Sitting cross-legged on a slightly elevated platform, the ROKE performers wore white kimonos and gold wreathes in their hair, and their faces were painted gold.
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The names of the victims were read out before wreathes were laid in front of the office building, including one by Macron and Paris Mayor Anne Hidalgo.
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Re-titled "Wreathes for the Chieftain," this version celebrated Washington as a military hero -- a trait he shared with Roderick Dhu -- but also as something new: the father of his nation's peace and stability.
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Several people who passed by Mr. Li's coffin said they saw wreathes sent from Mr. Xi, as well as from China's premier, Li Keqiang, and other senior leaders, both retired and still in office.
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Senior state politicians laid wreathes and paid tribute to the victims at a Martyrs' Memorial in downtown Mumbai, while other events were held at some of the sites of the three-day attack, which began on Nov.
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For those who look forward to the holiday for its creep-factor, the retail chain has chic skulls and neon ghosts, and if the scary parts of the season aren't for you, there are also fall-focused pieces from sparkling pumpkins to rustic wreathes.
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They laid wreathes in the city square and some even called on people to riot against the government.Zhang Liang. The Tiananmen Papers p. 396.
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At the rear, the narrower chancel projects under a pediment. On its rear wall is a blind window with four pilasters and an entablature with wreathes.
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An eternal flame was installed at this point. The President and Prime Minister as well as other dignitaries lay wreathes at the monument at an annual remembrance ceremony. The memorial is scheduled as a Grade 1 national monument.
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Nonnus, Dionysiaca 7. 139 ff (trans. Rouse) During her pregnancy, Semele rejoiced in the knowledge that her son would be divine. She dressed herself in garlands of flowers and wreathes of ivy, and would run barefoot to the meadows and forests to frolic whenever she heard music.
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There are inscriptions on the sides of the plinth. Around the plinth is an enclosure with four seating areas, and it is surrounded by a circular parapet. The parapet is broken by four flights of steps. Flanking the tops of the steps are reliefs of groups of children holding wreathes; all the reliefs are different.
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A sweet conversation in murmur now goes While dreamy old river just quietly flows. Within that Prut Valley the flowers are plucked And wreathes for the wedding with myrtle are tucked; Inside of the cabin play fiddles and bass While friends sing together: To their Happiness! Translated by Waldimir Semenyna (13 October 1933, Ukrainian Weekly).
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At the top of the obelisk is a flaming urn to symbolise immortality. The corners of the plinth are angled and contain carved laurel wreathes. Higher in the plinth are eight bronze tablets with the names of those lost in the Second World War. Towards the top of the obelisk on all four faces are crosses carved in relief.
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Sometime between 1450 and 1500 the seraphim in wreathes between the arches were added - Roberto Longhi attributes them to Cosimo Rosselli. It is recorded in the Stuart royal collection and ended up in Parma, where it and two other works were exchanged for Parmigianino's Turkish Slave during the Fascist era. Gloria Fossi, Uffizi, Giunti, Firenze 2004.
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When Tsuna's group infiltrates their base, he runs into Gokudera and Ryohei. It is evident that he received a substantial power boost and succeeds defeating Ryohei. He and Gokudera then fight to a stalemate. He later returns to protect Yuni from the Real Six Funeral Wreathes and later both of them sacrifice themselves so the Arcobaleno can be reborn.
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The symbols, the haloes and the hair of the figures are gilded. The shafts of the Composite pilasters are decorated with ecclesiastical symbols: different types of crosses, cardinal's hats, torches, wreathes, palm branches, lamps. The shields with the crosses on the pilasters of the aedicula of the holy oil indicate that these parts came from the Cybo chapels.
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The circular plaque is attached to the five-pointed moire ribbon on which the colors dark blue, white and gold vertical stripes are illustrated. A bronze rectangular plate of 37mm x 5.5mm featuring the composition of a book and an atomic description, as well as the wreathes is attached to the top of the striped ribbon. The plate is covered with a golden layer.
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They show laurel wreathes forming circles and octagons with geometric and floral motifs. They border two other rooms that retain figurative mosaics. In the first of these rooms a very damaged mosaic contains a panel with scenes of the ransom of the body of Hector. In this scene Odysseus, Achilles and Diomedes, identified by inscriptions in Ancient Greek, are weighing the body of the hero.
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Standing on the base is a triangular obelisk with concave sides, which carries the figure of a mother holding her child. On the base around the obelisk are three standing figures, a soldier, a sailor, and an airman. Between the figures are three bronze wreathes. On the west side of the memorial is a plaque commemorating the Liverpool Escort Force of the Second World War.
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Liu Xiaojiang is married to Li Manmei (also known as Li Heng), the daughter of former CPC general secretary Hu Yaobang, a political moderate whose death in 1989 was a major contributing event to the Tiananmen Square protests. In Li Manmei's 2005 memoir about her father, she recounts how Liu joined her three brothers in carrying wreathes for the December 1990 ceremony at which Hu's ashes were interred.
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It was unveiled on Saturday 28 May 1921 in honour of the 128 men of Yiewsley who fell in the Great War. In 2009 Yiewsley War Memorial was rededicated by the Bishop Suffragan of Willesden to include the names of the 73 men of Yiewsley who fell in the Second World War. A ceremony with the laying of wreathes is held at the War Memorial on Remembrance Sunday each year.
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The ceiling of the Chinese Room consists of a dramatic elliptical dome. A gilt plaster molding of wreathes surrounds the dome, while the rest of the ceiling is covered in chinoiserie paintings of animals, people, and trees. A two-tiered crystal chandelier hung from the center of the dome. At some point in time, the windows in the east wall were filled in, and mirrors inserted in the new, false casements.
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It was a stuccoed building, decorated with pilasters and wreathes, and it had a Tuscan porch. This columned south-facing porch was demolished in the early 1980s after becoming structurally unsafe. Soon after being acquired by the then university college a two storey range of student accommodation, later known as the "Old Wing," was constructed running south- westward from the original building. Constructed in brick and rendered brick, it had a pitched slate roof.
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The memorial consists of a stone pedestal and pillar, with statues, wreathes, and inscribed plates in bronze. It stands about high. Behind the memorial is a curved wall ending in pillars and there are four more pillars arranged in front of the memorial; all these carry inscribed plates. On top of the main pillar is the bronze statue of a female figure, mourning and holding a wreath, representing those who were left behind at home.
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Still believing that Don Checco is really Count de Ridolfi, the young couple are convinced that he has interceded with Fiorina's father to allow the marriage. As a powerful nobleman, he would not be refused. Meanwhile, peasants who had heard that the count was staying at the inn arrive bearing flowers and wreathes to pay homage to him. Surrounded by the peasants and with the bailiff and two policeman waiting outside, Don Checco becomes desperate.
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At least two statute bases were votive offerings by Eurydice, paternal grandmother of Alexander the Great; it has been suggested that these offerings were made to commemorate Philip II's victory at Chaeronea in 338 B.C.E. It is possible that there was a statute of Eucliea in the sanctuary. In the area surround the sanctuary, at least three burials of significant people, who were crowned with golden oak leaf wreathes, have been discovered.
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It shows a strong similarity to the parapet of the Della Rovere Chapel. The central motifs are the coats themselves which are surrounded by wreathes of fruit and fluttering ribbons. The white marble central slabs are flanked by dwarf pillars which are decorated with different types of shields and bunches of fruits, ears and flowers. There is a cross trefly on the large shield in the middle of the right door pillar.
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The octagonal star, the outline of the circle, the atom and the book images, the words and figures, the "BSU" logo and the wreathes are gold color. Between the two circles, the arch is dark blue, the background of the inner circle is gold. In the upper part of the reverse side of the medal, the words “BDU-100” are embed, also the sketch of the main building of the BSU is engraved in the center.
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There is an octagonal star on the left and right sides of the inscription. Wreathes with ears are inscribed on the left and right sites of the “1919-2019” along the lower arch. In the center of the inner circle of the medal, there is a composite consisting of a book (symbolizing education) and an atom (symbolizing science) description. “BDU” (abbreviation of Baku State University (BSU) in Azerbaijani) is engraved above the book-atomic composition, while “100” is below the composition.
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These, along with a relief frieze on the base featuring a lion, torches, laurel wreathes, and fasces, were designed by sculptor Richard Oliver Gross. The original intention was for a bronze frieze to surround the base, but a funding shortfall forced this to be abandoned. The foundation stone was laid by Dunedin mayor Harold Livingstone Tapley in 1924. Several historic documents were placed in a capsule under the stone, including histories of the military in Otago and copies of current newspapers.
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Representatives from the moderate Social Democratic and Labour Party (SDLP) were also in attendance. A large number of UDA members wearing combat uniforms marched in the procession behind the coffin which was preceded by the RUC and a bagpiper. The local Apprentice Boys of Derry formed a guard of honour with some carrying UDA wreathes as they escorted the coffin which was draped in UDA and Ulster flags. The UDA's commander Andy Tyrie was one of the pallbearers along with DUP deputy leader Peter Robinson.
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Ten two-story tapered columns with Ionic capitals are aligned along the front facade between two square limestone end columns. The columns uphold an entablature inscribed with Oklahoma Historical Society in the center with three wreathes, symbolic of academic buildings, on each side. Above these along the lower edge of the cornice are dentils combined with egg and dart moulding as part of a frieze that includes lion masks. Atop the entablature lies the antefix featuring floral anthemions, one of the building's common motifs.
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The railing and the door are richly decorated with roses, garlands, leaves and bows. The abat-voix is painted woodwork with dark yellow marbleizing, decorated with rosettes, brackets and leaves. On the underside there is a silvery dove surrounded by a meander strip; on the top an allegorical female statue representing the Church is holding a chalice and a church model. The canopy-like base of the statue is decorated with wreathes and it is surrounded by four putti holding the Tablets of Stone and the cross, flanked by flowering urns.
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Philip Lybbe Powys, who visited Heythrop in 1778 remarked that the stucco work was by "the famous Roberts of Oxford", though the plasterer Thomas Roberts was born in 1711; "In the arches over the doorways", Mrs. Lybbe Powys noted "fables of Aesop, finely executed in stucco, with wreathes of vine leaves." After the fire the house remained derelict until sold to the railway contractor Thomas Brassey in 1870 as a wedding present for his third son Albert Brassey (1840–1918). Brassey commissioned the eminent architect Alfred Waterhouse to rebuild the interior.
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Watford commemorated Davis in their next match after his death, a 1–0 win over Bournemouth in the League Cup, with both teams wearing black armbands, the captains placing wreathes and the entire stadium holding a minute's silence before kick-off; at full time, Davis' friend and teammate, Danny Webber, took off his shirt to reveal a vest printed with Davis' name and Watford squad number. England's game against Croatia on 20 August was also preceded by a minute's silence in memory of Davis and former coach Ray Harford, who had died the same day as Davis.
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The collar is made of white and yellow gold. Kyiv artists have painted its seven medallions. They represent miniatures of Vladimir the Great’s Trident, the coat of arms of the Kingdom of Galicia–Volhynia and that of the Grand Duchy of Lithuania, “The Cossack with a Musket” sign, Hetman Bohdan Khmelnytsky’s patrimonial Syrokomla coat of arms and the Ukrainian People's Republic’s coat of arms as the first attempt to establish independent Ukraine in the 20th century. The painted medallions alternate with jewelry ones: above laurel wreathes of white gold there are guelder rose leaves of yellow gold gemmed with 96 garnets each one and a half millimeters.
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According to David Lorenzen, there is a paucity of primary sources on Kapalikas, and historical information about them is available from fictional works and other traditions who disparage them. Various Indian texts claim that the Kāpālika drank liquor freely, both for ritual and as a matter of habit. The Chinese pilgrim to India in the 7th century, Hsuan Tsang, in his memoir on what is now northwest Pakistan, wrote about Buddhists living with naked ascetics who cover themselves with ashes and wore bone wreathes on their heads, but Hsuan Tsang does not call them Kapalikas or any particular name. Scholars have interpreted these ascetics variously as Digambara Jains, Pashupatas and Kapalikas.
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It was built and administered by the Regional Council. Shortly following the Tiananmen Square massacre, the Hong Kong Alliance in Support of Patriotic Democratic Movements in China erected a replica of the Goddess of Democracy statue in Sha Tin Central Park, on a temporary basis, with the approval of the council. Over 4,000 people attended its unveiling on 3 July 1989, with many laying wreathes at the foot of the statue. In 1997, the pro-Beijing camp within the council voted down another application by the alliance to temporarily exhibit the Pillar of Shame statue in the park on the anniversary of the massacre.
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46Bland Situated on key points of the battlefield they memorialize, the central feature of the memorials would be a 13 tonne cube-shaped block of white-grey granite quarried near Stanstead Quebec. The blocks are essentially identical, carved with wreathes on two opposing sides and inscribed with the phrase "HONOUR TO THE CANADIANS WHO ON THE FIELDS OF FLANDERS AND FRANCE FOUGHT IN THE CAUSE OF THE ALLIES WITH SACRIFICE AND DEVOTION" around the base. Though uniform in design, they are differentiated in the brief English and French descriptions of the battle they commemorate inscribed on their sides and the small parks that surround the memorial blocks, which vary in shape and layout.
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Once in Chinese hands, the relics did not go to Qinghai as planned. On 17 May 1939, 200 specially-selected Nationalist troops conveyed the relics to Yan'an, then the principal base of the Chinese Communists. Upon their arrival on 21 June 1939, the Communists held a large public sacrifice to Genghis Khan with a crowd of about ten thousand spectators; the Central Committee presented memorial wreathes; and Mao Zedong produced a new sign for it in his calligraphy, reading "Genghis Khan Memorial Hall" (t s Chéngjísī Hán Jìniàntáng). As part of the Second United Front, it was allowed to pass out of the Communist controlled area to Xi'an, where Shaanxi governor Jiang Dingwen officiated another religious ritual before a crowd of tens of thousands on 25 June.
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An arch was erected by the archbishop at the foot of Spring Garden Road emblazoned with the words "Welcome to the Land of the Mayflower" and festooned with wreathes and thousands of roses. Further up the road a large arch, sponsored by General Trollope, Commander-in-Chief of His Majesty's Forces in Nova Scotia, was erected in front of the courthouse. The archway was lauded by the British Colonist newspaper as "the grandest object amongst all our displays, in or around the city, outside of the Province Building.... It is the most splendid thing of the kind we have ever seen, here or elsewhere, and evinces on the part of its designer, not only much taste but real genius." Other arches and monuments were set up outside the gardens and the Convent of the Sacred Heart.
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303 cartridges plus gun mountings, parts for aeroplane engines, fuze body stampings and submarine mines, 23,400 tons of metal. After WWI, with a reduced staff, orders for metal stampings, wrought iron work, war memorials, ecclesiastical metalwork and statuary resumed. All kinds of bronze work were in demand from home and abroad: statues, wreathes, emblems, friezes, tablets, as well as entrance doors and revolving doors for the Hong Kong & Shanghai Bank in Shanghai, lift enclosures for flats in Brook Street, London, lighting standards for Reading Bridge and the gates for Africa House in Kingsway, London.Frome Museum, document D1348, reprint from The Architectural Review Two of the largest commissions were Fehr's 1924 Shanghai Allied War Memorial (the Angel and all of the other bronzes were removed by the Japanese in 1943) and friezes for the Scottish National War Memorial (1927) at Edinburgh Castle by Alice Meredith Williams.
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46 Bland Situated on key points of the battlefield they memorialize, the central feature of the memorials would be a 13 tonne cube-shaped block of white-grey granite quarried near Stanstead Quebec. The blocks are essentially identical, carved with wreathes on two opposing sides and inscribed with the phrase _"HONOUR TO THE CANADIANS WHO ON THE FIELDS OF FLANDERS AND FRANCE FOUGHT IN THE CAUSE OF THE ALLIES WITH SACRIFICE AND DEVOTION"_ around the base. Though uniform in design, they are differentiated in the brief English and French descriptions of the battle they commemorate inscribed on their sides and the small parks that surround the memorial blocks, which vary in shape and layout. At the encouragement of General Sir Arthur Currie, the Canadian Battlefields Memorials Commission competition jury that chose Walter Allward's monument design had originally envisioned Alward's edifice being built atop Hill 62 as Currie believed it had been the site of the Canadian Corps first offensive success during the war.
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Formal commemoration of the Emden action in 1934 was even delayed until the unveiling of the Bradleys Head memorial, suggesting that the new memorial took over the primary commemorative role. However, wreathes do continue to be laid at the Emden Gun memorial on dates such as ANZAC Day. When viewed in the context of war trophies in NSW, the Emden Gun (together with other World War One and Crimean War trophy relics, such as those found elsewhere in Hyde and Centennial Parks) are permanent physical reminders of the values placed on victories in war that contribute to our social memory. They also represent a shift towards commemoration of men and women who have died in the course of all conflicts and peacekeeping activities, and the changing role of those monuments which are conflict- specific but no longer have a community of service men and women with direct links to those conflicts due to the passage of time.
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