I want to discuss the hopes, anguishes and interests of young people.
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Their anguishes are likewise balanced, so you never know where to land your sympathy.
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" He then added, ominously: "It anguishes me to speak with other Saudi friends in Istanbul and London who are also in self-exile.
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Demi Lovato's mother Dianna De La Garza anguishes over how she saw the signs of her daughter's eating disorder, and didn't step in to help.
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The liberal media anguishes over the prospective collapse of ObamaCare, threatened trade wars, saber-rattling from Pyongyang and a gazillion other looming disasters, real and imagined.
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Novelists, whether Wodehouse or Updike, taught me that the best golfer is a contented, quasi-Zen idiot who blissfully ignores the game's myriad mental anguishes: the shorted putts, the drives that hook into the trees — which, when you watch them, make you feel as if you've been kicked in the groin if your groin were in your brain.
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But this custom continues to be practiced, evidence of this being that today el diablo y la diabla continue leaving in the middle of September through the neighborhood of Las Angustias (The Anguishes) in honor of the Virgin.
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While that escape confronts them to their mutual anguishes, Patrick and his children go looking for her. This quest obliges them to explore their own story, their resentments and their unsaids. Vulnerable and infinitely touching, Fabienne reveals herself and confesses little by little her distress to Paul. Several intimate flashbacks define her increasing illness, forcing her to go back to a traumatic episode when she was thirteen.
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God removes Job's protection and gives permission to the angel to take his wealth, his children, and his physical health (but not his life). Despite his difficult circumstances, he does not curse God, but rather curses the day of his birth. And although he anguishes over his plight, he stops short of accusing God of injustice. Job's miserable earthly condition is simply God's will.
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Gaheris later marries the sister of his brother Gareth's wife Lyonors, the haughty damsel Lynette. The Lancelot and the Mort Artu (Death of Arthur) sections of the Lancelot-Grail cycle differ in their characterisation of Gaheris. In the Lancelot, his younger brother Gareth is Gawain's most cherished brother. In the Mort Artu, Gaheris is represented as the most cherished, and his death anguishes Gawain profoundly.
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While she is able to deter Michael from returning, she is ultimately detained. However, when Michael disables Simon, both disappear and Madeline is freed, but she anguishes in the disappearance of her son. In season 4, after former counter intelligence agent Jesse Porter joins the team, he moves in with Madeline. She begins to form a true friendship with Jesse and forms a mother-son like bond with him.
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In the Red Keep, Tommen anguishes over his inability to help Margaery. Cersei offers to speak with the High Sparrow and advocate for Margaery and Loras's release. Cersei first meets with Margaery, but Margaery angrily orders her to leave, aware that she was responsible for imprisoning both her and Loras. Cersei then meets with the High Sparrow, who reveals that Lancel has revealed her sins and has Cersei imprisoned too.
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Searching for the Elephant is a raw, innovative film that portrays the decadent lives of the successful metropolitan in a cynical world. Materialistic dreams and mental anguishes collide as the lives of the three confused friends, and the women surrounding them, spirals out of control. The film is a stylistic psychological study, with its gritty story portrayed with creative images, disjointed cuts and a slick, stylistic camera work and aesthetics. Creating a beautiful contrast to the dark, disturbing story unfolding.
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Lucy anguishes over this revelation, knowing that Schroeder will never agree to it, so she asks Charlie Brown, Snoopy and Pig-Pen for help. Snoopy brings out a set of drums, an acoustic guitar and an upright bass, and as the three start playing with Lucy dancing, Schroeder walks by. Lucy introduces the combo as his backup band for the PTA concert. Schroeder, still thinking he will be doing a recital, insists he can handle it alone, but when Lucy tells him that the PTA wants a rock concert instead, Schroeder backs out.
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Marcus challenges that a demon would know the actual name of the sex act and concludes that Nell is not possessed, but a disturbed and ashamed girl. Nell anguishes over losing her virginity to a boy named Logan, which Louis again rejects. Marcus and the crew meet Logan, who explains that he is homosexual and the only contact he had with Nell was a brief conversation at Manley's house six months ago; the crew realizes Manley was lying about having not seen Nell. They return to the Sweetzer farmhouse, which they find empty and covered with numerous occult and countercultural symbols on its walls.
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Fred gets excited when he discovers a trail of footprints in the cemetery, exclaiming the monster must have ten legs, though Velma anguishes over the fact that they're the gang's footprints, making Shaggy and Scooby freak out at the fact that they've gone around in a large circle. Fred and Velma begin arguing over who had the map, with both saying the other had it last, but Shaggy and Scooby reveal they ate the map with Tabasco sauce due to it being useless to them. Trying to retrace their steps by studying their footprints, Fred tells everyone to remain calm. Velma points out she's calmer than him, and it's revealed Fred is in the middle of a mental breakdown.
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An unguided missile a terror weapon!) But this is NOT a thriller, or an adventure story: it has no moonlight parachute drops into France, no Resistance fighters, Sten guns, or Gestapo, and spies. Nor is the novel a Back-Room Boys exploration of the machinations of wartime Intelligence, and photo reconnaissance – although this is mentioned, as a passing detail (p 14). Instead, like the larger everyday figures in a Breugel landscape, the close focus of the story is the lives, loves, confusions, anguishes and sufferings of civilians in Britain – Laura, her family, her work friends, and other contacts. Yet, in several ways, the novel chronicles the major events of the war, from October 1943 through to the first Christmas of the hard-won peace, in December 1945.
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Erica and Heather Rose (Kim Raver) are identical twins who share a bond that becomes stronger as they grow up. As adults, their lives have had many parallels: They both have successful careers (Erica is an author and teacher and Heather is a doctor) and both are happily married and loving mothers to seven-year-old children. Erica's daughter Sarah (Niamh Wilson) and Heather's son David grow up sharing an equally close bond, but David is struck by a car and dies. Erica anguishes over how she might be able to explain to Sarah that David is dead, but the bond between the two children seems to extend past the grave, as Sarah reveals that David has already told her he is gone.
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They speak briefly, and Hannah tells him for the first time that she had been pregnant, a revelation too much for her to bear herself, and she hangs up, promising to call again. A brief flashback reveals that long after Hannah returned to Berlin, Tomasz returned home to find only his mother, who told him that Czeslav and Magdalena had been sent to a work camp, and (disingenuously) that Hannah had died. Back in 1976, after a wrenching outing of her secret search that anguishes her husband and daughter, Hannah's husband encourages her to go see this man who saved her. Hannah travels to Poland to visit Tomasz, who has a grown daughter of his own and is separated from his wife.
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Diana makes an attempt to impress her spouse by reading books from the lists of The New York Times Book Review, including many forgotten pot- boilers of the 1920s. But O'Neill soon leaves her (as she feared he would when she first met him) for another waitress, Mandy, who enthralls him with her store of literary (but possibly made up) anecdotes. Yogi Johnson has a period during which he anguishes over the fact that he doesn't seem to desire any woman at all, even though spring is approaching, "which turns a young man's fancy to love." At last, he falls in love with an aboriginal American woman who enters a restaurant clothed only in moccasins, the wife of one of the two aboriginal Americans he befriends near the end of the story, in the penultimate chapter.
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Alternatively, the socially-dominant may implement magical realism to disassociate themselves from their "power discourse." Theo D'haen calls this change in perspective "decentering." In his review of Gabriel Garcia Márquez' novel Chronicle of a Death Foretold, Salman Rushdie argues that the formal experiment of magic realism allows political ideas to be expressed in ways that might not be possible through more established literary forms: > "El realismo mágico", magic realism, at least as practised by Márquez, is a > development out of Surrealism that expresses a genuinely "Third World" > consciousness. It deals with what Naipaul has called "half-made" societies, > in which the impossibly old struggles against the appallingly new, in which > public corruptions and private anguishes are somehow more garish and extreme > than they ever get in the so-called "North", where centuries of wealth and > power have formed thick layers over the surface of what's really going on.
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