How to use wizen in a sentence? Find typical usage patterns (collocations)/phrases/context for "wizen" and check conjugation/comparative form for "wizen". Mastering all the usages of "wizen" from sentence examples published by news publications.
"It's so amazing to me how much God loves you—because God doesn't usually bother to wizen up ordinary kids who get involved in teen-age sex play," the professor wrote.
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Efraim "Effi" Wizen (born October 29, 1956, in Israel) is an Israeli computer animator and visual effects specialist.
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Wizen graduated from ORT Israel, having studied architecture. He also earned a B.Sc. in architecture and city planning from the Technion – Israel Institute of Technology. He is one of the first specialists in computer animation and visual effects, founding the first 3D animation company in Israel, “Dad_Pro”, in 1984. In 1987, Wizen created one of the first film digital compositing systems, called Toccata.
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Estudios Quanta, in São Paulo, is a Brazilian film studio and the country's largest rental house.Brazil battles image problems amid movie boom by R.T. Watson, September 6, 2010[The world's hottest production facilities] Hollywood Reporter, October 14, 2010 In 2010, Effi Wizen was the head of visual effects for Estudios Quanta.
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"Toccata" \- \- Wizen used the system in one of the first digitally composed movie Taxandria in 1989 and Neverending Story III in 1994.Taxandria on iMDB \- Neverending Story III on IMDb He worked on both films as Digital Effects Supervisor. Also in 1994 he founded the post production house "Gravity VFX and Design", serving six years as the co-CEO.Gravity VFX He then opened Gravity VFX in Canada, aligning with "RhinoFX", and now known as "Gravity".
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In 1998, Wizen created the consortium"Digital Domain Inc. Joins a New Consortium in Acquiring Premier Visual Effects Studio in Germany", December 17, 1998 that was composed of Digital Domain, Kushner-Locke Company, Capitol Films of the United Kingdom, Israeli Financial Banking firm DLIN Ltd., and Israeli post- production facility Gravity VFX and Design (a VFX boutique with offices in Canada and Israel, of which he is CEO and creative director). In 1997, he handled digital effects for The Dybbuk of the Holy Apple Field.
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These are all active attacks though, unlike the Epomis larvae's strategy to lure the larger amphibian to them. Wizen and Gasith suggest that the strategy could have begun through evolution as an anti-predator defense, and later became the means of living for the larvae. The amphibians have not evolved to adjust for the Epomis larvae yet, as the majority of the animals they prey are an easy catch for the amphibians. A species of South American ant has adapted the ability to hunt creatures that are up to 13,350 times their mean weight.
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