Her stirring, often youthfully defiant debut was nominated for a Mercury Prize Award.
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He's tall — 6-foot-3 — without being gangly; youthfully impulsive without being immature; and lyrically supportive as a partner.
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If the young Celeste was preternaturally mature, this later model is youthfully brattish, like a parody of a spoiled adolescent.
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While still youthfully ignorant to the doll's tribal significance, it was easy to invest this cryptic hand-held totem with my own.
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If Walker seems to have an intellectualized, conflicted relationship to her fame—again, she'd mostly rather watch us—Marcopoulos is youthfully gregarious.
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Youthfully incredulous that such things still existed, I read through the online event listings—but none of them mentioned the no-women rule.
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We got to be two petty hot messes, together, young and new to the world, filled with the youthfully egotistical belief that the universe would be as we made it.
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The victory was even more impressive because the Wolves were youthfully imperfect—there were bungled layups, careless turnovers, and a dubious charge call that erased a potential three-point play.
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She was pretty well camouflaged for her outing in a well-worn plaid J. Crew shirt and Bottega Veneta black leather jacket, her garb a kind of youthfully understated urban armor.
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More than two decades prior to that controversial opera, Turnage composed his breakthrough theatrical work: the youthfully punkish "Greek," which updates Sophocles's tale of Oedipus Rex to a gritty 1980s London.
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Youthfully energetic despite his grey streaks, punchily ambitious (he boxes to keep fit) and hyperactive, Mr Khan—who even talks too fast, slamming one word into another—may just be the real deal.
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And would all those old people cease to consider themselves elderly, retaining youthfully vigorous mental attitudes as well as physical ones—or instead make society more conservative (because old people tend to be)?
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How can you tell your child that bullying doesn't work, when it's exactly what the new president did to get his job, not in some distant youthfully indiscreet past but as a fundamental 2016 campaign strategy?
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Surrounded by vibrant colors and surreal imagery, the blue-haired pop star is both warm and standoffish, both youthfully joyful and starkly intimidating — not so much sliding between extremes and binaries as she is rejecting them completely.
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Nikki Delhomme, the costume designer, purposefully dresses Carlotta a bit too youthfully in a lemon-colored frock and sparkling heels, and Ms. Robins's elaborate makeup, combined with the outfit, suggests how much Carlotta tries to disguise her age.
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Ming Peiffer's new play "Usual Girls," at Roundabout Theater Company, has almost nothing to do with sports, yet it feels very much of the same youthfully female-centric world, and its ribald, raucous comedy is similarly embedded with pain.
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Don José has been one of the tenor Roberto Alagna's best Met roles, and he sounded youthfully inflamed on Wednesday, stronger than when he opened the company's season with a painfully unsteady performance of "Samson et Dalila" in September.
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"I'd certainly prefer to make people happy than sad") and as specific as her most recent fashion purchases (a skunk jacket is "so youthfully smart this season for girls my age," she was quoted as saying in The Boston Globe the same year).
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When Renfro was cast in The Client from a pool of 5,000 kids as Mark Sway — a foul-mouthed delinquent from a Tennessee trailer park — he was a 10-year-old from Knoxville with the same floppy bangs and youthfully handsome face of so many other popular child actors of the 1990s who funneled through Nickelodeon and Disney Channel shows.
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That Mr. Huston, in a rare stage appearance, is the son of the actor-director John Huston, who was in the venerable cast of "Chinatown," adds to the hall-of-mirrors-like quality to a play that affords the actress Heather Burns her own moment or two as a youthfully androgynous Evans; elsewhere, Ms. Burns shifts as necessary to play Mia Farrow and Ali MacGraw, the second of whom is the mother of Mr. Evans's son, Josh.
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A happy little boy, youthfully sprightful, the bright and serene soul visible through his skin.
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Arnold seems youthfully conflicted about his role and task,Hill, Lizzy. "Two Worlds for Tulku." The Coast. September 24, 2009.
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It's youthfully floral, the smooth tannins edged with classic nebbiolo tarriness, here refined into chocolate, but not emasculated by sweetness.
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On one occasion, she thought that a colored candle was a popsicle. Yukari is often mistaken for Miyuki's "big sister", rather than mother proper, due to her youthfully cuddly appearance, which, combined with her adorably cheerful personality and endearing clumsiness, has resulted in her being regarded as moe, a trait not common for women in anime in their thirties.
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In keeping with a storied tradition of rock songs, these lyrics equate love with the surrendering of a woman's virtue. The protagonist promises to prove his love all night, a vow that can be seen as either opportunistic or youthfully optimistic, depending on one's point of view. Thus it can be experienced as either humorous or sincere. Lyrically the song is similar to other Springsteen numbers such as "Rosalita (Come Out Tonight)" and "Thunder Road".
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Henry Senior rescues his son from falling to his death when reaching for the fallen Grail, telling him to "let it go," overcoming his mercenary nature. The Young Indiana Jones Chronicles explains how Indiana becomes solitary and less idealistic following his service in World War I. In Indiana Jones and the Kingdom of the Crystal Skull, Jones is older and wiser, whereas his sidekicks Mutt and Mac are youthfully, arrogant, and greedy, respectively.
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To jump start their "trip back to youthfulness," Mahadevan suggests that they should create problems in the neighbourhood: According to him, its only with problems that one becomes youthfully energetic. While staying at Govindan Kutty's house, they are greeted with flowers left at the doorstep with a tag reading "Maya." Immediately thinking that this is their old Maya, they go to meet her in a café. They barely miss her, but Appukuttan throws a rock and breaks her car's rear window.
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She worked at the hospital till 1888, which was when "family circumstances" called her to London where for not quite three years, she lived with maternal-side relatives. Her English kinsfolk appear to have moved in politically left-wing circles: life in London made a deep impression on her still youthfully receptive soul. She was struck by the way that in England great affluence and gut-wrenching poverty could be found side by side. Great industry brought both great benefits and great destruction.
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Also known as elves, the Westfolk physically resemble humans in most respects, although they can be distinguished by their pointed and furled ears, as well as their eyes which have catlike irises. The Westfolk are longer-lived than humans, with a lifespan measured in centuries, but have fewer children than humans do. The Westfolk also have sharper vision than humans, being able to see clearly in very low light. Another major difference is that the Westfolk remain youthfully vigorous for most of their adult lives, and begin to age only near the end of their lives.
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Echecrates () was a Thessalian military officer of Ptolemy Philopator in the Fourth Syrian War with Antiochus the Great in 219 BC. Echecrates was employed in the levying of troops and their arrangement into separate companies. He was entrusted with the command of the Greek forces in Ptolemy's pay, and of all the mercenary cavalry. According to Polybius, he did good service in the war, especially at the Battle of Raphia in 217 BC.Polybius. v. 63, 65, 82, 85 He is also known for kidnapping a young maiden serving as the oracle at Delphi, causing oracles serving thereafter to be older women who instead dressed youthfully.
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Two stories, "Learning to Be Me" and "Closer", involve a different kind of neural implant called a "jewel"--a small computer inserted into the brain at birth that monitors its activity in order to learn how to mimic its behavior. By the time one reaches adulthood, the jewel's simulation is a near-perfect predictor of the brain's activity, and the jewel is given control of the person's body while the redundant brain is discarded. In this way, people with the jewel can eliminate the cognitive decline associated with aging by implementing their minds on a machine. Also, by transplanting the jewels into cloned bodies genetically altered to develop without brains, they can live youthfully forever.
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In 2013, Englert made her Off-Broadway debut in Julie Taymor's A Midsummer Night's Dream at Theatre for a New Audience. She received rave reviews for her performance as Hermia opposite Kathryn Hunter's Puck, with The New York Times' Ben Brantley praising her "knockout comic performance as a sexually teasing Hermia," and The Hollywood Reporter calling her "dizzy Hermia" the "standout". The production was later made into a feature film with limited theatrical release. Shortly after the run of A Midsummer Night's Dream, Englert was cast in Theatre for a New Audience's Off-Broadway production of King Lear in the role of Cordelia opposite Michael Pennington, again garnering positive acclaim as a "youthfully severe Cordelia" with "a faun-like vulnerability".
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His first television work was a 1975 episode of the children's science fiction television programme The Tomorrow People, alongside American actress Sandra Dickinson, whom he married on 26 December 1978. Davison portrayed an alien named "Elmer", who arrives on Earth along with his sister (played by Dickinson) and his mother, known as "the Mama" (played by Margaret Burton). In the mid-1970s, during a lull in his acting career, Davison spent 18 months working in a tax office in Twickenham. In 1976, he was offered a prominent role in the 13-segment TV miniseries Love for Lydia opposite a young Jeremy Irons; the series was broadcast on ITV the following year. In 1978, Davison's performance as the youthfully mischievous Tristan Farnon in All Creatures Great and Small made him a household name.
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Chola bronzes are few intricate ornament in comparison with the subsequent bronzes of the Vijayanagar and Nayaka period. There is gentle grace, a restrained and quiet elegance, an ethereal, out-worldly beauty, and above all else - a life that throbs and pulsates and thereby enlivens the bronze sculpture. By means of the facial expressions, the gestures or mudras the overall body posture and other accompanying bronzes we can imagine the surroundings and the religious context of the figure of the god or goddess; what instrument or weapon he or she is holding; what he or she is leaning on; and what he or she is doing or about to do. For example, in the Rishabaandhika or the Vrishabavahana murthy pose, we see Shiva standing with one leg youthfully crossed across the other and his arm elegantly flexed and raised as if resting or leaning on something.
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The portrayal of his character in this series was consistent with Filmation's portrayal, although the character of Prince Adam was brasher and more youthfully energetic than his 1980s counterpart (conveying the image of a teenage boy saddled with the responsibility of defending a planet from evil). The Adam/He-Man character was redesigned, to make the character's secret identity more credible. The second-season episode "The Power of Grayskull" revealed Adam/He-Man to be a descendant of King Grayskull (a powerful barbarian and a hero from Eternia's ancient past), who sacrificed his life in order to save Eternia from the Evil Horde and originally wielded the Sword of Power. He was the original owner of Castle Grayskull; his sword was concealed in the castle for centuries before being given to Prince Adam, who inherited his ancestor's own power channeled through the sword (thus giving added meaning to the phrase "By the power of Grayskull...").
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" When DTH performed Manifestations in 1987 at the Kennedy Center, reviewer Suzanne Levy wrote, "Its drama is clear and striking, yet evoked with great economy; its movement material is eclectic, and its theatrical effects are dazzling... this chamber ballet conveys the gulf between bliss and evil and what it means to the innocent to bridge that gulf... eliciting gasps and cheers from the audience." Tyrus danced Giselle in 1989, and Kisselgoff said she had "a lovely quality to her dancing, and her Giselle was youthfully innocent in Act I and full of mercy in Act II. Her mad scene was conventional and well done, contrasting with her sparkling solo and openly confident hops on toe." DTH performed Allegro Brillante, with a Tchaikovsky score and choreography by George Balanchine, in 1989. The review by Jennifer Dunning mentioned some problems in partnered sequences of Tyrus and Augustus van Heerden, but also said they were "redeemed by a last fine series of supported turns.
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