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"animality" Definitions
  1. a quality or nature associated with animals:
  2. VITALITY
  3. a natural unrestrained unreasoned response to physical drives or stimuli
  4. the animal nature of human beings

53 Sentences With "animality"

How to use animality in a sentence? Find typical usage patterns (collocations)/phrases/context for "animality" and check conjugation/comparative form for "animality". Mastering all the usages of "animality" from sentence examples published by news publications.

Evoking sex invokes our animality... And evoking our animality, in turn, invokes spirituality.
They're the constituents of recycled minerals, devoid of any vestiges of animality.
Then there's the argument that mineral recycling cleanses the nutrients of their animality.
He thinks that personhood is a form of self-imposed dullness and yearns for the vivid openness of animality.
Nothing. YOUR CAT SIMPLY IS. And that's the cat's biggest lesson: If you wish to acquire a little more animality and charisma, simply be.
One, Oleg Kulik, pretended to be a dog: naked, chained, he barked at passers-by in a reminder of the animality beneath our civilizational veneer.
One, Oleg Kulik, pretended to be a dog: naked, chained, he barked at passers-by in a reminder of the animality beneath our civilizational veneer.
I choose my pauses myself, when I feel drunk with the intensity of life and I want to plunge into animality to draw from it new vigour.
Some folks embrace their animality more easily than others, as when Tuca, on a whirlwind stint as a temp in Bertie's office, pushes her friend to assert herself.
Marian Goodman's London gallery has a group show called "Animality," while in New York flora and fauna are flourishing in Nikki Maloof's debut solo show, "After Midnight," at Jack Hanley.
This is a relationship born of mutual understanding and appreciation between one creature and another, suggesting that perhaps to be a "real live girl" is to delight in one's animality and connection to nature.
The new "Beauty and the Beast," written by Stephen Chbosky and Evan Spiliotopoulos, smoothly modernizes — and to some degree sanitizes — a story with a potentially thorny psychosexual subtext, a tale of male animality and female captivity.
Long a darling of the European festival circuit, Castellucci and his Socìetas Raffaello Sanzio have since the 1980s presented a visually driven, philosophical theater, often with classical references and the provocative presence of animals and the animality of humans.
Long a darling of the European festival circuit, Romeo Castellucci and his Socìetas Raffaello Sanzio have since the 1980s presented a visually driven, philosophical theater, often with classical references and the provocative presence of animals and the animality of humans.
Like Nietzsche, he also condemned the victory of the slave class as a reversion to the base animality of primitive society—a condition in which people attended only to their gross physical needs and not the higher ideals of an aristocratic order.
It's by experimenting with her own animality, her own impulses and needs that make her so unfit for this world, that she can, for the first time in her life, be confronted with the only moral choice that would define her: meaning that she can kill, but she won't.
Animality studies is an emerging interdisciplinary academic field focused on the cultural study of animals and animality. It can be distinguished from animal studies and critical animal studies by its resistance to animal rights or animal welfare as an explicit justification for work in this field. According to Michael Lundblad, "If animal studies can be seen as work that explores representations of animality and related discourses with an emphasis on advocacy for nonhuman animals, animality studies becomes work that emphasizes the history of animality in relation to human cultural studies, without an explicit call for nonhuman advocacy."Lundblad, Michael.
Dordrecht- Boston-London: Kluwer Academic Publishers. P. 511-524. . All these concerns converge in his recent philosophy of animality, which combines the ontology of animals as paradigmatic individuals with the insights and results of biological research. This general theory of animals provides a solid foundation for the development of anthropology, conceived as the science of human primates.
Hiding from HumanityNussbaum, Martha C. Hiding from Humanity: Disgust, Shame, and the Law. Princeton, NJ: Princeton University Press, 2004. extends Nussbaum's work in moral psychology to probe the arguments for including two emotions—shame and disgust—as legitimate bases for legal judgments. Nussbaum argues that individuals tend to repudiate their bodily imperfection or animality through the projection of fears about contamination.
" 411Mania called his tutelage of Liu Kang "hippie Native American Yoda spiel." Patrick Coyle of Jabootu's Bad Movie Dimension included Nightwolf among the film's "shallow, one-shot characters that serve little or no purpose." Kate Willaert of Game Informer sardonically remarked, "Nightwolf delivers the best line in the movie when he tells Liu Kang he must test his courage, and find his Animality.
A Mercy is necessary for an Animality to occur. Finally, three new Stage Fatalities can be performed in the Subway, the Bell Tower and the Pit 3. Another concept introduced in this game is the "Kombat Kode". A Kombat Kode is a six-symbol code entered at the VS screen in a two-player game to modify gameplay, fight hidden characters or display certain text messages.
Aderinto has published eight books, thirty-six journal articles and book chapters, forty encyclopedia articles, and twenty book reviews. • Animality and Colonial Subjecthood in Africa: The Human and Nonhuman Creatures of Nigeria (Ohio University Press/New African Histories Series, 2021). • Sports in African History, Politics, and Identity Formation (New York: Routledge, April 2019), co-edited with Michael Gennaro. • Guns and Society in Colonial Nigeria: Firearms, Culture, and Public Order (Indiana University Press, January 2018) 0253031613.
The Standard Opera and Concert Guide Part Two, George P. Upton and Felix Borowski (Kessinger Reprint, 2005) p.332 After seeing her performing with her long black hair loose in the lead role of André Messager's Les Deux Pigeons the following year, the poet Stéphane Mallarmé wrote how impressed he was by her ritualised animality (sa divination mêlée d’animalité).Mary Lewis Shaw, Performance in the Texts of Mallarmé, Pennsylvania State University, PA 16802, 1993, p.
Within the former he focuses upon animal geographies,Jones O., (2008) '"The Restraint of Beasts": rurality, animality, actor network theory and dwelling', in P. Cloke (ed.) Country Visions, London: Pearson Education. pp 450–487. place/landscape/dwelling,Jones O., (2006) Of Trees and Trails: place in a globalised world, in N. Clark, D. Massey, and P. Sarre (eds.) Life in A Globalised World, Milton Keynes: Open University, pp 214–264. and tidal geographies (and temporal rhythms of landscape).
Animality finishing moves were also removed, ironically keeping the Mercy move, which originally served as a requirement for Animalities in MK3. On the other hand, Brutalities were introduced; a finishing move in which the player attacks their opponent with a series of kicks and punches which result in the victim exploding. At the same time, some changes were actually improvements over the arcade version. Rain and Noob Saibot are made into playable characters for the first time.
According to George Norlin, Isocrates defined rhetoric as outward feeling and inward thought of not merely expression, but reason, feeling, and imagination. Like most who studied rhetoric before and after him, Isocrates believed it was used to persuade ourselves and others, but also used in directing public affairs. Isocrates described rhetoric as "that endowment of our human nature which raises us above mere animality and enables us to live the civilized life." Isocrates unambiguously defined his approach in the treatise Against the Sophists.
With The Kiss of the Octopus he extends once again the imagination of a famous picture and offers his literary equivalence. The present theme of animality in all his books is carried across the engraving to the paroxysm of art and of transgression and found between others. The hallucinosis advantageous of erotic situations also returns in Japanese tradition idealised by Yasunari Kawabata in "The House of the Sleeping Beauties".La belle endormie et la pieuvre géante, Alice Ferney, Le Figaro, 14 janvier 2010.
In the collective book West is the Best, Olivier Roller speaks about his surfing practice, that he compares to photography. Being in the ocean, in the middle of the waves, allows him not to think, just to be present. He describes this practice as "a symbolic vehicle for advancement," and explains that surfing has allowed him "to reach a certain animality" and "reconnects with reality". As in his photographic practice, Olivier Roller explains that he loves the shifting, unpredictable and even disappointing side of the practice.
This is exemplified through the scene of the novel where Archie catches a glimpse of Mariamar and asks who she is, and Hanifa Assula responds that it was no one. Archie replies that he is certain he saw woman, but Hanifa repeats her original response. The theme of humanity vs. animality not only reinforces the oppression of women, but also highlights the consequences of brutal war, as the violence of Kulumani's past war is viewed as the cause of the fading separation between human and beast.
However, if the character is defeated by an uppercut, there is no level change. All of the different styles of finishing moves featured in Mortal Kombat II (Fatalities, including the non-lethal Babality and Friendship moves) return in MK3. Additionally, the rumored Animality, where the character transforms into an animal in order to kill their opponent, is featured for the first time. Another new addition is the Mercy, where the character can give their opponent a small sliver of life if they have won two rounds and are at the "Finish Him/Her" screen.
Once inside, she attempts to help the compound organize, but she is increasingly unable to hold back the animality of the compound. When one ward begins withholding food and demanding that the women of other wards submit to being raped in return for food, she kills the leader of their ward. Once they escape the compound, she helps her group survive in the city. The doctor's wife is the de facto leader of their small group, although in the end, she often serves their disabled needs and acts as a nurse to them.
This cognitive response is in itself irrational, because we cannot transcend the animality of our bodies. Noting how projective disgust has wrongly justified group subordination (mainly of women, Jews, and homosexuals), Nussbaum ultimately discards disgust as a reliable basis of judgment. Nussbaum in 2004 Turning to shame, Nussbaum argues that shame takes too broad a target, attempting to inculcate humiliation on a scope that is too intrusive and limiting on human freedom. Nussbaum sides with John Stuart Mill in narrowing legal concern to acts that cause a distinct and assignable harm.
In Mortal Kombat: Shaolin Monks, there were two versions; one where the victim explodes into pieces upon impact and the original, in which the opponent is torn to pieces upon falling to the ground. In another signature Fatality, he morphs into a large dragon, chomping the upper body of his opponent. This Fatality was turned into an Animality in Mortal Kombat 3 and back into a normal Fatality in Mortal Kombat 4. In the Game Boy and Game Gear versions of Mortal Kombat II, the dragon torches the opponent with fire instead.
Kant states that human willing is either good or evil, it is either one or neither. Human willing is considered good if one's action respects the moral law. There are three incentives in humanity in which we align our willing with, (1) animality, (2) humanity, and (3) personality. Kant's concept of human freedom is characterized by three predisposition of human beings: # Enlists the existential drive for "self-preservation", one's sexual drive for breeding, the being preservation towards their child that is birthed through this breeding, and finally their "social drive" with other humans.
Clement Hawes, following Michel Foucault's interpretation of the 18th century that there was an animality' of madness", believed that Smart emotionally connected with animals because of the "medical stigmatization" he felt at the hands of his fellow man.Hawes 1996 p. 161 Chris Mounsey, agreeing with Hawes's interpretation, believed that Smart's treatment was "a bestializing process and had taught him to hold his tongue and sit out his time as quietly as possible." Contrary to the bestialisation, Allan Ingram argued that Jubilate Agno was "a poetic phenomenon that would have demolished contemporary poetic orthodoxies had it been publishable.
There is nothing analytical about the rationality of justice and benevolence. Human conviction that justice is a virtue and considerations of justice are genuine reasons for action assumes that the kind of rational being we are, namely human beings, is of the first type. There is no reason to think such a rational animality is impossible, and so none to suspect that considerations of justice are frauds. Of course, it might be suggested that this is precisely not the case, that human beings are of the second kind, and thus that the justice and benevolence we esteem are artificial and false.
Marlohe based her performance as Sévérine around the mythological chimera, choosing to emphasize a sense of "dangerousness spreading through [the character]". When asked to define the traits of a Bond girl, she described the role as "a powerful woman with a kind of male charisma and male power" and a "bit of animality". During promotional interviews, Marlohe advocated for the removal of the title of Bond girl, explaining that she aimed to imagine the character as more modern and realistic; she described the Bond girl as "a beautiful concept but it's a concept, and I wanted to create a real human being".
Although the threat to Kulumani seems to at first be physical lions, as the novel develops, it appears that the actual threat to the village may be the violence of the men within it. The initial confusion of whether man or beast is tormenting the village creates a theme of Humanity vs. Animality. Couto further blurs the distinction between the two natures through the language of the novel itself, often describing the actions of the human characters in the same way that one would describe the movements of a serpent or wild cat. This theme is further established by the magical elements of the story.
Animal studies is a recently recognised field in which animals are studied in a variety of cross-disciplinary ways. Scholars who engage in animal studies may be formally trained in a number of diverse fields, including geography, art history, anthropology, biology, film studies, geography, history, psychology, literary studies, museology, philosophy, communication, and sociology. They may engage with questions about literal animals, or about notions of "animality" or "brutality," employing various theoretical perspectives, including feminism, Marxist theory, and queer theory. Using these perspectives, those who engage in animal studies seek to understand both human-animal relations now and in the past, and to understand animals as beings-in-themselves, separate from our knowledge of them.
In Chapter 6 of The Queer Art of Failure, Judith Halberstam focuses more on the specific works of queer theory scholars, and examines works such as "Kung Fu Panda" and "Disney", to push her points forward. The sixth chapter truly encompasses the way animation is a "... rich, technological field for rethinking collectives, transformation identity, animality and post humanity." A few of the large and popular examples she uses to prove her point and argue those of queer theory scholars are comparison of "George W. Bush" to the "Kung Fu Panda", Disney films and cartoons as a form of revolt, and the depth of form in Pixar films, such as Finding Nemo, Monsters, Inc. and A Bug's Life.
Having compared with Jean GionoLe grand cérémonial des mots, Claude Bonnefoy, Les Nouvelles littéraires, 3rd year, issue 2456 21–27 October 1974. for his wild novels linked to elements and to Louis-Ferdinand Céline for his "verbal excess",Dictionnaire des Ecrivains de langue française (Jean-Pierre de Beaumarchais, Daniel Couty et Alain Rey), comparaisons et citation de Jean- Pierre Damour, éditions Larousse, 2001. Grainville distanced himself from this inheritance by a fantastique and dream which impregnates his work: the mythological Amazon (La Diane rousse), return to original animality (The Shadow of the animal), secrets and conspiraciesLes Forteresses noires par Alain Dorémieux, Fiction no. 330 du 1er juin 1982, article relayé le 7 mars 2009 par le site de NooSFere.
The "sententia vocum" was one of the anti-Realist solutions of the problem of universals accepted by the early Middle Ages. Resuming Porphyry's alternative (mox de generibus et speciebus illud quidem sive subsistent sive in nudis intellectibus posita sint) the first medieval philosophers regarded genera and species (substance, corporeity, animality, humanity) either as things or as having no existence, and applying to this alternative a terminology of Boethius, they derived thence either res (things) or voces (words). To the nominalists universals were voces 'voices', which means: (1) above all that universals are not res, that is that only the individual exists: nam cum habeat eorum sententia nihil esse praeter individuum ... (De gener. et spec.
The Loves of the Plants argues that human emotion is rooted in physiology rather than Christian theology. Darwin would take his materialism even further in The Economy of Vegetation and The Temple of Nature, works that have been called atheistic. In describing plants through the language of love and sex, Darwin hoped to convey the idea that humans and human sexuality are simply another part of the natural world. Darwin writes that his poem will reverse Ovid who “did, by art poetic, transmute Men, Women, and even Gods and Goddesses, into trees and Flowers; I have undertaken, by similar art, to restore some of them to their original animality”Quoted in Teute, p.
Călinescu defined Povestea vorbei as "a false collection of folklore, given that Pann does not abide by peasant authenticity, but embellishes popular language with the cultured one, often obtaining an amazing chromatic effect". While commenting on Pann's focus on social developments of his time as "the completely mechanical ease with which current issues are put into verse", Călinescu noted that Hristoitia contained "advices which presume a state of supreme animality". In drawing the latter conclusion, he cited a stanza in which Pann asked people not to touch their genitalia in public. O şezătoare la ţară, believed to be one of Pann's most accomplished works, is written as an epic frame story in verse, and constitutes a satire of life in mid-19th century Wallachia.
Ed Boon, co-creator of the series, found it difficult to lead the development team for Mortal Kombat 4 due to how large the staff had become since the first Mortal Kombat title, with him as the only programmer. Therefore, Todd Allen and Mike Boon (Ed's younger brother) joined as programmers with Boon noting the staff was more than twice its original size. The Midway staff wanted to remove the comical elements from the previous Mortal Kombat titles, so they focused on the making of the Fatalities. On the other hand, the Animality finishing moves from Mortal Kombat 3 were removed since the transformation of a character into an animal was considered to be difficult to make in 3D graphics.
In Darwin's day it was common for clergymen to be naturalists, though scientific findings had already opened up ideas on creation. The established churches (of England and Scotland) and the English universities remained insistent that species were divinely created and man was distinct from the "lower orders", but the Unitarian church rejected this teaching and even proclaimed that the human mind was subject to physical law. Erasmus Darwin went further and his Zoönomia asks "…would it be too bold to imagine that all warm-blooded animals have arisen from one living filament, which the great First Cause endued with animality… possessing the faculty of continuing to improve by its own inherent activity, and of delivering down these improvements by generation to its posterity, world without end!", anticipating Lamarckism.
Upon these three suppositions, theology may proceed along paths that philosophy does not travel. With Royce Auxier holds that doing philosophy does depend upon an act of philosophical faith in the intelligibility to us of the universe, but this requires no idea of divinity, revelation, or the good; it requires only an idea of the whole, of insight into that whole, and of the better and worse, not of good or evil. Auxier defends a pluralistic and culturally embedded ideal of human religious life, holding that ritual, which is found in the animal world in full continuity with the human world, viewed as a version of animality. Auxier argues that myth is superadded to ritual as an independent companion to it, making a second aesthetic level tinged with reflection available to humans who enact rituals.
St. Paul stigmatizes > this especially grave offense: 'It is actually reported that there is > immorality among you...for a man is living with his father's wife....In the > name of the Lord Jesus...you are to deliver this man to Satan for the > destruction of the flesh....' Incest corrupts family relationships and marks > a regression toward animality. 2389 Connected to incest is any sexual abuse > perpetrated by adults on children or adolescents entrusted to their care. > The offense is compounded by the scandalous harm done to the physical and > moral integrity of the young, who will remain scarred by it all their lives; > and the violation of responsibility for their upbringing.Catechism of the > Catholic Church 2388–2389 The Book of Common Prayer of the Anglican Communion allows marriages up to and including first cousins.
The conclusion Foer reaches is that eating animals that come from industrial methods―such as factory farming, industrial fishing, and the like―is bad. Foer notes that most people recognize there is something bad about eating animals, but that people willingly forget this is the case. Part of what is forgotten in this process, Foer argues, is a connection to our own animality. We neglect the parts of us that makes us similar to them―like, for example, the ability to feel or be relieved of pain―and we deny their importance in the constitution of our humanity. As Foer puts it, “what we forget about animals, we begin to forget about ourselves.” What this leads to, Foer argues, is a fairly ambiguous sense of shame―the feeling of shame that arises when memory reminds us of what we have willingly forgotten.
The Nintendo 64 port is based on the Windows PC and PlayStation versions of Mortal Kombat 3 and the Sega Saturn version of Ultimate Mortal Kombat 3. This edition includes 3-on-3 simultaneous battles as an exclusive feature. In this version, like in the arcade, the player begins the game with four credits, but after playing a two-player match, the player earns an extra credit, while in the CD-ROM versions anyone can play for free. Free Play must be unlocked on the N64 version, which also has a more cohesive "Supreme Demonstration" feature (which shows every Fatality, Babality, Friendship, Animality, and Brutality for every character) than the PS or Saturn versions (as the latter versions needed to load the Fatalities and thus cannot show every one in the allotted time). This version only uses music from MK3 and it is played through the system's internal synth, resulting in considerably lower quality than the CD versions.
Erasmus Darwin published his Zoönomia between 1794 and 1796 foreshadowing Lamarck's ideas on evolution, and even suggesting "that all warm-blooded animals have arisen from one living filament, which the great First Cause endued with animality ... possessing the faculty of continuing to improve by its own inherent activity, and of delivering down these improvements by generation to its posterity." Advances in paleontology, led by William Smith, saw the recording of the first fossil records that showed the transmutation of species. Then, Jean-Baptiste Lamarck proposed, in his Philosophie Zoologique of 1809, a theory of evolution, later known as Lamarckism, by which traits that were "needed" were passed on. William Paley (1743–1805) proponent of the Watchmaker analogy, a variant of the teleological argument In 1802, William Paley published Natural TheologyPaley, Wm (1802) Natural Theology in response to naturalists such as Hume, refining the ancient teleological argument (or argument from design) to argue for the existence of God.
His feelings toward her were contradictory from the very beginning; it is suggested that the strong emotional impact she caused in him led him to deep depression. Roudinesco wrote that, for Althusser, Rytmann represented the opposite of himself: she had been in the Resistance while he was remote from the anti-Nazi combat; she was a Jew who carried the stamp of the Holocaust, whereas he, despite his conversion to Marxism, never escaped the formative effect of Catholicism; she suffered from the Stalinism at the very moment when he was joining the party; and, in opposition to his petit-bourgeois background, her childhood was not prosperous — at the age of 13 she became a sexual abuse victim by a family doctor who, in addition, instructed her to give her terminally ill parents a dose of morphine. According to Roudinesco, she embodied for Althusser his "displaced conscience", "pitiless superego", "damned part", "black animality". Althusser considered that Rytmann gave him "a world of solidarity and struggle, a world of reasoned action, ... a world of courage".
305 and promotion of a Traditionalist outlook. Human life is understood as commitment to divine orderAyuso Torres 1998, p. 306 and human identity as spanned between own self and community belonging.de Armas 1965, p. 553, González Cuevas 2016 A man is perceived primarily as a social – not autonomousAyuso Torres 1998, pp. 309-310 – being, expressed mostly by his role in society; similarly, life is about contributing to common good, incompatible with individualism or liberalism.also, Sartre and St. Exupery, Ayuso Torres 1998, p. 306 The society itself is governed by nature, animality and rationality, though religion as a transcendent factor is indispensable element of social equation.Ayuso Torres 1998, p. 307 Such a polity is best expressed as a "society of duties", united by common purpose and religious inspiration.Ayuso Torres 1998, p. 307-8 As he believed a public organization not based on accepted orthodoxy can never be stable, leading to mere co- existence rather than community,Ayuso Torres 1998, p. 308, Bartyzel 2015, p. 95 Gambra advocated public embracement of the doctrineAyuso Torres 1998, p. 307. He opposed the 1967 Ley de la Libertad Religiosa as opening the gates to "penetración protestante y judaica", Juan Antonio Monroy, Un protestante en la España de Franco, Madrid 2015, , page unavailable, see here.

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