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"cashbox" Definitions
  1. a box or other receptacle for keeping cash
"cashbox" Synonyms
till checkout counter box drawer tray strongbox kitty safe treasury vault cash box sales register cash desk cash drawer cash register point of sale pay desk money box register

579 Sentences With "cashbox"

How to use cashbox in a sentence? Find typical usage patterns (collocations)/phrases/context for "cashbox" and check conjugation/comparative form for "cashbox". Mastering all the usages of "cashbox" from sentence examples published by news publications.

type: All Declarative Interrogative Exclamative

structure: All Simple Compound Complex Compound-Complex

length: All <=10 words 10-20 words 20-30 words 30-50 words

Dimchev gave one audience member a cashbox with $1000 to pay the writers and performers.
I am worried you might, at the end, try to hog the contents of the cashbox.
I'll do the pouring while you mind the cashbox and at the end we will split the proceeds fairly.
" He then made two 45s with full-page ads in Billboard and Cashbox that hailed Bobby "The Next Phenomenon.
In the market's offices on the second floor above the food stalls, clerks in the 1970s kept guns in their drawers, relying on bodyguards to deter cashbox robberies.
Temperature-wise, yes, but storms remain an issue—the tropical cashbox took a direct strike from a hurricane in 21.9, which ended up damaging 255 percent of the nation's buildings.
In its 22019 budget proposal, the Treasury Department is seeking "a central cashbox to draw from for security fixes that could lessen the blow of anticipated hack attacks," NextGov writes.
Mae unravels over the episode when she can't access the device due to multiple hijinks, eventually attempting to steal a cashbox from her place of employment in a last-ditch attempt to purchase lock-picking supplies.
34 on Billboard and no.38 on Cashbox, "Hot Dog Buddy Buddy" reached no.36 on Cashbox, and "Rockin Thru the Rye" reached no.39 on Cashbox.
The concert film was originally shown on MTV.Billboard February 6, 1982, page 3 & 82; Cashbox February 6, 1982, page 19; Cashbox February 13, 1982, page 31 The CED was released in 1982. The laserdisc and videocassette versions were released in 1983.Billboard June 18, 1983, page 37; Cashbox July 9, 1983, page 13; Cashbox July 16, 1983, page 14 The CED, videocassette and laserdisc versions are currently out-of-print.
The current leadership of Cashbox includes Ed Russell, Doug Stroud, Harold Miller, Christopher Elrod, John Hook, Tommy Smith, David Bowling, Randy Price, Father Jim Drucker, and Lee Vyborny. Featured columnists include Jim Rose and nationally syndicated music columnist Jerry Osborne. The Cashbox legal advisor is Mike Duncan. Sandy Graham is CEO of Cashbox Canada.
The Kingsmen's 1964 follow up to "Louie Louie" was a party version of "Money (That's What I Want)" which hit the Billboard Hot 100 at No. 16 and on Cashbox at No. 17\. Then came "Little Latin Lupe Lu" peaking on Billboard at No. 46 and Cashbox at No. 49\. After that it was "Death of An Angel" No. 33 on Cashbox and No. 42 on Billboard. 1965 saw the Kingsmen return to the Top 10 nationally with "The Jolly Green Giant" reaching No. 4 on Billboard and No. 8 on Cashbox. The novelty number also made No. 25 on the Billboard R&B; chart and hit No. 1 on the RPM Canada chart. The follow-up song was "The Climb", No. 45 on Cashbox and No. 65 on Billboard. "Annie Fanny" was released next reaching No. 43 on Cashbox and No. 47 on Billboard. Next came "(You Got) The Gamma Goochee", No. 98 on Cashbox and No. 122 on Billboard.
Shane and Robert Bartosh control the Roots data. Bruce Elrod is the owner and remains the registered agent for Cashbox. Cashbox is now operated from Ridgeway, South Carolina. In 2013, Joel Whitburn's Record Research Inc.
Cashbox was a music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and now continues as Cashbox Magazine, an online magazine with weekly charts and occasional special print issues.
The song, "Mom", reached No. 39 on the Cashbox Top R&B; Singles chart.
Lenny Stoute, Jaimie Vernon and The Canadian Pop Music Encyclopedia . Cashbox, August 12, 2011.
Cashbox, October 14, 1978 - Page 32 Fifty States Signs For Representation With WIG Conmp.
The latter was also the band's highest charting single, peaking at #2 on Cashbox.
It was quickly certified as a million-selling Gold disc. This was followed during the next two years by "Young Girl" (No. 1 in Cashbox, No. 2 in Billboard), "Lady Willpower" (No. 1 in Cashbox, No. 2 in Billboard), "Over You" (No.
22 on Billboard and no.25 on Cashbox, along with a mixture of originals and cover versions of standards and jazz songs. "Lean Jean", a song musically and thematically almost identical to "Skinny Minnie", also charted in 1958, reaching no. 52 on Cashbox.
Cashbox (January 20, 1973). and number 7 on Record World. "Let's Pretend" reached number 35 on Billboard, number 18 on Cashbox, and number 14 on Record World. It was their highest-charting album, peaking at number 36 on the Billboard album chart.
Cashbox Magazine The song also reached number 6 in the UK and number 4 in Canada.
Hit Kit is a greatest-hits compilationDream Boogie: The Triumph Of Sam Cooke, Peter Guralnick, pg. 308. (Little Brown and Company, 2005) by American singer- songwriter Sam Cooke. The package of previously released singles was assembled, according to Cashbox, for "quick commercial consumption."Cashbox, October 10, 1959.
In October 1964 Gaye's single peaked at number 27 on both the Billboard Hot 100 and the Top 100 singles chart in Cashbox, with Cashbox affording the single a number 14 peak on its R&B; chart (Billboard was not maintaining an R&B; chart at this time).
As of April 2015, Cashbox Magazine has added the following music charts: Roots Music, Bluegrass Singles, Bluegrass Gospel Singles, Beach Music Top 40, Roadhouse Blues and Boogie Top 40, Country Christian Top 100 Singles and Southern Gospel Singles. The online magazine also relaunched the Looking Ahead Charts on March 1, 2015, covering all genres of music. The Cashbox Top 100 has been expanded to the Top 200. All chart data for the main Cashbox charts is provided by Digital Radio Tracker.
The chart was originally dropped because it became dominated by pop records. Cash Box was reinvented as the online-only Cashbox Magazine in 2006, with the consent and cooperation of the family of George Albert, the late president and publisher of the original edition. Cashbox has occasionally issued special print editions.
U.S. Video Team Holds Tourney - CashBox Magazine, October 22, 1983 U.S. vs. Japan Video Tournament? - CashBox Magazine, August 27, 1983 They're Masters of Video Games - Spokesman-Review, Spokane, WA, August 24, 1983 In 1988, the Guinness Book of World records stopped publishing records from Twin Galaxies due to a decline in interest for arcade games.
On July 11, 1992, "The Letter" peaked at number one on the Cashbox Top 100 Country Singles chart. After remaining on the Cashbox Top 100 Pop Singles chart for almost six months, "The Letter" reached number one in December 12, 1992. Despite peaking at number one in Cashbox, "The Letter" did not chart on any Billboard chart, though it was reviewed by the magazine and did appear on Billboard's music- videos Clip List for a few months, as TNN (The Nashville Network) listed it among its rotation of videos.
3 on the Adult Contemporary chart.[ Billboard Singles @ Allmusic.com] The song also reached no. 10 on Cashbox and went to no.
The amount held back and not paid, is "cashbox two", the portion "forgotten" by the financial accounting department of the enterprise.
Natalia's current single "On The Floor" is No. 1 on DRT Independent Charts and Cashbox Magazine Charts No. 38 on DRT National Charts and Cashbox Magazine Charts. In 2020 Natalia Damini releases "Pacemaker" featuring Petey Pablo peak #1 on Digital Radio Chart, debut #36 on Billboard Mainstream Indicator Chart and #50 on Mediabase All Published Top 50 Chart.
The song peaked in the United States at number 19 on the Cashbox Top 100 and number 43 on the Billboard Hot 100.
The Weavers' original 1951 single release spent 6 weeks on the Billboard chart, peaking at #19, and reached #20 on the Cashbox chart.
Top New Female Vocalist -1984 Academy of Country Music New Country Artist -1983 Billboard -1983 Cashbox The Oklahoma Award -1983 Oklahoma Awards Assoc.
Luke Nicholson is a Canadian folk, pop singer and songwriter."Luke Nicholson Releases New Product on April 14". Cashbox Canada, February 20, 2017.
In 1973, Aaronson joined the New York band Stories, whose single,"Brother Louie", reached #1 on the Billboard, Cashbox and Record World charts.
Prior to this album, The Standells had only released three singles and a live album: The Standells in Person at P.J.'s (1964). Dirty Water would become the band's best-selling LP, peaking at #52 on the Billboard charts, and #39 in the Cashbox listings. The "Dirty Water" single fared much better, peaking at #11 in Billboard and #8 in Cashbox.
It was named the number 39 song of 1968 on the Cashbox charts. The song was certified as a gold disc in September 1968.
An uncredited review in Cashbox described the song as "destined to create a little toe-tappin' and finger- snappin' action" with "pure country vocals".
The band's best known album, Shine the Light of Love was released in 1980."On Jazz: Vinyl Pipeline". Cashbox, May 10, 1980. page 32.
23 and Cashbox (#21). The Stories also charted with "Mammy Blue" in both Canada and Australia with respective chart peaks of #47 and #46.
David Rotundo (fl. 1991-2017) is a Canadian blues harp player and band leader."Hugh’s Room Playing the Blues Again with David Rotundo" Cashbox Magazine.
Fantasy is a studio album by Ramsey Lewis released in 1985 on Columbia Records. The album reached No. 13 on the Cashbox Jazz Albums chart.
The Stone Poneys recorded three albums for Capitol in the mid-60s and had a major hit in 1967 with "Different Drum", written by soon-to-be Monkees member Michael Nesmith. Different Drum peaked at #12 on the Cashbox Top 100 chart on February 12, 1968.Cashbox Charts - 1968 The first two Stone Poney albums mostly featured Bobby's original songs.History of Band in Artistopia AllMusic.
16 in Canada and the American Cashbox charts, and no. 19 in the UK.Song artist 2 - Elvis Presley. Chart history.Do the Clam/You'll Be Gone. Discogs.
Eydie Gormé sang the song on her 1958 album Eydie In Love, which reached #20 in the Cashbox Album Charts and was nominated for a Grammy Award.
They were one of the few garage rock bands of the era to have a single chart on the three major listings, Billboard, Cashbox, and Record World.
Arranged by Joe Renzetti it was released in 1969, but without promotional support. A single You Must Forget was released, with Roger singing lead. Another single Calm Down was also released on Polydor Records. The album and the group's live performances were subjects of printed articles in Record World magazine,Record World September 27, 1969 Go magazine,Go October 1969 Cashbox Magazine,Cashbox September 27, 1969 and Variety.
The Chancellors stayed in the WLS charts for seven weeks, peaking at #14.Chicago Top 40 Charts 1960-1969, compiled by Ronald P. Smith, Writers Club Press, The Kingsmen recorded a version of the song reaching #46 on the Billboard chart and #49 on the Cashbox chart in 1964. In 1966, Mitch Ryder & The Detroit Wheels had the most success with their recording, hitting #16 on Cashbox and #17 on Billboard.
"Here Comes the Judge" is a 1968 song written by Shorty Long, Billie Jean Brown and Suzanne de Passe, and performed by Long. The song was Long's biggest hit, reaching #4 on the U.S. R&B; chart and #8 on the Billboard Hot 100 chart. It held #10 on Cashbox for two weeks. The song stayed on the Hot 100 for 11 weeks and Cashbox for 9 weeks.
The song went to number one on Cashbox Magazine's R&B; chart for three weeks and reached #7 on the Billboard Hot 100 singles chart in 1964. The B-side, "Long, Long Winter", peaked at #35 on the Cashbox R&B; chart. A new version was released by The Impressions in 1969 under the title "Amen (1970)", reaching #44 on the Billboard Best Selling Soul Singles chart in January 1970.
Yet he felt there was something "undefined about the record." However, in three contemporary reviews Record World, Cashbox, and Billboard were full of praise for the album. Record World called Stills "one of the steadiest performers on the rock circuit" and said the "result of the album was stupendous". Cashbox said Stills' "keyboard, guitars and vocals were brilliant" and the songs were "among the best he's ever written".
The song was originally recorded by Rich as a solo record (Phillips 3052, 1960) and peaked at positions below 100 in the US trades Cashbox and Music Vendor.
The Frank Sinatra version, released as a Columbia Records single, 40229, appeared in the Cashbox magazine best-selling record charts in 1954, reaching no. 40 on May 22, 1954.
In 2010 Johnny & The MoTones recorded Nothing To Lose. This time the group stayed in Wisconsin and did their first full production album at RiverSide Productions Recording Studio. Again the group spent significant time in the Blues Charts at Roots Music Report, Cashbox and Real Blues Magazine as well as appearing in iTunes charts for Switzerland and Norway. The track, "Maybe Baby" hit the Roadhouse & Boogie Top 40 compiled by Cashbox (magazine) and beachshag.com.
Sky Islands is the second album by Jazz fusion group Caldera released in 1977 on Capitol Records. The album rose to No. 18 on the Cashbox Top 40 Jazz Albums chart.
Prior to producing the film, Ed Adlum had a minor hit novelty song with his band The Castle Kings and worked as an editor for Cashbox magazine. Adlum first entry into film production was for Blonde on a Bum Trip which he co-produced with Jack Bravman. In the offices of Cashbox magazine, Adlum began developing the script with his co-worker Ed Kelleher. In the film's original script the blood farmers were going to be aliens from outerspace.
"Hotel Happiness" is a song written by Leon Carr and Earl Shuman and performed by Brook Benton featuring The Merry Melody Singers. It reached #2 on the U.S. R&B; chart, #3 on the U.S. pop chart, and #6 on the Cashbox chart in 1963. The single's B-side, "Still Water Runs Deep", reached #81 on the Cashbox chart and #89 on the U.S. pop chart. The song was arranged by Jerry Kennedy and produced by Shelby Singleton.
It is set to the music of Melanie's US Cashbox Number 1 Hit, Brand New Key.Brand New Key Most recently released by "The Irish Brigade" in 2007, it achieved little chart success.
Following his death in 2011, a tribute show was staged in Thorndale, with a bill that included Marie Bottrell and Larry Mercey."Terry Sumsion: His Legacy Celebrated". Cashbox Canada, July 15, 2011.
Both sides were co-written by himself and Bruce Fisher. The producer was Ernie Freeman.45Cat - Doug Gibbs - Discography In the September 2, 1972 issue of Billboard Magazine, it was reported that his single was getting heavy airplay in Chicago and San Francisco.Billboard, September 2, 1972 - Page 32 & 36 SOUL SAUCE On September 9, it had entered the chart at #37.Billboard, September 9, 1972 - Page 16 Billboard BEST SELLING Soul Singles Now at its fifth week in the Billboard charts, the song finally peaked at #25 on October 7, 1972.Billboard, October 7, 1972 - Page 25 Billboard BEST SELLING Soul SinglesBillboard - DOUG GIBBS, Chart History It entered the Cashbox R&B; Top 60 at 45 on September 23.Cashbox, September 23, 1972 - Page 32 CashBox R&B; TOP 60 On October 14, it was at #32, just behind "One Life to Live" by The Manhattans.Cashbox, October 14, 1972 - Page 37 CashBox R&B; TOP 60 He appeared on Soul Train in an episode that aired on November 11, 1972.
"Diamond Head" was an instrumental by the Ventures in Japan and Hong Kong. It also charted in the United States in both the Billboard and Cashbox charts. It was written by Dan Hamilton.
The song was a Top 40 hit on the Billboard Hot 100 (where it reached number 23), the Cashbox Singles chart (#20), and the Record World chart. In Canada, "Dancin' Man" reached #19.
The album was a shortlisted Juno Award nominee for Adult Alternative Album of the Year at the Juno Awards of 2015."The 2015 Juno Awards Nominees Announced in Toronto" . Cashbox, January 29, 2015.
Caldera is the debut album by the jazz fusion band Caldera that was released in 1976 by Capitol Records. The album rose to No. 33 on the Cashbox Top 40 Jazz Albums chart.
According to Cashbox, the song is in the Top 100 record releases of 1967(Cashbox Top 100) and has been the biggest hit with the highest American chart position of any Harold Arlen or Wizard of Oz song performed by any artist.Reuters: McPhee's "Rainbow" hits Oz gold. (BILLBOARD article) That same year, The Fifth Estate recorded their version of "Heigh Ho!", another film theme, this time from Disney's first feature length film, 1937's Snow White and the Seven Dwarfs.
25 and on the Top 100 at no. 56. The Decca single peaked at no. 6 on the Billboard and CashBox pop singles chart in 1956.Song artist 90 – Bill Haley & his Comets. tsort.com.
"Mom" is a song by the band Earth, Wind & Fire released as a single in November 1972 by Columbia Records. The song peaked at No. 39 on the Cashbox Top R&B; Songs chart.
In 1964, Betty Everett and Jerry Butler released their version of the song. Their version peaked at No. 5 on the Billboard Hot 100 chart and topped the Cashbox Soul/R&B; charts for 3 weeks.
The song went to #1 in Canada and South Africa, and #4 in Australia. It was named the #50 song of 1969 on the Cashbox charts. The song was certified as a gold disc in March 1969.
Billboard described Sailin' as "an outstanding effort" from Carnes, showing "strength with lyrics and melodies" a voice that "reflects white gospel roots". Cashbox described "Let Your Love Come Easy" has having "good chorus hooks and snappy instrumentation".
On March 13, 1993 the music trade magazine Cashbox featured her on the cover and the cover story.Cashbox Magazine, March 13, 1993, cover. Her single "I Found Somebody" placed her as the #1 Indie at #53 on Cashbox Top 100 Country Singles.Cash Box Magazine, April 17, 1993 "Top 100 Country Singles" In 1994, two other singles, "Go For It" and "Remedy" reached the country charts top 100 and Nashville Tracker magazine nominated Petrella as New Female Vocalist of the Year and her Album was nominated as “Album of the Year”.
In 1979, two of her songs were predicted to do well by Cashbox in its June 2 issue. They were programmers picks in the "Can't Miss" category. Leon Wagner from Madison picked "Hey Taxi Driver", while Chuck Parsons of Baltimore picked "Get Another Love".Cashbox, June 2, 1979 - Page 39 Disco, Programmers Picks In the US, "Get Another Love" was released as a single on Keylock Records and that release was re-mixed by Glen Blacks.Cashbox, June 9, 1979 - Page 35 Disco, Disco Breaks In July 1979, it was on the Dallas / Houston disco chart.
The song reached No. 4 on the U.S. Billboard Hot 100 and remained in the Hot 100 for 22 weeks, tying with War's "Slippin' into Darkness" for most weeks on the chart during 1972. Billboard ranked it as the No. 14 song for 1972. "Nice to Be with You" reached No. 1 on Cashbox, WCFL, and WLS. Gallery followed up a few months later with a cover of Mac Davis's "I Believe in Music", which charted moderately well at No. 22 on Billboard and No. 13 on Cashbox.
Cashbox is one of several magazines that publish record charts in the United States. Its most prominent competitors are Billboard and Record World (known as Music Vendor prior to April 1964). Unlike Billboard, Cashbox combines all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1952, a star was placed next to the names of the most important artists.
The song became a hit in both Canada and the United States and was recorded by several artists; it peaked at No. 2 on the Billboard and Cashbox charts in early 1956. She was voted Best New Female Singer by fan polls in both Billboard and Cashbox magazines in 1955. The Lorrie/De Val team was a part of numerous Grand Ole Opry packages in 1956. Billboard Singles "Are You Mine" received the Song of the Year award from BMI n the US in 1955 and from BMI in Canada in 1976.
Billboard ranked People!'s version as No.53 in their top 100 songs for 1968, while it was ranked #75 in the Cashbox annual charts. The success of People!'s version of "I Love You" frustrated The Zombies.
"Earth Angel" became the first independent label release to appear on Billboard national pop charts. Billboard called the record a "Best Buy" for the R&B; charts, and Cashbox in Canada gave it its "Award o' the Week".
"Top Records of 1966" Billboard December 24, 1966, p. 34. Retrieved March 7, 2019. The two songs tied for #1 on the Cashbox end-of-the-year survey for 1966. The song was written by then Staff Sgt.
The Warner Brothers release "Tamiami" would reach no. 79 on Cashbox on March 12, 1960. "Joey's Song" was no.2 on the year-end Top 25 Singles of 1959 list in Australia based on the Kent Music Report.
It also peaked at No. 17 on Billboard's Top Tracks chart. On the Cashbox chart, it reached No. 9. In Canada, "Hold On" peaked at No. 4 for two weeks, becoming their greatest Canadian hit to that date.
Released as the first single by the reunited brothers, it charted high in the US (No. 3 on the Billboard Hot 100 and No. 1 on the rival chart Cashbox), but peaked at No. 33 in the United Kingdom.
In 1959, American singer Anita Bryant recorded the song "Till There Was You" and released it as a single. Her version reached number 30 on the US Billboard Hot 100 chart and number 14 on the Cashbox Top 100.
Parker was one of the first full-time female music producers in Nashville and her success caught the attention of Billboard, Cashbox, Music Row Magazine, The Wall Street Journal, CNN and many local newspapers across Canada and the United States.
In 1998, Comstock Records was named Indie Record Label of the Year by the European Country Music Association (ECMA). Parker's success captured the attention of Billboard, Cashbox, The Wall Street Journal, CNN, and local newspapers and news stations across North America.
A song from the album called "The Master Key", rose to No. 13 on the US Billboard Hot R&B; Singles chart. Another single entitled "Our Love Will Last Forever" reached No. 39 on the Cashbox Top R&B; Singles chart.
Nonetheless, it was a box office success, earning $126 million on a $22 million budget. It also featured Sylvester Stallone's younger brother Frank's song, "Far from Over", which peaked at #10 on the Billboard Hot 100 and the Cashbox charts.
He also directs the Toronto Jazz Chorus."Cecilia Monte Open Air". Cashbox Canada, Album reviews. 09/14/2012 In 2008, Rees founded the "We Are One Jazz Project", a mentorship project that matches master musicians with children from lower income neighbourhoods.
Keys to the City is a studio album by Ramsey Lewis released in May 1987 on Columbia Records. The album peaked at No. 22 on the Billboard Top Contemporary Jazz Albums chart and No. 11 on the Cashbox Jazz Albums chart.
The new band was christened Michael Nesmith and the First National Band and went on to record three albums for RCA Records in 1970. Nesmith has been considered one of the pioneers of country rock.Liner notes from the CD Hillbilly Fever, Volume 5 released by Rhino Entertainment in 1995. He also had moderate commercial success with the First National Band. Their second single, "Joanne," hit number 21 on the Billboard chart, number 17 on Cashbox, and number four in Canada, with the follow-up "Silver Moon" making number 42 Billboard, number 28 Cashbox, and number 13 in Canada.
Two more singles charted ("Nevada Fighter" made number 70 Billboard, number 73 Cashbox, and number 67 Canada, and "Propinquity" reached number 95 Cashbox), and the first two LPs charted in the lower regions of the Billboard album chart. No clear answer has ever been given for the band's breakup. Nesmith followed up with The Second National Band, a band that, besides Nesmith, consisted of Michael Cohen (keyboards and Moog), Johnny Meeks (of The Strangers) (bass), jazzer Jack Ranelli (drums), and Orville Rhodes (pedal steel), as well as an appearance by singer, musician, and songwriter José Feliciano on congas.
In Taiwan, karaoke bars similar to those in Japan and South Korea are called KTVs, which stands for karaoke television. Karaoke is a highly popular form of recreation in Taiwan. The biggest KTV chains in Taiwan are Partyworld Cashbox, Holiday KTV and NewCBParty.
Ringo peaked at No. 1 on America's other albums charts, however, in Cashbox and Record World. The album was certified gold in America on 8 November and in Britain a month after its release there. Ringo was critically well-received also.Rodriguez, p. 143.
Band members were drummer Rich Legault, bassist Denny Lewan, singer/guitarist Mike Peace and rhythm guitarist Ben WisniewskiBadCat Records, Portrait of Mike Peace, Attila and the Huns, Filet of Soul. Cashbox Magazine, 2006. Cache of December 26, 2011. Retrieved 2012-01-20.
"Trying" is a song written by Billy Vaughn and performed by The Hilltoppers. It reached #5 on the Cashbox chart and #7 on the U.S. pop chart in 1952. The single ranked #29 on Billboard's Year-End top 30 singles of 1952.
The model standing in front of them is Nancy Bacon, who was guitarist Don Wilson's wife at the time. The new Walk, Don't Run, Vol. 2 album was another hit for The Ventures, peaking at #17 on Billboard and #18 on Cashbox.
Bad for Me is the fourth studio album by American jazz singer Dee Dee Bridgewater, released in 1979 on Elektra Records. The album reached at No. 29 on the Cashbox Top Jazz Albums chart and No. 30 on the Billboard Jazz Albums chart.
More recently, Vale was interviewed by a YouTube user about the song, and had this to say about the way his version was recorded: On the Cashbox magazine Best-Selling Records chart, which combined all versions of the song, it reached position #17.
In 1957 he had a U.S. Top 40 hit with "Almost Paradise", which peaked at No. 31 on the Billboard Hot 100. His cover version of "Got a Match" made the Cashbox Top 60 in 1958. He played with Joe Venuti from 1969 to 1972.
In early 1972, Stills appeared in a UK documentary about himself called Sounding Out. Cashbox magazine ranked Stills as the number 52 top male vocalist of 1972. Billboard ranked Manassas as the number 53 album of 1972, and Stills as the number 75 album artist.
Cashbox Canada, August 20, 2015."Indian City releases second CD called Colours". Sandra Thacker · CBC News · Feb 01, 2014 In 2015 Indian City released a single, One Day, which reaches out to those having thoughts of suicide."Aboriginal artists lend voice to 'endemic' issue".
Duke Henry's single "You Can't Stay Here" reached number 54 on the music row country charts in October of 2018. Duke has had several other songs make the Cashbox music charts since 2015 including "Red Dress", "I've got everything", and "Girl you get to me".
According to Brian Hogg, who wrote the liner notes for the Donovan boxed set, Troubadour, Dippy heard the song, contacted Donovan and left the army as a result. Chart positions were: # 19 (USA Billboard), # 10 (USA Cashbox), # 10 (USA Record World), and #5 in Canada.
The North American release of Big Red Rock went ahead on 28 February 1975, and the English release in March. Highly respected US magazines Billboard and Cashbox gave the album positive reviews, with Billboard correctly predicting that it would receive US FM radio airplay.
It also reached the no. 1 position on the Bangkok HSA charts in October 1972, and was play listed on some (WERS-FM, KCRW, KFAI, WPKN etc) US radio stations.Billboard, October 7, 1972 It also received favourable reviews in the United States,Cashbox, 30 September, 1972 and was listed as being among the best 5 singles of 1972 by Cashbox.page 32, 30 December 1972, Cashbox "Sugar Me" was ranked the 14th best selling single of 1972 in the Netherlands, and 80th best selling single of 1972 in the UK. It entered the Netherlands Digital Top 100 on the 5 October 2014, just after De Paul died.
Primitiva (LRP-3087/LST-7023) was the fourth album by Martin Denny. Released in August 1958, it was recorded at Liberty Studios in Hollywood and released on Liberty Records. In October 1958, it reached No. 27 on the national Cashbox chart. In a review on AllMusic.
Released as a single, Presley's "Too Much" reached number one on both the Cashbox and Billboard sales charts and went to number three on the R&B; chart. The single peaked at number two on the then-named Top 100 chart, the main Billboard pop chart.
"Tell Me You're Mine" is a song written by Ronald L. Fredianelli and Dico Vasin and performed by The Gaylords. It reached #2 on the U.S. pop chart and #3 on Cashbox in 1953. The song ranked #17 on Billboard's Year-End top 30 singles of 1953.
The album peaked at #4 on the Billboard Top Country Albums chart (her highest peak position on that chart), as well as #86 on the Billboard 200. In Cashbox Magazine, both singles peaked at #1 and the album itself reached the top spot in November of 1981.
"Shouting Out Love" is a song recorded by R&B; group the Emotions issued as a single in October 1977 by Stax Records. The single rose to No. 12 on the Cashbox Top R&B; Songs chart and No. 31 on the Billboard Hot Soul Songs chart.
"Heritage" is a single by R&B;/funk band Earth, Wind & Fire featuring The Boys issued in February 1990 by Columbia Records. The single reached No. 5 on the Billboard Hot R&B; Singles chart and No. 5 on the Cashbox Top R&B; Singles chart.
"Wanna Be the Man" is a single by the band Earth, Wind & Fire featuring MC Hammer, issued in 1990 on Columbia Records. The single peaked at No. 41 on the Cashbox Top R&B; Singles chart and No. 46 on the Billboard Hot R&B; Singles chart.
The two recordings combined to reach number 12 on the Cashbox charts, which combined all covers of the same song in one listing and thus gave George Jones his only top-40 hit. The song uses thoroughbred horse racing as the metaphor for the singer's romantic relationships.
The release of "In and Out of Love" was successful, peaking at number nine on the Billboard Hot 100, number 16 on the R&B; Singles chart, and number 13 on the UK Singles Chart in late autumn 1967. The single also reached number 10 on the Cashbox chart.
Nationally, the song hit number 44 on Billboard's Hot 100 chart on December 20, 1964. The song also reached number 60 on the Cashbox charts earlier in the month. On the Twin Cities charts it reached number one. In Los Angeles and Oklahoma City it peaked at number three.
"Hit Record for Pilgrim." Cashbox, August 11, 1956, p. 24. Their other hit song was 1961's "I Understand (Just How You Feel)", which used the melody from "Auld Lang Syne", reached No. 9. The latter track reached No. 17 in the UK Singles Chart in late 1961.
Cookie Lommel was born in Cleveland, Ohio. She began her career in the entertainment industry in 1981. Early on she worked as a journalist for Cashbox magazine and Radio & Records magazine. She has also worked as an entertainment industry reporter at CNN and as entertainment editor at Teen Magazine.
Wood grew up in a household filled with music; his brother Luke Nicholson is also a singer-songwriter."Luke Nicholson Releases New Product on April 14". Cashbox Canada, February 20, 2017. He began playing piano by ear at the age of four and started lessons at age eight.
The record was also no.1 for seven weeks on the Cashbox pop singles chart in 1955. The Bill Haley version also hit number three on the R&B; charts. Billboard ranked it as the No. 2 song for 1955, behind Perez Prado's "Cherry Pink (and Apple Blossom White)".
The station ceased operations in 2018. He has held part-time roles as a music writer, first for Record Week Magazine, then as the Canadian correspondent for CashBox, a music industry publication, from 1980 to 1983. He then joined Billboard Magazine as its Canadian editor from 1983 to 1991.
It was named the #13 song of 1971 on the Cashbox charts. The song was certified as a gold disc in March 1971. But David Cassidy hated the song.C'Mon Get Happy - Fear and Loathing on the Partridge Family bus by David Cassidy and Chip Deffaa, Warner Books Inc, 1994.
"For the Love of You" is a single by the band Earth, Wind & Fire feat. MC Hammer issued in May 1990 on Columbia Records. The single peaked at No. 19 on the Billboard Hot R&B; Singles chart and No. 12 on the Cashbox Top R&B; Singles chart.
A single torpedo followed by a coup de grâce fifteen minutes later sealed her fate. All 40 men aboard survived, although after questioning the survivors, the Germans confiscated the ship's papers and a cashbox containing 682 Egyptian pounds. Early the next day, U-198 located the British steam merchantman Leana.
Lynn Anderson had major success in the country music market with her 1972 version, released on Columbia Records, which hit No.1 on the Cashbox country charts, and No. 3 on the Billboard magazine Hot Country Singles chart. It also charted in the Top 20 on the U.S. Adult Contemporary Charts.
Dian Hart was a singer and recording artist who recorded during 60s and early 1970s. In the late 60s, things looked promising for her.The Ottawa Citizen Sat. Feb 1, 1969 Page 24 Gord Atkinson's Show Business Cashbox Magazine once commented that she sounded like a teen version of Petula Clark.
He rode the charts of Cashbox and Variety also. Denny had as many as three or four albums on the charts simultaneously during his career. He had national hits with "A Taste of Honey", "The Enchanted Sea", and "Ebb Tide". Denny died in Honolulu on March 2, 2005, aged 93.
Bronson, Fred. The Billboard Book of Number 1 Hits. . The album's second single release, "When Will I Be Loved"an uptempo country-rock version of a Top 10 Everly Brothers songhit number 1 in Cashbox and number 2 in Billboard. The song was also Ronstadt's first number 1 country hit.
Shooter, originally known as Greaseball Boogie Band, was a Canadian rock music group active in the early 1970s."Greaseball Boogie Band". AllMusic. They were most noted for receiving a Juno Award nomination for Most Promising New Group at the Juno Awards of 1975."Proudly Canadian: Shooter". Cashbox, March 11, 2015.
Cashbox Canada, 10/31/2013 Sandy Graham By the end of 1963, Traynor began selling his Dynabass amps along with matching 15-inch speaker cabinets, as well as public address (PA) speakersYorkville Sound. Company History. Retrieved October 16, 2016 based on a reference book of 1930s RCA commercial loudspeaker designs.
When asked why he removed the picture, Ballard replied, "She doesn't pay me, I pay her. Besides, what the hell position can a queen play?" The Leafs were so popular that the team sold out every game from 1946 to 1999. It was often called the "Carlton Street Cashbox" in sports reporting.
Billboard predicted that the album would be a "big seller", noting the large number of unusual sonic effects created on the organ, as well as the vivacity of Dee's playing. Cashbox listed the album as high as ninth on their album charts. On the Billboard albums chart, the album peaked at No. 11.
On the Cash Box chart, it spent six weeks at #4.Cashbox Magazine The success enabled the song to rank at #18 on the Hot 100's year-end chart for 1982. The song would also prove to be Manchester's last Top 40 hit (her 1983 single "Nice Girls" would peak at #42).
In 1970, "Days I Remember" received radio airplay. The single did not appear on record charts, but "That Same Old Feeling" reached No. 67 on the Billboard Hot 100 and No. 40 on the Cashbox pop chart in the summer of that same year. Brown left for a solo career in late 1972.
Santamaria was famous for salsa and Afro-Cuban jazz. Cashbox critic Robert Adels wrote, in his review, "Rorschach is Bob Cozzetti on Fender Rhodes and trumpet, Tim Gemmill on alto and tenor sax and Steve Schwartz on drums. Both Tim and Bob occasionally move over to maracas, but it's Steve's inventive work which truly keeps the beat interesting."Rorschach at Kenny’s Castaways. Review by Robert Adels, Cashbox/talent on stage, March 15, 1973 - retrieved June 2015 In the mid-1970s, Steve Swartz left the group and Rorschach became a quartet with the addition of the late bassist Midge Pike,Midge Pike ESAT. Article about Midge Pike - retrieved June 2015 whom had performed with major jazz artists Jackie McLean, Albert Ayler and Paul Winter.
Writing for Cashbox magazine, he also covered such acts as Elton John, Santana, Roxy Music, the Jimi Hendrix Experience, David Bowie, and The Who. Lustbader became friends with Elton John and his lyricist, Bernie Taupin, as the first American journalist to predict John would be a huge star, in his column in Cashbox. He went out on tour with John, including the dates at the Fillmore East, Carnegie Hall, and Madison Square Garden in November 1974 when John Lennon guest starred on the third night of the four nights. Several years later, while working for Dick James Music, he wrote and field produced a segment on John for John Chancellor's NBC Nightly News, the first such segment on an entertainer.
During their active career, from 1972 to 1982, ABBA placed 20 singles on the Billboard Hot 100, 14 of which made the Top 40 (13 on the Cashbox Top 100), with 10 making the Top 20 on both charts. A total of four of those singles reached the Top 10, including "Dancing Queen", which reached number one in April 1977. While "Fernando" and "SOS" did not break the Top 10 on the Billboard Hot 100 (reaching number 13 and 15 respectively), they did reach the Top 10 on Cashbox ("Fernando") and Record World ("SOS") charts. Both "Dancing Queen" and "Take a Chance on Me" were certified gold by the Recording Industry Association of America for sales of over one million copies each.
Hailing from Sierra Madre, California, The Prime Movers – Gary Putman on guitar and vocals, Severs Ramsey on vocals and bass and Curt Lichter on drums – formed in 1983, adapting their name from a favorite episode of the science fiction TV series, The Twilight Zone. The band first garnered attention with the mini-LP "Museum" released in 1984 on Jah Paul Jo's indie label, Birdcage Records. Cashbox Magazine wrote in their edition of August 6, 1988, "Gary Putman weaves an ethereal tapestry which blends technical wizardry with pure emotion to create one of the most stylistically unique guitar sounds ever (Did you hear that, Les Paul?)."Cashbox Magazine, August 6, 1988 While playing the Southern California club circuit, the band landed a major label deal with Island Records.
Also recorded during the sessions for The Birds, the Bees & the Monkees, the B-side, "It's Nice to Be With You", also charted in the U.S., reaching No. 51 on the Billboard Hot 100Joel Whitburn's Top Pop Singles 1955-1990 - and No. 26 on Cashbox. It charted best in Canada, where it reached No. 15.
Gammond, Peter (1991). The Oxford Companion to Popular Music. Oxford University Press, New York. p. 165. The last-minute move was a success, as the single, released on Atlantic Records, went to number four on the Billboard Hot 100 charts and number one for three non consecutive weeks on Cashbox magazine's R&B; chart.
"Lonely Days" is a ballad written and performed by the Bee Gees. It appeared on their album 2 Years On, and was released as a single, becoming their first Top Five hit in the US, peaking at number three in the Billboard Hot 100 and reaching number one in the Cashbox and Record World charts.
Gray was approached by D records in 1959, and recorded "I'm Not Supposed," which was released as his first single. The song made the Cashbox country charts. The following year, Gray and two friends purchased the song "Family Bible" from Willie Nelson for $100. Gray then recorded the song, and released it as a single.
During this time, he worked with J.J. Cale and Leon Russell and released some unsuccessful solo singles. Bramlett was the first artist signed to Independence Records, headed by Phil Skaff. His debut single "Guess I Must be Dreamin" was produced by Leon Russell. It entered the Cashbox "Looking Ahead" survey on May 14, 1967.
This single failed to chart on both the Billboard Hot 100 and the Cashbox top 100. The album was re-issued and remastered in 1996, coupling it with several singles released during the period, including "Sagan om Lilla Sofi", "Det Finns En Stad" and other tracks which were released on Songs We Sang 68.
"Show Me How" is a song recorded by R&B; group the Emotions for their 1972 album Untouched. It was released as the album's first single in September 1971 by Volt Records and reached No. 11 on the Cashbox Top R&B; Singles chart and No. 13 on the Billboard Hot R&B; Singles chart.
This enables faster access to each note and allows more varieties of notes to be stored. Sometimes the cashier will even divide the notes without any physical divider at all. Some cash drawers are flip top in design, where they flip open instead of sliding out like an ordinary drawer, resembling a cashbox instead.
The follow-up single, "Hazard", also hit #1 Adult Contemporary. It reached #6 in Cashbox and #9 on the Billboard Hot 100. Subsequent single releases included "Take This Heart" and "Chains Around My Heart", which were Top Ten hits on the US Adult Contemporary charts. All four hits boasted popular music videos as well.
The LP was released in 1983 in conjunction with the group's 3rd single, "Beat Wave." Discogs.com Warp 9's large following in the New York metropolitan area came to the attention of Island Records chief Chris Blackwell who signed Warp 9 to a world wide deal on Island Records (Prism/Island Records in the U.S.). Cashbox Magazine, East Coastings.
Andy Ryan became a recording engineer and opened his own studio in Scarborough, and later went into real estate. Bill Wood initially continued in music with the band Ghosttown and as a solo artist, before studying business administration and becoming a home renovation contractor;"Oh Look! It’s Bill Wood and the Woodies!". Cashbox Canada, January 8, 2015.
Schnabel has written extensively about music for various publications, including The Los Angeles Times, Jazz Magazine (France), Cashbox, Down Beat, Esquire Magazine, Buzz Magazine, and LA Style. He also authored two works of music history and culture: Stolen Moments: Conversations with Contemporary Musicians (Acrobat Books 1988), and Rhythm Planet - The Great World Music Makers (Universe/Rizzoli. 1998).
Asia is the self-titled debut studio album by English rock band Asia, released in 1982. According to both Billboard and Cashbox, it was the #1 album in the United States for the year 1982. It contains their biggest hit "Heat of the Moment", which reached #4 in the US on the Billboard Hot 100 chart.
Confusingly, the back of the album jacket bears the date "January 1974," a date cited in the updated edition of the Jovanovic book. Radio City met with general acclaim. Record World judged the musicianship "superb"; Billboard described the album as "a highly commercial set", and Cashbox called it "a collection of excellent material".Jovanovic, p. 140.
Following its regional success, it was reissued on the United Artists label (UA 338). The reissue entered the market in October 1961 and peaked at number fifty-three on the Billboard. The song peaked at number sixty-two on the Cashbox pop singles chart. Gene Summers recorded a 45rpm single of the song in 1971 on Maridene Records.
As a young man, Traynor played guitar in three bands with Robbie Robertson: Robbie and the Robots, Thumper and the Trambones, and The Suedes."Proudly Canadian: Scott ‘Professor Piano’ Cushnie". Cashbox Canada, 10/31/2013 Sandy Graham He later played with Ronnie Hawkins. Traynor worked as a repair technician at Long & McQuade's first store in Toronto.
On a cruise in 1964, Charles heard a Mexican song called "Cuando Calienta el Sol". He liked it, recorded it, under the English title "Love Me with All Your Heart", and his recording became a hit, riding to #3 on Billboard Magazine, #2 on Cashbox Magazine. This was followed by "Al Di La", also a very popular recording.
"Nice to Be with You" is a 1972 song by Gallery from the album of the same name. It became an international Top 5 hit, reaching #4 on the Hot 100 and No. 1 on Cashbox, WCFL, and WLS. It also reached #1 in Canada. The song reached #4 in Australia and #2 in New Zealand.
The two singles in conjunction with the LP, "Glory Glory" and "Right On", were released several months before the album. "Glory Glory" reached #58 and #42 on Billboard and Cashbox (respectively) in the summer of 1970. At the end of that same year, "Right On" (the group's last single on Atlantic) "bubbled under" Billboard at #119 in December 1970.
However the James Darren cover of "Mammy Blue" - which "bubbled under the Hot 100" in Billboard with a #107 peak - charted on the singles charts in both Record World and Cashbox with respective peaks of #66 and #77. Also Record World afforded the Pop Tops' "Mammy Blue" a higher ranking than that of the Billboard Hot 100, the single's Record World peak being #44, although its Cashbox chart peak was only #68. Record World also featured a cover by the Bob Crewe Generation, which peaked there at #109. In Canada the Pop-Tops vied with a "Mammy Blue" cover by session group Oak Island Treasury Department - these versions respectively peaking at #42 and #68 - while a cover by Roger Whittaker in the original French was a hit on Canada's French charts, reaching #2.
An initial single failed, but her second Vee-Jay release, a bluesy version of "You're No Good" (written by Clint Ballard Jr. and later a #1 hit for Linda Ronstadt), just missed the U.S. top 50. Her next single, the catchy "The Shoop Shoop Song (It's in His Kiss)", was her biggest solo hit. The song climbed to #6 on the Billboard Hot 100 and made #1 on the Cashbox R&B; chart for three weeks. Her other hits included "I Can't Hear You" (covered by numerous artists, including Dusty Springfield, Helen Reddy, and others), "Getting Mighty Crowded" (covered by Elvis Costello in 1980), and several duets with Jerry Butler, including "Let It Be Me", which made the US Top 5 in 1964 and was another Cashbox R&B; number 1.
In 1985 Comstock artists were nominated for 10 Canadian Country Music Awards, including one for record company of the year. In 1986 five of Comstock records made the Cashbox Top 100. In 1989, Parker was named “Music Row’s Favorite Independent Female Record Producer” by Music Row magazine. Many of Comstock's artists achieved charting success and received Country music awards in their own countries.
The band started when singer Annie "Holly" Woods met guitarist Brian Allen."Proudly Canadian: Toronto". Cashbox Canada, 04/24/2014 The line-up was initially rounded out by guitarist/backing vocalist Sheron Alton, keyboardist Scott Kreyer, bassist Nick Costello, and drummer Jimmy Fox, but shifted constantly through the band's life. Toronto's first album, Lookin' for Trouble, was released in 1980.
The album reached number 11 on the Billboard albums chart (outperforming both Volunteers and Kantner's Hugo Award-nominated 1970 solo album Blows Against the Empire) and was certified gold by RIAA. An accompanying single, the Covington-led "Pretty as You Feel", was the band's final top 100 American hit, peaking at number 60 in Billboard and number 35 in Cashbox.
35 on Cashbox, no.46 on Billboard, no.26 on the Canadian charts, and which was no.1 for 8 weeks on the Australian charts (December 12, 1959-January 30, 1960) based on the Kent Music Report, and "Skokiaan", which became one of the band's last new Decca North American charting recordings when it was released as a single in 1960.
By the end of year, Cline had won several major industry awards including "Favorite Female Vocalist" from Billboard Magazine and Cashbox Magazines "Most Programmed Female Artist". Also in 1961, Cline was back in the studio to record an upcoming album. Among the first songs she recordedRecorded December 17, 1961. See Liner Notes, 12 Greatest Hits, Patsy Cline, compact disc MCAD-12, MCA Records.
Mark Schwerin, "B.C. Has Rolled Out Plenty of Rockers." Battle Creek (MI) Enquirer, September 21, 1995, p. W3. He was signed to Chicago-based Vee-Jay Records; "Here I Stand" was a regional hit, and it earned him an appearance on American Bandstand in 1958, as well as an appearance on the Alan Freed Show. "Ramblings." Cashbox, November 22, 1958, p. 46.
Swedish newspaper Aftonbladet described the song as a "floating airy and heavenly beautiful synth ballad".Aftonbladet. 21 May 1994. Cashbox wrote that the "compelling duet nicely swirls N’Dour’s husky vocals and Cherry's sweet, angelic voice into a nifty, down-tempo stroll that has broad radio potential." They added that it is "powered by a rolling bass line and layers of passive synthesizer strains".
Over a period of 3 years it reportedly sold over half a million copies. It received several glowing reviews, with Cashbox feeling it was "an auspicious debut" showcasing "fine new talent", while Record World said it was an "impressive [, ...] beguiling [,... and] beautifully varied" album from a "major singing talent". Billboard called it "simply great [... with] clarity of tone, genuine feeling, emotion".
The album reached No. 13 on the Cashbox Jazz Albums chart. He went on to appear as a guest artist on Lee Ritenour's Grammy nominated 1986 album Earth Run. White later co-produced Pieces of a Dream's 1986 LP Joyride. The album reached No. 3 on the Billboard Traditional Jazz Albums chart and No. 18 on the Billboard Top Soul Albums chart.
This marked the first and only time in history that a record hit #1 on the Cashbox Top 100 chart, yet failed even to chart on Billboard's Hot 100. Wayne Newton strums the guitar during his USO show at the Patriotic Festival held on the Virginia Beach Oceanfront. May, 2005. In 1994, he performed his 25,000th solo show in Las Vegas.
Climax was an American band formed in 1970 in Los Angeles, California, most noted for their 1971-1972 hit song "Precious and Few", which peaked at #3 on the Billboard Hot 100 singles chart and #1 on Cashbox magazine's Top 100 singles chart. This disc sold over one million copies and was certified gold by the RIAA on February 21, 1972.
Wax Museum is the eighth studio album by Jay and the Americans released on February 28, 1970. The album went to #105 on the Billboard 200 chart and reached #68 on the Cashbox chart. The album was the group's last charting album. The group's cover of The Ronettes' song "Walkin' in the Rain" hit #19 on the Billboard Hot 100 in 1970.
He performed on the Louisiana Hayride and the Grand Ole Opry, and was featured in Cashbox magazine. His last charting hit came in 1964, and he recorded with United Artists in 1965, but quit the music business soon after. He worked as a car salesman in Arlington, Texas later in life. In the 1980s, Bear Family Records reissued his LPs.
On America's Billboard Hot 100 chart, "Getting Closer" peaked at number 20, and "Arrow Through Me" at number 29.The New Rolling Stone Encyclopedia of Rock & Roll, p. 640 Back to the Egg reached number 6 in the UK and number 8 on the Billboard 200, although US chart compilers Cashbox and Record World both listed it at number 7.McGee, p.
The album was also a hit, reaching number one on the Cashbox albums chart on December 11, 1982. In 2003, Lionel Richie was re-released as part of a remaster series that saw two additional tracks added: a solo version of "Endless Love" and an instrumental version of "You Are". Eagles member Joe Walsh provided the guitar solo for the song "Wandering Stranger".
The tune was adapted from Lead Belly's "If It Wasn't for Dicky" (1937), which in turn was adapted from the traditional Irish folk tune "Drimindown / Drumion Dubh". The Weavers first released the song in 1951 as a Decca single, which reached #19 on the Billboard chart and #20 on the Cashbox chart in 1951.Songs from the Year 1951. tsort.info.
In the video, Maurice is shown playing a Rickenbacker 4001 and Vince Melouney playing a Gibson ES-335. The song reached #1 in Canada, New Zealand and Australia. In Canada, it spent two weeks as the number one in RPM charts. "I Started a Joke" debuted at #66 at the United States Cashbox magazine in the week of 14 December 1968.
Heartaches and Tears was officially released in January 1962. It was released under Capitol Records on a Vinyl LP. Because Billboard's Top Country Albums chart was not yet created, the album did not chart on that list. Additionally, it did not appear among any Billboard or Cashbox record chart. Allmusic reviewed Heartaches and Tears, giving the album four out of five stars.
Cashbox Canada, Thu, 10/15/2015 - Proudly Canadian: The Paupers In January, 1967, the song peaked at #6 on Toronto's influential radio station CHUM (AM).Canuckistan Music - The Paupers, Magic People - Michael PanontinChart Hits Of All Decades - RADIO STATION CHUM (TORONTO) WEEKLY CHARTS FOR 1967 Because they had success of "If I Call You By Some Name", opportunities were opened for the group.
Song artist 1 - Bing Crosby. tsort.info. Crosby charted again with the song in 1940, hitting #27 on charts with it in that year. The 1958 remake by Tommy Mara entered the Billboard and Cashbox Top 100s. The song was recorded by Russ Columbo, Will Rogers,Will Rogers - Where The Blue Of The Night Meets The Gold Of The Day. archive.org.
Reuben and the Dark are a Canadian indie folk band from Calgary, Alberta."BTW with Reuben And The Dark, Roger Roger, Justus Profitt, Federal Lights, Merival, Jerry Leger and The Del-Fi's". Cashbox, January 20, 2016. Led by singer and songwriter Reuben Bullock,"Calgary band Reuben and the Dark see the light with release of Arts & Crafts debut Funeral Sky".
It did not chart. In 1962, Johnny Mathis recorded his version of "Gina". Produced by Ernie Altschuler, and arranged by Don Costa, it was also released by Columbia (catalogue no. 4-42582). This time, it became a hugely successful hit, peaking at #2 on the U.S. adult contemporary chart, #6 on the U.S. pop chart, and #8 on the Cashbox chart.
Thomas Adrian Sands (born August 27, 1937) is an American pop music singer and actor. Working in show business as early as 1949, Sands became an overnight sensation and instant teen idol when he appeared on Kraft Television Theater in January 1957 as "The Singin' Idol". The song from the show, "Teen-Age Crush", reached No. 2 on the Billboard Hot 100 and No. 1 on Cashbox.
47 on the Cashbox pop singles chart, and no. 70 on the Billboard Hot 100 pop singles chart. The single was also released in Canada on the Quality label as #1570. The record was reissued in 1984 on the Collectables label on the Back to Back Hit Series featuring Sun Records as 3090 and on the Sun Golden Treasure Series in 1979 as Sun 9.
In 1953 he recorded a version of Bill Haley's "Crazy, Man, Crazy", which is generally regarded as the first rock and roll song. His version of "Crazy, Man, Crazy" reached #13 on the Billboard jockey chart and #11 on Cashbox in June, 1953. His recordings of "Pretend" and "Caravan" also made the Top 10. "Caravan" sold over one million copies, and was awarded a gold disc.
While walking through the streets of Paris in the 1970s and talking to another woman, she was overheard by producer Pierre Jaubert. Liking the sound of her voice, he asked her if she could sing. Wanting to work, she accepted the offer. In the June 2, 1979 edition of Cashbox, two of her songs were shown to be programmers picks in the "Can't Miss" category.
It was the group's sole Top 10 Pop single on the US Billboard Hot 100 (the song reached #16 on the Cashbox chart) and hit No. 1 on the Billboard Top Album Tracks chart, the band's only No. 1 hit in America.Whitburn, Joel (2010). The Billboard Book of Top 40 Hits',' 9th Edition (Billboard Publications), page 259. Lead vocals are divided between Kooymans and Barry Hay.
Lee also performed with Terry and McGhee, the Buddy Tate Quartet and Jack Parnell. He also arranged for many big show business names, including Norman Wisdom, Benny Hill, Cleo Laine and Judy Garland. From 1959 he led the Dave Lee Trio who recorded several successful albums, including A Big New Band from Britain, which was in The Cashbox Top Ten for six weeks. Rough Guide to Jazz.
The B-side was the old traditional English song "Greensleeves". By September 1963, "Bombora" had climbed the Australian charts to reach No 1. It was released in Japan, Italy, Holland, England and New Zealand and in South America. It was nominated as record of the week by US Cashbox magazine and reached No 2 on the Italian charts (where there was even a vocal version released).
Its business establishments are completely detailed, from hours of operation to regular customers, from the personality of the owner to where he keeps his cashbox." However, Walker did have a problem with where all of this information was found. "The statistics are all bunched in an appendix, with no clues therein as to where the detailed descriptions for each character are located in the main text.
"Shake" is a song written and recorded by Sam Cooke. It was recorded at the last recording session Cooke had before his death on December 11, 1964. In the U.S., the song became a posthumous Billboard, Top 10 hit for Cooke, peaking at number seven in February 1965, as well as peaking at number two for three weeks on the Cashbox R&B; charts.
An updated cover version of the song was released on the 1984 album Cryptograph by the Japanese artist Asami Kobayashi (小林麻美). This version had lyrics by Kobayshi and Yumi Matsutoya. It received the "Best Album" award at the 26th Annual Japan Record Awards (Nihon Record Taisho) and reached the top 10 in the Japanese album chart in 1984.Cashbox, October 20, 1984, p.
"Love Me Tender" is a 1956 song recorded by Elvis Presley and published by Elvis Presley Music from the 20th Century Fox film of the same name. The words are credited to Ken Darby under the pseudonym "Vera Matson", the name of his wife, and Elvis Presley. The RCA Victor recording by Elvis Presley was no. 1 on both the Billboard and Cashbox charts in 1956.
Although Kelly was now trying to push the b-side, "The Day After Forever", Rockin' Robin liked "Stealing," and played it several times in a row. As Kelly recalled, "Everybody started calling in and I never looked back after that."In The Basement, Ibid. The single first appeared on the Cashbox R&B; charts on June 13, 1970 and in Billboard a week later.
Results showed the most common uses for loan funds were related to health care, investments in business and agricultural enterprises, as well as expenses for home improvements and school. The study found that half of community banks stored their money in a cashbox and nearly a third put the funds in a bank account in the name of one group member (See Fig. 1).
For Teenagers Only is an album by American singer Bobby Darin, released in 1960. After Darin's success in the adult pop market, the release of the album was an attempt to regain his youthful Rock & Roll audience. Nearly all of the material had been previously recorded in 1958. The album did not chart on the Billboard 200, but reached #38 on the Cashbox mono chart.
"Mind Games" is a song written and performed by John Lennon, released as a single in 1973 on Apple Records. It was the lead single for the album of the same name. The UK single and album were issued simultaneously on November 16, 1973. In the US it peaked at No. 18 on the Billboard Hot 100 and No. 10 on the Cashbox Top 100.
Drusky charted in Cashbox with "Wait and See" and "Our Church Your Wedding" in 1959. In 1960, Drusky finally struck it big. At Decca Records, where he worked with producer Owen Bradley, he released a single called "Another", which he co-wrote. Bradley was a well-known producer who had led legendary country singer Patsy Cline into big success in the early '60s as well.
After sitting in Wammack's truck to listen to the demo cassette, Richard decided to record the song. Richard insisted he record his vocals over the cassette recording, to FAME owner Rick Hall's chagrin. "Greenwood, Mississippi" was the album's second single and was less successful than "Freedom Blues"; it charted at number 85 on the Billboard chart and number 56 on the Cashbox Black Singles chart.
The group flew back to the US and played nine more US dates before returning to work in November on their fourth LP. They ended the year with a successful new single, "Touch Me" (released in December 1968), which reached No. 3 on the Billboard Hot 100 and No. 1 in the Cashbox Top 100 in early 1969 (the band's third and last American number-one single).
This will be the one to watch".Cashbox, 16 June 1973 It was listed as a "Spins & Sales" pick in Record WorldRecord World, page 18, 9 June 1973 and also as a "discopick" in "DJ and Radio Monthly" magazine.DJ and Radio Monthly, No. 9, June 1973. p. 29 Record Mirror reviewed the single "Noted composer, singer, pianist, producer, arranger, talent scout Lynsey does have style you know.
"Can't Get Enough" is a song by the English supergroup Bad Company. Appearing on the band's 1974 self-titled debut album, it is their biggest hit and is considered their most popular song. As a single, this song reached #5 on the Billboard Hot 100 singles chart and #1 on Cashbox magazine's Top 100 Singles chart. The song is also frequently played on classic rock radio stations.
The song's highest position on the Billboard Hot 100 was #12, which was also its highest position in the Cashbox chart. It also reached highs of #56 country and #3 Adult Contemporary in Billboard, and made #10 in the RPM chart in Canada. It was South's second and final record to reach the top 20 of the Billboard chart. It also reached the Top 20 in Australia.
The single "Walkin' The Low Road" reached the Cashbox magazine Top 60. In 1960, he formed a trio called "The Randy Sparks Three", and they released an album of the same name. He composed "Today"allmusic.com Accessed 2011-04-12.; this was a hit for the New Christy Minstrels from their 1964 album of the same title for Columbia Records (CL 2159/CS 8959).
The song appeared in Australia, briefly, in censored form but was soon released uncensored. The song performed disappointingly in the U.S and U.K. It charted in the U.S. on the Cashbox and Record World charts at #92 and #96 retrospectively. In the U.K. it reached #55 on Record Retailer's charts. In their home country of Australia it did much better, reaching #14 in Go-Set.
Six years later, in 1991, as reported by Shelly Weiss in Cashbox, "Heart Of Love" MJQ Majic 102.5, Buffalo, Program Director Hank Nevins caught the movie on HBO and put the song on the air. The sensational reaction of listeners from Buffalo, Rochester, and Toronto moved "Heart Of Love" into power rotation. MJQ received overwhelming requests from record stores in Canada and the US wishing to buy the disc.
Released as the second single from The Rose soundtrack album, "The Rose" hit number 1 on the Cashbox Top 100 and peaked at number 3 on the Billboard Hot 100 chart. Additionally, it was number 1 on the Adult Contemporary chart for five weeks running. The single was certified Gold by the RIAA for over a half million copies sold in the United States.[ US chart positions on allmusic.
It also landed on the Cashbox Top 100 singles chart for six weeks, where it reached number 52. The single received an achievement award from BMI as one of the most performed rhythm and blues songs in its repertoire for 1969–1970.Billboard Magazine Apr. 3, 1971 pg 21 Os Selvagens In 1970, the Brazilian group Os Selvagens incorporated the song on their self titled Os Selvagens album (Epic-44057).
"Cab Driver" is a song written by Carson Parks and performed by The Mills Brothers featuring Sy Oliver and His Orchestra. It reached #3 on the Easy Listening chart, #21 on the Cashbox chart, and #23 on the Billboard Hot 100 chart in 1968. It was featured on their 1968 album Fortuosity. The song was arranged by Sy Oliver and produced by Charles Randolph Grean and Tom Mack.
Lianne's friend had an affair with a teacher at the school and became pregnant, and not knowing how to help, confided in Deborah, who passed the gossip around. This baby would end up being Trina Echolls. Mrs Hauser makes another appearance during the Winter Carnival at school where she steals money from the cashbox and tries to blame Veronica and Jackie. However, she is caught and deservedly fired.
In 1964, Wells recorded "My Guy". The Smokey Robinson song became her trademark single, reaching number 1 on the Cashbox R&B; chart for seven weeks and becoming the number 1 R&B; single of the year. The song successfully crossed over to the Billboard Hot 100, where it eventually replaced Louis Armstrong's "Hello, Dolly!" at number 1, remaining there for two weeks. The song became Wells's second million-selling single.
Cashbox included the album in its Latin Picks section, praising it as a "masterpiece for lovers of Latin boleros". It lauded Flor Silvestre's soulful, sentimental singing style: "Multi-talented vocalist Flor Silvestre gives her heart and soul on this album of love songs. Most of the songs are old Latin standards. This LP was recorded in Mexico and the songs are beautifully suited to her style of singing".
The last date of the first 1973 Manassas tour was recorded for ABC In Concert. Cashbox magazine ranked Manassas as the number 58 group of 1973. Billboard ranked Down The Road as the number 36 of new album artists. In 1972/73, Stephen left the services of David Geffen and set up his own publishing company with Ken Weiss, called Gold Hill Publishing, named after his home in Boulder, Colorado.
In the first week of its release, the single was at No. 103 on the Billboard charts. By August 12 Dunhill released the LP, Eve of Destruction. It reached its peak of #37 on the Billboard album chart during the week ending September 25. That same day the single went to #1 on the chart, and repeated the feat on the Cashbox chart, where it had debuted at No. 30.
"Nobody Told Me" was Lennon's last new single to reach the UK top 10, peaking at number 6 (although a reissue of "Imagine" reached number 3 in December 1999). The single was also Lennon's last US top 10 hit, peaking at number 5 on the Billboard Hot 100 and number 6 on the Cashbox Top 100, and was his third single to enter the US top 10 posthumously.
"Watching the Wheels" is a single by John Lennon released posthumously in 1981, after his murder. The B-side features Yoko Ono's "Yes, I'm Your Angel." It was the third and final single released from Lennon and Ono's album Double Fantasy, and reached No. 10 in the US on the Billboard Hot 100 and No. 7 on Cashbox Magazine's Top 100. It peaked at number 30 in the UK.
They also toured across the South Pacific. In early 1973, Gallery's third and last Hot 100 hit, Tom Lazaros's "Big City Miss Ruth Ann", reached No. 23 on the Hot 100, No. 12 on Cashbox, and No. 7 on WCFL. A remake of the Crickets' "Maybe Baby" "Bubbled Under" at No. 118 in July 1973. In early 1974 "Friends" / "Love Every Little Thing About You" failed to chart.
"Hold On" was first released in 1981 on Say No More. However, that same year, the song was released as a single in America, (the first from Say No More) backed with the Joey Molland- written song, "Passin' Time". It was Badfinger's final charting single (and highest charting since "Baby Blue"), reaching on the Billboard Hot 100 and on Cashbox. Its follow-up, "I Got You", didn't chart.
The film's score was written by Elmer Bernstein and several musicians also contributed to the soundtrack including Mary MacGregor (performing "Good Friend"), David Naughton (performing "Makin' It", which served as the theme for his title sitcom, which was cancelled prior to the film's release), and Rick Dees and His Cast of Idiots (performing the title theme "Meatballs"). "Good Friend" and "Makin' It" made the Billboard and Cashbox pop charts (see below).
That song made the Top 100 R&B; list with Cashbox magazine. She began singing the blues in the early 1980s. From 1993 to 1996, she was the lead singer for Mississippi Heat and recorded two albums with them, Learned the Hard Way and Thunder in my Heart. In 1997, she released her first solo album titled The Search is Over, on the British record label, JSP Records.
"Two Different Worlds" is a popular song with music by Al Frisch and the lyrics by Sid Wayne, published in 1956. The biggest U.S. hit version was recorded by Don Rondo. It reached number 19 on the Billboard chart and number 12 on the Cashbox chart. A cover version of the song was recorded by Roger Williams and Jane Morgan which reached number 41 on the Billboard chart.
Pollack co-wrote the jazz standard "Tin Roof Blues" in 1923 when he was a member of the New Orleans Rhythm Kings. The band's trombonist George Brunies is also credited as a composer. In 1954, Jo Stafford recorded "Make Love to Me", which used Pollack's music from "Tin Roof Blues". "Make Love to Me" was No. 1 for three weeks in Billboard magazine and No. 2 in Cashbox.
Record deals were offered and the group was close to signing with Columbia Records, however their previous label sold their rights to the Chicago-based label, USA Records. The single charted at number 119 on the Bubbling Under charts of Billboard, number 93 on the Record World charts, and number 35 on the Cashbox charts. In total, the single sold around 75,000 copies. The Cherry Slush's popularity reached a national scale.
After receiving her degree, Puthli received a dance scholarship from Martha Graham and moved to New York. John H. Hammond at Columbia had read Ved Mehta's portrait of her in Jazz in Bombay. After hearing a rough demo, he signed her to CBS Records. She sang lead vocals on the Peter Ivers Blues Band's cover version of "Ain't That Peculiar" which was reviewed favorably in Cashbox, Rolling Stone, and Billboard.
The first record of this parish was in the year 1323. The local church was consecrated to St Margita. In approximately 1335, a paid local priest, Pavol, donated one tenth of the revenue from his parishioners to a papal cashbox. The church was located in Hamlet's Part, also sporadically called Kostolné Žbince. In the 17th century, church services were conducted by evangelical reformed preachers, likely those of evangelical Augsburg's religion.
It later spawned another Top 30 hit with "Me and Julio Down by the Schoolyard". Simon's next project was the pop-folk album, There Goes Rhymin' Simon, released in May 1973. It contained some of his most popular and polished recordings. The lead single, "Kodachrome", was a No. 2 hit in America, and the follow-up, the gospel-flavored "Loves Me Like a Rock" was even bigger, topping the Cashbox charts.
Rush Street is the third studio album by singer and songwriter Richard Marx. Released in late 1991, it sold over two million copies in the United States alone. It was Richard's third consecutive multi-million seller in the U. S. Its first single, "Keep Coming Back," was #1 on the American Adult Contemporary chart for four consecutive weeks. It reached #5 in Cashbox while peaking at #12 in Billboard.
The album reached No. 13 on the Cashbox Jazz Albums chart. White went on to release a self-titled solo album in 1985 on Columbia. The album rose to number 12 on the Billboard Top R&B; Albums chart. A cover of Ben E. King's "Stand by Me" got to No. 6 on the Billboard Hot R&B; Singles chart and No. 11 on the Billboard Adult Contemporary Songs chart.
Sam & Dave's biggest hit and best-remembered song, "Soul Man" (R&B; #1/Pop #2), was released in August 1967. It was the number #1 song in the US according to Cashbox magazine Pop charts in November 1967. Sam & Dave won the Grammy Award in 1967 for "Best Performance – Rhythm & Blues Group" for "Soul Man," their first gold record. "Soul Man" was voted into the Grammy Hall of Fame in 1999.
In 1976, "Lonely Night (Angel Face)" was a hit single for Captain & Tennille, who had recorded another Sedaka song "Love Will Keep Us Together" a year earlier. Their version of "Lonely Night (Angel Face)" reached #3 on the US Billboard Hot 100 singles chart and #1 on the Billboard Easy Listening chart in March 1976. On the Cashbox chart, it also reached #1. The song became a Gold record.
"Overnight Sensation (Hit Record)" is a hit single by Raspberries, released in September 1974. It was written by band leader Eric Carmen, who also provided the lead vocals. It was the first single release from their fourth and final LP, Starting Over. The song reached the Top 40 on three principal US charts, number 18 on the Billboard Hot 100, number 24 on Cashbox, and number 26 on Record World.
During their early years (from 1973 to 1976), the group were praised by local media for their music, stylistic diversity, use of technology, and the energy of their live performances. Ayers Rock received positive reviews in Billboard and Cashbox. Late-1990s music historians recognised the band's talent but considered their music over-indulgent at times, failing to bridge the gap between artistic and commercial success. Duncan Kimball of Milesago.
The song also made #36 on the Billboard Year-End Hot 100 singles of 1959. The piano on the recording is by Bruce Johnston. Brown, Tony, Jon Kutner & Neil Warwick, The Complete Book of the British Charts: Singles and Albums, Omnibus Press, London, 2002 p.712 A re-recorded version, released as a single in 1964 and titled "Teen Beat '65", also made the Billboard and Cashbox charts.
Jan and Dean released the song in 1960 on their album, The Jan & Dean Sound. The Hollywood Flames released a version of the song as a single in 1961 that reached #26 on the US R&B; chart.The Hollywood Flames, "Gee" chart position Retrieved February 4, 2016. The Pixies Three (Mercury 72250) with lead vocal by Debby Swisher, reached #87 on Billboard and #79 on Cashbox in 1964.
In 1962, it was reported in the December 1 issue of Cashbox that Pickett along with Ned Ormand and R.B. Chris Christensen had formed Nico Records. Christensen had been a partner and professional manager in Buck Owens' Bluebook Music Publishing co. They had acquired an instrumental from the Daco label which was to be their first release. The instrumental was by The Revels of "Church Key" and "Six Pak" fame.
In 1965, he had 5 chart singles and after just three albums Diamond Records released a "best of" collection. His name was featured many times in both Billboard and Cashbox awards in 1965. More hits came in 1966 and 1967 including "My Babe", “Cry”, "Happy Summer Days" and several others. After releasing his cover of Johnnie Ray’s song “Cry”, Ronnie appeared on The Ed Sullivan Show to sing the song.
The single showed her versatility as both a performer and writer; a reggae style song that was put to a funk/disco beat. Dig The Gold charted to #42 for Billboard and #10 for Cashbox giving her a first real success as an internationally recognized pop artist.Billboard Top Pop Singles 1955-2010 (2011). Record Research; 13 edition, p. 184.The Cash Box Singles Charts: 1950-1981, Scarecrow Press, 1983, p. 117.
The Billboard Book of Top 40 Hits, 8th Edition (Billboard Publications), page 19. number three on the Cash Box Top 100,Cashbox Magazine and number one on the Billboard Album Rock Tracks chart, where it remained for nine weeks, making it Aerosmith's most successful single on that chart. In the UK, the song peaked at number 19 on the British pop chart in April 1993.Official Charts Company info OfficialCharts.com.
"Theme from The Apartment" is a tune composed by Charles Williams and performed by Ferrante & Teicher. The song was originally released in 1949 and entitled "Jealous Lover." It reached No. 9 on the Cashbox chart, No. 10 on the Billboard Hot 100, No. 24 on the Billboard R&B; chart, and No. 44 on the UK Singles Chart in 1960. It was featured on their 1960 album The World's Greatest Themes.
The album was a commercial failure and did not chart on the Billboard 200 but charted for a week at #74 on its R&B; albums listing. Cashbox magazine however charted it for five weeks on its pop albums chart, peaking at #168. Its lead single, "Red Hot", squeaked into the Billboard R&B; singles chart at #95. Another single, "Pick Up the Pieces", failed to chart at all.
It received little exposure and failed to chart. In 1962, he released the single “King or a Clown” / “Never Has So Much Been Lost (In Just a Little While)”(Epic #5-9500). The same year he was voted by Cashbox as the “Most Up and Coming Male Vocalist in Country Music.” Flood also recorded the song “I’ll See You to the Door” with Epic Records, but to Flood's dismay, they never released it.
"I Love You More and More Every Day" is a song written by Don Robertson and performed by Al Martino. It reached #3 on the adult contemporary chart, #9 on the U.S. pop chart, and #11 on the Cashbox chart in 1964. It was featured on his 1964 album I Love You More and More Every Day/Tears and Roses. The single was arranged by Peter DeAngelis and produced by Voyle Gilmore.
We Five was a 1960s folk rock musical group based in San Francisco, California. Their best-known hit was their 1965 remake of Ian & Sylvia's "You Were on My Mind," which reached No. 1 on the Cashbox chart, #3 on the Billboard Hot 100, and #1 on the Adult Contemporary chart. The original group split after recording their second album in 1967, but a re-formed band produced three more albums between 1968 and 1977.
"I've Been Lonely Too Long" is a song written Felix Cavaliere and Eddie Brigati and performed by The Young Rascals. It reached #7 in Canada, #16 on the U.S. pop chart, #17 on the Cashbox chart, and #33 on the U.S. R&B; chart in 1967. It was featured on their 1967 album Collections, where the song title is given as "Lonely Too Long". The song was produced by The Young Rascals.
9, 1982, Library and Archives CanadaRPM 50 Singles Survey (Canada), Oct. 16, 1982, Library and Archives Canada Less successful in the United States, it nonetheless remains Rush's only American Top 40 hit, peaking at No. 21 on the Billboard singles chart in October and November 1982. On the Cashbox Top 100, it peaked at No. 35. It also hit No. 1 on the Billboard Top Tracks chart (the first Rush single to do so).
The record reached #1 on the Cashbox pop chart, #2 on the Canadian RPM Magazine charts, and became their seventh and final Gold Record. It uses a circus theme as a metaphor for dealing with the difficulties and wrong choices of life. Early in Sayer's career, he performed it dressed and made up as a pierrot clown. The opening motif quotes Julius Fučík's "Entrance of the Gladiators" which is commonly associated with circus clowns.
The reviewer praised its "plaintive, blues-soaked" style, as well as the "interesting Gypsy-ish backing." "Record Reviews," Cashbox, March 5, 1966, p. 16. In 1987, Cher recorded a rock version of the song for her 1987 Platinum-certified comeback album Cher. Produced by Jon Bon Jovi, Richie Sambora, and Desmond Child, the song featured backing vocals by Jon Bon Jovi and Michael Bolton, among others, and was released as a promotional single in 1988.
It was overtaken to the Christmas Number One Single rank by the St Winifred's School Choir's "There's No One Quite Like Grandma," finishing at number 2 on that list. The song also reached number 1 on the Cashbox Top 100. By 6 January 1981, there were three Lennon songs in the UK top 5, a feat that remained unequalled for 35 years when Justin Bieber managed to accomplish this in January 2016.
Then she was set to appear on a new show called Smokey Rogers Western Caravan Show, shown on KFMB- TV in San Diego, California.The Billboard, November 3, 1958 - FOLK TALENT & TUNES By Bill Sachs In May 1959, she performed at the Great Eastern San Diego County Fair and at the Bostonia Ballroom.The Cashbox, May 30, 1959 - Page 107 Country Round Up She performed at venues in Southern California with Smokey Rogers and his Western Caravan.
Sands of Time is the seventh studio album by Jay and the Americans released on March 15, 1969. The album went to #51 on the Billboard 200 chart and reached #30 on the Cashbox chart. The song "This Magic Moment" hit #6 on the Billboard Hot 100 and was the group's first top ten hit in over three years. The song "Hushabye" hit #62 and "When You Dance" went to #70 in 1969.
Eric Carmen is the debut album by American rock and roll musician and singer- songwriter Eric Carmen. It is also his first of two self-titled albums, the other released in 1984. It peaked at #21 on the Billboard album chart on its release in 1975 (see 1975) and generated the #2 pop single "All by Myself" in the same year. The song reached #1 on the Cashbox and Record World charts.
"Cry Like a Baby" is a 1968 song written by Dan Penn and Spooner Oldham, and performed by The Box Tops. The song reached #2 in April 1968 on the Billboard Hot 100 chart, a position which it held for two weeks. It was kept out of the top spot by Bobby Goldsboro's "Honey", which stayed at #1 for five weeks. "Cry Like a Baby" also reached #2 on Cashbox for one week.
The single debuted at number 3 in Lennon's native UK, then moving to number 2 and finally reaching number 1, where it spent two weeks, knocking off the top spot his own re-released "Imagine". In the US the single peaked at number 2 on Billboard Hot 100 (kept out of the top spot by REO Speedwagon's hit "Keep On Loving You" and Blondie's hit "Rapture") while reaching number 1 on the Cashbox Top 100.
Phil Margo played drums on the original session, and the arranger was Norman Bergen. After the single hit No. 3 on the Billboard Hot 100 (#1 on the Cashbox Top 100), Orlando wanted to start performing again. The ensemble then recorded the follow-up song "Knock Three Times", which topped the Hot 100 on 23 January - 6 February 1971. Bell Records was desperate to have a real- life act to promote Dawn's records.
A third single released from this album, "Can't Help But Love You", would be the Standells last entry into the Billboard Hot 100, reaching No. 78, while also peaking at No. 9 in the Cashbox charts. In 1968, Dick Dodd left the band to pursue a solo career. The Standells continued to perform with a varying line-up thereafter, briefly including guitarist Lowell George who went on to play with Little Feat.
More of Bobby's Greatest Hits is Bobby Vinton's second compilation of tracks from singles from 1964–1966. Nine of the ten tracks previously charted on the Billboard Hot 100, the lone exception being "Careless" which "bubbled under" (although it reached #82 on the competing Cashbox charts). The hits "Clinging Vine", "What Color (Is a Man)", "Dum-De-Da" and "Tears" (previously a hit for Ken Dodd) make their album debut on this compilation.
"Rock On" became Damian's first hit in eight years, since his 1981 cover of Eric Carmen's song "She Did It". His rendition became a gold record. It reached the number one position on the Billboard Hot 100 chart, thus outperforming Essex's original Billboard ranking. However, the song did get to number one for Essex in 1974 on the US Cashbox Top 100, in the same week it was at number 11 on the Billboard charts.
Gene Watson Sep 2016 Ruidoso, NM OnstageMagazineGroup Gary Gene Watson (born October 11, 1943) is an American country singer. He is most famous for his 1975 hit "Love in the Hot Afternoon," his 1981 #1 hit "Fourteen Carat Mind," and his signature 1979 song "Farewell Party." Watson's long career has included five number one hits,Billboard, Cashbox, Radio & Records, Gavin and Music Row Music Charts 23 top tens, and over 76 charted singles.
Hey Major are a Canadian indie rock band from Sherbrooke, Quebec, consisting of brothers Mickaël and Raphaël Fortin.Sandy Graham, "Hey Major Meet Them at 'The Station'". Cashbox Canada, October 18, 2019. The band was first formed in 2010 as a trio under the name Orange O'Clock, with guitarist Anthony Simoneau- Dubuc as the third member. As Orange O'Clock they released the album Crazy Carnival independently in 2014,"Orange O’Clock: encore plus prêt du but".
In the United Kingdom, the album peaked at No. 4. Subsequent singles were also the No. 2 single "Loves Me Like a Rock" (knocked off by Cher's "Half-Breed", but reaching No. 1 on Cashbox on September 29, 1973), and the Top 40 hit "American Tune". Also, "Take Me to the Mardi Gras" was released in the UK reaching the Top 10. The song "Kodachrome" is named after the Kodak film of the same name.
"In My Lonely Room" is a 1964 single by Motown girl group Martha and the Vandellas. In this song, which registered at #6 R&B; (Cashbox) and #44 Pop,The Complete Motown Singles Vol. 4: 1964 [liner notes]. New York: Hip-O Select/Motown/Universal Records the narrator solemnly discusses how her lover's flirting with other girls leave her so depressed that all she can do was sit by "(her) lonely room and cry".
Flash Cadillac & the Continental Kids released their version of the song as a single in 1974 and it became a U.S. hit, reaching number 79 on the Cashbox singles charts and number 93 on the Billboard Hot 100. It also charted in Sweden and reached number 7 on the Swedish charts. In Canada, a version recorded by the Canadian band Bond in 1975 reached number 12 on the CHUM Chart,Hall, Ron (1984). The Chum Chart Book.
"Dear Lover" returned Wells to the R&B; top ten two years after her two Marvin Gaye singles entered the Cashbox R&B; top five and three years after her Motown single, "You Lost the Sweetest Boy", peaked at number ten.[ Allmusic review]Dear Lover at Discogs The song was Wells' last R&B; top ten of her entire career though she still had a succession of R&B; hits throughout the remainder of her career.
The album contains two Foster Rice titles including the new single "You Know lust What I'd Do" and "Rising Above It All". Overall, the production is sparkling throughout the album, with an excellent choice of material. Twitty and Lynn should make records for another ten years." Cashbox published a review in the November 3, 1979 issue which said, "This album celebrates ten years worth of duets from Conway and Loretta and they present a gem of an album.
"Daddy Sang Bass" is a 1968 single written by Carl Perkins, with lines from the chorus of "Will the Circle Be Unbroken?" and recorded by Johnny Cash. "Daddy Sang Bass" was Johnny Cash's sixty-first release on the country chart. The song went to No. 1 on the Billboard country chart for 6 weeks and spent a total of 19 weeks on the chart. The single reached No. 56 on the Cashbox pop singles chart in 1969.
The Roving Kind was a popular song adapted in 1950 from a British folksong "The Pirate Ship" by "Jessie Cavanaugh" and "Arnold Stanton" (both names are pseudonyms used by music publisher The Richmond Organisation). The song is about a girl who is nice but a wanderer. The best-known version was recorded by Guy Mitchell in 1950, in which it reached #4 on Billboard in December 1950. The song also reached #6 on the Cashbox charts in December 1950.
The eclectic, multicultural nature of War's music is also evident in Oskar's solo projects. Three well regarded albums released between 1976 and 1981 (and recently rereleased on CD) brought critical and popular acclaim including being voted No. 1 Instrumental Artist of the Year for 1976 in Billboard, Cashbox and Record World. The albums, like Oskar's live performances, show the diverse influences of his musicality. A composer, his compositions have been featured on movie sound tracks and television commercials.
" Cashbox also published a review in their September 14 issue which said, "Loretta's bright sparkling vocals have made her one of the most successful females on the country music scene. A sense of boundless happiness is inherent in all her songs, even if they are of the ballad lament type. The lady sings with a refined sense of interpretation that ranks her among the very best of the female country performers. The title track was recently a chart topper.
After a few weeks, Val tells Lady about his wild past in New Orleans and admits that he once knew Carol. When David enters the store, Lady tells David that she aborted his child when he left her. Val and Vee are talking about her painting when Vee's husband, Talbot, catches him kissing her hand. Lady allows Val to stay at the store, but Val steals money from the cashbox when she leaves to get linens for the bed.
The record reached #46 on the Billboard Charts and #35 on Cashbox; however, the song did make #1 in Australia for 8 weeks from December 12, 1959 to January 30, 1960 based on the Kent Music Report and reached #26 on the Canadian charts in October 1959.Song artist 91 - Bill Haley & his Comets. tsort.org. The record was no.2 on the year-end Top 25 Singles of 1959 list in Australia based on the Kent Music Report.
However, he closed the show with a special finale of "MacArthur Park", which culminated with an onstage rainfall. On December 12, 1992, Newton hit #1 on the Cashbox Pop and Country charts with an Elvis Presley-inspired song, "The Letter". Controversy swirled around this chart feat, as "The Letter" did not chart at all on Billboard Magazine's authoritative Hot 100 chart, Adult Contemporary chart or "Bubbling Under" chart. It did not make the Radio and Records magazine chart either.
"Johnny Angel" hit number one on the Billboard Hot 100 on April 7, 1962, during a 15-week run on the chart. It was a number one hit on the Top 100 Best Sellers chart in April 1962 as published by Cashbox. It charted at number one in both Canada and in New Zealand. "Johnny Angel" also peaked at number 41 on the UK Singles chart, where Patti Lynn's recording of the song was a slightly bigger hit.
It still remains as one of the best-selling singles of all time in Australia. Also in 1976, the group received its first international prize, with "Fernando" being chosen as the "Best Studio Recording of 1975". In the United States, "Fernando" reached the Top 10 of the Cashbox Top 100 singles chart and number 13 on the Billboard Hot 100. It topped the Billboard Adult Contemporary chart, ABBA's first American number-one single on any chart.
" The review published in the February 23, 1974 issue of Cashbox said, "Currently riding high on the charts, the title track is a good indication of the kind of polish, poise and true professionalism that Tanya possesses. Her vocal capacity is surprisingly developed considering her age. But in this young lady's case age is no barrier to success as her past record of achievement clearly indicates. "How Can I Tell Him", a moving and tender ballad is finely orchestrated.
"She Did It" was first recorded and performed by Eric Carmen. Released in August 1977, it was the first and greatest hit on Carmen's second solo LP, Boats Against the Current. It reached number 23 on the Billboard Hot 100 chart, number 15 on the Cashbox Top 100, and number 11 in Canada. This ballad is an upbeat love song about finally finding the right person and experiencing love after being lonely for an extended period of time.
The album's first release and first top 40 hit, "Don't Want to Wait Anymore", peaked at number 35 for two weeks on the US Billboard Hot 100 and for one week on the Cashbox Top 100. It also reached number 22 on the Billboard Hot Mainstream Rock Tracks chart. "Talk to Ya Later" hit number 6 on the Billboard Hot Mainstream Rock Tracks chart. It also spent five weeks on the Billboard Bubbling Under chart, peaking at number 101.
"How Can You Mend a Broken Heart" is a song released by the Bee Gees in 1971. It was written by Barry and Robin Gibb and was the first single on the group's 1971 album Trafalgar. It was their first US No. 1 single and also reached No. 1 in Cashbox magazine for two weeks. In the US Atco Records issued both mono and stereo versions of the song on each side as a promo single.
Ralph Marterie and his Orchestra also had a major hit with their version in 1953 as Mercury 70153, which Cashbox paired with the Bill Haley recording on July 4, 1953, peaking at #11. Marterie reached no. 13 on the Billboard Jockey chart with his version for the week ending June 20, 1953. It is sometimes claimed that sax player Rudy Pompilli, later to join the Comets, was on this record, but there is no evidence of this.
It peaked, coincidentally, at number 9 on the Billboard Hot 100, also peaking at number 10 on the Cashbox Top 100 in the US. It charted at number 23 on the UK Singles Chart and number 35 in Canada. Billboard commented on the contrast with Lennon's previous single from Walls and Bridges, "Whatever Gets You Through the Night," stating that "#9 Dream" is a "soft rocker" with "strong production" values which it expected would reach the Top 5.
It sold well locally and was picked up by MCA subsidiary, Revue Records for national distribution. Revue released three further singles from Green who then moved to MCA's main label, Uni Records. In 1969, "Jealous Kind of Fella" became a major national success, reaching #5 in the Billboard R&B; chart and #2 in the Cashbox soul chart. Written by Green, R. Browner, M. Dollinson and Jo Armstead, the record was released in the U.S. in August 1969.
Promised Land is the twenty-first studio album by American singer and musician Elvis Presley, released by RCA Records on January 8, 1975. It was recorded in December 1973 at Stax Records studios in Memphis and released on Presley's 40th birthday in January, 1975. In the US the album reached number 47 on the Billboard Top 200 chart and number 1 in Billboard's Top Country LPs chart. The album rose to number 1 in the Country Cashbox albums chart.
In the United States, it reached number 1 in Cashbox and number 2 for two weeks in the Billboard Hot 100 (behind Rod Stewart's "Tonight's the Night"), making it Lightfoot's second-most-successful single, behind only "Sundown". Overseas it was at best a minor hit, peaking at number 40 in the UK Singles Chart. The song is written in Dorian mode. Lightfoot re-recorded the song in 1988 for the compilation album Gord's Gold, Vol. 2.
Although most of her 1961–63 Minit recordings were written and produced by Toussaint, only one of these, "Two Winters Long", made the national charts. It spent three weeks on the Cashbox R&B; chart in February 1963, peaking at no. 43. Her version of "It's Too Soon to Know" (Minit 633) was another that failed to chart, however all sold well regionally. The origins of the song came when Thomas visited Allen Toussaint's parents' house in New Orleans.
Don Cusic (born ca. 1955) is an American author, songwriter and record producer who is best known as a historian of U.S. popular music. He is the author of 28 books, most of them related to country music; they include biographies of performers like Eddy Arnold, Roger Miller, Merle Haggard and Gene Autry. He is a special correspondent for Billboard magazine, a book reviewer for MusicRow magazine, and editor for trade magazines Record World and Cashbox .
The song is about the anticipation and excitement of a drive out around the town. Released as a single in early August 1982, it became Jackson's biggest hit in the United States, peaking at #5 in Cashbox magazine and #6 on the Billboard Hot 100 chart. It also reached #4 on Billboards Adult Contemporary chart and #7 on Billboards Album Rock Tracks. The infectious tune was Jackson's second biggest hit on the UK Singles Chart, where it reached #6.
"More, More, More" is a song written by Gregg Diamond and recorded by American disco artist Andrea True (under the name "Andrea True Connection"). It was released in February 1976 and became her signature track and one of the most popular songs of the disco era. In the U.S., it reached number four on the Billboard Hot 100 and spent three weeks at number three on the Cashbox chart in July of that year. In Canada, it was a number-one hit.
It was a live favourite when performed by prog-rockers Emerson, Lake & Palmer, whose single was also released in 1972. The single reached #70 on the U.S. Billboard Hot 100 and #92 on U.S. Cashbox. The main keyboard they used was not a piano but a Clavinet (although Emerson switched it to a Yamaha CP-70 during the 1977/78 live performances). In 2009, Trans-Siberian Orchestra released a version of "Nut Rocker", featuring Greg Lake, on their album Night Castle.
Cashbox Top 100 Singles. "Daddy Sang Bass" was also released on the Columbia Records Hall of Fame Series as a 45, #13-33153, b/w "Folsom Prison Blues" (live version). The record was nominated in the CMA awards category of Single of the Year by the Country Music Association (CMA) in 1969. "Daddy Sang Bass" was Cash's thirty-sixth entry on the pop charts and the last before his "A Boy Named Sue" became his first and only top ten hit there.
Never Buy Texas from a Cowboy, released on Atlantic Records in November 1979, was the second album from the American female funk band, The Brides of Funkenstein. Morphing into a trio on the second album release, the vocalists consisted of Dawn Silva, Sheila Horne, and Jeanette McGruder. Horne and McGruder served as background vocalists on subsequent P-Funk concert tours. Never Buy Texas From a Cowboy would be granted a Cashbox Rhythm & Blues Award in 1980 for 'Best Female Group'.
The song was the No. 1 hit in the U.S. for the five weeks, spanning March 1966 and the No. 1 hit on the Cashbox end of the year chart for 1966; also the No. 21 song of the 1960s as ranked by Joel Whitburn. The single sold more than nine million copies; the album, more than two million. "The Ballad of the Green Berets" is currently used as one of the four primary marching tunes of the Fightin' Texas Aggie Band.
In 1974, Millie Jackson released her version of the song which received two Grammy Award nominations. In 1978, Barbara Mandrell's version topped the U.S. country chart, reached number 31 on the Billboard Hot 100 (number 27 Cashbox), and was nominated for Single of the Year at the 1979 CMA (Country Music Association) Awards. Rod Stewart recorded the song for Foot Loose & Fancy Free (1977), his eighth album; as a single it peaked at number 23 on the UK Singles Chart in 1980.
Pam Lambert of The Wall Street Journal wrote "vocals, driven ahead by the force of the bass guitar, also carry the..Motowny Touch." Cashbox stated "songs like 'Sweet Sassy Lady' and 'Touch' make their point with popping bass lines and electronic keyboard riffs very much in vogue with today's music." Prentis Rogers of The Atlanta Journal-Constitution said the song has a "mellow, upbeat nature." Paul Bennett of the Times Colonist wrote "The group's specialty of shifting harmonies comes forward especially on Touch".
" In another positive review, Cashbox said, "Although Porter and Dolly have each assumed their own artistic identities as far as live performing, they are still recording together. This new LP features some excellent material and the inimitable duo are sounding better than ever. The LP is a sparkling collection and Porter and Dolly have always stood as an exceptional duo on the country music scene. "Please Don't Stop Loving Me" is an up-tempo ditty that professes that they need each other.
After recording his debut album, Beginnings in London, Springfield moved to the United States in mid-1972, where he achieved international fame as a solo artist, songwriter and actor and continues to record. Brewer drummed for a succession of bands including, Cashbox, Bootleg, Whole Man and I'Tambu before joining The Ferrets in 1976,Spencer et al, (2007) Brewer, Rick entry. Retrieved 24 January 2010. which had a No. 2 hit with "Don't Fall in Love" on the Australian Kent Music Report Singles Chart.
On 20 September 1906, a brazen robbery is committed on the passenger steamer "Tsesarevich Georgiy" near Sukhumi, Russian Empire. Several hirsute men threatening with weapons, break open a cashbox which is transporting a large amount of money and having captured several hostages land on shore. Then they mercilessly kill the captured people and disappear into the mountains. After some time the leader and his assistant shoot and kill the accomplices and then the assistant gets a lead cartridge through his heart.
Prior to the song's official release, Billboard described the backing instruments as "hot and tight" but said that King's voice was too mature to be "believable" in expressing the youthful sentiment of the song. King's version of "One Fine Day" reached #12 on the Billboard Hot 100 in the summer of 1980. Her cover of "One Fine Day" was ranked at #73 on Billboard's list of the top 100 hits of 1980;. The single also reached #19 on the Cashbox chart.
232 The song features Mike Love on lead vocals and it also features Ed Carter on guitar. The single peaked at No. 61 on the Billboard pop chart in the United States, No. 56 on the United States Cashbox sales chart, No. 53 in Canada's RPM chart, No. 33 in the United Kingdom and No. 9 in the Netherlands. It reached No. 36 on the Record World US national Top 40 a It was subsequently included on the group's 1969 album 20/20.
The Billboard Book of Top 40 Hits, 6th Edition (Billboard Publications) It reached No. 1 for one week on both the Cashbox and Record World pop charts. The song also reached No. 5 on the Hot Country Singles chart at the same time it was on the Hot 100 and Adult Contemporary Singles charts. It was also nominated for the 30th Golden Globe Awards in the Best Original Song category. The song quotes the first 12 notes of "Yankee Doodle".
Jewel and Ronn Records were among the leaders for R&B;, blues, soul and gospel tunes. Lewis signed artists such as John Lee Hooker, Charles Brown, Bobby Rush, Sam "T-Bird" Jensen, Buster Benton, Toissaint McCall, Lightin’ Hopkins, Ted Taylor and Little Johnny Taylor. In 1966, the Shreveport-based Murco Records released “Losin’ Boy” by Eddie Giles, which registered for five weeks on Cashbox magazine's Hot 100. Murco Records had soul chart success with its other artist included Reuben Bell and the Belltones.
They then began a national tour appearing with other hit acts such as: Paul Revere & the Raiders, the Young Rascals, and the Yardbirds. "Little Girl" peaked at #8 on the Billboard Hot 100 on 9–16 July 1966 and #5 on Cashbox. The follow-up "Rumors" also hit the Hot 100 and peaked at #55 on 1 October 1966. In an attempt to sustain their success, the band released two more singles, "Keep It Up" and "Mary", but none of them charted.
"Promises, Promises" is the name of a country song made famous by Lynn Anderson in 1968. "Promises, Promises" was Anderson's second major hit. The single was released in late 1967 on the Chart Records label, the distributed by RCA Victor, and was publicly debuted on The Lawrence Welk Show in an early December 1967 episode. "Promises, Promises" was Anderson's biggest hit up to that point, hitting number four on the Billboard Country chart and number one on the Cashbox Country chart.
"The Factory" is a song written by Bud McGuire, and recorded by American country music artist Kenny Rogers. It was released in January 1988 as the third single from the album I Prefer the Moonlight. The song reached number 6 on the Billboard Hot Country Singles & Tracks chart, number 4 in R&R;, number 1 in Cashbox and number 1 in Gavin. Bud McGuire is the brother of Mike McGuire, founding member and drummer of the country music group Shenandoah.
Other charting versions were recorded by The Fontane Sisters, Joe Ward, and Ricky Zahnd and the Blue Jeaners. The song was revived on the Big Top label by Kenny and Corky and entered the Cashbox Top 100 in 1959.CD sleeve: Billboard Greatest Christmas Hits (1955 - Present), 1989 Rhino Records Inc. Other artists who have recorded the song include Less Than Jake, Spike Jones, Eartha Kitt, Homer and Jethro, Relient K, Smash Mouth (featuring Rosie O'Donnell), Sugarland, Tonic Sol-fa and The Vindictives.
Sun issued more Perkins songs in 1956: "Boppin' the Blues"/"All Mama's Children" (Sun 243), the B side co-written with Johnny Cash, and "Dixie Fried"/"I'm Sorry, I'm Not Sorry" (Sun 249). "Matchbox"/"Your True Love" (Sun 261) came out in February 1957. "Boppin' the Blues" reached number 47 on the Cashbox pop singles chart, number 9 on the Billboard country and western chart, and number 70 on the Billboard Top 100 chart. "Matchbox" is considered a rockabilly classic.
Owens, Thom "[ Louisiana Red, Lowdown Back Porch Blues]". Allmusic.com. Louisiana Red released the single "I'm Too Poor to Die" for the Glover label in 1964. It peaked at number 117 on the Billboard Hot 100 and number 30 on the Cashbox chart. (Billboard did not publish an R&B; chart in 1964.) He maintained a busy recording and performing schedule through the 1960s and 1970s, working in sessions for Chess, Checker, Atlas, Glover, Roulette, L&R; and Tomato, amongst others.
Jameson later wrote: > For some reason, that is still a mystery to me to this day, Tony just > started promoting me in Billboard and Cashbox magazine without ever telling > me he was going to do it. He just showed up one day in a coffee shop in > Hollywood with a copy of both publications and I was in them. We had no > contract, no agreement of any kind and no record. But there I was, world > wide in both mags.
"Daddy Don't You Walk So Fast" is a song written by Peter Callander and Geoff Stephens and performed by Wayne Newton. The song appeared on Newton's 1972 album, Daddy Don't You Walk So Fast. "Daddy Don't You Walk So Fast" reached number 3 on the U.S. adult contemporary chart and number 4 on the Hot 100. The song spent one week at number 1 on the Cashbox chart on August 5, 1972, and three weeks at number 1 in Australia.
She read all of the teen magazines and newspapers which gave her a great deal of information to report. The newsletter included photographs which she garnered from her research data. She reported the latest entertainment news, and created music charts based upon her research from Billboard', Jet, and Cashbox magazines. She rated and reported the latest songs on the radio and listened to both Pop and R&B; music; however, her charts were based upon the latest R&B; music releases.
"Jack and Jill" is a 1978 hit song by R&B; vocal group Raydio. It was the first single from their eponymous debut album Raydio, and became an international top 10 hit. It reached number eight on the U.S. Billboard Hot 100 and number six on the Cashbox Top 100. It reached number five in Canada, number four in Australia, and the top 20 in UK. It was the first of five U.S. top 10 singles by Ray Parker Jr. and/or Raydio.
The Rill Thing is Little Richard's first album for Reprise Records, released in August 1970. It was considered a comeback album for Richard, following a three-year hiatus on new albums and an acclaimed performance at Atlantic City Pop Festival. The album utilizes a soul-influenced sound and contains Little Richard's biggest post-Specialty single in "Freedom Blues", which broke the Billboard top 50. The follow-up single, "Greenwood, Mississippi" made the top 100 and number 56 on Cashbox Black Singles.
In the 1960s he began designing specialized sound amplifiers and other related equipment for the store's customers. His hand-wired bass amplifier, which he called the DynaBass, was in demand, so Traynor teamed with his employer Jack Long to create a company, Yorkville Sound, to manufacture and market the products he designed under the Traynor brand."Pete Traynor The Man, The Music, The Struggle". Cashbox Canada, Bill Delingat, September 30, 2011 Another of his designs was the BassMaster tube amplifier.
On March 17, 1973, the song reached number one on the Hot Soul Singles chart, staying there for four consecutive weeks. Due to the song's strong crossover appeal, it eventually peaked at number two on the Billboard Hot 100, with Vicki Lawrence's "The Night the Lights Went Out in Georgia" blocking it from number one. However, it went number one on the U.S. Record World and Cashbox charts. It also crossed over to the adult contemporary chart, peaking at number 15.
The #3 ranking for "Oh Happy Day" in Billboard came from the Billboard "Honor Roll of Hits" listing. That ranking included all version of "Oh Happy Day" and not just the Don Howard version. The #4 ranking in Billboard came from the chart listing "The Best Sellers In Stores" and only included sales of the Don Howard version. It did reach #3 on The Cashbox Chart, which like the "Honor Roll of Hits" included all recordings of the same song.
High Times is an album, released in 1981 by country singer Dottie West. This album was built around the title track, "It's High Time". The single was released in early 1982 and reached No. 16 on the Billboard Country music charts, West's last Top 20 hit of her career. Another single from the album was also released, entitled "You're Not Easy to Forget", which reached No. 26 on the Billboard Country charts and No. 19 on the Cashbox Country charts.
Still, in tradition Chinese culture, it is believed one need not to be afraid of supernatural if he is an upright man who has never affront any spirits. It was said a bus driver was driving past the Mang Gui Kiu without any passengers on board. A woman with long hair and pale face got on the bus. But the driver only found joss paper in the cashbox. The angry driver shouted ‘Lady, please pay the fee!’ but received no answer.
The Nightowls released their debut album, Good as Gold, in December 2013. On January 7, 2014, The Nightowls released "Good as Gold" as a single. In a review of Good as Gold, Cashbox described The Nightowls as a soul band rooted in the Motown sound but able to move in new directions. Indie Music said The Nightowls sound like a band straight out of the glorious R&B; past, paying homage to all artist of that era while adding a modern spin.
The original Billboard Hot 100 shows "Clap Your Hands" peaking at #45 on 11 July 1960. and #40 on Cashbox. The tune was also released in French as "Frappe Tes Mains" and a Quebec version as "Tape des mains", lyrics by late Michel A. Lebel, as one of Rock n' Roll Queen Lucie Marotte's finale favorites. Their debut, ten-track full-length came out in 1960; they appeared on American Bandstand and at a charity concert at Carnegie Hall soon afterwards.
It provided three more singles, "Workout Fine" (March 1978), "Look at Me" (July) and "Got to Say Goodbye" (November). The group signed with Motown Records to re-issue Best Kept Secret as Stylus, in the United Kingdom and United States, on their Prodigal imprint. The album and its related singles received favourable reviews in music industry magazines, Cashbox and Billboard. By mid-1978 Peter Roberts (ex-Ride Band) had joined on co-lead vocals and then Mark Meyer (Sailor) replaced Tattersall on drums.
The Vancouver Sun. 9 April 2010 hitting No. 1 in Canada, No. 1 in Cashbox and No. 2 in Billboard in the United States. "That's Where I Went Wrong" and "Where Evil Grows" also charted well on Billboard. They consequently followed up with numerous hits in Canada.Library and Archives Canada Terry released Satwant Singh and Craig McCaw from the group in 1970 and, although the name Poppy Family was still used, Susan essentially became a solo artist, with the exception of one or two duets with Terry.
The single was a global hit, reaching No. 1 on Cashbox as well as No. 4 on the Billboard Hot 100 chart, making Irving Berlin, then 95, the oldest ever living songwriter to have one of his compositions enter the top ten. It was certified Gold by the RIAA for selling over one million copies. It was Taco's only hit in the United States. This version of the song was ranked No. 53 in VH1's 100 Greatest One Hit Wonders of the 80s special.
The pinnacle of Mitchell's commercial success, it was kept from the top spot by (in order) Bob Dylan's Planet Waves, Barbra Streisand's The Way We Were and John Denver's Greatest Hits. However, it did top the US Cashbox and Record World charts for one week each. In a July 1979 interview with Cameron Crowe for Rolling Stone, Mitchell recounted playing the then-just completed Court & Spark to Bob Dylan, during which he fell asleep.Rolling Stone article: "The Rolling Stone Joni Mitchell Interview", by Cameron Crowe.
"Hold Me Tight" is a song written and performed by Johnny Nash. It reached No. 1 on the Canadian chart, #5 on both the U.S. pop chart and the UK Singles Chart, #7 on the Cashbox chart, #20 on the adult contemporary chart, and #21 on the U.S. R&B; chart in 1968. It was featured on his 1968 album Hold Me Tight, and the tune was also used in Score commercials. The song was arranged by Arthur Jenkins and produced by Jenkins and Nash.
"Just Remember I Love You" is a song by American rock band Firefall from their album, Luna Sea (1977), with backing vocals by Timothy B. Schmit. It was written by Rick Roberts and released as a single on July 21, 1977. "Just Remember I Love You" peaked at number 11 on the US Billboard Hot 100, spent two weeks at number nine on Cashbox, and reached number one on the US Easy Listening chart. The song also reached number one on the Canadian Adult Contemporary chart.
CBC Music Top 20, formerly Radio 2 Top 20, is a Canadian radio record chart program, which airs across Canada on the CBC Music network."CBC Radio 2 Launches New Show Providing Canadian Music Lovers With The Top 20 Must Hear Tracks Each Week" . Cashbox Canada, August 12, 2013. Hosted by Grant Lawrence, the show counts down the week's top songs played on the network's daily adult album alternative programs Mornings and Drive, as determined by a mix of Canadian record sales and listener voting feedback.
" Cashbox also published a review in their January 16 issue which said, "Loretta Lynn has long been one of country music's most outstanding and most important female vocalists. She is a writer as well as an interpreter of feelings and emotions. "Coal Miner's Daughter", her most recent top 5 single record is the true story of Loretta and her father, a coal miner in Kentucky. After listening to that cut several times, you can begin to appreciate the sincerity that went into the session with Loretta.
"BTW-starring The High Dials, Closer To The Heart, Winterfolk Festival Highlights, Lesley Curtis, Dee Bronte, Timber Timbre, Dan Mangan & Blacksmith". Cashbox Canada, 01/30/2015 by Lenny Stoute The album marked another stage in the band's evolution with its post-punk influences and pulsing "electronic shimmer","Album review: The High Dials keep it fresh with In the A.M. Wilds". Bernard Perusse, Montreal Gazette, February 3, 2015 though these sounds had previously been noted by critics on 2008's Moon Country."Montreal's High Dials reject retro rehashing".
The Karlslust dance hall fire (also known as Loebel's Restaurant fire) occurred on 8 February 1947 in Hakenfelde, a locality of Spandau in what was then the British sector of Berlin. With its death toll of 80 to 88, it marks possibly the worst fire disaster in Germany since World War II, 88 at least in the city of Berlin. The death toll is today considered to be 81: 80 guests and the owner of the restaurant, Julius Loebel, who died while attempting to save a cashbox.
"Blue Suede Shoes" is a rock-and-roll standard written and first recorded by Carl Perkins in 1955. It is considered one of the first rockabilly records, incorporating elements of blues, country and pop music of the time. Perkins' original version of the song was on the Cashbox Best Selling Singles list for 16 weeks and spent two weeks at the number two position.retrieved 10.2012 Elvis Presley recorded "Blue Suede Shoes" in 1956 and it appears as the opening track of his eponymous debut album Elvis Presley.
Then, on June 10, 2014, they released their debut album, Lost in Cyco City, in Canada. The band are still in the process of working out release dates in other countries, specifically the US, Ireland, and the UK. On March 10, 2015, Sumo Cyco announced that they had signed with TKO (The Kirby Organization) Booking Agency, known for its representation of hard rock and metal acts, for worldwide representation."Fontana North’s Sumo Cyco Signs With TKO & Kicks Off Tour", Cashbox Canada, March 11, 2015.
"Go All the Way" is a single by American pop-rock group Raspberries, released in July 1972 and written by band leader Eric Carmen. The song reached the Top 5 on three principal US charts: number 5 on the Billboard Hot 100, number 4 on Cashbox and number 3 on Record World. The single sold more than 1.3 million copies, earning the band their only certified Gold Record. It was their second single release, their all-time biggest US hit, and appeared on their debut LP, Raspberries.
Dolly Parton is sensational, as usual." Cashbox published a review in the issue dated February 7, 1970, which said, "Many of Dolly Parton’s male fans will agree that she is "The Fairest of Them All", and all her fans will agree that vocally, she's one of country music's brightest young stars. Teeing off this set with her current single, Dolly goes on to sing a host of strong tunes, most of which are her own compositions. Should be a nice chart spot on tap for this package.
"Time of the Season" is a song by the British rock band the Zombies, featured on their 1968 album Odessey and Oracle. It was written by keyboard player Rod Argent and recorded at Abbey Road Studios in August 1967. Over a year after its original release, the track became a surprise hit in the United States, rising to number three on the Billboard Hot 100 and number one on the Cashbox chart, and has become one of the Zombies' most popular and recognizable songs.
"Power to the People" is a song written by John Lennon, released as a single in 1971, credited to John Lennon/Plastic Ono Band. It was issued on Apple Records (catalogue number R5892 in the United Kingdom, 1830 in the United States) and in the US peaked at number 11 on the Billboard Hot 100 and number 10 on the Cashbox Top 100. It also charted at number 6 on the British singles chart. The song's first appearance on album was the 1975 compilation Shaved Fish.
However, she does take matters into her own hands as she contracts smallpox for the expressed purposed of infecting Tuan Besar Kuasa, trying to kill herself and him. However, only Tuan Besar Kuasa dies. But Surati's story does not only show the plight of native women, but also of natives as a whole, as Tuan Besar Kuasa takes advantage of his position over Sastro Kassier. Kuasa steals money from Sastro's cashbox at work and then threatens to ruin him if he cannot produce the money.
Cash Box, November 27, 1976 - Page 27 CountrySinglesReviews ~ AlbumReviews It would become a hit for him. Spending six weeks in the charts, it peaked at #80 on November 12 that year.The Cowboy in Country Music: An Historical Survey with Artist Profiles, By Don Cusic - Page 243 The West on the Music Charts, _1976_ Joel Whitburn's Top Country Singles, 1944-1988, Joel Whitburn - LLOYD GOODSON It also made the Cashbox charts and at one stage in the week ending December 25, 1976 where it was at #16.Cashboxmagazine.
" The review in the November 11, 1978 issue of Cashbox said, "If country fans have raised an eyebrow at the changes Dolly Parton has made lately, they certainly aren't ready for the 'new' Tanya Tucker. Beyond a shadow of a doubt, the cover graphics are the most blatantly sexual of any album jacket ever released by a country artist. And the music inside is tough LA rock. Tanya does throw in a small dose of country, but this is in no way a country album.
Kenyon co-starred as Des Smith in the syndicated television drama Crunch and Des (1956) and portrayed Cashbox Potter in the syndicated adventure series Major Del Conway of the Flying Tigers (1953). Among the many television series in which he guest starred are the westerns: The Rifleman, Colt .45, Yancy Derringer, Have Gun-Will Travel, The Tall Man, Gunsmoke, and Bonanza. In 1960, Kenyon was cast as a pre-presidential Abraham Lincoln in the episode "No Bridge on the River" of the NBC western series, Riverboat.
The SG-1000, Sega's first home video game console Despite Sega's successes, Rosen was cautiously optimistic about the future in a December 1981 interview for Cashbox. He stated that he felt the growth of the industry was slowing and that expansion options were becoming more limited. He also spoke of Sega's focus on their Convert-a-Pak program, which allowed for new games to be installed in existing arcade cabinets in a matter of minutes. This was introduced on Sega's G80 arcade system board.
These record releases led to a new dimension of chart success for the Beatles, and they held the top five positions on the Billboard magazine Hot 100 chart and the Cashbox magazine Top 100 chart for April 1964. A record 14 Beatle records were on the Billboard Hot 100 chart the following week. Vee-Jay issued Introducing... the Beatles in 1964 which was essentially their debut British album with some minor alterations. Vee-Jay also issued an unusual LP called The Beatles Vs The Four Seasons.
Sylvia Jane Hutton (née Kirby, born December 9, 1956), known professionally by her first name Sylvia during the 1980s, is an American country music and country pop singer and songwriter. Her biggest hit, a crossover chart topper, was her single "Nobody" in 1982. It reached number 15 on the Billboard Hot 100, number 9 on the Cashbox Top 100, and number 1 on the Billboard Country Singles chart. The song earned her a gold record certification and a Grammy Award nomination for Best Female Country Vocal Performance.
"Thunder in My Heart" is a song recorded by Leo Sayer for the album Thunder in My Heart, and originally released as a single in 1977. It reached number 22 in the United Kingdom. In the United States, it reached number 38 on the Billboard Hot 100 and number 35 on the Cashbox chart. It became a number-one hit in the United Kingdom when a remix by DJ Meck (titled "Thunder in My Heart Again") was released as a single in 2006 (see 2006 in music).
She signed with CBS/Lifesong Records in 1978 and released a self-titled album that scored three Top 20 hit singles. Another of her original compositions, an introspective song entitled "Someone Is Looking for Someone Like You", was the album's highest charting single, reaching No. 7 in Cashbox and No. 11 on the Billboard charts. This song has since been translated into seven languages and recorded by such internationally known artists as Nana Moskouri, Susan McCann, Iona & Andy, George Hamilton IV and bluegrass legends The Country Gentlemen.
Benton's version split airplay with Warwick's, and ultimately peaked at #75. Warwick's version of "A House Is Not a Home" fared better in Canada, where it was a top 40 hit, peaking at #37. The ballad made the R&B; top 10 in Cashbox by both Warwick and Benton, with neither artist specified as best seller. Despite its modest initial success, the song went on to achieve greater renown through frequent recordings by other artists, including a hit version in 1981 by Luther Vandross.
He is the owner and CEO of Canadian-American Records and Caprice International Records. In the 1990s Welz began writing and recording country music in Nashville with the Nashville Now Band and placed several singles on the Cashbox chart including a country version of "Rock Around the Clock", "One Way Ticket", "Rockabilly", "Back to a Better Time" and the "Nashville Now Boogie". In 1992, Welz signed with Caprice International/BMG. Since the early 2000s Welz has annually toured in France with the Captain Joe Combo.
In February 1970, he was nominated "Most Promising Artist of the Year" by Record News, Cashbox, and Billboard Magazine. Snyder soon found himself playing with Elvis Presley, appearing on several of his West Coast performances. Elvis Presley used to joke that Snyder actually sang the Presley song "Memories" on the record, because of Snyder's uncanny ability to imitate the singer's voice. Snyder worked with countless country music greats, including longtime friends Merle Haggard, with whom he recorded "Haggard State of Mind," and Willie Nelson.
It reached number one on Billboard's Top C&W; singles, where it remained for sixteen weeks and reached number twenty-four on Most Played in Jukeboxes. The magazine listed it as the "number one country and western record of 1949" while Cashbox named it "Best Hillbilly record of the year". In March 1949, Wesley Rose requested Williams to send him the records by Griffin and Miller to prove that the song was in the public domain. Irving Mills, the original lyricist, sued Acuff-Rose.
Cashbox magazine's Top 100 ranked "Gloria" at number 1. Certified platinum for sales of one million in the United States alone, "Gloria" was also an international success, most notably in Australia where it held the number 1 position for seven consecutive weeks, from February 7 to March 21, 1983. "Gloria" also took Branigan to the Top-10 charts in Canada at number 1, the United Kingdom at number 6, Ireland at number 4, South Africa at number 9, New Zealand at number 6, and number 36 in Italy.
His songs have been recorded by popular artists including Roy Orbison, Anita Bryant, Billy Grammer, Kathy Linden, and The Wilburn Brothers. In 1962, The Wilburn Brothers recorded his song “Trouble’s Back in Town” which peaked at number 4 on the US Country Charts and was named Cashbox Magazine’s “Country Song of the Year.” In 1973 Flood moved to Georgia’s Okefenokee Swamp and became a professional naturalist and environmentalist. In 1981 Flood changed his name to Okefenokee Joe, and in 1989 he hosted and narrated the Emmy award-winning documentary Swampwise on Georgia Public Broadcasting.
Though the band was satisfied with the acetate to "Come on In", the members were convinced "Talk Talk" would propel them into the national charts. "Talk Talk" was released on September 10, 1966, on Original Sound, and rose to number 15 on the Billboard Hot 100. It also peaked at number 21 on Cashbox and number 18 on Record World. The song's relatively short time-length—a mere one minute and 56 seconds—made "Talk Talk" a favorable staple on Top 40 radio and its competing underground FM stations.
Omri closes his figures and the magical car key in the cashbox and decides to give the magic key back to his mother so he will no longer have the temptation to use it to bring the others back again. He first sends the wampum belt back and senses through his psychic powers that Little Bear and his tribe have successfully and safely reached Canada and reveals this to his father along with the fact that his mother knows the truth. However an apparently psychic dream indicates that perhaps he will still have further adventures.
The song was a "smash hit" which launched The Commodores into a higher level of fame and notice. In large part due to the popularity of this song, the band was named the top R&B; group of the year by Rolling Stone, Billboard, and Cashbox. Billboard also named them the number 3 pop group of 1978, making them one of the historically few non-white performers listed. "Three Times a Lady" was nominated for two Grammy awards, for Song of the Year and for Best Pop Vocal Performance by a Duo, Group, or Chorus.
"Should I", although a B-Side charted on Cashbox as well, reaching number 100 for a week. The single fared best on the Easy Listening chart, where it reached number 22. On 27th September of that same year, "Should I" was included on the duo's fourth studio album I Don't Want to Lose You Baby. The song was one of only two originals on the album, the other being "The Woman in You" The song, which is in C-major, opens with an electric and acoustic guitar before piano appears drastically.
"Baby, I Love You" is a song originally recorded by the Ronettes in 1963 and released on their debut album Presenting the Fabulous Ronettes (1964). The song was written by Jeff Barry, Ellie Greenwich, and Phil Spector, and produced by Spector. Released in November 1963, the single reached number 24 on both the US Billboard Hot 100 and Cashbox Top 100 charts, and peaked at number 11 on the UK Pop Chart. Billboard ranked the song as number 56 on their list of 100 Greatest Girl Group Songs of All Time.
Amidst this barrage of promotion, the debut album Jobriath was released, garnering mostly positive reviews. Rolling Stone stated that Jobriath had "talent to burn", Cashbox called it "truly one of the most interesting albums of the year" and Record World hailed it as "brilliantly incisive", referring to Jobriath as "a true Renaissance man who will gain a tremendous following". Esquire disagreed, calling it "the hype of the year". The album was co-produced by Eddie Kramer and Jobriath, featuring string arrangements by Jobriath, recorded at Olympic Studios with the London Symphony Orchestra.
Although radio stations were reluctant to play such a long track, "Like a Rolling Stone" reached No. 2 in the US Billboard charts (No. 1 in Cashbox) and became a worldwide hit. Critics have described the track as revolutionary in its combination of different musical elements, the youthful, cynical sound of Dylan's voice, and the directness of the question "How does it feel?" "Like a Rolling Stone" completed the transformation of Dylan's image from folk singer to rock star, and is considered one of the most influential compositions in postwar popular music.
The song was Elvis's 40th and last Top Ten hit on the Billboard US charts. "Steamroller Blues" in 1973 was his last one on the Cashbox Charts, peaking at #10, in the wake of the massively successful Aloha Concert. It was also one of the last real rock songs in the last years of his life; from 1972 to 1977 the majority of his songs were ballads, and many of those placed on Billboard's Hot Country Singles chart. "Burning Love" was one of the few exceptions, along with "Promised Land" in 1974.
September Morn is the thirteenth studio album by the American singer Neil Diamond. Released in 1979, the album includes a disco version of the Motown song "Dancing in the Street" and a remake of "I'm a Believer". The title track was an international chart hit, and became Diamond's 30th Top 40 hit in the U.S. The song peaked at number 17 on the U.S. Billboard Hot 100, number 14 on the Cash Box Top 100,Cashbox Magazine and number 7 on Record World. In Canada, it peaked at number 15.
Weaver says he and Levy didn't like its sexually charged lyrics and Gibb had to talk Levy into singing it. The B-side of the single, an instrumental version of "Help Me!" on which they made two instrumental versions of the same track, one with Gary Brown playing a sax solo. It peaked #50 in the Billboard Hot 100, #65 in Cashbox and #64 in Record World. It was released in September 1980 elsewhere except in Australia when the song was released as a single there in November that same year.
Her song "Memories Are Made of This" with the Ray Conniff Orchestra was issued in 1955. In August 1955 she scored a hit when her recording of "Wake the Town and Tell the People" reached #13, despite the fact that the trends in popular music were moving to Rock'n'Roll and she was not generally a rock singer. Carson had a minor hit with "The Fish", the single prior to "Wake The Town...", which was a mild rocker based on a proposed dance craze. The record appeared in both the Cashbox and Music Vendor retail surveys.
Although it reached only number 17 on the U.S. Billboard Hot 100, it hit number 9 on the U.S. Cashbox Top 100, and number 10 in the UK. "How Much Love" was a much bigger hit in Canada, where it peaked at number 4 and was the 57th biggest hit of 1977. It also reached the Top 10 on the Canadian AC chart. Chicago radio station WLS, which gave "How Much Love" airplay, ranked the song as the 62nd biggest hit of 1977. It reached as high as number 5 on their weekly singles survey.
McEuen is credited with earning the Nitty Gritty Dirt Band their first recording contract with Liberty Records. He also co-wrote eight songs with the band. McEuen has five production credits, which include Steve Martin's A Wild and Crazy Guy, Steven Wright's I Have a Pony and three albums by the Nitty Gritty Dirt Band. Writing in 1974 in reference to Stars & Stripes Forever (album), Cashbox (magazine) stated: "'William E. McEuen Presents' once again becomes an honored phrase as the Nitty Gritty Dirt Band bows their latest album..."Billboard Magazine, July 1974.
They then recorded a demo, which was heard by CBS record producer and songwriter Jerry Fuller. Impressed by Puckett's tenor voice and the band's soft rock leanings, Fuller signed them to a recording contract with Columbia Records. The band recorded their first single "Woman, Woman", a song about a man's fears that his female partner might be considering infidelity, that had been written and composed by Jim Glaser and Jimmy Payne, in August 1967. It became their first hit, reaching No. 3 in Cashbox and No. 4 on the Billboard Hot 100 chart.
5 in Cashbox, No. 7 in Billboard), and "Don't Give in to Him" (No. 15). All were produced by Fuller, who also wrote and composed "Young Girl", "Lady Willpower" and "Over You". Although the band never had a Billboard No. 1 record in the United States, "Young Girl" hit No. 1 on the UK singles chart for four weeks in May/June 1968. "Young Girl" was the second million selling disc for the band, which it reached less than two months after issue; "Lady Willpower" and "Over You" also won gold discs.
The song peaked at No. 4 on the Billboard country chart and crossed over to the Billboard Hot 100, reaching No. 26 in January 1984. The song also climbed into the Top 10 of the Adult Contemporary chart. Allen followed the crossover hit with the country single "I've Been Wrong Before", which went to No. 1 on the Cashbox country chart and #2 on Billboard Country Chart in the spring of 1984. It also earned her nominations for the Grammy Award for Best Country Song and Grammy Award for Best Country Vocal Performance, Female.
"(I Don't Want to Love You But) You Got Me Anyway" is a song written by Iain Sutherland and performed by Sutherland Brothers and Quiver. Released as a single in 1973 in the U.S., the song performed better there than in their native UK, reaching No. 20 on the Cashbox pop chart,, No. 48 on the Billboard Hot 100, and No. 25 in Canada (RPM 100). The song also peaked at number 48 in Australia. The song is featured on the Rhino Entertainment records compilation, Have a Nice Day, volume 17.
"Can'tcha Say (You Believe in Me)", also known as "Can'tcha Say (You Believe in Me)/Still in Love" or "Can'tcha Say" is a song written by Tom Scholz that was first released by Boston on their 1986 album Third Stage. It was released as the third single from the album and reached #20 on the Billboard Hot 100, making it their last Top 40 hit in the United States. It also reached #7 on the Billboard Mainstream Rock chart and #27 on the Cashbox chart. In Canada, the song peaked at #88.
Kenny traveled with his father Kenneth Bishop Sr. and his older brother Mark Bishop from 1984 to 2001 as a part of the Southern Gospel trio The Bishops. The group earned several industry and fan awards including from CashBox Magazine, the Gospel Voice, and the Gospel Music Association's Dove Award. They had several number one and top ten songs on the genre's music charts. The group traveled mostly within the United States, performed on many notable stages, and made several appearances on both Christian and mainstream television and radio.
"At Last" has been recorded by many other artists as well. Former Glenn Miller Orchestra trumpeter Ray Anthony had the highest charting recording of the song in the U.S. on the pop charts in 1952, peaking at number two on the Billboard pop singles chart and number 20 on the Cashbox chart. A recording by Gene Watson peaked at number 61 on the Billboard Hot Country Singles & Tracks chart in 1991. In 2012, Christina Aguilera was invited by Etta James' family to sing "At Last" at James' funeral.
The song became Etta James's signature song and was the third in a string of successful songs from her Argo Records debut album (Argo LP 4003, mono; LPS 4003, stereo) At Last!. In April 1961, it became her second number two R&B; hit single (Argo 5380) and crossed over to pop radio, reaching number 47 on the Billboard Hot 100. Despite its modest pop chart standing, the song is well-known and is still played regularly on oldies radio stations. The James version reached the top 40 in Cashbox (#30) and Music Vendor.
This version was shown as a best-selling version in Cashbox for most of "Melody Of Love"'s extensive chart run. The instrumental recording by Leo Diamond was released by RCA Victor Records as catalog number 20-5973. It reached the Billboard Best Seller chart on February 9, 1955, its only week on the chart, at #30. With so many versions, the Cash Box chart, which combined all versions of a song, had a much higher standing for the song than Billboard, and the song was a #1 hit for 7 weeks there.
"Getting Closer," backed with "Spin It On," was released in the US in June 1979 as the first single from Back to the Egg. The single reached #20 on the Billboard Hot 100, as well as #20 on Cashbox and #22 on Record World. Despite not being released as the first single in the UK ("Old Siam, Sir" was used instead), the song did see a UK single release in August 1979. Marketed as a Double A-side with "Baby's Request," the single was a relative flop, only peaking at #60.
"Papa-Oom-Mow-Mow" is a novelty nonsensical doo-wop song by the Rivingtons in 1962. It peaked at number 48 on the Billboard Hot 100,Top Pop Singles 1955-2002 by Joel Whitburn, Record Research Publications, Menomonee Falls, WI - and number 35 on the Cashbox charts.Cashbox Pop Singles Charts 1950-1993 by Pat Downey, George Albert, and Frank Hoffmann, Libraries Unlimited, Englewood, CO - The band released two similar follow-up songs over the next several months, "Mama-Oom-Mow-Mow (The Bird)" and "The Bird's the Word".
The album's release was likely pushed back several times. In Parton's 1994 autobiography, My Life and Other Unfinished Business, the release date is given as February 1967, but this date is contradicted by an interview Parton gave in June 1967, where she states that the album "should be out by the end of this month." The album's release was announced for September 1967 by Cashbox, and Record World, following Parton's debut as a regular on The Porter Wagoner Show on September 5. It was finally released September 18, 1967, on LP.
This disk is headed for big sales." Cashbox also published a review in their July 11 issue, which said, "Dolly Parton went back to her home in Sevier County, Tennessee, recently to be feted by the local folk, to establish a Dolly Parton Scholarship Foundation and to record this album at her alma mater, Sevier County High School, whose students will receive the scholarships. Her many devotees will want to own the set, which features Porter Wagoner in four duets with the songstress. Look for big action on this one.
KLP/KLPS 8069) and commissioning album cover artwork. The album's first single, "She's a Lady" b/w "The Room Nobody Lives In," was also issued in December 1968 (Kama Sutra catalog no. KA-254). The single's release was accompanied by photo advertisements in the music industry trade papers Billboard and Cashbox that called "She's a Lady" the first of "an incredible new series of songs now being written by one of the most creative composers of contemporary rock." The single performed disappointingly despite the advertising campaign, peaking at No. 84 on the Billboard chart.
1 Billboard country hits for West, "Are You Happy Baby" and the biggest single of her career, a duet Kenny Rogers (uncredited, except on promo copies), "What Are We Doin' in Love". The latter song was also No. 14 on the Pop charts and no. 7 on the Adult Contemporary charts, West's highest ranking by far on either chart. Another single spawned from this same album, titled "(I'm Gonna) Put You Back on the Rack", which reached the Top 20 on both the Billboard and Cashbox Country charts.
Duffey was inducted into the Louisiana Hall of Fame in 2001 and inducted into the National Blues Hall of Fame in 2009. With his Blues Hall of Fame induction he was also named as a "Louisiana Ambassador of the Blues". Born in Monroe, Louisiana in 1950, Duffey began singing and playing piano at an early age; he was composing and performing professionally by age 14. His first single, recorded in Nashville in 1970, was chosen by Billboard, Cashbox and Record World as "Pick Hit" and broke into the top 100 charts.
Altenburgh is a producer and executive producer whose credits include works by Mike Metheny, John Greiner, Rebecca Parris, The Kenny Hadley Big Band, Bob Kase, Gary Brunotte, Gary Sivils, Dennis Mitcheltree, Janet Planet, Otis McLennon, Chris O'Keefe, Randy Sabien, Melvin Rhyne, and many others. Altenburgh's compositions and recordings have been used in various television and radio programs for theme songs and soundtracks. Many of his recordings have appeared in various jazz and blues charts including: Roots Music Report, CMJ, JazzTimes, Cashbox and others. He has appeared as a sideman on numerous other recordings.
It peaked at No. 5 (Cashbox) and No. 14 Billboard. The song was covered by Thelma Houston on her eponymous 1972 album, Thelma Houston. The song also became popular in England's Northern Soul club scene and in the 1980s became the basis for a song of the same name by an English post-punk band, Yeah Yeah Noh. Despite Kelly's stand in the lyrics of "Stealing in the Name of the Lord", another of his songs, "God Can", has been recorded by the Staple Singers, the Mighty Clouds of Joy and Dorothy Norwood.
Computer and Video Games called it a "truly exhilarating experience", highly praising its cinematic atmosphere and 3D graphics. They also praised the game's vibrating seat and cabinet design, although would criticize the game for being unable to manually control the ship and its short length. Japanese publication Gamest ranked it as one of the greatest arcade games of all time in 1998, praising its revolutionary 3D graphics and presentation. Cashbox claimed it would take its players "on an exciting journey into space where you become totally ab- sorbed in a challenging battle against enemy starships".
Other songs like the weary "American Tune" or the melancholic "Something So Right" — a tribute to Simon's first wife, Peggy, which received a Grammy Award nomination for Best Song of the Year – became standards in the musician's catalog. Critical and commercial reception for this second album was even stronger than for his debut. At the time, reviewers noted how the songs were fresh and unworried on the surface, while still exploring socially and politically conscious themes on a deeper level. The album reached No. 1 on the Cashbox album charts.
"The Shoop Shoop Song (It's in His Kiss)" is a song written and composed by Rudy Clark. It was first released as a single in 1963 by Merry Clayton that did not chart. The song was made a hit a year later when recorded by Betty Everett, who hit No. 1 on the Cashbox magazine R&B; charts with it in 1964. Recorded by dozens of artists and groups around the world in the decades since, the song became an international hit once again when remade by Cher in 1990.
The Young Rascals is the debut album by rock band The Young Rascals. The album was released on March 28, 1966, and rose to #15 on the Billboard Top LPs chart and #10 in Cashbox. Most of the songs on The Young Rascals were covers of songs written or originally performed by other artists, with only "Do You Feel It" authored by the band. However, "Good Lovin'", "Mustang Sally" and "In the Midnight Hour" would all become signature songs for the Rascals, with "Good Lovin'" b/w "Mustang Sally" becoming their first #1 single.
Cry is a studio album by country music legend Lynn Anderson, released in 1972. This album was based on Lynn Anderson's hit from early 1972, "Cry", which hit No. 3 on the Billboard Country charts, and No. 1 on the Cashbox Country charts. In addition the song also reached No. 71 on the Pop charts, and No. 16 on the Adult Contemporary charts that year. This album shows Anderson's new direction into placing her voice into more pop-oriented songs, including "Cry" (originally a No. 1 pop hit for Johnnie Ray in 1951).
The song went to #16 on the Cashbox charts in August 1953, staying there for 13 weeks. The song went to #4 on the UK charts in November 1953, staying there for 15 weeks.Guy Mitchell chart entries Not to be confused with either of two songs of a similar name, both called "Chick-A- Boom". "Chick-A-Boom" (Berns, Morrison) was by Irish singer Van Morrison in the mid-1960s, and as featured on the Midnight Special collection (and Bang Masters) of early and/or unreleased Van Morrison recordings.
In a 1977 interview, Masaya Nakamura of Nakamura Manufacturing Co., later known as Namco, claimed that Periscope is the first amusement device that he built. Namco states that its Japanese release of the game was in 1965. Initially known as Torpedo Launcher, the game is featured as Periscope in the April 1967 issue of Cashbox, with Nakamura offering direct import assistance to distributors. It has been speculated that the original version built by Namco may have been a custom model for department store rooftops, a year prior to the mass-produced model.
The release also topped Billboard magazines Adult Contemporary chart, on which "Tears in Heaven" charted for a total of 30 weeks, and also became a number one single on the Top 100 Cashbox charts. By the end of 1992, "Tears in Heaven" sold more than 2,300,000 copies in the United States alone. The pop single also received a lot of airplay, charting 20 weeks on the Top Radio Songs chart, peaking at number three, and reaching position nine on the Mainstream Rock Songs chart, where "Tears in Heaven" stayed for a total of 18 weeks.
"Ain't That Good News", also known as "Good News", is a song written and performed by soul singer Sam Cooke, released on RCA Records in 1964. The song was recorded in three takes for the 1964 album of the same name and reached number eleven on the pop chart, and number one on the Cashbox Magazine's R&B; charts as a single. Cooke performed the song live on American Bandstand on April 4 of the same year. It is a modern adaptation of an older gospel song of the same title.
The song was first recorded by Larry Banks's former wife, Bessie Banks. A 1962 demo recording by Bessie of the song was heard by songwriters and record producers Jerry Leiber and Mike Stoller, who re-recorded it in late 1963, with arrangement by Gary Sherman and backing vocals from Dee Dee Warwick and Cissy Houston. The single was first released in early 1964 on their Tiger label, and later reissued on the Blue Cat label, the R&B;/soul imprint of Red Bird. Her version reached No. 40 on the Cashbox R&B; singles chart.
It also peaked at number 4 on the Cashbox chart and at number 1 on RPM's singles chart. The single served as a comeback for the group, who had not had a hit in some time.Billboard, September 12, 1964 It was written by songwriters Tommy Boyce and Bobby Hart, as well as Wes Farrell, and became Boyce and Hart's first top 10 hit. Jay and the Americans also recorded a Spanish version of the song, in which, due to a poor translation, the final punch line is missing.
Mihanovich is said to have been "at the right time with the right record", releasing the album a week before the war ended. "Puerto Pollensa" was a commercial success. In July 1982, it topped the Argentine singles chart reported by Prensario for Cashbox magazine. The Puerto Pollensa album had a lot of airplay on Argentine radio during 1982 and at the end of that year Mihanovich gave two massive concerts at the iconic Estadio Obras Sanitarias, becoming the first woman to perform in the venue known as "the cathedral of national rock".
Paul Sexton of Record Mirror proclaimed "Musical historians and EW&F; fans alike will welcome" Last Days and Time. Ovid Goode Jr. of The Los Angeles Daily News also declared that the LP is full of "moving tunes" that "sprouts forth with a fresh sound which sets it apart from many of the ho-hum aggregations around today". A single called "Mom" got to No. 39 on the Cashbox Top R&B; Singles chart. Soon thereafter, Roland Bautista and Ronnie Laws left the band to pursue new musical opportunities.
Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B; Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, "Dancing in the Street", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations.
Williford came back and exited again before Johnny Meeks joined the band. The group had another hit in 1957 with "Lotta Lovin'" (highest position number 13 and spending 19 weeks on the Billboard chart and number 17 and 17 weeks on the Cashbox chart). Vincent was awarded gold records for two million sales of "Be-Bop-A-Lula", and 1.5 million sales of "Lotta Lovin'". The same year he toured the east coast of Australia with Little Richard and Eddie Cochran, drawing audiences totaling 72,000 to their Sydney Stadium concerts.
Vincent also made an appearance in the film The Girl Can't Help It, with Jayne Mansfield, performing "Be-Bop-A-Lula" with the Blue Caps in a rehearsal room. "Dance to the Bop" was released by Capitol Records on October 28, 1957. On November 17, 1957, Vincent and His Blue Caps performed the song on the nationally broadcast television program The Ed Sullivan Show. The song spent nine weeks on the Billboard chart and peaked at number 23 on January 23, 1958 and reached number 36 and spent eight weeks on the Cashbox chart.
But it was his third release for Hickory that became a smash hit and his signature song. "Talk Back Trembling Lips" hit number one and stayed on the national country chart for 42 weeks, and peaked at No. 101 on the pop charts. Voted "Most Promising Male Artist" by Cashbox, Billboard, and Record World magazines in 1963 and 1964, he was invited to join the cast of the Grand Ole Opry in 1964. More chart records followed including "The D.J. Cried", "At Ease Heart", and "I Love To Dance With Annie".
Following its appearance on Odds & Sods, the song saw a 1974 single release in Israel, Italy (where it was backed with "Pure and Easy") and Japan (where it was backed with "Put the Money Down"). "Long Live Rock" also was featured during the credits of seminal 1979 Who documentary, The Kids Are Alright. Following this appearance, the song was released as a single in Britain, America, and many other countries. The single reached number 48 in Britain, as well as number 54 on the Billboard Hot 100 and number 66 on the Cashbox charts.
"Skating Away on the Thin Ice of the New Day" is a song by British progressive rock band Jethro Tull. It was released on their album War Child in 1974. Written as a comment on global cooling for the band's aborted "Chateau D'isaster" album, the song was reworked in 1974 for War Child. The song was released as a single in 1975 and reached number 75 on the Cashbox charts in the US. Despite its limited chart success, the song has seen positive critical reception from music writers and has appeared on several compilation albums.
Uluru, then-known as Ayers Rock by non-indigenous Australians, provided the band's name. Big Red Rock received positive reviews in Australia and the US. The Canberra Times quoted a Cashbox review praising their music which ended: "It was something different and something beautiful." Billboard magazine gave the album a good review, saying that it featured "excellent sax work throughout and top-notch lead guitar and drum work". Australian reviewers called the album "an extremely good record, well worth owning", "a classic record in Australian rock" and "an inspiring success".
The song became a worldwide hit single. In the United States, it topped the Billboard country music chart for four weeks, and was Gayle's first (and biggest) crossover pop hit, reaching number 1 on the Cashbox Top 100 for two weeks, and number 2 on the Billboard Hot 100 for three weeks, blocked from the top spot by Debby Boone's smash hit, "You Light Up My Life". The album received Platinum status, the first by a female country singer. The song became Gayle's signature piece throughout her career.
His "Liechtensteiner Polka" was also a hit in the U.S., hitting #16 on the Billboard Hot 100 in 1957. The follow-up single "Sweet Elizabeth" (1958) appeared in all major U.S. charts, nearing the top 40 in Cashbox and Music Vendor. He made great success with The Cuckoo Waltz by Swede E. I. Jonasson in 1969, and the song is now used widely, in the Alice in Wonderland dark ride at Blackpool Pleasure Beach and in Efteling, Holland. His album, Oktoberfest peaked at number 53 in Australia in 1973.
Receiving an enthusiastic reception from the audience, Williams decided to record his own version despite initial push back from his producer Fred Rose and his band. MGM Records released "Lovesick Blues" in February 1949, and it became an overnight success, quickly reaching number one on Billboard's Top C&W; singles and number 24 on the Most Played in Jukeboxes list. The publication named it the top country and western record of the year, while Cashbox named it "Best Hillbilly Record of the Year". Several cover versions of the song have been recorded.
In the US, the Ben E. King version reached #29 on the Billboard Hot 100 charts and #16 on the Hot R&B; Singles chart. Other versions which reached the Billboard charts were performed by Terry Knight and the Pack in 1966 (#46), Liquid Smoke in 1970 (#82), Warhorse in 1972 and Sylvester in 1979 (#40), with a disco-flavored version. The most popular version in the United States was by Tom Jones, which peaked at #14 in 1970 on the Billboard Hot 100 and #2 on the Easy Listening chart. This version also peaked at #11 in Cashbox.
However, Nirvana bassist Krist Novoselic and drummer Dave Grohl found assembling the material so soon after Cobain's death emotionally overwhelming. Cashbox magazine announced that the album was being compiled in the September 3, 1994 issue, and then announced in the following issue dated September 10, 1994 that the plan had changed and that only the MTV Unplugged performance would be released. Jim Merlis, head of Geffen, said releases were planned due to high demand for new Nirvana recordings and the fact that the band's "Unplugged" set was already being widely bootlegged.Gillian Gaar, Verse Chorus Verse: The Recording History of Nirvana.
"Am I the Same Girl?" also represented a strong comeback for Swing Out Sister in the US, where it was released in September 1992 and reached #45 on the Billboard Hot 100 — the track's peak on the Cashbox Pop 100 was #32 — while reaching #1 on the Adult Contemporary chart. The Swing Out Sister recording contains a lyric that some have interpreted as being "Am I the same girl who knew her soul?"; "Am I the same girl who knew your soul?" or "Am I the same girl who you hurt so?" -- which was the line in the original Acklin recording.
Bacharach recalls at that time: "I [think] I tried to talk her into releasing 'Wishin' and Hopin'' [as a single] because she had some ambivalence about it." A New York disc jockey, Jack Lacy, began to play "Wishin' and Hopin following some encouragement from David and Bacharach, and Philips' US label issued it as a single in May 1964; "Wishin' and Hopin broke nationally that June entering the Top Ten in July to peak at #6 on the Billboard Hot 100 and #4 Easy Listening,#4 in Cashbox. It also got to #1 on The American Bandstand top ten in July 1964.
Her first single, "Hard Times", appeared in 1962, and following this she spent time singing in Syl Johnson's band. In 1964, she signed with Chess Records and released "Selfish One", which reached #11 on the U.S. Billboard Hot 100[ Billboard Singles], Allmusic.com, #4 on the Cashbox R&B; chart, and #5 on the Canadian RPM chart. A follow-up, "I've Got the Skill", reached the Hot 100 but stalled at #89 and the following year, "Jerk and Twine", a re-working of "Everything But Love", the song on the other side of her big hit, peaked at #85.
Harvey Geller (June 29, 1922—March 12, 2009) was lyricist and former vice president and West Coast editor of Cashbox magazine. During a music career that he began as a song plugger in New York City in the mid-1950s, Geller also worked as a columnist, feature writer, reviewer and sales executive for Billboard magazine and Daily Variety. He served for many years on various selection committees of the National Academy of Recording Arts & Sciences. As a lyricist, Geller saw his songs recorded by groups such as the Kingston Trio, Brothers Four and River City Ramblers.
The music's sharp, though, and will have loads of airplay and sales." The review noted "I Can't Love You Enough", "We're Much Too Close", "Hey, Good Lookin'", "Where Old Love Gathers Dust", and "Soulshake" as the best cuts on the album, with a note to record dealers that the "consistent top selling artists are back with another hot one." Cashbox published a review in the June 18, 1977 issue saying that "Conway and Loretta get down like teenagers on a first date. Hot tracks and vocal performances, especially on "I Can't Love You Enough", "Get It On", and "Soulshake," rival any bubblegum revue.
Sharon Persky. Retrieved on 2009-03-28. while it also managed to reach number one in Cash Box for one week, as well as two weeks at the top of Record Worlds music charts.Billboard, CASHBOX & Record World №1 ALBUMS(1973年) . MS-Database. Retrieved on 2009-03-28. Let's Get It On charted for 61 weeks on the Billboard charts,Super Seventies: Marvin Gaye - Let's Get It On. Super Seventies RockSite!. Retrieved on 2008-08-26. and remained at the top of the Billboard Soul Albums for 11 weeks, becoming the best-selling soul album of 1973.
It was announced in the October 8, 1983 issue of Cashbox Michael Dion and Michael Grantham had formed a production company to produce jazz and classical artists. The name of the company was In The Interest Productions.Cashbox, October 8, 1983 - Page 17 Jazz/Classical Company Formed Some of the albums he has produced are Blackberry Winter by Mike Campbell & Tom Garvin,AllMusic - Mike Campbell / Tom Garvin Blackberry Winter Blue Sud by Marc Devine and Art Johnson.AllMusic - Marc Devine / Art Johnson Blue Sud He was the executive producer for Cozzetti & Gemmill's album Soft Flower in Spring which was released in 1983.
Anything Is Possible is the third album by Debbie Gibson, released on November 20, 1990, under the Atlantic Records label. At the time of the album's release in late 1990, Gibson was 20 years old and the late-1980s teen pop wave was near its end. The album was Gibson's first to not reach the Top 10 on the Billboard 200 Albums chart, peaking at No. 41 in the United States. It made the top 40 of the Cashbox albums chart for one week, peaking at No. 38 on December 22, 1990 before descending down the chart.
"American Homestead, Winter", lithograph by Currier and Ives, 1867. The song's lyrics refer to a "picture print by Currier and Ives," whose lithographs were popular in the 19th century. "Sleigh Ride" performed instrumentally by the United States Navy Band in December 2012 Leroy Anderson's own 1950 recording of "Sleigh Ride" on Decca 9-16000 (45 rpm) and 16000 (78 rpm) reached Cashbox magazine's bestsellers chart when re- released in 1952. The main melody of "Sleigh Ride" was used (with no credit for Anderson) as the main theme of Victor Young's score for the 1949 western Streets of Laredo.
The most popular single of the song was recorded by Vic Damone in 1956 for Columbia Records. It reached No. 4 on the Billboard chartJoel Whitburn, Top Pop Singles and #6 on Cashbox magazine's chart. It was a No. 1 hit in the UK Singles Chart in 1958.Tony Brown, Jon Kutner & Neil Warwick, The Complete Book Of The British Charts Eddie Fisher also had a top 20 Billboard hit with the song in 1956, reaching No. 18.Joel Whitburn, Top Pop Singles Lawrence Welk and His Orchestra released a version that went to No. 96 in 1956.
Who's Next – 1995 Remastered Edition CD Booklet Page 23 The original version was released as a bonus track on the 1995 CD reissue of Who's Next. "Behind Blue Eyes" was initially considered for a UK single release, but Townshend claimed that the song was "too much out of character" for the British singles market. However, the song did eventually see a single release in France, Belgium, the United States and the Netherlands. Backed with "My Wife" in the US and "Going Mobile" in Europe, the song reached #34 on the Billboard Hot 100 and #24 on Cashbox.
" In the July 19 issue, Cashbox published a review that said, "Loretta Lynn's recent country chart topper lends its title to a set packed with feelingful vocals and some mighty pretty ballads. Strong sales inevitable on session that includes "Johnny One Time", "No One Will Ever Know", "Today I Started Loving You Again", "Stand by Your Man" and "I'm Lonesome for Trouble Tonight". To be watched closely." AllMusic gave the album an average rating, saying, "a couple of misfire tracks keep this from being the best of this country singing queen's many fine albums for this label.
In the issue dated October 9, 1971, Billboard published a review of the album, which read, “With the spotlight on her recent smash hit, the title tune of this package, the top stylist comes up with a powerhouse production here. She turns in exceptional treatments of Kristofferson’s "I’d Rather Be Sorry", John Denver's "Take Me Home, Country Roads", and her own original, "Close My Eyes". Top sales item." Cashbox published a review in the October 2 issue which said, "A guaranteed winner, LP starts out with Loretta's top ten track and continues to look at country straight in the eye and ear.
The album was also marketed as a rock and roll album, due to the band's reputation. "Candy Kisses" was released as a single (backed by the non-album instrumental, "Tamiami"), but it did not chart. "Tamiami", however, reached number 79 on the Cashbox pop chart. According to Haley's biographer, John Swenson, Haley's career was at a low ebb at the time this album was released, and according to Swenson Haley himself ended up promoting the album on radio stations in the Chester, Pennsylvania area; after some last singles in 1961, Haley's two-year contract with Warner Bros. collapsed.
The tune is a jazz standard that has been widely recorded, both by vocal artists from Billie Holiday and Tony Bennett to The Miracles and Dee Dee Bridgewater, and such instrumentalists as James Moody, Chet Baker, Gerry Mulligan, Bill Evans, Sonny Clark with Donald Byrd and John Coltrane, Roy Hargrove, Woody Shaw, Bobby Shew, Eumir Deodato and Brian Bromberg. Pianist Walter Bishop Jr. in 1961 recorded an album, Speak Low, featuring the song. Ella Fitzgerald and Joe Pass recorded this in 1983 (on CD Speak Love). Al Caiola's 1961 version reached #105 on Cashbox magazine's "Looking Ahead" survey.
The song was released as a 45-rpm single by Monument Records in July 1961 and reached No. 1 on the United States Cashbox chart for a week on October 7, 1961. On the rival Billboard Hot 100 it peaked at No. 2, where "Hit the Road Jack" by Ray Charles and his Orchestra kept it from No. 1. Despite not reaching the summit in the latter publication, Billboard ranked the record as the No. 4 song of 1961.Billboard Year-End Hot 100 singles of 1961 In 2002, "Crying" was honored with a Grammy Hall of Fame Award.
The single also became the first record to chart for the quartet in the United States, where it peaked at number 114 on the Cashbox singles chart and number 117 on the Record World singles chart. Labeled as Björn & Benny (with Svenska Flicka), it was released there through Playboy Records. According to Stig Anderson, "People Need Love" could have been a much bigger American hit, but a small label like Playboy Records did not have the distribution resources to meet the demand for the single from retailers and radio programmers.Interview with Songwriter magazine, 6, 1981, pp.23–25.
The album yielded the title track single "Last Time I Saw Him", a multi-format hit that reached #1 (for three weeks) on the Billboard Hot Adult Contemporary, #14 on the Hot 100, and #15 on the Hot Soul singles. It peaked at #9 Pop on the Top 100 lists for both Cashbox and Record World, as well as #10 in Radio & Records. It also reached #35 in the United Kingdom. "Sleepin'" was the second U.S. single, but despite a vocal performance that had shades of Billie Holiday, only reached #70 Pop and #50 R&B.
In 1976, he embarked on a short-lived but high-profile pop career, with three Top 20 hits in the UK Singles Chart "Reggae Like It Used To Be", "Dancing with the Captain", and "Grandma's Party", the last two of which reached the Top 10. He released the single "Heaven On The 7th Floor" in 1977. This only just reached the UK Top 40, but reached number No. 1 in New Zealand. In the US, the song peaked at No. 6 on the Billboard Hot 100 and number 5 in Cashbox listings, giving Nicholas a gold record.
The group also appeared in the beach party movie How to Stuff a Wild Bikini singing "Give Her Lovin'" ("Annie Fanny"'s B-Side) which appeared on the soundtrack album along with their recording of the title song. In 1966 the Kingsmen continued to hit the charts with "Killer Joe" reaching No. 77 on Billboard and No. 81 on Cashbox. Their original recording of "Louie Louie" was re-released as "Louie Louie 64-65-66" and re-entered the Billboard chart at No. 97\. In 1967 they made the chart for the last time with "Bo Diddley Bach" reaching No. 128 on Billboard.
The review published in the September 23, 1972 issue of Cashbox said, "We've already seen Tanya Tucker breeze up the country and pop singles charts with "Delta Dawn", establishing herself as country music's first thirteen-year-old superstar. Now this album will establish her versatility, a talent necessary for longevity, since even thirteen-year-olds grow up someday. Tanya Tucker won't always be a child star, but if this album is an indication, she'll always be a star." The review also noted "Soul Song", "I'm So Lonesome I Could Cry", and "Love's the Answer" as the best cuts on the album.
As Gabler intended, "Rock Around the Clock" was first issued in May 1954 as a B-side to "Thirteen Women (and Only One Man in Town)." While the song did make the American Cashbox music charts (contrary to popular opinion that it was a flop), it was considered a commercial disappointment. It was not until 1955, when "Rock Around the Clock" was used under the opening credits of the film Blackboard Jungle, that the song truly took off. Many versions of the story behind how "Rock Around the Clock" was chosen for Blackboard Jungle circulated over the years.
Starting his career in 1963, Jameson was hyped as the next major pop event in an elaborate promotional campaign that ran in the magazines Billboard and Cashbox. For the next five years, he released 11 singles across eight different American and British record labels. At one point, he was the opening live act for the Beach Boys, Jan and Dean, and Chubby Checker, and also declined an offer to join the Monkees. From the mid 1960s to early 1970s, Jameson was active in Los Angeles underground music circles, working with musicians such as Frank Zappa and members of Crazy Horse.
Several New York radio stations began playing "I Want to Hold Your Hand" on its release day. The positive response that had started in Washington was duplicated in New York and quickly spread to other markets. The record sold one million copies in just ten days, and Cashbox magazine had certified the record number one for the week ending 25 January, after just three weeks in their Top 100 chart. It was around this time that Brian Epstein was besieged by merchandising offers and chose to effectively give it away, underestimating this relatively new market within the pop industry.
He flew to New York City, but his first sessions were not successful. McLaughlin then persuaded Shannon and Crook to rewrite and re-record one of their earlier songs, originally called "Little Runaway", using the Musitron as lead instrument. On January 21, 1961, they recorded "Runaway", which was released as a single in February 1961, reaching number 1 on the Billboard chart in April. Shannon followed with "Hats Off to Larry", which peaked at number 5 on the Billboard chart and number 2 on the Cashbox chart in 1961, and the less popular "So Long, Baby", another song of breakup bitterness.
Duchin formed his first professional band, which played the St. Regis Hotel in New York City, in 1962 thanks in part to his family name and the networking it had made possible. The band's style and genres have been described as "a musical approach that incorporates big bands, swing and Broadway songs (and nowadays, old-fashioned rock 'n' roll)." Duchin's music was much heard on MOR radio in the late 1960s and early '70s from albums and singles released on the Decca, Bell and Capitol labels. His single "Star Dust" reached #143 in the Cashbox survey, 1964.
Bolstered by the hit success of the title track, which returned Gaye to a blues format reaching #4 on the Soul Chart and #7 on the Pop Charts, respectively, the album followed in December where it reached the top 20 of the Billboard 200, peaking at #12. On Cashbox and Record World Magazines Charts the album even reached the Top 5, respectively, hitting almost as high as its monumental predecessor What‘s Going On, eighteen months earlier. It would become Gaye's only soundtrack and film score. Critics gave the album favorable reviews while sometimes comparing Gaye's soundtrack efforts to that of Hayes' and Mayfield's.
Co-founder Frank Fara grew up in Phoenix, Arizona. Under his birth name, Frank Fafara, he enjoyed a brief recording career as a Teen Idol in the early 1960s and had several regional hits. His first recording "Only in My Dreams" went to number #5 on the Phoenix Top Ten radio charts. His song was given a B+ from Cashbox magazine, and Billboard magazine gave him a three star rating He made frequent appearances at the Phoenix Rock'n Roll club, Stage 7, and opened for artists such as Conway Twitty, Del Shannon and the Everly Brothers.
While doing so, he noticed that two short sections of backing vocal near the end of the song were on the mono mix but not on the four-track master, as if Barry added them while the mono mix was made. The Studio Albums 1967–1968 used the original mono mix. As stated on the original single release, the song was featured in the film The Mini Mob (1968), where it was sung by Georgie Fame in an arrangement by Bill Shepherd. "Words" debuted at No. 67 in Cashbox in the United States in the week of 20 January 1968.
"Oh Happy Day" (not to be confused with the gospel hit of the same name) was known as the "people's hit" since it became a national United States hit song as well as an international hit without any initial support from the music industry. The song reached US #3 in Cashbox and #4 & #3 in Billboard′s two national charts, respectively) and Australia singles charts #1. Time Magazine called it the "Mystery Hit" and described it as the "rarest kind of hit, unplanned and unplugged." It was first released on record by Don Howard in early November 1952.
"Sugar Shuffle" was released as a single in the USA and Japan, with the UK single A-side "Love Bomb" being relegated to the B-side. "Sugar Shuffle" received positive reviews in the US in industry trade magazines such as Record World,Record World, p. 18, 15 November 1975 with Cashbox writing "Lynsey is a very hot writer in Great Britain at this point in time, and so she's earned a shot at the United States "Sugar Shuffle" is well worth that shot. Cool little teasing vocal gets straight to the point, "Get some honey/forget the money/do the sugar shuffle.
When Wells recorded her vocal she sang over the song's outro with a huskiness evoking the line delivery of Mae West: Wells would recall: "I was only joking but the producers said 'Keep it going, keep it going'." "My Guy" became the biggest hit ever for Wells, Motown's first female star, and reached the top of the Billboard Hot 100 pop singles chart on 16 May 1964. The song led the Cashbox magazine R&B; chart for seven weeks. "My Guy" was also Wells' last hit single for Motown, except for duets she recorded with label mate Marvin Gaye.
The couple lived briefly in Dallas, Texas, where Petty worked as a part-time engineer at a recording studio. Eventually, they moved back to their hometown of Clovis. Petty and his wife, Vi, founded the Norman Petty Trio with guitarist Jack Vaughn. Due to the local success of their independent debut release of "Mood Indigo", they landed a recording contract with RCA Records and sold half a million copies of the recording, and were voted Most Promising Instrumental Group of 1954 by Cashbox magazine. In 1957, their song "Almost Paradise" hit number 18, and Petty won his first BMI writers' award.
Newly formed British heavy metal band Led Zeppelin recorded a song titled "Whole Lotta Love", and released it, backed with "Living Loving Maid (She's Just a Woman)" as a single in November 1969. The track was their first big hit single, reaching number four on Billboard Hot 100 and number two in Cashbox magazine. The song was largely conceived by Jimmy Page, but is credited to the entire band. Lyrically however, the song refers to "You Need Love" Vocally, lead singer Robert Plant phrases the song in the style of Marriott, similar to "You Need Loving".
The first single from the 13-track release, "Old Roman Soldier" hit #1 on the Cashbox and Christian Servant Country Gospel charts in June 2018. Gene Watson was inducted into the Texas Country Music Hall of Fame in 2002 and inducted into the inaugural class of the Houston Music Hall of Fame in August 2013. In 2018 Watson received the "Entertainer of the Year" Award from the R.O.P.E. Awards, an honor he shared with singer, Jeannie Seely. It was the first time in the history of the Awards that there was a tie in any category.
It hit No. 1 on Cashbox and No. 8 Easy Listening. It was a number-one hit in West Germany, Ireland, Norway, Australia and New Zealand. As a major international hit, Presley included it in his setlist during his return to live performances at the International Hotel in Las Vegas in 1969. It was a staple of his shows in the first two seasons, however in his third (August/September 1970), he included it only once, at the dinner show on August 13, for the benefit of the Metro-Goldwyn- Mayer cameras filming the documentary Elvis: That's the Way It Is (1970).
Billboard, September 14, 1985. Originally from Val-d'Or, Quebec,"Local Heroes: Johnny Lovesin". Toronto Star, April 18, 1986. he was first active as a musician on the Yorkville scene in Toronto in the 1960s."Canadian Rocker Johnnie Lovesin Celebrates his 61st Birthday". Cashbox, June 10, 2010. His first band was Black Ballet in 1969. Over the next number of years he performed with the bands Johnnie Lovesin and the Invisible Band; Johnnie Lovesin and the Sidewalk Commandos; Johnnie Lovesin and The Next; Red Hot and Blue; and as a solo artist under the stage name Crazy John Lovesin, the Ace from Space.
Chesnutt released his major-label debut Too Cold at Home in 1990. It accounted for five chart singles on the Billboard Hot Country Singles & Tracks (now Hot Country Songs) charts. The title track (written by Bobby Harden of The Harden Trio) was released first, achieving a peak of number three on that chart, while reaching number one on the country music charts published by Radio & Records, Gavin Report, and Cashbox. The second single was "Brother Jukebox", which was written by Paul Craft, originally released as a single by Don Everly of The Everly Brothers in 1977,Whitburn, p.
Susie Allanson (born March 17, 1952 in Minneapolis, Minnesota) is an American country music actress, recording artist and writer. Susie was raised in Southern California and lived in Las Vegas for the early part of her life. Before beginning her singing career, she toured as The Maid by The Fire and Mary understudy in Jesus Christ Superstar, and appeared in the role of Maid by the Fire in the film of Jesus Christ Superstar. As a singer, she released five studio albums and charted several singles on the Billboard and Cashbox country charts, including the No. 2 hit "We Belong Together".
Yorkville Sound began in 1963 in the back room of Long & McQuade, a music store on Yonge Street in Toronto. Peter Traynor was working as the business's repairman and had been customizing amplifiers by using readily available components. Traynor developed a rugged bass amplifier that was more resistant to the rigors of the road and began renting this new 'Dynabass' amp to customers.Keenan, Edward, "Pete Traynor, Toronto’s quietly legendary sound man: Keenan". Toronto Star, May 10, 2016"Pete Traynor The Man, The Music, The Struggle". Cashbox Canada, Bill Delingat, September 30, 2011"Proudly Canadian: Scott ‘Professor Piano’ Cushnie".
In the Billboard issue dated October 24, 1970, a review was published saying, "This album is at once dramatic and sensuous, and warm and appealing. Mavis Staples is cast in the same mold that produced recording greats like Aretha Franklin, Nancy Wilson and Etta James, and she can really deliver a song. Included here are "It Makes Me Want to Cry," "How Many Times," "Since I Fell for You" and "Endlessly". Cashbox published a review of the album in the issue dated October 31, 1970, which said, "Mavis Staples is a brilliant songstress with an incredibly powerful voice.
"Are You a Boy or Are You a Girl" is a song written by Geoffry Morris for the American band The Barbarians. It was released as the group's second single, and was the first and most successful tune for the Barbarians to chart on the Billboard Hot 100 and Cashbox. Following the group's unsuccessful debut, "Hey Little Bird", The Barbarians had their breakthrough with an appearance, alongside other musical artists such as The Rolling Stones and The Supremes, on The T.A.M.I. Show. In order to take advantage of their exposure, the band recorded "Are You a Boy or Are You a Girl" with the B-side, "Take It or Leave It".
Jones idolized Aretha Franklin, who was the same age and had also got her start in a church choir, and consciously imitated not only her voice but her physical appearance. When the Reverend Billie Lee discovered that his star singer was moonlighting in nightclubs, he was initially worried, but decided in the end not to intervene. At a January 1969 nightclub engagement in Richmond, Vickie shared the bill with Lavell Hardy, whose record "Don't Lose Your Groove" had reached Number 42 on the Cashbox singles chart. Hardy was impressed by Vickie's close vocal and physical resemblance to Aretha Franklin, and hatched a scheme to profit by the similarity.
Sands's initial recordings achieved little in the way of sales but in early 1957 he was given the opportunity to star in an episode of Kraft Television Theatre called "The Singing Idol". He played the part of a singer who was very similar to Elvis Presley, with guitar, pompadour hair, and excitable teenage fans. On the show, his song presentation of a Joe Allison composition called "Teen-Age Crush" went over big with the young audience and, released as a single by Capitol Records, it went to No. 2 on the Billboard Hot 100 record chart and No. 1 on the Cashbox chart. It became a gold record.
Malvern Observer "Matt Woosey set to launch new album" 20 October 2014 The album received reviews in music publications in the UK, France and Canada with radio plays in the same countries and also USA. These included Maverick Magazine (UK), R2 (UK), Blues Matters (UK), Cashbox (Canada), Digital Blues Music (France), Blues & Co (France), Radio Canut (France), WFRG 89.3 (USA). In November 2014 Wildest Dreams was listed as one of four 'Picks of the Month' for November by the IBBA (Independent Blues Broadcasters Association),Independent Blues Broadcasters Association, Picks of the Month, November 2014 was number 1 in the IBBA's playlist top 50 for November.
Her second album, Phase II, in 1972, also featured a Supremes' cover, "My World Is Empty Without You," but failed to achieve the same success. She then signed to the Atlantic label and worked on three albums with producer Arif Mardin. Her vocals on her cover of Al Green's "Let's Stay Together" garnered comparisons between her and Aretha Franklin. A string of R&B; hits followed, with her version of Paul McCartney's "My Love" becoming her most successful record, reaching # 69 on the Hot 100 and # 10 on the R&B; chart in 1974, though Cashbox magazine placed the song at No. 4 R&B.
On its release in August 1972, #1 Record immediately received widespread acclaim, and continued to do so for six months, although the inability by Stax Records to make the album available in stores meant it sold fewer than 10,000 copies upon its initial release. Record World called it "one of the best albums of the year", and Billboard commented, "Every cut could be a single". Cashbox described it as one where "everything falls together as a total sound" and one that "should go to the top". The River City Review's reaction to the album was to state that "Big Star will be around for many moons".
Colin symbolically burns some of his portion of the insurance money and uses the rest to treat Mike and two girls they meet to an outing in Skegness, where Colin confesses to his date, Audrey (Topsy Jane) that she is the first woman he's ever had sex with. His mother moves her lover, whom Colin resents, into the house; an argument ensues, and she tells Colin to leave until he can bring home some money. He and Mike take to the streets, and they spot an open window at the back of a bakery. There is nothing worth stealing except the cashbox, which contains about £70 ().
Don Seabolt (born July 30, 1944) is an American singer and songwriter best known for singing tenor with the famed Blue Ridge Quartet from Spartanburg, South Carolina from 1971 to 1978. Prior to his tenure with the Blue Ridge Quartet he served as the lead singer for the Prophets Quartet from Nashville, Tennessee. In 1978 he left the Blue Ridge to start the Donnie Seabolt Band where he continued to sing and tour until 2002. In his 40 years of singing Southern Gospel music, Seabolt has recorded over 100 albums and composed several songs that have climbed the charts in both the Singing News and Cashbox Magazine.
In the issue dated May 22, 1971, Billboard published a review which said, "Miss Lynn's latest album spotlights her current country hit, "I Wanna Be Free", and features excellent versions of "Help Me Make It Through the Night", "Me and Bobby McGee" and "Rose Garden". Among the originals, "Drive You Out of My Mind" and "I'm One Man's Woman" stand out. Cashbox published a review in the May 15, 1971 issue which said, "The most difficult thing for a popular recording artist to do is to maintain his or her popularity via records and live appearances. Loretta Lynn has found that to be no task at all.
Third Album is the third studio album released by the Jackson 5 on Motown Records, and the group's second LP released in 1970. Third Album featured the group's fourth consecutive No. 1 single on the US pop charts, "I'll Be There", the Top 5 single, "Mama's Pearl", and album tracks such as the semi- autobiographical "Goin' Back to Indiana", and "Darling Dear". The album peaked at No. 4 on the Billboard album charts and No. 1 on the R&B; album charts and also No. 1 on Cashbox. This is considered one of their best efforts and is their most successful album to date.
It was also released in the United States, on Hanna-Barbera Records where it charted on the Billboard Hot 100, peaking at No. 94 staying for two weeks and on the "Easy Listening" charts at No. 40. "Off to Dublin in the Green" spent five weeks on the Cashbox Top 100 chart, with a peak at number 68. Not wanting to take sides politically, the B-side was a song of the Orangemen, "Captain of the Gallant Forty Twa," which was also featured in beer commercials. Carling Black Label reported increased market share following the release of the advertising campaign and the song's subsequent popularity.
In a 2015 list from Billboard, it tied with Marvin Gaye's recording of "The End of Our Road" as the "Biggest Hot 100 Hit" at the peak of number 40. "Video Killed the Radio Star" debuted at number 86 on the Billboard Hot 100 on the week of 10 November 1979, while on the Cashbox Top 100 it debuted at number 83 that same week.. Cash Box magazine. It started also at number 83 on the Canadian RPM Top Single Chart. By January 1980, it entered the top 40 at number 31, and on 2 February made it into the top 20 at number 11.
"Whatever Gets You Thru the Night" is a song written by John Lennon, released as a single in 1974 on Apple Records, catalogue numer Apple 1874 in the United States and Apple R5998 in the United Kingdom. It peaked at No. 1 in both the Billboard Hot 100 and Cashbox Top 100, and at No. 36 in the British singles chart. In the US, it was the lead single for Lennon's album Walls and Bridges; in the UK the single was released on the same day as the album. In Canada, the single spent two weeks at No. 2, and became the 30th biggest hit of 1974.
Billboard published a review of the album in the issue dated October 28, 1967, saying, "Dolly Parton has a little girl voice but it's Lolita in style on the honky-tonking, carousing "Dumb Blonde". She also does extremely well on "I Wasted My Tears", "I Don't Want to Throw Rice", Something Fishy" and "Fuel to the Flame"." Cashbox published a review which said, "Dolly Parton could have a big winner in her possession with this striking album. Singing at the top of her form throughout the entire set, the lark offers "Dumb Blonde", "Put It Off Until Tomorrow", "Fuel to the Flame", "The Giving and the Taking", and eight others.
The Pork mutiny ( ) was an incident in Northern Finland in 1922. On February 2 a group of roughly armed Red Guard members crossed the Finnish-Soviet border near Kuolajärvi and Savukoski after disarming a company of the Finnish border guards. They advanced to a logging yard owned by Kemijoki Oy. They arrested the heads of the yard and confiscated the cashbox. The incident derives its name from the fact that the leader of the Red Guardists, Frans Myyryläinen, stood on a crate that had formerly contained pork when he delivered his speech called the 'Declaration of Battle of the Red Guerrilla Battalion of the North'.
Michael Gassen "Mike" Stewart (April 19, 1945 – November 13, 2002) was the co- founder and guitarist for We Five and a Grammy nominee. As a music producer he produced Billy Joel's breakthrough Piano Man album, as well as artists such as Tom Jones and Kenny Rankin, among others. We Five, known for their relatively complex harmonies, released "You Were on My Mind", which reached No. 1 in Cashbox and No. 2 on Billboard's hits list (song remains a favorite on oldies radio playlists), and We Five received a best new group Grammy nomination. The next year, they had a Top 40 hit with "Let's Get Together".
"More Today Than Yesterday" is a song written by Pat Upton and performed by Spiral Starecase. It reached number 6 in Canada,Spiral Starecase, "More Today Than Yesterday" Canadian chart position Retrieved May 4, 2015 number 7 on the Cashbox Top 100, and number 12 on the Billboard Hot 100 in 1969.Spiral Starecase, "More Today Than Yesterday" US chart position Retrieved May 4, 2015 It was also released in the United Kingdom as a single, but did not chart.Spiral Starecase, "More Today Than Yesterday" UK single release Retrieved May 4, 2015 The song was featured on their 1969 album, More Today Than Yesterday.
With no viable alternative, he founded the "Hit Parade Hall of Fame", with the sole criterion being that an artist have at least two nationally charted top 10 songs from any genre as tallied in either Billboard or Cashbox. Nominees were selected each year by a panel of professionals from the radio and records industry including former presidents of major American record labels such as Russ Regan, Barney Ales, Ron Alexenburg, Al Coury and Bob Fead; popular radio personalities Rick Dees, Scott Shannon, Larry Lujack, Red Robinson, Wink Martindale, George Klein and Rollye James; and broadcasting executives Erica Farber, Kent Burkhart, Ed Salamon, Jerry Osborne, John Gehron and Jim Long.
After previous singles flopped, Date re-released "Time of the Season" backed with another UK flop single, "Friends of Mine", and it made its breakthrough in early 1969, over a year after the band split up. It reached number three on the Billboard Hot 100 in March, topped the Cashbox chart, and reached number one in Canada. It did not chart in the band's native Britain, despite being re-released twice, but it later found fame there with Rod Argent saying that it became "a classic in the UK, but it's never been a hit." In mid-1969, it peaked at number two on the South African hit parade.
El Chicano remade "Brown Eyed Girl" for their 1972 album Celebration. Kapp Records had invited music journalist Don Buday to produce the album, being impressed by Buday's writings on El Chicano: Buday had the group remake "Brown Eyed Girl" and also the Cream hit "I Feel Free" "[to try] to give [El Chicano] more of a rock-and-roll identity".Cashbox Vol 33 #45 (29 April 1972) "Insight & Sound" pp.14,32 Journeyman recording engineer Val Garay, who had his first engineering assignment producing Celebration, would recall that "Don got this brilliant idea of [remaking] 'Brown Eyed Girl'...kind of like the 'Mexican Everly Brothers".
On August 15, 1960, "Lonely Guy" bubbled under the Hot 100 at number 111, reached number four on Cashbox, and spent ten weeks at number one on Los Angeles's KFWB Fabulous Forty. By the time of the Gallahads' next release, Smith and Dixon had departed, and were replaced by Leo Robinson, Ray Robinson, and Charles Wright, who would later go on to lead the Watts 103rd Street Rhythm Band. The new line-up was featured weekly on the Wink Martindale Show for a few months, and appeared on American Bandstand. In 1961, the group's second single "Without A Girlfriend" was released and received extensive airplay in Los Angeles.
In the early 1960s, Pate was hired by OKeh Records producer/A&R; director Carl Davis to write arrangements for the label. Davis had had previous hits with artists such as Walter Jackson, Major Lance, Ted Taylor and The Opals. Pate, Curtis Mayfield and The Impressions first teamed in January 1963 recording the ballad "Sad Sad Girl and Boy," which mid-charted in Cashbox magazine's charts. The following single, "It's All Right," stayed at number one R&B; for two weeks and hit number four pop in fall 1963; it was followed by "Talking about My Baby," "I'm So Proud," and "Keep on Pushing".
In 2004, Altenburgh loaned Sun Studios, Memphis TN some antique recording devices for their museum and in appreciation, John Schorr, President of Sun Studios, offered Altenburgh to come and do a roots type of recording at the famous studio. Altenburgh agreed and the result was the 2005 release, Two Hits for The Kitty "The Sun Studio Sessions." The album was in the World's blues chart at Roots Music Report for 18 weeks and the beginning of Altenburgh's blues group, Johnny & The MoTones was established. To date, the group has recorded five albums, all having spent significant time in the blues charts at Cashbox, Roots Music Report, iTunes, cdbaby and others.
It stayed on the Hot 100 for 15 weeks and Cashbox for 14 weeks. It was awarded a gold disc for selling over one million copies in the United States. Spooner Oldham explained in an interview how the song came to be: "Cry Like a Baby" features an electric sitar, played by session guitarist Reggie Young. Author Peter Lavezzoli cites this part as an example of the widespread influence of Indian classical music on rock and pop music in the late 1960s, in the wake of the Beatles' popularisation of the sitar in songs such as "Within You Without You", from their 1967 album Sgt.
"Jackie Blue" is a track recorded by the Ozark Mountain Daredevils for their second album It'll Shine When It Shines released in 1974: released as a single in February 1975 - subsequent to the album's unsuccessful lead single "Look Away" - "Jackie Blue" became the band's second Top 40 hit - their 1974 debut single "If You Wanna Get to Heaven" having reached #25 - and easily their career record, reaching #3 on the Billboard Hot 100 while spending two weeks at #1 (May 10–17, 1975) on the Cashbox Singles Chart. It was also a hit internationally: #2 in Canada, #9 in New Zealand, #10 in South Africa, and #27 in Australia.
The "Little Green Bag" title was then retained for all subsequently released versions of the single, as well as the group's 1970 debut album, also titled Little Green Bag. The single peaked at No. 9 on the Dutch Top 40 singles chart and No. 3 in Belgium. In the United States, the single reached No. 16 in the middle of 1970 on the Cashbox chart and No. 21 on the US Billboard Top 100. In 1992, when the song was used in Quentin Tarantino's film Reservoir Dogs with song writers cited as Jan Gerbrand Visser and Benjamino Bouwens, it became an international cult classic.
The Colts is among the first African American doo-wop vocal groups on the west coast documented out of Kern County to make a Top 20s appearance on the Cashbox National Chart. The Colts is the first black vocal group from Bakersfield to sign with a doo-wop, and R&B; production label. They are also the first black vocal group from Kern County to sign a record label, and the first black R&B;, and doo-wop vocal group coming out of the Central Valley from Bakersfield that formed around the same time period as the Bakersfield Sound, during the early-to-mid 1950s.
Anxious for Marvin Gaye product, Balk got Motown's sales vice president Barney Ales to release the song, releasing it on January 17, 1971, pressing 100,000 copies of the song and promoting the single to radio stations across the country. The initial success of this led to a further 100,000 to reach demand, selling over 200,000 copies within a week. The song was issued without Gordy's knowledge. The song eventually became a huge success, reaching the top of the charts within a month in March of the year, staying at number-one for five weeks on the Billboard R&B; charts and one week at number-one on the Cashbox pop chart.
Dunn performed as a keyboardist on The Emotions' 1976 album Flowers and produced Caldera on their 1977 album Sky Islands. Sky Islands rose to No. 18 on the Cashbox Top Jazz Albums chart. He then played on Deniece Williams' 1977 album Song Bird, Dee Dee Bridgewater's 1977 LP Just Family, Ronnie Laws' 1977 album Friends & Strangers and coproduced Ramsey Lewis' 1977 studio LP Tequila Mockingbird. Tequila Mockingbird peaked at No. 6 on the Billboard Top Jazz Albums chart. He also performed on The Emotions' 1977 album Rejoice, The Pockets's 1978 LP Take It On Up, Caldera's 1978 album Time and Chance and Lenny White's 1978 album The Adventures of Astral Pirates.
The song was originally released on the B-side of "Honky Tonk Women" in July 1969. Although it did not chart at the time, London Records re-serviced the single in 1973 and "You Can't Always Get What You Want" reached number 42 on the Billboard Hot 100 and number 34 on the Cashbox Top 100 Singles chart. One of the Stones' most popular recordings, it has since appeared on the compilations Hot Rocks, Singles Collection (single version), Forty Licks, Rolled Gold+: The Very Best of the Rolling Stones (2007 edition), Singles 1968-1971 (single version), Slow Rollers (single version) and GRRR! (single version).
"Irresistible" was received with mostly mixed reviews by music critics. Although a few critics called the song a "peppy" number, others commented that they did not like the song, and criticized the sexuality of its lyrics and the over-usage of digital sound manipulators. Stephen Thomas Erlewine of Allmusic stated that the song and "A Little Bit", the second single released from the parent album, were a "double-punch" and picked the former song as a standout from the album. Cashbox Canada, ranking the song at number ten on "Top 10 Love Songs: The Crush", praised it as "an ode to love at step one".
"Touch Me" is a song by the Doors from their album The Soft Parade. Written by Robby Krieger, it is notable for its extensive usage of brass and string instruments, including a solo by featured saxophonist Curtis Amy. Ray Manzarek played harpsichord and organ on the song; he also interpolated the guitar riff from the 1967 Four Seasons song "C'mon Marianne" in his part. It was released as a single in December 1968 and reached No. 3 on the Billboard Hot 100 (their last Top Ten hit in US) and No. 1 in the Cashbox Top 100 in early 1969 (the band's third American number-one single).
Other artists who have recorded Weatherly's songs include: Glen Campbell, Kenny Rogers, Asha Puthli, Neil Diamond, Kenny Chesney and Garth Brooks. Gladys Knight and the Pips have recorded twelve other Weatherly compositions, such as "Neither One of Us (Wants to Be the First to Say Goodbye)" and "Best Thing That Ever Happened to Me". That version of "Neither One of Us" became his first number one pop record in Cashbox and Record World magazine charts, and became a number one R&B; record. It was followed by "Where Peaceful Waters Flow"," Midnight Train to Georgia" and "Best Thing That Ever Happened to Me", which were all pop and R&B; hits.
"Soul Man" was a number one Pop Hit (Cashbox: November 11, 1967) and has been recognized as one of the most influential songs of the past 50 years by the Grammy Hall of Fame, the Rock & Roll Hall of Fame, Rolling Stone magazine, and RIAA Songs of the Century. "Soul Man" was featured as the soundtrack and title for a 1986 film and also a 1997–1998 television series, and Soul Men was a 2008 feature film. Sam & Dave are inductees in the Rock and Roll Hall of Fame, the Vocal Group Hall of Fame, the Memphis Music Hall of Fame, and the Rhythm & Blues Music Hall of Fame.
" The lady works with words very well and has a memorable voice".Cashbox, 15 November 1975 Although it was not released as a single in the UK, "Sugar Shuffle" was popular on a number of mainstream UK radio stations, including BBC Radio 1. De Paul performed live versions of some of the album's songs as a special weekly guest on Cooper, the Tommy Cooper series produced by Thames Television, that was broadcast on ITV in late 1975. Songs performed from the album included "No Honestly", "Hungry for Love" and "Shoobeedoo Wey Doobee How", with each song introduced by a witty exchange between de Paul and DJ David Hamilton.
"Into the Nightlife" is a 2008 song written by Cyndi Lauper, Peer Åström, Johan Bobäck and Max Martin, and produced by Lauper, Åström and Bobäck, for Lauper's tenth studio album Bring Ya to the Brink. It peaked at #1 on the U.S Billboard Hot Dance Club Play and on the Cashbox Top Dance Singles. It became Lauper's first Australian chart single in fourteen years. In an interview with Entertainment Weekly, Lauper says that the song title was inspired by Henry Miller's book Into the Night Life that inspired Lawrence Ferlinghetti's A Coney Island of the Mind, which inspired her to describe the images of nightlife in New York City.
In two days during 12 to 14 April, 1965, British rock group the Who recorded "Shout and Shimmy" as the B-side to their fourth single (third single under the name 'the Who') "My Generation", which was released on October 29, 1965. The A-side reached number 2 in the United Kingdom, but only reached number 74 on the Billboard Hot 100 and number 99 in Cashbox magazine. The song was part of the Who's repertoire from late 1964, along with several other rhythm and blues covers, including other songs by James Brown. It was ultimately dropped in 1966 once the group had written enough original material.
Released on 24 May 1968, "Jumpin' Jack Flash" (backed with "Child of the Moon") reached the top of the UK Singles Chart and peaked at number three in the United States. It topped the US Cashbox chart for one week and the WLS 890 Hit Parade for four weeks. Some early London Records US pressings of the single had a technical flaw in them: about halfway through the song's instrumental bridge, the speed of the master tape slows down for a moment, before coming back to speed. The first Rolling Stones album on which the song appeared was their 1969 compilation album, Through the Past, Darkly (Big Hits Vol.
The Sutherland Brothers' greatest success came through their collaboration with Quiver, whereby releases were credited to the "Sutherland Brothers and Quiver". The amalgamated group's first single, 1973's "(I Don't Want to Love You But) You Got Me Anyway", was a minor success in North America, reaching Number 48 on the Billboard Hot 100 in the US, N. 20 on the Cashbox pop charts and peaking at Number 25 in Canada. After the release of this single, and after only a few gigs with the band, Batchelor (who had been Quiver's primary songwriter) left. After a few more shows as a five- piece, Batchelor was replaced by keyboardist Peter Wood.
Gee Bee was not as successful as Namco hoped it would be – although official sales figures are unknown, it is generally believed to have sold 10,000 units. Nonetheless, the game helped establish Namco as a prime video game developer in Japan, and led to them producing their own arcade games alongside publishing those from other companies. The November 11, 1978 issue of Cashbox complimented the game's cabinet artwork, while the December 30 issue stated that it had a "good looking cabinet and graphics". In a retrospective, Earn Green of Allgame noted the game's importance for Namco, being Toru Iwatani's first video game for the company.
After building her résumé through a variety of collaborations and work as a session keyboardist and background singer, Willis signed a recording contract with groundUPmusic. Her debut solo album, See Us Through was released in Spring 2016. In a very positive review of the album, Cashbox Magazine Canada's Lee Fraser commented, "The fact that it’s her debut is pretty surprising, given the fact that Michelle has toured Europe, Canada and the US, and that every show she plays in her hometown of Toronto is filled to capacity with her adoring fans." Willis was featured along with Laura Mvula on Snarky Puppy's Family Dinner – Volume 2.
After the Japanese tour The T-Bones disbanded. Dan, Joe Frank and Tommy got back together in 1970 as Hamilton, Joe Frank & Reynolds. With Judd now living in London and helping from behind the scenes the former T-Bones signed a record deal with ABC Dunhill and their first single, "Don't Pull Your Love Out", became a million selling gold record, reaching No. 1 on Cashbox and No. 3 on the Billboard charts in 1971. Reynolds left the group in 1972 and with new member Alan Dennison on keyboards they eventually signed with Playboy Records and their first single, "Fallin' in Love", became their next gold record hitting No. 1 on the Billboard Charts in 1975.
It was the foursome's first charting record in the United States, where it peaked at No. 114 on the Cashbox singles chart and No. 117 on Record World singles chart. The Playboy Records U.S. release was credited to "Bjorn & Benny (with Svenska Flicka)", and according to ABBA's manager Stig Anderson, could have been a much bigger American hit, if not for the limited distribution resources of the label that was unable to meet the demand from retailers and radio programmers. At the time of the single's release, the Ring Ring album had not been planned, since there was no intention to form a permanent group. However, the song was included on the album the following year.
"I'll Meet You Halfway" is a song written by Wes Farrell and Gerry Goffin and recorded by The Partridge Family for their 1971 album, Up to Date.The Partridge Family, Up to Date Retrieved October 25, 2011 It went to #4 on the Adult Contemporary chart and reached #9 on The Billboard Hot 100 in 1971.The Partridge Family's charting singles Retrieved October 25, 2011 The song went to #4 in Canada in 1971,Top Singles on the RPM for the week of June 26, 1971 Retrieved October 25, 2011 #9 in France in June 1971, and #7 in Australia in July 1972. Cashbox also listed "Halfway" as its #62 song of 1971.
On March 25, 1978, in their "Top Album Pick" section, Billboard predicted that the first single from Some Things Don't Come Easy would reach the top-ten; afterwards, it went to number nine on the magazine's Hot 100 chart and spent six weeks at number one on their Easy Listening chart. Cashbox placed the song at number fourteen on their US Top 100 Singles chart for the week that ended on April 29, 1978. In Canada, "We'll Never Have to Say Goodbye Again" peaked on the RPM Top Singles chart at number eleven, while on the Adult Contemporary Tracks chart, the song peaked at number two behind "Dust in the Wind" by the progressive rock band Kansas.
The term "video game" was developed to distinguish this class of electronic games that were played to some type of video display rather than those that used the output of a teletype printer or similar device. The first appearance of the term emerged around 1973. The Oxford English Dictionary cited a November 10, 1973 BusinessWeek article as the first printed use of the term. While Bushnell believed the term came out from a vending magazine review of Computer Space in 1971, a review of the major vending magazines Vending Times and Cashbox showed that the term came much earlier, appearing first around March 1973 in these magazines in mass usage including by the arcade game manufacturers.
His cover of the Four Tops' "I Can't Help Myself" reached #14 on the Billboard R&B; chart, but climbed as high as #2 on the alternative Cashbox R&B; chart. Elbert baulked at the label's insistence that he record material associated with Motown and departed with only a few tracks left to record for an album. Even so, the album was released after Avco sold it on to a budget label, Trip. He returned to All Platinum and had a run of minor R&B; hits, but left after a disagreement over the claimed authorship of Shirley & Company's R&B; chart-topper "Shame Shame Shame", which was credited to label owner Sylvia Robinson.
Two Redbridge Parks Police officers, Constables Harjit Dhinsa and Graham Jackson, were commended in July 2007 for chasing and arresting two bank robbers outside Barclays Bank in Cranbrook Road, Ilford, on Tuesday 3 July. They were on their way back to base after routine patrol in their 4x4 patrol vehicle when they saw two robbers trying to wrestle a cashbox from a security officer. The officers jumped out of their 4x4 vehicle and pursued the robbers after the security officer had blocked their getaway car with his van. Constable Jackson arrested one of the men after cornering him in a back garden in St Edmund's Road, with the other suspect caught minutes later by officers from Redbridge police.
As a solo folk rock singer in the 1960s, he was best known for his hit "Eve of Destruction", and "Sins of a Family", both written by P.F. Sloan. Barry's other chart successes were "Child of Our Times" and "Cloudy Summer Afternoon (Raindrops)" (penned by Travis Edmonson of the 1960s folk-duo, Bud & Travis). "Eve of Destruction" sold over one million copies, and was awarded a gold disc. The album, Eve of Destruction, peaked at No. 37 on the Billboard 200 album chart during the week ending September 25, 1965. That same week the single went to No. 1 on both the Cashbox and Billboard Hot 100 chart. McGuire was never again to break into the Top 40.
Cashbox published a review in the issue dated September 24, 1966, which said, "With the title tune of this set having recently hit the Number 1 spot on the Country charts, Loretta Lynn should sell heaps of LP’s in a growing country market. The lark offers fans, in addition to the click, top reading of such strong tunes as "These Boots Are Made For Walkin’", "God Gave Me a Heart to Forgive", and "Put It Off Until Tomorrow". Watch this package score sales aplenty in no time at all." AllMusic gave the album a positive review, calling Lynn's recording of the Wilburn Brothers' hit "It's Another World" an "excellent version" of their song.
The Flames also contributed to the recording of the 1964 studio album, Showtime. During this time, the record label's inconsistent billing on various records and albums, led many fans of Brown to believe that the Famous Flames were actually Brown's backing band, instead of the stand-alone vocal group that they actually were. In 1964, James & the Flames had another top 40 hit with the powerful soul/blues ballad "Oh Baby, Don't You Weep", which reached number 23 on the pop chart, and number four on the Cashbox R&B; chart. Later that year they released their last recording together, "Maybe the Last Time", which was a B-side of James Brown's recording "Out of Sight".
Coconut Groove sold the group's recording contract to the national distributor, USA Records. The single has the rare quality of being one of the few garage rock tracks to chart on all three major charts; it bubbled under the Billboard charts at number 119, peaked at number 35 on Cashbox, and reached number 93 on Record World. In total, the single sold approximately 75,000 copies; however, USA Records went bankrupt, consequently preventing the release from obtaining any more success. "I Cannot Stop You" was later released on the 2001 compilation album, Looking Back, which comprised all of the group's released recordings, and it has appeared on other garage rock albums as well.
James felt he had found the combination that propelled him into his second career – that sound he had been seeking for seven years. So these 21- and 22-year-old men, along with James' multi-talented bass player Milo Liggett, became the Southern Gentlemen and joined 36-year-old Sonny James. Two months later, James had his first No. 1 Billboard hit since Young Love – topping the country charts with the song he co-wrote with Bob Tubert, You're The Only World I Know. His next five releases peaked on the Billboard country charts at 2, 1, 3, 1, and 2 (though all five of them hit No. 1 _on either_ Billboard, Record World or Cashbox).
The album's biggest hit was the bluesy "Shop Around", which was released as a single in 1960 and peaked at #1 on the Billboard R&B; singles chart and #2 on the pop singles chart (#1 Pop, Cashbox). "Shop Around" was the first R&B; #1 single for both the Miracles and Motown label. It was also the label's first million-selling hit single and a 2006 Grammy Hall of Fame- inducted song. Hi... We're the Miracles features the Miracles' classic original lineup: Smokey Robinson, Ronald White, Bobby Rogers, Pete Moore, Marv Tarplin (mentioned on the back of the album, though not pictured on the front), and Smokey's wife (and Bobby's cousin), Claudette Rogers Robinson.
In the issue dated February 5, 1972, Billboard magazine published a review of the album, saying that "For their second package of duets, Twitty and Loretta Lynn come up with another dynamite selection of material certain to prove another hot chart item. Their hit single, "Lead Me On", is spotlighted and featured are standouts such as "Never Ending Song of Love", "Easy Loving", and the clever rhythm item, "You Blow My Mind", penned by Billy Edd Wheeler. Cashbox published a review in the January 29, 1972 issue, which said, "Visually, Loretta Lynn and Conway Twitty are a stately and dignified couple. Their finely-cut features are emphasized by their subtle but modern and tasty choice of clothes.
" Cashbox also published a review on September 2, saying, "Bobbie Gentry follows up her No. 1 chart single, "Ode to Billie Joe", with an album of the same title. Included on the set, in addition to the title tune are, "Papa, Won't You Let Me Go to Town with You", "Chickasaw Country Child", "I Saw an Angel Die", and "Hurry, Tuesday Child". The disc figures to be a runaway best seller". Record World named the album as one of their Albums of the Week, saying that "Sensation Bobbie Gentry is as good in album form as she is in single form or just plain form on her Ode to Billie Joe album.
The Mindbenders' first single without Fontana was the hit "A Groovy Kind of Love" (a Carole Bayer Sager / Toni Wine composition). The song reached No. 2 in the US (No. 1 on the Cashbox singles chart) and No. 2 in the UK in 1966. It sold one million copies globally. The Mindbenders' 1966 album of the same name managed to reach No. 28 in the UK. A second song by Bayer and Wine, "Can't Live With You (Can't Live Without You)", had struggled to break the UK Top 30 while the third one, "Ashes to Ashes", took the Mindbenders to No. 14 in the UK Singles Chart in the autumn of 1966.
The story of "Precious and Few" has many twists. It was stored in the Bell Records archives for a couple of years, but was dusted off after a Bell executive heard it being played on a Santa Barbara radio station (Climax's home base). Bell Records subsidiary, Carousel, released the record in Hawaii as a test six months prior to being a hit on the mainland. After more market tests in Buffalo and Boston in early 1972, the record gained momentum quickly. On the week ending February 26, 1972, "Precious and Few" peaked at the #3 spot on the Billboard Hot 100 singles chart (spending two weeks at that position), and also hit #1 on Cashbox magazine's Top 100 chart.
Pickettywitch was signed by record producer John Macleod to Pye Records and released their debut single, "You Got Me So I Don't Know" b/w "Solomon Grundy" in July 1969. Their U.K. chart breakthrough came in early 1970 when the single "That Same Old Feeling" hit the top 5. That single also made the top 40 on the Cashbox pop chart in the US a few months later and remains their only hit single there. Two further singles also made the UK chart in that year - these were "(It's Like A) Sad Old Kinda Movie" (again written by Macaulay and Macleod) (number 16), and "Baby I Won't Let You Down" (written by Les Reed and Geoff Stephens) (number 27).
With the new line up of Davis, Felder, Oliver and Wooten, they began their association with Arctic Records in 1966 and recorded a Kenny Gamble song, "On Time is Forever".Girl Groups: Fabulous Females Who Rocked the World, By John Clemente - Page 28 HONEY AND THE BEES In 1970, their manager Jimmy Bishop moved them over to the Josie label.Broadcast Pioneers of Philadelphia - Jimmy Bishop, Honey In 1971, their single "We Got to Stay Together" was released on Josie 1028. Listed in the April 17 issue of Cashbox in their single reviews Picks of the Week section, it was said that it was certain to gain R&B; action and pick up Top 40 momentum.
In 1966, a local band, The Buckinghams, required the services of a keyboardist, and Marty Grebb was asked to team up with them. Around this time, the band members were introduced to James William Guercio, a former bassist and road manager for Chad & Jeremy who found them a management contract with Ebbins-Guercio Associates. The band went on to have three (Billboard) and five (Cashbox) top-ten national selling singles and three top twenty albums with Marty Grebb for Columbia Records. After the Buckinghams, Grebb toured with a number of artists, including Leon Russell, Elton John, Muddy Waters, and most notably Bonnie Raitt as a member of her band for 25 years.
Also participating on backing vocals were Dave Miller (owner of Essex Records and Haley's producer) and Jerry Blaine, co- founder of Jubilee Records, who happened to be visiting the studio. (Miller and Blaine were recruited because of the need to create a rowdy party-like sound during the song's chorus and conclusion.) On May 23, 1953, the song entered the American Billboard chart and reached No. 12, becoming the first song generally recognised as rock and roll to be a pop hit.Joel Whitburn, Top Pop Singles 1955-2002, p.297Song artist 90 - Bill Haley & his Comets. The record was the Top Debut on the Cashbox chart for the week of May 23, 1953, debuting at no. 19.
Rock with Bill Haley and the Comets is the title of an early rock and roll music compilation album issued by Essex Records (ESLP 202) in 1954, and featuring music by the titular group, Bill Haley & His Comets. The album features recordings made by Haley in 1952 and 1953, including his hits, "Rock the Joint", "Crazy Man Crazy" (Billboard, #12, Cashbox, #11), "Fractured" (Billboard, #24), and "Live It Up" (Billboard, #25). The album is the earliest known LP release of the rock and roll genre, predating similar releases by Elvis Presley and by Haley himself, as he and his band later went on to Decca Records and recorded "Rock Around the Clock".
After Vee-Jay folded in 1966, she recorded for several other labels, including ABC, Fantasy, and Uni. After an unsuccessful year with ABC, a move to Uni brought another major success in 1969 with "There'll Come A Time", co- written by producer and lead singer of The Chi-Lites, Eugene Record. This rose to #2 in the Billboard R&B; listing (#26 on the Hot 100) and topped the Cashbox chart. However, most of her later work would not match the success she had with Vee-Jay, although there were other R&B; hits such as "It's Been A Long Time" and "I Got To Tell Somebody", which re-united her with Calvin Carter in 1970.
The Babys are a British rock group best known for their songs "Isn't It Time" and "Every Time I Think of You". Both songs were composed by Jack Conrad and Ray Kennedy, and each reached No. 13 on the U.S. Billboard Hot 100 and No. 8 on the Cashbox chart in the late 1970s. The original Babys line-up consisted of founding member keyboardist/guitarist Michael Corby, and, in order of joining the group, vocalist/bassist John Waite, drummer Tony Brock, and guitarist Wally Stocker. Under the auspices of Adrian Millar, the group signed a contract with Chrysalis Records that was the highest ever for a new music act at the time.
"What Good Am I Without You" is a Motown duet between singers Marvin Gaye and Kim Weston.What Good Am I Without You at Discogs The song was released as a single in late 1964 and became the first duet Marvin and Kim recorded, a couple of years before the duo recorded the breakthrough hit, "It Takes Two". The song came after the departure of Mary Wells, who had left Motown that year shortly after releasing a successful duet album with Gaye. The single was featured on Gaye and Weston's only LP together, Take Two and peaked at number 61 on the Billboard Hot 100 (and number 28 on the Cashbox R&B; chart) when it was released.
In 1960, he reached Top 35 status in Cashbox magazine's country charts as Donny Young with the tune "Miracle Of Love". From the early to mid-1960s, he also enjoyed some success as a songwriter for others, with his biggest songwriting hit being "Apartment No. 9", which served as Tammy Wynette's first chart hit in December 1966. In 1964, he changed his name legally to Johnny Paycheck, taking the name from Johnny Paychek, a top ranked boxer from Chicago (and not directly as a humorous alternative to Johnny Cash as is commonly believed) who once fought Joe Louis for the heavyweight title."Obituary: 'Johnny Paycheck: Hell-raising country singer'", independent.co.uk, February 21, 2003; accessed March 26, 2015.
She also had top ten chart success with a cover of Buddy Holly's "Maybe Baby" and "Words" by the Bee Gees. She has appeared on major national television talk and variety shows including Hee Haw, The Music City News Award and Nashville Alive and was nominated for New Female Vocalist of the Year by the Academy of Country Music and Cashbox Magazine. She has also had the opportunity to duet with Bill Medley and Delaney Bramlett. Her duet with Bramlett is in the Motown Hall of Fame. Her film credits include singing and contracting for major films including Godzilla, The Preacher’s Wife, The Brave Little Toaster, Steel, Casper, and A Time for Dancing.
His first single, a version of Curly Putman's "Green Green Grass of Home" was issued in 1965, followed by "As Long as the Wind Blows" in 1966 which made the country Top 30 and saw Darrell being named "Most Promising Male Artist" by Cashbox. He was the first to record the Mel Tillis song "Ruby, Don't Take Your Love to Town", which became a top ten hit for him in 1967 and later a hit for Kenny Rogers. This was followed by his performance of Dallas Frazier's "the Son of Hickory Holler's Tramp" in 1968, and the crossover hit "With Pen in Hand", which would later become a hit for Vikki Carr. In the 1970s, Darrell was associated with the Outlaw country movement.
"Tom Dooley" is a North Carolina folk song based on the 1866 murder of a woman named Laura Foster in Wilkes County, North Carolina, allegedly by Tom Dula. The song is best known today because of a hit version recorded in 1958 by The Kingston Trio, which reached No. 1 in Billboard and the Top 10 on the Billboard R&B; listing, and appeared in the Cashbox Country Music Top 20. The song was selected as one of the American Songs of the Century by the Recording Industry Association of America (RIAA), the National Endowment for the Arts, and Scholastic Inc. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
By October 1975, the single had reached the top ten of country charts, with Billboard showing both side of it in its listings. Indeed, some outlets such as WTHI-FM in Terre Haute, Indiana listed "Bob Wills Is Still the King" first rather than "Are You Sure Hank Done It This Way". By early November 1975, the single had reached the top spot on both the Billboard country chart (with both sides listed) and the Cashbox country chart (with just the A-side listed). "Bob Wills Is Still the King" did well both on traditional hits-oriented country stations, such as KVET-AM in Austin, as well as on the newer progressive country stations, such as KOKE-FM, also in the Austin area.
"Should I" was initially recorded as the B-Side to "I Have Dreamed", a song written by songwriting duo Rodgers and Hammerstein for The King and I. Columbia Records decided that they had to write an original composition on the B-Side, a song which later became "Should I." "I Have Dreamed" initailly released on Columbia on 22 September 1965. The song, along with most of I Don't Want to Lose You Baby was recorded between 1 February – 24 June 1965. "I Have Dreamed" failed to make a major impact on the charts, reaching only number 91 on the Billboard Hot 100, staying on the charts for two weeks. It peaked at number 97 on Cashbox magazine on the 16th of October 1965.
After their lack of success under contract to Colpix Records between 1961 and 1963, the Ronettes ended their Colpix contract and signed with Phil Spector's Philles Records in early 1963. During their first few months with Phil Spector, the Ronettes achieved mainstream success with the release of "Be My Baby" in August 1963, which climbed to number two on the US Billboard Hot 100 and peaked at number one on the Cashbox Hot 100. It was the success of "Be My Baby" which had Spector eager to do a follow-up for the Ronettes in the fall of 1963. However, a problem arose when the Ronettes were booked to appear on Dick Clark's "Caravan of Stars" tour across the country.
"When She Was My Girl" is a 1981 single released by American vocal group the Four Tops. The song, their first release off Casablanca Records, helped to return the former signature Motown act to the American pop Top 40 charts, peaking at number 11 on the US Billboard Hot 100, number 10 on the Cashbox chart, and reaching number one on the R&B; charts. Internationally, it reached number nine in Canada, number six in New Zealand, and also became their first top 10 hit in the UK in nine years, reaching number three. Their top 40 showing made the group one of the few acts to have top 40 singles on the Billboard Hot 100 in three consecutive decades.
In 1979, he began working for Mobile Fidelity as its Western regional sales manager.Cashbox, February 2, 1980 - Page 12 EXECUTIVES ON THE MOVE Working for the well-known audiophile record label,Hometheatre review.com, January 25, 2015 - Mobile Fidelity Shows Off New DSD Mastering Technology which was based in Chatsworth, California, he was promoted to the position of national sales director in early 1980.Cashbox, February 2, 1980 - Page 12 EXECUTIVES ON THE MOVE In December that year, it was announced that he was made director of its international sales and marketing.Billboard, 13 Dec 1980 - Page 4 General News, Executive Turntable, Record Companies Towards the end of 1981 he had been promoted to the position of vice-president of international sales.
Often associated with the Power Pop genre given to Ardent Label Mates Big Star, Cargoe projected more of a stylized artistic nuance to their songwriting and performing, with harmonies exhibiting a strong American/Southern Roots cultural influence. The band recorded their Album CARGOE with Terry Manning producing at, John Fry's Ardent Studios. They scored numerous Billboard and Cashbox Top 100 listings, and reviews from 1970 through 1973, along with major radio play of their first single “Feel Alright” and follow-up “I Love You Anyway”. The band’s studio LP CARGOE was even featured, with Isaac Hayes Shaft, which won an Academy Award/Oscar that year for Best Original Song, in a Special Edition section of Billboard’s June 3, 1972 “The Deck is STAX” promotion.
The single proved successful, charting high in several countries worldwide. It became Cher's first million-selling single and her first top 3 hit in the UK (and her last until "The Shoop Shoop Song (It's in His Kiss)" reached No. 1 in 1991). Critic Tim Sendra, in his album review of The Sonny Side of Cher, gave the song a mixed review: "The only track that has any real zest is the Bono- written novelty 'Bang Bang (My Baby Shot Me Down),' the kind of dramatic song Cher could knock out in her sleep but also a song with no real heart." On the other hand, the reviewer for Cashbox said the song was "inventive," and predicted it would become a "blockbuster" hit.
30 Years of Canadian Chart Listings - #9 on 28 October 1963 Years later, the song was named as the greatest Canadian song of all time by the CBC-Radio program 50 Tracks: The Canadian Version. The two married in June 1964; they also released their third album, Northern Journey, that year. It included a blues song written by Sylvia, "You Were on My Mind", which was subsequently recorded by both the California group We Five (a 1965 #1 on the Cashbox chart, #3 on the Billboard Hot 100) and British folk rock singer Crispian St. Peters (#36 in 1967).Joel Whitburn, Billboard Book of Top 40 Hits A recording of "Four Strong Winds" by Bobby Bare made it to #3 on the country charts around that time.
In 1981, Taco signed his first record contract with Polydor in West Germany for two record releases, whereon he released his first single, "Puttin' On the Ritz", which in 1982 was issued by RCA Records for US release. His version of the song also had pieces of other Irving Berlin songs, such as "White Christmas". The single was widely played throughout the US by late summer of 1983 eventually peaking at No. 4 in September 1983 on the Hot 100 as well as No. 1 on Cashbox. Although the single eventually earned him a Gold-certification for selling over one million copies, it was Taco's only Top 40 hit in the US. In 1983 and 1984, he toured extensively throughout Europe.
Maalfrid had little awareness of Easton and "wasn't too bothered" of Easton recording her songs as she confided to a record company receptionist who responded, "You will be when you get the money". Soon afterwards Maalfrid abandoned her own singing career in favor of songwriting.NZ Musician "You Could Have Been with Me" peaked at #15 (#12 in Cash Box) Cashbox Magazine the week of the 1982 Grammy Awards broadcast (February 25) on which Easton received the Best New Artist Award. Pop Culture Madness, Grammy Awards After the follow-up "When He Shines" peaked at #30 Easton would be absent from the Top 40 until the end of January 1983 when she and Kenny Rogers would release the duet "We've Got Tonight," which reached #6.
RCA Victor had paired "A Big Hunk o' Love" for release as an a-side single with "My Wish Came True" as the b-side in both the United States and England. When the single was released on June 23, it was the third release to come from Elvis' army session after "I Got Stung" on October 21, 1958, and "I Need Your Love Tonight" b/w "(Now and Then There's) A Fool Such as I" on March 10, 1959. The a-side spent two weeks at #1 on the Billboard Hot 100 while the b-side peaked at #12. The single was less successful on the Cashbox Top 100 with the a-side peaking at #2 and the b-side at #23.
In the U.S., the song hit No. 1 Cashbox Top 100 It ranked among Cashboxs Top 100 singles of 1968, where it hit the No. 1 position the week ending August 3, 1968.Cash Box Top Singles of 1968 Retrieved 09-26-11 "Lady Willpower" went No. 2 on the Billboard Hot 100 in 1968 (behind "Grazing in the Grass" by Hugh Masekela).Gary Puckett & The Union Gap charting singles Retrieved 09-26-11 and reached No. 26 on the Easy Listening chart.. The song was the No. 34 song on the Billboard Year-End Hot 100 singles in 1968.Billboard Top 100 Songs of 1968 Retrieved 09-26-11 Outside the US, "Lady Willpower" reached No. 5 on the UK Singles Chart during the year.
The group has also made many videos and documentaries about their time at Sun Studios and Fame Studios, Muscle Shoals, AL where they recorded their second album entitled, Get Gone "The Muscle Shoals Sessions." Subsequent releases Nothin' To Lose and Shake It followed in 2010 and 2013 respectively. Both albums spent significant time in every major blues chart and the track, "Maybe Baby" landed in the Roadhouse Blues and Boogie Top 40 Chart as compiled by Cashbox and beachshag.com. The 2013 release Shake It was heard world wide on such syndicated blues shows as; Blues Deluxe, Confessing The Blues, Smokestack Lightning, The Americana Music Show (several times), The House of Blues Radio Hour with Dan Aykroyd, Main Street Blues and others.
The song was released as a 45rpm single by Monument Records in 1964, The single entered the United States Cashbox chart on April 11, 1964, peaking at No.10 (on May 23, 1964), and reached No. 9 on the Billboard pop music chart. Meanwhile, after entering the United Kingdom singles chart on April 30, 1964, "It's Over" reached No. 1 on June 25, 1964 (making it Orbison's second UK No.1 single [the first was "Only the Lonely" in 1960]). "It's Over" spent 2 weeks at No.1 on the UK singles chart, out of a total of 18 weeks on that chart. The song also spent ten weeks in the Irish Singles Chart, three of which were at No.1.
It later transpired that Ah Cheng was killed by fellow triad member named "Ah She" (pronounced "sher", meaning "Snake", who, in turn, was having an affair with Chen-ge's wife, Chen-sao), with Kaijie and the young man who gave Xiao-gu the key as witnesses. When "Snake" and Chen-sao discovered Xiao-gu's knowledge about the events, in addition to the key Xiao-gu received, they attempted to kill her and Kaijie, but the attempt was thwarted by a mysterious man. "Snake" gave up on his murder attempts, but kidnapped Kaijie to force Xiao-gu to give up the key she received. The key, as it turned out, led to a cashbox that was stashed in an abandoned house.
The April 5, 1980 issue of Cashbox noted of the game's colorful and attractive cabinet design, while the April 26 issue called it an "earthshaking hit", referring to it as a true followup to Space Invaders. In a 2007 retrospective review, Sir Clive of Eurogamer labeled it a masterpiece, praising its "beautifully drawn" game graphics and intense gameplay, and for being a historically important game for the industry. Home versions and ports of the game (see Ports below) received mixed responses by platforms. Video magazine in 1982 reviewed the Astrocade version of Galaxian (named Galactic Invasion), noting that the graphics were inferior to the coin- op and PC versions, but praising the play-action as "magnificent" compared to other console versions.
Neo-rockabilly musician Robert Gordon had covered the song in 1981, reaching number 76; Crenshaw's own version made number 36 the next year, becoming his only solo Billboard Top 40 hit; the single would also reach number 31 on the Cashbox charts and number 25 on the Mainstream Rock chart. Other songs from the album, including "There She Goes Again," "Cynical Girl," and "Mary Anne," have since become fan favorites. Crenshaw himself later expressed a dislike for the album's production, though the album saw critical acclaim and was ranked by Rolling Stone as one of the top 100 albums of the 1980s. His second album, Field Day, was released in June 1983, sported a bigger production courtesy of producer Steve Lillywhite that divided opinion at the time.
Chicago was one of at least eleven other acts that were eligible for the award, and weeks later, at its October 28, 1977 Madison Square Garden concert, Chicago was one of the first acts to receive the award for drawing over 180,000 people to the venue in nine sold-out appearances there over the years. Cashbox reviewer Ken Terry said of the 1977 Madison Square Garden concert, "Chicago ultimately presents itself in the best light with AM- oriented, good-time music. Its fans are not looking for complicated, introverted songs; they want music to drive to, dance to and work to." Besides recording and touring, during the busy 1970s Chicago also made time for a movie appearance and several television appearances of note.
Billboard’s review of the album, published in the issue dated September 7, 1968, said, "Bobbie (Billie Joe) Gentry deserts the Delta for Beatle land, including a stunning "Eleanor Rigby" as well as her own dusty Delta dramas. Mississippi melodies includes the self-penned "Sweete Peony" and "Ace Insurance Man", both sensitively set against the Beatles' "Here, There and Everywhere” and Kenny Rankin’s "Peaceful" – all with lush arrangements tuned in on the charts." Cashbox published a review on September 7 also, which said, "Bobbie Gentry bids fair to reestablish herself on the best-seller charts with this sensitive album of song and story. The artist has written four of the eleven tunes on the set, including "Sweete Peony", "Casket Vignette", "Ace Insurance Man" and "Recollection".
Harold did not want his bickering children to inherit MLGL because he feared they would destroy it. Though Ballard ran up significant amounts of personal debt during his ownership of MLGL, he made the company very profitable, so much so that MLG became known as the "Cashbox on Carlton Street," referring to the address of the arena. Upon Harold's death on April 11, 1990, most of his estate, which was worth less than $50 million, was left to charitable organizations. The executors of Harold's will were supermarket tycoon Steve Stavro, Giffin, and Donald Crump. In November 1990 Molson exercised their option on 19.9% of the company, paying $10,000 for 735,575 of HEBL's MLGL shares, which at the time were valued at $20 million.
The single backed with "The Lady Bumps On" was released on the Jupiter record label cat - 16 069 AT in June 1975.45Cat Record Details, Artist: Penny McLean The single reached the 3 million mark.Billboard June 27, 1992 GSA-8 Germany/Switzerland/Austria, German Independents Do It Their Way With House, Instro's And "Nuevo Flamenco" For its popularity in New York discos, the track backed with "The Lady Bumps On" was rated number 14 by November 1975.Billboard November 15, 1975 Page 38 Disco Action In January 1976, it debuted on the Cashbox pop singles charts, peaking at #61.Cash box pop singles charts, 1950-1993 - Pat Downey, George Albert, Frank W. Hoffmann Page 227 In July 1976, "Lady Bump" rated no 7 in Australia's 2S Music Survey.
Lynn and Twitty make no concessions here for any pop audience — it's country to the core as typified by Wayne Kemp's "Barroom Habits" and Vic McAlpin's "I'm Gonna Roll You Like a Wheel". The review noted "The Letter", "Just Lead the Way", "Barroom Habits", "I'm Gonna Roll You Like a Wheel", and "We'll Finish Up Falling In Love" as the best cuts on the album, with a note to dealers saying that Twitty and Lynn are "an ever-popular duo with a loyal legion of fans." Cashbox published a review in the June 26, 1976 issue, which called the album "An excellent vehicle conveying the award-winning sound of two of country music’s greatest." The review also noted "Just Lead the Way" and "We’re Caught Between a Love and a Love Affair" as their favorites.
"Bob Wills Is Still the King" is a song written and performed by American country music artist Waylon Jennings, as a tribute of sorts to the Western swing icon Bob Wills. It is known in two forms. A live recording of the song was released in June 1975 as the concluding track on the album Dreaming My Dreams, and then appeared in August 1975 as the B-side of "Are You Sure Hank Done It This Way", the second single from the album. By early November, the A-side had risen to number one on the country singles chart, but the B-side gained considerable airplay as well, enough so that Billboard listed it as a two-sided hit whereas Cashbox showed it with just the A-side listed.
"Reach Out for Me", "Message to Michael (Kentucky Bluebird)" (originally "A Message to Martha"), and "(There's) Always Something There to Remind Me" were all American hits, also produced by Bacharach and David, for Dionne Warwick. Several of his records reached the Cashbox R&B; Top 20 including "Always" peaking at No. 12 and "Reach Out" at No. 15. In the UK Singles Chart, Johnson's version of "A Message to Martha" was his biggest hit, reaching No. 36 in late 1964, but was outsold by Adam Faith's cover version. In 1965, working with the production team of Bill Giant, Bernie Baum and Florence Kaye on the reactivated Bigtop label, Johnson recorded a vocal version of Sidney Bechet's instrumental hit of a few years earlier, "Petite Fleur", entitled "A Time to Love, A Time to Cry".
After all these issues Stills went out on tour, in November 1976, as a three piece, Stills on guitar, vocals, piano, George Perry on Bass, and Joe Vitale on drums. It was around this time Stills reunited with Crosby and Nash shortly afterwards, thanks to the efforts of Nash's future wife Susan, who got Nash to forgive Stills for wiping the Crosby and Nash vocals from Long May You Run. Not before Atlantic records released a compilation album from Stills first two solo albums, and the two Manassas albums in December 1976 called Still Stills: The Best Of Stephen Stills. Cashbox magazine ranked Stills at number 27 for the top male vocalist of 1976, and Stills and Young as the number 6 duo, number 3 new duo, and number 20 best new artist of 1976.
"The Ballad of the Green Berets" is a patriotic song in the ballad style about the United States Army Special Forces. It is one of the few popular songs of the Vietnam War years to cast the military in a positive light and in 1966 became a major hit, reaching No. 1 for five weeks on the Billboard Hot 100 and four weeks on Cashbox. It was also a crossover smash, reaching No. 1 on Billboard's Easy Listening chart and No. 2 on Billboard's Country survey. Ultimately, the song was named Billboard's #1 single for the year 1966 in a revised end-of-the-year chart, but the original chart showed "California Dreamin'" by The Mamas and the Papas at #1 and "Ballad of the Green Berets" at #10.
Court and Spark went to No. 1 on the Cashbox Album Charts. The LP made Mitchell a widely popular act for perhaps the only time in her career, on the strength of popular tracks such as the rocker "Raised on Robbery", which was released right before Christmas 1973, and "Help Me", which was released in March of the following year, and became Mitchell's only Top 10 single when it peaked at No. 7 in the first week of June. "Free Man in Paris" was another hit single and staple in her catalog. While recording Court and Spark, Mitchell had tried to make a clean break with her earlier folk sound, producing the album herself and employing jazz/pop fusion band the L.A. Express as what she called her first real backing group.
Billboard Top 100 1955-1969 and 45 in Cashbox but locally it was much bigger especially in the Southern markets. The Narvel Felts Trio now became the Matt Lucas Trio with Matt as the featured vocalist occupying front center stage with his drum set and Narvel Felts on lead guitar and J.W. Grubbs on bass standing behind him on the sides. Roy Orbison's "Ooby Dooby" was selected as the follow-up single. He gave the Orbison rocker the "I'm Movin' On' treatment starting it with the classic line "Hey baby this is Matt Lucas, come on out on this dance floor I want to tell you about something that is brand-new and I made it up baby and I am doing it just for you and here it is…Hey Baby”.
In 1959, Reed hit the Billboard "Bubbling Under the Top 100", also known as the Roar and Cashbox Country chart with the single "Soldier's Joy". After serving two years in the United States Army, Reed moved to Nashville in 1961 to continue his songwriting career, which had continued to gather steam while he was in the Army, thanks to Brenda Lee's 1960 cover of his song "That's All You Got to Do". He also became a popular session and tour guitarist. In 1962, he scored some success with two singles "Goodnight Irene" (as by Jerry Reed & the Hully Girlies, featuring a female vocal group) and "Hully Gully Guitar", which found their way to Chet Atkins at RCA Victor, who produced Reed's 1965 "If I Don't Live Up to It".
" The review noted "For Heaven's Sake", "Easy on My Mind", "As Good as a Lonely Girl Can Be", and "What Are We Gonna Do About Us" as the best cuts on the album. It also included a note to dealers, saying that "Despite an unflattering picture of Miss Lynn on the cover, their total fans are legion, and this could outsell all the others." The review in the July 21, 1973 issue of Cashbox said, "This is a super album from possibly the greatest country duo that ever stepped into a pair of matching Tony Lama boots. What makes them great is the quality of their vocals, the insight and depth of feeling they bring to each song (they mean every word they sing), and the diversity of their material.
However, the positive audience reaction was unexpected. The single made the Top 20 of the combined Swedish singles and albums chart, and "People Need Love" reached No. 3 on the Swedish radio chart show Tio i topp (The Top Ten). It was the foursome's first charting record in the United States where it peaked at No. 114 on the Cashbox singles chart and No. 117 on Record World singles chart - impressive for unknown Swedish artists in America at the time. The Playboy Records U.S. release was credited to "Bjorn & Benny (with Svenska Flicka)" and according to ABBA's manager Stig Anderson, the single could have been a much bigger American hit if not for the limited distribution resources of the label that was unable to meet the demand from retailers and radio programmers.
Presley first performed the song at the Las Vegas International Hotel (later renamed the Hilton) on July 31, 1969, and the 45 rpm single was released 26 days later. It reached No.1 in the United States in the week of November 1 and stayed there for that week.[Joel Whitburn's Top Pop Singles 1955-2002] It would be Presley's final No.1 single in the U.S., on the Billboard Hot 100, before his death ("Burning Love" in 1972 was a No.1 hit on the Cashbox charts; "The Wonder of You" in 1970, "Way Down" in 1977 and Junkie XL's remix of "A Little Less Conversation" in 2002 all hit No.1 on the British charts, followed by re-issues of several previous chart-toppers in 2005).
"I Saw Her Standing There" is a song by the English rock band the Beatles credited to Paul McCartney and John Lennon, but written primarily by McCartney. It is the opening track on the band's 1963 debut album Please Please Me. In December 1963, Capitol Records released the song in the United States as the B-side on the label's first single by the Beatles, "I Want to Hold Your Hand". While the A-side topped the US Billboard chart for seven weeks starting 1 February 1964, "I Saw Her Standing There" entered the Billboard Hot 100 on 8 February 1964, remaining there for 11 weeks, peaking at No. 14. The song placed on the Cashbox chart for only one week at No. 100 on the same week of its Billboard debut.
The song's references to the city of Boston are owed to Cobb's experiences with a mugger in Boston. The song also makes reference to the Boston Strangler and the dorm curfews for college women in those days.O'Nan, Stewart, and Stephen King. Faithful: Two Diehard Boston Red Sox Fans Chronicle the Historic 2004 Season. (Note that this book incorrectly refers to The Standells as a Boston proto- punk group, rather than a California garage band.) "Dirty Water" reached No. 11 on the Billboard charts on June 11, 1966, No. 8 on the Cashbox charts on July 9, 1966 and No. 1 on the Record World charts. "Dirty Water" was on the WLS playlist for 17 total weeks, tied only by "California Dreamin'" for most weeks on that playlist during the 1960s.
"Skating Away on the Thin Ice of the New Day" was first released as on the War Child album in 1974. After the success of the album's lead-off single, "Bungle in the Jungle", in the US, "Skating Away on the Thin Ice of the New Day" was released as a follow-up in the US and Germany in 1975. The B-side of the single was "Sealion". It did not chart in Germany or on the Billboard charts in America, though it did reach number 75 on the Cashbox charts in the US. The song has since appeared on several compilation albums, including M.U. – The Best of Jethro Tull, Original Masters, The Best of Jethro Tull – The Anniversary Collection, The Best of Acoustic Jethro Tull, and The Essential.
The states included California, North Carolina, Washington, Illinois, Nebraska, Ohio, Michigan, Idaho, Florida, New York, Oklahoma, Alaska, Iowa and Kansas. On November 30, 1982, Ottumwa mayor Jerry Parker declared the town "Video Game Capital of the World", a claim that was backed up by Iowa Governor Terry Branstad, Atari and the Amusement Game Manufacturers Association in a ceremony at Twin Galaxies on March 19, 1983.What is the Video Game Capital of the World? - Cashbox Magazine, April 2, 1983 The King of the Video Game Addicts - Toronto Sunday Star, March 27, 1983 Video Game Capital Lies Amid Iowa Cornfields - St. Louis Post-Dispatch, October 9, 1983 Twin Galaxies' status as the official scorekeeper was further enhanced by support from the major video game publications of the early 1980s.
There Goes Rhymin' Simon is the third solo studio album by American musician Paul Simon rush-released on May 5, 1973. It contains songs covering several styles and genres, such as gospel ("Loves Me Like a Rock") and Dixieland ("Take Me to the Mardi Gras"). It received two nominations at the Grammy Awards of 1974, including Best Pop Vocal Performance, Male and Album of the Year. As foreshadowed by the lead single "Kodachrome" (which reached No. 2 on the Billboard charts, behind Billy Preston's "Will It Go Round in Circles"), There Goes Rhymin' Simon was a bigger hit than its predecessor, reaching No. 2 on the Billboard 200 chart (behind George Harrison's Living in the Material World), and No. 1 on Cashbox Magazine for one week from June 30, 1973.
In February 1965, the song reached number one in the UK and Australia, while their 1966 recording of Springfield and Jim Dale's "Georgy Girl" (from the film of the same name) reached number two (Billboard chart) and number one (Cashbox chart) in the United States. In 1967, The Seekers set an official all-time record when more than 200,000 people (nearly one tenth of the city's entire population at that time) flocked to their performance at the Sidney Myer Music Bowl in Melbourne. Their TV special The Seekers Down Under scored the biggest TV audience ever (with a 67 rating), and early in 1968 they were all awarded the nation's top honour as "Australians of the Year 1967". On a tour of New Zealand in February 1968, Durham advised the group that she was leaving The Seekers and subsequently left in July 1968.
In the issue dated May 4, 1968, Billboard magazine published a review of the album, saying, "Loretta Lynn couples potent lyrics with intense emotion on this LP. Call it county soul. "You Never Were Mine" is a tear jerker. An excellent LP." The April 27, 1968 issue of Cashbox featured a review which said, "Highlighted by her No. 1 smash, "Fist City", Loretta Lynn's latest album is a powerhouse effort that's bound to be climbing the charts in short order. Lorett'’s warm, sincere singing has long made her the uncontested Queen of Country Music, and she seems only to get better with each successive disk." The review highlighted "Fist City", "A Satisfied Mind", "I Don’t Wanna Play House", and "What Kind of a Girl (Do You Think I Am?)" as the best songs on the album.
The song was released as the third single by The Shangri-Las, their first on Red Bird Records, and became a number five hit on the Billboard Hot 100,”Billboard Hot 100 Charts – The Sixties/The Seventies”, Record Research Inc, 1990 and number nine on the Cashbox R&B; chart. It also hit number fourteen on the UK Singles Chart, and became more successful in the UK when reissued on several occasions in the 1970s. As noted above, Billy Joel, an unknown working as a session musician at the time, played piano on the original demo recording of the song and has playfully claimed that Morton failed to pay him his $67 union scale fee for the performance. The Shangri- Las' recording placed #395 on Rolling Stones 500 Greatest Songs of All Time list in 2004.
Gonzales later recorded a solo album with Nile Rodgers while Moore worked as session vocalist with Kleeer and artists like Chaka Khan. The Tymes were also The Jewels (obviously not to be confused with the R&B; girl group The Jewels), as in Billy Abbott and The Jewels, whose only Hot 100 and Cashbox Top 100 entry was "Groovy Baby" in July 1963. In 1963, American Bandstand signed the Tymes to Dick Clark's Caravan of Stars national US tour, which was scheduled to perform its 15th show on the night of November 22, 1963, at the Memorial Auditorium in Dallas, Texas, until suddenly the Friday evening event had to be cancelled after the US President John F. Kennedy was assassinated that afternoon while touring Dallas in an open-topped car."A Rock n' Roll Historian - Caravan of Stars Fall 1963 Tour" Rnrhistorian.blogspot.
The review published in the February 20, 1971 issue of Billboard said, "The highly successful country duo comes up with another LP destined for top programming and sales, and should soon be riding at the top of the charts. They turned in first-rate performances of "Two of a Kind", The Fighting Kind", "Oh, the Pain of Loving You" and "Curse of the Wild Weed Flower", among others." Cashbox published a review in the issue dated February 13, which said, "Having already won just about every award possible for a vocal duo, Porter Wagoner and Dolly Parton, certainly "Two of a Kind", are back on the right track again with their first LP release of the new year. Porter and Dolly are capable of delivering soft, moody ballads, or up-tempo rockers with the utmost of sincerity and smoothness.
Helms' original version charted at No. 13 on Billboards Most Played C&W; by Jockeys chart, a predecessor to the Hot Country Songs chart. It also crossed to the pop charts, peaking at No. 6 on the Billboard Best Sellers in Stores chart, and at No. 11 on Cashbox magazine's Top 60 on the week ending January 11, 1958. After the song was featured on the soundtrack album to the 1996 film Jingle All the Way, the original Bobby Helms version returned to the Billboard country singles charts in late 1996 and early 1997, reaching a peak of No. 60. The Helms version entered the Billboard Hot 100 chart on the week ending December 24, 2016, and hit No. 29 two weeks later. In January 2019, the song entered the Hot 100's top 10 for the first time reaching No. 8.
With cover art depicting a dead fish wrapped in an A&P-style; grocery bag, it was both the final album owed to RCA under the band's existing contract and the inaugural release on the band's Grunt Records vanity label. Manager Bill Thompson had struck a deal with RCA to allow Jefferson Airplane to run Grunt Records as they saw fit while retaining RCA's distribution. The single "Pretty As You Feel", excerpted from a longer jam with members of Santana and featuring lead vocals by Joey Covington, its principal composer, was the last Jefferson Airplane chart hit, peaking at No. 60 in Billboard and No. 35 in Cashbox. The album rose to No. 11 in Billboard, higher than Volunteers, Blows Against the Empire and Hot Tuna's second album, First Pull Up, Then Pull Down, released three months before Bark in June.
Within a few months of joining The Comets, Pompilli had become the band's most visible member (aside from Haley himself), becoming the focus of "Rudy's Rock", a show-stopping instrumental co-written by Pompilli and Haley that debuted in the 1956 film Rock Around the Clock. When released as a single, "Rudy's Rock" reached #34 on the Billboard singles chart and #38 on the Cashbox Top Singles list, spending 4 weeks on that chart, and making it the first instrumental record of the rock and roll era to chart. Other acclaimed, but less commercially successful instrumentals followed, most notably "Calling All Comets" which was performed in the band's next film, 1957's Don't Knock the Rock. In 1958, Rudy's cousin, Al Pompilli, joined the Comets for a year, playing bass after the departure of Al Rex.
Ronstadt visited a friend from Tucson, Bobby Kimmel, in Los Angeles during Easter break from college in 1964, and later that year, shortly before her eighteenth birthday, decided to move there permanently to form a band with him. Kimmel had already begun co-writing folk-rock songs with guitarist-songwriter Kenny Edwards, and eventually the three of them were signed by Nik Venet to Capitol in the summer of 1966 as "the Stone Poneys". The trio released three albums in a 15-month period in 196768: The Stone Poneys; Evergreen, Volume 2; and Linda Ronstadt, Stone Poneys and Friends, Vol. III. The band is widely known for their hit single "Different Drum" (written by Michael Nesmith prior to his joining the Monkees), which reached number 13 on the Billboard Hot 100 chart as well as number 12 in Cashbox magazine.
"I'm Gonna Be Warm This Winter" was issued in the US at the beginning of December 1962: Francis promoted the track on the December 13 broadcast of American Bandstand marking Francis first appearance on the show since 1958. "I'm Gonna Be Warm This Winter" reached the Top 20 in a number of regional markets generally peaking outside the Top Ten, although the track was especially successful in Seattle reaching #4 and #5 on the hit parades of respectively KOL and KJR in January 1963. The national peak of #18 was reached in both Billboard and Cashbox on their respective singles charts dated January 26, 1963. In January 1963 the original B-side of "I'm Gonna Be Warm This Winter": "Al di là", picked up enough airplay to reach #90 on the Billboard Hot 100 (#87 in Cash Box).
On the Top Singles Chart of Record World (another Billboard competitor), "I Just Want to be your Everything" racked up a five-week stay at #1, which, like its four- week run on Billboard's Hot 100, was interrupted by the Emotions "Best of My Love." On the Record World singles chart, Gibb hit #1 on August 6, stayed there on August 13, then yielded to The Emotions for two weeks, before returning to #1 for two additional weeks beginning on September 3. Gibb's record spent 15 weeks in Record World's top 10, from mid-July to late October, and spent of a total of 32 weeks amongst the top 100 singles on Record World's Top Singles Chart. "I Just Want to be Your Everything" was Andy Gibb's longest-running chart single in Billboard, Record World, and Cashbox.
In 1975, Colter signed with Capitol Records. On the label, she released her debut single, "I'm Not Lisa".Zimmerman, Keith and Kent (2003), The Very Best of Jessi Colter, retrieved 8-8-08 The song was Colter's breakthrough single; it reached No. 1 on the Billboard Country Chart and peaked at No. 4 on the Billboard Pop Chart, becoming a crossover hit in 1975. Her second album, titled I'm Jessi Colter was also released that year and reached No. 1 on the Cashbox Top Country Albums chart, No. 4 on the Billboard Country Albums Chart and No. 50 on the Billboard 200 Top 100 Pop Albums chart. The follow-up single from that same album "What's Happened to Blue Eyes" was also very successful, peaking at No. 5 on the Billboard Country Chart and No. 57 on the Pop Chart.
In September 1963, "Wax 'Em Down" b/w "Gypsy Surfer" was released on Chancellor 1144. Both sides were written by Pat Vegas, also with Judd Hamilton handling the arrangements for both sides.45Cat - The Avantis (Los Angeles) - Discography, USABillboard, September 28, 1963 - Page 41 Singles Reviews, Popular The single was their debut on the Chancellor label in 1963. Music magazine, Cashbox in its September 28 issue, gave it a favorable review with a B+ Rating, saying that the Avantis were a pro-sounding group and the track was first rate surfin’ stuff.Cashbox, September 28, 1963 - Record Reviews It became a minor hit for the group that year.Ask Mr Music - FOR THE WEEK OF SEPTEMBER 15, 2003Walk-Don't Run - The Story of the Ventures, By Del Halterman - Page 102 The single was distributed in Canada by Sparton of Canada Ltd.
The DeFranco Family's debut 1973 single, "Heartbeat - It's a Lovebeat," featuring the lead vocals of then 13-year-old Tony DeFranco, reached number one on WLS for five straight weeks (and was number two there for the entire year 1973), number three in the U.S. on the Billboard Hot 100 chart and the top slot on the Cashbox singles chart, as well as hitting number three in their native Canada on the RPM 100 national Top Singles chart, selling more than two million copies in the process. It was awarded a gold disc by the R.I.A.A in November 1973. The song's writer, Purdue alumnus Michael T. Kennedy, was a long-time executive at Boeing/McDonnell Douglas. Their second single, "Abra-Ca-Dabra," which reached the Top 40, was followed by their final hit, "Save the Last Dance for Me," which reached number 18 on the charts in May 1974.
The soundtrack for Torch Song Trilogy was released on the Polydor label on LP, cassette, and CD on December 8, 1988. The album charted on the jazz charts of industry magazines Billboard and Cashbox. The song "This Time the Dream's On Me" sung by Ella Fitzgerald, which is used several times throughout the film including over the closing credits, was excised from the planned soundtrack album by Norman Granz, Fitzgerald's long-time manager, when he invoked a contractual clause which gave Fitzgerald the right to refuse her material to appear on an album featuring another artist (known in the music industry as a "coupling clause"). In actuality, Granz was unhappy with the money offered by the record company, PolyGram Records (now part of Universal Music), for the use of the song in the film and refused permission for its inclusion on the album out of spite.
The Cash Box Kings were created by singer, songwriter, and harmonica player Joe Nosek, who now heads the band, along with singer/songwriter Oscar Wilson. The band was signed with Alligator Records, and more latterly Blind Pig Records. The band is named with respect to Cashbox, a defunct publication that kept a music chart from the 1940s through the mid-1990s that rivaled Billboard 's. I-94 Blues, the band's fourth release, was recorded entirely in a single day, with a majority of the finished tracks recorded live in the studio. Holler and Stomp, the CBK's Blind Pig label debut, was nominated for Blues Blast Music Awards for “Band of the Year,” “Song of the Year” and “Best Traditional Blues” CD. The band released Black Toppin' in 2013 to favorable reviews, and the album won the Blues Blast Music Award for Traditional Blues Album of the Year.
Retrieved August 8, 2017. while reaching No. 6 on the Cash Box Top 100,Cash Box Top 100, Cash Box, July 27, 1968. p. 4. Retrieved August 8, 2017. and No. 3 on Canada's RPM 100."RPM 100", RPM Weekly, Volume 9, No. 21, July 20, 1968. p. 5. Retrieved August 8, 2017. The song was ranked as the No. 51 Single of 1968 by Cashbox magazine in its year-ending December 28, 1968 issue.Top 100 Chart Hits of 1968, Cash Box, December 28, 1968. p. 14. Retrieved August 8, 2017. The single eventually sold over 1 million copies, and was later licensed for use in commercials for the Dodge Charger.(No author.) "Romeo racks up 'de Bois'," Billboard magazine, May 17, 1969, page 26: ... Romeo's 'Indian Lake' tune, which became a million-seller for MGM Records' Cowsills, has been acquired for use on Dodge's 'Charger' commercials.
Billboard published a review of the album in the September 21, 1968 issue, which said, "Wagoner and Parton have proved a hot sales combination for the singles charts, and their second LP built around their singles hits, "Holding on to Nothin'", "The Dark End of the Street", and "We'll Get Ahead Someday", is sure to prove a hot piece of album product." Cashbox published a review of the album also, saying, "After scoring excellent success with their initial duet LP, as well as with several singles, Porter Wagoner and Dolly Parton launch their second album on the heels of their latest single, "Holding on to Nothin'". Kicking off the set with that track, the twosome also make a winning combination with such additional tracks as "The Dark End of the Street" and "I Washed My Face in the Morning Dew", among others." AllMusic gave the album 2.5 out of 5 stars.
The foundation charter is dated 19 September 1336, when the founder, the nobleman Eberhard of Wallsee, granted the site and a substantial endowment to the Cistercian monks of Wilhering Abbey, although he had previously negotiated unsuccessfully with the Augustinian Canons, and an earlier attempted settlement from the Cistercian Zwettl Abbey had come to nothing.on the basis of these earlier attempts at foundation, the foundation date is sometimes given as 1334 The abbey suffered from the Turkish invasions of the 16th century, particularly in connection with the Siege of Vienna in 1526. Although forethought on the part of abbots saved many of the abbey's valuables by sending them for safekeeping elsewhere in advance of the incursions, the community was unable to escape the punishing taxes of the war period, and descended into poverty: one abbot was nearly arrested for failure to pay taxes. During the Reformation, another abbot absconded with the cashbox.
Born Agatha Nathalia Weston in Detroit, Michigan, she was signed to Motown in 1961, scoring a minor hit with "Love Me All the Way" (R&B; No. 24, Pop #88). Weston's biggest solo hits with Motown were "Take Me in Your Arms (Rock Me a Little While)" (R&B; No. 4, Pop No. 50, 1965, later covered by the Isley Brothers, Blood, Sweat & Tears, Jermaine Jackson , the Doobie Brothers and Phil Collins), and "Helpless" (R&B; No. 13, Pop No. 56, entered Cashbox March 26, 1966, previously recorded by The Four Tops on their Second Album LP). Her biggest claim to fame was singing the classic hit "It Takes Two" with Marvin Gaye in 1966 and her later recording of the Black National Anthem, "Lift Every Voice and Sing". It was the success of "It Takes Two" that caused Motown to partner Gaye with Tammi Terrell, spawning even more success for the label.
Also present are songs written by other famous names, including "Bah-Bah-Bah" co- written by Motown singer Brenda Holloway with her younger sister, Patrice, an original Smokey Robinson composition titled "Then", and "What the World Needs Now Is Love" by Burt Bacharach and Hal David, which Motown planned to release as a single in the spring of 1968, but cancelled. It also contains a cover of Bobbie Gentry's "Ode to Billie Joe," whose original recording kept the single #2 "Reflections" from peaking at the top spot on the Billboard Hot 100 in September 1967, and it hit #2 on Cashbox. The album includes the final songs the Supremes recorded with their main creative team of Holland–Dozier–Holland before the three writers/producers departed Motown over royalty and title disputes. Although Florence Ballard recorded some of this album before being fired from the group in July 1967, her replacement Cindy Birdsong along with Mary Wilson recorded several songs and appears on the album cover.
Like Lemon Pipers' members Nave and Albaugh, Ehrmann was a member of the Kappa chapter of Delta Kappa Epsilon fraternity. Writing in Bubblegum is the Naked Truth, Gary Pig Gold commented: "It was the Pipers’ way with a tough-pop gem in the under-four-minute category which was most impressive by far: "Rainbow Tree", "Shoeshine Boy" and especially "Blueberry Blue" each sported a taut, musical sophistication worthy of The Move and, dare I say it, even the Magical Mystery Beatles." The band recorded a second album for Buddah, Jungle Marmalade, which again showed both sides of the band - another Leka/Pinz bubblegum song, "Jelly Jungle", (released as a single and peaking at No. 51 on Billboard and No. 30 on Cashbox in the US), a version of the Carole King/Gerry Goffin penned song "I Was Not Born to Follow," and an 11-minute, 43 second epic, "Dead End Street"/"Half Light".
In the 1970s the "Polish Prince" continued to hit the Top 40, notably with "Ev'ry Day of My Life", produced by Jimmy Bowen and CBS recording engineer Jim Reeves, which peaked at number 24 on 29 April 1972, and "Sealed With a Kiss" hitting number 19 on 19–26 August 1972. Despite the success of the two hits, Epic Records decided to drop Vinton from his contract the next year, claiming that his days of selling records were over. Undeterred, Vinton spent $50,000 of his own money on "My Melody of Love", partially self-written and partially sung in Polish. The suggestion for the song came from Vinton's mother. After Vinton was turned down by six major labels, ABC Records bought Vinton's idea, and the result was a multi-million- selling single of simple lyrics that hit number 3 on the Billboard Hot 100, number 2 on the Cashbox Top 100 chart, and number 1 on the AC chart in 1974.
Stills then spent the show drunk in Ringo Starr's dressing room, "barking at everyone". Stills' Madison Square Garden show was professionally recorded and filmed but has never been released, although a filmed recording of "Go Back Home" was played in early 1972 on the Old Grey Whistle Test, and two acoustic tracks were released on Stills 2013 box set Carry On. In 1971, Billboard magazine ranked him at number 34 top singles artist, number 44 top album artist, number 14 top singles male vocalist, number 12 top new singles vocalist, number 17 top album male vocalists, number 14 top new album artist, number 73 top producers, and ranked his debut album number 70 in the year end album charts. Cashbox magazine, ranked Stephen Stills 2 as the number 51 album of 1971, and his debut as number 52, they ranked Stills as the number 3 best new vocalist, and the number 2 new male of 1971. Also in 1971, Stills played guitar for the Bill Withers album, Just as I Am, including the Grammy-winning song, "Ain't No Sunshine".
Tarney/Spencer Band formed as a rock music duo in London in 1975 with Spencer on drums and percussion and backing vocals; and Tarney on lead vocals, guitars (lead, rhythm and bass), synthesisers and keyboards. Their first album, Tarney and Spencer, was released in 1976 in the UK only, on the Bradley's Records label, and was co-produced with Dave Mackay. It features the Shadows' future member, Cliff Hall, on keyboards. The album was re-released on CD in 2003 by Sanctuary Records/Castle Communications with four bonus tracks. In 1976, Tarney/Spencer's first UK single, "I'm Your Man Rock and Roll", was released but did not reach the top 30 on the national chart. To promote the track, in April, they appeared on BBC1's Top of the Pops, introduced by Tony Blackburn. The appearance was repeated in April 2011 on BBC4's series of Top of the Pops re-runs. In July 1976, "I'm Your Man Rock and Roll", reached No. 71 on the US Cashbox top 100 singles chart.
Cashbox gave Ronstadt a Special Decade Award, as the top-selling female singer of the 1970s. Her album covers, posters, magazine coversher entire rock 'n' roll imagewere as famous as her music. By the end of the decade, the singer whom the Chicago Sun Times described as the "Dean of the 1970s school of female rock singers" became what Redbook called "the most successful female rock star in the world." "Female" was the important qualifier, according to Time magazine, which labeled her "a rarity ... to (have survived) ... in the shark-infested deeps of rock." Although Ronstadt had been a cult favorite on the music scene for several years, 1975 was "remembered in the music biz as the year when 29-year-old Linda Ronstadt belatedly happened." With the release of Heart Like a Wheelnamed after one of the album's songs, written by Anna McGarrigleRonstadt reached number 1 on the Billboard 200 chart; it was also the first of four number 1 Country Albums, and the disc was certified double- platinum (over two million copies sold in the U.S.).
During this period, most record labels would designate one song an A-side and the other a B-side at random. (All records have specific identifiers for each side in addition to the catalog number for the record itself; the "A" side would typically be assigned a sequentially lower number.) Under this random system, many artists had so-called "double-sided hits", where both songs on a record made one of the national sales charts (in Billboard, Cashbox, or other magazines), or would be featured on jukeboxes in public places. Conventions shifted in the early 1960s, at which point record companies started assigning the song they wanted radio stations to play to side A, as 45 rpm single records ("45s") dominated most markets in terms of cash sales in comparison to albums, which did not fare as well financially. Throughout the decade the industry would slowly shift to an album-driven paradigm for releasing new music; it was not until 1968 that the total production of albums on a unit basis finally surpassed that of singles in the United Kingdom.
In the October 2, 1965 edition of Billboard, it was reported that Shorter, who at the time was contracted to Columbia Records, had signed an exclusive writing contract with the Edward B. Marks Music Corp.Billboard, October 2, 1965 - Page 6 Mark Inks Shorter On the 16th of April, 1966, Shorter was to appear at the New York Community College with Godfrey Cambridge to perform three of his own compositions which were published by E.B. Marks. He was also on the road a week later promoting his new single "Last Thoughts Of A Young Man".Billboard, April 16, 1966 - Page 36 International News Reports, From The Music Capitals of the World, NEW YORKBillboard, April 23, 1966 - Page 40 International News Reports, From The Music Capitals of the World, NEW YORK In October 1966, the Gene Pitney single "Backstage" was climbing up the UK charts with Shorter's blues rocker "Blue Color" as the B side.Billboard, October 22, 1966 - Page 18 Spotlight Singles, Top 60 Also that month, Cashbox had announced that he had renewed his contract with E.B. Marks.
Shortly after her fifteenth birthday McClain recorded the track "Smack Dab in the Middle", co-written and co-produced by Tennant and Thom Page (the latter also an uncle of McClain's): the track was successfully shopped to RFC, the recently launched Warner Bros. disco-oriented label, and released October 1979 to become one of the Top Ten most-played tracks in American discothèques for the first five weeks of 1980."Cashbox vol 41 #34 (5 January 1980) - vol 41 #38 (2 February 1980) "Top 40 Disco"Record World vol 36 #1694 (12 January 1980) - vol 36 #1697 (2 February 1980) "Disco File Top 50"New York Daily News 17 January 1980 "The Stars Are Coming Out Early These Days" by Bill Carlton p.65 However the track would not become a mainstream success - barely crossing over to the R&B; chart with a #91 peak Billboard Vol 92 #5 (2 February 1980) p.26 \- and although McClain did cut tracks for a projected album Billboard Vol 91 #47 (24 November 1979) p.50Billboard Vol 92 #25 (21 June 1980) p.68Cashbox 16 February 1980 p.16 she had no evident further releases prior to two mid-1980s 12" singles.

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