on the Cash Box Top 100 and #16 on the Billboard Hot 100. It also reached #6 in Canada, #21 in the UK, and #7 in Australia.Song artist 2 - Elvis Presley.tsort.
Retrieved March 24, 2018. while reaching No. 27 on Cash Boxs chart of "The Records Disc Jockeys Played Most"."The Records Disc Jockeys Played Most", Cash Box, September 14, 1957. p. 16. Retrieved March 24, 2018.
The Cash Box Kings is an American blues band from Chicago, Illinois, United States, specializing in Chicago-style blues from the 1940s and 1950s, as well as Delta blues style music from the 1920s and 1930s.
"Psychedelic Shack" was the title track from the Psychedelic Shack album, released in March 1970. The song reached #7 on the US Billboard Hot 100, #4 Cash Box, and #2 on the US R&B; charts.
The song "I'm Gonna Let Ya" reached No. 94 on Billboard's Best Selling Soul Singles, remaining on the charts for 5 weeks. It peaked at No. 81 on the Cash Box Top 100 R&B; chart.
Upon release, Cash Box said: "Like Heart last year, it's time to think seriously about a huge comeback record for Cheap Trick. The Doctor could be it. Cheap Trick's zany teen appeal has coalesced into a modern rock vision with its roots in hard pop. The Tony Platt/Paul Klingberg mix gives the record a cool, contemporary edge and the songs are some of Rick Nielsen's and Robin Zander's best."Cash Box newspaper - 4 October 1986 - Album Releases - page 8 Billboard noted that "It's Up to You" and "It's Only Love" were "top single contenders".
In July 1957, Jerry Blaine of Jubilee Records was quoted in Cash Box as saying "We've got nothing but hits" and Lee's single was among the ones he mentioned.The Cash Box, July 13, 1957 - Page 40 R & B Ramblings, NEW YORK By August 19, 1957, it was indicated by The Billboard that the single was climbing steadily and heading for the charts.The Billboard, August 19, 1957 - Page 34 D.J.'s-Hot Tips on _Hot_ _Hits_ from Jubilee! By September 9, it was already being recognized as a hit.
DNA testing showed that the blood on them was from Dicks. Lovitt's cousin testified that Lovitt had come to his house on the night of 18 November carrying a metal box, which they opened with a screwdriver and split the money. Lovitt told police that he had seen a Hispanic man stabbing Dicks, and then took the cash box, which was lying on the floor of the pool hall. A forensic scientist testified that the cash box that was at the cousins house came from the cash register at the pool hall.
Upon release, Cash Box selected the single as one of their feature picks in November 1980. They commented: "Palmer's been around awhile, but musically, he continues to shift gears and develop as an artist. On [this] second single from his current LP, he has created an immensely infectious little electronic boogie, half pop, half funk, to support his high, multi-tracked vocals, with a neat vibe break."Cash Box newspaper - November 22, 1980 - Reviews: singles - page 15 In a review of Clues, Audio described the song as "futuristic sounding".
Fantasy is now in the process of correcting album covers and labels for future pressings; meanwhile, interim copies will carry an explanatory sticker. When the new covers are ready, the album title will read "Creedence Clearwater Revival; The Concert". Those who have helped propel the bogus “Royal Albert Hall Concert" to #120 bullet on the Cash Box LP chart have a collector's item on their hands. Hats off to the Berkeley-based label for admitting the error."Cash Box Magazine news January 31, 1981 The album reached #62 on the Billboard 200 in 1981.
"We May Never Pass This Way (Again)" is a song by American soft rock duo Seals and Crofts, released as a single in 1973. It was the second single from their fifth studio album, Diamond Girl. The song reached No. 21 on the US Billboard Hot 100 and spent two weeks at number 18 on the Cash Box Top 100.Cash Box Top 100 Singles, November 17, 1973 The song was a significantly greater hit on the Adult Contemporary chart, where it reached number two on both the American and Canadian charts.
On March 26, 1997, Franz shot the security guard Rudolf Tamm, who had brought a cash box with 10,000 Deutsche Mark to a safe in the Dresdner Bank in Weimar. He grabbed the cash box and fled on foot with his wife, who had stood guard in front of the bank. On July 21, 1997, Franz shot and killed two guards, Gerd Koch and Peter Seidel, who were about to stow the weekend income in the amount of half a million Deutsche Mark in an armoured car behind the Metromarkt in Peißen near Halle.
The band Hot Rats, for instance, presented each writer with a freeze-dried and shrink-wrapped rat to remember them by. Today Record World and its sister magazine Cash Box are at the forefront of today's music industry.
The single reached no. 71 on the Record World pop singles chart the same year. "Someday Sweetheart" reached #39 on the Cash Box chart in a 2-week chart run and no. 79 on the Record World chart.
The single was also her second entry on the Billboard Hot 100, reaching number 53. On the Cash Box Top 100, "What Cha' Gonna Do For Me" reached number 49. In New Zealand, the song peaked at #21.
While returning the money to the cash box, Muggs is caught and accused of theft. He refuses to inform on Willie, though and instead runs away. Danny then forces the truth from Willie, thus proving Muggs' true sportsmanship.
After school, he was apprenticed to a firm of motor engineers. After a year, he left that job and took jobs in insurance and advertising. Aged 21, he was dismissed after being suspected of stealing from a cash box.
Cash Box Magazine. "Record Review". 1964.p. 162. As Robert Bosco stated in his December 2011 article about The Tridels for Echoes of the Past magazine,“ a B+ rating for an untested new act was nothing short of sensational”.
The second was a cover version of "Raunchy" by Bill Justis. In Cash Box Costa was voted most popular arranger and conductor. In 1959, Costa, Lawrence, and Gormé left ABC for United Artists Records. Costa became A&R; director.
Outside Europe, it peaked at number one in Australia, Israel, New Zealand Canada and Zimbabwe. In the United States it topped the Billboard Hot 100 on the 12 March 1994 issue, as well as the Cash Box Top 100.
Matthew Wilder (née Weiner; January 24, 1953) is an American musician, singer, and record producer. In early 1984, his single "Break My Stride" hit No. 2 on the Cash Box chart and No. 5 on the Billboard Hot 100.
It reached No. 14 on the Billboard R&B; chart and No. 34 on the Cash Box R&B; chart in December 1961. The song appeared on King's debut album The Big Blues, released on King Records in 1962.
The single was issued with "Charmaine" as the A side on Blue Chip Records, cat# 0013 in May 1957.The Cash Box, June 1, 1957 - Page 35 Record ReviewsGlobal Dog Productions - Discography for Blue Chip Records With its happy arrangement and multi tracking of a harmonica, Cash Box said that it could be a big record and gave it a B+. The B side "Echo" was given a C+ with the review saying that the electronic trickery used in "Charmaine" was employed by Lee here in this snappy Affair.The Cash Box, June 1, 1957 - Page 35 Record Reviews "ECHO, Echo echo" was an instrumental, and the accordion was used as the solo instrument with a steady backing from bass and piano. Ethelyn Sexton the music editor for the Lansing State Journal speculated that the solo effects by Lee with the accordion were the first to be used in this fashion.
Underground Sunshine recorded the song as a single in 1969. Their version was a minor hit in the US, reaching number 19 on the Cash Box chart and number 26 on the Billboard Hot 100.Billboard chart history. Underground Sunshine.
Retrieved March 23, 2018. Cathy Jean and the Roommates' version was ranked No. 88 on Cash Boxs "Top 100 Chart Hits of 1961"."Top 100 Chart Hits of 1961", Cash Box, December 30, 1961. p. 12. Retrieved March 23, 2018.
"Don'cha Hear Them Bells" reached no. 13 on the Billboard Jockey Chart in November, 1953 in a 4-week chart run and no. 28 on the Cash Box chart in a 10-week chart run.Song artist 209 – Les Paul & Mary Ford.
58 The song also reached #1 on the Cash Box charts, from March 26 through May 14, 1955. A contemporary version also exists by Western singing group the Sons of the Pioneers. Over ten million copies of the song were sold.
He operates a "bank", which is merely a cash box kept under the counter in his store. In addition, Drucker is a fireman with the Hooterville Volunteer Fire Department, and plays the bass drum in the Hooterville Volunteer Fire Department Band.
'Poor Dog' made No. 41 on the R&B; chart and 'Commandments of Love' made No. 30 on The Cash Box Black Singles chart. All Okeh 45's are highly regarded in Europe where they were released on the Epic label.
The company declared bankruptcy during construction. Bruch founded a “hive-off vehicle” to complete the construction phase and assure Eurostar's completion. Giovanola assembled the trains with components produced by an unknown Dutch company. MACK Rides created the “cash box” area.
Dionne Warwick recorded "You'll Never Get to Heaven (If You Break My Heart)" in 1964, and released it as the second single release from her third studio album. The song was an international hit, reaching number 34 on the US Billboard Hot 100 and number 28 on the Cash Box Top 100. It did better elsewhere, peaking at number 20 in the UK and at number 15 in Canada. The B-side, "A House Is Not a Home", was also a chart hit, reaching number 71 on Billboard, number 50 on Cash Box and number 37 in Canada.
Shut Down Volume 2 peaked at 13 on the Billboard charts in the US (number 11 Record World, number 12 Cash Box). Shut Down Volume 2 didn't enter the Billboard albums chart until six weeks after release and stayed a shorter time in the charts (nine months) than their previous albums. Despite the band's relatively sluggish commercial performance at the start of 1964, by the middle of the year, the Beach Boys' career had recovered its momentum. Shut Down Volume 2 was listed by Cash Box as fourth-biggest selling rock album of 1964 and received Gold certification by the RIAA in 1966.
In 1931, Parry was a spoilt young man of 22 who sustained a lavish lifestyle by spending recklessly. Wilkes claims that Parry knew that Wallace's insurance takings for the day would have been in a cash box at his home. Since he also personally knew Wallace's wife, it would have been no trouble to visit her on some pretext once Wallace had been lured out of the house by means of the phone call sending him to a non-existent address. Julia's murder for the insurance takings was somewhat in vain as there was very little in the cash box that day.
Jones / K. Campbell, Leon Huff (and) C. Gilbert ; (performed by) Herb McQuay A version by Percy Sledge appears as the B side of his 1967 Atlantic single, "It Tears Me Up".45cat Catalogue: 584071 The Jackson Five, with Jermaine Jackson on lead, recorded the song for their third album, 1970's aptly-named Third Album. The Skyliners recorded the song in 1978, reaching #96 on the U.S. Cash Box Top 100.Cash Box Top 100 Singles, May 6, 1978 Carlene Carter recorded the song as a duet with British rocker Paul Carrack on her album Blue Nun.
When MacNaghten was told of the empty cash box, he chose to examine it. He noticed that on the underside of the box's inner tray, there was a greasy smudge which appeared to be a fingerprint. As a member of the Belper Committee which had recommended the use of fingerprints as a method for identification five years before, he wondered if this might be a case to test out this new technique. He used his handkerchief to carefully pick up the cash box, had it wrapped in paper and took it into the fledgling Fingerprinting Bureau at Scotland Yard.
The narrator and Divney encounter Mathers one night on the road and Divney knocks Mathers down with a bicycle pump. The narrator, prompted by Divney, finishes Mathers off with a spade, and then notices that Divney has disappeared with Mathers's cash box. When Divney returns, he refuses to reveal the location of the cash box and fends off the narrator's repeated inquiries. To ensure that Divney does not retrieve the box unobserved, the narrator becomes more and more inseparable from Divney, eventually sharing a bed with him: "the situation was a queer one and neither of us liked it".
Marterie's instrumental was featured on ABC Radio's The Martin Block Show as "the best new record of the week". It was the first time an instrumental had been selected for the show. (A claim that charted versions by Ray Anthony (who supposedly reached No 18), by Cuban-Mexican Perez Prado (supposedly reached No 26), and by Louis Armstrong (a Dixieland version said to have reached No 29), can so far not be verified.) On the Cash Box best-selling record charts, where all hit versions were combined, "Skokiaan" reached No 2 on 16 October 1954.The Cash Box Best Selling Singles. 1954.
Cash Box Top 100 12/01/73 "I Got a Name" was also the theme song for the 1973 movie The Last American Hero. It was also featured in the movies The Ice Storm, Invincible, Django Unchained, Logan and The Lego Ninjago Movie.
On the U.S. Cash Box Top 100, it performed slightly better, peaking at number 8 for two weeks. The song is included in the 2006 video game Grand Theft Auto: Vice City Stories in the fictional power ballad radio station Emotion 98.3.
It also reached No. 3 on Cash Boxs R&B; Top 20, in a tandem ranking of Lee Andrews & the Hearts and Clyde McPhatter's versions."The Nation's R&B; Top 20", Cash Box, September 7, 1957. p. 50. Retrieved March 24, 2018.
Similarly, "And On and On" peaked at number one on Cash Box as a B-side. With "Any Time, Any Place", the song peaked on the Top 100 R&B; singles in June 1994 and the Top 100 Pop singles in July 1994.
He also recorded "A Tiger In My Tank". It stayed on the Cash Box charts for 13 weeks. He had several other hits on the Chart label. He released his last album, Phone Call From The Devil, in 1975 on Scorpion Records.
Smith's version reached No. 31 on the Billboards Hot Country Singles chartHot Country Songs - Connie Smith So Sad (To Watch Good Love Go Bad) Chart History, Billboard.com. Retrieved April 1, 2018. and No. 19 on the Cash Box Top 100 Country chart.
Western Standard Time debuted on the US Billboard Top Country Albums chart at number 57 in September 1988. The following month, it peaked at number 34. The album reached number 36 on the Cash Box equivalent chart. Western Standard Time reportedly sold approximately 100,000 copies.
"Us and Them" was released as the second single from The Dark Side of the Moon in the United States, peaking at No. 72 on the Cash Box Top 100 Singles chart in March 1974. The single peaked at No. 85 in the Canadian chart.
"Skinny Minnie" was composed by Bill Haley with Milt Gabler, Rusty Keefer, and Catherine Cafra. The song was released as a Decca single, 9-30592, backed with "Sway With Me", reaching no. 22 on the Billboard chart and no. 25 on the Cash Box chart.
By September 1950 it was a recognized hit record throughout the music industry.Cohen, Rainbow Quest: The Folk Music Revival and American Society, 1940-1970, 2002, p. 85. Billboard, Variety, and Cash Box all positively reviewed the song. But "Old Man Atom" also was generating controversy.
Alison pushes "Invisible" along effortlessly and sounds great. Obviously a hit and quite rightly so. Love it!" Cash Box listed the song as a "feature pick" during March 1985 and wrote: "Moyet has power and stylish phrasing which shines on this broken heart ballad.
"Western Union" is a 1967 song by the American rock band the Five Americans. The single peaked at number 5 on the Billboard Hot 100 in April 1967. It also reached number 7 on the Cash Box Top 100 Singles chart that same month.
Cash Box YE Pop Albums – 1972 Six songs were released as A-side singles internationally: "Hurting Each Other", "It's Going to Take Some Time", "Goodbye to Love", "Top of the World", "I Won't Last a Day Without You", and "Bless the Beasts and Children".
Bobby Vinton - Full Official Chart History, Official Charts Company. Accessed October 13, 2015 Vinton's version was ranked No. 12 on Cash Boxs "Top 100 Chart Hits of 1964"."Top 100 Chart Hits of 1964", Cash Box, December 26, 1964. p. 12. Accessed July 28, 2016.
Scott's version also reached No. 1 in Denmark, in a tandem ranking with Gitte Hænning's version. The single was ranked No. 33 on Cash Boxs "Top 100 Chart Hits of 1961""Top 100 Chart Hits of 1961", Cash Box, December 30, 1961. p. 11.
The song was also in the #5 position on the Record World and Cash Box charts. It was also a "crossover" hit, receiving play even on country music stations. The cover of the 1978 self-titled LP features an early skyline picture of Atlanta, Georgia.
The LP features four songs which became U.S. Top 40 hits: "Swamp Witch" (#39 Billboard, #31 Cash Box), "Spiders & Snakes" (#3), "My Girl Bill" (#12) and "Wildwood Weed" (#7). All but the first were higher-charting hits in Canada, as was the album itself (#48).
Cash Box Top 100 Singles, September 9, 1969 In Canada, "I'd Wait a Million Years" spent three weeks at number 12. The album version of the song contains a slow organ intro and a longer fadeout, increasing the track's length by almost a minute.
Upon release, Cash Box listed the single as one of their "feature picks" during March 1988. They commented: "Stewart has about the brightest sounding voice in R&B;, and it pokes through any kind of speaker, static, player and mental blockage. If he can't pierce through to the top 10 with this little pin-prick of a hit, we'd be shocked."Cash Box newspaper - March 12, 1988 - Single releases - page 6 In his 2015 book The Top 40 Annual 1988, James Masterton described the song as "one of the more enduring pop hits of the winter months" and noted the song's "clever production" and "expected Aaron Zigman-produced pop funk".
"It's Almost Tomorrow" is a 1955 popular song with music by Gene Adkinson and lyrics by Wade Buff. The song was actually written in 1953, when Adkinson and Buff were in high school. Hit versions were released in 1955 by The Dream Weavers, Jo Stafford, David Carroll, and Snooky Lanson. The song reached No. 6 on the Cash Box Top 50, in a tandem ranking of The Dream Weavers, Jo Stafford, David Carroll, Snooky Lanson, and Lawrence Welk's versions, with The Dream Weavers and Jo Stafford's versions marked as bestsellers,"The Nation's Top 50", Cash Box, January 21, 1956. p. 28. Retrieved April 6, 2018.
The Betty Everett version was released in the summer of 1964 as the follow-up to her Top Ten smash "The Shoop Shoop Song". Robert Pruter in his book Chicago Soul describes "I Can't Hear You" as a "surprisingly weak [song] for Goffin-King that did not give the Vee Jay [Records] staff [musicians] much to work with" and dismisses Everett's single with its number 39 R&B; chart (as reported in Cash Box magazine) as "essentially a non-hit." "I Can't Hear You" appeared on the Billboard Hot 100 with a peak of number 66 (number 85 on the Cash Box Pop 100).
"The Drum" is a song recorded by Bobby Sherman from his Portrait Of Bobby LP. It was released as a single in the spring of 1971, the second of two from the album.Joel Whitburn's Top Pop Singles 1955–1990 - The song was written by Alan O'Day, his first of five Top 40 chart credits. The song was Sherman's final top 40 hit in the U.S., peaking at No. 29 Billboard Bobby Sherman - Chart History - The Hot 100, Billboard.com. Accessed July 13, 2016. and No. 22 Cash Box,Cash Box Top 100 Singles, June 5, 1971 while reaching No. 2 on Billboards Easy Listening chart.
"Younger Girl" is a song written by John Sebastian and originally recorded by his band, The Lovin' Spoonful, for their 1965 debut album Do You Believe in Magic.[ Allmusic] album info The song's tune and lyric are based upon "Prison Wall Blues" (1930) by Cannon's Jug Stompers. Two versions of the song charted in the U.S., both released in 1966. The American pop group The Critters' version (Kapp 752), the title track from their debut LP, reached number 42 on Billboard's Hot 100 and number 21 on the Cash Box Top 100,Cash Box Top 100 Singles, July 9, 1966 peaking on both charts on July 9.
It reached the Billboard Best Seller chart on March 7, 1953 at No. 18, its only week on the chart. On the Cash Box charts, where all versions of the song were combined, the song reached a peak of No. 5 in 1953. The song was subsequently recorded by Tab Smith, reaching No. 89 on the Billboard chart in 1957, and by Carl Mann (issued as catalog number 3546 by Philips International), reaching No. 57 on Billboard and #56 on Cash Box in 1959. Alvin Stardust's cover version was a popular hit in the United Kingdom in 1981, when it reached number four in the UK Singles Chart.
Upon release, Cash Box described the song as a "seductive plea" and later in 1983 referred to it as an "overlooked single".Cash Box newspaper - May 8, 1982 - New faces to watch - page 8Cash Box newspaper - March 12, 1983 - Reviews: singles - page 8 In a review of the album, Stereo Review commented "only "All Night with Me" rises above the level of mediocrity". In a retrospective review, Bryan Buss of AllMusic was critical of the song, describing it as an "over-synthesized and borderline-boring ballad", which along with the album track "Lovin' You Baby", "are so mediocre, the album would be stronger if they had simply been omitted".
Retrieved February 17, 2018. while being ranked No. 80 on Cash Boxs "Top 100 Chart Hits of 1963","Top 100 Chart Hits of 1963", Cash Box, December 28, 1963. p. 20. Retrieved April 18, 2017. and No. 11 on Billboards "Top R&B; Singles for 1963".
"Little Girl" is a popular song recorded by the California group the Syndicate of Sound, and written by Don Baskin and Bob Gonzalez of the band. It reached the US national pop charts in June 1966, peaking at #5 on Cash Box and #8 on Billboard.
The single proved to be unsuccessful, as it peaked at number 93 on the Billboard Hot 100 and number 22 on the Cash Box R&B; chart. The Supremes would eventually escape the shadow of their so-called "no-hit" past with "Where Did Our Love Go".
The single was arranged by Nestor La Bonte and produced by Kim Fowley. "Popsicles and Icicles" was ranked No. 31 on Cash Boxs "Top 100 Chart Hits of 1964"."Top 100 Chart Hits of 1964", Cash Box, December 26, 1964. p. 12. Retrieved March 15, 2019.
However, Mark has already called it in. In retaliation, Jacka sprays graffiti over the motel's entrance. He is later seen leaving the scene of the explosion at Lassiter's Hotel with a cash box. Steph approaches Jacka to do some investigating into the explosion for her and Paul.
Michael McCall of Allmusic rated the album four-and-a-half stars out of five, citing "I Don't Call Him Daddy" as an "anthem" for divorced fathers. Joseph Stanley of Cash Box called it a "solid, well made album", highlighting the first five songs in particular.
After the scene was inspected by Captains Robertson and Taylor, the bodies of all six victims were buried in a mass grave by Quarter-Master Sergeant H.J. Venables.Leach (2012), pp. 19. The cash box, gold bars, oxen and cattle were never returned to the Geyser family.
"Johnny Can't Read" is the first solo single released by Don Henley, included in his debut solo album I Can't Stand Still (1982). It reached #33 in Cash Box magazine but stopped just short of Billboards Top 40. The accompanying music video was very popular on MTV.
Accessed October 19, 2015 and No. 11 on Billboards chart of "Most Played R&B; by Jockeys"."Most Played R&B; by Jockeys", Billboard, September 16, 1957. p. 58. Accessed October 19, 2015 Clyde McPhatter's version was released as a single in 1957. It reached No. 49 on Billboards "Top 100 Sides" chart,"Top 100 Sides", Billboard, September 30, 1957. p. 50. Accessed October 19, 2015 while reaching No. 1 on Billboards chart of "Most Played R&B; by Jockeys", and No. 9 on Billboards chart of "R&B; Best Sellers in Stores"."R&B; Best Sellers in Stores", Billboard, August 5, 1957. p. 57. Accessed October 19, 2015 In 1958, McPhatter released the song on his album Love Ballads. The song also reached No. 33 on the Cash Box Top 60 in 1957, in a tandem ranking of Lee Andrews & the Hearts, Clyde McPhatter, Kitty Kallen, and The Kings' versions, with Lee Andrews & the Hearts and Clyde McPhatter's versions marked as bestsellers,"The Cash Box Top 60 Best Selling Tunes on Records", Cash Box, August 17, 1957. p. 6.
"Cash Box Pop Picks album reviews Another Cash Box Magazine "Picks of The Week" singles review page dated June 28, 1975 states the following about "Til the World Ends", the single released off the album: "With classically-inspired string arrangements by Jimmie Haskell leading off, the incomparable vocal stylings of a very new Three Dog changes musical directions and overall sound with a very straightforward love ballad. Lush orchestrations and production complexity make this an interesting prospect for the summer months."Cash Box Picks of The Week singles reviews A Billboard magazine Top Album Picks page dated June 7, 1975 gives another view: "Say what you will, there is no other group who can tackle as many diverse styles in one LP and do them as well as Three Dog. Working with producer Jimmy lenner (Grand Funk) and associate producer Bob Monaco (Rufus) the band takes on Randy Newman, Allen Toussaint, Dave Loggins, Jeff Barry and Daniel Moore among others and comes up with creditable renditions of the material of each.
Whitburn, Joel (1987) The Billboard Book of Top 40 Hits, Billboard Publications, Inc. p. 101. and No. 9 on Cash Boxs chart of "The Ten Records Disk Jockeys Played Most This Week"."The Ten Records Disk Jockeys Played Most This Week", Cash Box, December 17, 1955. p. 5.
The flip side of the USA version was "Look Out The Window (And See How I'm Standing In The Rain)". Como's version of "Wanted" reached No. 1 on Billboard magazine's charts in 1954. The song also reached No. 1 on the Cash Box chart in the same year.
The song also reached number-one on the UK Singles Chart for two weeks before being dislodged by The Rolling Stones' "Little Red Rooster", and topped the Cash Box magazine's R&B; chart. "Baby Love" was later included on the soundtrack to the 1975 feature film Cooley High.
Ironically "I Can't Hear You No More" became a number 1 Easy Listening hit - Reddy's eighth and last and was also her next to last Top 40 hit with a number 29 peak on the Billboard Hot 100 (Cash Box ranked the track with a number 41 peak).
Gaining traction with this album, the CBKs were featured performers in the 2015 Chicago Blues Festival. The Cash Box Kings received three nominations for the 37th Blues Music Awards, held in May 2016. Their 2019 recording, Hail to the Kings!, was chosen as a 'Favorite Blues Album' by AllMusic.
It peaked at No. 91 on the Cash Box Top 100 Singles chart. He is also an independent entertainment executive and the older brother of musician Suzi Quatro. When Mickie Most was in Detroit, Quatro persuaded him to see Cradle perform. Suzi Quatro was part of the band.
The single peaked at #4 on the Billboard Hot 100 in October 1975. On the Cash Box Top 100 it fared even better, reaching #1. Goodman would later make more parodies of Hollywood films, along with his political satire records. The B-side of this single was "Irv's Theme".
The Beatles Anthology. London: Cassell & Co., page 96 "Forget Him" peaked in the United States in early 1964 and was ranked No. 20 on Cash Boxs "Top 100 Chart Hits of 1964"."Top 100 Chart Hits of 1964", Cash Box, December 26, 1964. p. 12. Accessed July 28, 2016.
By November 1975, the track bw "The Lady Bumps On" was rated # 14 in the New York discos. In January 1976, it was #8 on the Cash box pop singles charts. In July 1976, "Lady Bump" #7 in Australia's 2S Music Survey. The single itself sold 3 million copies.
Skeeter Davis's version reached No. 16 on Record Worlds Top Country Singles chart,"Top Country Singles", Record World, October 2, 1965. p. 31. Retrieved November 25, 2018. No. 19 on Cash Boxs Country Top 50,"Country Top 50", Cash Box, September 25, 1965. p. 42. Retrieved November 25, 2018.
" Cash Box commented: "Harley's efforts to break big in the U.S. rock market have not been outstanding, although he always seems to make a dent. The import version has gotten play, but the album is uneven and at times esoteric."Cash Box newspaper - 22 January 1977 - Album Reviews - page 26 Donald A. Guarisco of AllMusic, retrospectively wrote: "This album allowed [Harley] to give full vent to his romantic thoughts via lushly crafted songs about the travails of love. Harley's ambitions occasionally overwhelm him, but the best songs rank with Harley's finest work and the album manages to overcome its occasional excesses thanks to a crisp, consistent production that keeps its genre-hopping sounding smooth.
The only singles issued from the album were "First Annual Semi-Formal Combination Celebration Meet-the-Monster Population Party" and "Save Your Good Lovin' For Me."Discogs - Groovie Goolies releases Monda reworked the lyrics of, and re- recorded, an additional song from the series, "Chick-A-Boom (Don't Ya Jes' Love It)", under the pseudonym Daddy Dewdrop in 1971. The tune was included on Dewdrop's self-titled album and a single was released which peaked at #5 on the Cash Box Top 100 singles chart,Cash Box Top 100 singles, Week ending MAY 29, 1971 which landed him on a list of One Hit Wonders at The Rock and Roll Hall of Fame.
With "Rock Me Amadeus", Falco became the first German-speaking artist to be credited with a number-one single in all mainstream US pop singles charts: the Billboard Hot 100 and Cash Box Top 100 Singles. Prior to Falco, "99 Luftballons" by Nena got to number one on Cash Box, but peaked at number two on the Billboard Hot 100. The single hit number one on the Billboard Hot 100 on 29 March 1986. In the United Kingdom, where his "Der Kommissar" failed to make the charts, the song hit number one on 10 May 1986, becoming the first single by an Austrian act to achieve this distinction. "Vienna Calling" hit number 10 and three subsequent singles briefly charted.
Aside from the lack of forced entry as well as the empty cash box, it was clear that Mr and Mrs Farrow had been attacked separately and the discovery of two black masks fashioned from stockings that were left at the scene indicated that there were two men involved. Since the victims were in their night clothes, the police had speculated that Mr Farrow was deceived into opening the door while he was still half asleep. He was immediately attacked, but was still conscious enough to go after the robbers, and was hit again. His assailants went up to the upstairs flat, attacked Mrs Farrow, located the cash box, and fled with the money.
The single was released in June 1984. By early fall it had reached No. 15 on the Billboard Hot 100 singles chart and the top 10 in Cash Box magazine. It also returned Squier to No. 1 on the Billboard Top Rock Tracks chart. In Canada's RPM, it reached No. 31.
"Don't Cry" is the first hit single from progressive rock band Asia's second album Alpha. "Don't Cry" reached #10 on the Billboard Hot 100 and #9 in Cash Box magazine. It was the band's second Top 10 Pop hit, and returned them to #1 on Billboard's Top Album Rock Tracks chart.
It was written by the songwriting team of Valerie Murtagh and Harold Spiro. "Desdemona" reached No. 94 on the U.S. Billboard Hot 100 and No. 79 on Cash Box.Joel Whitburn's Top Pop Singles 1955–1990 - Cash Box Top 100 Singles, September 11, 1971 It did not chart outside the United States.
Swallow This Live is the first live album by American glam metal band Poison. It was released in 1991 through Capitol Records. The album peaked at number 51 on The Billboard 200,at number 42 on the Cash Box charts and was certified Gold in 2001 by the RIAA.Retrieved 2010.
The chart was originally dropped because it became dominated by pop records. Cash Box was reinvented as the online-only Cashbox Magazine in 2006, with the consent and cooperation of the family of George Albert, the late president and publisher of the original edition. Cashbox has occasionally issued special print editions.
There is some dispute about the year in which Browning move to Cleveland. Tribe (op. cit.) says it was 1955; Mrs. Browning estimates it was “around 1954.” 8\. Interview with Doris Jean Browning. 9\. Cash Box, July 21, 1956, no page number listed. 10\. Billboard, March 17, 1958, p. 34. 11\.
"Valleri" is a song written by Tommy Boyce and Bobby Hart for The Monkees, who had a #3 on Billboard Hot 100 hit with it, also spending two weeks at #1 on Cash Box in early 1968. The song also rose to #1 in Canada, and #12 in the UK.
Former Monkees lead singer Davy Jones covered "Rainy Jane" in 1971. It is a track on his Davy Jones LP. He achieved a medium hit with the song that summer in the U.S. (#52 Billboard, #32 Cash Box) and a substantially larger hit in Canada (#14 Pop, #21 Adult Contemporary).
On the Cash Box album chart, it spent a total of eight weeks, peaking at number 170. The single "Whistle Down the Wind" peaked at No. 20 on the Billboard Adult Contemporary chart in early 1984 and was selected by director John Hughes for inclusion in the 1984 film Sixteen Candles.
"Heaven on the 7th Floor" was covered by The Mighty Pope, and charted concurrently with Paul Nicholas's version. In Canada, his version was the bigger hit. It was issued by RCA Records on the Private Stock label, and reached #14. It also reached number 83 on the U.S. Cash Box chart.
Badman, p. 49. the other US chart compilers, Cash Box and Record World, placed the single at number 20 and number 13, respectively. "Bangla Desh" attracted sustained airplay in the days leading up to the concerts,Spizer, p. 235. and lent the relief project an authentic social and political significance.
"I'm Gonna Be Warm This Winter" is a 1962 single by Connie Francis, released in that December to peak at #18 on both the Billboard Hot 100 and the Cash Box Top 100. The song reached #22 UK in December 2008 via a remake by Gabriella Cilmi titled "Warm This Winter".
It reached number two in the UK Singles Chart, and number one on both Billboard and Cash Box in 1955. The recording by The Four Aces is featured in the film Cookie (1989). It became a gold record. This song has been a staple of Engelbert Humperdinck's live show since 1995.
"Jennie Lee" reached No. 3 on the Cash Box charts on June 21, 1958, and No. 8 on the Billboard charts on June 30, 1958. This is generally regarded as the earliest example of elements that would become instrumental in the famous California sound of surf pop in the 60's.
Outside Europe, "Beautiful Life" also reached number 3 on the RPM Singles Chart in Canada, number 11 in Australia, number 15 on the Billboard Hot 100 and number 10 on in the Cash Box Pop Singles Chart in the US. It earned a gold record in Australia, with a sale of 35,000 singles.
"Pineapple Princess" is an American pop song made popular by Annette Funicello in the summer of 1960. It appeared on the LP album, Hawaiiannette. "Pineapple Princess" was written by The Sherman Brothers. As a single, it reached the Top 15 in the three major US trade publications: Billboard, Cash Box, and Music Vendor.
Still without having seen the result of the coin, Stephen offers the four thousand pounds to Ash. Ash goes over to the cash box and removes it. He asks Stephen if he would like to check that he has removed the correct amount. Stephen shakes his head and says, "No, I trust you".
10 entered the Billboard Top Country Albums chart at number 45 in April 1987, later becoming the band's third album (and their first release in eleven years) to reach the top 20 when it peaked at number 16 in July. It also reached number 12 on the Cash Box Country Albums chart.
It also reached number five on the Cash Box Top 100. It was produced by Dick Monda and Don Sciarrotta. Monda produced music for the 1970-71 Filmation animated television series Groovie Goolies, for which the song was originally written and recorded. The song makes a reference to the Little Richard's "Tutti Frutti".
"She's Not There" was a hit for Santana when it appeared on their 1977 album Moonflower. Their version peaked at No. 11 in the UK. It was also a hit in the US, reaching No. 27 (Billboard) and No. 20 (Cash Box). Their take on it features Greg Walker as the lead vocalist.
"Butterflies" is a popular song, written by Bob Merrill and recorded by Patti Page in 1953. It was released by Mercury Records as catalog number 70183. It entered on the Billboard charts on July 18, 1953 and lasted 10 weeks, peaking at #10. On the Cash Box charts, it peaked at #11.
Looking Glass is an American pop rock group of the early 1970s that was part of the Jersey Shore sound. Their 1972 song "Brandy (You're a Fine Girl)" was a #1 hit on both the Billboard Hot 100 and Cash Box Top 100 charts, remaining in the top position for one week.
On the Cash Box chart, it spent six weeks at #4.Cashbox Magazine The success enabled the song to rank at #18 on the Hot 100's year-end chart for 1982. The song would also prove to be Manchester's last Top 40 hit (her 1983 single "Nice Girls" would peak at #42).
It reach No. 48 on the Cash Box R&B; chart and No. 95 on Record World's Singles chart. The second single "She Came In Through The Bathroom Window," was released in the Netherlands while Ike & Tina Turner were on tour in Europe. They performed the song on Rollin' on the River.
1 on the US Dance Club Songs (called Club Play at that time), spending a total of twelve weeks on the chart. The song also reached no. 1 on Tokio Hot 100 chart on Japanese radio station J-Wave. "Drunk on Love" received positive feedback from Billboard and Cash Box magazines in 1994.
Cash Box called it "a particularly striking collection of driving, up-to-date rock ventures".Povey 2007, p. 66 Paul McCartney and Pink Floyd's previous producer Joe Boyd both rated the album highly. Some voiced the opinion of the underground fans, by suggesting that the album did not reflect the band's live performances.
The recording was released by Dot Records as catalog number 15370. The song was on the Cash Box magazine chart for 3 weeks, peaking at #37. Pearls Before Swine included a version on their 1967 debut album "One Nation Underground". A rendition is played in a Wee Sing video: Grandpa's Magical Toys (1988).
"Games People Play" is a 1980 song by the Alan Parsons Project. It peaked at No. 16 on March 14, 1981 on the Billboard Hot 100 chart as well as No. 18 on Cash Box. It appears on the album The Turn of a Friendly Card and was sung by Lenny Zakatek.
The song was released as a single in the US in 1978, albeit in heavily edited form, and peaked at #74 on the U.S. Billboard Hot 100Joel Whitburn's Top Pop Singles 1955-2002 and #66 on the Cash Box Top 100. The song was later included on the Queen Rocks compilation in 1997.
1979 Country Music Association Award (CMA) nominee for Best New Male Vocalist; Cash Box Magazine Country Album Award Winner, New Male Vocalist; Inductee, National Traditional Country Music Association Hall of Fame 2015. Randy Barlow was inducted into the Michigan Country Music Hall of Fame in West Branch, Michigan on August 20, 2016.
A review from Cash Box magazine was positive, stating that "The song is good, but it [sic] his performance that will keep you wired." Despite its initially critical reviews, the song has become a cult classic. For his 2017 album Set the Record Straight, Cyrus recorded an updated version of the song.
And her more-than-just-kittenish personality comes through loud and clear."Cash Box newspaper - 1 July 1989 - Pure pop for now people - page 26 The second commented: "E.G. Daily offers us soulful, bluesy rock, with a little country twang to make things interesting. This is not your average, radio-ready, girl-pop.
The police had been tipped off and hid behind the nearby toilet cubicles, before shooting dead two of the robbers. A third fled the scene by car and was later arrested. There was a theft from the same bank on 24 January 2011, when a cash box was stolen from a security guard.
"Tight Rope" is the debut 1972 hit single by singer-songwriter Leon Russell. It was the lead track on his LP, Carney. The song reached number 11 on the U.S. Billboard Hot 100Joel Whitburn's Top Pop Singles 1955-1990 - and number 10 on the Cash Box Top 100. In Canada, it reached number five.
The song also spent twenty weeks in the Top 30 Singles in Austria, where it peaked at number five. "Bitterblue" also spent 17 weeks in the German charts, where it reached number seventeen. The single was number 15 in Cash Box Pop Singles Looking Ahead, this chart was equivalent to Billboard's Bubbling Under Hot 100.
332 The album and the single topped Billboards listings during the same week (16 November).Castleman & Podrazik 1976, pp. 354, 365 Both releases also topped the US charts compiled by Cash Box and Record World.Spizer 2005, pp. 81, 86 In the UK, the album reached number 6, and the single peaked at number 36.
"Ebony Eyes" is a song written and performed by Bob Welch. The song was the second single release and second hit song from his album French Kiss. Backing vocals are provided by Juice Newton. The song reached number 14 on the U.S. Billboard Hot 100, and number 12 on the Cash Box Top 100.
No. 7 on Billboards Rhythm & Blues Records chart for "Most Played by Jockeys","Rhythm & Blues Records - Best Sellers in Stores", Billboard, November 5, 1955. p. 46. Retrieved April 4, 2018. and No. 6 on Cash Boxs Rhythm & Blues Top 15."The Nation's Top Ten Juke Box Tunes", Cash Box, February 4, 1956. p. 32.
"Top 100 Chart Hits of 1961", Cash Box, December 30, 1961. p. 12. Retrieved March 12, 2018. In 1962, Steve Lawrence was nominated for a Grammy Award for Best Male Pop Vocal Performance for his rendition of "Portrait of My Love"."RCA Victor Leads List Of Grammy Nominations", Billboard, May 5, 1962. p. 32.
At the winter carnival, Logan talks to Veronica sarcastically. Dick (Ryan Hansen) and Logan see Mac (Tina Majorino) and Beaver (Kyle Gallner) holding hands. When a teacher asks for Veronica’s cash box, which contains the senior trip money, it has been stolen. Veronica and the faculty start looking for the box, and Madison blames Jackie.
In early 1978, his version reached No. 13 on Billboard and No. 18 on Cash Box. The song also reached No. 15 in Canada. On superstation WLS-AM in Chicago, "Runaround Sue" reached #1 for one weekWLS Musicradio Survey, January 7, 1978 and was ranked at #42 for the year.WLS Musicradio 'Big 89 of 1978'.
They recorded their first single "Do the 45" at Oliver Sain's studio in St. Louis. The single sold well locally, particularly in Chicago. It reached No. 40 on the Cash Box R&B; chart and No. 117 on Billboard's Bubbling Under The Hot 100. During the group's first tour that year, O'Toole succumbed to tuberculosis.
"Play on Love" is a 1975 song by Jefferson Starship. It was the second of two singles issued from their Red Octopus LP. The song reached number 49 on the U.S. Billboard Hot 100 and number 47 on Cash Box during January 1976. In Canada, "Play on Love" spent two weeks at number 46.
Aretha Franklin, "Today I Sing the Blues" Retrieved September 13, 2013 Franklin re-recorded the song in 1969 on the album Soul '69 and it reached #101 on the U.S. pop chart.Aretha Franklin, "Today I Sing the Blues" chart position Retrieved September 13, 2013 It also charted on the Cash Box Top 100 chart.
On May 27, 1993, Johnson participated in the break-in and armed robbery of a cash box from the Oakland Hills Country Club, where he worked a caddy. Johnson pled 'no contest' to felony charges of armed robbery and breaking & entering and was sentenced to eight months in prison, followed by three years on probation.
36 Billboard and No. 31 Cash Box), and reaching No. 11 in Australia. It was also a top 10 hit on the Adult Contemporary charts of both the US (No. 7) and Canada (No. 2). "Castles in the Air" became McLean's final pop hit before his genre shift to country music in the mid-1980s.
Whoever they are, they've probably got a big hit on their hands." Mica Paris, as guest reviewer for Number One said: "This sounds like an album track. It's stronger than their old stuff but it's just not a single." Cash Box commented: "A rough and ready rocker that has more elements of tough than tender.
After moving to Hollywood in 1970, he contributed pieces as a photographer and journalist to Rock and Fusion magazines. He also reviewed acts for Cash Box before joining Viva Music as professional manager. Billboard 1970.12.3 When the firm was acquired by Warner Brothers, Wayne became general professional manager and director of creative services for Warner Bros.Music.
"Our House" is a song written by British singer-songwriter Graham Nash and recorded by Crosby, Stills, Nash & Young on their album Déjà Vu (1970). The single reached No. 30 on the U.S. Billboard Hot 100Lonergan 169. and No. 20 on the Cash Box Top 100. The song, "an ode to countercultural domestic bliss",Walker xii.
The Stylistics covered the song "You'll Never Get to Heaven (If You Break My Heart)" in 1973. It was the third and final single from their second album. Their version was yet more successful in the US, peaking at number 23 on Billboard and number 16 on Cash Box. It was also an Adult Contemporary hit, reaching number four.
It was also released on His Master's Voice EA 4167 and His Master's Voice (S) X 7981\. The US release first reached the Billboard magazine Best Seller chart on March 31, 1954, and lasted 14 weeks on the chart, peaking at #14. The song also made the Cash Box Best-Selling Records chart that year, peaking at #12.
"Goodbye Media Man" is Tom Fogerty's self-penned debut single released in April 1971, shortly after leaving Creedence Clearwater Revival. The song is one of Fogerty's most successful singles, becoming a minor hit on the US Cash Box charts, making the Top 20 in Argentina, Top 40 in Germany, and bubbling under the Billboard Hot 100.
Dr. Hook released a version of "Only Sixteen" in the winter of 1975. Their version was the most successful chart release of the song. It reached number six on the US Billboard Hot 100 and number five on the Cash Box Top 100. Dr. Hook's version spent 22 weeks on the charts and became a Gold record.
"Sound of '50s All for Museum." Cleveland Plain Dealer, July 24, 1987, p. 38 and transformed it into an up-tempo, doo-wop song. "Unchained Melody" reached number 66 on the Cash Box hit parade, and it made the top ten in many cities: for example, in New York City, the song reached #3 on top-40 powerhouse WABC.
"If You Don't Want My Love" is a song by Robert John from 1968. It became a hit in the U.S. (Billboard #49, Cash Box #34) and the UK (#42). It did best in Canada, where it reached #21. The song was written and performed with Michael Gately, as was the B-side of the single, "Don't".
Blane was born in Brooklyn, New York. As a favor to a friend, Marcie recorded a demo for Seville Records. The song was "Bobby's Girl". Released in the fall of 1962, "Bobby's Girl" made #2 on the Cash Box chart and #3 on the Billboard Hot 100, and was later recorded for the German market in their language.
Similarly with Duane Music, Inc., Hush Records wasn't confined to any particular genre. Rock and Soul recordings were released on the label.AllMusic - Various Artists, The Hush Records Story, AllMusic Review by Richie Unterberger2012 Songwriter's Market, edited by Adria Haley - Duane Music, Inc. In 1959, according to Cash Box, the owners of Hush Records were Mr. and Mrs.
Three Dog Night's cover of "The Show Must Go On" became their last Top 10 hit in the U.S., where it reached number four on the Billboard Hot 100 and number one on the Cash Box Top 100, as well as in Canada, where it reached number two. It also reached #11 in the Netherlands and #12 in Germany.
"Rock of Ages" is a song by Def Leppard from their 1983 album Pyromania. When issued as a single in the United States, the song reached #16 on the Billboard Hot 100 chart and #19 on the Cash Box Top 100. It also hit #1 on the Top Tracks Rock chart.Whitburn, Joel (2004) for a single week.
On the Eurochart Hot 100, "Baby Baby" reached number 5. Outside Europe, it went to number 7 in Australia, number 22 in New Zealand and number 57 on the US Billboard Hot 100. But on the Billboard Hot Dance Club Play, the song reached number 5, as well as number 39 on the 'Cash Box' Pop Singles Chart.
"Deacon Blues" is a song written by Walter Becker and Donald Fagen in 1976 and recorded by their group Steely Dan on their 1977 album Aja. It peaked at number 19 on the Billboard charts[ Steely Dan USA chart history], Billboard.com. Retrieved May 28, 2012. and number 17 on the U.S. Cash Box Top 100 in June 1978.
The two had an emotional discussion about their childhood before Marlon kissed his brother goodbye. Eli returned the cash box to Marlon, which was later discovered to be empty apart from a note which read "IOU £400". Eli was last seen leaving the village. He took one last tearful look back, then turned and walked away.
Mr. Sim is furious when he realizes Sylvester has taken all the money from the coffee shop's cash box. He messes up Sylvester's room. During singing class, Taufik asks Sylvester about writing him a song and is invited to his house to work on it. Both of them are shocked to see the state of Sylvester's room.
"I Am Woman" is a solo version of the Funny Girl duet "You Are Woman, I Am Man". The song was released as a single with the song "People", from the musical Funny Girl. The song peaked at #114 on the US charts. It also peaked at number 6 on the Cash Box Looking Ahead Singles chart.
"Hawaii" was released in Australia as a single, where it was reported as number two by Cash Box, charting at that position in the surveys of the premier radio stations of both Sydney and Brisbane during the Beach Boys' tour of Australia in February 1964. It was tabulated as eleventh for Australia's end-of-year survey.
Between these two songs, "If the Devil Danced (In Empty Pockets)" became Diffie's second Billboard number one. The album itself peaked at number 23 on Top Country Albums. Diffie also performed his first concerts in late 1990, touring with George Strait and Steve Wariner. That same year, Cash Box named him Male Vocalist of the year.
"I Don't Want to Do Wrong" is a song recorded by Gladys Knight & the Pips. It was released in May 1971 from the album If I Were Your Woman. The song reached number two on the Best Selling Soul Singles chart. On the pop charts, it peaked at No. 17 on Billboard and No. 9 on Cash Box.
The shop manager (Waen Shepherd) interrogates them in the basement and masturbates in front of them before falling asleep on his desk. Carl then gets Helen to give him a blow job, but Helen bites his penis off. The girls flee with some money from the cash box. A debauched party is now going on at the Ryan house.
Johnny Preston's version was released in 1960, and spent 14 weeks on the Billboard Hot 100 chart, peaking at No. 14,Hot 100 - Johnny Preston Feel So Fine Chart History, Billboard.com. Retrieved April 4, 2018. while reaching No. 9 on the Cash Box Top 100, No. 6 in Flanders,Johnny Preston - Feel So Fine, Ultratop. Retrieved April 4, 2018.
" American magazine Cash Box commented: "Moyet's disarmingly plaintive vocals haunt this inviting Jimmy Iovine production." Barry Walters of Spin wrote: "Enter the American mega- mainstream FM guru Jimmy Iovine to tip the scales on her new Raindancing. Gone for most part are the R&B; grooves. Although synths still rule, there's nothing remotely Yaz-tech about them.
In Canada, "Younger Girl" reached number nine.The Cyrkle, "Red Rubber Ball" Canadian chart position Retrieved September 11, 2015. On the UK Singles Chart, it reached number 38. The song was also covered by the West Coast studio group and surf act The Hondells (Mercury 72563), peaking July 2, at number 52 Billboard and number 38 Cash Box.
When Lester Sill heard the track, he felt it needed something extra, and had a brass section overdubbed on December 28. The remade "Valleri" was released on February 17, 1968. In the United States, the song reached Number Three on the Billboard charts, and Number One in Cash Box. It would be the band's last US top ten hit.
Then he was shot in the leg because they were demanding he opened the door to the estate agents to get more cash. Police stated he couldn't do that. As a result of their frustration they shot him. The attack had triggered the dye and DNA to leak into the cash box covering £20,000 in notes.
However, the Statues's version of "Blue Velvet" would only accrue enough focused national interest to rank on the Hot 100 for a period of three weeks in August 1960, with a peak of No. 84,Hot 100 - The Statues Blue Velvet Chart History, Billboard.com. Retrieved April 24, 2018. while reaching No. 80 on the Cash Box Top 100.
The album's debut single "Someday, Someway" reached No. 36 on the Billboard Hot 100 in the summer of 1982, as well as No. 31 on the Cash Box singles chart. The single is Crenshaw's highest charting song. "Cynical Girl" and "There She Goes Again" were released as singles; the latter reached number 110 in the United States.
" Cash Box described the song as an "uptempo, club-oriented song that resembles her previous single, but still has a sound of its own." Pop Rescue said it is "perfectly up-beat". Matthew Cole from Record Mirror stated that the track "sees her sunshine vocals given the Steve "Silk" Hurley treatment. The result is sheer smoothness.
"Tough World" is a song by American rock musician Donnie Iris from his 1982 album The High and the Mighty. The song was released as a single the same year and reached #57 on the U.S. Billboard Hot 100,[Joel Whitburn's Top Pop Singles 1955-2002] #63 on Cash Box, and #26 on the U.S. Billboard Mainstream Rock chart.
The best-selling recording of the song was made by Jo Stafford in 1952. It was released by Columbia Records as catalog number 39891. The record first reached the Billboard magazine charts on November 8, 1952 and lasted 17 weeks on the chart, peaking at #6. The song reached #5 on the Cash Box chart in early 1953.
19 It peaked at #20 on July 30.Billboard magazine, July 30, 1966 "I Want You" entered the Cash Box charts at #59 on July 2, and was tapped for strong upward movement. It rose slowly, and peaked at #25 on August 6. It was also a major hit in the UK, where it peaked at #16.
In this form, it has become a staple of the concert repertoire. It has direct popular appeal while also being regarded respectfully by classical musicians. On August 21, 1945, a recording by Oscar Levant with the Philadelphia Orchestra (conducted by Eugene Ormandy) entered at its peak position of number 23 on the Cash Box survey (Columbia Masterworks 251).
When Detective Inspector Collins received the two sets of fingerprints taken from the Stratton brothers, he compared them to the print on the cash box, and he concluded that it exactly matched with the right thumbprint of Alfred Stratton. The brothers were charged with murder and the trial set on 5 May 1905 at the Old Bailey.
Miss Geyser also recalled that her father had been a very wealthy man and had several fine teams of draught oxen and a large herd of valuable cattle with him. She added that he had an estimated £800 in gold bars and a large sum in £5 notes inside a wooden cash box in the wagon.Leach (2012), p. 18.
"I Never Cry" is a song by American singer Alice Cooper. It was originally released on his Alice Cooper Goes to Hell album in 1976. The song was written by Cooper and Dick Wagner. The song peaked at No. 12 on the US Billboard Hot 100 and at No. 9 on Cash Box in January 1977.
Throughout that year, Gaye and Terrell began performing together and Terrell became a vocal and performance inspiration for the shy and laid-back Gaye, who hated live performing. The duo also performed together on television shows to their hits. They were voted the No. 1 R&B; duo in Cash Box magazine's Annual Year-End Survey in 1970.
It also topped the American dance chart in December of that year. And at the Cash Box Top 100 it peaked at number 10. Later in 1995, "Living in Danger" reached number 18 on the UK Singles Chart. Ace of Base performed the song on the first MTV Europe Music Awards in Berlin, Germany in 1994.
The Stafford/MacRae recording, released by Capitol Records as catalog number 782, was backed with "Bibbidi- Bobbidi-Boo (The Magic Song)" on the flip side. The song reached #18 on the Billboard charts and #13 on the Cash Box charts. Sammy Kaye Vocal refrain by The Kaydets. Recorded in New York City on October 7, 1949.
His producer for Monument Records, Fred Foster and Orbison's manager Wesley Rose were having disagreements about whether or not to keep Orbison. This album charted at No. 10 in the UK and No. 55 (No. 41 on Cash Box, while reaching the Top 30 on Record World) in the US. It was recorded at the RCA Studios in Nashville.
American Top 40 ranked it as the 87th biggest hit of 1977. On the Cash Box Top 100, it reached number 17. In Canada, the song reached number 19. "Ariel" has been described as a "quirkily irresistible and uncategorizable pop song about a free spirited, music loving, vegetarian Jewish girl", from Paramus, New Jersey, where he grew up.
J.R. Cobb and bandmate Dean Daughtry later became part of the Atlanta Rhythm Section and re-recorded "Spooky" in 1979, also produced by Buie. It was the second of two singles released from their Underdog LP. ARS's version hit No. 17 in the US on Billboard and No. 15 on Cash Box. It also charted minorly internationally.
Ronstadt's version of the song was released as a single in September 1975, reaching number 5 in Billboard, 4 in Cash Box, and 6 in Record World. In 2010, British musician Phil Collins spent a single week (number 28) on the Billboard Adult Contemporary listing with his retooling of the song—a smooth combination of both versions.
In the United States, "Come Sail Away" reached #8 on Billboard and spent two weeks at #9 on Cash Box. The song also peaked at #9 in Canada. On superstation WLS-AM in their home city of Chicago, the song spent two weeks at #3WLS Musicradio Survey, December 31, 1977 and was ranked at #26 for the year.WLS Musicradio 'Big 89 of 1977'.
A few months later, a remixed version of the song was issued as a single (Ross performed this version of the song on the American Music Awards, which she hosted that year). The new version re-entered the chart and performed better, but with diminished momentum, it stalled at No. 66 on the Billboard Hot 100 and No. 77 on Cash Box.
It stayed at that position for two weeks. Outside Europe, the single peaked at number 6 in Canada, number 9 in Zimbabwe, number 12 in New Zealand, number 29 on the US 'Cash Box' Pop Singles Chart, number 30 in Australia and on the US Billboard Hot 100. On the Billboard Dance Club Songs, "Lucky Love" hit number-one on March 23, 1996.
The recording was made on March 19, 1963. The record was issued by RCA Victor as a track on the album, The Songs I Love. On the Cash Box chart, where all singles were combined together, the song reached a peak position of #30 in May 1963. In 2000, The Lettermen covered the song on their Greatest Movie Hits album.
The Billboard Book of Top 40 Hits, 8th Edition (Billboard Publications), page 669. #2 on the Cash Box Top 100 and #1 on the Record World chart. The song was the B-side of another million selling tune composed for Warwick by Burt Bacharach and Hal David, "I Say a Little Prayer," which hit the Billboard Hot 100 Top 5 in November 1967.
On its release, Billboard described the song as a "rocker that showcases Mardones' full-bodied vocal". They added that the "guitar, drums and bass give the song its rock base". Cash Box listed the single as one of their "feature picks" during October 1980. They described it as an "electric pop-rocker, with [an] overdrive rhythm and catchy, ultra- melodic hook".
The song reached No.2 on the U.S. Hot Rhythm & Blues Singles chart and No.7 on the Billboard Hot 100. It also peaked at No.11 on the Cash Box Top 100 in June 1966. Outside the US, the track reached No.7 in Canada in June 1966 and No.24 in the UK Singles Chart in September 1966.
Framed was Asleep at the Wheel's last release to chart on the US Billboard 200 albums chart for over ten years, peaking at number 191 (the lowest position of any of the band's charting albums). In other publications, it peaked at number 59 on the Record World country albums chart, and at number 62 on the equivalent chart in Cash Box magazine.
"Falling" is a 1977 song by Lenny LeBlanc and Pete Carr. It was their highest- charting single, peaking at number 13 in the United States during the winter of 1978. It was the first of two charting singles from their Midnight Light LP. "Falling" spent 28 weeks on the American charts. On the Cash Box chart, the song reached number 11.
The single peaked at number 2 in the UK and later in the US at number 10 on the Billboard Hot 100 in February 1982. It was the 56th biggest hit of that year. The song also reached number 10 on the Cash Box Top 100. In Canada, the single peaked at number 21, and spent four weeks at that position.
The song also appeared on the 1968 soundtrack album released for the film. "Mah Nà Mah Nà" was a hit in many countries in 1968–1969. In the U.S., it peaked at #55 in the Billboard Hot 100 singles chart and #44 on the Cash Box magazine chart in October 1969. It also reached #12 on the U.S. Adult Contemporary chart.
Pat Benatar recorded "You Better Run" for her second album, Crimes of Passion (1980). The song was released as the album's lead single, with "Out-A-Touch" as the B-side. It peaked at number 42 on the U.S. Billboard Hot 100 chart and number 44 on the Cash Box Top 100. The song appeared on the soundtrack to the 1980 film Roadie.
"Everybody Needs Love" is a song by American singer-songwriter Stephen Bishop. The song was the first of two singles from his second album, Bish, the other being "Looking for the Right One". "Everybody Needs Love" peaked at number 32 on the U.S. Billboard Hot 100 and number 29 on the Cash Box Top 100. In Canada, the song peaked at number 29.
Measured in terms of popularity on any chart, Taylor's version of the song was the most successful. It reached No. 2 on the Cash Box Top 100 chart and No. 4 on the Billboard Hot 100. It also hit No. 1 on the Adult Contemporary chart. Taylor's version also earned him his second Grammy Award for Best Male Pop Vocal Performance.
It peaked at number 11 on the U.S. Billboard Hot 100 and number eight on the Cash Box Top 100 during February 1983. The song also reached number 6 on the Adult Contemporary chart. It made a lesser showing in Canada, but reached both the Pop and AC charts. It did best in New Zealand, where it spent two weeks at number 2.
"Oh Babe, What Would You Say" is a song by record producer Hurricane Smith, written by his wife Eileen Sylvia Smith and released in 1972. The song was a transatlantic hit; it made United States number one Cash Box and a Billboard Pop #3 hit, #3 in the Canadian RPM Magazine top singles, and made #4 in the UK Singles Chart.
Its best position was as number 44 on September 1, 1996. Outside Europe, "Sweet Dreams" reached number 3 in Israel, number 5 in Japan, number 8 in Australia and number 13 on the US Billboard Hot 100. But on the Billboard Hot Dance Club Play, the song hit number 3 and on the US Cash Box Pop Singles Chart, it reached number 8.
The song began catching on with the public. Popular New York City disc jockey Martin Block played it extensively on his show, "Make-Believe Ballroom," and the song quickly began receiving significant airplay nationwide. Cash Box declared it the "Sleeper of the Week" (for its enduring longevity on the charts) in July 1950. Billboard declared it a "hit" in early August.
The album received a C- rating from Entertainment Weekly, who described it as "generic country-pop" but highlighted lead vocalist Murphy as a "strong suit". A fourth single, "Now You're Talkin'", was released in 1993. Joseph Stanley of Cash Box praised it as a "fresh and fun cut". Mark and Phil Lister have since co-founded a recording studio called Dixiana Music.
Record World magazine was one of the three main music industry trade magazines in the United States, along with Billboard and Cash Box. It was founded in 1946 under the name Music Vendor, but in 1964 it was changed to Record World, under the ownership of Sid Parnes and Bob Austin. It ceased publication on April 10, 1982. Record World. Geocities.com.
On the Cash Box Top 100 it peaked at number 21 for two weeks.Cash Box Top 100 Singles, November 19, 1977 It was a somewhat bigger hit in Canada, on both charts in which it appeared. Billboard described the song as "lively, upbeat, [and] irresistibly buoyant." "Daybreak" first appeared on Barry's 1976 album This One's for You in a studio version.
It was a number-one 1 hit in the UK Singles Chart for four weeks in 1969, and was awarded the 1970 Ivor Novello Award for Best Song Musically and Lyrically. In the United States, the record reached No. 61 on the Cash Box Top 100 Singles. The single also peaked at No. 70 on the Billboard Hot 100 that May.
Jack Barlow (May 18, 1924 – July 29, 2011) was an American country music singer and songwriter. He recorded on Dot Records during the 1960s and 1970s, charting seven times on Hot Country Songs. Barlow first worked as a disc jockey before moving to Nashville, Tennessee. His first single was "I Love Country", which reached number 21 on Cash Box in 1965.
" Cash Box commented, "Can these Swedish hitmakers make it three-for-three? You can bet on it, with the release of the next single from the quartet's smash The Sign, a song made popular in reggae circles by Aswad. Will follow the likes of Big Mountain, etc., up the charts with its easy-listening, synth-flavored mix of reggae and lightweight dance.
"I Believe" is a song that was performed by the Canadian group Chilliwack. It was released on their 1981 album Wanna Be a Star. In Canada, the song peaked at number 13 for two weeks. In the United States, it reached number 33 on the Billboard Hot 100Joel Whitburn's Top Pop Singles 1955-1990 - and number 29 on Cash Box.
The record also reached No. 23 on the Cash Box chart, and No. 1 in Australia. It featured lead guitar by Judd Proctor. "Silver Threads and Golden Needles" sold over one million copies, and was awarded a gold disc. "Island of Dreams" rose to the UK No. 5 at the beginning of 1963, and stayed in the charts for six months.
It peaked at No. 31 on Billboard and No. 29 on the Canadian RPM Magazine charts, while showing a humbler peak position of No. 43 on Cash Box. The song ran nine weeks on both national charts. Their debut album Hey Joe followed. It took a run on the Billboard charts for five weeks, beginning on July 30, 1966, peaking at No. 127\.
Their version reached number three on the U.S. Billboard Hot 100 and number two on Cash Box during the winter of 1965. Herb Alpert and The Tijuana Brass did an instrumental version (side 2, track 1) on his 1965 album Whipped Cream and Other Delights. The Coasters released a version in December 1971 with "D. W. Washburn" on the B-side.
"Tonight" is a song by Raspberries, released in August 1973. It was written by band leader Eric Carmen, who also provided the lead vocals. The song was the first of three single releases from their third LP, Side 3. "Tonight" became the biggest hit from the album, reaching number 69 on the US Billboard Hot 100, and number 37 on Cash Box.
She quickly sold out by word of mouth, prompting her to launch a shop on the website www.angrylittleasiangirl.com in late 1997. She packed the shirts herself and mailed the orders every morning from the neighborhood post office. She also kept shirts in the back of her station wagon with a cash box and a card table and sold shirts wherever she could.
The Definitive Diary of America's Greatest Band: On Stage and in the Studio Backbeat Books, San Francisco, California, 2004. p. 84 It peaked at number 52 in Billboard and number 46 in Cash Box. The contemporary Gilbert Youth Survey conducted nationally in April 1965 placed this song at number 9 in its chart one week. The song is in F major.
In this scene it is explained that Rey is Kingsley's half-brother. Again, the scene changes back to Kingsley who says that he is on top of the Cash Box and Rey is right under him. This changes into a photographer taking pictures of the potential actresses, and then to an older woman speaking with Kingsley about using her estate for filming.
In addition, legendary jazz saxophonist Sonny Rollins recorded this tune for his Blue Note Records debut, Sonny Rollins, Volume One. In the publication Cash Box, which combined sales of all artists into a single position. the song reached #4. The song, performed by Petula Clark, is also part of the soundtrack of the 1968 film version of the stage musical.
Ike & Tina Turner recorded the song for their 1969 album, Outta Season. Produced by Tina Turner and Bob Krasnow, the single peaked at number 23 on the Billboard R&B; chart and number 68 on the Billboard Hot 100. It was reissued in 1971, reaching number 56 on the Cash Box R&B; chart and number 44 on Record World's R&B; chart.
In 1985 Comstock earned ten nominations from the Canadian Country Music Association, including one for Record Company of the Year. In 1986, five Comstock records made the Cash Box Top 100. In 1998 Comstock was awarded Indie Label of the Year in Europe by the ECMA. Several Comstock produced videos found frequent rotation on Country Music Television and The Nashville Network.
"Swingtown" is a 1977 hit song by the Steve Miller Band. It was their third and final single release from their Book of Dreams album, and became the second biggest hit from the LP. "Swingtown" reached on the U.S. Billboard Hot 100 and spent two weeks at on the Cash Box Hot 100. It also peaked at on the Canadian pop chart.
Young Girl is the RIAA Gold-certified second studio album by Gary Puckett & The Union Gap, released in 1968. The title track hit #1 on the Cash Box Top 100 and #2 on the Billboard Hot 100. It made it to #34 on the Adult Contemporary chart. The album landed on the Billboard album chart, reaching #21 and going Gold.
It reached No. 27 on the Cash Box R&B; chart. The B-side "You've Got Too Many Ties That Bind " was reissued on the album Airwaves in 1978. "I'm Gonna Do All I Can (To Do Right By My Man)" was reissued on the 3-CD compilation album The Ike & Tina Turner Story: 1960–1975, released by Time Life in 2007.
The single peaked at No. 15 on the Cash Box R&B; chart. Tina Turner performed the song on the TV program Where the Action Is. A different version of "Two Is A Couple" appeared on the album Airwaves (United Artists, 1978). The song later appeared on the compilation album The Ike & Tina Turner Story: 1960–1975 (Time Life, 2007).
'Passed' games may also be charged a penalty fee. The Abreizgeld usually goes into the cash box of the tournament organizer and is not redistributed again in the form of prizes. The winner of a tournament is the player who has scored the most points. In addition, there are often additional prizes for the best players in the women's, youth and senior categories.
Bobby Vinton covered "But I Do" in 1972. His version reached No. 82 on the U.S. Billboard Hot 100 and No. 71 on the Cash Box chart in early 1973. It also reached #27 on the Adult Contemporary chart. The song also charted in Canada on both the Pop chart (#72) and Adult Contemporary (#23) chart, where it made its best showing.
Aerosmith is the eponymous debut studio album by American rock band Aerosmith, released on January 5, 1973 by Columbia Records. "Dream On", originally released as a single in 1973, became an American top ten hit when re-released in December 1975.Cash Box: December 27, 1975, page 122 The album peaked at number 21 on the US Billboard 200 album chart in 1976.
"Muscles" is a 1982 hit single written and produced by Michael Jackson, and performed by American singer Diana Ross. It was the first single release from Ross's Gold-certified album Silk Electric. The single reached number #7 in Cash Box magazine and #10 on the Billboard Hot 100 chart. It climbed as high as #4 on the Billboard Soul chart.
"Cash Box Pop Picks album reviews Another Record World "Album Picks" review page dated April 17, 1976 gives another view on the album: "This one may come as a surprise to the group's older fans. The mix still focuses on vocal harmonies but the songs are r&b; and disco for the most part. "Hang On", "Mellow Down" and "Everybody Is A Masterpiece" are pacesetters, the rhythm section rising in importance as the American pastime continues to dance."Record World Album Picks April 17, 1976 Another Cash Box Magazine "Picks of The Week" singles reviews page dated June 5, 1976 states the following about "Everybody Is a Masterpiece", the single released off the album: "A laid-back rock hymn to humanity, this is an intelligent single from Three Dog Night that will serve to broaden its already extensive audience.
The song became the singer's first Top 40 hit, reaching #12 on the Billboard Hot 100 chart in summer 1978. It also reached #10 on the Cash Box chart. It proved even more popular with adult contemporary radio stations, spending three weeks at #1 on the Easy Listening chart that same year. To date, this is Johnson's highest-charting single on Pop or Adult Contemporary charts.
It also reached number eight on the Cash Box Top 100. The single was later certified gold by the RIAA for sales of one million copies. This resulted in the song later selling more than two million copies. The song's success was bittersweet, however: the song's background vocalist Harry Womack later died from stab wounds from his girlfriend the week before it hit number one.
When Keeran did not respond to Reneau's requests, Reneau shot the clerk, killing him almost instantly. Hearing the gunshot, Wood entered the gas station and found the clerk on the floor behind the counter. Wood then ran to the back, where he removed the surveillance video and the murder weapon, while Reneau carried the store's safe and cash box. They both then fled from the scene.
Cash Box (February 4, 1967): > "The Ike And Tina Turner Show (Vol. 2)" is a rousing, wailing package that > might easily establish itself as a big sales item in R&B; circles. Among the > numbers on the set are "Shake A Tail Feather," "You Must Believe Me," > "Somebody (Somewhere) Needs You," and "Keep On A Pushin'." This one could > really happen for Ike and Tina Turner.
That would soon change as Ross reportedly ended up spending the Christmas holiday season at Iglesias's Miami estate. They there celebrated the success of their global duet that hit #1 in Spain, #3 in Italy, and #8 in Canada for example. In the United States, it reached #12 in Cash Box and #19 in Billboard. Additionally, "All of You" reached #2 on Adult Contemporary radio.
The music video featured the group in a recording studio. Barry Gibb was shown without his trademark beard, like he does in the group's later vides for "Night Fever" and the alternate videos of "How Deep Is Your Love" and "Stayin' Alive" as well as the video for his 1984 solo single "Fine Line". "My World" also reached #15 in Cash Box in two weeks.
"Pretty Lady" is a 1973 song by Canadian rock band Lighthouse. The song was the lead single of three released from their Can You Feel It LP. It was written by lead singer Skip Prokop. The song reached number 53 on Billboard and number 31 on Cash Box. It was their final charting single in the United States, and became their third greatest hit.
"We're in This Love Together" is a 1981 hit song by Al Jarreau. It was the first of three single releases from his fifth studio album, Breakin' Away. The song was his first and biggest chart hit. In the US, the song spent 24 weeks on the pop charts, reaching number 15 on the Billboard Hot 100 and number 13 on the Cash Box Top 100.
Cash Box Top 100 Singles, November 31, 1981 It was a bigger Adult Contemporary hit, reaching number six in the US and number one in Canada. The song describes the precious and enduring quality of romantic love: "Like berries on the vine, it gets sweeter all the time." Other symbols used include a favorite song, a diamond ring, and candlelight on a rainy night.
"19th Nervous Breakdown" is a song by the English rock band the Rolling Stones. Written by Mick Jagger and Keith Richards, it was recorded in late 1965 and released as a single in February 1966. It reached number 2 on both the US Billboard Hot 100 and Britain's Record Retailer chart (subsequently the UK Singles Chart), while topping the charts compiled by Cash Box and NME.
On the Eurochart Hot 100, it went to number 3 same month. Outside Europe, "Pump Up the Jam" peaked at number 4 in Canada, but mangaged to reach number-one on the RPM Dance/Urban Chart. It also reached number-one on the US Billboard Hot Dance Club Play and the 'Cash Box' Pop Singles Chart. But on the Billboard Hot 100, it reached number 2.
Helen Reddy recorded the song for her 1974 album Love Song for Jeffrey. It served as the lead single from the album and reached No. 15 on the Billboard Hot 100 that May, and No. 10 on the Cash Box Top 100. The song also reached No. 10 in Canada. The B-side of Reddy's lead single was a cover version of Billy Joel's "You're My Home".
"20th Century Man" was released as a single in December 1971 in the US (it would never see single release in the UK), and was backed by "Skin and Bone". It failed to gain a significant hold on the charts, not managing to reach the Billboard Hot 100, peaking at #106. The single reached #9 in Boston, and #113 on the Cash Box "Looking Ahead" survey.
Another recording, by Jo Stafford and Gordon MacRae, was released by Capitol Records as catalog number 782. The record first reached the Billboard charts on December 16, 1949 and lasted 7 weeks on the chart, peaking at number 19. It was backed with "Echoes" on the flip side. On the Cash Box Best-Selling Record charts, where all versions were combined, the song reached number 7.
"Tell Me Something Good" is a song by Rufus and Chaka Khan, written by Stevie Wonder and released in 1974. The single was a hit in the United States, peaking at number three on the Billboard Hot 100 and spent one week at number one on the Cash Box Top 100. It was among the earliest hits to use the guitar talk box, by Tony Maiden.
"Foolish Pride" is a single from singer/songwriter Daryl Hall (part of pop- rock duo Hall & Oates). It was the second single release from his second solo album, Three Hearts in the Happy Ending Machine. The song reached number 33 on the U.S. Billboard Hot 100 and number 29 on the U.S. Cash Box Top 100. On the Adult Contemporary chart, "Foolish Pride" reached number 21.
Now & Then is the fifth studio album by American music duo Carpenters, released on May 1, 1973. It reached No. 2 on the Billboard Top LPs & Tape chart on July 21, 1973 and ranked No. 20 on the Cash Box year-end pop albums chart. The title, suggested by Karen and Richard's mother Agnes, was taken from a leftover song that did not appear on the album.
Schine was executive producer of the 1971 film The French Connection, which was nominated for eight Academy Awards and won five, including Best Picture. In 1977 he produced That's Action!. Shortly afterwards, Schine was involved with music by The DeFranco Family that achieved Billboard gold and platinum and Cash Box No. 1. Schine's company, Schine Music, also provided songs to Lou Rawls and Bobby Sherman, among others.
Johann Wolfgang Braeutigam (1829–1884) emigrated with his family from Kaltenlengsfeld, Germany and arrived at Indianola on Dec 1845. Johann, his wife Christine and their nine children eventually settled in Fredericksburg. In 1870, the family moved into the abandoned Fort Martin Scott, from which Braeutigam operated a biergarten. On September 3, 1884, Braeutigam was murdered by four strangers in a robbery of the biergarten's cash box.
Later, they meet a lone traveler called Gideão (Cláudio Jaborandy), who tells them to go to Filadélfia and search for Neguiça (Fábio Lago). That night, Antônio and Clévis find a church nearby and accidentally smash a cash box full of money. Antônio gives in to temptation and takes all the bills. In Filadélfia, the family meets Neguiça, who offers them shelter, but says he has no jobs.
CASH BOX Top 100 Singles - Week ending JULY 29, 1972 "Too Late to Turn Back Now" is ranked as the 34th biggest U.S. hit of 1972. The record was awarded a gold disc on 2 August 1972 for one million sales by the Recording Industry Association of America (RIAA). The song was featured in the 1997 film The Ice Storm and the 2018 film BlacKkKlansman.
The Leaves released "Hey Joe" in November 1965, and dissatisfied with the sound, pulled it. They released a second version in early 1966, which flopped. Original guitarist Bill Rinehart left, and The Leaves redid the song again with a fuzztone by new guitarist Bob Arlin. This version of the song became a hit, and debuted on both Billboard and Cash Box on May 21, 1966.
When he was caught stealing the cash box of an Adams Express wagon, he was sentenced to three years in Sing Sing prison. He soon escaped and resumed his criminal career. Worth began to work for the prominent fence and criminal organizer Fredericka "Marm" Mandelbaum. With her help, he expanded into bank and store robberies around 1866 and eventually began to plan his own heists.
"Affair of the Heart" is a hit song performed by rock musician Rick Springfield. It was released as the lead single from his Platinum-certified Living in Oz album. The song peaked at #9 on the Billboard Hot 100 and at #10 on the Cash Box Top 100 during the summer of 1983. It was the fourth of Springfield's five Top 10 hits to date.
Teresa Brewer released a version of the song titled "She'll Never, Never Love You (Like I Do)" in 1963. Brewer's version reached No. 122 on Billboards "Bubbling Under the Hot 100""Bubbling Under the Hot 100", Billboard, March 30, 1963. Accessed May 31, 2016. and No. 13 on Cash Boxs "Looking Ahead" chart of singles with potential of entering the Cash Box Top 100.
In the 1967 Cash Box poll, she was second to Petula Clark, and in 1968's poll second to Aretha Franklin. Playboys influential Music Poll of 1970 named her the Top Female Vocalist. In 1969, Harvard's Hasty Pudding Society named her Woman of the Year. In the May 21, 1965 Time cover article entitled "The Sound of the Sixties", Warwick's sound was described as: > Swinging World.
In Cash Box it achieved a #18 peak. In Australia the Go-Set Top 40 chart showed "Oh Me Oh My ..." peaking at #33 in January 1970. The RPM 100 chart for Canada ranked "Oh Me Oh My ..." as high as #16 in March 1970. That same month the New Zealand Listener Pop-o-meter chart ranked "Oh Me Oh My ..." as high as #12.
"Good Timin'" reached number 40 in the U.S. during a stay of ten weeks on the Billboard Hot 100 singles chart; and peaked at number 33 on the Cash Box sales chart. It was their first single to reach the Top 40 portion of the chart in nearly three years, since "It's OK" in October 1976. It also reached number 12 on the Billboard Adult Contemporary chart.
Edge later worked with Robert Ponger, who was producer of Falco,Cash Box Top 100 4/23/83. and Austrian duo Paper Moon. Ponger arranged for Edge to support Joan Baez at the Arena, Vienna. Edge's collaboration with Ponger lasted three years, but Edge only used two songs (from 12 demo songs) for his solo CD on BMG records (Austria) called, Northern Sky (1996).
It was also their first number one in Britain. The single sold over 230,000 copies in the US within four days of its release and entered the Cash Box chart at number 61 on October 22. In the UK, the song sold over 50,000 copies in the first 15 days of its release. "Good Vibrations" quickly became the Beach Boys' first million-selling single.
Outside Europe, it hit number-one on the US Billboard Dance Club Songs, number 5 in Israel and number 85 in Australia in November 1995. Additionally, the single also went to number 46 on the US Billboard Hot 100 and number 30 on the US Cash Box singles chart in 1996. It received a silver record in the United Kingdom with a sale of 200,000 singles.
In chapter three of the film, Jean Cardigan talks about the new secret elite peace organization- Prevention of Assassination Experiments, Control (PAX,C). Cardigan says she heard that PAX,C excites assassinations rather than prevents them. She was accused of being a member of the British equivalent of PAX,C, but she denies involvement. The scene changes back to the High Officials discussing the Cash Box.
"Do You Know What I Mean" is a song written and performed by Lee Michaels. It reached #6 on the U.S. Billboard Hot 100 and #4 on the Cash Box Top 100 in the summer of 1971. The song was featured on his 1971 album, 5th. The song is about the fact that he saw his ex girlfriend having an affair with the narrator's best friend.
The Temptations were a vocal group from New York best known for the 1960 hit "Barbara". Issued on Goldisc Records, the song peaked on the Cash Box Magazine chart at #38 and on the Billboard Hot 100 at #29. The flip side song on "Barbara" was "Someday". Other recordings were: "Fickle Little Girl", "Letter of Devotion", "Ballad of Love", and "Tonight My Heart She Is Crying".
London Symphony Orchestra and Film Music LSO. Retrieved June 30, 2011 The music was one of the last pieces to come into place. Williams' "Theme from Superman (Main Title)" was released as a single, reaching #81 on the U.S. Billboard Hot 100 and #69 Cash Box. Williams liked that the film did not take itself too seriously and that it had a theatrical camp feel to it.
Rating it 3 out of 5 stars, Michael McCall of Allmusic wrote that "The album features well-crafted lyrics, fastidious acoustic-pop arrangements and his unremarkable voice." A review in Cash Box was positive, saying that McAnally "makes the 'simple life' seem so intriguing, as he touches on every aspect of life" and "delights us with his own style of singing and musical accompaniment".
It also reached No. 1 on the Cash Box R&B; singles chart. The Supremes' version is ranked #475 on Rolling Stones 500 Greatest Songs of All Time and was selected for preservation in the National Recording Registry in 2016 due to its "cultural, historic, or artistic significance." Billboard named the song #4 on its list of 100 Greatest Girl Group Songs of All Time.
Denise Lor and Doris Day followed with their own renditions that year. The song would later be recorded by Bing Crosby, Duke Ellington, Kitty Kallen, and Nat King Cole, among others. That year, "I Need You Now", also written by Jimmie Crane and Al Jacobs, was recorded by Eddie Fisher and reached #1 on the Billboard and Cash Box charts on November 3, 1954.
"Double Trouble" is a song by American rock band Lynyrd Skynyrd, written by Ronnie Van Zant and Allen Collins, which was recorded in 1975. It appears on the band fourth album, Gimme Back My Bullets, and was released as a single in the United States. It peaked at number 80 on the Billboard Hot 100 and at number 86 on the Cash Box Top 100 Singles.
Linda Ronstadt released the most successful American version in 1980 from her platinum-certified album, Mad Love. Released as the disc's third single, it was produced by Peter Asher and was issued on Asylum Records. Ronstadt's cover of "I Can't Let Go" reached number 27 on the Cash Box Top 100 and number 31 on the Billboard Hot 100 chart in the summer of 1980.
On September 10, 1978, "Ready to Take a Chance Again" entered the U.S. Billboard Hot 100 chart at position number 70; and on November 12, 1978 it peaked at number 11 (for two weeks). It spent 15 weeks on the chart. It reached number 5 on Billboard's Adult Contemporary Tracks chart. On the Cash Box chart, the song spent two weeks at number seven.
Rita Coolidge covered "The Way You Do the Things You Do," and it was released in 1978 as the third single from her most successful album, Anytime...Anywhere. In the U.S., the single reached #20 on the Billboard Hot 100 and #18 on the Cash Box Top 100. It also reached #16 in Canada. It is ranked as the 151st biggest Canadian hit of 1978.
"Cold Love" is a song by American singer Donna Summer, released as the second single from her album The Wanderer. The song was written by Harold Faltermeyer, Keith Forsey and Pete Bellotte and produced by Bellotte and Giorgio Moroder. It peaked at No. 33 in the Billboard Hot 100, and No. 41 in Cash Box. Summer earned a Grammy nomination for Best Female Rock Vocal Performance.
"Night Time" is a song written and originally recorded by the Strangeloves in 1965. It was written by Bob Feldman, Jerry Goldstein and Richard Gottehrer, and is a track from their I Want Candy LP. The song reached No. 30 on the U.S. Billboard Hot 100 chart and No. 21 on the Cash Box Top 100. It did not chart internationally except briefly in Australia.
"Sometimes a Memory Ain't Enough" is a song written by Stan Kesler and originally recorded by Jerry Lee Lewis for his Kesler-produced Mercury Records' album of the same name (1973). It was also released as a single (with "I Think I Need to Pray" on the flip side), reaching number 3 on the Cash Box Country Singles chart and number 6 on the Billboard country chart.
Warwick was only permitted to appear on the film's actual soundtrack and not the soundtrack album recording. The Dionne Warwick single peaked at #2 on the Billboard Hot 100 for four weeks in February 1968, at #2 on the Cash Box and #1 on the Record World charts during the spring of 1968. The LP was issued as number 568 in the Scepter Catalog.
The song, which went on to reach number 26 on the Billboard Hot 100, was written by Dennis Lambert and Brian Potter and was originally released by The Original Caste in 1969. Coven's version also reached the top 10 in Cash Box and was named the Number 1 Most Requested Song in 1971 and 1973 by American Radio Broadcasters. It also peaked at number 45 in Australia.
"Thinking of You" is a song by American duo Loggins and Messina. It was released in 1973 as the second single from their second album, Loggins and Messina. The uptempo rendition released on the single is different from the somewhat more mellow LP mix. "Thinking of You" reached number 18 on the U.S. Billboard Hot 100 and number 11 on the Cash Box Top 100.
"Welcome Me Love" is a 1969 song by The Brooklyn Bridge. It was issued as the B-side of "Blessed Is the Rain," (Canada #48, U.S. #45) but became a double- sided hit. As "Blessed Is the Rain" descended the charts, "Welcome Me Love", garnered enough airplay to become an equal-sized hit. It reached number 48 U.S. Billboard and number 47 on Cash Box.
"Postcard" is a song by the Who, that was written, and sung by the band's bassist John Entwistle. It appears on the Who's album Odds & Sods. Released as a single, in the United States, it reached the Cash Box charts on 23 November 1974, peaking at No. 64. It was the first song written by Entwistle that was released as the A-side of a Who single.
"Gypsy Woman" is a 1961 rhythm and blues song written by Curtis Mayfield and recorded by his group the Impressions. The group's first single following the departure of lead singer Jerry Butler, it reached No. 2 on the R&B; chart, No. 20 on the Billboard Hot 100 and number 17 on the Cash Box chart. It also appeared on the group's 1963 eponymous debut album.
"Making Our Dreams Come True" is a 1976 hit single written by Charles Fox and Norman Gimbel. It was recorded by Cyndi Grecco, then an unknown musician. It is the title track of her debut album, used as the theme song to the television sitcom Laverne & Shirley. "Making Our Dreams Come True" reached number 25 on the U.S. Billboard Hot 100 and number 21 on the Cash Box Top 100.
"Everything That Touches You" is a song written by Terry Kirkman and originally released in 1968 by the American sunshine pop band the Association. In the U.S., the song reached number 10 on the Billboard Hot 100 chart, number 22 on the Billboard Easy Listening chart and number 11 on the Cash Box Top 100 chart. In Canada, the song reached number 6 on the RPM Top Singles chart.
The single reached number six on the U.S. Billboard Hot 100 chart, spending fourteen weeks on the chart. It also reached number two on the U.S. Black Singles chart and remained in that spot for eight weeks. It peaked at No. 4 on the Cash Box Top 100 singles chart during the weeks ending January 29, 1972 and February 5, 1972. In Canada, the song reached number 39.
Ike & Tina Turner recorded a version of "Early One Morning" for their 1973 album Let Me Touch Your Mind. Their rendition was released by United Artists Records as the B-side to the non-album track "With A Little Help From My Friends." While the A-side didn't chart, "Early One Morning" reached No. 47 on the Billboard R&B; chart and No. 60 on the Cash Box R&B; chart.
Review of album Squeeze Play, p. 22 in The Billboard, 1 December 1956 The production received a critical review as a new popular album in The Billboard in 1956 and was cited for establishing a beautiful soothing mood. The album was also critically reviewed in Cash Box magazine later that year. Serry was applauded for establishing a wide variety of musical moods with grace, while simultaneously emphasizing a relaxed performance style.
"Which Way You Goin' Billy?" was a global, multi-million-selling hit single from the Canadian band The Poppy Family. The single, first released in 1969, was from the album of the same name and was a chart-topping hit in Canada and Ireland. It was also a significant hit in other parts of the world, reaching #2 on both the U.S. Cash Box and Billboard pop charts.
The song peaked at on the Billboard Top 100, the predecessor to the Billboard Hot 100. The single was considered a major surprise hit on the chart, where it became Seville's first single and stayed in the position for three weeks. The single also peaked at on the Billboard R&B; chart and on the Cash Box chart as well. The single sold over one million copies in the United States.
"Right Down the Line" reached number 12 on the Billboard Hot 100, peaked for two weeks at number eight on the Cash Box Top 100, and spent four non-consecutive weeks at number one on the Easy Listening chart in the US in 1978, the only Rafferty song to reach number one on this chart. Bonnie Raitt covered the song in 2012, including it in her Slipstream album.
The song became a hit again in 1995 for Bonnie Raitt, who recorded a version for the soundtrack of the film Boys on the Side. In the United States, it peaked at number 33 on the Billboard Hot 100, and spent two weeks at number 31 on the Cash Box Top 100. In Canada, "You Got It" peaked at number 11 and was the 62nd biggest hit of 1995.
Teresa Brewer released the original version of the song in 1963, as a single and on the album Terrific Teresa Brewer! On November 9, 1963, Brewer's version charted at No. 130 on Billboards Bubbling Under the Hot 100"Billboard Hot 100", Billboard, November 9, 1963. Retrieved February 24, 2018. and reached No. 45 on Cash Boxs "Looking Ahead" chart of singles with potential of entering the Cash Box Top 100.
"Lay Down (Candles in the Rain)" is the second single from Melanie Safka's 1970 album Candles in the Rain. It was her breakthrough hit in the United States, climbing to number six on the Billboard Hot 100 and number three on the Cash Box Top 100. The record was ranked number 23 on the Billboard Year- End Hot 100 singles of 1970. It was released in March 1970.
"Keep on Singing" is a 1973 song composed by Danny Janssen and Bobby Hart, best known as a hit single by Helen Reddy. It was originally recorded by Austin Roberts from the album Austin Roberts. It was released as a single on Chelsea Records and reached No. 50 on the U.S. Billboard Hot 100 and No. 39 on the Cash Box Top 100. In Canada it reached # 79.
"Keep on Dancin'" is a 1979 single by Gary's Gang, a disco group, from Queens, New York. Their debut release of "Keep on Dancin'" was their most successful. The single peaked at number fifteen on the soul singles chart, number 41 on the US Billboard Hot 100 and number 33 on the Cash Box Top 100. In the UK, the song reached number eight, and number 31 in Canada.
Retrieved March 4, 2018. Vinton's version was ranked No. 43 on Billboards end of year ranking "Top Records of 1967: Hot 100 – 1967","Top Records of 1967 (Based on Billboard Charts)", Billboard, December 30, 1967. p. 42. Retrieved March 4, 2018. while being ranked No. 46 on Cash Boxs "Top 100 Chart Hits of 1967","Top 100 Chart Hits of 1967", Cash Box, December 23, 1967. p. 16.
His response: "No! Keep working on it!" They did, and the single went to number 1 on the Record World Pop Singles Chart and the Cash Box Top 100, and number 2 on the U.S. Billboard Hot 100, topped only by "How Can You Mend a Broken Heart" by The Bee Gees. On August 18, 1971, it was certified Gold by the RIAA for a million copies shipped.
The title track took 19 days to record. The album reached No. 2 on the Billboard 200 and has been certified Platinum in the United States. It reached No. 1 on the Cash Box Albums Charts on January 8, 1974. The artwork of the album is also considered amongst the greatest; for example Rolling Stone would later rank it as one of the "Top 100 Album Covers Of All Time".
The record peaked at number 22 on the Billboard Hot 100 and number 2 on the Adult Contemporary chart. It reached number 21 on the Cash Box chart. "Living in a House Divided" was a Top 20 hit in Canada. The song did, however, fail to reach the success of "Gypsies, Tramps and Thieves", despite the fact that this was also the first single to be lifted from a Cher album.
When the price for Pez in a vending machine was increased to 3 coins, extra space for the bigger cash-box had to be fitted below the chute. It shows Pez die süße Freude ("Pez the sweet joy") and Wenn Münzen gefallen, Knopf fest drücken ("When coins have dropped, press button firmly"). Early Pez dispensers did not have character heads on them. They were what is known now as "regulars".
In the United States, the song reached number 43 on the Billboard Hot 100Joel Whitburn's Top Pop Singles 1955–1990 - and number 40 on the Cash Box chart.Cash Box Top 100 Singles, October 23, 1976 On the Canadian chart, the song peaked at number 36 in late October 1976. On the adult contemporary charts, "I Got to Know" reached number 11 in the U.S. and number nine in Canada.
Rock's Backpages - Blues & Soul, January 1972 - Honey and The Bees, John AbbeyCashboxmagazine.com - The CASH BOX R&B; Top 60, Week ending OCTOBER 9, 1971 A couple of sources point to Fannie Lee Cobb of Fannie & the Varcels having a connection to the original line up.AllMusic - Fannie & the Varcels, Biography by Andrew HamiltonSoundHound - Fannie & the Varcels Other members of the first line up were allegedly Rita Graves and Lulu Martin.
MTV also played Asia videos on heavy rotation—as many as five times a day. Both Billboard and Cash Box named Asia's debut the #1 album of the year. Asia's logo and cover art were created by illustrator Roger Dean of Yes and Uriah Heep fame. However, neither the second album, Alpha (released in July 1983), nor any following Asia album could repeat the chart success of the first release.
Following the huge success of The Kingston Trio At Large coming after the success of The Kingston Trio, ...from the Hungry i and "Tom Dooley", Life magazine featured the Trio on their August 3, 1959 cover. In polls in both Billboard and Cash Box they were voted "The Best Group of the Year for 1959" by the nation's disc jockeys.The Kingston Trio: The Guard Years liner notes. Bill Bush.
Released as a single, it became the band's first hit in the United States, reaching number 10 in Cash Box magazine and number 13 on the Billboard Hot 100. "Money" is noted for its unusual – time signature, and the tape loop of money-related sound effects (such as a ringing cash register and a jingle of coins) that is heard periodically throughout the song, including on its own at the beginning.
"Sweet Life" is a song written, composed, and recorded by American singer- songwriter Paul Davis. It was the third single he released from his 1977 album Singer of Songs: Teller of Tales, and his fourth-highest peaking pop hit, peaking at #17 on the Billboard chart in late 1978. On the Cash Box chart, the song spent three weeks at #15. The song also reached #15 in Canada.
The song peaked at #1 on the UK Singles Chart, and was the UK Christmas number one of 1962. It also reached #2 on the American Billboard singles chart, kept out of the top spot by The Four Seasons' "Big Girls Don't Cry." However, the song reached number 1 on the rival Cash Box and Music Vendor singles charts. "Return to Sender" also went to #5 on the R&B; charts.
"I Like Dreamin'" is the title of a North American hit single by Kenny Nolan, taken from his eponymous debut album. The recording was issued as the album's lead single in October 1976, spending 27 weeks on the U.S. Billboard Hot 100. It slowly crawled to number three on both that chart as well as the Cash Box Top 100 by early March 1977. The song became a Gold record.
"Free Ride" is a song written by Dan Hartman and performed by The Edgar Winter Group. The single, engineered by Jim Reeves, was a top 15 U.S. hit in 1973, hitting number 14 on the Billboard Hot 100Joel Whitburn's Top Pop Singles 1955-1990 - and number 10 on Cash Box. In Canada, it peaked at number eight. The single 45 version is distinctly different from the LP version.
In 1981, 14-year-old artist Stacy Lattisaw covered "Love on a Two-Way Street." It was the lead single from her With You LP. The song peaked at number two R&B;, number 19 Adult Contemporary, and number 26 on the Hot 100. This version also peaked at number 23 on the Cash Box Top 100 during August of that year. The song was her second U.S. Top 40 hit.
Three Dog Night played "One" in the key of F minor, and it was released as the second single from Three Dog Night's eponymous first album. It became their first of seven gold records over the next five years. The song reached number five on the U.S. Billboard Hot 100 and spent three weeks at number two on the Cash Box Top 100. It also reached number four in Canada.
Wilson replied that he had also had an Irish Setter named Shannon that had recently been killed by a car.. The single went gold in the U.S. and became a worldwide hit, reaching #6 on the U.S. Billboard Hot 100 and #5 on the Cash Box Top 100 in 1976. In Canada it reached #1. "Shannon" also reached #1 in New Zealand, but peaked only at #32 in the UK.
"Your Smiling Face" is a hit single by singer James Taylor. First available on the album JT, and released as the album's sophomore single in September 1977, "Your Smiling Face" peaked at number 11 in Cash Box magazine and at 20 on the Billboard Hot 100 near year's end. It reached number 11 on the RPM Top Singles chart in Canada. On Billboard's Adult Contemporary chart, it reached number 6.
"Man on Your Mind" is a song by Australian soft rock band Little River Band. It was the third and final single from their 1981 album Time Exposure. Released as a single in the spring of 1982, the song peaked at number 14 on the U.S. Billboard Hot 100 and number 13 on the Cash Box Top 100. The song also reached #26 on the Adult Contemporary chart.
Cash Box commented that "club fave Kristine W has a gorgeous, throaty voice and this lush, soulful dance track is already popular in New York City clubs through a Junior Vasquez remix, along with airplay on NY's WKTU and Philly's WlOQ." William Stevensen from Entertainment Weekly described the song as a "infectious anthem". Ben Wener from Orange County Register called it "irresistible". Joey Bolsadura from Muzik called it "splendid".
"If I Were You", which had been a minor hit (No. 70) for Toby Beau in 1980, was released as the follow-up single to "I Could Never Miss You"—with "You Win, I Lose" as the B-side—and became Lulu's final Hot 100 appearance to date, reaching No. 44 (No. 42 Cash Box) in January 1982. It also hit No. 27 on the Adult Contemporary chart.
Johnson begins working at colonialist merchant Sargy Gollup's store with Benjamin and attempts to make profitable trades himself, but his activities cause Sargy to punch him. Benjamin catches Johnson stealing an advance from Sargy's cash box, which Johnson uses to hold a party. He invites the people inside Sargy's store when it starts to rain, despite Benjamin's objections. Sargy returns and punches Johnson, but Johnson fights back and knocks him out.
Johnson asks Waziri for money but Waziri orders his guards to cripple Johnson. Johnson escapes through a window but finds that his wife has already left. He gets drunk and sneaks into Sargy Gollup's store to steal money from the cash box but Sargy catches him and fires his rifle at him. The two fight and Johnson kills Sargy by stabbing him with a pin used to hold receipts.
Retrieved December 29, 2013 She was a versatile singer, performing some gospel songs as well as blues and R&B.; Her 1954 recording, "Rock Love", was later covered by Little Willie John.Biography by Bill Dahl at Allmusic.com. Retrieved December 29, 2013 She remained popular, being voted no.4 R&B; singer in the Cash Box annual poll in 1954, and continued to record for the King label until 1956.
Aerosmith Video Scrapbook is a video about the American rock band Aerosmith featuring live material, some promotional videos, and conversations between the band and their families. It was released on VHS in 1987Radio & Records: October 23, 1987, page 18; Cash Box: October 24, 1987, page 17 and laserdisc in 1990. There has yet to be a DVD release. In February 1988 the RIAA certified the release as Gold (Longform video).
"Pine Tree, Pine over Me" is a popular song written by Roy Jordan, Sid Bass, and Jimmy Brewster. It was published in 1953. The best-selling version in the United States was a recording by Johnny Desmond, Eileen Barton, and The McGuire Sisters on Coral Records (catalog number 61126). The song spent one week on the Cash Box magazine Best-Selling Records chart, at #27 on March 13, 1954.
Cash Box (May 10, 1975): > Ike and Tina strike out hard with their most powerful commercial AM cut in > quite some time. Particularly important for Tina, riding high as she is > currently following her "Acid Queen" role in "Tommy". This tune is a super > rocker, with driving rhythm, screamin’ vocals by Tina and the man. Fine > break with some funky piano, guitar and vocal interplay between this super > duo.
The song peaked at number nine on the U.S. Billboard Hot 100 in the winter of 1974-1975 and number 12 on the Cash Box Top 100. The song is their second greatest hit. It spent 21 weeks on the chart, four weeks longer than their bigger hit, "Green-Eyed Lady." In Canada, "Don't Call Us, We'll Call You" was a bigger hit, where it reached number five for two weeks.
Additionally, it hit No. 1 on the Cash Box chart. It was listed as Billboard′s No. 5 song for 1985 and netted Prince the 1985 Grammy Award for Best R&B; Song. In addition to the song's successful radio airplay and sales, a music video of Khan with breakdancers in an inner-city setting enjoyed heavy rotation on television and helped to solidify Khan's notoriety in popular culture.
The estate is shared equally between Sayre's wife and daughter, as Sayre was murdered before signing the new will. Strangely, $100,000 in bonds which Alice knows should be hers upon marriage are not mentioned in the will. Shelby suggests the bonds may be in Sayre's personal effects in the safe but when it's opened by Mrs. Sayre, who alone knows the combination, the cash box is found to be empty.
Bobby Vinton - Chart History - Adult Contemporary, Billboard.com. Accessed October 13, 2015 It also reached No. 18 on Cash Box. In Canada, the song reached No. 14 on the RPM 100,"RPM 100 Singles", RPM Weekly, Volume 17, Ed. 11, April 29, 1972. Accessed October 13, 2015 while reaching No. 32 on RPM Weekly's "The Programmers MOR Playlist"."The RPM 100", RPM Weekly, Volume 17, Ed. 10, April 22, 1972.
Cash box pop singles charts, 1950-1993 - Page 9 She recorded "Make It Up To Me in Love", (a sequel, ) to "One Man Woman/One Woman Man", with Anka in 1977.Dynamic Duets: The Best Pop Collaborations from 1955 to 1999, By Bob Leszczak - Page 157 In Australia, "One Man Woman" peaked at number 35, while "(I Believe) There's Nothing Stronger Than Our Love" peaked at number 83, both in 1975.
"A Fool For A Fool" was written by Ike Turner produced by Buck Ram. Ram wrote and produced the B-side "No Tears To Cry." Released as a non-album track in April 1964, the single reached No. 47 on the Cash Box R&B; chart. At the time of the release, Billboard magazine had discontinued their R&B; singles chart from November 30, 1963 to January 23, 1965.
Upon release, Larry Flick of Billboard said: "Fans and newcomers to the singer's sound will indeed be soothed by the Motown influences on this swaying, '70s-fashioned slow-rock number. It's easy to imagine folks devouring this sound. Spin it."Billboard magazine - Single reviews - Larry Flick - July 3, 1993 - page 66 Cash Box noted the song's "steady rocking reassurance", adding "the singer's crystal- line vocals cut straight to the heart".
"I Will Be Here for You" is a 1992 single written by Diane Warren and Michael W. Smith and performed by Smith. The single was a track from his album Change Your World, and was a hit on the Adult Contemporary chart, reaching No. 1 for two weeks and also peaking at No. 27 on the U.S. Billboard Hot 100. On Cash Box, the song peaked at No. 24.
The single showed her versatility as both a performer and writer; a reggae style song that was put to a funk/disco beat. Dig The Gold charted to #42 for Billboard and #10 for Cashbox giving her a first real success as an internationally recognized pop artist.Billboard Top Pop Singles 1955-2010 (2011). Record Research; 13 edition, p. 184.The Cash Box Singles Charts: 1950-1981, Scarecrow Press, 1983, p. 117.
The Billboard Book of Top 40 Hits, 8th Edition (Billboard Publications), page 19. number three on the Cash Box Top 100,Cashbox Magazine and number one on the Billboard Album Rock Tracks chart, where it remained for nine weeks, making it Aerosmith's most successful single on that chart. In the UK, the song peaked at number 19 on the British pop chart in April 1993.Official Charts Company info OfficialCharts.com.
In 1954, Don Julian and the Meadowlarks' debut single "Heaven and Paradise", became popular with R&B; fans. In 1964, the single, "The Jerk" was released under the band name, The Larks. The single, released on the Money label, was Julian's only chart hit. It went to number one on both the Billboard R&B; chart and the Cash Box R&B; chart and peaked at number seven on the Billboard Hot 100 chart.
The Party is the eponymous debut album by the band of the same name. It was the first full-length release on Hollywood Records, which was released August 1990. The Party worked with the industry's top writers and producers at the time, such as Stephen Bray, Jellybean Benitez, Andre Cymone, and Deborah Gibson. The album produced two U.S. charting singles: "That's Why" reached #55 on the Billboard Hot 100 and #52 on Cash Box.
In response to Warner's concerns, he wrote "Teardrops" as an attempt at a commercially oriented song. Harrison recorded the song at his Friar Park studio in England with Ray Cooper as his co-producer. Despite some reviewers predicting it as a hit, the single failed to achieve commercial success. In the United States, it peaked at number 102 on Billboards Bubbling Under the Hot 100 chart and number 88 on the Cash Box Top 100.
It missed the UK top 75, while in the US, it was listed at number 102 on the Billboard Bubbling Under the Hot 100 chart and peaked at number 88 on the Cash Box Top 100. On Billboards Rock Albums and Top Tracks chart, measuring radio airplay, the song reached number 51. In November 1981, "Teardrops" was issued on a new single in the US, as the B-side to "All Those Years Ago".
Billboard (July 13, 1968): "This exciting fare, for Ike and Tina know how to infuse their soul performances with drive and spirit. In addition to the title song, 'So Fine,' there are 'You're So Fine,' the classic 'Ain't Nobody's Business,' 'We Need an Understanding' and others. The backgrounds are by the Ikettes. Cash Box (July 20, 1968): "Singing with zest and energy, Ike and Tina Turner render a solid set of potent ditties.
"It's All Right" is a 1963 song recorded by The Impressions and written by the group's lead singer, Curtis Mayfield. The single was the most successful chart entry of the group's career. "It's All Right" was one of two top-ten singles for the group on the Billboard Hot 100, and the first of six number ones on the Billboard R&B; chart. It also reached number one on the Cash Box R&B; chart.
"I Wonder What She's Doing Tonight" is a song written, produced, and sung by Boyce and Hart. The song was arranged by Artie Butler. Entering the Billboard Hot 100 at #87 just before Christmas 1967, it became a true hit in 1968, reaching #7 on the Cash Box chart and #8 on the Billboard Hot 100 chart.Boyce & Hart charting singles Retrieved 09-21-11 Marvin Stamm performs the trumpet solo in the song.
"Runaway" is a 1978 song and single by Jefferson Starship, written by Nicholas Q. Dewey for the album Earth. It was the second U.S. Top 40 hit from that album, and was the follow-up to the Top 10 hit "Count On Me". The song peaked at #12 on the U.S. Billboard Hot 100 and number 13 on the Cash Box Top 100. In Canada, both "Runaway" and its predecessor peaked at number nine.
Being With You is a 1981 album by American singer Smokey Robinson. It is one of the few Smokey Robinson solo albums that have been released in the CD format. It features the million-selling, Gold-certified single title track "Being With You", which hit #1 on the Cash Box Top 100. It just missed the #1 Pop position in Billboard, peaking at #2, making it Robinson's highest- charting solo hit after leaving The Miracles.
"Save It for a Rainy Day" is a song by American singer/songwriter Stephen Bishop. The song was the first of two hit singles from his debut album, Careless. It features a guitar solo by Eric Clapton and Chaka Khan on backing vocals toward the close of the song. "Save It for a Rainy Day" peaked at number 22 on the U.S. Billboard Hot 100 and number 21 on the Cash Box Top 100.
54–59) [CD booklet]. New York: PolyGram Records. and at #4 on the Cash Box R&B; Chart. (At the time of the single's release, Billboard's R&B; singles chart had been temporarily suspended). It was the last original song featuring the Famous Flames to chart, not counting the 1964 re-release of "Please, Please, Please" and the 1966 B-side release of the Live at the Apollo performance of "I'll Go Crazy".
Nationally, the record peaked at No. 49 in Record World, No. 55 in Cash Box and No. 68 on the Billboard Hot 100. "It's Cold Outside" gained more attention from garage rock enthusiasts years later when it was compiled on Pebbles, Volume 2 and the 1998 reissue of Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968. Other albums that feature the song include Psychedelic Microdots, Volume 3, Choir Practice, and Trash Box.
"Happy to Be with You" is a song co-written by Johnny Cash with June Carter and Merle Kilgore. Released in October 1965 as a single (Columbia 4-43420, with "Pickin' Time" on the opposite side), it entered the country charts in November, eventually reaching number 9 on the U.S. Billboard country chart and number 11 on the Cash Box country chart. Later the song was included on the album Happiness Is You (October 1966).
"And On and On" is a song by American singer Janet Jackson from her second remix album Janet Remixed (1995). As the B-side to "Any Time, Any Place", "And On and On" peaked at number one on the US Billboard Hot R&B;/Hip-Hop Songs chart and number two on the Billboard Hot 100. It also reached number one as a B-side on the Cash Box chart in the summer of 1994.
The British Commonwealth also nearly swept the Cash Box singles chart's Top Ten the previous week, lacking only a hit at number six instead of "Count Me In". That same year, half of the 26 Billboard Hot 100 chart toppers (counting the Beatles' "I Feel Fine" carrying over from 1964) belonged to British acts. The British trend would continue into 1966 and beyond.Perone, James E. Mods, Rockers, and the Music of the British Invasion.
May plays all of the instruments except for the rhythm section. He used an Imperial Bösendorfer Grand Piano (with 97 keys instead of 88, having an extra octave on the low range), Oberheim OB-X synth (which he plays in the video) and his homemade Red Special electric guitar. On the U.S. charts, "Flash's Theme aka Flash" reached #42 on the Billboard Hot 100. It peaked at #39 on the Cash Box Top 100.
"I'm in You" is the hit song released by Peter Frampton as a single from his album I'm in You, released in 1977. It rose to No. 2 on the US Billboard Hot 100 and No. 1 on the Cash Box Top 100 and in Canada, becoming his most successful single. The song was kept from reaching the top spot on Billboard by Andy Gibb's "I Just Want to Be Your Everything".
Upon release, Billboard commented: "Former Ronette's voice is an American classic, and she puts it to good use on this nice update of the Spector sound." They praised Susanna Hoffs' backing vocals on "Dangerous", noting how she "complements Spector expertly" on the track. Cash Box listed the album as one of their "feature picks" during May 1987 and commented: "More than a few cleverly placed Ronettes touches gives the LP its charm".
Linda Ronstadt took the song to #3 on the Billboard Hot 100 in late 1977, where it held for four weeks, as well as #2 Country and #3 Easy Listening. It also reached #2, holding there for four weeks, on the Cash Box Top 100 chart. The single was RIAA certified Gold (for sales of over 1 million US copies) in January 1978. It was the first of Ronstadt's three Gold singles.
"Cherry, Cherry" is a song written, composed, and recorded in February - March 1966 by American musician Neil Diamond. The song (originally intended as a demo) was arranged by Artie Butler and produced by Jeff Barry and Ellie Greenwich. It was issued as a 45 single in 1966 and became Diamond's first big hit, p. 88. reaching #6 on both the Billboard Hot 100 chart, in October 1966, and the Cash Box chart.
The “hummingbird” in the song’s lyrics is a metaphor for Baha'u'llah, Prophet of the Baha'i Faith. The album version contains a prologue that is omitted from the shorter radio edit. The song reached No. 20 on the U.S. Billboard Hot 100Joel Whitburn's Top Pop Singles 1955-1990 - and number 15 on the Cash Box Top 100. "Hummingbird" was a bigger Adult Contemporary hit, reaching number 12 on the U.S. chart and number three in Canada.
She feels the Cash Box is not the best thing for a man who is running for president to be associated with, and that the film shoot is chaotic. After that, Kingsley speaks to a group of African American males about poverty and life. The men are convinced that Kingsley says what he says because he is seeking the black vote in his run for president. Then the president of the ladies college appears.
"I Need You Now" is a popular song written by Al Jacobs and Jimmie Crane. The recorded version by Eddie Fisher, issued by RCA Victor Records as catalog number 20-5830, reached #1 on the Billboard and Cash Box charts in 1954. The song was also performed by Russell Arms on several 1954 episodes of the popular TV series Your Hit Parade. A kinescope of one of these performances survives and can be viewed online.
"Summer Rain" is a song written by James Hendricks and performed by Johnny Rivers on his 1968 LP Realization. Of his several dozen releases, it is considered his sixth greatest hit internationally. The song reached No. 14 on the U.S. Billboard Hot 100, No. 10 on the U.S. Cash Box Top 100, and No. 10 in Canada in early January, 1968. "Summer Rain" is a song about lifelong love during "the summer of love".
The original title of the song was "He Will Break Your Heart". It was written by Jerry Butler, Calvin Carter, and Curtis Mayfield. The song was recorded by Butler and released as a single in 1960, where it peaked at No. 7 on the Billboard Hot 100 chart and No. 3 on the Cash Box Top 100. In addition, Butler's recording spent seven non-consecutive weeks at No. 1 on the U.S. R&B; chart.
"Breakdown Dead Ahead" is a 1980 song recorded by Boz Scaggs, and composed by Scaggs and David Foster. It was the lead single of two released from Scaggs' album Middle Man. During May, the song reached number 15 on the US Billboard Hot 100 and number 12 on the Cash Box Top 100. The song was a bigger hit in Canada, where it spent two weeks at number eight on the Pop chart.
This made possible a mechanism causing each coin to make a different series of sounds as it fell into the cash box; thus an operator listening could tell how much had been inserted. On average, pay phone calls generally cost 5¢ into the 1950s and 10¢ until the mid 1980s. Rates standardized at 25¢ during the mid 1980s to early 1990s. The Bell System was required to apply for increases through state public service commissions.
In Germany, Schlager singer Peter Rubin charted with the German translation "Hätt ich nur einmal mehr Zeit". In the USA, Nick DeCaro and his orchestra charted with his instrumental version, released as the B-side of the single "Caroline, No" in late 1968, peaking at number 71 in the Cash Box Top 100 in early 1969. Rowles had another Top 20 hit in the UK with "Hush . . . Not a Word to Mary", also in 1968.
Up to Date is the second album by The Partridge Family. It was released in February 1971 and contained such hits as "I'll Meet You Halfway" (Billboard #9) and "Doesn't Somebody Want to Be Wanted" (U.S. Billboard #6 and Cash Box #1, Canadian RPM #1).Item Display - RPM - Library and Archives Canada The album reached #3 on the U.S. Billboard album chart and #1 in Canada on the RPM national Top Albums chart.
Despite this, the song's inclusion on playlists in a major radio market led to "American Memories" making the Billboard Hot 100, peaking at #80. The song also made the Cash Box pop chart, peaking at #93. Due to M'Cool's bad experience with trying to make the song a hit, he rarely recorded music again. A 1988 single, Tuesday Nite In Texas b/w We Got Love, was also pressed on his own Perspective Records.
A year later the song appeared on Robert Palmer's 1979 album Secrets. In Palmer's home country, the United Kingdom, the song debuted and peaked at #61 on the UK Singles Chart on 7 July 1979. The version became more successful in other countries. In the United States, Palmer's version reached #14 on the Billboard Hot 100, #10 on the Cash Box Top 100, and #1 on the Canadian RPM chart in 1979.
Cash Box (March 13, 1965): > Looks as if the Ikettes will have no trouble in reaching the charts with > this latest Modern entry called "Peaches 'N' Cream." The side is a > rollicking, hard-driving pop-r&b; handclapper about a lucky lass who hooks > up with the right guy. The flip, "The Biggest Players," is a low-down, > shufflin' affair which details the rules of the romance-game. Also merits a > close look.
A 1973 recording of the song by Al Wilson reached No. 1 on the Billboard Hot 100 for one week on January 19, 1974; it sold over two million copies and was named a Cash Box Number One Single of the Year. Billboard ranked it as the No. 15 song for 1974.Billboard Year-End Hot 100 singles of 1974 Wilson's version also made No. 10 on the Hot Soul Singles chart.
"You Can't Miss Nothing That You Never Had" was released as non-album track on Ike Turner's Sonja label in February 1964. At the time of the release, Billboard magazine had discontinued the R&B; singles chart from November 30, 1963 to January 23, 1965. Billboard therefore uses Cash Box magazine's stat in their place. The single reached No. 29 on the R&B; charts and No. 122 on Bubbling Under The Hot 100.
Cash Box (January 12, 1963): > Jackson who's currently cashing in "Gettin' ready For The Heartbreak" sends > up another striking contender for dual-market chartdom. It's a pulsating, > cha cha like romantic heartbreaker, tagged "Tell Him I'm Not Home," that > Chuck wrings every once of emotion out of. Standout ork-choral backdrop > (with exciting back-and-forth vocal play) conducted by Tony Bruno. The > soulful undercut finds a tantalizing rock-a-waltz-like setting.
"Make Believe" is a hit song by the American rock band Toto, released as the second single from their triple platinum 1982 album Toto IV. It peaked at #19 in Cash Box magazine and at #30 on the Billboard Hot 100 chart on 25 September 1982.Toto IV singles on Billboard Charts, AllMusicGuide. The song was also featured on the video game Grand Theft Auto:Vice City Stories on the radio station Emotion 98.3.
He still tours the UK every year and releases albums through his website. Despite his long and successful British career, he remains largely unknown in the United States. "Rock On" reached Number 1 in 1974, and was his only US Cash Box Top 40 hit single. Essex, who claims to come from a family of Irish Travellers, played a kind-hearted nomad in one episode of ITV1's 1960s Yorkshire-based drama Heartbeat in 2000.
Hallyday is most known for writing music for others, including a collaboration with his father on the 1999 album Sang pour sang. He appeared in the teenage comedy He's My Girl (1987), also performing its title theme song. "He's My Girl" reached #79 on the U.S. Billboard Hot 100 and #72 on Cash Box. His 1991 album Rock 'n' Heart spawned a bigger hit, "Ooh La La", which reached #51 on the Hot 100.
Cash Box (March 16, 1974): > Ike and Tina follow their hard driving "Nutbush City Limits" with this > equally super driving rocker. Not only does Tina do what she does best (and > that is most definitely belt), but Ike gets some super licks in on his extra > funky guitar. Item should perk up most any programmers playlist and make the > disco crowd a very happy lot. Watch this one climb to the top soon.
Shoot Away was Namco's first major arcade hit, and performed considerably well in the United States. Satish Bhutani, the co-founder of Namco America, had difficulty in satisfying the growing demand for the game. Shoot Away remained a popular title in arcades well after its original release, with machines still being sold as late as 1986. Cash Box was enamored with the game's sense of realism, particularly its rifle-shaped lightguns and illuminated projector backdrop.
"Fool in Love with You" is a 1981 song by Jim Photoglo. It is the title track of his debut album and the first release from the LP, although it was his second single to chart. "Fool in Love with You" is Photoglo's most successful song, reaching number 25 on the U.S. Billboard Hot 100Joel Whitburn's Top Pop Singles 1955-1990 - and number 23 on Cash Box. It spent four months on the American charts.
"After the Lovin'" is a single by Engelbert Humperdinck, Produced by Joel Diamond for Silver Blue Productions, composed by Ritchie Adams with lyrics by Alan Bernstein. The single was a U.S. top-ten hit in late 1976/early 1977, reaching number eight on the Billboard Hot 100 and number five on the Cash Box Top 100. It became a RIAA gold record. It is ranked as the 61st biggest U.S. hit of 1977.
The title refers to the billiards game snooker. Charting as a tag-along with "No No Song" in the US, it reached number three on the Billboard Hot 100. On the Cash Box chart, which listed single sides separately, it "bubbled under" at number 105. The UK version of the single was released on 21 February 1975 with "Oo- Wee" on the B-side,; both tracks were taken from the album Goodnight Vienna.
The single was released in December 1975 and hit number one on the UK Singles Chart on February 21, 1976. It repeated the feat on the US Billboard Hot 100 on March 13, 1976, remaining in the top spot for three weeks and one week on Cash Box. Billboard ranked it as the No. 4 song for 1976. On April 10 the same year, it topped the RPM National Top Singles Chart in Canada.
Cash Box (February 25, 1961): > True "soul music" has always been a dear commodity in pop, but Ike & Tina > Turner, who sing with an almost undiluted gospel fervor, have made it sell > for them. Leading off with a rousing, unrestrained "I'm Jealous," the two > proceed through equally vibrant and stimulating readings of "I Idolize You," > "A Fool In Love," "The Way You Love Me" and "Letter From Tina," their most > recent hit.
"Moonlight Feels Right" is the debut single recorded by the American band Starbuck. Written and produced by Bruce Blackman, the song was released in the first week of April 1976. The song features a prominent marimba solo by co- founding band member Bo Wagner. "Moonlight Feels Right" was a major American hit, reaching number three on the Billboard Hot 100, number two on the Cash Box chart, and number one on Record World.
The first single from Ghost Town was the title cut which failed to reach the U.S. Billboard Hot 100, "bubbling under" with a peak of #108. The second single "Shoot for the Moon," while more successful fell short of the Top 40 with a Hot 100 peak of #50 in March 1983. On the Cash Box chart, the song reached #44. It breached the Top 10 on the U.S. Adult Contemporary chart, peaking at #10.
"Birth Of The Boogie" was recorded on January 5, 1955 and released as a Decca single, 29418, backed with "Mambo Rock". The single reached #17 on the Billboard chart and #18 on the Cash Box chart in April, 1955.Bill Haley and His Comets at Tsort.info The recording was produced by Milt Gabler at the Pythian Temple studios in New York City and appeared on the 1955 Decca albums Shake, Rattle and Roll and Rock Around the Clock.
However, the album did not chart, nor did the album's lead single "Rosianna". The follow-up single ("Girl, I've Got News For You") charted in the top 40 on radio stations in at least six U.S. states as well as in Kingston, Ontario, Canada. However, as had happened with numerous singles credited to The Robbs, nationally the single only appeared on Billboards "Bubbling Under" chart, as well as the equivalent charts in Cash Box and Record World.
"Rock Me Tonite" is a hit song written and recorded by American rock artist Billy Squier. It was released in June 1984 as the lead single from his platinum-plus album Signs of Life. The song is Squier's highest charting U.S. single, peaking at number 15 on the Billboard Hot 100 and hitting number 10 on the Cash Box singles chart. It also returned him to #1 on the Top Rock Tracks chart in August 1984.
The next morning Sakichi hears the sound of money being counted in the next room. In a sleepwalking trance he raids the cash-box. Oyae's father refrains from condemning him as a thief and even gives him more money to enable him to make a new start in life. Sakichi goes home and is packing his belongings with the intention of returning to his native village when Genshichi arrives and demands a share of the money.
While Ike constantly recorded the revue, they performed 300 days out of the year to make up for lack of hit records. In 1964, Ike and Tina had modest R&B; hits with "You Can't Miss Nothing That You Never Had" and "A Fool For A Fool". They released their first live album, Ike & Tina Turner Revue Live, on Kent in November 1964. It was their first album to chart, reaching No. 90 on the Cash Box Top 100.
"Don't You Worry 'bout a Thing" is a single by Stevie Wonder, taken from his 1973 album Innervisions. It reached number 16 on the 'Billboard Pop Singles chart, number 10 on the Cash Box chart, and number 2 on the R&B; chart. The song's lyrics convey a positive message, focusing on taking things in one's stride and accentuating the positive. In 1992, British band Incognito had a European hit with their cover of the song.
"Sexy Ida (Part 1)" peaked at No. 51 in the UK, and was a hit in several other European countries. It is one of the duo's final chart hits, reaching No. 29 on Billboard Hot Soul Singles and No. 65 on the Billboard Hot 100. "Sexy Ida (Part 2)" peaked at No. 85 on the Hot 100 and No. 49 on the Soul Singles chart. It also reached No. 67 on the Cash Box Top 100 Singles chart.
"Blue Eyes" is a song performed by Elton John with music and lyrics written by Elton John and Gary Osborne. It was released in 1982, both as a single and on the album Jump Up!. It hit No. 8 in the UK; in the US, it spent three weeks at No. 10 on the Cash Box chart, went to No. 12 on the Billboard Hot 100, and spent two weeks at No. 1 on the AC chart.
In 1977, the song reached number 10 on the US Hot 100 in Billboard magazine and number 7 on the Cash Box Top 100 charts. In Canada, “You Made Me Believe in Magic” peaked at number 5, and still ranks as their 68th greatest hit of 1977. The song also charted in Germany, the UK, Australia, and New Zealand. "You Made Me Believe in Magic" also won Boone a plaque from ASCAP (American Society of Composers, Authors, and Publishers).
London: New English Library. It also reached number 44 on the Cash Box pop singles chart in the U.S. and number 33 in Australia based on the Kent Music Report. "Not Fade Away" was not on the UK version of their debut album, The Rolling Stones, but was the opening track of the US version, released a month later as England's Newest Hitmakers. It was a mainstay of the band's concerts in their early years, usually opening the shows.
Jeremy Spencer, with the original lineup of Fleetwood Mac, became a proponent of James's music and slide guitar style. The group recorded the song for their second album, Mr. Wonderful (1968). During the 1960s and 1970s, "Dust My Broom" was on the set lists of many blues and rock musicians. Ike & Tina Turner recorded a version that was released as a single in 1966, which later reached number 54 on the U.S. Cash Box R&B; chart in 1971.
Johnny Cash recorded it on Columbia Records for his 1965 double album Johnny Cash Sings the Ballads of the True West. Released in June 1965 as the first and only single from the yet-to-be-released album (Columbia 4-43313, with "The Streets of Laredo" on the opposite side), it reached number 15 on the U.S. Billboard country chart and number 17 on the Cash Box country chart. Later Cash sang the song on his album America (1972).
Upon its release, Texas Gold received largely positive reviews from critics. Billboard magazine praised the album for having "Much more emphasis on original material with a wider variety of music than [the band has] tackled in the past," concluding that the release was "Way above previous LPs in variety [and] skill". Particular merit was afford to Chris O'Connell's "excellent" vocal performances. Similarly, a review published in Cash Box dubbed the album "a variety of sound that can't miss".
"Roam" is a song by the B-52's. It was released as the fourth single from their 1989 album, Cosmic Thing, following "(Shake That) Cosmic Thing", "Channel Z", and "Love Shack". The vocals are sung by Kate Pierson and Cindy Wilson. "Roam" peaked at number three on the US Billboard Hot 100 in March 1990, spending a total of 20 weeks on the chart, and it also reached number three on the Cash Box chart.
Living in Oz is the sixth studio album released by rock musician Rick Springfield by RCA Records in 1983. The album was quickly certified Platinum in America. In 1984, Springfield was nominated for a Grammy Award for Best Male Rock Vocal Performance for the "Affair of the Heart" single, which peaked at number nine on the Billboard Hot 100 and #10 on the Cash Box Top 100. The album's title is an allusion to living in Australia (Oz = Australia).
When Haffkine found a little tune called A Little Bit More, written and originally performed by Bobby Gosh, on a vinyl record, released on his 1973 album Sitting in the Quiet. at a flea market for 35 cents in San Francisco, things exploded for Dr. Hook. It charted at number 11 on the US Billboard Hot 100, and spent two weeks at number nine on the Cash Box Top 100. It reached number two on the UK Singles Chart.
Grant's recording featured a female chorus, heard in the intro and outro of the song, sliding up and down, impersonating the sound of the wayward wind. In 1961, Grant's recording was reissued and reached Billboard No. 50 and Cash Box No. 78. That same year, Patsy Cline made a recording, which did not chart. In 1963, a new recording was made by Frank Ifield, which reached No. 1 on the UK Singles Chart for three weeks duration.
"Love, Reign o'er Me", subtitled "Pete's Theme", is a song by English rock band The Who. Written and composed by guitarist Pete Townshend, it was released on 27 October 1973 as the second single from the band's sixth studio album and second rock opera, Quadrophenia. It is the final song on the album, and has been a concert staple for years. The song peaked at number 76 on the US Billboard Hot 100 and number 54 on Cash Box.
On its US single debut in 1971, "Happy Xmas (War Is Over)" did not meet with much success.Madinger and Easter, p. 66. This was due to the single's late release, which resulted in limited airplay before Christmas,Spizer, p. 61. and a lack of promotion. The single peaked at number 36 on the Cash Box Top 100 Singles and number 28 on the Record World Singles Chart, and number 3 on the Billboard Christmas Singles chart.
According to author Bruce Spizer, listeners there felt alienated by McCartney's political stance and "Airplay was so marginal that the song, for all practical purposes, was also banned by American radio." On the other US singles charts, published by Cash Box and Record World, the single peaked at number 38 and number 36, respectively. The single reached number 1 in Ireland and in Spain. McCartney attributed the song's success in Spain to its popularity among Basque separatists.
He is a past member of the nominating committee of the Rock and Roll Hall of Fame. He has been a master of ceremonies for the Chicago Blues Festival since 1990. He has written for a variety of magazines including Down Beat and Cash Box, and has written liner notes for more than three hundred albums of jazz and blues. He has also contributed expertise to organizations including the National Academy of Recording Arts and Sciences.
Williams released his version on the 1972 album Life Goes On and as a single in 1973, but garnered only minor success. Maureen McGovern recorded the song and also released it as a single in 1973 (and included on her album The Morning After), reaching #89 Billboard, #72 Cash Box and #14 Adult Contemporary. In Canada, her version reached #12 AC.RPM Adult Contemporary, November 30, 1973 The Carpenters' version was released as a single the following year.
"Something's Wrong With Me" is a 1972 song composed by Danny Janssen and Bobby Hart, which became the first major hit single by Austin Roberts. It is a track from his debut album Austin Roberts. The song was released as a single on Chelsea Records and reached No. 12 on the Billboard Hot 100 and No. 10 on the Cash Box Top 100 in the United States. In Canada, "Something's Wrong With Me" spent two weeks at No. 6.
Freeman's hyper-emotional lead vocals are sometimes ludicrously overwrought, but all in all this collection is well worth checking out." He highlighted "No More I Love You's", "Still Faking This Art of Love", "Every Lover's Sign" and "Of Tears" as the best tracks. Cash Box listed the album as one of their "feature picks" during August 1986. They commented: "Led by the interesting and captivating "No More 'I Love You's'," The Lover Speaks debuts with this engaging set.
Later in the 1960s, Bartley and Marshall auditioned as a duo with Van McCoy, and McCoy elected to sign Bartley to a solo deal with Cameo-Parkway subsidiary Vando Records. Bartley hit the pop charts with the McCoy-penned single "The Sweetest Thing This Side of Heaven", peaking at #10 on the US R&B; Singles chart and #32 on the Billboard pop charts in 1967.[ Chart Positions], Allmusic.com On Cash Box, it reached number 35.
The recording, with a large string orchestra, wah-wah guitar, and big rhythm, is considered to be an influence on the disco sound, which would explode in popularity the following year. The song was also popular on the Adult Contemporary chart in the U.S., where it spent two weeks at #1. It also was a number one on Cash Box. It was also used by ABC Sports for many years as the opening theme music for its golf coverage.
Michael W. Smith most notably performed "Place in This World", which peaked at number 6 on the US Billboard Hot 100 and number 3 on Cash BoxU.S. Cash Box Chart Entries - 1990 - 1996, page 29 (#5 AC), and "For You" on various shows, for example The Arsenio Hall Show, to promote the album. The record was a mainstream crossover success for Smith and became a platinum album. Videos were produced for both singles released and received much radio airplay.
"The Beach Boys Medley" is a single containing a medley of popular Beach Boys songs from the 1960s, edited by John Palladino. Released in mid-1981, it capitalized on a medley craze begun by the Stars on 45 medleys. "The Beach Boys Medley" reached number 12 on the Billboard Hot 100, becoming the band's highest-charting hit in the United States in over five years. The single peaked at number 8 on the Cash Box sales chart.
"Bye Bye Love" is a popular song written by Felice and Boudleaux Bryant and published in 1957. It is best known in a debut recording by the Everly Brothers, issued by Cadence Records as catalog number 1315. The song reached No. 2 on the US Billboard Pop charts and No. 1 on the Cash Box Best Selling Record charts. The Everly Brothers' version also enjoyed major success as a country song, reaching No. 1 in the spring of 1957.
Almost four years after Eric Carmen's release of "She Did It," the song was covered by actor and singer Michael Damian. This version was Damian's debut single release. It was a non-album single from 1981 that reached number 69 on the Billboard Hot 100 chart and number 95 on the Cash Box Top 100 chart. It was released almost eight years before his subsequent hit, a cover of "Rock On," which reached number one in 1989.
"She's a Lady" hit #1 in Cash Box magazine for a week and spending one week at #2 on the Billboard Hot 100 chart, behind "Me and Bobby McGee" by Janis Joplin. The song was also a #4 hit on the US Billboard Easy Listening chart. Billboard ranked it as the #25 song for 1971.Billboard Year-End Hot 100 singles of 1971 In Canada, the single reached #1 on the RPM 100 national singles chart.
They make all the right noises, but the vital spark is somehow missing." American magazine Cash Box commented: "Cockney Rebel are even more explosive on this, their second LP, than they were on the first. The band goes far afield occasionally, but only in an attempt to refine and define their sound to a universal pitch. The record moves with intensity and purpose and in every way lives up to the band's reputation as a great live act.
"Keep On Pushing" is a 1964 single by The Impressions. The single became the group's sixth Top 40 single, and a Top 10 Pop smash, peaking at number ten. It went to number one for two weeks on the Cash Box R&B; chart. It was one of the songs sung in the Civil Rights Movement in America during the turbulent 1960s and was the title song of The Impressions' Top 10 hit album, Keep On Pushing.
"Love Power" is a 1987 song written by Burt Bacharach and Carole Bayer Sager and performed by Dionne Warwick and Jeffrey Osborne. The single was included on Warwick's album, Reservations for Two, and was her sixth No. 1 hit on the Adult Contemporary chart. The track reached No. 11 on the Cash Box Top 100 and No. 12 on the Billboard Hot 100. It was her final appearance in the 'Top 40' of the U.S. Pop Singles chart.
It was nominated for an Academy Award for Best Original Song. The song became a hit in late 1966 and early 1967, reaching number one in Australia and number three in the United Kingdom. In the United States, it was the Seekers' highest charting single, reaching number one on the Cash Box Top 100. "Georgy Girl" reached number two on the Billboard Hot 100; "I'm a Believer" by The Monkees, kept the song from number one.
Cash Box (November 18, 1961): > Ike & Tina Turner come thru in sensational follow-up (to "It's Gonna Work > Out Fine") fashion with this new Sue slice. It's a pounding, chorus-backed > rock-a-cha-cha, tabbed "Poor Fool," that vocalist Tina and maestro Ike deck > out with sock, dual-mart sales authority. Should spread like wild fire in > the days to come. Flip's a fetching thump-a-rhythm entry that highlites a > delightful vocal duet by Ike & Tina.
Thereafter he had taken the money out of the cash-box and ran away. The second appellant had waited outside for him with a car, and, after first appellant had climbed in, driven him speedily away. The second appellant had known that the first appellant had the pistol and that it might be used. On charges of murder and robbery, it appeared that both offenses had been committed and they were convicted on both charges and sentenced.
This release reached number 68 on the U.S. Billboard Hot 100 and number 30 on the Cash Box Singles chart. In Sweden, it peaked at number 11 on the Kvällstoppen Chart. In 1994, the Beatles released a live version of "Roll Over Beethoven" on Live at the BBC. This version had been recorded on February 28, 1964, and broadcast on March 30, 1964, as part of a BBC series starring the Beatles called From Us to You.
Nonetheless, her intensely passionate reading of the song made it a major hit, reaching #21 in Record World magazine, #25 on the Billboard Hot 100 singles chart, and #26 in Cash Box. It earned Ronstadt her first Grammy nomination in early 1971. Following the release of Silk Purse, Ronstadt formed a backing and touring band that she also used on her next, self-titled album. Her new group consisted of Glenn Frey, Bernie Leadon, Randy Meisner and Don Henley.
The Rhodesian version reached No 17 in the United States, while a cover version by Ralph Marterie climbed to No. 3. All versions combined propelled the tune to No. 2 on the Cash Box charts that year. Its popularity extended outside of music, with several urban areas in the United States taking its name. Artists who produced their own interpretations include The Four Lads, Louis Armstrong, Bill Haley, Herb Alpert, Brave Combo, Hugh Masekela and Kermit Ruffins.
Meanwhile, On the US Cash Box Top 100, it peaked at number 20 on July 13, 1985 where it spent one week at that position. A hard rock song built on a prominent synthesizer riff, the song describes the struggles of young working individuals. "Tough All Over" and the next single, "C-I-T-Y" are heavily inspired by the musical style of Bruce Springsteen, as noted by AllMusic in its review of the parent album.
It was dubbed the "Not-so-live video awards" in the Greenwood, South Carolina Index-Journal. The Philadelphia Daily News called it "hokey." Cash Box magazine said the presenters were a "curious assortment of celebrities," because so many of them had little to do with the music industry. Later that year, in December 1987, nationally syndicated newspaper columnist Ethlie Ann Vare sounded the death knell for the American Video Awards, writing that they were, "probably on the way out".
Best New Video artist seems to have been renamed simply as Best New Artist. Cash Box magazine had reported that the Hall of Fame awardee would be announced at the ceremony, but no subsequent reports naming the awardee have been found thus far. Casey Kasem along with Toni Scotti and Syd Vinnedge of Scotti Bros./Syd Vinnedge Productions, served as executive producers of the show, which was taped in advance and edited down to one hour for broadcast.
Gross moved on to Lifesong Records to make his next album. He produced a single, "Shannon", a song written about the death of former Beach Boys member Carl Wilson's dog, who was named Shannon. The single went gold in the U.S. and became a worldwide hit, reaching No. 6 on the U.S. Billboard Hot 100 and No. 5 on the Cash Box Top 100 in 1976. In Canada it reached No. 1 in May of the same year.
"Early in the Morning" is an international hit song by the UK-based band, Vanity Fare, issued in late 1969. It was the group's debut single from their first studio album. The song reached number 8 on the UK Singles Chart. In the US it peaked at number 12 on the Billboard Hot 100, number 10 on Cash Box and number 4 on the Easy Listening chart and was awarded a gold disc for sales over one million.
"People Are Strange" is a song by the American rock band the Doors. It appears on the band's second studio album, Strange Days, released in September 1967. It was also issued the same month as a single, which peaked at number 12 on the Billboard Hot 100 chart and in the top ten on the Cash Box charts. The song was written by Jim Morrison and Robby Krieger, although credit was given to each of the Doors.
"Touching Home" is a song written by Dallas Frazier and A.L. Owens and originally recorded by Jerry Lee Lewis for his Mercury Records' album of the same name (1971). It was also released as a single [with "Woman, Woman (Get Out of Our Way)" from Mercury's album There Must Be More to Love Than This on the flip side], reaching number 5 on the Cash Box Country Singles chart and number 3 on the Billboard country chart.
Lee told police that Gantt, a former employee who had been fired by Frank after $2 was found missing from the cash box, wanted to look for two pairs of shoes he had left at the factory. Frank allowed Gantt in, although Lee said that Frank appeared to be upset by Gantt's appearance.Oney pp. 47–48. Frank arrived home at 6:25; at 7:00, he called Lee to determine if everything had gone all right with Gantt.
On the Cash Box best-selling record charts in which all recordings of a given song were combined, the song entered the chart on March 3, 1951; reached #1 on April 21, 1951; and remained #1 through the May 12, 1951, chart. It returned to the #1 position on May 26. Big Band orchestra leader Russ Morgan recorded the song in 1951 featuring the Gay Sisters on backing vocals. Slim Whitman also recorded two versions of the song.
When reissued in 1972, in the United States the single hit number two – for two weeks – on the Billboard Hot 100 (behind "I Can See Clearly Now" by Johnny Nash) and hit number one on the Cash Box Top 100. It earned a gold certification for sales of over a million US copies. It also hit number one in Canada. After two weeks at #2, it was replaced by "I'd Love You to Want Me" by Lobo.
Johnny Mathis released the song as a single in 1970. It made the Cash Box survey at number 118, and also appeared on MOR music surveys in Billboard (#30) and Record World. Jazz saxophonist Stanley Turrentine covered the song as a smooth jazz fusion on his album The Man with the Sad Face, released in 1976. Latin rapper Mellow Man Ace sampled this track and used it as the main melody for his single "Mentirosa" (1989).
"Cruisin'" is a 1979 single written, produced, and recorded by Smokey Robinson for Motown Records' Tamla label. One of Robinson's most successful singles outside of his work with The Miracles, "Cruisin'" hit number one on the U.S. Cash Box Top 100 and was also a major Billboard Pop hit, peaking at number four the week of February 2, 1980."Cruisin'" by Smokey Robinson (chart history) - Billboard. It was a Top Five hit on the Soul chart as well.
In a review of Next Position Please, Cash Box stated: "Rundgren offers his nimble fingers to mold Cheap Trick into a viable pop force once again, and just judging from the first number - a sensational bass-driven song called "I Can't Take It" that sounds like an outtake from a vintage Beatles' session - he's succeeded admirably."Cash Box newspaper - 27 August 1983 - Reviews: albums - page 8 Rolling Stone commented: "A better title for this album would have been 'Next Producer Please', because from the signature harmonies of "I Can't Take It" to the predictable chorus of "Heaven's Falling," it's clear that this album belongs as much to producer Todd Rundgren as to the members of Cheap Trick". AllMusic said: "The bright surfaces with the guitars and keyboards melding so tightly with the vocal harmonies they’re inseparable, produce a sound that is uncannily reminiscent of Oops! Wrong Planet, but Rundgren also helps keep an eye on quality control, letting Robin Zander's terrific "I Can't Take It" open the album".
Rose Garden is a multi-million selling, RIAA Platinum-certified studio album by country singer Lynn Anderson. It was released in late 1970 as the title song was climbing country and pop music charts around the world. The single went on to top the Country charts, where it stayed at the number 1 position for five weeks. It reached number 3 on the Billboard Hot 100 pop chart in early 1971 and hit number 1 in both Cash Box and Record World.
See International Biographical Center, Cambodge, England as the current publisher.The Billboard 1 December 1956 P. 22Squeeze Play Featuring the Dynamic Accordion of John Serry album listing on discogs.com The liner notes of the album indicate: The album was cited in a critical review of new popular albums of 1956 in The Billboard magazine and was described as providing beautiful performances which created a soothing mood, in contrast to common entertainment. The album was also reviewed in The Cash Box magazine later that year.
"I Got a Name" is a 1973 single recorded by Jim Croce with lyrics by Norman Gimbel and music by Charles Fox. It was the first single from his album of the same title and also Croce's first posthumous single, released the day after his death in a plane crash on September 20. The song reached a peak of #10 on the Billboard Hot 100 after spending 17 weeks on the chart. It also hit #3 on the Cash Box Top 100.
The song spent a total of 11 weeks on the chart, selling a million copies within five weeks. The single was also number one for three weeks on the US Cash Box pop singles chart the same year. "Yesterday" was the fifth of six number one The Beatles' singles in a row on the American charts, a record at the time. The other singles were "I Feel Fine", "Eight Days a Week", "Ticket to Ride", "Help!" and "We Can Work It Out".
Upon release, "Another Day/Oh Woman, Oh Why" achieved a top-5 status in both the United Kingdom and the United States, reaching number 5 on the Billboard Hot 100 and number 2 in the United Kingdom in April 1971.Rock Movers & Shakers by Dafydd Rees & Luke Crampton, 1991 Billboard Books. On the Cash Box Top 100 chart, which listed sides separately, the song peaked at number 55. The song has also been praised for McCartney's impressive range of vocal pitch.
This time it became a minor chart maker on the west coast, but was only qualified as a regional hit. After the worldwide success of the single "Love Will Keep Us Together," A&M; Records re-released "The Way I Want To Touch You" in September 1975. This time the song reached #4 on the Billboard Hot 100 and #3 on the Cash Box Top 100. It was their second #1 hit on the Adult Contemporary charts of both the U.S. and Canada.
"Money Honey" is the title of a 1975 international hit single by the Bay City Rollers, taken from their album Rock n' Roll Love Letter and in the UK on their album Dedication. The power-pop recording was issued in the US as the album's lead single in January 1976, reaching number nine on the Hot 100 in Billboard magazine that March. "Money Honey" was the Bay City Rollers' second US Top 10 hit. It reached number seven on the Cash Box chart.
Tribute to the Music of Bob Wills and the Texas Playboys entered the US Billboard 200 albums chart at number 159 and the Top Country Albums chart at number 36. A few weeks later it peaked at number 35 on the country chart. On the Cash Box magazine Top Country Albums ranking, it peaked at number 21 in December 1993. Outside the US, the album spent four weeks on the Canadian RPM Country Albums chart and peaked at number 17.
Flesh & Blood is the third studio album by American glam metal band Poison, released in 1990 through the Enigma label of Capitol Records. The album peaked at #2 on the Billboard charts and it sold over 7.2 million copies worldwide. It peaked at #1 on the Cash Box charts. The album spawned two top 10 singles: "Unskinny Bop" and "Something to Believe In", as well as three other hit singles: "Ride The Wind", "Life Goes On", and "(Flesh & Blood) Sacrifice".
Dirty Water was also the title of the Standells' most successful LP, their only nationally charting album. This LP charted on both Billboard and Cash Box magazines' charts, peaking at #52 and #39, respectively, during the summer of 1966. The song is traditionally played by Boston sports teams following home victories. The National Hockey League's Boston Bruins began playing the song in 1995, and Major League Baseball's Boston Red Sox followed suit after home victories beginning in the 1997 season.
Valli was the sixth solo LP album by Frankie Valli of The Four Seasons, released by Private Stock under catalog number PS-2017 as a stereo recording in 1976. It was reissued on compact disc in 2008, paired with his first solo effort from Private Stock, Closeup, by Collector's Choice. The LP yielded one hit single, "We're All Alone." It reached #78 U.S. Billboard, #74 Cash Box and #73 in Canada. Despite the single’s moderate success, the album failed to make the charts.
Upon its release, Wheelin' and Dealin' debuted at number 189 on the US Billboard 200, and at number 38 on the Top Country Albums chart. After several weeks on the charts, the album peaked at number 179 on the main albums chart and number 19 on the country chart. Aside from the Billboard charts, Wheelin' and Dealin' reached number 13 on the Cash Box Top Country Albums chart, and peaked at number 20 on the Record World Country Album Chart.
"Hot Pants" is a song recorded on February 2, 1971 in Dallas, Texas by Gene Summers & the Platinum Fog. Rush-released in the United States by Charay Records on February 5, 1971, it preceding the release of James Brown's song of the same name by several months. It was reviewed favorably by Cash Box and as a "Personal Pick" by the Gavin Report. "Hot Pants" was also issued in Australia on the W&G; Records label on March 3, 1971.
Barry Sadler) and number 1 on the Cash Box Top 100. It was one of three songs – "(I Can't Get No) Satisfaction" and "As Tears Go By" being the other two – that the Rolling Stones performed on their Ed Sullivan Show appearance in the US in February 1966. In 2016, a previously unreleased alternate mono mix of the track appeared on Stray Cats, a compilation of singles and non-album tracks, in the box set The Rolling Stones in Mono.
And never received wide radio play as her. "Treat Me Right" peaked at number 18 on the U.S. Billboard Hot 100 and spent two weeks at number 10 on the Cash Box Top 100. The song also charted at number 31 on the U.S. Mainstream Rock chart and reached number 12 in Canada, where it was the 76th biggest hit of 1981. The song was included in the 1982 film and soundtrack for the Richard Gere film, An Officer and a Gentleman.
Cash Box believed that "the real excitement" of Tank Battalion lied within its ability to modify the level design by destroying the brick walls. Retrospectively in 2015, a writer for Beep! enjoyed the Sord M5 version for its improvements over the arcade original, such as the smoother movement of the player's tank, but disliked the squashed-looking graphics and narrow playing space. While the writer believed the MSX version was superior, they still recommended the M5 version for Namco fans and collectors.
It spent four weeks at the top in the UK, starting 24 July 1971 ("Hot Love" was number one for six weeks from March to May), and it was the group's biggest hit overall, with Bolan claiming that it sold a million. It peaked on the US Billboard Hot 100 chart at number ten and at #12 in the Cash Box Top 100 in March 1972, becoming the band's only major US hit. The song reached No. 12 in Canada in March 1972.
Upon release, Cash Box listed the single as one of their "feature picks" during December 1985. They described the song as a "prime dance tune" and added: "This searing funk rocker features a stiff percussion and Austin's sparkling vocal." Billboard commented: "A page from the "Alf" songbook, decked out in elaborate layers of sound and handled with joy." Blues & Soul gave the song a 7 out of 10 rating and felt LiPuma's "busy" production was a "wonderful bedrock for Patti's strong vocalising".
The album did not make it onto the Cash Box charts. The band appeared on TV shows – American Bandstand, Shivaree, Shebang – and briefly in a Hollywood film, The Cool Ones (1967). One more album, All the Good That's Happening, was released before the band broke up in 1967 when Pons left to join the pop group The Turtles; In the early 1970s, Pons played bass with Frank Zappa. Arlin went on to form heavy psychedelic band The Hook and The Robert Savage Group.
I Should Be with You received a positive review from Cash Box magazine which stated that it was "a tightly crafted package, showcasing both contemporary and traditional country tunes." Wariner supported the album in 1988 by touring with Reba McEntire. I Got Dreams, also co-produced by Wariner and Bowen, followed in 1989. Wariner wrote nine out of ten songs on the album, with collaborators such as McAnally, Roger Murrah, Mike Reid, and husband-and-wife duo Bill LaBounty and Beckie Foster.
London: Guinness World Records Limited. . Another cover version, by Dean Martin, released by Capitol Records as catalog number 2165, was also in play at that time. This version first entered the chart on August 29, 1952, and remained on the chart for 10 weeks, reaching No. 12. All the versions were combined in the rankings on the Cash Box charts, and the song reached No. 1 on those charts as well, lasting on the chart for more than half a year.
Some of the stolen notes were discovered by alert staff at a Shell petrol station in Accrington who noticed they had started to get stained notes. The notes were sent to Applied DNA Sciences, the company which provides the DNA and dye to Loomis. Laboratory testing proved the notes had been in the cash box taken in the armed robbery. Two boys, aged 10 and 12, found a loaded firearm while they were playing in a wooded area near Ewood Park in Blackburn.
After failing to chart in the UK, it was released in North America a few months later. It met with more success there, especially in Canada, where it peaked at #34. The appearance of "Border Song" on the Canadian charts was Elton John's first chart appearance in any country. "Border Song" was also John's first song to chart in the United States, peaking at #92 on the Billboard Hot 100 and #69 in the Cash Box Top 100 in October 1970.
A cover by soul icon Aretha Franklin (listed with "Holy Moses" following the title in parentheses, to make it more identifiable as being a repeated phrase in the song) fared better reaching #37 in the Billboard Hot 100 and #23 in the Cash Box Top 100 in December 1970. It was included as the closing track of Aretha's 1972 Young, Gifted and Black album as well. In the Netherlands it peaked at #29 in the Dutch Top 40 in January 1971.
"It Don't Matter to Me" is a song written by David Gates and originally recorded by the pop-rock group Bread, of which Gates was a member. The song was a Top 10 hit in the U.S. and Canada. In the U.S., it reached #10 on the Billboard Hot 100 and #7 on the Cash Box Top 100. In Canada, "It Don't Matter to Me" spent two weeks at #6, and is ranked as the 81st biggest hit of 1970.
It also reached number 15 on the U.S. Cash Box Top 100. "Heart to Heart" was also very successful on the Adult Contemporary charts, reaching number three in the U.S. and number one in Canada. The song speaks of the mutual opening of hearts as being the only way to preserve a relationship once the partners have allowed themselves to grow apart. The lyrics acknowledge that most relationships do not endure the test of time, yet still some are able to do so.
"Ah! Leah!" is a song by Mark Avsec and American rock musician Donnie Iris from the latter's 1980 album Back on the Streets. It was released as a single in late 1980 and reached number 29 on the US Billboard Hot 100, 22 on the Cash Box Top 100 and 19 on the US Billboard Top Tracks chart. The song has been described as Iris's signature song and was most popular in Canada, where it became a Top 10 hit.
"Good Luck Charm" is a song recorded by Elvis Presley and published by Gladys Music, Elvis Presley's publishing company, that reached number 1 on the Billboard Hot 100 list in the week ending April 21, 1962. It remained at the top of the list for two weeks. It was also no. 1 on the Cash Box chart in the U.S. It reached number 1 in the UK Singles Chart in the week ending 24 May 1962 and stayed there for five weeks.
Disraeli Gears is the second studio album by the British rock band Cream. It was released in November 1967 and went on to reach No. 5 on the UK Albums Chart. Search "Cream" in Name of Artist and No. 1 on the Finnish charts. The album was also No. 1 for two weeks on the Australian album chart and was listed as the No. 1 album of 1968 by Cash Box in the year-end album chart in the United States.
We're going off to ski [at Aspen] with all this money in our pockets, we're going to have a good time, and we've got great music on the tape player.' Just then "Back in the U.S.A." came on and I went: 'Boy that would be a great song to sing. I think I'll do that one. The single of Ronstadt's version rose as high as number 11 in Cash Box and reached number 16 on the Billboard Hot 100 chart.
He recorded with The Medallions on Dootone, with The Four Dots on Freedom, and then with singer Eddie Daniels as "Jewel and Eddie" on the Silver Records label in 1960. A number of his recordings featured Eddie Cochran on guitar. He later went solo and recorded "The Birds And The Bees" in 1965, on the Era Records label. The single went to Number 3 in the Billboard Hot 100 chart that year, and Number 2 on the Cash Box chart.
In the US, it instead appeared on the Capitol Records album Something New in July, before being issued on a single, backed by "Slow Down", on August 24. "Matchbox" peaked at number 17 on three record charts: in the U.S., on the Billboard Hot 100 and Cash Box, and, in Canada, on the national RPM Top 40 chart.RPM Top 40 chart, October 5, 1964. The song was subsequently included on the Beatles compilation albums Rock 'n' Roll Music, Past Masters and Mono Masters.
"Moonflight" is a song written and originally recorded by Vik Venus (Alias: Your Main Moon Man) in 1969. It is a 'break-in' song, with popular hits of the day interspersed at humorous points throughout the song in response to spoken- word prompts, in the style of Dickie Goodman, who had many such hits. "Moonflight" became a hit during the summer of the year, reaching #38 U.S. Billboard and #23 Cash Box. It also charted in Canada, where it reached #20.
In 1978 Bridges was a Grammy nominee and was the opening act, performing "I Love the Nightlife". Bridges' self-titled LP, Alicia Bridges, was also rising on the Billboard, Cash Box and Record World charts and the LP remained on the charts for up to 35 weeks. Both the LP and the single release were international successes, and "I Love the Nightlife" went top 40 in the UK and Germany, Spain and other European countries. Bridges' music was especially popular in Japan.
Billboard (March 17, 1962): "Ike and Tina sell this wild side with enthusiasm over uninhibited backing by group and ork. Could get exposure, especially on r&b; stations." Cash Box (March 17, 1962): > Ike & Tina Turner, riding a string of r&b-pop; clicks that recently include > "A Fool In Love," should continue their winning ways with this one. It's a > bright rock-a-cha-cha, labled "Tra La La La La," that Tina & chorus > invitingly chant against terrific Ike Turner instrumental backdrop.
In October 1984, Billie J. Helmkay reached number 88 on the Cash Box Top 100 Country Singles chart with the song, "You're Spreadin' My Hurt Around." This song was also listed under the "Recommended" Country section of the October 1984 Billboard Singles Reviews. She also made a TV appearance on the show Big Sky Country. In the mid-1980s Anne Lord won three Danny Molson Awards (Vancouver, British Columbia) for Female Vocalist of the Year and a Horizon Award for most notable newcomer.
Upon release, Billboard described the song as a "straight-ahead rock item", adding "[Stewart] sounds as good as ever on a strong song with equally powerful production." Cash Box noted the song's "very nice chorus hook" and Stewart's "usual consistent performance, with a voice that was born to rock". Music & Media considered the song an "excellent rocker" with "a boiling production". Richard Lowe of Smash Hits described "Lost in You" as a "terrific rock record that sounds a teensy weensy bit U2-ish".
Souled Out features eight songs by the Raelets who were the background singers for Ray Charles, and four songs from R&B; duo Ike & Tina Turner. Ike & Tina Turner recorded for Tangerine Records in 1966, resulting in the singles "Dust My Broom" and "Anything You Wasn't Born With." After the success of "Proud Mary" by Ike & Tina Turner in 1971, "Dust My Broom" was reissued as a single from the album and reached No. 54 on the Cash Box R&B; chart.
Of the various versions of "In the Summer of His Years," only Francis' and Martin's recordings achieved enough sales action to chart on Billboard. Martin's single, released on the ABC-Paramount label, "Bubbled Under" the Hot 100 singles chart, peaking at No. 104, and Francis' version was nearly a Top 40 hit, peaking at No. 46. On the Cash Box magazine Top 100 chart, the sales of Francis' and Martin's singles were combined, and the song peaked at No. 31.
"Once More with Feeling" is a song written by Kris Kristofferson and Shel Silverstein and originally recorded by Jerry Lee Lewis in 1969 for Smash Records. The song was part of Lewis's studio album She Even Woke Me Up to Say Goodbye and was also released as a single (with "You Went Out of Your Way (to Walk on Me)" on the flip side), reaching number 1 on the Cash Box Country Singles chart and number 2 on the Billboard country chart.
Two of the most successful versions of this song were recorded by Malcolm Vaughan and The McGuire Sisters. Malcolm Vaughan's version reached No. 5 on the United Kingdom's New Musical Express chart in 1955,Every Day of My Life - By: Malcolm Vaughan, MusicVF.com. Accessed October 13, 2015 while The McGuire Sisters version reached No. 37 on the US Billboard Top 100 and No. 33 Cash Box in 1956.Joel Whitburn, "The Billboard Book of Top 40 Hits", Billboard Publications, Inc.
Upon release, Disc commented: "Slade do this pop/rock stomping better than anyone. Perhaps there's a more obvious melody, but Slade always include a bit of a tune anyway and therein lies their success, and there's a soccer sing-a-long chorus that'll grab you." Sounds described the song as a "rousing, raucous, rocker that follows its predecessors with an instantly recognisable sound". American magazine Cash Box listed the single as one of their "picks of the week" during April 1973.
As a single, it hit #1 on Billboard's Adult Contemporary chart, #8 on the Billboard Hot 100, #8 on the Cash Box Top 100, and #8 in Record World magazine. The follow-up single, "Rhumba Girl," fell short of the US Top 40, but reached #15 in Canada and #4 on the Canadian Adult Contemporary chart. Eddie Van Halen appears uncredited on guitar on "Can't Get Away From You". The album was re-released on CD in 2005 on the Wounded Bird label.
"I'd Wait a Million Years" (also known as "Wait a Million Years", "Million Years or So", or simply "Million Years") is a 1969 hit single by The Grass Roots. It was the first of three single releases from the group's fifth LP, Leaving It All Behind, and is among the group's five greatest hits. It was written by Gary Zekley and Mitchell Bottler. The song reached number 15 on the U.S. Billboard Hot 100 and number 12 on the Cash Box Top 100.
Cash Box (February 23, 1963): > Ike and Tina are one of the best-blended teams around today. Tina's exacting > sense of rhythm on both pulsating r&b; numbers and ballads is perfectly > complemented by Ike's first-rate piano and guitar work. The duo are in fine > form on this Sue entry of danceable blues sides. The songstress belts out > winning readings of "Wake Up," "Don't Play Me Cheap" and "My Everything To > Me" with all of her expected poise and artistry.
"Hit Me with Your Best Shot" is a song recorded by American rock singer Pat Benatar and written by Eddie Schwartz. In 1980, it was released as the second single from her second album Crimes of Passion. It hit No. 7 in Cash Box, and reached No. 9 on the Billboard Hot 100, becoming her first Top 10 hit. "Hit Me with Your Best Shot" sold well over a million copies in the U.S., achieving a gold certification by the RIAA.
Linda Ronstadt recorded a cover of "Hurt So Bad" for her Platinum-certified album, Mad Love, in 1980. Produced by Peter Asher on Asylum Records, it was released as the disc's second single. Linda's version of the song featured a guitar solo by Danny Kortchmar. It stands as the most successful version ever recorded of the song, which peaked at #8 on the Billboard Hot 100 and #9 on the Cash Box Top 100 chart in the spring of 1980.
"Sowing the Seeds of Love" is a song by the British group Tears for Fears. It was released as the first single from their 1989 album, The Seeds of Love, and was a worldwide hit, topping the Canadian RPM Top Singles chart and reaching the top ten in Ireland, Italy, the Netherlands, New Zealand, Poland, Spain, Sweden and the United Kingdom. In the United States, it reached No. 2 on the Billboard Hot 100 and No. 1 on the Cash Box Top 100.
From 1954 to 1955, Morgan was a vocalist on the ABC television series show Stop the Music. In November 1955, the British music magazine, NME, reported that Morgan was the top female vocalist in the U.S. Cash Box poll. Beginning January 11, 1954, she was a featured singer on the Robert Q. Lewis Show on CBS-TV. In 1956, she had her own show, The Jaye P. Morgan Show, and made guest appearances on a number of other variety shows.
Jason Ankeny of AllMusic describes The Dream Weaver as "one of the first [rock albums] created solely via synthesizer technology". The album was issued in July 1975 and enjoyed minimal success in America until the release of its second single, "Dream Weaver", in November. The song, which Wright had written on acoustic guitar after his visit to India with Harrison, went on to peak at number 2 on the Billboard Hot 100 and number 1 on the Cash Box singles chart.
"Yesterday's Hero" is a song about the fleeting nature of pop stardom. It drew on Vanda & Young's own experiences as former teen idols.[1][2][16] The song gave Young his first top ten hit,[10] reaching No. 8 on the Australian singles chart[10] and staying at No. 1 on the Melbourne charts for six weeks before being replaced by Hush's "Boney Maroney". The single sold strongly in the United States, where it reached No. 44 on the Cash Box Top 100 in February 1976.
Later that year, they re-signed to Sue and released the single "Two Is A Couple," which peaked at No. 15 on the Cash Box R&B; chart. Throughout 1965, the Ike & Tina Turner Revue performed on several teen rock and roll television shows including Shindig!, Hollywood A Go-Go, and American Bandstand. Phil Spector had seen them perform at a club on the Sunset Strip and invited them to appear in the concert film The Big T.N.T. Show which was filmed on November 29, 1965.
"Razzle Dazzle" became the hit reaching #15 on the Billboard chart and #31 on the Cash Box chart in July, 1955 in a 3-week chart run.Bill Haley and His Comets at Tsort.info The recording was produced by Milt Gabler at the Pythian Temple studios in New York City and appeared on the 1956 Decca Records album Rock Around the Clock.Bill Haley Essex and Decca Discography at This is Vintage Now The single was also released in the UK on Brunswick Records and in Belgium on Omega.
" Cash Box (February 20, 1965): > The hearty rhythm and blues sound of Ike and Tina Turner should sell up a > storm among their fans on this new set from Warner Brothers. The "live" > taping was made at two separate shows, and exhibits all the drive and verve > that has made the pair popular for many years. Guesting on the set are Jimmy > Thomas, Vanetta Fields and Jessie Smith. Great soul sounds include: > "Something's Got A Hold On Me," "You Are My Sunshine," and "Twist And > Shout.
Record World (October 18, 1969): "The latest Ike and Tina Turner album is here and it contains Tina's version of the Barbara George oldie, 'I Know.' As usual, plenty of driving blues in the grooves. Tina lets herself go to pieces and crowds will love it." Cash Box (October 18, 1969): > Ike & Tina Turner had a noisemaker with their single, "The Hunter," and a 6 > minute, 30 second version of the song leads off this powerhouse album, which > should hit the Top 100 Albums.
Cash Box (August 3, 1963): > Ike & Tina Turner tag this new LP romp on Sue after a while-back hit called, > "It's Gonna Work Out Fine," and include eleven other r&b; biggies of recent > vintage. Most of the tunes here are up- tempo and the duo belts them out > with unabashed good spirits. Jumping off with "Gonna Find Me A Substitute, > "the pair also includes "Poor Fool" and "I'm Gonna Cut You Loose." The > package looms as a moneymaker in the r&b; markets.
Upon release, Billboard described the album was "more economical pop/rock" compared to Larson's earlier work, adding: "While she still flexes the laid-back charm of her earliest records, Larson's overall vocal attack is more urgent here. The results could restore broad radio acceptance for the singer." Cash Box felt the album was a "strong showing", with a collection of "laid-back love songs folk-rock listeners should relish". They added that the cover art acted as a "perfect metaphor for [Larson's] innocent, beguiling vocal manner".
"Reflections of My Life" was a 1969/1970 hit single for the Scottish band, Marmalade. It was written by their lead guitarist Junior Campbell, and singer Dean Ford (born Thomas McAleese). Released in late 1969, it was the band's first release on Decca following an earlier spell at CBS. The song went on to chart worldwide, reaching number three in the UK in 1969, number 10 in the US in 1970 on the Billboard Hot 100, and number seven on the Cash Box Top 100.
"Just to See Her" is a 1987 song written by Jimmy George and Lou Pardini and recorded by American R&B; recording artist Smokey Robinson from his studio album One Heartbeat (1987). "Just to See Her" peaked at No. 7 in Cash Box and No. 8 on the Billboard Hot 100 in June 1987. It also reached No. 2 on the R&B; chart and hit No. 1 on the Adult Contemporary chart. In the United Kingdom, the song peaked at No. 52 on the Singles Chart.
"Wildfire" is a song written by Michael Martin Murphey and Larry Cansler. It was originally recorded by Murphey, who had yet to add his middle name to his recorded work, and appears on his gold-plus 1975 album Blue Sky – Night Thunder. Released in February 1975 as the album's lead single, "Wildfire" became Murphey's highest-charting pop hit in the United States. The somber story song hit No. 2 in Cash Box and No. 3 on the Billboard Hot 100 chart in June 1975.
"You Beat All I Ever Saw" is a song written and originally recorded by Johnny Cash. Released in November 1966 as a single (Columbia 4-43921, with "Put the Sugar to Bed" on the opposite side), it debuted on the U.S. Billboard country chart at number 66 on the week of December 24, eventually reaching number 20. On the Cash Box country chart, the song peaked at number 28 Later the song was included on the U.K. compilation album More of Old Golden Throat (1969).
The song was covered by Johnny Cash for his 1966 comedy album Everybody Loves a Nut. Released as the third single from the album (Columbia 4-43763, with a non-album track "Bottom of a Mountain" on the opposite side), the song reached number 39 on the U.S. Billboard country chart. and number 33 on the Cash Box country chart. In January 1967 the song was re- released as a single with "The One on the Right Is on the Left" on the other side.
It spent six weeks on the Cash Box chart, reaching No. 78. The album included "Even Cowgirls Get the Blues", which was originally intended to be theme song for a film based on the Tom Robbins novel of the same name.Backstreets #28 Spring 1989 However, when a film was eventually made the song was not featured. Thompson's 1985 album Better Late Than Never, which featured cover versions of "Fortunate Son" and "Be My Baby", was his first to be released on his own label Out There Records.
"My Kinda Lover" is a rock song written and performed by American hard rock singer and guitarist Billy Squier. It was the third and final single released from his Triple Platinum 1981 album Don't Say No, following "In the Dark". It peaked at number 45 on the United States Billboard Hot 100,Joel Whitburn's Top Pop Singles 1955-1990 - and number 43 on the Cash Box Top 100 chart in early 1982. It also reached number 31 on Billboard Hot Mainstream Rock Tracks chart.
"Yesterday Man" is a song written by Chris Andrews and was his first single as a solo singer, released in September 1965. It climbed to No. 3 in the UK Singles Chart, and No. 1 in Ireland, New Zealand, Germany and Austria. In the U.S., it reached #94 in 1966. The Cash Box trade paper reported in its 5 February 1966 issue that it had passed 300,000 sales in Germany alone, and later over 800,000 as a final tally in that country (28 May 1966).
Finally deferring to the band's wishes in February 1970, Motown released a three-minute edit of the song as a single, which became a hit. "Get Ready" hit No. 2 on the Cash Box Top 100 and peaked at #4 on the Billboard Hot 100, a far better performance than the original. It took up the entire second side of their Platinum-selling Motown album, also titled Get Ready. The Rare Earth version of the song also peaked at number twenty on the R&B; chart.
"Let It Ride" is a 1974 single by Bachman-Turner Overdrive, written by Randy Bachman and Fred Turner, with the latter providing lead vocals. It was first recorded for the 1973 album Bachman–Turner Overdrive II. The single peaked at #23 on the U.S. Billboard Hot 100 on April 27, 1974 (making it BTO's first Top 40 song in the US), and spent two weeks at #14 on the Cash Box Top 100. In Canada, the song reached #3. The tune was inspired by a traffic incident.
In 1967, when The Beatles had to pose for the photograph for the cover of Sgt. Pepper's Lonely Hearts Club Band, Lennon asked Mona if he could borrow the war medals her father had been given in India to wear for the photo session. Although still upset at the way Pete had been dismissed from The Beatles, Mona agreed, and the medals were then returned, along with a Cash Box trophy that is in the letter 'L' of THE BEATLES flower-sign on the cover.The Medals BBC.
Upon release, Billboard considered Larson a "high energy addition to the new breed of today's country artists". They felt the album "spins through a kaleidoscope of material" and picked "When You Get a Little Lonely" as the album's "strong contender". Cash Box commented: "Thoroughly satisfying vocally, melodically and lyrically from start to finish, this latest album is further proof of Larson's consistent versatility as a performer." In a retrospective review, Stephen Thomas Erlewine of AllMusic felt the album showed Larson "[diving] headfirst into contemporary country".
"Oh-Oh, I'm Falling in Love Again" is a popular song written by Al Hoffman, Dick Manning, and Hugo Peretti and Luigi Creatore and published in 1958. The best-known recording of the song was done by Jimmie Rodgers, charting in 1958. It debuted on the charts in February, and spent 11 weeks on the charts that spring, peaking at #13 on the U.S. Cash Box Top 100 and # 7 on the Billboard Hot 100.Joel Whitburn's Top Pop Singles 1955-2002 It became a gold record.
The song entered the Billboard Hot 100 chart the week ending January 1, 1966. The week ending January 29, the song leaped from to and was in position to replace "We Can Work It Out" by The Beatles as the next song. However, "My Love" by Petula Clark unexpectedly vaulted into the position the week ending February 5, 1966. Consequently, "Barbara Ann" peaked at on the US Billboard Hot 100 ( in Cash Box and Record World) and at in the UK in January 1966.
"I Wanna Be Where You Are" is a song written by Arthur "T-Boy" Ross and Leon Ware for Michael Jackson, who took the song to number 7 in Cash Box and number 16 on the Billboard Hot 100 pop chart. It also reached number 2 on the Billboard R&B; singles chart in 1972. His third straight top-ten pop hit during his early solo career with Motown. It was the first collaboration between Ware and Ross, the younger brother of Diana Ross.
The vocal group the Dovells, which featured Len Barry as the lead singer, released "Bristol Stomp", which reached #2 in late 1961, followed by "Bristol Twistin' Annie," "(Do The New) Continental," "Hully Gully Baby" and other dance-related songs in 1962 and 1963. "You Can't Sit Down," a vocal version of the Phil Upchurch instrumental hit, was #35 in Cash Box magazine's year end-survey for 1963. The R&B; quartet the Orlons released "The Wah-Watusi", which hit #2 in the summer of 1962.
With Columbia he recorded the hit duet "Lily Dale" with Willie Nelson, which became a top 40 hit and was awarded the "Best Duet of 1977" by Cash Box Magazine. After a few more singles with the label, McCall signed with Hillside Records in 1980 and released a single, but then decided to sign with RCA Records. With RCA, he released his final top 40 hit "Long Line of Empties." His final charting single "Memphis in May" was released for Indigo Records in 1984.
The original single, arranged by Gene Page, peaked at on the Billboard Hot 100 chart and on the Cash Box chart. The record was a commercial failure when first released in the UK in 1963, but on reissue in 1969 peaked at . It was released on Marc Records, a subsidiary of Titan Records. Barry White stated in a 1995 interview with the Boston Herald that, despite some claims to the contrary, he had no involvement with "Harlem Shuffle", though Page and White later worked extensively together.
Billboard (June 19, 1961): "Ike and Tina talk about love on this attractive disk which also features a gospel- styled chorus. Pair handle the tune with gusto and it has a chance." Cash Box (June 24, 1961): > Ike & Tina Turner, who’ve had dual-mart R&B-pop; chart representations in "A > Fool In Love" and "I Idolize You," can soon be claiming another one in "It's > Gonna Work Out Fine." Side, a hip-swinging, beat-ballad thumper, sports a > delectable chorus-backed, verbal exchange between the two.
He also established a reputation as a promoter and master of ceremonies, bringing to Miami top entertainers such as James Brown, Jerry Butler, and Harold Melvin and the Blue Notes. He recorded several albums with other comedians, before striking out on his own with the 1969 comedy albums Shacking Up and My Man! Wild Man!. The latter was reportedly the first party album by a black comedian to reach the album charts of both Cash Box and Billboard, staying in the top 50 for 26 weeks.
"In the Chapel in the Moonlight" is a 1936 popular song written by Billy Hill and first performed by Shep Fields. Other successful recordings in 1936–37 were by Richard Himber, Mal Hallett and Ruth Etting. The song was revived in 1954 by Kitty Kallen, accompanied by the Jack Pleis Orchestra recorded at Decca Records on December 30, 1953.Decca Records in the 29000 to 29499 series Her recording reached number four on the Billboard charts and number five on the Cash Box Best Selling Record chart.
Cash Box, November 27, 1976 - Page 27 CountrySinglesReviews ~ AlbumReviews It would become a hit for him. Spending six weeks in the charts, it peaked at #80 on November 12 that year.The Cowboy in Country Music: An Historical Survey with Artist Profiles, By Don Cusic - Page 243 The West on the Music Charts, _1976_ Joel Whitburn's Top Country Singles, 1944-1988, Joel Whitburn - LLOYD GOODSON It also made the Cashbox charts and at one stage in the week ending December 25, 1976 where it was at #16.Cashboxmagazine.
The first single of the album was the song "Lady Bump" which backed with "The Lady Bumps On" and was released on the Jupiter record label cat - 16 069 AT in June 1975.45Cat Record Details, Artist: Penny McLean By November 1975, the track bw "The Lady Bumps On" was rated # 14 in the New York discos. In January 1976, it was #8 on the Cash box pop singles charts. In July 1976, "Lady Bump" #7 in Australia's 2S Music Survey. The single itself sold 3 million copies.
Upon release, Billboard included the album as one of their "Recommended LPs" in June 1983. They wrote: "Farrow doesn't pose any chart threat, but his tough urban blues reflect much of the new music heard on the street though lacking the cute slickness of commercial contenders. Synthesizer and saxophone join forces to drive Farrow's hypnotic excursions, combining the drone and the danceable on "Don't Ask Why," "Heartbreaking Affair" and "Touched."" Cash Box listed the album as one of their "feature picks" during August 1986.
Yeardye suggested that they hire the comedian Dickie Dawson, later known as Richard Dawson. Dawson subsequently scripted the show and wrote most of the material. Dors started a relationship with Dawson and ended the relationship with Yeardye, who subsequently emptied her cash box at Harrods of £18,000 and sold his story to the media. This brought negative publicity to the show, but audience numbers remained high, which allowed Dors extra time to explain her affairs to a subsequent Inland Revenue investigation of her cash holdings.
In the United States, the B-side also charted in its own right, peaking at number 34 on the Billboard Hot 100 and number 60 on the Cash Box Top 100. In Australia, it was listed with "All You Need Is Love", as a double A-side, when the single topped the Go-Set national chart. Peace symbol drawn on a walkway at Hippie Hill in San Francisco's Golden Gate Park. Harrison busked the song at the hill during his visit to Haight-Ashbury in August 1967.
Country Preacher is a live album recorded by the Cannonball Adderley Quintet in 1969. Recorded at an unidentified church meeting of the Chicago chapter of the Southern Christian Leadership Conference's Operation Breadbasket, the album spent two months in the Cash Box R&B; charts in 1970. Described by discographer and Adderley biographer Chris Sheridan as "an audible sociological record",Sheridan, Chris Dis here: a bio-discography of Julian "Cannonball" Adderley Greenwood Publishing Group, 2000 the introduction is by the Reverend Jesse Jackson.[ Hamilton, Andrew.
"Suddenly There's a Valley" is a popular song written by Chuck Meyer and Biff Jones and published in 1955. The song was a major hit for Gogi Grant (one of only two major ones she had, and one of three that charted for her) in 1955. Her recording was issued by Era Records as catalog number 1003 and reached Billboard's Top 100 chart, peaking at No. 14. On the Cash Box Best-Selling Record chart, where all versions were combined, the song reached #8.
The group's other members were Paul Thornton, an original member of the Godz on acoustic guitar and Bob Unger, bassist. Their album was called Pass On This Side and featured cover art consisting of a "do-it-yourself" blank black cover with a die cut sheet of stickers that the consumer could arrange any way they pleased. The album received good reviews from Cash Box, Crawdaddy Magazine, and several other publications. A 45RPM single was released- "God Bless California" which charted in Belgium and The Netherlands.
Gunhill Road is an American band based in Mount Vernon, New York, consisting of Glenn Leopold, Steven Goldrich, and Gil Roman, that was active primarily in the early 1970s. Paul Reisch replaced Gil Roman in 1973. They are best known as one-hit wonders for their lone pop hit, "Back When My Hair Was Short", which peaked at number 40 on the U.S. Billboard Hot 100 in June 1973. On the Cash Box Top 100, the song reached number 25, and spent 15 weeks on the chart.
Cash Box (March 20, 1965): > The earthy, driving sound of Ike and Tina Turner should draw their r&b; fans > in droves to this package of the duo's biggest hit numbers. The veteran team > delivers a song with the same dynamic drive that has built up an enormous > following over the years, including the rockin' "Tra La La" and "It's Gonna > Work Out Fine" and the soulful "You Should've Treated Me Right." this > package should get a great deal of acceptance from the r&b; audience.
A month after the Eastern Daily Press report, in April 1967, the head was stolen from Howard's shop; other valuables and a cash box were left, suggesting that the thief specifically wanted the head. Police investigated, but the crime remained unsolved. In her private diary, Valiente claimed that the head had been stolen by Cardell, and that he had buried it in Charlwood. The Pagan studies scholar Ethan Doyle White has stated that "it appears that the [Atho] tradition died out around that time".
The Page recording was issued by Mercury Records as catalog number 5645, and first reached the Billboard chart on May 19, 1951, lasting 15 weeks and peaking at #8. The recording by Dennis Day was released by RCA Victor Records as catalog number 47-4140. It first reached the Billboard magazine Best Seller chart on June 1, 1951 and lasted 11 weeks on the chart, peaking at #15. On Cash Box magazine's charts, where all versions were combined, the song peaked at #6 on the chart.
Billboard (October 24, 1970): "Title tune of their current LP, the dynamic duo hit hard with this driving rock item with strong lyric line. A sure-fire chart topper for their recent 'I Want to take You Higher.'" Cash Box (October 24, 1970): > "Let's try a little love for a change," wails Tina with such sheer power and > liquid grace that it turns this plea for interracial peace into a total > Super - smash! Creeping concert and electric pianos herald the advent of > Tina's clawing heart -felt vocals.
"Sweet Understanding Love" is a 1973 hit song recorded by the Four Tops for the ABC Records label. The song was the second of three single releases from their sixteenth studio album, Main Street People. The title track of the LP is on the B-side of the 45. The song reached number 10 on the American R&B; chart, number 33 on the American Billboard chart in 1973,Joel Whitburn's Top Pop Singles 1955-1990 - and number 30 on the Cash Box Top 100.
"Goodbye Cruel World" is a song written by Gloria Shayne Regney who, with her collaborator/husband, Noel Regney, also wrote the well-known Christmas carol, "Do You Hear What I Hear?" and several songs for singer Lesley Gore. The most famous recording of this song is by James Darren. With its release as a single in 1961, Darren scored his first top ten hit on the U.S. Billboard Hot 100, at number three. On the Cash Box Top 100, it spent two weeks at number two.
The saxophone solo was by Rudy Pompilli, who played tenor saxophone in the band. The instrumental consisted of an extended saxophone solo by Pompilli with a drumming interlude performed by Ralph Jones. "Rudy's Rock" was released as a Decca 78, 30085A, backed with "Blue Comet Blues" in 1956.Bill Haley Essex and Decca Discography at This is Vintage Now The single reached #34 on Billboard and #38 on Cash Box. In the UK, the single reached #30 in November, 1956 and re-charted at #26 in December, 1956.
On 8 January 2011, one of Metrobus' vehicles was hijacked while in service in Merstham. The bus was empty having just dropped off the last passengers, and the bus driver managed to escape unharmed, along with the cash box the hijackers had tried to steal. The hijacked bus was then driven through the area, striking a number of parked cars and signs, before being reversed into another Metrobus vehicle which was in service with passengers. There were no injuries, but the road was closed for a number of hours while the police investigated.
During his summer vacation in 1965, Whitcomb went to America to appear on such television programs as Shindig, Hollywood A Go-Go and American Bandstand. Whitcomb played the Hollywood Bowl with The Beach Boys in 1965 and then toured with The Rolling Stones, The Kinks, and Sam the Sham and the Pharaohs. "N-E-R-V-O-U-S!", Whitcomb's next release, was recorded in Hollywood and reached No. 59 in Billboard and No. 47 in Cash Box. He returned to Dublin for his history finals and received a BA degree.
The song was a commercial success in other American markets, peaking at number two on the Adult Contemporary and Top Rock Tracks and charting at number one on the Hot Dance Club Play, Hot Dance Music/Maxi-Singles Sales, and Cash Box charts. It ranks as the 345th best-charting single of all-time in the United States. In Canada, the song reached the number one spot, earning a gold certification from Music Canada (MC) for 40,000 sales shipments on 1 May 1985. In Australia, the song reached the number two position.
"Look What You've Done to Me" is a 1980 song recorded by Boz Scaggs, composed by Scaggs and David Foster for the movie Urban Cowboy. It reached #14 on the U.S. Billboard Hot 100 in November, #13 on the Cash Box Top 100, and went to #3 on the Adult Contemporary chart. The song reached #30 in Canada. The song, reflecting on a broken romance (as depicted in Urban Cowboy), features the Eagles on background vocals and instrumentation by Don Felder on guitar and members of Toto and David Foster on keyboards.
The song spent three weeks at number one on the Cash Box R&B; chart. Many of their popular hits were written by Ray Whitley. "Hey Girl Don't Bother Me" was also a modest US hit the same year. The Tams had only one further major US hit (in 1968) when "Be Young, Be Foolish, Be Happy", peaked at #26 on the US R&B; chart, and subsequently made the UK Top 40 in 1970. Their 1965 recording "I've Been Hurt" was their biggest regional hit (based on sales and airplay) prior to 1980.
"Break Away" is a song written by Brian and Murry Wilson for American rock band the Beach Boys, released as a single in 1969. Murry was credited as lyricist under the pseudonym "Reggie Dunbar". The single was relatively unsuccessful compared to the group's releases, and charted at No. 63 in the US Billboard 100 (top 40 in the Cash Box and Record World charts). "Break Away" sold better abroad, reaching No. 6 in the UK, No. 10 in Ireland, No. 17 in the Netherlands, No. 20 in New Zealand, and No. 29 in Germany.
Less lyrically complex than a typical Al Stewart composition – the singer's previous Top Ten hit "Year of the Cat" exemplifying his usual style – "Time Passages" was one of two songs on the Time Passages album written by Stewart with the intent of the tracks' having hit single potential, the other being "Song on the Radio" which was the follow-up single and reached No. 29 Billboard and No. 27 Cash Box. The song describes the singer planning a trip home in late December (presumably for Christmas) and his nostalgic memories of the past.
Several of John Serry's early live performances and recordings were reviewed by critics in such noted magazines as The Billboard, Cash Box and The Players Magazine - National Journal of Educational Dramatics. While accompanying a dramatic vocalist he was cited for contributing to an intriguing and nuanced performance. His recording with the Alfredo Antonini's Viva America Orchestra was described as "exceptional" by critics at The New Records in 1946. His musical arrangements were also cited for using the accordion to convey a variety of musical moods with easy-going grace intended for low-pressure listening.
"Let's Twist Again" is a song written by Kal Mann and Dave Appell, and released as a single by Chubby Checker. One of the biggest hit singles of 1961, it reached No.8 on the U.S. Billboard pop chart (No.3 on Cash Box) in August of that year and subsequently reached No.2 in the U.K. in February 1962. The song refers to the Twist dance craze and Checker's 1960 single "The Twist", a two-time U.S. No.1 single (in September 1960 and again in January 1962 on re-release).
1972 saw the song as an international hit single for Johnny Rivers, featuring Larry Knechtel on piano as well as other L.A. sessions musicians from the Wrecking Crew. "Rockin' Pneumonia" reached number six on the U.S. Billboard Hot 100 during the winter of 1973. It was only Rivers' fifth highest charting song, but spent much longer on the chart (19 weeks) than any of his two dozen hits to that date. On the U.S. Cash Box Top 100 the song peaked at number five, and in Canada it reached number three.
Media reviews of 10 were generally positive. Billboard magazine described the album as "a solid collection of mainly Western swing numbers", praising "House of Blue Lights", "I Want a New Drug" and "Blues Stay Away from Me" in particular. Cash Box also highlighted the Freddie Slack and Delmore Brothers tracks, as well as Fontaine Brown's "Big Foot Stomp". Canadian magazine RPM outlined that "[the band's] brand of Western swing music is almost legend", hailing the record as "a fun album" and describing it as "the real country mood music".
September Morn is the thirteenth studio album by the American singer Neil Diamond. Released in 1979, the album includes a disco version of the Motown song "Dancing in the Street" and a remake of "I'm a Believer". The title track was an international chart hit, and became Diamond's 30th Top 40 hit in the U.S. The song peaked at number 17 on the U.S. Billboard Hot 100, number 14 on the Cash Box Top 100,Cashbox Magazine and number 7 on Record World. In Canada, it peaked at number 15.
Texas Gold entered the US Billboard Top Country Albums chart at number 36 on September 13, 1975. The following week, it also entered the Billboard 200 at number 187. By November, the album had peaked at number 7 on the country chart and number 136 on the main albums chart. Outside of the Billboard charts, Texas Gold reached number 158 on the Cash Box albums chart and number 4 on the publication's country albums chart, as well number 143 on the Record World albums chart and number 6 on the magazine's country albums chart.
Robin Denselow of The Guardian picked the "light and tuneful" "Cross That Bridge" as the best song on the album, adding: "The rest of the LP sounds classy but anonymous; it's full of throbbing synthesised ballads, with a little funk and even a fashionable burst of electro-heavy metal thrown in. Decidedly forgettable." Billboard noted Dave Ward's "distinctive chops", but felt the "fairly straightforward pop material has a way to go before dividends will be accrued". Cash Box listed the album as one of their feature picks during February 1987.
The album was released 23 June 1975, and reached No 19 on the Billboard album charts during a chart run of 17 weeks,, number 11 on the Record World charts and number 12 on the Cash Box charts. The lead single from the album was "Turn Back The Pages" and charted at a disappointing No 84 on the Billboard charts. In late 1975, CBS records were quoted saying it was close to reaching Gold in the US, with sales of 400,000-450,000. A quadraphonic version was also released in 1975.
Critical reception to Stills was mixed. Reviewing in 1975 for Rolling Stone, Bud Scopa called it a "concerted attempt at candid expression" but one resulting in "mixed, middling results". Record World said "Stills was back with that patented mellow sound" and cited "My Angel", "First Things First", and "Shuffle Just As Bad" as highlights. Cash Box said Stills "takes his best lyrical and instrumental chops to form a springboard from which he moves easily amid different musical shades", and pointed to "As I Come of Age" as a highlight.
"I'm Free" was "lyricized" again in the 1990s, this time by Catherine O'Brien, who also provided lyrics to the Haggart tune "My Inspiration." O'Brien's version, published in 1996, retains the original title, "I'm Free." "What's New" was the title track of a Triple Platinum 1983 album by Linda Ronstadt, one of three recordings she released backed by The Nelson Riddle Orchestra. Linda's earnest version of the song, released as the album's first single, reached the Top 40 of the Cash Box Top 100 chart and peaked at #53 on the Billboard Hot 100.
"You and Me" is a 1977 song by Alice Cooper, released in 1977 as the lead single from his album Lace and Whiskey. The song is a soft rock ballad, reaching number nine on the US Billboard Hot 100 and number eight on the Cash Box Top 100 in the summer of 1977. The song reached number three in Canada and number two in Australia, where it is ranked as the 13th biggest hit of 1977. The song turned out to be Cooper's last US top-ten hit until "Poison" twelve years later.
It does indeed. Nice one Fearg, ignore the barrackers."Number One magazine - Albums - John Aizlewood - 9 April 1988 - page 48 Billboard described the album as an "even-better follow-up" to Sharkey's debut, and one that "should soon be sitting firmly at the top of the charts". Cash Box described the album as "a slickly-crafted collection of pop numbers that should finally enable the artist the edge at Top 40 radio he deserves" Stereo Review commented: "The first solo album by Feargal Sharkey was so subtle and understated that much of it barely registered.
The instrumentation — particularly the organ fills — is lush, and the vocals are equal to the task. Look for this to show up strong on all pop radio outlets; it's really an affecting tune."Cash Box Picks of The Week singles reviews Another Record World "Single Picks" review page dated June 5, 1976, gives another view on the single: "Three Dog Night's vocal prowess remains unquestioned with this, their first effort in some time. To back up its talent, the group has constructed a solid rhythmic pulse and is headed for pop/r&b; play.
Steinman's version hit number 32 on the US Billboard Hot 100, number 14 on the Billboard Rock Top Tracks chart and number 29 on the Cash Box Top 100; to date, it is Steinman's lone top-forty hit as an artist. In New Zealand, the song spent two weeks at number six and was the 46th biggest hit of 1981. The Meat Loaf version reached number 11 on the UK Singles Chart, number 13 on the Billboard Hot 100 and number four on Canada's RPM Top Singles chart in early 1994.
Bloodshot is the third studio album by American rock band The J. Geils Band. The album was released on April 12, 1973, by Atlantic Records. It was the breakthrough release for the band, reaching #10 on the Billboard 200 album chart in the United States, a peak that the band would not surpass until their 1981 multi-platinum album Freeze Frame. The single version of "Give it to Me", which had a very different ending from the album version, reached #30 on the U.S. Billboard Hot 100 and #15 on the Cash Box Top 100.
"Shop Around" is a song originally recorded by The Miracles on Motown Records' Tamla subsidiary label. It was written by Miracles lead singer Smokey Robinson and Motown Records founder Berry Gordy. It became a smash hit in 1960 when originally recorded by The Miracles, reaching number one on the Billboard R&B; chart, number one on the Cash Box Magazine Top 100 Pop Chart, and number 2 on the Billboard Hot 100 chart. It was The Miracles first million-selling hit record, and the first-million-selling hit for the Motown Record Corporation.
"How Much I Feel" is a 1978 song by American rock band Ambrosia. The song, written by the band's guitarist/vocalist David Pack, was released in the summer of 1978 as the lead single from their third album, Life Beyond L.A., peaking at position three on the Billboard Hot 100 chart and number two for three weeks on the Cash Box Top 100. "How Much I Feel" is sampled on recording artist Big Sean's single, "All Your Fault", featuring Kanye West, the third track on the 2015 album Dark Sky Paradise.
Kyu Sakamoto, a fan of Elvis, made his stage début as a member of the band The Drifters at the Nichigeki Western Carnival in 1958. His 1961 song "Ue wo Muite Arukō" ("Let's Look Up and Walk"), known in other parts of the world as "Sukiyaki", was released to the United States in 1963. It was the first Japanese song to reach the Number One position in the United States, spending four weeks in Cash Box and three weeks in Billboard. It also received a gold record for selling one million copies.
In 2012, it was announced that much of the history of Record World (and its predecessor publication, Music Vendor) would be chronicled in a 1954–1982 volume produced by Joel Whitburn's Record Research, long associated with Billboard-related publications. The book was distributed in September 2012. A second volume, featuring the Music Vendor/Record World "Beat Of The Week" charts (similar to Billboard's "Bubbling Under"), spotlighting positions 101–150, was announced in November 2012. In 2013, Bruce Elrod reactivated Record World as a sister publication of Cash Box magazine.
This version was shown as a best-selling version in Cashbox for most of "Melody Of Love"'s extensive chart run. The instrumental recording by Leo Diamond was released by RCA Victor Records as catalog number 20-5973. It reached the Billboard Best Seller chart on February 9, 1955, its only week on the chart, at #30. With so many versions, the Cash Box chart, which combined all versions of a song, had a much higher standing for the song than Billboard, and the song was a #1 hit for 7 weeks there.
Dylan first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years. Meanwhile, the song was picked up and recorded in December 1967 by the British band Manfred Mann, who released it in early 1968 under the title "Mighty Quinn". The Manfred Mann version reached #1 in the UK Singles Chart for the week of 14 February 1968, and remained there the following week. It also charted on the American Billboard chart, peaking at #10, and reached #4 in Cash Box.
On the Cash Box chart, where all available versions were combined in the standings, the song reached a peak position of #1 on September 2, 1950, and lasted at #1 for 13 weeks. The song was the basis for the 1950 parody called "Please Say Goodnight to the Guy, Irene" by Ziggy Talent. It also inspired the 1954 "answer" record "Wake Up, Irene" by Hank Thompson, a #1 on Billboard's country chart. Television host Jack Narz recorded his version of "Goodnight, Irene" for his album Sing the Folk Hits With Jack Narz in 1959.
Joe Nosek moved to Chicago in his early teens, and, inspired by the music of Muddy Waters and Howlin' Wolf (Chester Arthur Burnett), fell in love with the blues. He remembers attending the Chicago Blues Festival every year and seeing his favorite musicians perform at blues bars. He learned to play the harmonica and guitar, and by his early twenties, Nosek had performed with Clyde Stubblefield, Luther Allison, and Casey Jones. Nosek formed the Cash Box Kings in his mid-twenties, for whom he provides vocals, arrangements, and harmonica.
"Hot Love" was released as a single on 12 February 1971 by record label Fly. It was the group's first number one placing on the UK Singles Chart, where it remained at the top for six weeks beginning in March 1971. The single, however, did not fare as well in the US, where it peaked at number 72 on the Billboard Hot 100 and #54 on the Cash Box Top 100. The song reached number 47 in Canada in June 1971, number 4 in Australia and number 12 in South Africa.
Day's rendition of the song enjoyed a surge in popularity due to its usage in a 2017 State Farm Insurance TV commercial. State Farm Insurance "Remodel" Many other recording artists also did versions of the song. On Cash Box magazine's Best-Selling Record charts, where all versions of the song are combined, the song reached #5 on December 2, 1950. The song gained so much popularity before the musical actually opened that it was moved from its original spot at the start of the second act into the first act.
Southern Bell (later renamed BellSouth and now AT&T;) organized the credit union in March 1935 with over $800 in deposits and over $400 in loans by the end of the second day. The Credit Union was chartered under the Farm Credit Administration and was called the Miami Bell System Employees Federal Credit Union. The first Board of Directors' meeting authorized the purchase of a cash box and rubber stamps, not to cost more than $1.20 and $1.60 respectively. During that first year, the first part-time employee was hired at $.
"Bluebirds over the Mountain" is a song written and recorded in 1958 by Ersel Hickey, later covered by artists such as The Beach Boys, Ritchie Valens and Robert Plant. Hickey's original recording of the song peaked at No. 75 on the Billboard pop chart and No. 39 on the Cash Box chart. Ritchie Valens' cover version was released on his eponymous 1959 album following his death. A 1962 recording by The Echoes hit No. 112 on Billboard's Bubbling Under Hot 100 Singles survey and was a top 20 hit on Chicago's WLS.
In 1971, Smith, using a recording artist pseudonym of Hurricane Smith, had a UK No. 2 hit with "Don't Let It Die". This recording was a demo of a song that he had written with the hope that John Lennon would record it. When he played it for fellow record producer Mickie Most, Most was impressed enough to tell him to release it as it was. In 1972, he enjoyed a transatlantic hit with "Oh, Babe, What Would You Say?", which became a US No. 1 Cash Box and a Billboard Pop No. 3 hit.
Also in 1960, Dante & the Evergreens released a version that went to #15 on the Billboard Hot 100, while The Dyna-Sores released a version that went to #59 on the same chart.Ask “Mr. Music” – Jerry Osborne Both Dante & The Evergreens' and The Hollywood Argyles' versions were credited as number ones in Cash Box magazine's singles chart. The Pre-Historics released a version called "Alley Oop Cha-Cha-Cha" in 1960, with Gary Paxton (who had performed lead vocals on the Hollywood Argyles' version) and Skip Battin performing backing vocals.
The vocals for this song were performed by Italian singer Giovanna Bersola, who is not credited on the single and does not appear in the music video. The woman who appears in the video is Brazilian-born singer Olga Souza. The song was a worldwide hit in 1994, peaking at number-one in Italy, and within the top five in most of Europe, while in the US, it fell short of the top ten, reaching number eleven on both the Billboard Hot 100 and the Cash Box Top 100.
"Build Me Up Buttercup" is a song written by Mike d'Abo and Tony Macaulay, and released by the Foundations in 1968 with Colin Young singing lead vocals. Young had replaced Clem Curtis during 1968 and this was the first Foundations hit on which he sang. It hit No. 1 on the Cash Box Top 100 and No. 3 on the US Billboard Hot 100 in early 1969. It was also a No. 2 hit in the United Kingdom, for two non-consecutive weeks, behind "Lily the Pink" by The Scaffold.
"Typical Male" is a song recorded by American singer Tina Turner. It was written by Terry Britten and Graham Lyle and produced by the former for Turner's studio album Break Every Rule (1986). The song hit #1 in Cash Box magazine and just missed becoming her second number-one hit on the US Billboard Hot 100 chart, peaking at number-two for three consecutive weeks behind "When I Think of You" by Janet Jackson and "True Colors" by Cyndi Lauper. It reached #3 on the Billboard R&B; Chart.
Ryerson played lead guitar on Bill Haley classics such as "Crazy Man, Crazy", "What'cha Gonna Do?", "Fractured", "Pat- a-Cake", "Live It Up", "Farewell, So Long, Goodbye", "Ten Little Indians", "I'll Be True", "Straight Jacket", "Yes, Indeed", and "Chattanooga Choo Choo", released on Essex Records. "Crazy Man, Crazy", recorded in April, 1953 in Philadelphia, Pennsylvania backed with "What'cha Gonna Do?", reaching No. 12 on the national Billboard Juke Box pop singles chart for the week ending June 20 and No. 11 on the Cash Box chart on June 13.
Upon its release, Twin Peaks debuted at number 166 on the US Billboard 200 albums chart in the week of March 9, 1974. The album spent a total of eight weeks on the chart, peaking at number 142 in the week of March 30, 1974. This marked the lowest peak position of any Mountain release to that date, and remains the second lowest ahead of only Go for Your Life at number 166. Twin Peaks also peaked at number 138 on the US Cash Box magazine albums chart.
"Too Much Passion" is a song by the American alternative rock group The Smithereens. It is the second single released in support of their fourth album Blow Up. It hit #8 on the Cash Box Top 100 (dated April 18, 1992) as well as #37 on the Billboard Hot 100 chart. In the Smithereens guitar book, Pat DiNizio explains that he wrote the song to sound like the style of Smokey Robinson. There was also a music video directed by Jeff Stein (known for his work on The Kids Are Alright).
"Limbo Rock" is a popular song about limbo dancing written by Kal Mann (under the pseudonym Jan Sheldon) and Billy Strange. An instrumental version was first recorded by The Champs in 1961. The first vocal version was recorded in 1962 by Chubby Checker (on Parkway Records): it peaked at number two on the Billboard Hot 100 for two weeks (held out by "Telstar" by The Tornados) and at number one on the Cash Box charts. The Chubby Checker recording also made it to number three on the R&B; charts.
Media response to L.A. Guns was generally positive. Billboard magazine noted that the album "evinces a hard but often pop-conscious sound", predicting that L.A. Guns would prove popular with fans of groups like Bon Jovi. The review added that the songwriting on the album was "unspectacular", but concluded that "energy's there, and that counts in this genre". Cash Box magazine outlined that the band was "creating quite a stir at both radio and retail", suggesting that L.A. Guns would "push [the] band into the forefront of the national rock scene".
Balin was also reportedly becoming increasingly disenchanted with the "star trips" and inflated egos generated by the band's runaway commercial success. Baxter's also marked the end of the Airplane's brief run of success on the singles chart. In contrast to "White Rabbit" and "Somebody To Love", "The Ballad of You and Me and Pooneil" only peaked at No. 43 and "Watch Her Ride" stalled at No. 61\. (Both singles reached the Top 40 in Cash Box.) None of the band's subsequent singles reached the Billboard Top 40 and several failed to chart at all.
After Ace had success as a solo artists, the Biharis brothers at Modern released the single "Mid Night Hours Journey" on their subsidiary label Flair Records in September 1953. The flip side was "Trouble and Me" by Earl Forrest. In November 1954, Ace ranked No. 16 on The Billboard 1954 Disk Jockey Poll for R&B; Favorite Artists. In December 1954, Ace was named the Most Programmed Artist of 1954, according to the results of a national poll of disc jockeys conducted by the U.S. trade weekly Cash Box.
The song tells of a teenage romance and first sexual experience with a girl who wears the eponymous raspberry beret. The video for the song was directed primarily by Prince, with animation created by Colossal Pictures co-founder Drew Takahashi. The extended version was included on the compilation album Ultimate in 2006. While the song hit number 1 in Cash Box and reached number 2 on the Billboard Hot 100 in the U.S. (behind "A View to a Kill" by Duran Duran), it only reached number 25 on the UK Singles Chart.
The single peaked at number two in the chart of the Music Vendor trade paper (within a year renamed Record World) and at number three on the Billboard and Cash Box . Billboard ranked "Surfin' U.S.A." the number 1 song of 1963,"Top Records of 1963", Billboard, Section II, December 28, 1963. p. 30. Retrieved October 16, 2018. Although this song was Billboards original number 1 song of that year, later lists from Billboard rank "Sugar Shack" by Jimmy Gilmer and the Fireballs as the number 1 song of 1963.
The single peaked at the number 14 position on the Billboard Hot 100 chart, with "409" also charting at number 76, making it the band's first double-sided hit single. It placed at number 10 on the Cash Box sales chart, and number 5 on UPI's national weekly survey used by newspapers. According to English pop music statistician Joseph Murrells in The Book of Golden Discs, 1978 edition, it placed number 3 on one of the four major national charts then recognised, probably Variety. Certainly its regional sales backed up these higher placings (than Billboard).
Released in 1984 as the band's debut single, it reached the Billboard Hot 100 chart on December 8, 1984, charting for three weeks and peaking at number 78, and number 72 Cash Box. The mid-tempo song is reliant on synthesizers but contains a short guitar solo in the bridge and some guitar in the outro. The music video begins with the members of Billy Satellite driving a jeep to Alameda, California to the site of a previous live show; the latter portion features the band playing in a bar there.
The "Surfer Girl" single backed with "Little Deuce Coupe" was released under Capitol Records in the United States on July 22, 1963. The single entered the Billboard chart on August 3 and it would then hit the Top 40 on August 17 at the number 28 position. After the single had been on the charts for six weeks it peaked at number 7 on September 14, 1963. It placed at number 5, for three weeks, in Cash Box and number 3 in the UPI weekly survey used by newspapers.
"I Love You" is a song by the Climax Blues Band, released as a single in 1980, from the album Flying the Flag.Climax Blues Band, Flying the Flag Retrieved April 5, 2014 It was their second-biggest hit (after 1976's "Couldn't Get It Right"), entering the U.S. Billboard Hot 100 in February 1981, peaking at No. 12 in June, and spending 27 weeks on the chart. It ended up being the 20th biggest hit of 1981. On the Cash Box Top 100, "I Love You" peaked for two weeks at number 9.
"What Kind of Fool (Do You Think I Am)" is a 1964 single written by Ray Whitley and recorded by The Tams. The single was their most successful release on both the United States R&B; and pop charts. "What Kind of Fool (Do You Think I Am)" went to number one on the Cash Box R&B; chart and peaked at number nine on the Billboard Hot 100. this track was one of the many hit records recorded at Rick Hall's FAME Studios in Muscle Shoals, Alabama.
A cover version by Bobby Rydell released May 1964 was a strong regional hit in many markets. It reached No. 80 on the U.S. Billboard Hot 100"Bobby Rydell Hot 100 - A World Without Love Chart History", Billboard.com. Retrieved June 4, 2018. and No. 2 in a tandem ranking with the Peter and Gordon version on the Cash Box Top 100, before Rydell's name was dropped from the entry. In his native Philadelphia the paired versions reached No. 1,"Top 99 Records of the Week", WIBG Radio 99, Survey No. 230, June 15, 1964.
On the last night of church revival meetings in August, T.J. appears dressed up in gangster-like clothes with R.W. and Melvin in order to show his former friends he is better off without them. R.W. and Melvin take T.J. to get the pearl-handled pistol at the Barnett store. The store is closed, but R.W. and Melvin convince T.J. to steal the gun while they rob the cash box. The Barnetts catch what appear to be three black burglars, as Melvin and R.W. are wearing stocking masks over their faces.
"Cherry Hill Park" is a song written by Robert Nix and Billy Gilmore, arranged by Buddy Buie, James Cobb, and Emory Gordy, Jr., and produced by Buie and Bill Lowery. Its original by Billy Joe Royal was a hit in 1969 reaching #15 on both the Billboard Hot 100 chart and the Cash Box chart, and #8 in Canada. It was on Royal's 1969 album Cherry Hill Park. Buie also produced its cover version performed by the Classics IV which was released by United Artists Records in 1971.
"Can't Cry Hard Enough" is a song written by David Williams and Marvin Etzioni.Can't Cry Hard Enough Songfacts David Williams originally recorded his version with Victoria Williams titled "I Can't Cry Hard Enough", for the latter's 1990 album Swing the Statue!. It was released as a single the following year by both David and Andrew Williams as the Williams Brothers, whose version peaked at number 42 on the US Billboard Hot 100 in early 1992. It also spent two weeks at number 29 on the Cash Box chart.
"When I Grow Up (To Be a Man)" is a song written and composed by Brian Wilson with additional lyrics by Mike Love for the American rock band The Beach Boys. It was released on their 1965 album The Beach Boys Today! and as a single the previous year hit number nine on the Billboard Hot 100 chart, number seven in Cash Box, number five in Variety and number three in the Associated Press/Gilbert Youth chart. It spent two weeks at number one in Canada's national RPM chart.
"I'm Easy" won the Academy Award for Best Original Song and the Golden Globe for Best Original Song (Motion Picture). The song peaked at #17 on the Billboard Hot 100 chart, number 10 on the Cash Box Top 100, and spent one week atop the adult contemporary chart. "I'm Easy" was Carradine's only recording to reach the Top 40, and took the #71 slot on the year-end countdown. In 2004 it finished at #81 on AFI's 100 Years...100 Songs survey of the top tunes in American cinema.
"Shannon" is a 1976 song by Henry Gross. It became an international hit, reaching #6 on the U.S. Billboard Hot 100 and #5 on the Cash Box Top 100. Although it was a much smaller hit in the UK and Australia, the song reached #1 in Canada and New Zealand.. "Shannon" was written about the death of Beach Boys member Carl Wilson's Irish Setter of the same name. While touring with the Beach Boys in 1975, Gross visited Wilson's home in Los Angeles and in conversation said he owned an Irish Setter called Shannon.
Released in the United States on 1 June 1969, the single charted only reached No. 54 on Billboard, but cracked the Top 40 on Cash Box, reaching No. 32. It achieved top ten placings in Brazil, New Zealand and some European countries, even topping the chart in Denmark, but in the brothers' native Britain peaked only at No. 23. The promotional video featuring, Barry, Maurice and Colin performing the song in a park is very rare. The band's manager, Robert Stigwood, made the decision to release the song as a single.
In a review of The Amazing Kamikaze Syndrome, Record Mirror described the song as "trembling" and "the best thing they've done for years". In Smash Hits, Jools Holland reviewed the single, stating that it sounded like a "slowed-down version of "She'll Be Coming Round the Mountain" with a football team singing at the end". Cash Box listed the single as one of their "feature picks" during July 1984. They noted the song's focus on melody, Holder's "heartfelt lead vocal" and the piano intro that "leads into Slade's classic power-rock sound".
"Can't Chance a Break Up" is the second single Ike & Tina Turner released after re-signing to Sue in 1965. They had released a string of hit singles on Sue from 1960 to 1962 before departing in 1964. After releasing singles on various labels between 1963 and 1965, they returned to Sue with the release of "Two Is a Couple" was in October 1965. "Can't Chance a Break Up" was released as a non- album track in December 1965, reaching No. 33 on the Cash Box R&B; chart in January 1966.
In the US, "I Should Have Known Better" was released on 13 July 1964 as the B-side to "A Hard Day's Night" and reached number 53 in the Billboard Hot 100, and number 43 on the Cash Box chart. As part of the film contract, United Artists acquired album rights for the American market. The company released a soundtrack album on 26 June 1964 with eight Beatles songs and four instrumentals. "I Should Have Known Better" was performed in the film, and it appears on the soundtrack.
"Baker Street" is a song written and recorded by Scottish singer-songwriter Gerry Rafferty. Released as a single in 1978, it reached No. 1 in Cash Box and No. 2 on the Billboard Hot 100, where it held its Billboard position for six weeks, behind Andy Gibb's "Shadow Dancing". It spent four weeks at No. 1 in Canada, No. 1 in Australia and South Africa, hit No. 3 in the United Kingdom, and the top 10 in the Netherlands. Rafferty received the 1978 Ivor Novello Award for Best Song Musically and Lyrically.
Formed in 1969, the group included Barry White's future wife, Glodean James, her sister, Linda James, and their cousin Diane Taylor (who died of cancer in Pomona, California on November 29, 1985 at age 38). Their first hit was "Walkin' in the Rain with the One I Love" in 1972. It peaked at number 14 on the Billboard Hot 100, number 7 on the Cash Box Top 100, and 6 on the Best Selling Soul Singles Chart. It was also successful in the United Kingdom, peaking at number 14 on the UK Singles Chart.
This song also charted in the Netherlands. In the US, "Cheryl Moana Marie" got noticed in the summer of 1970 by some West Coast radio stations, but it took until the end of 1970 for the song to chart nationally, peaking at number 64 in the Billboard Hot 100 and number 78 in the Cash Box Top 100 respectively, in early 1971. He was the feature of a 2008 documentary entitled The Secret Life of John Rowles. Rowles had a cameo role in the 2008 New Zealand film, Second-Hand Wedding.
Disturbed, he enters the house and finally meets the mysterious and reportedly all-powerful third policeman, Fox, who has the face of Mathers. Fox's secret police station is in the walls of Mathers's house. He tells the narrator that he is the architect of the readings in the underground chamber, which he alters for his amusement, thereby inadvertently saving the narrator's life. Fox goes on to tell the narrator that he found the cash box and has sent it to the narrator's home, where it is waiting for him.
"Reach Out for Me" is a 1964 single by Dionne Warwick, a song originally recorded by Lou Johnson. Her single, written by Burt Bacharach and Hal David, is a track from the album Make Way for Dionne Warwick. It was a number twenty hit on the Billboard Hot 100 and went to number one on the Cash Box R&B; chart. The song was also covered by British singer Michael Ball on his album Back To Bacharach, as well as Olivia Newton-John on her 1989 album Warm and Tender (#32 AC).
He requests that the telephone operator connect the call, but not to listen in. He also says that he's willing to get in touch with the FBI and the CIA in order to locate the girl he's interested in speaking to. "Hot Line" was the Sylvers' second biggest hit, peaking in early 1977 at number 5 on the Billboard Hot 100 chart, number 4 on the Cash Box chart, and number 3 on the R&B; charts. Billboard ranked the song as the 25th biggest hit of 1977.
The first recording to be released was by Major Lance, as a single in December 1963, produced by Okeh label president Carl Davis.Legacy Recordings - Major Lance Biography. Legacyrecordings.com. The song was Major Lance's third release to make the Billboard Hot 100 and his most successful hit with a #5 peak on the Billboard Hot 100 on 8 February 1964 with a #1 peak on the Cash Box R&B; chart (Billboard did not run an R&B; chart November 1963-January 1965). In the UK it reached #40, Lance's only UK chart appearance.
Linda Ronstadt recorded "That'll Be the Day" for her 1976 Grammy Award–winning platinum album Hasten Down the Wind, produced by Peter Asher and issued by Asylum Records. Her version reached number 11 on both the U.S. Billboard Hot 100 and the Cash Box Top 100 and number 27 on the Billboard Country Singles chart. In Canada, her version peaked at number 2 on the singles chart and was the 35th biggest hit of 1976. It also made the adult contemporary charts in the United States and Canada.
"A Penny for Your Thoughts" is a song by R&B;/disco group Tavares in 1982, originally recorded by Marion Jarvis in 1975. It was written by Kenny Nolan. Released from their 1982 album New Directions, the song became Tavares's eighth and final US Top 40 hit, peaking at number 33 on the US Billboard Hot 100 singles chartJoel Whitburn's Top Pop Singles 1955–1990 - and number 28 on the Cash Box Top 100. Unlike all of their bigger hits, "A Penny for Your Thoughts" did not chart in Canada.
"Cash Box newspaper - 11 May 1974 - Singles Reviews - page 20 In a review of Old New Borrowed and Blue, New Musical Express considered the song as "one of the LP's prime contenders for single status". They said of the song: "Jimmy Lea sings "When the Lights Are Out" in a softer version of the Holder roar, and makes a nice job of it. The band should use him more, if only for contrast." Billboard said: "Bassist Jimmy Lea also gets a chance to sing on the pretty "When the Lights Are Out".
The song hit number 2 on the Billboard Hot 100 in June of that year, as well as number 1 in Cash Box; only the chart dominance of the year's biggest hit, "Love Will Keep Us Together" by Captain & Tennille, prevented Ronstadt from having consecutive number 1 hit singles on the Hot 100. Billboard did afford a number 1 ranking to "When Will I Be Loved" on its C&W; chart. The song has sold 268,000 copies in the United States since becoming available for digital download as of January 2020.
It peaked at No. 3 and sold over one million copies, and was awarded a gold disc. In the Cash Box Top 100 the record even climbed to No. 1 for one week in its second week on the charts. The success of the single inspired a Warner Bros. album of the same name in 1966 (reissued by Rhino in 1985), most of which continued with the mental illness theme (for example: "Bats In My Belfry" and "Split Level Head" which features different vocal parts in each stereo speaker).
Born in Salisbury, Missouri, in 1878, Dugan resided in Juneau, Territory of Alaska, after trekking north during the Klondike Gold Rush of 1896–1899 and became a cabaret singer. She subsequently moved to Pima County, Arizona, where she worked for an elderly chicken rancher, Andrew J. Mathis, as a housekeeper. Shortly after her employment was terminated for unknown reasons, Mathis disappeared, as did some of his possessions, his Dodge coupe automobile and his cash box. Neighbors reported that Dugan had tried to sell some of his possessions before she disappeared as well.
Cash Box magazine liked the game's colorful graphics and additional gameplay mechanics, saying that it would "add to the enjoyment of the most avid and skilled players." New Computer Express magazine was lukewarm towards Prize Space Invaders for its high price point, although stated that its prize mechanic made this somewhat forgivable. In a 1998 retrospective review, Allgame found Part II to be "barely a sequel" for it having very little differences from the original game, although liked its challenge and blocky graphics. Allgame also criticized it for becoming boring and tedious after prolonged play.
"All the King's Horses" is a song by The Firm from the album Mean Business, released as a single in 1986. In the United States, the single spent four weeks at No. 1 on the Billboard Album Rock Tracks chart, reached No. 61 on the Billboard Hot 100 and No. 67 on the Cash Box Top 100 Singles chart. When it was released on an EP, the other side had the song, "Fortune Hunter". It was released in the US three times, in the UK once, and in Spain once.
In 1972, Michael Jackson released his own version of "Rockin' Robin", which was released as a single from his gold-certified solo album titled Got to Be There as a follow-up single of the song of the same name. It was the biggest hit from the album, hitting number 1 on the Cash Box singles chart and peaking at number two on both the Billboard Hot 100, behind "The First Time Ever I Saw Your Face" by Roberta Flack, and the Billboard soul singles chart, behind "In the Rain" by the Dramatics.
While "Mary Had a Little Lamb" was dismissed by the critics, it climbed to the top 10 in the United Kingdom. In the United States, however, radio stations also played "Little Woman Love." As a result, the picture sleeve for "Mary Had a Little Lamb" was revised by Apple Records to have a separate listing for the flip side. The single reached number 28 on the Billboard Hot 100 in the US. On the Cash Box chart, which listed single sides separately, "Little Woman Love" only appeared for one week at number 95.
However, follow-ups on Cotillion, including "Hard Working Woman" produced by Syl Johnson, and "Is It Over?" produced by Willie Mitchell in Memphis, were less successful. Clay moved to Mitchell's Hi Records in 1971, and made many of his best known soul blues records for the label. His biggest hit came in late 1972 with "Trying To Live My Life Without You," a #102 hit on the Billboard Hot 100, #70 on Cash Box, and #24 R&B;, which he followed up with "If I Could Reach Out".
"Stand Tall" is the title of an international hit single by Burton Cummings, taken from his eponymous debut album. The song was released less than two years after "Dancin' Fool", the final hit single by the group for which Cummings had been lead singer, The Guess Who. The recording was issued as the album's lead single in the fall of 1976, spending 21 weeks on the US Billboard Hot 100 and reaching number 10. The song reached number five on the US Cash Box Top 100, and spent four weeks at number four in Canada.
"Brandy (You're a Fine Girl)" is a 1972 song by the American pop rock band Looking Glass, from their debut album, Looking Glass. It was written by Looking Glass lead guitarist and co-vocalist Elliot Lurie. The single reached number one on both the Billboard Hot 100 and Cash Box Top 100 charts, remaining in the top position for one week. It reached number two on the former chart for four weeks, stuck behind Gilbert O'Sullivan's "Alone Again (Naturally)", before reaching number one, only to be dethroned by "Alone Again (Naturally)" the week after.
Born in Berlin, Jankowski studied at the Berlin Music Conservatory and played jazz in Germany in the 1950s, serving as bandleader for singer Caterina Valente. Jankowski's fame as a composer of easy listening pop peaked in 1965 with his tune "Eine Schwarzwaldfahrt", released in English as "A Walk in the Black Forest". The tune became a pop hit, reaching #1 on the US easy listening chart, #12 on the US Billboard Hot 100,[ Billboard Singles], #9 on the US Cash Box Top 100, Allmusic.com and #3 on the UK Singles Chart.
On its release, Billboard listed the song as a recommended 'Pop' choice under their "Top Single Picks". Cash Box listed the single as one of their "feature picks" during February 1982. They wrote: "Rea sounds a little more raspy-throated since the monster "Fool (If You Think It's Over)" in 1978 but his music still has that slick, thick production sound, like a pop blues." In a review of Chris Rea, The Philadelphia Inquirer described the song as "especially appealing" on an album of "superbly structured songs, mostly in the ballad form".
The single reached #36 on the Cash Box pop singles chart and #60 on Billboard. The song was also released as a 45 single in Australia on Festival Records as SP45-1034, in Belgium, on Omega as 61.060 as a 78, in South Africa, on Decca as FM1415, and in Japan, as a blue label Decca 45, D45-474. The Comets performed "Hot Dog Buddy Buddy" in the 1956 film Don't Knock the Rock. The song was also performed on the NBC TV show Atlantic City Holiday in 1956.
Taken from their self-titled album and released in late 1958, the single reached number 12 on the Billboard Hot 100 chart and number 7 on the Cash Box Top 100. It was also a top five hit on the 1959 R&B; chart. It was highlighted by lead singer Jimmy Beaumont's powerful vocals, and the counterpoint between his falsetto and Janet Vogel's soprano, on her final chorus, when Beaumont repeats the word "YOU" 13 times. The song is noted for its string and wind sections, performed by the Lenny Martin Orchestra.
10 on the Billboard R&B; chart in early 1956. Later that year, she was voted the Most Promising Female R&B; Vocals by Cash Box magazine.Biography by Bruce Eder at Allmusic.com. Retrieved October 20, 2012 Her fourth single for Baton, "In The Chapel", on which she was backed by vocal group the Suburbans, also reached the R&B; chart, in 1957. Late in 1956 she went on a short tour through the Southern states with Muddy Waters, during which she regularly performed a new song written by Preston Foster, "Got My Mo-Jo Working".
Taken as the first single from Marx's album Paid Vacation, the song was his ninth (and final, to date) song to reach the top ten on the US Billboard Hot 100 chart, where it peaked at number seven. The song remained in the top 40 for 23 weeks. It was more successful in Cash Box magazine, spending two weeks in the top three. It was also Marx's biggest hit on the Billboard adult contemporary chart, where it went to number one and remained at the top for eleven weeks.
Upon release, Max Bell of Number One commented: "Barely has "Say It Again" bade a cheery goodbye than he's back in the ring with a slice of doleful disco that's camper than weekend at Butlin's. Jermaine starts off threatening to be Depeche Mode but sees the error of his ways and ends up settling for a Bee Gees flavoured mood which is palatable in small doses.Number One magazine - Singles - Max Bell - 2 April 1988 - page 42 Cash Box listed the single as one of their "feature picks" during July 1986. They commented: "A shuffling feel and a strong vocal highlight this fine track.
Born in Chicago, Illinois, United States, and raised on a farm in Newaygo, Michigan, Nitzsche, son of German immigrants, moved to Los Angeles in 1955 with ambitions of becoming a jazz saxophonist. He was hired by Sonny Bono, who was at the time an A&R; (artists and repertory) executive at Specialty Records, as a music copyist. While there Nitzsche wrote a novelty hit called Bongo Bongo Bongo. Nitzsche wrote with Bono the song "Needles and Pins" for Jackie DeShannon, later recorded by the Searchers. His instrumental composition "The Lonely Surfer", entered Cash Box on August 3, 1963 and reached No. 37.
It was released as a Sandy Nelson single on Imperial Records and was a charted hit, reaching No.7 on the U.S. Billboard Hot 100 and No.9 on the U.S. Cash Box charts (weeks of 2 December and 16 December 1961). Nelson's "Let There Be Drums" was an Australian No.1 single for a week (week of 20 January 1962) and peaked at No.3 on the U.K. singles chart during the weeks of 4–10 January and 18–24 January 1962, becoming the 50th best-selling single in the U.K. during the calendar year 1962.
Horea Crishan (born 1945, Hermannstadt (today Sibiu), Romania) fled his homeland in 1971 for Hamburg, Germany,Cash Box, May 7, 1983, p. 38 where he became a violinist for the NDR - Symphony Orchestra in Hamburg as well as a pan flautist. In 1979, together with organist Marcel Cellier, Crishan released his first pan flute album. It was followed by four more albums until he moved to the Polydor Records label with the release of two albums, The Magic Of The Pan Flute volume 1 in 1983, and The Magic Of The Pan Flute volume 2 in 1984.
However, by 1967 the track had a markedly out-of-date sound and in its UK release peaked at #13 breaking a Top Ten streak for Springfield which had lasted for three hits. In the US "I'll Try Anything" peaked at #40 in April 1967 on the Billboard Hot 100 - with peaks in Cash Box and Record World of respectively #29 and #34 - making it the sixth of Springfield's ten US Top 40 solo hits. "I'll Try Anything" reached #38 in Australia and #19 in Canada. The track had its strongest chart impact in Singapore with a #6 peak in June 1967.
"Stay with Me", written by Rod Stewart and Ronnie Wood, was first recorded by their band Faces for the 1971 album A Nod Is As Good As a Wink... to a Blind Horse. The song has also appeared on various Faces compilations and on albums by both songwriters. The lyrics describe a woman named Rita with whom the singer proposes a one-night stand, on the condition that she be gone when he wakes up. "Stay with Me" reached number 17 on the US Billboard Hot 100 and spent two weeks at number 10 on the Cash Box Top 100.
"Step into Christmas" is a Christmas song written by Elton John and Bernie Taupin, and performed by Elton John. It was released as a stand-alone single in November 1973 with the song "Ho, Ho, Ho (Who'd Be a Turkey at Christmas)" as the B-side. Upon its original 1973 release, the song peaked at No. 24 on the UK Singles Chart, and it reached a new peak of No. 8 on the same chart in 2019. In the United States, the single reached No. 56 on the Cash Box Top 100 Singles chart and No. 1 on the Billboard Christmas Singles chart.
"Angelia" is a ballad recorded by Richard Marx and the third released single on his second album, Repeat Offender. "Angelia" hit #2 on the Cash Box singles chart, and reached #4 on the US Billboard Hot 100 chart on December 2, 1989. It was also a Top 40 hit in Australia and made the Top 50 in the UK. On the Billboard Adult Contemporary chart, "Angelia" peaked at #2 for several weeks behind the Linda Ronstadt/Aaron Neville duet "Don't Know Much". Richard Marx based the sound of "Angelia" on Def Leppard's 1983 album Pyromania and the 1987 album Hysteria.
Media response to The Wheel Keeps on Rollin' was mixed. Reviewing the album for Cash Box magazine, Wendy Newcomer hailed it as "an amazingly fresh batch of new material that keeps jazzy country swing alive," praising original recordings "Meanwhile, Back at the Ranch", "She Came to Dance" and "The Wheel Keeps on Rollin'" as "outstanding". Entertainment Weekly contributor Alanna Nash claimed that the album "runs the gamut from two-steppin', line-dancin' fare to '40s-style big-band romps," describing the collection as "mighty fine". The San Francisco Examiner suggested upon the album's release that "the band is on an unstoppable roll".
"I Saw You Dancing" was very successful on the charts in several continents and remains the group's biggest hit to date. It peaked within the Top 10 in Denmark, Finland, Iceland, Israel, Malaysia and Norway. In Greece, it hit number-one on the Radio Star FM. In their homecountry Sweden, "I Saw You Dancing" reached number 32 and on the Eurochart Hot 100, it went to number 97. In the US, the single managed to peak at number 54 on the Billboard Hot 100, number 11 on the Billboard Dance Charts and number 41 on the Cash Box Top 100 Pop Singles Chart.
First issued in late 1965 on the Tower label, a subsidiary of Capitol Records, the song debuted April 30, 1966 on the Cash Box charts and peaked at #8. It reached #11 on the Billboard singles charts on June 11. It was the band's first major hit single; their earlier charting record, "The Boy Next Door", had only reached #102 on Billboard's Bubbling Under chart in February 1965. Although "Dirty Water" is beloved by the city of Boston and its sports fans, the song first became a hit in the state of Florida, breaking out on WLOF in Orlando in January 1966.
British rock singer Rod Stewart released a cover over a decade after the original Persuaders version, released as the second single from his 1984 album Camouflage. The most successful version to date, in Stewart's native country the single climbed to No. 15 on the UK Singles Chart. In the United States, the single peaked at No. 10 on the Billboard Hot 100 in October 1984, while on the US Cash Box Top 100, the single peaked at No. 16 in that same month. Stewart's version incorporated a vocal refrain from "Ain't Got No Home" by Clarence "Frogman" Henry.
"Right Down the Line" is a song written and recorded by Scottish singer- songwriter Gerry Rafferty. Released as a single in mid-1978, it reached #12 on the U.S. Billboard Hot 100 and #8 on Cash Box. It was the third release from Rafferty's City to City LP as the follow-up to his first major hit as a solo artist, "Baker Street". "Right Down the Line" was a bigger adult contemporary hit, spending four nonconsecutive weeks at number one in the U.S. In Canada, the song reached number five on both the pop singles and adult contemporary charts.
Billboard (March 10, 1962): > Here’s a rousing, exuberant package of danceable instrumentals (the Turner's > don't sing here) with strong teen-appeal. The line-up, featuring standout > guitar work, includes "The Gulley," "Potato Mash," "Steel Guitar Rag" and > "Twistaroo." Cash Box (March 10, 1962): > For their second Sue LP Ike and Tina Turner, who recently hit singles-wise > with "Poor Fool" offer a variety of swinging items in a fast-moving dancing > vein. Teamed up with their Kings of Rhythm, a real hot instrumental group, > the two-some belt out with a down-to-earth sincerity on twelve terpsichorean > excursions.
"Yester Love" (Tamla 54167) was a 1968 song by Motown Records R&B; group The Miracles (aka "Smokey Robinson" and The Miracles) on its Tamla subsidiary label. It was recorded on December 18, 1967 (released on May 13, 1968), and was included on the group's album, Special Occasion. Composed by Miracles lead singer Smokey Robinson, and Motown staff songwriter Al Cleveland and produced by Robinson, the song was a Billboard top 40 pop hit, peaking at No. 31, and a top 10 R&B; hit as well, peaking at No. 9. It also reached No. 24 on the U.S. Cash Box Top 100.
"Walk, Don't Run '64" is an updated The Ventures recording that features a guitar style more similar to that of "Misirlou", and is notable for starting with a "fade-in" (as opposed to many songs of the era that ended with a "fade out"). In this version, the lead guitarist and bass player from the original switched roles, with Edwards handling the lead parts and Bogle the bass. It reached #8 on the Billboard Hot 100 chart and #9 on the Cash Box magazine chart in 1964. The B-side, "The Cruel Sea", was a version of the Dakotas' 1963 single.
Due to the disappointing chart performance of the single "River Deep – Mountain High" in the US, the album was only released on London Records in the UK. When River Deep – Mountain High was reissued in the US in 1969, "I'll Never Need More Than This" was included on the album. Tina Turner promoted the single on American Bandstand in 1967. It reached No. 114 on Bubbling Under The Hot 100 and No. 64 in the UK. The B-side "The Cash Box Blues (Oops, We Printed The Wrong Story Again)" is an instrumental composed by Spector and featuring The Ike Turner Band.
The band had hits with "More Today Than Yesterday", released in January 1969, and the follow-up "She's Ready". "More Today Than Yesterday" has been covered by, among others, Sonny and Cher, Diana Ross, and Goldfinger, and was featured in the 1991 film My Girl, on the soundtrack of The Waterboy in 1998, and in an episode of Ally McBeal entitled Silver Bells. "More Today Than Yesterday" peaked at number 12 on the U.S. Billboard Hot 100 and number seven on the Cash Box Top 100. It is ranked as the 50th biggest U.S. hit of 1969.
It spent two weeks at the top of the chart. Additionally, "The Power" managed to climb into the Top 10 in Austria, Belgium, Finland, Germany, Ireland, Italy, Norway, Portugal and Sweden. Outside Europe, it also peaked at number-one in Zimbabwe, number 2 on the Billboard Hot 100 and the Cash Box Pop Singles Chart in the US, number 6 in New Zealand and number 13 in Australia. The single earned a gold record in Australia, Germany, the Netherlands, Sweden and Switzerland, and a silver record in the UK. In Spain and the US, it was awarded with a platinum record.
Media response to Wheelin' and Dealin' was generally positive. Cash Box magazine hailed the album as "a strong indicator that people want to get back to good-time music", praising "Route 66" and "Shout Wa Hey" in particular. Radio & Records also highlighted the two tracks, alongside "Cajun Stripper" and "They Raided the Place", in a short review which recognised the record as featuring "Great country swing music, ballads and boogie woogie". Canadian music magazine RPM wrote that the album's "Repertoire is dynamite" and noted that it included "Lots of surprises", suggesting that the release was the band's "tightest LP to date".
Sharon Persky. Retrieved on 2009-03-28. while it also managed to reach number one in Cash Box for one week, as well as two weeks at the top of Record Worlds music charts.Billboard, CASHBOX & Record World №1 ALBUMS(1973年) . MS-Database. Retrieved on 2009-03-28. Let's Get It On charted for 61 weeks on the Billboard charts,Super Seventies: Marvin Gaye - Let's Get It On. Super Seventies RockSite!. Retrieved on 2008-08-26. and remained at the top of the Billboard Soul Albums for 11 weeks, becoming the best-selling soul album of 1973.
Upon its release, The Wheel debuted on the US Billboard Top Country Albums chart at number 40 and the Billboard 200 top albums chart at number 181. It later peaked at number 31 on the country chart (12 places lower than Wheelin' and Dealin) and number 162 on the main albums chart (18 positions higher than Wheelin' and Dealin). The album also reached number 23 on the Cash Box Top 50 Country Albums chart, number 153 on the Record World Album Chart, and number 14 on the publication's Country Album Chart. "Somebody Stole His Body" did not chart.
Reviews for The Wheel were widely positive. An uncredited review of the album in Billboard magazine hailed the record as "Some more first-rate western swing ... from a group that has mastered this form," noting that it features "a powerfully authentic feel for music in the Bob Wills tradition". Similary, Cash Box described the record as "a highly compatible coupling of country and big band sounds that assures this band its own special niche," proclaiming that "Western swing never had it so good." Both publications awarded particular praise to Tommy Allsup's production, with the former enjoying the "solid, bouncy instrumentation" throughout.
Jan and Dean reached their commercial peak in 1963 and 1964, after they met Brian Wilson. The duo scored sixteen Top 40 hits on the Billboard and Cash Box magazine charts, with a total of twenty-six chart hits over an eight- year period (1958–1966). Berry and Wilson collaborated on roughly a dozen hits and album cuts for Jan and Dean, including "Surf City", co-written by Jan Berry and Brian Wilson, in 1963. Subsequent top 10 hits included "Drag City" (#10, 1964), the eerily portentous "Dead Man's Curve" (#8, 1964), and "The Little Old Lady from Pasadena" (#3, 1964).
The climb was made all the more remarkable by the song dropping a whole six places out of the Top 10 in the week leading up to Christmas 1970, only to find a second wind in the New Year. In the Cash Box Top 100 it reached #60 in February 1971 as well. The song was released from Blue Thumb Records in Canada. "Ride a White Swan" made Bolan a star and boosted T.Rex's fame and reputation, and the follow-up single "Hot Love" went to number 1 for six weeks as the phenomenon of glam rock took hold.
Collision Course did not reach the US Billboard 200, but registered at number 10 on the Bubbling Under chart. On the Top Country Albums chart it peaked at number 46, 13 places lower than 1977's The Wheel. In other publications, the album reached number 171 on the Cash Box albums chart, number 29 on the publication's country albums chart, number 174 on the Record World albums chart, and number 14 on the magazine's country albums chart. Collision Course was the band's first album to chart outside of the US, reaching number 19 on the Canadian RPM country albums chart.
Eventually, Logan was signed to Curb Records, releasing his debut single "I Made You a Woman for Somebody Else", which was withdrawn when Conway Twitty recorded it. By 1988, Logan had released his first album Somebody Paints the Wall. This album produced three chart singles, the highest-charting being "Every Time I Get to Dreamin'", which spent nine weeks on the Billboard Hot Country Singles (now Hot Country Songs) charts and peaked at No. 58. Both it and its follow-up, "Somebody Paints the Wall", reached Top 40 on the Cash Box country charts as well.
Additionally, it managed to climb into the Top 10 in Austria, Denmark, Finland, France, Iceland, Italy, Norway, Spain, Sweden and Switzerland, as well as on the Eurochart Hot 100, where it reached number 3. Outside Europe, "Boom Boom Boom" went to number-one on the RPM Dance Chart in Canada and in Zimbabwe, number 2 in Australia, number 8 in New Zealand, number 54 on the US Cash Box Pop Singles Chart and number 65 on the Billboard Hot 100. The song was awarded with a gold record in France, New Zealand and the UK, and a platinum record in Australia.
Also in 1955, actress and pop singer Gale Storm recorded "I Hear You Knockin'" for Dot Records. Her cover version reached number two on the Billboard Hot 100 singles chart, number three on the Cash Box Best-Selling Record chart and became a gold record. Bartholomew believed her version "killed his [Lewis's] record"; blues researcher Bill Dahl added, "Storm swiped his [Lewis's] thunder for any crossover possibilities with her ludicrous whitewashed cover of the plaintive ballad". The experience reportedly led Bartholomew to refer to Lewis as a "'bad luck singer', because he never sold more than 100,000 copies of his Imperial singles".
Record World has been considered the hipper, faster-moving music industry publication, in contrast to the stodgier Billboard and Cash Box, its sister magazine. Music Vendor, as it was then known, published its first music chart for the week ending October 4, 1954. A weekly, like its competitors, it was housed in New York City at 1700 Broadway, at 53rd Street, just across the street from the Ed Sullivan Theater, and West Coast editorial offices in Los Angeles on Sunset and Vine. Rock bands frequented Record World's offices as part of their promotional tours, often leaving questionable promo items in their wake.
"American Girl" is a rock song written by Tom Petty and recorded by Tom Petty and the Heartbreakers for their self-titled debut album in 1976. It was released as a single and did not chart in the United States, but peaked at No. 40 in the UK for the week ending August 27, 1977. It was re-released in 1994 as the second single from Petty's Greatest Hits album and peaked at No. 68 in the U.S. Cash Box Top 100. Despite limited chart success, "American Girl" became one of Petty's most popular songs and a staple of classic rock.
On 23 July 1968, the Iveys were signed to the Beatles' Apple Records label. Their debut worldwide single release was Maybe Tomorrow, which was a Tom Evans composition, written for his girlfriend in Liverpool, Leslie Sandton, who he used to date when he was a member of Them Calderstones. On 15 November 1968, "Maybe Tomorrow" b/w an Evans/Ham song "And Her Daddy's a Millionaire" was released in the UK on Apple 5. The US release date was 27 January 1969 (Apple 1803) and the song peaked at No. 51 on the Cash Box chart and No. 67 on the Billboard chart.
Harrison's cover of Rudy Clark's little-known song "Got My Mind Set on You" quickly reached number 1 in the United States and number 2 in the United Kingdom. It was Harrison's first single to top the US charts since "Give Me Love (Give Me Peace on Earth)" in 1973. A few weeks later, Cloud Nine was released to high anticipation and a favourable critical reception. The album went to number 10 in the UK. In the US, it peaked at number 8 on the Billboard 200 chart and number 4 on the Cash Box Top 200, and achieved platinum status.
1962–1966 (also known as "The Red Album") is a compilation album of songs by the English rock band the Beatles, spanning the years indicated in the title. Released with its counterpart 1967–1970 ("The Blue Album") in 1973, it reached No. 3 in the United Kingdom and No. 1 in the United States Cash Box album chart. However, in Billboard, 1962–1966 peaked at No. 3, while 1967–1970 reached the top spot. The album was re-released in September 1993 on compact disc, charting at No. 3 in the UK. The album was compiled by Beatles manager Allen Klein.
"No Sugar Tonight/New Mother Nature" is a song by the Canadian rock band The Guess Who. It was released on their 1970 album American Woman, and was released on the B-side of the "American Woman" single without the "New Mother Nature" section. The single was officially released as "American Woman/No Sugar Tonight" and peaked at #1 on the RPM magazine charts (three weeks) and #1 on the Billboard Hot 100.The Guess Who, "No Sugar Tonight" U.S. Chart Position Retrieved March 7, 2015 In Cash Box, which at the time ranked sides independently, "No Sugar Tonight" reached #39.
"Have You Ever Seen the Rain?" is a song written by John Fogerty and released as a single in 1971 from the album Pendulum (1970) by roots rock group Creedence Clearwater Revival. The song charted highest in Canada, reaching number 1 on the RPM 100 national singles chart in March 1971. In the U.S., in the same year it peaked at number 8 on the Billboard Hot 100 singles chart (where it was listed as "Have You Ever Seen the Rain / Hey Tonight", together with the B-side). On Cash Box pop chart, it peaked at number 3.
"Coward of the County" is a song written by Roger Bowling and Billy Ed Wheeler, and recorded by American country music singer Kenny Rogers. The song was released in November 1979 as the second single from Rogers' multi-platinum album Kenny. It became a major crossover hit, topping the Billboard Country chart and reaching #3 on the Hot 100 chart; it also topped the Cash Box singles chart and was a Top 10 hit in numerous other countries worldwide topping the chart in Canada, the UK, and also in Ireland where it stayed at #1 for six consecutive weeks.
American magazine Cash Box described the band as adopting a "laid back stance" on the album, noting that "rock is still around in abundance but, equally present, are pop subtleties and a couple of genuine mellow moments". AllMusic retrospectively noted: "Nobody's Fools has some really great songs on it, but all things considered it was the band's worst album at that point. Basically misguided from the get-go, Nobody's Fools is constantly trying to free itself from the oppressive production and arrangements." In 2010, Classic Rock considered the album "worth exploring", describing it as "surprisingly slick-sounding".
Production duties on the album were split, with Garth Fundis and Randy Scruggs producing three tracks each, and Tony Brown returning to produce the other four. Marc Rice of the Associated Press called Laredo a "safe, likeable album", praising the clarity of the production along with the "clever" lyrics of "The Domino Theory". Kay Knight of Cash Box magazine stated that "Wariner shows us a very basic and intimate look at his music and his life...this project should definitely bring Wariner into the spotlight of country radio." His second release in 1990, and final for MCA, was the Christmas album Christmas Memories.
In 1953, the couple recorded "Vaya con Dios" (Capitol 2486), the biggest-selling song of their career, which was released in June 1953, entered the Billboard charts on June 13, 1953, and reached number one on August 8 and remaining there for a total of nine weeks. The song lasted thirty-one weeks on the chart, and also reached number one on the Cash Box chart. Following this success of "Vaya con Dios", in 1953 the couple started to host The Les Paul and Mary Ford Show, their own daily television program broadcast from their Mahwah home.
The orchestrated ballad reached # 41 on the Billboard Hot 100 and # 3 on the Cash Box R&B; chart, and became her best known song, later being covered by Dusty Springfield, Jackie Ross, and Shirley Brown among others. Her next record, "No Faith, No Love", was also a reworking of a James Cleveland song "No Cross, No Crown", and reached # 29 on the Billboard R&B; chart and # 91 on the pop chart. She released an album, Shades Of A Genius, in 1965. Her last hit, in 1966, was "Sharing You" (# 10 on the R&B; chart, # 97 pop).
Weekly surveys and year-end charts by Billboard and other publications such as now defunct Cash Box magazine sometimes differed. For instance, during the 1960s and 1970s, the number-one album as determined by these two publications differed in 10 out of 20 years. From 1992 onwards, the Billboard year-end and weekly charts were calculated by Nielsen SoundScan. Note that this slightly differs from prior Billboard year-end album charts, which were a measure of chart performances over twelve months from around December to November (cutoff determined by Billboard´s publication schedule) rather than actual total sales.
"Rhythm and Blues Notes", Billboard, October 25, 1952. p. 69. Accessed October 12, 2015"Capitol Records Buyboard", Billboard, December 6, 1952. p. 21. Accessed October 12, 2015 The most successful version of the song was released by Bobby Vinton in 1964. In 1953, the song reached No. 27 on Cash Boxs chart of "The Nation's Top 50 Best Selling Records", in a tandem ranking of June Christy, Bette McLaurin, Arbee Stidham, and Terry Timmons' recordings, with Christy and McLaurin's versions marked as bestsellers."The Nation's Top 50 Best Selling Records", Cash Box, February 21, 1953. pp. 14-15.
It reached No. 2 on the Billboard chart and No. 1 on the Cash Box chart, and sold over a million copies. The song also became one of Burl Ives' signature songs, with his recording reaching No. 10 on the Billboard chart in 1951. The enormous popularity of these recordings (and others following in their wake; see below) led to the curious situation of the song re-attaining folk status; it is one of the few songs that most Americans know from childhood, and many are unaware of the mid-century recordings that promulgated it so widely.See for example .
"Timothy" is a song written by Rupert Holmes and recorded by The Buoys in 1970. It apparently presents the unnerving story of three men trapped in a collapsed mine, two of whom apparently resort to cannibalism, eating the third—the eponymous character Timothy. It managed to reach the U.S. Billboard Top 40 chart on April 17, 1971, remaining on the chart for eight weeks, peaking at #17, as listed in The Billboard Book of Top 40 Hits by Joel Whitburn.Joel Whitburn's Top Pop Singles 1955–1990 - On the U.S. Cash Box Top 100, it spent two weeks at #13.
Metcalfe, "Canada's King of Swing", paid $7000 to produce the LP, including the single release from the album, which was chosen "Pick of the Week" in Cash Box magazine. Metcalfe said of the song, "This is the way back to the big bands.Teen-age Canada, Twist is a Help to the Big Bands, by Jack Hutton" "Twisting at the Woodchopper's Ball" was a hit recording written by Ronn Metcalfe, based on Woody Herman's "Woodchopper's Ball" (1939). It was recorded by the 19 piece Ronn Metcalfe Orchestra (of St. Catharines, Canada) on the Barry label and distributed by Quality Records Ltd.
The most recent version of "I'll See You in My Dreams" to become a chart hit is by Pat Boone. It is the title track of his 1962 LP. The song peaked at number 32 on the Billboard Hot 100 and number nine on the Adult Contemporary chart. It also became a hit in the United Kingdom, where it reached number 27. The record's B-side, "Pictures in the Fire," charted concurrently with "I'll See You in My Dreams," reaching number 77 on the U.S. Billboard Hot 100, number 63 on Cash Box, and number 15 on the Adult Contemporary chart.
Born in Pittsburgh, Pennsylvania in 1930,Born on July 10, 1930 as per Social Security Death Index; died on July 13, 2003 under the name Eileen Thompson she began her career as a nightclub performer, later singing as lead vocalist with Charlie Spivak's orchestra. She later recorded more than 30 singles and two LPs for Columbia Records, her most successful single being "Miracle of Love" in 1956, which reached number 18 and 24 respectively, on the Billboard and Cash Box pop charts. Her Broadway debut was in 1959's Fiorello!, where she sang the show-stopping "Gentleman Jimmy".
The most successful recording of "More Love" was a 1980 version by American singer Kim Carnes, included on her fifth studio album Romance Dance (1980). Carnes' version of "More Love" peaked at number ten on the Billboard Hot 100, spent two weeks at number nine on the Cash Box Top 100 and reached number six on Billboard's Adult Contemporary chart. A Spanish-language version of the song, "Más Amor", was also recorded and released in some territories in Latin America. The single was the first top-ten solo hit for Carnes, formerly of The New Christy Minstrels.
"Remember Me" is a 1970 single recorded and released by singer Diana Ross on the Motown label and was included on her 1971 album Surrender. In the US, the song was Ross' third top forty pop hit within a year, peaking at number 16 on the Hot 100 chart and number 10 on the soul chart. It was also Diana Ross' third entry on the Easy Listening chart, where it went to number 20. It gave Diana her third gold single in a year and her third top 20 charting single in Cash Box, peaking at number eight.
"Indiana Wants Me" is a song written, composed, and originally recorded by Canadian singer-songwriter R. Dean Taylor. It was released on the Rare Earth label, a subsidiary of Motown Records, in 1970, and was a top ten hit in both the US and UK. In Cash Box magazine, the single hit number 1. The song spent two weeks at number 2 in Canada. The song is written from the viewpoint of someone who has murdered a man who insulted his woman; he is missing his family and hiding from the police, who eventually catch up with him.
"Down by the Lazy River" is a song written by Alan Osmond and Merrill Osmond and performed by The Osmonds, released on January 15, 1972. It reached No. 4 on the Billboard Hot 100 on March 4, 1972, and spent two weeks at No. 3 on the Cash Box Top 100. It also reached No. 40 on the UK Singles Chart in 1972.The Osmonds, "Down by the Lazy River" Chart Positions Musicvf.com, Retrieved February 14, 2014 The song reached No. 1 for two weeks in both the Netherlands and Canada, and appeared on the band's 1972 album, "Phase III".
In the process of recording, he and Worley chose to incorporate a more acoustic influence on some tracks, and thus chose Mark O'Connor to play fiddle and mandolin. Cash Box reviewed the album positively, stating that it was "another exhibition of his fine vocal range and his valuable songwriting ability." Billboard also published a positive review of the album, which said that his "haunting and sincere voice is matched here by some of the best material he's recorded in recent years." In 1985, Raven was nominated for the Horizon Award (now known as the Best New Artist award) from the Country Music Association.
In many instances, her own interpretations were more successful than the original recordings, and many times new songwriters were discovered by a larger audience as a result of her interpretation and recording. Ronstadt had major success interpreting songs from a diverse spectrum of artists. Heart Like a Wheels first single release, "You're No Good"a rockified version of an R&B; song written by Clint Ballard, Jr. that Ronstadt had initially resisted because Andrew Gold's guitar tracks sounded too much like a "Beatles song" to herclimbed to number 1 on both the Billboard and Cash Box Pop singles charts.
In 1969, brothers Berty (vocals, bass guitar) and Frank (drums) Kohl and friend Chris Connors (lead guitar) were performing in a group known as The Entrance To Sound. A local DJ by the name of Jonathan Little took an interest in the group and would be responsible for adding his sister, Jane Little (keyboards), to the band. The group scored a hit single with their cover of The Beatles' song "Birthday" which hit number 19 on the Cash Box charts and number 26 on the Billboard Hot 100. It was recorded and distributed under the Mercury Records label.
Following a performance of the song on The Ed Sullivan Show on January 26,"The Ed Sullivan Show: Episode Guide: Season 22, Episode 15: January 26, 1969: Tommy James & the Shondells, Shirley Bassey, George Hamilton Episode Recap", TV.com it became number one on February 1, 1969, a position held for one week on Cash Box Top 100 and two weeks on both Billboard Hot 100 and Record World 100 Top Pops. Internationally, the song reached number one in Canada, Germany, New Zealand, Singapore, South Africa, and Switzerland. It also charted in Austria, Brazil, France, Holland, Italy, Israel, Malaysia, Mexico, Philippines, and Puerto Rico.
"Do You Want to Know a Secret" was released a year later as a single by Vee-Jay in the United States on 23 March 1964, reaching the number two spot behind another Beatles song, "Can't Buy Me Love" in Billboard, reaching number three on the Cash Box chart, but reaching number one for two weeks in the chart published by the Teletheatre Research Institute. In the U.S., it was the most successful Beatles song on which Harrison sang lead vocal until "Something" peaked at No. 1 as part of a double-sided number one hit with "Come Together" in 1969.
Reviewing the album, Cash Box noted that "each cut has the fresh, bouncy rhythm that become an Ikette trademark, especially 'Listen To The Music,' 'Camel Walk,' and 'Peaches and Cream.'" Billboard (January 26, 1974): "Returning to the recording spotlight after a trio of big 1962-65 hits, the Ikettes deliver a strong uptempo soul collection for their first album as UA's first female group. Lots of characteristic Ikette energy, in a set of oldies combined with new material." Reviewing (G)Old & New for AllMusic, Andrew Hamilton wrote: > With more push, the Ikettes would be mentioned with the greatest female > vocal groups.
121 and on June 22, 1963, number four on the Cash Box chart. It also reached number five in the UK.Phil Spector: Back to MONO (1958-1969) ABKCO Records, 1991, liner notes In 2004, the Crystals' song was ranked number 114 on Rolling Stones list of The 500 Greatest Songs of All Time. It was, however, removed from the same list in the 2010 update, being the highest-ranked of the 27 songs that were removed. It was listed at number 528 by Q Magazine in their list of The 1001 Best Songs Ever, published in 2003.
Hayes also wrote or co-wrote two of the songs, including "Rosalie" which was originally to be recorded by Huey Lewis. Lewis turned down the song and so Trull decided to use it on her album, and it has become one of Trull's signature songs. Veteran record producer Stewart Levine called A Step Away "one of the best producing efforts he'd ever heard for its limited budget." The CD sold out the first 10,000 copies within a month and the recording industry trade magazine Cash Box included A Step Away as a "Featured Pick" in November 1986.
During a tour when the band was in Los Angeles playing in a Stax Revue, an informal jam session with three of the M.G.'s was recorded in Hollywood in 1965, initiated by DJ Magnificent Montague who played congas. The resulting track, "Hole in the Wall", was issued by Pure Soul Music in October 1965 credited to the Packers with writing shared by Montague, Cropper, Jackson and Jones. The track reached number 43 on Billboard, and made the Top 30 on Cash Box. All other songs released by the Packers had no involvement from Booker T. & the M.G.'s.
Joe Nichols is the debut studio album of American country music artist Joe Nichols. Released in 1996 on Intersound Records, it produced the singles "Six of One, Half a Dozen of the Other", "I Hate the Way I Love You", "To Tell You the Truth, I Lied", and "Wal-Mart Parking Lot Social Club". None of these singles charted on the Billboard Hot Country Songs charts in the U.S., but "Six of One, Half a Dozen (Of the Other)" reached number 74 on the RPM Top Country Tracks charts in Canada. It also reached #63 on the Cash Box Country Singles Chart.
Furious at the outcome, Muggs refuses to shake his opponent's hand, an act which earns the enmity of the other boys. When the captain (Kenneth Harlan) fails to remove the chip from Muggs' shoulder, his daughter, Elaine (Mary Ainslee), tries to reform him through kindness. Meanwhile, Willie (Bobby Stone), one of the boys, steals one hundred dollars from the camp cash box and confides to Muggs that he needed the money for his poor aunt. To get the money back for Willie, Muggs has Norton arrange a fight, and although he takes a beating in the ring, Muggs earns the one hundred dollars.
Upon release, Martin Shaw of Record Mirror commented: "A poppy, fonky piece of black slate, summed up by its ponderous brass constructed interlude. Like the Durannies, the Thompson Twins take a ride on the back of the dance explosion and water it down to a whimper." Billboard described "Get That Love" as a "cheerful pop romp" which "seems to signal a swing back to jumpy spontaneity over hi-tech polish". Cash Box picked the single as one of their "feature picks" of March 1987 and described it as a "sparkling pop spectacle", with a "good, solid performance".
By 1974, the album had sold an estimated 300,000 copies in the US. Stills blamed the failure of the album due to Atlantic preferring to have a CSNY reunion which was a guaranteed cash cow. Other reasons for the commercial decline, include record stores not knowing which section to put the album, either under Stills' name or under Manassas'. Billboard, Record World and Cash Box, all credited the album to Manassas rather than Stephen Stills Manassas like they credited the debut record. Meaning many people might have been unaware that this was a new Stephen Stills album.
"Long As I Can See the Light" is a song by American rock band Creedence Clearwater Revival, from the album Cosmo's Factory. It was released as the B-side of the single "Lookin' Out My Back Door" in 1970. While released as a B-side, "Long As I Can See the Light" reached number 57 on the Cash Box singles chart in the US, number 20 in the UK and number one in Norway. In the UK, "Long As I Can See the Light" was placed on the A-side of the single, with "Lookin' Out My Back Door" on the flipside.
Seals also spent time during 1959 in the touring band of Eddie Cochran. Seals had a composition ("It's Never Too Late") recorded by Brenda Lee in 1961, which featured as the B-side of her U.S. Billboard No. 6 single, "You Can Depend on Me". "It's Never Too Late" nevertheless reached No. 101 on Billboard and No. 100 on Cash Box (week ending 8 April 1961) in its own right. In the UK, the sides were switched when the single was released, but the single failed to make the UK Singles Chart (at that time only a Top 50 listing).
"Spanish Eddie" is a song by American singer Laura Branigan, released as the lead single from her fourth studio album, Hold Me (1985). The song was produced by Jack White and arranged by Harold Faltermeyer. Released in July 1985, the single became Branigan's sixth top-40 entry in the United States in two and a half years, peaking at number 40 on the Billboard Hot 100 and number 37 on the Cash Box singles chart. It also peaked at number 29 on the Billboards Adult Contemporary chart, while a 12″ dance version reached number 26 on the Hot Dance Club Play chart.
Cash Box Top 100 Singles, December 16, 1961 It would prove the biggest hit of his career on this chart, as well as on the UK Singles Chart (no. 28). Darren, playing pop idol "Kip Dennis", performed the song on a late 1961 episode of The Donna Reed Show. (He had previously played a different character in a 1959 episode of the sitcom). The song's lyrics were changed to "join the Army" instead of "join the circus" to reflect his character's reason to exit the show as Shelley Fabare's "love interest" ala Elvis' zeitgeist Army stint.
In the United Kingdom, it reached No. 3 on the UK Albums ChartTop 40 Official UK Albums Archive and was certified Platinum. The title track, which was the album's lead single, hit the US Pop Top 10 as well as No. 1 Adult Contemporary in the United States, and No. 2 in the UK. The following two singles were "Take the Short Way Home" (US Billboard No. 41, Cash Box No. 32) and "All The Love in the World" (the latter reaching the UK Top 10). In the UK, "Yours" was also released as a single.
It was certified gold by the Recording Industry Association of America (RIAA) in April of the same year of its release, and certified platinum in 1991. It reached No. 4 on the album charts in the United States and No. 6 on the album charts in the UK, and produced three top ten singles on the Billboard Hot 100. The album received three Grammy Award nominations - for Album of the Year, Contemporary Vocal Group, and Best Album Cover. It was voted best album of 1970 by readers of Cash Box magazine, and the 1971 best small-combo LP by readers of Playboy magazine.
Today is a studio album by American singer Johnny Hartman, released in 1972 by Perception Records. It was Hartman's first recording since 1967 and marked a new phase in his career, with the inclusion of material by more contemporary songwriters such as Jimmy Webb, Kris Kristofferson, and Paul Williams. Musicians on the album include well-known jazz instrumentalists such as George Coleman, Earl May, and Billy Higgins. Today was the only album by Hartman to ever appear on the pop charts, spending three weeks on the Cash Box Album Charts, where it peaked at No. 160.
"Strut" is a song recorded by Sheena Easton for her album A Private Heaven (1984). It was released by EMI America in August 1984 as the album's lead single and peaked that November at #7 on the US Billboard Hot 100 (its Cash Box peak was #4). "Strut" was composed by singer/songwriter Charlie Dore (who had had a moderate solo hit of her own in the U.S. with "Pilot of the Airwaves" several years prior) and her longtime songwriting partner, Julian Littman. Easton had been sent the demo for the song by Christopher Neil who had been Easton's first producer.The Vindicator 6 May 1985 p.
It first reached the Billboard magazine Best Seller chart on June 13, 1953 and lasted 31 weeks on the chart, reaching number one on August 8 and remaining at number one for a total of 11 non-consecutive weeks. The song also reached number one on the Cash Box chart where it remained at No. 1 for five weeks. The Les Paul and Mary Ford single reached No. 7 in the UK backed with the Les Paul instrumental composition "Deep in the Blues" as the flip side. In 2005, the 1953 Les Paul and Mary Ford recording was inducted in the Grammy Hall of Fame.
"Little Things Mean a Lot" is a popular song written by Edith Lindeman (lyrics) and Carl Stutz (music), published in 1953. Lindeman was the leisure editor of the Richmond Times-Dispatch, and Stutz, a disc jockey from Richmond, Virginia. Stutz and Lindeman are also known for writing Perry Como's 1959 hit, "I Know" (which reached No.47 on the U.S. Billboard chart and No.13 on the UK Singles Chart). The best known recording of "Little Things Mean a Lot," by Kitty Kallen (Decca 9-29037), reached No.1 on the U.S. Billboard chart in 1954, and also reached No.1 on the Cash Box chart the same year.
While their first single, "Hey Little Bird" produced by Al Ham (on Joy Records (New York)) was unsuccessful, two of their next three singles (on Laurie) charted on Billboard, (with "Are You a Boy or Are You a Girl?," peaking at No. 55) and also made the Cash Box charts. "Are You a Boy" was co-written by Doug Morris, who went on to head Universal Music Group. They received their biggest break when featured on The T.A.M.I. Show (performing "Hey Little Bird") alongside other artists such as The Rolling Stones, The Supremes, Lesley Gore, Chuck Berry, James Brown & The Famous Flames, The Miracles, and Marvin Gaye.
On its release, Billboard described the song as a "traditionally styled rock number". Cash Box considered the song a "driving pop/rock" track that "should continue" the band's success in the Top 40 and on AOR radio. Music & Media wrote: "Captivating and epic piece of rock with folk overtones through an accordion and a Big Country type of lick." In a review of One Way Home, David Fricke of Rolling Stone described the song as a "powerful pop KO of TV pulpit pounders", with its "core riff" being "a metallic jig figure – sort of Boston meets "John Barleycorn" – fattened up with iron-fist guitar chords and Close Encounters synth effects".
"Summer Nights" reached No. 5 on the U.S. Billboard Hot 100, and spent two weeks at No. 3 on Cash Box Top 100.] The song was an even bigger hit in the UK, spending seven weeks at No. 1. Combined with an earlier nine-week run with "You're the One That I Want," the Travolta-Newton- John duet team spent 16 weeks at No. 1 during 1978 in the UK. In 2004, the song finished at #70 in AFI's 100 Years...100 Songs survey of top tunes in American cinema. In 2010, Billboard ranked it No. 9 on their "Best Summer Songs of All Time" list.
Reviews for Framed were generally positive. Cash Box magazine introduced the album as "the perfect primer for this campy Texas band", describing it as "A cross between the Texas swing of Bob Wills and the herky jerky '30s sound of Dan Hicks and his Hot Licks ... more fun than a ride on the mechanical bull at full speed". Another review in the same publication a week later noted that "many of the tunes are a little "rockier" than past Asleep works," but assured readers that the "distinctive Wheel sound is still intact". Record World also highlighted the album's "new musical direction" and "mixture of diverse styles".
"You, I" climbed to #1 on both local radio stations. They were then signed to Shelby Singleton's Nashville, Tennessee, record label, Amazon Records, which re-released the single "You, I" in 1969, and the song became a national hit, climbing to #24 on the Billboard Hot 100, #22 on the Cash Box magazine charts and #18 on the Record World charts. "You, I" was also released worldwide on labels from Spain (Exit Records), Italy (Akarma Records), England (Polydor Records) and Thailand (Thai Records). Akarma also released the album "Hot Cargo" on CD in a limited edition, which is very rare and hard to find on the internet.
"Run Away" proved to be very successful on the charts on several continents, becoming one of Real McCoy's biggest hits to date. It managed to climb to the Top 10 in Finland, Ireland, Scotland and the United Kingdom, where it peaked at number 6 on January 29, 1995, in its second week at the UK Singles Chart. Additionally, the song was a Top 20 hit in Belgium and Sweden, as well as on the Eurochart Hot 100, where it reached number 12 in February. Outside Europe, "Run Away" went to number 3 on the US Billboard Hot 100, the Billboard Hot Dance Club Play and the Cash Box Pop Singles Chart.
R&B; trio Jomanda covered it in 1991, while artists such as Nelly, LL Cool J, Beyoncé, Grand Puba, Wreckx-n-Effect, and Warren G have sampled the song. In July 1993, Jomanda's cover reached #83 on the Billboard Hot 100 and #69 on the Cash Box Top 100. Jesse Powell also covered the song in 2003 from his album, Jesse. In a tribute to Motown acts, Chico DeBarge performed the song at the Soul Train Music Awards in 2009 surprisingly hitting the high notes his brother El had hit in the original recording; Chico is known for singing predominantly in the tenor range.
AllMusic editor Alex Henderson noted that Robin S. is "greatly influenced by Evelyn "Champagne" King but obviously her own person" and noted further that "the success of her sleek yet gritty hits "Show Me Love" and "Back It Up" led many to think of Robin as a dance-floor diva." Larry Flick from Billboard wrote, "Here's a bit of diva-house with a slight twist. Robin's big, finger-wavin' performance is laid atop an understated arrangement of icy cool electro beats." Cash Box stated that "Show Me Love" "will become a testament to any dance floor DJ." Complex noted it as "pure" and "powerful".
According to his autobiography, Meat Loaf asked Jim Steinman to write a song that was not 15 or 20 minutes long, and, in Meat Loaf's words, a "pop song." His autobiography also dates the writing of the song to 1975, the song reportedly being a key factor in Meat Loaf and Steinman deciding to do an album together. The song was the first single released from the album, with an edit of "For Crying Out Loud" as the B-side. The record peaked at No. 73 in the Record World singles chart, but only reached No. 97 in Cash Box didn't appear at all in Billboard Hot 100.
The Whisky had been in business just three days when the Beatles song "I Want to Hold Your Hand" entered the Billboard Hot 100. The subsequent British Invasion knocked almost every American artist off the top of the charts, but Rivers was so popular that record producer Lou Adler decided to issue Johnny Rivers Live at the Whisky A Go Go, which reached #12. Rivers recalled that his most requested live song then was "Memphis", which reached #2 on Cash Box on 4–11 July 1964 and also on the Hot 100 on 11–18 July 1964. It sold over one million copies and was awarded a gold disc.
United Artists wanted to use "City to City" as the lead single from the album, but Rafferty felt that "Baker Street" would be a better choice and eventually the latter song became the first single in most countries (see "City to City" single release below). Released on 3 February 1978, "Baker Street" peaked at No. 3 on the UK Singles Chart and spent four weeks at No. 1 in Canada. It reached No. 2 on the US Billboard Hot 100, spending six weeks in this position, and two weeks at No. 1 on the US Cash Box Top 100. The B-side of "Baker Street" was "Big Change in the Weather".
Released on October 31, 1963, "When the Lovelight Starts Shining Through His Eyes" was the Supremes' first Top 40 pop hit since signing with Motown in 1961. Eventually reaching number 23 on the Billboard Hot 100 and number 2 on the Cash Box R&B; chart, Gordy decided to have Holland-Dozier-Holland on board as the group's sole producers from then on. It also nearly made the Top 10 in Australia. After the unsuccessful rush-release of the Phil Spector-inspired "Run, Run, Run", the Supremes would eventually eclipse their female peers after releasing "Where Did Our Love Go" in the summer of 1964.
Billboard May 23, 1953 page 138 The song became one of the most covered of 1953. Darrell Glenn's original recording reached number one on the Cash Box charts (where all versions were amalgamated) and number six on Billboard. Darrell Glenn's original version also hit number six on the Billboard pop singles chart and number four on the Billboard country and western chart, Rex Allen's number eight, The Orioles' number 11, Ella Fitzgerald number 15, and Art Lund reached number 23.Joel Whitburn's Pop Memories 1890-1954 June Valli recorded the song with an orchestra directed by Joe Reisman in New York City on June 11, 1953.
Why bother? Her penchant for this glamour posturing is wearing thin.” He gave the album a mere 2 and a half stars. Understanding the constrictions of the Christian market, Cash Box immediately addressed the cover and interior art in their review, stating that “the cover, jacket and the music are all classy, something akin to heresy in some gospel music camps.” They deemed the album “a showcase of art” that was “striving for new sounds to stir the emotions and a few words to hide in the heart.” Aside from the interior booklet, the album cover itself caused a controversy when it arrived in Christian bookstores.
"Nina, Pretty Ballerina" was an A side in only a few territories, reaching number 8 in Austria, "Another Town, Another Train" was a B side in most territories, but reached number 18 in Rhodesia. "People Need Love" was a radio hit in several US regions, but didn't chart higher than #114 nationally (on the Cash Box chart). "Bang-a-boomerang" was an A side in France, where it was a minor hit. A few more songs had been issued as singles somewhere in the world, with I've Been Waiting For You reaching #49 in Australia and Love Isn't Easy (But it Sure Is Hard Enough) charting at #21 in Denmark.
"A Little More Love" is a song recorded by English-born Australian singer Olivia Newton-John for her eleventh studio album Totally Hot (1978). It was a worldwide top-ten hit single, peaking at number four on the UK Singles Charts and number three on the US Billboard Hot 100. In Canada, it spent three weeks at number two during February and March 1979, and was the seventh biggest hit of that year in that country. In the United States, Billboard ranked "A Little More Love" as the 17th most popular song of 1979, and Cash Box ranked it as 23rd for the year, where it had peaked at number four.
They shared a manager, Albert Grossman, with Bob Dylan. Their success with Dylan's "Don't Think Twice, It's All Right" helped propel Dylan's Freewheelin' album into the U.S. Top 30 four months after its release. An Associated Press obituary noted: Peter, Paul and Mary broke up in 1970. The band broke up shortly after having their biggest UK hit, singer-songwriter John Denver's poignant ballad "Leaving on a Jet Plane" (originally titled "Babe I Hate To Go") (UK No. 2, February 1970); the song made No. 1 on both the U.S. Billboard and Cash Box charts in December 1969 and was the group's only number one hit.
This became a number-two hit on both the Billboard Hot 100 and the R&B; charts, and the follow-up, "I'll Try Something New", was a Top 30 hit. A third single, "I Second That Emotion", was released exclusively in the United Kingdom, where it became a Top 20 hit. However, a true reflection of "I'm Gonna Make You Love Me"'s popularity was that it was certified platinum and was the #1 single on both Cash Box and Record World (three weeks). By rights, this should be credited as yet another #1 single for both Diana Ross and The Supremes and the Temptations.
It was released on 12 January 1981 in the US and 16 January in the UK, reaching number 1 in the UK and in the US on the Cash Box singles chart, while peaking at number 2 for three weeks on the Billboard Hot 100. Released as the final single from the album, "Watching the Wheels", backed with Ono's "Yes, I'm Your Angel", peaked at number 10 and 30 in the US and UK charts respectively. The single was released in the US on 13 March 1981, and on 27 March 1981 in the UK. Lennon's Bermuda trip and Double Fantasy inspired the 2013 tribute CD and book Lennon Bermuda.
Carter remarked that he was "not a disco fan" but knew enough about their music because his daughter Amy was a big fan. In later years, the brothers performed the song with only Barry's guitar and keyboards, with all three singing in their normal range. This version was part of a medley the brothers did as part of their 1989 One For All tour, and is also included on the Tales from the Brothers Gibb box set alongside the original version. "Too Much Heaven" also reached No. 2 in Cash Box charts in six weeks between 30 December 1978 and 3 February 1979 behind Chic's "Le Freak".
"Don't Turn Around" was a worldwide hit and remains one of the band's most successful songs to date. It reached number-one on the RPM Singles Chart in Canada, and both the Billboard Adult Contemporary and the 'Cash Box' Singles Chart in the United States. In Europe, it managed to climb into the Top 10 in Austria, Denmark, Finland, Germany, Iceland, Ireland, the Netherlands, Scotland, Sweden (number 2) and the United Kingdom, as well as on the Eurochart Hot 100, where it peaked at number 7. In the UK, "Don't Turn Around" reached number 5 in its third week at the UK Singles Chart, on June 19, 1994.
In a 2015 list from Billboard, it tied with Marvin Gaye's recording of "The End of Our Road" as the "Biggest Hot 100 Hit" at the peak of number 40. "Video Killed the Radio Star" debuted at number 86 on the Billboard Hot 100 on the week of 10 November 1979, while on the Cashbox Top 100 it debuted at number 83 that same week.. Cash Box magazine. It started also at number 83 on the Canadian RPM Top Single Chart. By January 1980, it entered the top 40 at number 31, and on 2 February made it into the top 20 at number 11.
After it came the Top 30 hits "Drivin' and Cryin'" and "It Won't Be Over You", while the album's title track stopped at No. 63. Wariner told Cash Box magazine that he intended for the album to be representative of the energy present in his live shows. He also wanted it to be more upbeat than I Am Ready, which he felt contained too many ballads. Once again, Jarvis, Gill, and McAnally were among the musicians contributing; bluegrass singer Carl Jackson co-wrote and sang harmony on "The Same Mistake Again", while electric guitarist Brent Mason and steel guitarist Paul Franklin played on "It Won't Be Over You".
"Wake Up Little Susie" is a popular song written by Felice and Boudleaux Bryant and published in 1957. The song is best known in a recording by the Everly Brothers, issued by Cadence Records as catalog number 1337. The Everly Brothers record reached No. 1 on the Billboard Pop chart and the Cash Box Best Selling Records chart, despite having been banned from Boston radio stations for lyrics that, at the time, were considered suggestive, according to a 1986 interview with Don Everly. "Wake Up Little Susie" also spent seven weeks atop the Billboard country chart and got to No. two on the UK Singles Chart.
"Different Drum" is a song written by American singer-songwriter Michael Nesmith in 1964. It was first recorded by the northern bluegrass band the Greenbriar Boys and included on their 1966 album, Better Late than Never!. Nesmith offered the song to the Monkees, but the producers of the TV show, who had wide control over the group's musical output early on, turned him down. The song became popular in 1967 when recorded by the Stone Poneys featuring Linda Ronstadt, who took their version of "Different Drum" to #12 on the Cash Box Top 100, #13 on the Billboard Hot 100 chart, and #16 in Record World magazine.
As a boy, he first heard from his grandfather the story of a ghost horse rescuing people in the desert. Years later, Murphey had a dream about this ghost horse and wrote the words and music the same day with songwriter Larry Cansler. In the summer of 1975, "Wildfire" became a chart-topping hit, reaching No. 2 in Cash Box and No. 3 on the Billboard Hot 100 chart, as well as No. 1 on the Adult Contemporary charts, giving Murphey a new level of commercial success and exposure. It immediately sold over one million copies, and was awarded a gold disc by the R.I.A.A. in July 1975.
"Mr. Sun, Mr. Moon" is a song by the American rock band Paul Revere & the Raiders written by Mark Lindsay originally released as a single in 1969, then on the album Hard 'N' Heavy (with Marshmallow) later that year. The song peaked at number 18 on the Billboard Hot 100, number 15 on the Cash Box Top 100 Singles chart, and at number 8 on the RPM Top Singles chart. The song was ranked by both Billboard and RPM as the number 95 song of 1969 on their year- end charts. The song was featured on the soundtrack album to Once Upon a Time in Hollywood.
Since Billboard began publishing its first ranked record charts in 1944 (after publishing an unranked "hit parade" list since 1936), the Billboard charts have been considered the standard in gauging the popularity of music in the United States. Throughout the 20th century, several competitors came and went, including charts published in Cash Box (1952–96), Record World (1954–82) and Radio & Records (1973–2009). Over time, incomplete distinctions between album sales, album shipments, digital downloads, and streaming media have been sources of criticism regarding the charts' validities. Rolling Stone first announced it would be launching a group of record charts on May 7, 2019.
While it did not reach the Billboard magazine national chart, it did chart as high as number 51 on the Cash Box top 100 hit list. It was successful enough to be included on a various artists collection issued by Carlton the following year, titled One Dozen Goldies. Carlton issued a follow-up single by Rogers, "I've Got a Lot to Learn", backed with "For You Alone". Rogers later signed with a variety of labels after being dropped by Carlton and went on to worldwide fame with hit singles like "Ruby, Don't Take Your Love to Town", "The Gambler" and "Coward of the County".
Sooner or Later is a 1979 American made-for-television teen romantic drama film directed by Bruce Hart, starring Denise Miller, Rex Smith (in his film debut), Barbara Feldon and Judd Hirsch which premiered on NBC on March 25, 1979. As a then up-and-coming recording artist, Rex Smith became an overnight teen idol immediately following the film's telecast and he achieved pop star status in America with his hit single from the film's soundtrack entitled "You Take My Breath Away", which reached No. 10 on the Billboard Hot 100 and spent two weeks at No. 7 on the Cash Box Top 100.
The song is a story about farmers who take a sudden interest in a common wildflower on their farm and soon discover and enjoy its hallucinogenic and mind-altering properties after one of them begins to chew on one. They begin to cultivate the plant in earnest; however, federal agents raid their property and destroy their crop. Nevertheless, the men are undeterred by the destruction of their plants, as they have saved a supply of seeds, overlooked by the agents. "Wildwood Weed" reached number seven on the U.S. Billboard Hot 100, number five on Cash Box and number three on the Canadian pop singles chart.
Reviewing the album, Cash Box noted that "no act in the business comes close to this kind of excitement....On this one, they tackle quite a few blues and oldies: 'Early One Morning,' 'Annie Had A Baby' (Hank Ballard's controversial hit of the fifties), 'Up On The Roof' and even a soul try at 'Born Free.' But our favorite, besides the title tracks, is 'Popcorn,' which is a new tune. Record World (January 27, 1973): "Latest lp is best in many discs for these soul shakers. Album has some choice, curious selections, such as 'Born Free,' 'Up In The Roof' and 'Heaven Help Us All.
Eight hundred copies were also sent to WLS for promotional purposes. Levy refused to let James produce the final mix he wanted, and the single was released using the rough mix, with "Some Kind of Love" as its B-Side."WLS Airs Premiere of 'Crimson and Clover'", Billboard magazine, 30 Nov 1968, p.55James, Tommy (with Martin Fitzpatrick), Me, the Mob, and the Music: One Helluva Ride with Tommy James and the Shondells, New York : Scribner, 2010. "Crimson and Clover" entered the U.S. charts on December 14, where it stayed for 16 weeks on Billboard Hot 100 and 15 weeks on Cash Box Top 100.
It was written by American singer Shirley Ellis and Lincoln Chase, and Ellis's recording, produced by Charles Calello, was released during late 1964 as "The Name Game". The record scored number 3 on the Billboard Hot 100, and number 4 on the magazine's R&B; charts during 1965. The record was re- released in 1966 and again in 1973. A Rhythm & Blues singer for 10 years before that success, Ellis was also successful with "The Clapping Song (Clap Pat Clap Slap)" (#8 pop and #16 R&B;), and "The Nitty Gritty" (#8 on the Hot 100 and #4 on the Cash Box R&B; chart).
"Light My Fire" is a song by the American rock band the Doors. It was recorded in August 1966 and released in January 1967 on their eponymous debut album. Released as an edited single on April 24, 1967, it spent three weeks at number one on the Billboard Hot 100 chart in late July, and one week on the Cash Box Top 100, nearly a year after its recording. A year later, it re-entered the Billboard Hot 100 in 1968 following the success of José Feliciano's cover version of the song (which peaked at number three on the Billboard chart), peaking at number 87.
After Collins took the stand, the defence called Dr John Garson to the stand. They were hoping to discredit Collins' testimony by establishing his credentials as one of Inspector Collins' mentors, thus giving to the jury the impression that he was more of an expert than Collins in the study of fingerprinting. As expected, he testified that upon examination of the print taken from the cash box and that of Alfred Stratton, he would say with certainty that they were not in agreement. However, the defence failed to reckon with the fact that Garson was not an expert of fingerprinting but of anthropometry, its rival field in identification.
The follow-up single, "Never Gonna Fall in Love Again" – based on the main theme of the slow movement of Rachmaninoff's Symphony No. 2 – reached number 11 on the Billboard Hot 100, and hit number one on the US Adult Contemporary Chart, as well as number nine on the Cash Box chart. In the UK Dana took it to number 31. Those songs featured on his 1975 self-titled debut album, along with "That's Rock and Roll", a number 3 hit single for singer Shaun Cassidy. The album made number 21 on the Billboard album chart and was certified Gold in 1977 for sales of more than 500,000 copies.
On its release, Billboard described the song as a "sharp, dramatic rock track" and praised its commercial potential by claiming it "could very well do the trick". Cash Box listed the single as one of their "feature picks" during June 1987 and commented: "It is a tougher, more sinewy effort than his other solo singles, hearkening back to his Babys' days." Larry Seel, writing for the Orlando Sentinel, commented: "The song has a rocking little melody that's bound to implant itself somewhere in your brain". He considered the song's music video to be "full of pep" and "reminiscent" of Rod Stewart's "Some Guys Have All the Luck".
Accessed July 28, 2016. In Canada, Vinton's version debuted at number 11 in the first issue of the RPM "Top Forty-5s" chart."Top Forty-5s", RPM Weekly, Volume 1, Ed. 18, June 22, 1964. Accessed October 12, 2015 Vinton's version was ranked number 63 on Cash Boxs "Top 100 Chart Hits of 1964"."Top 100 Chart Hits of 1964", Cash Box, December 26, 1964. p. 14. Accessed July 28, 2016. A version was recorded by Dinah Washington (recorded January 1952, released by Mercury Records as catalog number 8267, with the flip side "Wheel of Fortune"Mercury Records in the 8000 to 8310 series). Alberto Semprini with Rhythm Acc.
"The Way You Do the Things You Do" is a 1964 hit single by the Temptations for the Gordy (Motown) label. Written by Miracles members Smokey Robinson and Bobby Rogers, the single was the Temptations' first charting single on the Billboard Hot 100, peaking in the Top 20 at number eleven; it also went to number one on the Cash Box R&B; chart. The song has been an American Top 40 hit in four successive decades, from the 1960s to the 1990s. A version by Hall & Oates featuring Temptation members Eddie Kendricks and David Ruffin was nominated for a Grammy Award in 1986.
He brought in freelance columnists James Asman, Benny Green and DJ David Gell to implement a chart coverage including jazz, country and pop music. This eventually included the official UK Top 50 singles, Top 30 LPs and Top 10 EPs, as compiled by Record Retailer. The paper also listed the USA Top 50 singles, compiled by Cash Box, and charts such as the Top 20 singles of five years ago and R&B; releases. Features such as Ian Dove's "Rhythm & Blues Round Up", Peter Jones's "New Faces" and Norman Jopling's "Fallen Idols and Great Unknowns", combined with New Record Mirror's music coverage, helped circulation rise to nearly 70,000.
He was replaced by former member Stacy Johnson who had since left Ike & Tina Turner. The group went to Oner-derful's Chicago studio to record their next single, "Tired of Being Lonely," which became their biggest hit. The recorded reached several local charts and in February 1966, it reached No. 90 on the Cash Box Top 100 Singles. Now a nationally known act, the Sharpees toured the chitlin' circuit and played at major theaters such as the Howard Theater in Washington D.C., the Apollo Theater in New York City, and the Regal Theater in Chicago on the same bill as Smokey Robinson & The Miracles and Stevie Wonder.
New Orleans, Louisiana: 498 Productions. Accordingly, the series name is a reference to the limited success of that first EP by the Beatles that Capitol had released: Four by the Beatles. Although initially intended to appear as a single by releasing the "4-By" in a soft sleeve and thus "distinguish the '4-By' product from EP's", 4 by the Beatles was packaged in a cardboard sleeve, similar to regular EP releases. Billboard did not chart the record as a single either, but as an EP; on the Hot 100, it peaked at number 68, which is also the highest position it achieved on the Cash Box chart.
For the remainder of his 20s, he continued to perform in various venues throughout the US. In 2007, Arender released a solo tribute album entitled "American Trilogy", that was only made available at his live shows. In 2010, Arender co-wrote with Steve Blaze, from the legendary hard rock group Lillian Axe an original Christmas song entitled "The Christmas I Met You", released on New Orleans-based Mandeville Records. "The Christmas I Met You" reached 6 on the Billboard Singles Christmas Charts and rose to 1 on the Cash Box Easy Listening Charts. The Merry Christmas Network honored it by adding it to its "Top 100 All Time Christmas Songs".
"St. George and the Dragonet" was issued through the same channels as the distribution of popular music, and in 1953 it was #1 on both the Billboard and Cash Box record charts. The B-side was another Dragnet spoof, "Little Blue Riding Hood", based on the fairy tale "Little Red Riding Hood", in which Little Red Riding Hood (voiced by June Foray) is accused of trafficking "goodies". The introductory narration claims that "only the color has been changed, to prevent an investigation," a reference to the high-level "red scare" investigations conducted in that period by the House Un-American Activities Committee. Freberg's in-character narration begins, "This is the woods".
"Friends" is an international hit song composed and performed by English musician Elton John with lyrics by his longtime collaborator Bernie Taupin. It was John's third U.S. hit, and his second to reach Top 40 after the breakthrough success of "Your Song". "Friends" was not the follow-up single to "Your Song," but was rather the title track and theme song from the movie "Friends" starring Sean Bury, and was included on the soundtrack. It was the only hit single from the LP. The song rose to number 34 on the U.S. Billboard Hot 100 and number 17 on the Cash Box Top 100.
This led to a career as a singer of Southern Gospel music; Roman has recorded several albums, although she never trained as a singer. In 1999 Lulu Roman was inducted into the Country Gospel Music Hall of Fame with fellow artists Andy Griffith, Barbara Mandrell, David L. Cook, Gary S. Paxton, Loretta Lynn, Jimmy Snow, and Jody Miller.Country Gospel Music Hall of Fame Roman is inducted into the Country Gospel Music Hall of Fame Roman continues to perform music and stand-up comedy and also enjoys working with Compassion International, a child-development organization. Her project Seven Times hit the number two spot on the Cash Box chart in 2010.
This third pressing is the more commonly available version of the LP. Cash Box magazine lists an Aerosmith II (Columbia KC 32045) release in the February 1, 1975 issue.Cash Box: February 1, 1975, page 50 As this catalog number is consistent with a June 1973 date, it is possible Columbia used this number to identify the 'Featuring "Dream On"' cover, but stayed with the original KC 32005 catalog number on the actual release. In January 1975 Aerosmith was re-issued with the "PC" prefix, so there may have been some confusion as to the correct number. When reissued on CD in 1993 as a remastered version, the original artwork was used.
In the US, "For You Blue" gained sufficient radio airplay for Billboard to list the two songs together, as a double-sided hit, when the record topped the magazine's Hot 100 chart. The release was similarly treated as a double A-side when it topped Canada's singles chart and peaked at number 6 on Australia's Go-Set national chart. On the US listings compiled by Cash Box, which continued to monitor single-sides individually, "For You Blue" peaked at number 71. "For You Blue" was one of Harrison's most successful songs on the Billboard charts, both as a member of the Beatles and as a solo artist.
"I'm into Something Good" is a song composed by Gerry Goffin (lyrics) and Carole King (music) and made famous by Herman's Hermits. The song was originally recorded (as "I'm into Somethin' Good") by Cookies member Earl-Jean on Colpix Records in 1964. It entered the U.S. Cash Box Top 100 charts in the US on July 4, 1964 and spent 8 weeks there, reaching a high of number 42 on August 15, 1964, and number 38 Billboard. On 26 July 1964, Herman's Hermits recorded the song as their debut single, reaching number one in the UK Singles Chart on 30 September 1964, and staying there for two weeks.
The "Break Away" single backed with "Celebrate the News" was released through Capitol Records in the US in June 1969. It was the band's final single of the 1960s and its penultimate single with Capitol Records before moving on to Warner Brothers. The single peaked at the No. 63 spot on the Billboard charts; No. 35 in Record World and No. 38 in Cash Box. The single was also released through Capitol Records in the same month in the UK, being the band's final single of the 1960s there. Capitol re-released it in Britain in June 1975, although on that occasion the single failed to make any impact on the charts.
The "Wondering"/"Old Cape Cod" single was released by Mercury Records on April 23, 1957, as catalog number 71101. Both tracks debuted on the Billboard magazine charts for the week ending June 3, and "Old Cape Cod" quickly became the dominant track, peaking at number three on Billboard's Most Played by Jockeys chart, number eight on the Best Sellers In Stores chart, and number seven on The Top 100 composite chart for 1957. "Old Cape Cod" spent 18 weeks on the Cash Box magazine Best Selling Singles list, peaking at number eight and holding that same slot for three consecutive weeks. Additionally, "Old Cape Cod" was a hit in Australia, peaking at number 14.
"(I Love You So) Oh Baby" is a 1954 song written by Walter Jacobs and Willie Dixon, first recorded by Jacobs as Little Walter And His Jukes in 1954.Tony Glover, Scott Dirks, Ward Gaines Blues with a Feeling: The Little Walter Story 2012 Page vii “I Love You So (Oh Baby)” by Walter Jacobs and Willie Dixon ...Kim Field Harmonicas, Harps, and Heavy Breathers: The Evolution of the People's Instrument 2000 p.176 "“You're So Fine” hit the charts first, followed by “Oh Baby,” which stayed on the hit list for four months and received a Cash Box award." The song has been covered by Led Zeppelin, Kim Wilson and many others.
He was born near Winnfield, Louisiana, and attended the Louisiana State School for the Negro Blind at Southern University in Baton Rouge. After singing in gospel groups, he began singing R&B; and recorded for local entrepreneur and record producer Lionel Whitfield's Whit record label in Shreveport, releasing "What Are You Trying to Do to Me" in 1965. His second single, a version of "C.C. Rider", reached number one on the national Cash Box R&B; chart, number 12 on the Billboard R&B; chart and number 76 on the pop chart at the start of 1966, and his follow-up, "Do Something For Yourself", reached number 36 on the R&B; chart.
"A-round the Corner (Beneath the Berry Tree)", also titled "Ay-round the Corner (Bee-hind The Bush)" or "A-round the Corner (Be-neath The Berry Tree)", is a traditional popular song adapted by Josef Marais, from the repertoire of Marais and Miranda. The title was first published in February 1952, but an earlier version was registered in August 1940. The most popular version was recorded by Jo Stafford on 10 December 1951 with accompaniment by her partner Paul Weston and the Norman Luboff Choir. It was issued on Columbia 39653 and entered the Billboard chart in March 1952, peaking at number nine, also making number 12 on the Cash Box chart.
The original release sold over 6 million copies and was the most successful Australian-produced single in Australian music history for many years, with sales of over 450,000 copies. It was Australia's first triple platinum recording by the old count of 100,000 units equalling platinum status, which has since changed to 75,000 units, then 50,000, and finally 70,000 units. In the US, the song peaked at number 53 in the summer of 1981 on the Billboard Hot 100, number 43 on the Cash Box Top 100, and number 24 on Record World. However, it was regularly played on the Dr. Demento show to the point of being number six on the year-end Funny 25 that year.
Tamwar begins to suspects Aleks after he takes an "advance" from the market office cash box, Tamwar later studies Aleks' records and works out that Aleks has been taking an extra maintenance fee but there is no record of it on the council receipts and he has been ripping off the traders. Tamwar confronts Aleks about it so he fires Tamwar and throws the evidence in the bin. Later, Tamwar visits Aleks and tells him that he is fired as Tamwar told the authorities about Aleks fiddling the books and the police have been called. Ineta rushes downstairs to answer the door to Marta as she had overheard their conversation about moving away and so called her mum.
Qwak did not perform well commercially; according to Ralph H. Baer in his book Videogames: In the Beginning, it sold only approximately 250 units. In the November 16, 1974 issue of Cash Box, U.S. Billiards announced a two-player clone game titled Duck Shooting; the game features a projected seven foot by seven foot screen instead of a monitor, and allows two players to shoot at multiple ducks at once. In 1982, Atari developed a prototype for a touch-screen duck themed game similarly titled Qwak. With the goal of "Help[ing] mama duck and her three ducklings get home safely", the player shifts picture blocks into place to create a safe path for the ducks to get home.
"Black Denim Trousers and Motorcycle Boots" is a song by Jerry Leiber and Mike Stoller. Recorded by The Cheers, it went to #6 on the Billboard Best Selling singles chart in the fall of 1955, becoming Leiber and Stoller's first top ten pop hit. Veteran performer Vaughn Monroe covered the record, going to #38 on the Billboard charts; the song also rose to a top-10 chart appearance on the Cash Box chart (which counted songs, not records, and thus counted all cover versions of a song as one). In 1956, French chanteuse Edith Piaf recorded a French translation of the song entitled "L'Homme à la moto," which became one of her biggest selling singles.
Everett writes that in the US the album's "hit" was "Michelle", through its popularity on radio playlists. After their inclusion on the EMI-format LP, "Norwegian Wood", "Nowhere Man" and "Michelle" were each issued as singles in various markets outside Britain and America, with "Norwegian Wood" topping the Australian chart in May 1966. "Nowhere Man"'s first release in North America was as a single A-side, backed by "What Goes On", in February, before both tracks appeared on Yesterday and Today. "Nowhere Man" peaked at number 3 on the Billboard Hot 100, number 1 on Record Worlds 100 Top Pops chart, number 2 on the Cash Box Top 100, and number 1 on Canada's RPM 100 chart.
Cash Box said in 1954 that Berman "was the only woman ever to break through with outstanding success in the male-dominated recording industry."Broven, John - Record Makers and Breakers: Voices of the Independent Rock n' Roll Pioneers, University of Illinois Press, 2009 Apollo Records and its affiliated publishing company, Bess Music, was purchased by George Hocutt on May 4, 1989. Shortly after that purchase in January 1990, Hocutt sold fifty percent of his interest to Couch and Madison Partners of the Malaco Music Group located in Jackson, Mississippi. The Apollo Records Collection, which contains the label's master acetate disc sound recordings, resides at the University of North Carolina at Chapel Hill within the Southern Folklife Collection.
"Every Day I Have to Cry", also known as "Every Day I Have to Cry Some", is a song written by Arthur Alexander and first recorded by Steve Alaimo in 1962. Although the song has been recorded by many musicians over the years, Alexander did not record his own version until 1975. His version went to #46 on the US Billboard Hot 100 chartAlexander, Arthur, The Greatest, Ace Records, London, 2006, liner notes (and #45 Cash Box). None of the other versions made it into the Top 40 on the US chart.Whitburn, Joel, ‘’The Billboard Book of Top 40 Hits’’, Billboard Books, NY, 1992 It became Alaimo's greatest hit, his second of nine charting singles.
So we'd be in Saskatoon, Saskatchewan or somewhere, and he'd say, 'Hook a right up at the next corner. I want to get me some sheep dip.' That's what he called his liquor. I quit performing with [Bill] when it was time to move to Tennessee.” Moss left Browning for Music City in 1959. There he eventually co-founded the cutting- edge bands Area Code 615 and Barefoot Jerry and earned his “Nashville Cat” honorific by playing on sessions for such luminaries as Bob Dylan, Lefty Frizzell, Waylon Jennings, the Everly Brothers and Linda Ronstadt.. Cash Box praised Browning's “Dark Hollow” followup single, “Don't Wait Too Late”/”One Day A Month,” in its Sept.
"Romancing the Stone" is a song written, recorded and produced by Eddy Grant, who released it from his 1984 album Going for Broke. It was intended for the 1984 feature film of the same name, in fact was announced by Casey Kasem on the 30 June 1984 edition of American Top 40 as the title song to the movie, but ultimately was used only briefly in the film. Clips from the film appeared in at least one official music video for the song, and the song is mentioned in the film's closing credits. In the United States, the song reached number 26 on the Billboard Hot 100 and number 22 on Cash Box during the summer of that year.
On the other national charts there, it reached number 10 in Cash Box and number 7 in Record World. Several US radio stations declined to broadcast the song because of the use of the words "Christ" and "crucify" in the chorus: "The Ballad of John and Yoko" never appeared on the surveys of WLS in Chicago or WABC in New York, two of the largest Top 40 stations in the US. The word "Christ" was censored (by being "bleeped out") for radio airplay in Australia. The Spanish government under Franco objected to the song because of the phrase "Gibraltar near Spain". The status of Gibraltar is a long-running subject of debate between Spain and the United Kingdom.
"Cash Box newspaper - 25 January 1975 - Album Reviews - page 24 Dave Thompson of AllMusic retrospectively said: "If The Human Menagerie was a journey into the bowels of decadent cabaret, The Psychomodo is like a trip to the circus. Except the clowns were more sickly perverted than clowns normally are, and the fun house was filled with rattlesnakes and spiders. Such twists on innocent childhood imagery have transfixed authors from Ray Bradbury to Stephen King, but Steve Harley and Cockney Rebel were the first band to set that same dread to music, and the only ones to make it work." In a 2012 review of Cavaliers: An Anthology 1973-1974, Uncut stated: "The Psychomodo is anything but effete.
In August 1964, "She Knows Me Too Well" was released in the United States as the B-side of the "When I Grow Up (To Be a Man)" single. The single, the band's tenth in the United States, peaked at number nine position on the Billboard charts, with "She Knows Me Too Well" in its own right placing at number 101 in Billboard and number 93 in Cash Box. The song was treated as the A-side at Vancouver's popular CFUN station and reached number seven locally. The song was also released in the United Kingdom, again as the B-side of the "When I Grow Up (To Be a Man)" single, which was the band's sixth there.
Everett's version of "The Shoop Shoop Song" reached number 6 on the Billboard Hot 100 chart in the spring of 1964: at the time Billboard was not publishing its R&B; chart but her cover was a number 1 R&B; hit according to Cash Box. In international release, Everett's "The Shoop Shoop Song" was also a hit in Australia reaching number 21 but was initially overlooked in the UK although Everett's minor 1965 U.S. hit "Getting Mighty Crowded" (number 65) would reach number 29 in the UK. In 1968, the label President Records reissued both songs on one single, with "The Shoop Shoop Song" as the A-side, that peaked at number 34.
"I'm Alive" is a 1965 number-one UK hit single by The Hollies, written for them by American songwriter Clint Ballard Jr. However they originally passed the song over to another Manchester band, the Toggery Five, before changing their minds and recording the song, which became their first No 1 hit in the UK Singles Chart. It spent three weeks at number one in the UK and was also a No 1 hit in Ireland. The song was released as a single in the US, entering the Cash Box singles chart on July 17, 1965, and peaking at No.84 week of August 14, 1965; it also appears on the US version of the 1965 Hollies album, Hear! Here!.
It was Muir's intention to first establish Inspector Collins' credentials as an expert in the field of fingerprinting before the jury, then explain, in layman's terms, how fingerprinting worked as a means of identification. Collins was then made to discuss the fingerprint involved in the case. He showed the jury the cash box that was recovered from the scene, the fingerprint that he was able to obtain from the box, and demonstrated how it matched with the right thumb print of Alfred Stratton, for up to twelve points of agreement. At the request of a member of the jury Collins also demonstrated the difference in a print caused by various levels of pressure.
Following its release as a stand-alone single in the United Kingdom, "Wonderful Christmastime" peaked at number six on the UK Singles Chart the week ending 5 January 1980. In the United States the single peaked at number 83 on the Cash Box Top 100 Singles chart and number 94 on the Record World Singles Chart, but did not chart on the Billboard Hot 100. "Wonderful Christmastime" would not appear on the Hot 100 until December 2018, when it peaked at number 47. In December 1984, the single appeared at number 10 for two weeks on Billboard's Christmas singles chart. It also reached number 29 on Billboard's weekly Hot Adult Contemporary Tracks chart in early January 1996.
While there, they discovered that a Chicago band called The Modernaires had shortened their name to The Mods, so they renamed themselves The Choir. The song was hugely popular in Cleveland and topped the Cleveland charts for six weeks; the song did quite well throughout the Midwest, particularly after the re-release of the single on Roulette Records in early 1967. By the spring of 1967, "It's Cold Outside" peaked at No. 68 on the Billboard Charts and at No. 55 on the Cash Box charts, and it even made the CHUM Charts in Toronto, Ontario, Canada. (The record peaked at #25 on the local chart of CKLW in Windsor, Ontario as well).
On its release, Billboard felt the album continued the "first class songwriting ability" of Shear since his earlier work with Jules and the Polar Bears. The magazine summarised the album as "intelligent, economical, [and] encompassing a variety of musical systems, but always remaining personal and personable". Cash Box felt the album was Shear's "most focused pop exercise to date", with the songs "bear[ing] the indelible stamp of his own lyrical and musical idiosyncrasies, which he and Rundgren have effectively harnessed without diluting". Gene Triplett of The Daily Oklahoman noted the "plenty of Beatle-esque elements", while considering Shear's voice to be "a cross between the tragic melancholy of Jackson Browne and the youthful toughness of Todd Rundgren".
After "Be-Bop-a-Lula" became a hit, Vincent and His Blue Caps were unable to follow it up with the same level of commercial success, although they released critically acclaimed songs like "Race with the Devil" (number 96 on the Billboard chart and number 50 on the Cash Box chart) and "Bluejean Bop" (number 49 on the Billboard chart and another million-selling disc). Cliff Gallup left the band in 1956, and Russell Williford joined as the new guitarist for the Blue Caps. Williford played and toured Canada with Vincent in late 1956 but left the group in early 1957. Gallup came back to do the next album and then left again.
Richard and the Young Lions returned to provide lead vocals and backing vocals. Along with singer Howie "Richard" Tepp's gritty vocals, "Open Up Your Door" was also marked by the first recorded instance of African hair drum and fuzz-toned bass guitar. "Open Up Your Door" was released as a single in July 1966, and it managed to reach number 99 on the Billboard Hot 100, until it dropped off in a week, as well as reaching number 91 on Record World Top 100 Pops and number 70 on Cash Box magazine Top 100. The song was much more successful on a regional level, where it charted in the top five in every market where it was released.
Richard Dean Taylor (born 11 May 1939), known professionally as R. Dean Taylor, is a Canadian singer, most notable as a recording artist, songwriter, and record producer for Motown during the 1960s and 1970s. According to Jason Ankeny, Taylor "remains one of the most underrated acts ever to record under the Motown aegis." As a singer, American audiences know Taylor best for his chart-topping 1970 hit "Indiana Wants Me","Top 50 Canadian Chart". RPM Magazine, Canadian Content, – Volume 13, No. 23 July 25, 1970 which hit No. 1 in Cash Box in the United States and was also No. 1 in Canada and No. 2 in the UK. It peaked at No. 5 on the Billboard Hot 100.
In 1950, the same year as Patti Page's hit recording, Spike Jones and his City Slickers recorded a parody featuring a duet with singers sporting Yiddish accents. Ivo Robić recorded "Tennessee Waltz" for his 1957 album Cowboyske Pjesme. "Tennessee Waltz" returned to the charts in the fall of 1959 with a rockabilly version recorded by both Bobby Comstock & the Counts and Jerry Fuller: on the Billboard Hot 100 the versions respectively reached No. 52 and No. 63 while Cash Box assigned both versions a joint ranking on its Top 100 Singles chart with a peak position of No. 42. In 1962 Damita Jo had a non- charting single release of "Tennessee Waltz".
"Follow the Boys" had its single release the third week of 23 February 1963 parallel with the song's parent film's first screenings, Francis having premiered the song on the 19 February 1963 broadcast of The Jack Benny Program (taped 4 January 1963). Ranked in local hit parades across the US typically peaking in the Top 20, "Follow the Boys" would achieve Top Ten status in Dallas and Philadelphia along with some smaller markets. Nationally "Follow the Boys" peaked at #17 on the Billboard Hot 100 in April 1963 where it would be Francis' final showing in the Top 20. The single was markedly more successful as ranked by Cash Box spending two weeks at No.11.
When it finally did, the record became a bigger hit than it had been in Canada, spending four weeks at its peak position of number 3 in September and October 1983, and staying on the Billboard Hot 100 for 24 weeks. It also reached number 1 on Cash Box, as well as number 1 on the Billboard Dance Chart. "The Safety Dance" found similar success in other parts of the world, entering the UK charts in August and peaking at number 6 in early November, and entering the New Zealand charts in November, eventually peaking at number 2 in early 1984. The song was also a massive success in South Africa, reaching No. 1 on the Springbok charts.
"For You Blue" is a song by the English rock band the Beatles from their 1970 album Let It Be. The track was written by George Harrison as a love song to his wife, Pattie Boyd. It was also the B-side to the "Long and Winding Road" single, issued in many countries, but not Britain, and was listed with that song when the single topped the US Billboard Hot 100 and Canada's national chart in June 1970. On the Cash Box Top 100 chart, which measured the US performance of single sides individually, "For You Blue" peaked at number 71. The song is a twelve-bar blues in the country blues style.
Retrieved April 2, 2018. and No. 81 on the Record World Country Singles Chart."Record World Country Singles Chart", Record World, September 2, 1978. Retrieved April 2, 2018. Emmylou Harris released a cover of the song on her 1982 album Last Date, and as a single. In 1983, Harris's version reached No. 28 on the Billboards Hot Country Singles chart,Hot Country Songs - Emmylou Harris So Sad (To Watch Good Love Go Bad) Chart History, Billboard.com. Retrieved April 2, 2018. No. 31 on Cash Boxs Top 100 Country Singles,"Top 100 Country Singles", Cash Box, August 20, 1983. p. 24. Retrieved April 2, 2018. and No. 14 on Canada's RPM "Country 50 Singles" chart.
The song is performed in the style of the Beach Boys with elaborate vocal harmonies by Pete Hewlett and John Hart. It was recorded with various local musicians during the Great Blizzard of 1978 and after seeing television coverage of Red Cross volunteers rescuing people during the storm, all proceeds from the record were donated to the Cleveland Chapter of the American Red Cross. The record was released in May 1978 and quickly became the top selling single in the Cleveland area and reached No. 80 on the Record World singles chart and No. 103 in Cash Box. Following the success of "There's No Surf in Cleveland", Reising was offered a recording contract by Steve Popovich of Cleveland International Records.
The original version of "The Greatest Love of All" was recorded in 1977 by Benson and originally released on the soundtrack album for The Greatest. The song was released as a single in the same year and was a substantial hit, reaching number 2 on the Billboard R&B; chart, the first R&B; Top Ten hit for Arista Records, and ended the year at position 33. The single also reached positions number 3 on the Cash Box Top 100 R&B; and number 4 on the Record World R&B; Singles. In other charts, the single was between positions number 22 and number 29 in the U.S., number 27 in the UK, and number 25 and 42 in Canada.
To Basil's surprise, Sybil seems to believe him. Polly calls the front desk impersonating Stubb's secretary, but is almost immediately caught by Sybil. Enraged that Basil hired O'Reilly and refusing to listen to anymore of his lies, Sybil vows to make him regret it for the rest of his life and, after hurling a cash box across the room, goes into a tirade about several times O'Reilly was hired to do jobs that ended with shoddy, disastrous results. When O'Reilly walks into the room and tries to joke about his mistakes and smiles at Sybil (much to Basil's horror), this is the last straw and Sybil proceeds to lash out at both him and Basil with an umbrella, before telling O'Reilly to leave and never return.
The Flying Squad received intelligence that the gang intended to target the HSBC branch in Chandler's Ford and, with assistance from specialist armed officers from CO19 (the Metropolitan Police firearms unit), planned to lie in wait and apprehend the suspects in the commission of the robbery. Armed police officers arrived in the early hours of the morning of 13 September and concealed themselves in a public toilet close to the bank, supported by snipers in overlooking buildings. At 10:05, shortly after the arrival of the G4S van, Mark Nunes (wearing a mask) approached the guard and pointed a gun at him, demanding he hand over the cash box. One of the snipers opened fire, hitting Nunes in the chest.
Unattended jars of jam for sale at the roadside An honesty box is a method of charging for a service such as admission or car parking, or for a product such as home-grown produce and flowers, which relies upon each visitor paying at a box using the honor system. Tickets are not issued and such sites are usually unattended. When used in camping sites and other park settings, they are sometimes referred to as an iron ranger as there is often an iron cash box instead of an actual park ranger.Don Henry's prolific metal sculpture abounds in Homer 'Divas and Dolls' Michael Armstrong, Homer News, 10-15-08 Some stores also use them for selling newspapers to avoid lines at a Cash Register.
In the official music video for Falco's German-language version of "Der Kommissar", Falco is shown in front of a blue screen while stock footage of police cars driving the streets at night play behind him. Falco runs in place (to simulate running from the cops) while lip-synching the song.U.S. Falco music video of "Der Kommissar" at YouTube Another music video for the Falco single released in Europe also exists.European Falco music video of "Der Kommissar" at YouTube "Der Kommissar (The Commissioner)" only reached No. 74 in the US Cash Box Charts in 1983 and did not even chart in the UK, but Falco would break through with major hits in those countries two albums later, with "Rock Me Amadeus" and "Vienna Calling" in 1986.
Critical reviews of Collision Course were generally positive. In an uncredited review, Cash Box magazine noted that "Despite the group's name, its latest album is a wide awake effort which should help liven up everything from radio playlists to parties," praising the range of musical styles on the album and describing it as "100% fun". Similarly, Record World claimed that "The Wheel continues to progress musically with blues, jazz, country and much more with a style all their own," highlighting in particular the recordings of Randy Newman's "Louisiana", J.R. Chatwell's "Pipe Dreams" and Naomi Neville's "Ruler of My Heart". Robert Christgau awarded Collision Course a B– rating, his lowest for the band to date, which he credited to the lack of original material on the album.
Lawrence himself co-wrote "Can't Break It to My Heart" with "Sticks and Stones" co-writer Elbert West, and "My Second Home" with Beard. Lawrence told the blog Taste of Country in 2018 that he "fought" with Atlantic executives over recording "Can't Break It to My Heart", because the label wanted him to record more ballads akin to those of then-labelmate John Michael Montgomery instead. A review of Alibis in Cash Box magazine praised the title track, "I Threw the Rest Away", and "It Only Takes One Bar (To Make a Prison)" as the strongest cuts, while noting the "conviction and authenticity" in Lawrence's voice. Nash was less positive, writing in Entertainment Weekly that Lawrence "settles for clichéd themes and mawkish delivery".
Both sides of the single received a lot of airplay on local Detroit stations, but this b-side never charted nationally (although it was a regional hit). Because of this, and due to the A-side (led by Kendricks) becoming an R&B; hit, Paul would be regulated to B-sides until 1963, and it prevented Al from getting any more main leads on the Temptations singles. None of Paul's leads on the A-side would make the Billboard and Cash Box charts, and by 1965 he would be replaced as the group's main lead by, Bryant's successor, David Ruffin. However Paul Williams would finally get a hit on both the Hot 100 and Hot R&B; charts with 1965's "Don't Look Back".
The song also made a number-one peak in France and Spain, where it was certified gold and platinum, respectively, as well as Austria, Ireland, Sweden and Switzerland. In other parts of Europe and Oceania, "Video Killed the Radio Star" was a number-two hit in Germany and New Zealand, and also charted in Flanders on the Ultratop 50 and in the Netherlands, on the Nationale Hitparade Top 50 (now the Single Top 100) and Dutch Top 40. "Video Killed the Radio Star" did not start charting in North America, however, until November 1979. In the United States, the song appeared on the Billboard Hot 100 and Cash Box Top 100, barely breaking into the top 40 on both charts.
Due to the sexually charged nature of the lyrics, "Let's Spend the Night Together" received less airplay in the US. In the Cash Box chart, which was based on sales only, the song reached number 28. In other countries worldwide, both sides of the single charted separately. In Ireland for example, "Ruby Tuesday" peaked at number six, while "Let's Spend The Night Together" charted separately at number 14, as Ireland's national broadcaster, RTÉ, considered "Ruby Tuesday" to be more suitable for radio airplay. The song features piano by Rolling Stones contributor Jack Nitzsche, organ by Brian Jones, drums by Charlie Watts, piano, electric guitar and bass by Richards, lead vocals by Jagger and backing vocals from both Jagger and Richards.
The album was one of the first production credits for Paul Worley, then primarily known for his work as a session guitarist. The album accounted for three singles on the Hot Country Songs charts: "I Got Mexico", which was Raven's first number 1 hit there, followed by the title track and "She's Gonna Win Your Heart". Cash Box magazine described the title track as "an upbeat tune stressing Raven’s clear, distinct vocals." Writing for Stereo Review magazine (now known as Sound & Vision), Alanna Nash noted that while it had fewer songs written by Raven and a "slightly more mainstream" sound than its predecessors, the album was "well up to his own high standards", while also considering Raven's singing more upbeat and confident than on previous efforts.
Maalfrid had little awareness of Easton and "wasn't too bothered" of Easton recording her songs as she confided to a record company receptionist who responded, "You will be when you get the money". Soon afterwards Maalfrid abandoned her own singing career in favor of songwriting.NZ Musician "You Could Have Been with Me" peaked at #15 (#12 in Cash Box) Cashbox Magazine the week of the 1982 Grammy Awards broadcast (February 25) on which Easton received the Best New Artist Award. Pop Culture Madness, Grammy Awards After the follow-up "When He Shines" peaked at #30 Easton would be absent from the Top 40 until the end of January 1983 when she and Kenny Rogers would release the duet "We've Got Tonight," which reached #6.
Included on his 1983 album, I Don't Speak the Language, the single went to number five on the US Billboard Hot 100 and number four in the UK in January/February 1984. On the US Cash Box chart, Wilder's single reached the number two position, where it remained for two weeks in early February. A remix version reached the top 20 on the dance chart, and the song additionally hit the Billboard Hot Black Singles chart, staying there for four weeks. Though "Break My Stride" was Matthew Wilder's only UK hit, he also reached the US pop chart with his next two singles, "The Kid's American" (#33) and "Bouncing Off the Walls" (#52), before turning to behind-the-scenes work on other artists' recordings.
"I Can See Clearly Now" is a song originally recorded by Johnny Nash. It was a single from the album of the same name and achieved success in the United States and the United Kingdom when it was released in 1972, reaching number one on the U.S. Billboard Hot 100 and Cash Box charts. It has been covered by many artists throughout the years, including a hit version by Lee Towers where it reached the Top 20 in 1982 charting at No. 19 and another hit version in 1993 by Jimmy Cliff, who re-recorded the song for the motion picture soundtrack of Cool Runnings, where it also reached the Top 20 at No. 18 on the Billboard Hot 100.
In the U.S., the song hit No. 1 Cashbox Top 100 It ranked among Cashboxs Top 100 singles of 1968, where it hit the No. 1 position the week ending August 3, 1968.Cash Box Top Singles of 1968 Retrieved 09-26-11 "Lady Willpower" went No. 2 on the Billboard Hot 100 in 1968 (behind "Grazing in the Grass" by Hugh Masekela).Gary Puckett & The Union Gap charting singles Retrieved 09-26-11 and reached No. 26 on the Easy Listening chart.. The song was the No. 34 song on the Billboard Year-End Hot 100 singles in 1968.Billboard Top 100 Songs of 1968 Retrieved 09-26-11 Outside the US, "Lady Willpower" reached No. 5 on the UK Singles Chart during the year.
United Artists issued "Right Back Where We Started From" in the US in January 1976, and the single entered the charts in February to rise as high as #2 on the Billboard Hot 100 on 1 May 1976. Although "Right Back Where We Started From" was held off from the top of that chart for two weeks (by the Bellamy Brothers' "Let Your Love Flow", then John Sebastian's "Welcome Back"), the single did reach #1 on the charts for the two other major US music industry journals, Cash Box and Record World. On 27 April, the single received gold certification for sales of a million units. "Right Back Where We Started From" also appeared on Billboard's Adult Contemporary and Black Singles charts at #5 and #46, respectively.
"We'll Sing in the Sunshine" is a 1964 hit song written and recorded by Gale Garnett which reached number two in Canada, and number four on the U.S. Billboard Hot 100 chart for the week ending 17 October 1964. The song also enjoyed success on easy listening and country music radio stations, spending seven weeks at number one on the Billboard Easy Listening chart and number 42 on the country chart. The Cash Box Top 100 ranked "We'll Sing in the Sunshine" at number one for the week of 31 October 1964, and it also reached number one in Garnett's native New Zealand that November. In Australia, "We'll Sing in the Sunshine" afforded Garnett a Top Ten hit with a No. 10 peak in October 1964.
Raven produced the album with Paul Worley, who was then known mainly as a session guitarist but would become increasingly known as a producer throughout the 1980s and 1990s. Also released as singles from the album were the title track and "She's Gonna Win Your Heart", which both placed within the top ten of Hot Country Songs. Cash Box described the title track as "an upbeat tune stressing Raven’s clear, distinct vocals." Writing for Stereo Review magazine (now known as Sound & Vision), Alanna Nash noted that while it had fewer songs written by Raven and a "slightly more mainstream" sound than its predecessors, the album was "well up to his own high standards"; she also considered Raven's singing more upbeat and confident than on previous efforts.
"Walk On By" is a song composed by Burt Bacharach, with lyrics by Hal David, for singer Dionne Warwick in 1963. The song peaked at number 6 on the US Billboard Hot 100 and number 1 on the Cash Box Rhythm and Blues Chart In June 1964 and was nominated for a 1965 Grammy Award for the Best Rhythm and Blues Recording. Isaac Hayes recorded the song five years later, in 1969, and reached number 30 on the Hot 100 chart and number 13 in the R&B; chartsWhitburn, Joel, The Billboard Book of TOP 40 R&B; and Hip Hop Hits, Billboard Books, New York 2006 with his version. "Walk On By" has since charted numerous times in various countries, with wildly different arrangements.
It reached number one in Cleveland, Ohio; Detroit, Michigan; Elyria, Ohio; and Salt Lake City, Utah; number two in Seattle, Washington and Vancouver, British Columbia, Canada; number three in Tucson, Arizona; and the Top 10 in many other cities in the US and Canada. Nationally, it peaked at number 99 on the Billboard Hot 100 chart on September 24, 1966 and number 91 on the Record World Top 100 Pops chart on October 8, 1966. The corresponding Cash Box listing was at number 70 on October 22, 1966. The band made several television appearances including The Hy Lit Show and The Jerry Blavat Show out of Philadelphia, PA. They also appeared in the Detroit market on Robin Seymour's Swingin' Time show, out of Windsor, Ontario.
Despite the disarray within the shop, the police found no signs of forced entry. It was shortly determined that robbery was the motive: Jones told the police that Mr Farrow would collect the week's earnings and deposit them to a local bank every Monday, and an empty cash box was found on the floor, which was estimated to have contained about £13, a decent amount of money at that time. To ensure the doctor would not trip over it, Sergeant Albert Atkinson pushed it aside with his bare hands. It was at this point that Chief Inspector Frederick Fox and Melville MacNaghten, the Assistant Commissioner (Crime) of the Metropolitan Police and head of the Criminal Investigation Department took over the case.
The single "Jane" peaked on the Billboard Hot 100 at #14 and spent three weeks at #6 on the Cash Box Top 100. "Jane" was featured in the 2009 video game Grand Theft Auto IV: The Lost and Damned, as well as the opening music to the film Wet Hot American Summer and its prequel series Wet Hot American Summer: First Day of Camp. It is one of the few songs that was performed live by both the Paul Kantner-led Jefferson Starship TNG and the Mickey Thomas-led Starship. The song "Lightning Rose" predicts the concept of the Nuclear Furniture album, and in fact its character Lightning Rose would return on Nuclear Furniture as the key character in that album's concept.
Hayes, Roland left in 1967 and Fauntleroy left in 1972 (Fauntleroy leaving to remain in school) and the group became a quartet with the addition of Michel Ward and Greg Cook. Brown left during the following year, replaced by Harold Worthington. The group signed with manager Guy Draper, who landed the act a contract with Kapp Records (MCA/Universal) and became their producer and a principal writer. During this time, their songs were arranged by Donny Hathaway discovered by Draper at Howard University. Soon after signing with Kapp, the Unifics hit national pay dirt with their single, "Court of Love," which reached #1 on Record World and scored on both the Soul and Pop charts in Billboard and Cash Box Magazines in 1968.
Billboard ranked it as the No. 5 song for 1958.Billboard Year-End Hot 100 singles of 1958 Prado's "Patricia" entered the U.S. Cash Box chart week ending June 7, 1958, making No. 1 on that chart for 4 weeks from the week ending July 26, 1958. Prado's "Patricia" entered the UK singles chart in the week of July 25, 1958, peaking at No. 8 (week ending September 5, 1958) during a 16-week chart run. In 1960, Prado released a new stereo recording of the tune, and re-recorded it a third time in a "twist" version issued in 1962 that re-charted in the U.S. Perry Como's recording of "Patricia" from 1950 bears no resemblance to Prado's tune.
Knox was born in the tiny farming community of Happy, Texas, United States, and learned to play the guitar in his youth. In his teens, some high-school friends and he formed a band called the "Rhythm Orchids". After they performed on the same 1956 radio show as fellow Texan Roy Orbison and his "Teen Kings" band, Orbison suggested that Knox go to record producer Norman Petty, who had a recording studio in Clovis, New Mexico, the same studio where Buddy Holly recorded several of his early hits, including "That'll Be the Day". Knox's song "Party Doll" was released on the Roulette record label, and went to number one on the Cash Box record chart in 1957 (after being picked from the tiny Triple-D label).
In that year his first Rare Earth single, "Indiana Wants Me", became a No. 1 hit in his native Canada and in Cash Box magazine in the US. It peaked at No. 5 on the Billboard Hot 100 chart, and at No. 2 in the UK. "Gotta See Jane" was also reissued in 1971, and became a Top 10 success in Canada. His 1972 single "Taos New Mexico" did not do well on the Canadian charts, reaching number 48. Taylor continued recording for Rare Earth, and working as a writer / producer for other artists until Rare Earth was ended in 1976. Though he never again scored the charts as he had done with "Indiana Wants Me", his releases did moderately well, especially in Canada.
Released as a single prior to the album's release, the song entered the Billboard Hot 100 chart on May 26, 1984 at no. 36, and spent four weeks at No. 2 (his highest charting song to date) beginning June 30, 1984 (it was kept off the No. 1 spot by Duran Duran's "The Reflex" and that year's song of the summer, Prince's "When Doves Cry").Marsh, Glory Days, p. 219. It did however reach No. 1 on the Cash Box Top 100 Singles chart. It was also the first of a record- tying seven top 10 hit singles to be released from Born in the U.S.A. "Dancing in the Dark" also held the No. 1 spot for six weeks on Billboard's Top Tracks chart.
The Billboard Book of #1 Adult Contemporary Hits (Billboard Publications), page 373. Working with musicians such as Luther Vandross (who added backing vocals to the track) and keyboardist Greg Phillinganes, Marx sought to explore different musical territory with this single, stating that "I wanted to write an old-fashioned R&B; song." The song became Marx's tenth Top 40 pop hit in the United States, reaching number five in Cash Box magazine and peaking at number 12 on the Billboard Hot 100 chart in late 1991. It also spent four weeks atop the Billboard Adult Contemporary chart, reached number three in Canada, and topped the Canadian Adult Contemporary chart for five weeks (two weeks if not counting the holiday period in which no charts were published).
"Ain't No Woman (Like the One I've Got)" is a song written by Dennis Lambert and Brian Potter, released as a single by the Four Tops on the ABC/Dunhill record label, from the album Keeper of the Castle. It reached number four on the U.S. Billboard Hot 100, number one on the Cash Box Top 100, and became a gold record. The song was originally recorded by the singing trio of Hamilton, Joe Frank & Reynolds and released on their 1972 album, Hallway Symphony. The Four Tops' hit version was led by longtime singer Levi Stubbs, and included special co-lead spots by the other Tops, Lawrence Payton, Renaldo "Obie" Benson and Abdul "Duke" Fakir, in that respective order during the chorus.
Pawan Karan's first poetry volume was published in the year 2000, which was appreciated by readers and critics as well. Leading poems in this volume mainly based on family, love, nature and objects, incidents, episodes and visuals. Many poems of this volume made permanent vicinity in readers mind like Bharosa (Trust), Pita ka Makan (Father's House), Tapedik (Tuberculosis), Dollor, Gullak (Cash Box), Budhi Beriya (Old Berries), Dehari (Threshold), Aamrud (Guava), Shangrahalay (Museum), Louis Braille. From these Bharosa (Trust) has been published in wedding cards and posters on a regular basis. This volume awarded “Raza Samman” from ‘Madhya Pradesh Art Association’ which is given in the memory of world-famous painter "S. H. Raza" and “Ram Vilas Sharma Samman” from ‘Madhya Pradesh Sahitya Academy’.
The single backed with "The Lady Bumps On" was released on the Jupiter record label cat - 16 069 AT in June 1975.45Cat Record Details, Artist: Penny McLean The single reached the 3 million mark.Billboard June 27, 1992 GSA-8 Germany/Switzerland/Austria, German Independents Do It Their Way With House, Instro's And "Nuevo Flamenco" For its popularity in New York discos, the track backed with "The Lady Bumps On" was rated number 14 by November 1975.Billboard November 15, 1975 Page 38 Disco Action In January 1976, it debuted on the Cashbox pop singles charts, peaking at #61.Cash box pop singles charts, 1950-1993 - Pat Downey, George Albert, Frank W. Hoffmann Page 227 In July 1976, "Lady Bump" rated no 7 in Australia's 2S Music Survey.
" He also applauded the backing musicians, calling them "an unusually inspired combo, which on its own plays five-star jazz." Phyl Garland, music critic for Ebony magazine, welcomed Hartman's return to the recording studio and said, "He sings with a rare ease and intimacy as apparent on the standouts Betcha By Golly Wow and a version of Didn't We that is a tour de force of vocal range." Billboard chose Today as a four-star Special Merit Pick, and Cash Box selected it as a Pop Pick, saying, Hartman "soars above the background gentility and supercool ambience to project a style that is both original and totally involving." Village Voice reviewer Victor Stein wrote, "Hartman's voice, for me, is the finest of any male singer's.
"Union of the Snake" is the ninth single by the English new wave band Duran Duran, released on 17 October 1983. "Union of the Snake" was the lead single from the band's third album Seven and the Ragged Tiger (1983), and preceded its release by one month. It was originally titled, "The Union at Stake", when the band were interviewed on The Oxford Road Show in March 1983 before their first performance of "Is there something I should know?" on U.K. television. It became one of Duran Duran's most popular singles, hitting number one on the US Cash Box and peaking at number three on both the UK Singles Chart and the US Billboard Hot 100 at the end of 1983.
A reviewer for Cash Box (August 11, 1973) wrote: The single was a hit in various countries, peaking at No. 11 on the Billboard R&B; singles chart, No. 22 on the Billboard Hot 100, and No. 4 on the UK Singles Chart. Listed a total of 15 weeks, entering at #79 the week ending August 25, 1973, and reaching peak position at #11 the week ending November 3, 1973. Listed a total of 15 weeks, entering at #89 the week ending September 8, 1973, and reaching peak position at #22 the week ending November 17, 1973. Listed a total of 13 weeks, entering at #47 the week ending September 15, 1973, and reaching peak position at #4 the week ending October 20, 1973, where it remained for two weeks.
In 1970, Dunhill Records offered a recording contract to the newly formed 'Hamilton, Joe Frank and Reynolds.' The following year "Don't Pull Your Love," arranged by Ben Benay, hit #1 on the Cash Box Top 100, peaked at #4 on the Billboard Hot 100 chart, sold over one million US copies, and was awarded a gold record by the R.I.A.A. in August 1971. A couple more singles ("Annabella" and "Daisy Mae") charted, but two Hamilton, Joe Frank & Reynolds albums and several other singles failed to register any significant chart action. Tommy Reynolds left the group in late 1972, while Hamilton and Carollo continued recording and touring with various session musicians, such as Larry Knechtel on keyboards and Joe Correro on drums, but their contract with Dunhill was cancelled.
In 1964, Linda Ronstadt moved to Los Angeles to form a band with her old Tucson friend Bobby Kimmel, who had already begun co-writing several folk-rock songs with guitarist-songwriter Edwards. As The Stone Poneys, the band was signed by the late Nik Venet to Capitol and released three albums in a 15-month period in 1967–68: The Stone Poneys; Evergreen, Volume 2; and Linda Ronstadt, Stone Poneys and Friends, Vol. III. The band is best known for their hit single "Different Drum" (written by Michael Nesmith prior to his joining the Monkees), which reached No. 13 on the Billboard Hot 100 and No. 12 in Cash Box. (It hit #1 in Los Angeles and reached #6 in the Detroit marketplace.) The song remains one of Linda Ronstadt's most popular recordings.
Due to religious persecution and the increasing number of its members, Pule decided to have the cofradía recognized by the colonial government and the Roman Catholic Church. He first sought recognition and authorization from the Bishop of Camarines but his request was denied. Not discouraged, he then sought the approval of the Real Audiencia but he was also ignored. In addition to the accusations of heresy, there was a rumor that the cofradía was planning to murder the alcaldes of Camarines and Laguna. The Franciscan friars of Tayabas passed this information to the gobernadorcillo of Lucban, who ordered a raid on October 19, 1840, during the cofradía's monthly meeting. The authorities arrested 243 cofradía members and confiscated their cash box, two large portraits of Pule stylized as a saint, and Pule's letters to the cofradía.
The song " You, I " was also covered by a couple of other international groups (The Pepper Smelter Group, from Peru, and the Climax, from Belgium). The latter part of 1969 and all of 1970 were spent touring the midwest and northeast, playing on the same bill with artists like Bob Seger, Grand Funk Railroad, the James Gang, and many others. Later that year, the band released their only album, Hot Cargo, which received only mild success due to a complete lack of national promotion and a failure by Shelby Singleton in 1969–70 to recognize the upsurge of FM radio. "Wendegahl the Warlock" was the follow-up single to "You, I", but was not as successful, charting at #122 on the Cash Box charts and #84 on Record World.
"The Wayward Wind" is a country song written by Stanley Lebowsky (music) and Herb Newman (lyrics). The song is about a sad tale of a lover who became the next of kin to the restless wandering wayward wind. The other lover lived in a shack by the railroad track in their younger days; however, the lover hoped to settle down with the other, but, resumed to keep on wandering, leaving the lover alone with a broken heart. In 1956, versions were recorded by Gogi Grant, Tex Ritter, and Jimmy Young, of which Grant's was the biggest seller in the United States and Ritter's in the United Kingdom. The song reached No. 1 on the Cash Box chart, which combined all recorded versions, while Grant's version reached No. 1 on the Billboard chart on its own.
Cash Box, November 11, 1967 - Page 26 Best BetsDiscogs - Various – Grab This And Dance!! (back cover notes)Garage Hangover, March 25, 2013 - Duane Records discography The Wm Penn crew lineup included Dan White, Jim Slade, Jo Ann Gunther, Lonny Gunther and Jeff Blanskma.Discogs - The Hush Records Story Big Beat Records – CDWIKD 154, Notes, The Hush Records Story Wm Penn & the Quakers 1967 In addition to their release on Hush G 230, they also released "Goodbye My Love" bw "Ghost Of The Monks" on Twilight 45-410 in 1967 and "Coming Up My Way" bw "Care Free" on duane 104 in 1968.45Cat - Wm. Penn And The Quakers - Discography ;Joe Simon Between 1960 and 1962, Joe Simon had five solo singles released on the Hush label. These were his first solo releases.
When it released "Please Please Me" in the United States, Vee-Jay Records signed a licensing agreement giving it the right of first refusal on Beatles records for five years. Despite the failure of "Please Please Me" to catch on, Vee-Jay chose to release "From Me to You"; as a result, it was never turned down by Capitol, because it was never offered to them. "From Me to You" was released on Vee-Jay 522, with "Thank You Girl" on the B-side, on 27 May 1963. Even though Cash Box magazine called it a "Pick of the Week" when it was released, it initially failed even more miserably than its predecessor; through the end of June, "From Me to You" sold fewer than 4,000 copies and had failed to chart anywhere.
She added that she believed that the young man her parents knew and thought was a bad lot - and very possibly a murderer – was Parry. Author Antony M. Brown surveyed all the published theories, both evidentially and logically, in his 2018 book Move to Murder,Antony M Brown, Move to Murder, Mirror Books, before concluding that, on balance, a previously-unpublished theory "is the best explanation for one of the most puzzling murder cases in British criminal history." The new theory, first posited in 2008 by Merseyside-based researcher Rod Stringer, holds that Parry was indeed the brains behind a robbery, which turned to murder when his unknown accomplice was confronted by Julia after rifling the cash box – after first gaining entry to 29 Wolverton Street on the pretext he was “Qualtrough”.
"The Coast" Record World 27 December 1980: 63 In the UK the album debuted at number one on the UK Albums Chart, McCartney's first number- one since Venus and Mars in 1975 and EMI reported the album was on track to equal the sales of Band on the Run."International" Cash Box 2 August 1980: 35 The second single from the album, "Waterfalls", was also successful in the UK, reaching number nine in the singles chart. In the US, initial sales were strong based on the strength of the hit single "Coming Up" and the album reached number three in its second week on the Billboard album chart where it remained for five weeks. "Waterfalls" went virtually unnoticed in the US, only "bubbling under" the Billboard Hot 100 at number 106 for one week.
Cathy Jean and the Roommates released a cover of "Please Love Me Forever" in 1960."This Week's New Money Records", Billboard, October 10, 1960. p. 33. Accessed October 11, 2018 Their version was released as a single and on the album At the Hop!Pollock, Bruce (2014). Rock Song Index: The 7500 Most Important Songs for the Rock and Roll Era, Routledge. p. 284. Retrieved March 23, 2018. It spent 12 weeks on the Billboard Hot 100 chart in 1961, peaking at No. 12, while reaching No. 23 on Canada's CHUM Hit Parade. The song also reached No. 10 on the Cash Box Top 100 in 1961, in a tandem ranking of Cathy Jean and the Roommates and Sunny Gale's versions, with Cathy Jean and the Roommates' version marked as a bestseller.
This was a major break, a chance to get an A-side and maybe even a hit, so we would have absolutely lied through our teeth if there wasn't a full song'. Carpenter selected the composition for the duo's third single and included it on the LP Close to You. Released in late summer 1970, the single featured Karen's lead vocals and the overdubbed harmonies of both siblings. Following their hit "(They Long to Be) Close to You" onto the charts, "We've Only Just Begun" hit No. 1 on the Cash Box singles chart and No. 2 on the U.S. Billboard Hot 100 behind The Jackson 5's "I'll Be There" and The Partridge Family's "I Think I Love You", becoming the pair's second million-selling gold single.
Douglas hit #1 on the disco chart with "Midnight Love Affair"; the song did appear on the Top 100 chart in Cash Box magazine but only via a cover by Tony Orlando and Dawn which reached #94. (In France, Douglas's version reached #82.) Douglas's other recordings included "Headline News" – a minor Edwin Starr hit from 1966 written by "Doctor's Orders" co-writer Roger Greenaway and remade by the latter track's originator Sunny – and in the tradition of "Doctor's Orders" Douglas cut discofied covers of several songs which were current or recent hits in the UK including ABBA's "Dancing Queen", "I Wanna Stay With You" by Gallagher and Lyle, and "So You Win Again" by Hot Chocolate. In 1977 she recorded the single "You Make Me Feel The Music" for the soundtrack to the film Haunted.
The "Darlin'" single, backed with "Here Today", was issued by Capitol Records in the United States in December 1967. The single peaked at the number 19 position on the Billboard charts, but it placed at number 10 on the Cash Box sales chart. Radio station playlists showed popularity in Santa Barbara (#1), Los Angeles (#2), Toronto (#3), Baltimore, Norfolk, Albany tri-cities, Phoenix and Tucson (all #4), Washington, Boston, San Diego, Salt Lake City, Honolulu (all #5); Montreal, Fresno, Portland, Milwaukee, Louisville (all #6); Vancouver and Columbus (#7), Dallas, Pittsburgh and Hartford (all #8), Toronto and Denver (#9), Jacksonville (#10), Miami (#12), Cincinnati and Rochester (#13), New York and Nashville (#14). In the United Kingdom the single was issued in January 1968 with the B-side "Country Air".
In the February 14, 1970, issue of Cash Box, its editors predicted that Lowry's version of the song was going to be a hit.Cash Box, February 14, 1970 - Page 26 REPUBLIC RECORDS PRESENTS RON LOWRY An article about Lowry that appeared in the March 14 edition of the Arizona Republic stated that the record was now being released throughout Europe and there were expectations of international popularity for it.Arizona Republic , Saturday, March 14, 1970 - Page 152 Lowry's latest recording on national charts By SHARY MYARS It peaked at No. 39 on May 2 and spent a total of ten weeks on the country singles chart.Billboard.com - HOT COUNTRY SONGS, The Week of May 2, 1970 "Marry Me" was one of 31 songs to receive an ASCAP award in October 1970.
In February 1975, Young released "Yesterday's Hero", a song about the fleeting nature of pop stardom which drew on Vanda & Young's own experiences as former teen idols. The single shot into the national charts in April and gave Young his first top ten hit, reaching No. 8 on the Australian singles chart. The single sold strongly in the United States, where it reached No. 44 on the Cash Box Top 100 in February 1976. One of the key factors in the Australian success of "Yesterday's Hero" was the film clip made to promote it, which enabled the song to be given heavy exposure on Countdown, which had just switched to its new one-hour Sunday evening format, following the official start of colour TV broadcasting on 1 March 1975.
During a surreal conversation with the apparently dead Mathers, the narrator hears another voice speaking to him which he realises is his soul: "For convenience I called him Joe." The narrator is bent on finding the cash box, and when Mathers tells him about a remarkable police barracks nearby he resolves to go to the barracks and enlist the help of the police in finding the box. On the way, he meets a one-legged bandit named Martin Finnucane, who threatens to kill him but who becomes his friend upon finding out that his potential victim is also one-legged. The narrator approaches the police barracks and is disturbed by its appearance: > It looked as if it were painted like an advertisement on a board on the > roadside and indeed very poorly painted.
Cash Box wrote that "the group who surprised everyone by breaking out of clubs and onto the pop charts clocks in with its second single, driven by the same intense vocals and formidable House groove that skyrocketed its U.S. debut single, "Everybody, Everybody"." The Daily Vault's Michael R. Smith described it as "effective and timeless" in his review of Dreamland and added that it now "sound fresher and fuller of life than ever." Gene Sandbloom from The Network Forty wrote that the song "has every bit the house power, but this time lead vocalist Katrin Quinol kicks off with an Annie Lennox intro that leaves you almost exhausted after four minutes." Chris Heath from Smash Hits noted that it is "exceedingly similar" to "Ride on Time" and said it is "slightly brilliant".
Media response to Cocked & Loaded was generally positive. Cash Box magazine claimed that the band had "grown by leaps and bounds" since the release of their self-titled debut the previous year, praising the performance of lead guitarist Tracii Guns in particular. Billboard magazine's review was more mixed, as they described the album as "a spotty affair" and added that the band "has a sound that verges on the metal generic at times, but when the members click ... they can run with the best of the pack". The opinion of Los Angeles Times writer Janiss Garza was similar, who claimed that "The L.A.-based quintet's blatant disregard for subtlety works, as long as you don't think too deeply" and praised "Magdalaine" and "Give a Little" in particular as "a few interesting turns".
In the Cash Box Top 100, it reached the number 3 spot on 28 September 1963, its highest position; it remained there for another week (5 October 1963). It was also a hit in France, reaching number 7 with a 17-week chart run, and reached number 2 in New Zealand. Tuff released a Sally Go 'Round the Roses album which, despite the group being promoted as a quintet, displayed a cover image of a trio, only two of whom, Ethel Davis and Lezli Valentine, are identifiable. Besides the title cut, in both vocal and instrumental versions, and the follow-up single "Keep an Eye on Her", the album featured "Archie's Melody", "Bongo Bobby", "I Wanna Know", "No Love at All", "One Track Mind", "Pick Up My Marbles", "School Days" and "See Saw".
While he'll never be the paradoxical combination of David Bowie and Bruce Springsteen he sometimes seems, Harley is a real rocker - smart enough to sing the Temptations' "I Wish It Would Rain" better than Mick Jagger's ever covered Motown, dumb enough to dedicate a song to Virginia Woolf. Don't trust either - "Hot Youth" is this album's most blatant pitch to its potential audience, and the best Harley song I've ever heard."Poughkeepsie Journal (Poughkeepsie, New York) - Album Reviews - 20 October 1978 - page 11 Cash Box commented: "Steve Harley is now a solo artist with an album that focuses upon his irreverent, charismatic songwriting style and personality. Hobo with a Grin contains a diverse array of material, ranging from the intimately-designed "Living in a Rhapsody" to the exuberant "Roll the Dice".
" Cash Box wrote that "Fastlove" "pumps up both the volume and the velocity for a terminally danceable, happy-feet track that's sure to become a staple in discos across the U.S." They also said that it features "the sort of ultra-lush, opulent soul vibe that's been Michael's hallmark throughout his career." Entertainment Weekly's Jim Farber gave the song an "A", he stated: "It took real guts to release a salute to a one-night stand in this, the era of abstinence," also praising its "devilishly seductive bass" and "sleekly probing horns". Ferber concluded his review by calling the track "best slow-groove dance record since Lisa Stansfield's 'All Around the World.'" Hans-Petter Kjøge from Norwegian newspaper Fredrikstad Blad described it as "quality pop of the best brand.
"Be-Bop-a-Lula" was not on Vincent's first album and was picked by Capitol producer Ken Nelson as the B-side of his first single, "Woman Love". Prior to the release of the single, Lowery pressed promotional copies of "Be-Bop-a-Lula" and sent them to radio stations throughout the country. By the time Capitol released the single, "Be-Bop-A- Lula" had already gained attention from the public and radio DJs. The song was picked up and played by other U.S. radio stations (obscuring the original A-side song) and became a hit, peaking at number 5 and spending 20 weeks on the Billboard pop chart and reaching number 5 and spending 17 weeks on the Cash Box chart, and launching Vincent's career as a rock-and-roll star.
Billed as the Murmaids, the Fischer sisters and Sally Gordon recorded five tracks for Fowley: "Popsicles and Icicles" (written by David Gates, the future founder and front man of the band Bread), and four other tracks – "Blue Dress", "Bunny Stomp", "Comedy and Tragedy", and "Huntington Flats" – each of which served as a B-side for one of the pressings of "Popsicles and Icicles". According to lead vocalist Terry Fischer, the Murmaids completed the tracks for an album release "a couple of weeks after we recorded the single." The vocal arrangements for the Murmaids sessions were by Skip Battin. "Popsicles and Icicles" began receiving airplay in Los Angeles in October 1963, breaking nationally in November, and reaching its peak at No. 3 on Billboard and Cash Box on charts dated 11 January 1964.
Produced by Lubin, "Jennie Lee" (Arwin 108), backed with "Gotta Get a Date" (credited to Ginsburg, Berry & Lubin), became a surprise commercial success. According to Berry's biographer Mark A. Moore, "The song (with backing vocals, plus additional instruments added by the Ernie Freeman combo) had a raucous R&B; flavor, with a bouncing bomp-bomp vocal hook that would become a signature from Jan on future recordings." Distributed by Dot Records, "Jennie Lee" was released in mid-April, entered the charts on May 10, 1958, the same day they appeared on ABC's Dick Clark Show. "Jennie Lee" peaked at No. 3 on the Cash Box charts on June 21, 1958, No. 4 on the R&B; charts, and No. 8 on the Billboard charts on June 30, 1958.
The Sanford-Townsend Band featured keyboardists Ed Sanford (from Montgomery, Alabama) and Johnny Townsend (from Tuscaloosa, Alabama), who previously worked together in a Tuscaloosa-based band called Heart (not to be confused with the band of the same name fronted by Ann and Nancy Wilson from Seattle/Vancouver). After reuniting in Los Angeles, Sanford and Townsend signed a publishing deal with Chappell Music and began writing songs, most notably "Peacemaker" for Loggins and Messina, which was co-written by Sanford and Townsend with Kenny Loggins. Their 1976 self-titled album, recorded at the famous Muscle Shoals Sound Studio in Alabama, started getting attention when "Smoke from a Distant Fire" reached No. 9 on the Billboard Hot 100, No. 9 in Cash Box, and No. 13 in Record World. The album was retitled with the name of the hit song and re-released.
Grant initially released it as a single in 1983, and reached No. 2 on the UK Singles Chart. In 1983, CBS decided to launch the single in the U.S., where it spent five weeks at No. 2 on Billboard Magazine's Hot 100 charts and hit No. 1 in Cash Box Magazine. (It was kept out of the No. 1 spot on Billboard's Hot 100 by a combination of two songs, "Flashdance... What a Feeling" by Irene Cara and that year's song of the summer, "Every Breath You Take" by The Police.) "Electric Avenue" was a hit on two other US charts: On the soul chart it went to No. 18, and on the dance charts, it peaked at No. 6. It was nominated for a Grammy Award as Best R&B; Song of 1983, but lost to Michael Jackson's "Billie Jean".
"'Nothing but a Heartache" is a Pop and Northern Soul hit originally released on the Deram Records label in November 1968 by South Carolina trio The Flirtations. Produced by Wayne Bickerton and co-written by Bickerton and Tony Waddington — the British songwriting/producing duo later responsible for the 1970s successes of The Rubettes — "Nothing But a Heartache" just missed the UK Top 50, peaking at 51. However the track reached the Top 40 in both the Netherlands (#36) and in the US, where it spent two weeks at #34 in late May 1969 during what was then considered a lengthy 14-week run on Billboards Hot 100 – especially for a hit that did not reach the top 30.”Billboard Hot 100 Charts – The Sixties”, Record Research Inc, 1990 The single did, however, reach #31 on Cash Box and #25 on Record World.
Clayson, pp. 315, 318. In America, it spent six weeks at number 2 on the Billboard Top LPs chart,Castleman & Podrazik, p. 363. kept from the top by Don McLean's American Pie,Spizer, p. 239. which was one of the top-selling albums there for 1972."Year End Charts – Year end Albums (1972)", billboard.com, 2007 (archived version retrieved 15 May 2015). On the other US charts, compiled by Cash Box and Record World, the live album peaked at number 2 and number 1, respectively. In the UK, The Concert for Bangladesh became Harrison's second number 1 album, after All Things Must Pass in early 1971."Number 1 Albums – 1970s", Official Charts Company (archived version retrieved 10 June 2011). The album was certified gold by the RIAA on 4 January 1972 for sales of over 500,000 units.Castleman & Podrazik, p. 332.
Contemporary reviews of Served Live were generally positive. Cash Box magazine described the record as "another solid package of big band material that could make even the staunchest non-dancer get up and do some toe-tapping and finger-snapping," and as "a live album full of energy and spice and lots of sassy horns". Similarly, a short review published in Record World magazine noted that "The group is well-known for its rousing live performances, and much of that energy is captured here, from the laid-back jazzy treatment ... to the good time honky-tonk mood" praising the collection as "a nice balance of sound quality and the live presence". People magazine claimed that "There's a gutsy, loose Friday-Saturday night feel to the album", praising the band for "demonstrat[ing] a gratifying recognition of their musical heritage".
The Supremes: A Saga of Motown Dreams, Success, and Betrayal- Page 65 In 1960, the Miracles reached the charts with "Way Over There", their second national hit, which Robinson wrote and based on the Isley Brothers' "Shout". Later that year, the Miracles released "Shop Around", backed with "Who's Lovin' You", which became the group's first smash hit, reaching number one on the R&B; charts, number two on the Billboard Hot 100, and number one on the Cash Box Magazine "Top 100" Pop Chart, and was the first Motown single to sell a million copies. Both sides of this record became classics, and standards for R&B; and rock musicians alike for several decades afterwards. As a result of this success, the Miracles became the first Motown act to appear on Dick Clark's "American Bandstand" on December 27, 1960.
After hearing a Chet Atkins recording of "Walk, Don't Run", the Tacoma-based instrumental rock band The Ventures released their version of the tune as a single in spring 1960 on Dolton Records. This version made the Billboard Hot 100 chart, peaking at #2 and was kept out of the #1 spot by "It's Now or Never" by Elvis Presley. "Walk, Don't Run" also made the US Hot R&B; Sides chart, where it went to #13. The instrumental reached #3 on the Cash Box magazine chart for five weeks in August and September 1960. The Dolton release of this record had two backing sides, the first release (Dolton 25) had "Home", and after initial sales were so great, the B side was replaced with a Bogle-Wilson original composition, "The McCoy" (Dolton 25-X), to gain royalties.
Critical response to Asleep at the Wheel was generally positive. In an uncredited review, Cash Box magazine credited the band for the "gaining momentum" of progressive country, stating: "The group has gained considerable repute for their live act and their first album for Epic marks a worthy label debut as these seven dyed-in-the-wool country buffs confidently rip their way through numbers like "Choo Choo Ch'Boogie," "I'm Gonna Be a Wheel Someday," and "Bloodshot Eyes."" In a retrospective review for website AllMusic, James Allen gave Asleep at the Wheel three and a half out of five stars, praising the "multitude of styles" present on the record including Western swing, jazz and honky-tonk. Music critic Robert Christgau gave the album a B rating, lower than the A– awarded to Comin' Right at Ya, comparing it to the style of Bob Wills.
"Let's All Chant" was released as a single with "Love Express" as a B-side in December 1977, on Christmas week. Zager thought it was the worst time to release the single because many artists usually released their albums during this period and thought the single would only become a "disco hit". However, the single became an unexpected smash hit. It climbed to number one on the disco chart on February 18, 1978, knocking Cerrone's "Supernature" off the top spot, and remained atop the chart for one week, before being toppled by Bionic Boogie's "Dance Little Dreamer". In the US, "Let's All Chant" also charted at number 15 on the Soul Singles chart, number 25 on the Cash Box Top 100 Singles, number 31 on the Record World and number 36 on the Billboard Hot 100.
The afterthought track spent four months on the Hot 100 in the summer of 1963, reaching #2, kept out of the top slot only by Stevie Wonder's "Fingertips". Meanwhile, the original A-side "Surfer Joe", sung by Ron Wilson, only attracted airplay in the wake of "Wipe Out"'s success, peaking at #62 during its six-week run. "Wipe Out" returned to the Hot 100 in 1966, reaching #16 on the Hot 100 (and #63 for the year), peaking at #9 on the Cash Box chart, selling approximately 700,000 copies in the U.S. The single spent a grand total of 30 weeks on the Hot 100. Wilson's energetic drum solo for "Wipe Out" (a sped-up version of his Charter Oak High School marching band's drum cadence) helped the song become one of the best- remembered instrumental songs of the period.
Lunar Lander proved moderately commercially successful, selling 4,830 cabinets. Cash Box noted in September 1979 that the machines were very popular with customers. It was Atari's first vector graphics game and the first multiple-perspective video game with the inclusion of the up-close view of the lander. Atari developed a two-player version of the game, but only two prototypes were ever made as it did not enter production. The two-player version was cancelled as Lunar Landers popularity was soon overtaken by Atari's Asteroids (November 1979), which used the same vector graphics engine and which had initially been based on Lunar Landers code. Atari ceased production early on Lunar Lander in favor of shipping Asteroids games in Lunar Lander cabinets; the first 300 Asteroids games were released with Lunar Lander artwork on the side.
"I'm Gonna Be Warm This Winter" was issued in the US at the beginning of December 1962: Francis promoted the track on the December 13 broadcast of American Bandstand marking Francis first appearance on the show since 1958. "I'm Gonna Be Warm This Winter" reached the Top 20 in a number of regional markets generally peaking outside the Top Ten, although the track was especially successful in Seattle reaching #4 and #5 on the hit parades of respectively KOL and KJR in January 1963. The national peak of #18 was reached in both Billboard and Cashbox on their respective singles charts dated January 26, 1963. In January 1963 the original B-side of "I'm Gonna Be Warm This Winter": "Al di là", picked up enough airplay to reach #90 on the Billboard Hot 100 (#87 in Cash Box).
In the U.S., the song also reached number thirteen on the Cash Box Top 100, number fourteen on the Hot Dance Club Play chart, and number seventeen on the Record World Singles chart. "Whip It" found international success, peaking at number seventy-seven on the Australian Kent Music Report, number eleven on the Canadian RPM Top Singles chart, number eleven on the Official New Zealand Music Chart, and number fifty-one on the UK Singles Chart. The song was certified gold in the U.S. and Canada, denoting shipments of 1,000,000 and 75,000 copies respectively. In a retrospective review, Huey said the song has "an irresistibly odd novelty appeal" and that it was "one of the best arguments that punk ideology didn't necessarily lose its bite when placed in the more pop-oriented musical context of new wave".
Denver's composition also made it to the U.K. No. 2 spot in February 1970, having also made No. 1 on the U.S. Cash Box chart in December 1969. Although RCA did not actively promote Rhymes & Reasons with a tour, Denver himself embarked on an impromptu supporting tour throughout the Midwest, stopping at towns and cities as the fashion took him, offering to play free concerts at local venues. When he was successful in persuading a school, college, American Legion hall, or local coffee house to let him play, he distributed posters in the town and usually showed up at the local radio station, guitar in hand, offering himself for an interview. With his foot in the door as writer of "Leaving on a Jet Plane", he was often successful in gaining some valuable promotional airtime, usually featuring one or two songs performed live.
The bass guitar part can be heard three times between the verses, and the bells are heard again in the instrumental interlude played mid-song. During the track's outro, Pointer sings "It's heaven, it's heaven, I'll love you more and more each day..." in a lower register with a raspy tone, reminiscent of Louis Armstrong. Pointer had spontaneously "channeled" Armstrong while recording her vocal for the album version of "Heaven Must Have Sent You" and the result was considered sufficiently catchy to be brought forward to the disco version of the song. Issued with an edit of the original album version as B-side, the disco version of Pointer's "Heaven Must Have Sent You" became a hit over the summer and early fall of 1979 peaking at #11 on the U.S. Billboard Hot 100 and #10 on Cash Box that October.
"I Can't Seem to Say Goodbye" is a song written by Don Robertson and originally recorded by Jerry Lee Lewis during his time with Sun Records. The recording didn't see the light of day until 1970, when it was included on the second Jerry Lee Lewis album released by the new owner of Sun Records, Shelby Singleton. (In June 1969, Sun Records founder Sam Phillips sold the entire Sun catalog to Shelby Singleton, which included a treasure trove of unreleased Lewis recordings. With Jerry Lee's rebirth as a country star for Smash Records, Singleton began releasing these older songs and packaged them in such a way that many buyers assumed they were recent recordings.) The song was also released as a single from that album, reaching number 6 on the Cash Box Country Singles chart and number 7 on the Billboard country chart.
The album's first single release was Chuck Berry's "Back in the USA" which reached #11 on the Cash Box Top 100 and #16 on the Billboard Hot 100. (It was listed at #1 on many Album Rock playlists.) The disc's biggest success was Ronstadt's version of Smokey Robinson's "Ooh Baby Baby" (featuring alto-sax work from David Sanborn) that hit #7 Pop and #2 Easy Listening as well as the Country and even the Soul chart. "Just One Look" and "Alison" later became hit singles for Ronstadt as well, while "All That You Dream" and Warren Zevon's "Mohammed's Radio" were popular tracks on Album-Oriented Radio stations. Although not released as a single, Ronstadt's version of "Love Me Tender" was edited together with the original version of the song by Elvis Presley, creating a duet between the two famous singers that was played by many radio stations at the time.
"That Day When She Needed Me" (also known as "I was a Thousand Miles Away That Day When She Needed Me"), is a 1964 R&B; song by the Motown Records group The Contours, on the label's Gordy Records subsidiary imprint. Issued as the "B" side of their hit "Can You Jerk Like Me", this song broke out as a hit on its own, reaching #37 on the Cash Box R&B; listings that year.(Billboard had temporarily suspended its R&B; Chart in 1964.) Written, composed, and produced by Miracles lead singer Smokey Robinson, this song was different from every other tune the Contours had recorded up to that point. A unique counterpoint to the group's trademark rough, raucous delivery, "That Day" was a soft, quiet, and heart-felt ballad with a unique call and response delivery,(structured like a "question and answer session").

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