Whatever her griefs, Ginzburg made a life for herself after Leone's death.
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It is among our griefs that we perished before we could reach it.
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She always knew how to convert the griefs into some sort of beauty.
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I am a birth striker because I carry these griefs like a hot coal on my tongue.
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"Their griefs are transient," Thomas Jefferson wrote of the enslaved black people who lived and worked with him.
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They are startling, and they articulate for you dense intergenerational griefs you hadn't before known you'd been carrying.
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Annie's other hobbies include majestic monologues, in which she lays bare the roots of her grievances and griefs.
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"Corneliani has been like a lover, which has given me joys and griefs, but overall a splendid life," he said.
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Growing up in the 1980s, she grappled with private griefs, like her father's inexplicable disappearance; years later, she considers their ramifications.
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In a universe of reality shows built on mean-spirited competition and petty griefs, the Bee showcases a heartening ethos of support.
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"You have to learn to put those griefs in saran wrap and unwrap them at the end of your shift," Garvin says.
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To rip open old griefs, concerning mothers and grandmothers they never knew, to serve an anniversary they have no wish to commemorate.
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By contrast, "The Ministry of the Utmost Happiness" is about India, the polity, during the past half century or so, and its griefs are national.
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Major events (wars, public ceremonies, assassinations, elections) blend with private joys and griefs, and with offbeat assertions, wild boasts, intimate details and moments of unforced lyricism.
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From these griefs, suffered when she was just beginning to write, Natalia learned that unhappiness, though it feels quite powerful, doesn't always help one write well.
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As Nathalie, Huppert is a marvelous, unpredictable spectrum of a woman, with her griefs and longings mixed in with a sometimes grim, sometimes open-hearted sense of humor.
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But in recent days, the White House and Justice Department have made clear that the review covers the waterfront of the President's lingering griefs about the Russia investigation.
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And as such, it was a death that both contained and exposed ineffable griefs and that made speakable the desire for a better society, for equality, for empathy, for common humanity.
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But she lends herself as a filter to her confidants, and from the murk of their griefs and sorrows, most of which have to do with love, she extracts something clear—a sense of both her own outline and theirs.
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Dense yet airy, with biting diction and dramatic dynamic shadings, the Trinity choir sang a furious "Surely he hath borne our griefs" and an "All we like sheep have gone astray" of rollicking, almost celebratory intensity, egged on by a muscular, unrelenting orchestra.
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Snoopy (Terry McGurrin) and Woodstock (Rob Tinkler) suit up in matching blue NASA jumpsuits, and viewers can expect an infinite number of "good griefs" from Charlie Brown (Ethan Pugiotto) in Snoopy In Space, a kids cartoon series produced by DHX Media and Peanuts Worldwide.
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The result is a narrative, to my knowledge unprecedented, in which the reader observes the life and work of two ordinary men drawn by unwavering passion and driven very nearly insane by the griefs and the hopes bequeathed to each of them by the tumult of an unreasonable time.
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"What a friend we have in Jesus All our sins and griefs to bear What a privilege to carry Everything to God in prayer Oh, what peace we often forfeit Oh what needless pain we bear All because we do not carry Everything to God in prayer "As I listened to the hymn, I realized I had made a terrible and tragic mistake.
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The reflection of the manifesto in Sova's work is the collection (Uprisen Griefs, 1897).
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Nature says,he is my creature, and maugre all his impertinent griefs, he shall be glad with me.
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Certain points, crises, certain feelings, joys, griefs and amazements, when reviewed, must strike us as things wildered and whirling.
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Sorgir ("Sorrows" or "Griefs" in Icelandic) is the fifth full-length album by the Icelandic viking/folk metal band Skálmöld, released on 12 October 2018 via Napalm Records.
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Arjuna griefs for his slain son Iravat. Bhima (25) faces Kaurava brothers and slew 9 more of them, others fled. Drona checks him from proceeding. Ganga's son, Bhagadatta and Gautama resists Arjuna.
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In my craft or sullen art Exercised in the still night When only the moon rages And the lovers lie abed With all their griefs in their arms, I labour by singing light Not for ambition or bread Or the strut and trade of charms On the ivory stages But for the common wages Of their most secret heart. Not for the proud man apart From the raging moon I write On these spindrift pages Nor for the towering dead With their nightingales and psalms But for the lovers, their arms Round the griefs of the ages, Who pay no praise or wages Nor heed my craft or art.
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However, her plans to complete the quest are interrupted when her granddaughter Cassandra comes to stay "temporarily," a stay that becomes permanent. In the end it is Cassandra, haunted by her own griefs, who in 2005 follows in Nell's footsteps to finish the journey of discovery and fit together all the missing pieces.
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Approximately a century later, Vincent brings the reincarnated Oz and Alice to Gilbert before dying in his brother's arms. Gilbert and Oz both begin crying upon seeing each other for the first time in a hundred years, and Gilbert happily welcomes him and Alice back, essentially dealing with his past griefs and remorse.
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"Hard Luck Blues" is a 1950 song by Roy Brown and His Mighty-Mighty Men. The single, backed by The Griffin Brothers Orchestra, was the most successful on Brown's career, reaching the number-one spot on the US Billboard R&B; chart. "Hard Luck Blues" reflected the ritual expression of inward griefs.
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Located to the rear of the new building, the foundry manufactured "iron pots in all shapes" as well as everything from nails and bullets to ship anchors. Some of its products was exported to both the East and West Indies. Potter experienced deep personal griefs while he lived at the building, losing two wives.
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See also Clark Carlton. The Faith: Understanding Orthodox Christianity – An Orthodox Catechism (Salisbury, MA) Regina Orthodox Press, 1997. 139–146. The Orthodox Church further teaches that a person abides in Christ and makes his salvation sure not only by works of love, but also by his patient suffering of various griefs, illnesses, misfortunes and failures.
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Prejudice, power, and poverty in Haiti: A study of a nation's culture as seen through its proverbs. Proverbium 16:325-350. Similarly, there is a recent Maltese proverb, wil-muturi, ferh u duluri "Women and motorcycles are joys and griefs"; the proverb is clearly new, but still formed as a traditional style couplet with rhyme.p. 125.
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This notion of a constant subterranean murmuring of dissatisfaction may be seen as analogous to the Buddha's definition of Dukkha. When a loved one dies, or indeed when our own death approaches, the intensity of the loss often renders our defenses ineffective and we are swept up by a deluge of griefs, both old and new.
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At the same time we may hope and wish that these interior griefs may be diminished or made to disappear, and we may pray God to deliver us from them, but if all our efforts are in vain, and God permits the desolation to continue, it only remains to resign ourselves generously to His Divine Will.
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Because the Manzanita Band is one of the Kumeyaay band of Indians, their culture has everything to do with the Kumeyaays. For example, Kumeyaay customs are passed through generations and they gather in both times of celebration and griefs. Kumeyaay Culture deals a lot with songs. Song showed them how to survive and contains the collective wisdom of the Kumeyaay.
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The late Sailaja Acharya visited the people and understood their griefs and proposed to shift it next to Sagoontol near Jutpani VDC. This was a very difficult task to accomplish successfully. People from the Western Chitwan were stood against it but government took bold decision in favour of people of Padampur. Now it is about east to Bharatpur, district headquarters of Chitwan.
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Jack and Chris pled to the local district officer, Tshombe, to evacuate everyone in Namanga to Nairobi, but Tshombe dismisses them. Jack then travels to Nairobi to find someone who can eradicate the baboons, but is also dismissed. Lucille, Claud's wife, griefs over his death and plans to leave Kenya. Meanwhile, two electricians tries to fix a broken telephone line.
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The primary document from the Second Vatican Council concerning social teachings is Gaudium et spes, the "Pastoral Constitution on the Church and the Modern World", which is considered one of the chief accomplishments of the Council. Unlike earlier documents, this is an expression of all the bishops, and covers a wide range of issues of the relationship of social concerns and Christian action. At its core, the document asserts the fundamental dignity of each human being, and declares the church's solidarity with both those who suffer, and those who would comfort the suffering: > The joys and the hopes, the griefs and the anxieties of the people of this > age, especially those who are poor or in any way afflicted, these are the > joys and hopes, the griefs and anxieties of the followers of Christ.Gaudium > et spes § 1.
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The Armenian lullaby is significant for its historical, cultural, and linguistic aspect beyond its purpose of comfort and serving as a bridge to sleep. Influenced in part by their region of origin, Armenian lullabies are characterized by a lightness in melody and the rhythm of simple, repeated phrases that mimic the sound of the rocking cradle. Often, the lyrics also reflect the mother’s griefs and concerns.
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2002's Dual Mono came after the departure of Olive and McKinney and included guitarist and vocalist Eric Stein, currently guitarist and vocalist of The Griefs. By 2003, the band was down to Fox, Lawrence, and Keeler. 2005 saw the release of East Grand Blues, an EP for V2 Records, which was produced by Detroit musician Brendan Benson. It was quickly followed by the compilation Sewed Soles.
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HMC Salisbury Hatfield, vol. 15 (London, 1930), p. 384. On 24 April 1604 with Lancelot Browne he recommended the waters at Spa in Belgium to Henry Jerningham senior of Costessey for "all such griefs as he does complain of, namely the rheum, vertigo, convulsions, palsye, melancholia, hypochondriaca, obstructions, and the stone". This prescription was used by Jerningham to obtain a licence to travel abroad for his health.
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John Berger said of this work: > In these memorable images, in these images that refuse to be forgotten, go > very close to the griefs being inflicted – they are still-lifes of grief, > and, at the same time includes the time-scale of the mountain. They are the > opposite of news flashes. They are full of history's irony, fury and anger > at the mistakes made in its name.
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Three Griefs After burying Gar, Edgar and Trudy decide to keep the family business running, despite the new workload. However, shortly after beginning to adjust to Gar's death, Trudy catches pneumonia and Edgar attempts to carry on the work without her. With his mother sick, Edgar begins to fall out of the routine. He falls asleep in the barn one evening and wakes to realize it is now night.
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However, this socially advantageous exchange left, for the baroness, much to be desired. Despite being materially pleased she was romantically unsatisfied. Her "earliest griefs arose from the fact, that, in her youthful inexperience, having chosen with her head, she expected at the same time to satisfy the longings of a singularly romantic heart". First she would pretend that her husband was something that he was not: a lover.
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According to Zeitz, "Roosevelt's accidental ascendance to the presidency made John Hay an essential anachronism ... the wise elder statesman and senior member of the cabinet, he was indispensable to TR, who even today remains the youngest president ever". The deaths of his son and of McKinley were not the only griefs Hay suffered in 1901—on September 26, John Nicolay died after a long illness, as did Hay's close friend Clarence King on Christmas Eve.
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The story begins in 1881 when the Reverend David Lyall brings his new wife from the city to his rural manse expecting to stay only a year. Twenty-five years and three grown children later, David is still the spiritual leader of the Calvinist congregation. The plot explores the small joys and quiet griefs of a minister's life as well as what happens when a wealthy young man falls in love with the minister's daughter.
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The word has several meanings: (1) a harp; (2) a hand with fingers bent; (3) anything crooked or bent; (4) the talon of a bird or claws of a wild animal; (5) a person crippled in hand or foot.ٔF. J. Steingass (1892), A Comprehensive Persian-English Dictionary, p. 400. Kazimirski translates (literally, a stone) as "the stone which weighs on the heart" and "the burden of his griefs ()".Kazimirski (1886), p. 361.
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" As Esther wrote to Sarah in 1754, "I esteem you one of the best, and in some respects nearer than any Sister I have." Esther Edwards Burr died on April 7, 1758. Sarah Prince was nearly inconsolable. “My whole dependance for Comfort in this World [is] gone,” Sarah wrote in her personal book of meditations. Esther “was dear to me as the Apple of my Eye- she knew and felt all my griefs..." Prince also corresponded with Catharine Macaulay.
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Silhouette of John Antes John Antes (1740 – 17 December 1811) was the first American Moravian Missionary to travel and work in Egypt, one of the earliest American-born chamber music composers, and the maker of perhaps the earliest surviving bowed string instrument made in America. Although Antes is often recognized for his choral works, such as Go Congregation Go! and Surely he has Bourne our Griefs, the mystery surrounding the creation of his "six Quartettos" is also well known.
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Antes is well known for his vocal works, the two most famous anthems being Go, Congregation, Go! and Surely He Hath Bourne Our Griefs. It seems likely that Antes wrote most of his vocal pieces while working at the Fulneck Moravian settlement. Most of his anthems use an English text, which support this idea, and the anthems that use German text were possibly written while he was in Neuwied, Germany the years before moving to Fulneck.
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Yudhishthira griefs for loss of his kinsmen and especially for his eldest brother. He says that for gaining kingdom, unwittingly, he caused that brother of his to be slain, for that his heart is burning exceedingly. He says that if he had both Karna and Arjuna for aiding him, he could have vanquished the gods himself. He asks Narada who was acquainted with everything of world, the cause for car wheel stuck and curses on his brother.
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On January 21, 2011, Archbishop Emeritus Oscar V. Cruz posted a blog on his blogspot stating his views on the Walang Natira. According to him, > the song generally has likable tunes, and was pleasing to listen to — but at > the same time it proclaimed the heartaches and griefs of Filipinos working > abroad. He divided his viewpoints into four categories: the message of the song, complaints of the song, some heartaches of the song, and certain reservations of the song.
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The mirror scene is the final end to the dual personality. After examining his plain physical appearance, Richard shatters the mirror on the ground and thus relinquishes his past and present as king. Stripped of his former glory, Richard finally releases his body politic and retires to his body natural and his own inner thoughts and griefs. Critic J. Dover Wilson notes that Richard's double nature as man and martyr is the dilemma that runs through the play eventually leading to Richard's death.
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As a matter of fact, online platforms and social media services altered the old definition of friendship. Indeed, friendship "redoubleth joys, and cutteth griefs in halves" as stated by Francis Bacon. However, nowadays we see that Facebook friends, for instance, encourage negative feelings, such as envy, revenge and sadness. When it comes to friendship, we can wonder whether friendship on online platforms is a real form of friendship, or it is just a sort of metaphor to compensate for social communication problems.
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Hearing these painful words of their mother, the Pandavas began to express their grief for Karna. Copiously indulging in lamentations like these, king Yudhishthira the just uttered loud wails of woe, then offered oblations of water unto his deceased brother. All the ladies then griefs with loud wails and king Yudhishthira, then caused the wives and members of Karna's family to be brought before him. Having finished the ceremony, the king, with his senses exceedingly agitated, rose from the waters of Ganga.
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Illustration by Henry Justice Ford from Andrew Lang's Fairy Books A queen told an old woman that she had two griefs: a new one, that her husband was at war, and an old one, that they had no children. She gave her a basket with an egg: the queen was to put it somewhere warm. In three months, it would break and let out a doll. She was to let it alone, and then it would become a baby girl.
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Sonnet 90 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form, ABAB CDCD EFEF GG, and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 10th line exemplifies a regular iambic pentameter: × / × / × / × / × / When other petty griefs have done their spite, (90.10) Lines 5 and 7 have a final extrametrical syllable or feminine ending.
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9 The grant did not meet all of his needs. He worked during most of college, and, for a while, gave up, trying to enlist in the Romanian Land Forces, or concentrating on writing his novel Brazi și putregai ("Fir Trees and Rot"). Xenopol made his debut as a novelist and a realist writer with the humorous work Păsurile unui american în România ("The Griefs of an American in Romania"), serialized by Junimeas Convorbiri Literare journal from late 1879 to mid 1880.
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In a fragile condition Kilmaine left Switzerland and returned to Passy in Paris, where his domestic griefs and chagrins added to the poignancy of his bodily sufferings, for his constitution was now completely broken up. He died of dysentery on 11 December 1799, at the age of 48. He was interred with all the honors due to his rank and immense bravery, and a noble monument was erected in his memory. He had surely been the greatest of officers of all The Wild Geese.
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To Thierry belongs the credit for inaugurating in France the really critical study of the communal institutions. The last years of his life were clouded by domestic griefs and by illness. In 1844 he lost his wife, Julie de Querengal, who had been a capable and devoted collaborator in his studies. The Revolution of 1848 inflicted on him a final blow by overturning the regime of the Liberal bourgeoisie, whose triumph he had hailed and justified as the necessary outcome of the whole course of French history.
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It was copied almost word for word from the Declaration of the Rights of Man, but applied to women. A booklet "Griefs et plaintes des femmes mal mariées" placed criticism on marriage laws oppressing women into submission to their male counterpart and demanded the legalization of divorce. In the sector of Bourgeoises, Madame Etta Palm van Aelder was a leading figure in fighting to women's rights. She demanded for the equal right to an education, political freedom, divorce and legality of women of age 21 and over.
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After four months of service with Swiss, this goal seems to have been met based on only three aircraft and 1,500 hours flown; "nuisance messages" from the integrated avionics suite and the PW1000G start-up delays have been the main griefs. Dispatch reliability rates of 99% were met in April 2017. A year after introduction, launch operators had fewer issues than expected for a new program. Air Baltic have 99.3–99.4% dispatch reliability, similar to the established Q400 but less than the 99.8% Boeing 737 Classic benefiting from its ubiquitous presence.
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Believing that he defeated Alice and Cyrus, Nyx, angered that he stole her waters without her permission, curses Jafar into a genie and his genie bottle is scattered to another realm. Once Jafar is defeated, his wrongdoings are undone; Will, Taj, and Rafi is freed from their genie imprisonment, and Anastasia remains dead. However, Nyx believes that while the Red Queen was meant to move on, Anastasia's path lives on and instead she gifts Alice and Cyrus her waters to awake Anastasia. Will, upon Anastasia dying again, griefs her death once again.
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In 1807, weakened by gard work and personal griefs (the death of several children), he left Copenhagen for Neuchâtel where he stayed for two and a half years. He brough an extensive collection of machines and instruments back to Denmark which was the largest of its kind in the country. He was accompanied by a team of Swiss watchmakers which replaced his poorly trained Danish employees. In Geneva, he had been able to study the art of perforating precious stones, a technique which had for many years been kept secret.
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These "frivolous nothings which fill up the void of human life" (p. 67) divert attention and help us forget problems, reconciling us as with a lost friend. The opposite is true for grief, with small grief triggering no sympathy in the impartial spectator, but large grief with much sympathy. Small griefs are likely, and appropriately, turned into joke and mockery by the sufferer, as the sufferer knows how complaining about small grievances to the impartial spectator will evoke ridicule in the heart of the spectator, and thus the sufferer sympathizes with this, mocking himself to some degree.
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The phrase translated into English as "Man of Sorrows" ("", ’îš maḵ’ōḇōṯ in the Hebrew Bible, vir dolōrum in the Vulgate, in German Schmerzensmann) occurs at verse 3 (in Isaiah 53): > 3) He is despised and rejected of men, a Man of sorrows, and acquainted with > grief. And we hid as it were our faces from Him; He was despised, and we > esteemed Him not. 4) Surely He hath borne our griefs and carried our > sorrows; yet we did esteem Him stricken, smitten of God, and afflicted. 5) > But He was wounded for our transgressions; He was bruised for our > iniquities.
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She also wrote Every-day (1861) as a guide to proper child-raising, warning parents against mistreating any one of their children or showing favoritism, which leads to bad effects later in life. Emilia states, "Time softens all things: but speak in grown age to one who has passed through a neglected and an unjust childhood, and you will find that the more tangible sorrows of later years have not made so deep an impression as the remembrance of those first half-intelligible griefs."Emilia Marryat Norris, Every-day. Wertheim, Macintosh, and Hunt, 1861, p. 11.
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The Black Death pandemic killed many of his friends, including his former patron and master Cardinal Stefano Colonna the Elder in 1348. In the revised version of his epic poem he makes references to his close friend king Robert of Naples (Book 9, 423-427). He portrays the concept that because of king Robert's death in 1343 that all hope is lost for a continuation of a renaissance that was initiated at the coronation sponsored by the king. Petrarch griefs over the momentum king Robert initiated for a "rebirth" of cultural values that is now lost.
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Like its precursor volume, Dream Days received strong approval from the literary critics of the day. In the decades since, the book has perhaps suffered a reputation as a thinner and weaker sequel to The Golden Age—except for its single hit story. In one modern estimation, both books "paint a convincingly unsentimental picture of childhood, with the adults in these sketches totally out of touch with the real concerns of the young people around them, including their griefs and rages."Doris Lessing and Ian Ousby, The Cambridge Guide to Literature in English, Cambridge, Cambridge University Press, 1993; p. 385.
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Ranelid tells his stories in a non-linear fashion, and the narrator travels in time as the plot goes on. From Birmingham, Alabama, to the jungle in Vietnam to the isles of Stockholm, the story tells more of the human nature than of the murder, and spans over almost the entire adult life of Saxon. The novel covers both an ant's view of political history since the sixties and a deeply philosophical introspective of what values really matter in life. Ranelid paints a portrait of a man who has both inflicted and suffered loss and who with time surmounts his griefs with the help of love and care.
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"Fleming, G.H., John Everett Millais: A Biography, 1998, Constable, p.158 The Book of Leviticus describes a "scapegoat" which must be ritually expelled from the flocks of the Israelite tribes as part of a sacrificial ritual of cleansing. In line with traditional Christian theology, Hunt believed that the scapegoat was a prototype for the redemptive sacrifice of Jesus, and that the goat represented that aspect of the Messiah described in Isaiah as a "suffering servant" of God. Hunt had the picture framed with the quotations "Surely he hath borne our Griefs and carried our Sorrows; Yet we did esteem him stricken, smitten of GOD and afflicted.
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For a heart so feeling as yours this was the severest of trials, > and nothing but time can bring consolation under circumstances so > afflicting. Strength of mind in enfeebled by griefs of this nature; but, my > friend, one ought not to suffer it to be entirely extinguished, for it is > the duty of a sensible man to cherish the heavenly fire with which we are > endowed by Providence. Despite moral philosophy I weep with you, and glory > in the human weakness of mingling my tears with those of a friend I so > tenderly love. My dear Charles ought, ere this, to have received my answer > to the touching letter he wrote.
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Lady Russell consults him on the appointment of a chaplain, the education of her children, the marriage of her daughter, and, above all, her own griefs upon the execution of Lord William Russell, whom Fitzwilliam had attended before his execution, and at whose trial he was one of the witnesses for the defence. She expresses the deepest reverence for his character, and the utmost value for his counsel. After the Revolution she strove in vain to convince him that he 'might honestly submit to the present government.' Fitzwilliam's replies to her arguments show the conscientious and unselfish character of the man, and also give some insight into his life.
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Moreouer we find it thus in Record. Later, in "The Argument" to the Testament of Love, Speght adds: ::Chaucer did compile this booke as a comfort to himselfe after great griefs conceiued for some rash attempts of the commons, with whome he had ioyned, and thereby was in feare to loose the fauour of his best friends. Speght is also the source of the famous tale of Chaucer being fined for beating a Franciscan friar in Fleet Street, as well as a fictitious coat of arms and family tree. Ironically – and perhaps consciously so – an introductory, apologetic letter in Speght's edition from Francis Beaumont defends the unseemly, "low", and bawdy bits in Chaucer from an elite, classicist position.
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After retiring from Parliament, Cromwell resided at King’s Lynn, Norfolk, making his will on 17 Feb. 1610. Cromwell requested that no "pomp or sumptuousness" be used at his funeral, "being not willing to have vanities continued for me after my death, whereto I have been too much subject in my lifetime." He died between February 1610 and April 1611, leaving money and property to his wife "who has always been a most loving wife... and hath besides endured many griefs and sorrows for my sake", to his children, subject to their good behaviour and money to the poor of Great Risborough, Norfolk, and to the poor of the parish where he died.
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Then comes Sushmita Sen who is also a regular visitor to the park and tries to share her own griefs (although most of the conversations are inaudible to the audience). At the end of the conversation, Anjan gives only one statement 'Love Yourself' and leaves. Later that day Anjan goes to a restaurant and cuts his birthday cake alone, eating it and spreading the cream all over his face (all of these he did in such a way as if he was not actually doing this, as if he were seating with his imaginary girlfriend, wife or live-in-partner). At night, he is being shown as a drunk who has just returned after spending the whole day outside.
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All Heraclitus' tears, all threnodies And plaintive dirges of Simonides, All keens and slow airs in the world, all griefs, Wrung hands, wet eyes, laments and epitaphs, All, all assemble, come from every quarter, Help me to mourn my small girl, my dear daughter, Whom cruel Death tore up with such wild force Out of my life, it left me no recourse. So the snake, when he finds a hidden nest Of fledgling nightingales, rears and strikes fast Repeatedly, while the poor mother bird Tries to distract him with a fierce, absurd Fluttering — but in vain! the venomous tongue Darts, and she must retreat on ruffled wing. "You weep in vain," my friends will say.
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Imperial commerce was growing in the eighteenth century, and Thorowgood describes this phenomenon as a circulation throughout the world. For example, he tells Trueman in act three that he should study trade because he can learn "how it promotes humanity as it has opened and yet keeps up an intercourse between nations far remote from one another in situation, customs, and religion"(Act III, scene i). Key moments of the play, such as the bond between Barnwell and Trueman in act five, are put into the language of exchange. Barnwell describes their union as an "intercourse of woe" instructing Trueman to "pour all your griefs into my breast and in exchange take mine" (Act V, scene ii).
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Linda Woodbridge, reviewing Michael Best's edition of The English Housewife, describes it as a splendid modern text. She describes the maladies for which Markham proposed remedies as "some picturesque, some desperate", as they included "stinking breath which cometh from the stomach", "pimpled or red-saucy face", "griefs in the stomach", "desperate yellow jaundice", "pissing in bed", "falling of the fundament", and "privy parts burned". The remedies make use of "curatives as homely as parsley, as exotic as dried stag's pizzle. She notes that in the two parts of Countrey Contentments, Markham expected the country gentlemen to lead a purely recreational life, the country gentlewoman to have "one long round of unremitting hard work.
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Diary of Samuel Pepys 22 November 1660 She took up residence once more at Somerset House, supported by a generous pension. The restoration year 1660 was also one of many private griefs for Henrietta. Her return had been partially prompted by concern for the welfare of her second son James, who had been in a liaison with Lady Anne Hyde, the daughter of the Earl of Clarendon – Anne had revealed that she was pregnant, and the prince had made known his desire to marry her. Henrietta, who was in the Hague at that time, was horrified; she still disliked Clarendon, and she had no reason to think well of the pregnant Anne, and she certainly did not want the courtier's daughter to marry her son.
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Several criticisms of the Iranian authorities were made in December 2019 by members of the Islamic Consultative Assembly, the Iranian parliament. On 9 December 2019, Parvaneh Salahshouri, a female member of the parliament spoke against the country's top officials accusing them of not understanding the griefs of the low-income people and ignoring the deep-seated glitches of the country. On 10 December 2019, Ali Motahari, a member of Iran's parliament spoke out against the policies of the Supreme Leader and that entities under Khamenei's control have created a stalemate in the parliament. In return another hardliner has asked the Guardian Council to disqualify Motahari as a candidate for the upcoming elections for his "accuses the Supreme Leader in the gasoline issue".
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When for their good, the Lord of the celestials begged of him his natural coat of mail and ear-rings, stupefied he gave away those precious possessions. Deprived of his armor and ear-rings, in consequence of Brahmana's curse as also of the illustrious Rama, of the boon granted to Kunti, of illusion practised on him by Indra, of his depreciation by Bhishma as only half a car-warrior, of destruction of his energy caused by Shalya keen speeches, of Vasudeva's policy, and lastly of the celestial weapons given to Arjuna of Rudra, Indra, Yama, Varuna, Kuvera, Drona and Kripa, with these the wielder of Gandiva succeeded in slaying, that tiger among men, Vikartana's son Karna, of effulgence like that of sun. Having said these words, the celestial Rishi Narada became silent. Yudhishthira griefs, shedding copious tears and Kunti consoles him.
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In the dramas, three aspects of the Biblical narratives are retold through three events from the history of Preston, with the story of Pontius Pilate being related to the events of the Preston Strike of 1842, the story of Mary, the mother of Jesus related to the experiences of a local soldier in the First World War, and that of Jesus being to related the sacrifice of a local school-girl caring for her younger siblings. Singer Jamelia sang in the finale, replacing Heather Small who had to withdraw because of illness. The hymns and songs were sung by a large choir made up from parishes in and around Preston and UCLAN Chamber Choir. The pieces included William Horsley's There is a Green Hill Far Away, Jerusalem, Surely He Hath Borne Our Griefs (from Handel's Messiah), When I Survey the Wondrous Cross, Were You There and You've Got the Love.
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Great Isaiah Scroll, found at Qumran and dated to the 2nd century BCE The book emphasized the role played in the formation of the figure of Jesus by the Old Testament character of The Suffering Servant in Isaiah 53, Jeremiah, Job, Zechariah, Ezechiel, etc. especially as presented in the Greek version of the Septuagint. Isaiah 52:13 – 53:12 ESV tells the story of the human scapegoat who, on God's will, is turned into an innocent lamb offered for sacrifice: > 3 He was despised and rejected by men; a man of sorrows, and acquainted with > grief;... 4 Surely he has borne our griefs and carried our sorrows; yet we > esteemed him stricken, smitten by God, and afflicted. 5 But he was pierced > for our transgressions; he was crushed for our iniquities; upon him was the > chastisement that brought us peace, and with his wounds we are healed.
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In order to concentrate the whole prophecies of the Book of > Revelation upon the period of the destruction of Jerusalem it was needful to > assume this book to have been written prior to that event, although the > earliest ecclesiastical historians agree that John was banished to the isle > of Patmos, where the book was written, by Domitian, who reigned after Titus, > by whom Jerusalem was destroyed. Apart from this consideration, the > compression of all the Apocalyptic visions and prophecies into so narrow a > space requires more ingenuity and strength than that of men and angels > combined. Too much stress is laid upon such phrases as 'The time is at > hand,' 'Behold I come quickly,' whereas many prophecies of Scripture are > delivered as present or past, as 'unto us a child is born,' etc., and > 'Surely he hath borne our griefs, and carried our sorrows.
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They are more ardent after their > female: but love seems with them to be more an eager desire, than a tender > delicate mixture of sentiment and sensation. Their griefs are transient. > Those numberless afflictions, which render it doubtful whether heaven has > given life to us in mercy or in wrath, are less felt, and sooner forgotten > with them. In general, their existence appears to participate more of > sensation than reflection... Comparing them by their faculties of memory, > reason, and imagination, it appears to me, that in memory they are equal to > the whites; in reason much inferior, as I think one [black] could scarcely > be found capable of tracing and comprehending the investigations of Euclid; > and that in imagination they are dull, tasteless, and anomalous... I advance > it therefore as a suspicion only, that the blacks, whether originally a > distinct race, or made distinct by time and circumstances, are inferior to > the whites in the endowments both of body and mind.
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Not long after the couple arrived to a relatively low-key welcome in the South Australian capital, Adelaide, in June 1873,Yorke's Peninsula Advertiser and Miners' News, 10 June 1873, page 2 Lucinda Musgrave publicly outlined her vision for her vice-regal role. In a speech delivered at her insistence on her behalf by Musgrave, she expressed her determination to join not only the “social pleasures and duties” of being the Governor’s wife, but also “the sorrows and griefs” of the community in which she was living. The speech came after she had laid the foundation stone for “cottage homes for the aged poor” in North Adelaide. Notably, she made no mention of Aboriginal South Australians, instead stressing the worthiness of an institution set up to help elderly colonists from Britain who had “endured hardships and privations” as “early settlers”.South Australian Register, 28 October 1873, pages 6-7 Lucinda had already become the patroness of Adelaide’s Orphan Home, which trained orphaned girls to be domestic workers.
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While Star Chamber developed gradually over time, Castle Chamber was established by a special commission under the privy seal of Queen Elizabeth I in June 1571. Due to the ineffectiveness of the regular Irish courts in dealing with serious crime, the establishment of a separate Star Chamber jurisdiction in Ireland was a reform which had been proposed by successive Lord Deputies, notably Sir Henry Sidney, who in the months before his recall to England at the end of his first term as Lord Deputy, helped to draw up the plans for the new court. In time this project gained the support of the leading minister William Cecil, 1st Baron Burghley, and of the Queen herself. In the Queen's own words: to the intent that such pernicious evils and griefs shall not escape without just and due correction, we have thought it meet to appoint that a particular court for the hearing and determination of those detestable enormities faults and offences shall be holden within the castle of Dublin.
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The Church, the State, the Camp and Bar, with varied voice attest, That whereso'er bright honour calls, her sons are with the best. 3\. As on her walls we read the names renowned in former days, With beating hearts we vow to match their daring and their praise; For who would care through time to drift with dull and drowsy face, Unworthy of his faith and name, his father and his race. 4\. Though scattered far we seldom meet the friends our boyhood knew, Old joys and griefs in memory dwell, toned down to sober hue, And as some well remembered name grows great, we glow with pride, To think that in our youthful days, we struggled at his side. 5\. And when at last old age is ours and manhood's strength has fled, And young ambition's fire is cold and earthly hopes lie dead; We feel our boyhood's thrill once more and think its just life's morn, And keep a niche within our hearts for Prince of Wales, Kingtom.
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And views its circling current sweep, In constant journey, to the deep; Emblem of man, whose ceaseless wave Is rolled to that dark gulf, the grave! When starry evening pours her ray, And mellows all the landscape gay; These bowers so formed by nature's care, Receive the constant, plighted pair, Whose hearts are one, by feeling blent; Whose souls (entwined each ligament) Have breathed that vow which, heard on high, E'en angels witness in the sky:- Elate with joy, with rapture warm, They gather every passing charm; And o'er the future, spread each flower Which hope can cull from fancy's bower; And fondly view their years bestrewed With roseate bliss and halcyon good. Ah! Reckless they what griefs assail, When bleak misfortune blows her gale:- Affections crushed by wasting Death, The eye bedimmed, and gasped the breath; Beauty's bright form to dust returned, And life's fond hopes with her enurned; A solitary mourner's tread Is heard o'er mansions of the dead; The sad spectator of mankind, Who lives without one joy behind. But see, a gayer scene inspires, Where love illumes his brightest fires; And keener points his polished dart, To carry captive all the heart.
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