So that's the level of brutishness with which he's dealing.
|
|
Don't invalidate that by allowing yourselves to be baited into brutishness.
|
|
He has touched their frustration and they feel reflected in his brutishness.
|
|
Is it a coincidence that all three have male protagonists who instinctively resist patriarchal brutishness?
|
|
Brutishness: Negan shows off his fighting prowess this episode by giving Rick a run for his money in close-quarters combat.
|
|
It gave me a really fun feeling of raunchiness and brutishness that I carried with me the rest of the day.
|
|
We will all be better off, male and female alike, when the routine brutishness of those in power is no longer tolerated.
|
|
A democracy once identified with great names such as Mohandas Gandhi has degenerated into Trumpland — an inferno of systemic brutishness, imbecility and mendacity.
|
|
Each step, each decision, takes one further from the incorporeal realm and into the brutishness of the Hobbesian world, a world of Social Darwinism.
|
|
Instead, the US decided to treat this as a problem to be dealt with the only way it knows how, with bellicosity and brutishness.
|
|
Bobby Cannavale gets in touch with his simian side in this revival of Eugene O'Neill's 1921 expressionist drama about a man wrestling with his own brutishness.
|
|
As the sheer brutishness of Mr. Modi's populism becomes clear, the memory of the aristocratic Nehru becomes more sacred, especially among politicians and commentators from India's English-speaking upper castes.
|
|
Brutishness: We know Negan could never have taken the Sanctuary and assumed total power over a group of savage, violent survivors in the post-apocalypse if he couldn't reliably hold his own.
|
|
One of Bioh's aims is to examine how brutishness and the distancing effect of satire can frame comedy in general and, more specifically, her subject: the complicated interactions of teen-age girls.
|
|
A Tiananmen-style crackdown would underscore the regime's brutishness and incompetence, destroy Hong Kong as a global financial capital, and spur China's neighbors to arm to the teeth and draw closer to Washington.
|
|
There's a climate of brutishness, I guess you might say, that's been sanctioned by you-know-who, that allows people to think that they can do these things, and that is very scary.
|
|
Deadwood, in its early 2000s heyday, was one of a trio of early "prestige" HBO dramas that explored different underbellies of American life: The Sopranos looked at mob brutishness, The Wire spun a Greek tragedy out of the backstreets of Baltimore.
|
|
For those of us whose MMA fandom was always a conflicted state, who troubled themselves trying to reconcile their love of the sport with their moral abhorrence of human violence, Anderson Silva was proof of something higher in the sport's soul, the perpetual counter-argument to the brutishness of MMA.
|
|
There are reasons this pairing might not work—the two players occupy much of the same territory in the court, and the modern NBA privileges shooting and speed over old-school brutishness—but there are also plenty of reasons the Pelicans' new pairing could be an antidote to the league's small-ball trend.
|
|
Unusually, they feature red-figure paintings on the interior and on the outside black-figure on coral-red ground. Inside and outside each bear only one figure. He belonged to the first generation of vase painters to specialise in cups. His figural images depict people in an exaggerated ugliness or brutishness, casting him, much in contrast to the norms then prevailing in Greek art, as a comedian, even a satirist.
|
|
Thus it is suggested that Barabra is a real ethnical name, confused later with Greek and Roman barbarus, and revived in its proper meaning subsequent to the Muslim conquest. A tribe living on the banks of the Nile between Wadi Halfa and Assuan are called Barabra. The term is now rejected by Nubians, as it is understood as a pejorative term used as an insult in reference to skin colour, low intellect and brutishness.
|
|
Written in Hudibrastic couplets, the poem is, on its surface, a scathing Juvenalian satire of America and its colonists, and a parody of the pamphlets that advertised colonization as easy and lucrative (38, 40). The persona comes to Maryland as a tobacco merchant, or "sot-weed factor". He is shocked by the brutishness of Native Americans and English settlers alike, and he is swindled by an "ambodexter quack", or corrupt lawyer. He leaves the colony in disgust.
|
|
Labuda, 13 The taunting of the condemned. At the time there were many enemies of the Temple and Jesus was seen by the Jewish hierarchy merely as the charismatic successor to John the Baptist. Although he became enough of a legitimate threat to be executed, he was ultimately viewed by the elders as just another agitating pseudo-prophet.Sebag Montefiore, 114–127 Van Eyck's depiction lays particular emphasis on the brutishness and indifference of the crowd witnessing Christ's suffering.
|
|
After she is alone, Dr Miracle enters Antonia's boudoir to persuade her to sing and follow her mother's path to glory, stating Hoffmann is sacrificing her to his brutishness, and loves her only for her beauty. With mystic powers, he raises a vision of Antonia's dead mother and induces Antonia to sing, causing her death. Crespel arrives just in time to witness his daughter's last breath. Hoffmann enters, and Crespel wants to kill him, thinking he is responsible for his daughter's death.
|
|
He then singled out Man from the realm of Nature and plants. Then, in another treatise, he showed what specific bodily motions were involved in the production of the peculiar phenomena of sensation, knowledge, affections and passions whereby Man came into relation with Man. Finally, he considered, in his crowning treatise, how Men were moved to enter into society, and argued how this must be regulated if people were not to fall back into "brutishness and misery". Thus he proposed to unite the separate phenomena of Body, Man, and the State.
|
|
It is not a new-type western, with its demystifications, dirt and underlining of the brutishness of the times, as well as its heroic aspects, but it does show a deeper insight into the Indian- white relations and benefits from superb direction, excellent lensing and sharp editing.""Film Reviews: Jeremiah Johnson". Variety. May 10, 1972. 21. Gene Siskel of the Chicago Tribune gave the film 3 stars out of 4 and wrote, "Oddly enough, it is the violent scenes, the ones that don't work within the story, in which Pollack excels.
|
|
Valente wrote his first piece, "Ntuniella", at the age of 15; this initiated a successful collaboration with Giambattista De Curtis. He wrote a total of ten operettas, the best known of which was I granatieri of 1889; he also wrote texts for the actor Nicola Maldacea, known for his macchiette; he was most famous, though, for his songs, the most famous of which was "Tiempe belle" of 1916. Valente was a member of the so-called Società dello Scorfano, an artistic society which ironically emphasized its supporters' brutishness; among its other members was the poet Ferdinando Russo.
|
|
He introduced improvements to postal operations between Urga and Beijing, the education system, and to heath and sanitation (for example, he introduced street lights to the capital and created the first public toilets). He dispatched agents to investigate Outer Mongolia's natural resource potential, created the Bureau of Cultivation to exploit agricultural possibilities, especially in the central Tusheet Khan area of the country, and planned construction of a railway between the Urga and Beijing. Local Khalkha Mongols, unsettled by Sando's brutishness and the rapid pace of reforms, viewed these moves as little more than a purposeful colonization of the country. Sando's support suffered further following the Deyiyong Incident in April 1910.
|
|
In his review for The Washington Post, Hal Hinson praised Nick Nolte's performance: "This actor doesn't flinch in the least from his character's unsavoriness; instead he seems to glory in his crumpled suits and unwashed hair, as if they were a kind of spiritual corollary. Nolte gives Brennan a kind of monumental brutishness -- he makes him seem utterly indomitable". USA Today gave the film two-and-a-half stars out of four and wrote, "Overkill ultimately wears Q & A down, despite two bravura performances and some Hutton understatement that's adequate to the task. So, too, does unrelenting sordidness, a deadly love angle and a score (Ruben Blades) almost as awful as Cy Coleman's sabotage of Lumet's Family Business".
|
|
One reviewer called the moment when Will (Matthew Morrison, pictured) kissed Coach Beiste "somehow both heartfelt and completely horrifying". In Beiste's first episode, "Audition", The Wall Street Journal Raymund Flandez wrote that the coach was "the most interesting character so far", and one "whose comedic range is as maniacal as Coach Sue", and Amy Reiter of the Los Angeles Times said Beiste was "played with a perfect blend of brutishness and grace" by Jones. In Beiste's fourth appearance, for the episode entitled "Never Been Kissed", the character's storyline was met with criticism, though the acting of Jones was not. Reiter questioned why Beiste was made to look to high school students to "gauge her own desirability", an element she found "hazy and creepy".
|
|
Dempsey wrestled Montana in "Dempsey Finishing Heavy Ring Work", The New York Times, New York City, page 2, 27 June 1921 Montana aboard ship; 1919As with Louis Wolheim, Montagna was usually cast as a thug, henchman or something not quite sympathetic, and sometimes not quite human (he was the apelike cave dweller in 1925's The Lost World opposite Wallace Beery as Arthur Conan Doyle's Professor Challenger). Tempering his on-screen brutishness with humor, Montana starred in his own series of two-reel comedies in the early 1920s, spoofing everyone from Robin Hood (Rob 'Em Good) to the Corsican Brothers (The Two Twins). He appeared in two Buster Keaton films including a role as a professional wrestler in the film Palooka from Paducah. He continued playing movie bits into the 1940s, notably as one of Buster Crabbe's antagonists in the 1936 series Flash Gordon.
|
|